CTDT GR 6-8 Thank You Maam
CTDT GR 6-8 Thank You Maam
CTDT GR 6-8 Thank You Maam
What makes this text complex?
Text and “Thank You, Ma’am” by Langston Hughes Where to http://photos.state.gov/libraries/hochiminh/646441/vantt/Thank%20You_%20Ma_am.pdf
Author Access Text
Text Description
This is a short story that seems very simple on the surface; a boy tries to steal a purse but the owner grabs hold of him and brings him home for some mothering. She
feeds him and gives him money before turning him out, never to see him again. The story is compelling to students because of the woman’s unexpected response to the
attempted theft. It becomes more compelling with close reading because the details of this sparse story reveal many hints about the characters, their motivations, and
more complex themes than students will notice on the first reading.
Quantitative
th
Lexile and Grade 920—5 grade Text 1341 words
Level Length
Qualitative
Meaning/Central Ideas Text Structure/Organization
Students will be able to quickly develop an initial idea about No graphics. The organization is clear and chronological. Characters are complex. The point of view is
the meaning of this text and its theme. Multiple readings and intricate because the story is told from neither character’s point of view; students need to analyze
discussions about the text reveal multiple levels of meaning characters’ words and actions in order to infer the characters’ thinking and motivation.
that may be difficult to identify. There are also themes that
are ambiguous and revealed over the entirety of the text.
Prior Knowledge Demands Language Features
Explores themes of varying levels of complexity. Experiences Sentences mainly have a simple structure. Some archaic words and figurative language. Language is
portrayed (that of people in a poorer neighborhood without largely explicit and easy to understand, but investigating the author’s sparse choices reveals more
many advantages) may or may not be uncommon to readers. complex meanings.
No references to other texts.
Vocabulary
Tier Two Words (General academic vocabulary) Tier Three Words (Domain-specific words)
“Words that are far more likely to appear in written texts than in “[Tier Three words]…are specific to a domain or field of study (lava, carburetor, legislature, circumference, aorta)
speech. [They] often represent subtle or precise ways to say and key to understanding a new concept within a text.” (CCSS ELA Appendix A)
relatively simple things—saunter instead of walk, for example.”
(CCSS ELA Appendix A)
• Slung • Half-nelson No Tier Three words in this text.
• Pocketbook • Blue suede shoes
• Latching • Day-bed
• Stoop • I didn’t aim to
• Frail • I got a great mind to
• Barren • Roomers
• Blue-jeaned sitter • Kitchenette
• You a lie • Gas plate
• Icebox
Connecticut State Department of Education 2
Potential Reader/Task Challenges
th th
The story is age-appropriate for 6 graders (could also be appropriate for 5 grade through adulthood), and the surprising behavior of the characters is engaging to
students. Students will need to be able to step outside of their own experiences and expectations of how people interact in order to understand the relationship between
th
the woman and the boy. There are also references to aspects of living in the mid-20 century that students may not understand. Students used to developing one idea
about characters and the text may find this task challenging since they will need to recognize that characters and the meanings of what they say and do change over the
course of the story.
Text-dependent questions
Page of this
Question Standard alignment
document
RL6.1
How does the woman’s history affect the way she chooses to handle the boy trying to steal her purse? 5
The woman calls the boy different things throughout the text: “boy”, “Roger,” “son”. How does her changing word choice
RL6.4 8
reflect her changing attitude toward the boy?
What the boy says and does midway through the story shifts. What do his changes in speech and action reflect about changes RL6.3
11
in his feelings?
How does the change in the meaning of the phrase, “When I get through with you, sir, you are going to remember Mrs. Luella RL6.5
16
Bates Washington Jones,” relate to the story’s theme of how people can change?
How does the part where the woman gives the boy money to buy shoes contribute to the development of the theme of people’s RL6.2
19
ability to change?
Target Standards
• RL6.1 Cite textual evidence to support inferences drawn
from the text.
• RL6.2 Determine how a theme is conveyed through particular details.
• RL6.3 Describe how the characters change as the plot moves toward a resolution.
• RL6.4 Analyze the impact of a specific word choice on meaning.
• RL6.5 Analyze how a particular sentence fits into the overall structure of
a text and contributes to the development of the
theme.
Question 1
How does the woman’s history affect the way she chooses to handle the boy trying to steal her purse?
Question #1
Standard(s) RL6.1 Cite textual evidence to support inferences drawn
from the text.
covered:
Example response that meets standard Look-fors
The woman says that when she was young she “wanted things that I could not get.” It
seems like she probably stole because she says, “I have done things, too, which I • Mentions that the woman had a hard younger life and/or that
would not tell you, son—neither tell God, if he didn’t already know.” She probably she probably stole when she was young.
kicks the boy, instead of running away or calling the police because she had a tough • Connects the woman’s kindness towards the boy with her
early life, where she may have even been in fights, and that made her comfortable with earlier life.
defending herself. Later in the text, the woman’s history makes her more sympathetic
toward the boy. Because she knows how the boy probably feels, she is kinder to him
than most people would be. Instead of calling the police, she decides to take him to
her home to clean him up and feed him. At the end of the story she gives him money
for the shoes he wanted. It seems as though the woman remembers how she felt
when she was that age and treats the boy the way she would have liked people to
have treated her. Another example of this is when the woman and the boy are eating
dinner. The text says, “The woman did not ask the boy anything about where he lived,
or his folks, or anything else that would embarrass him.” This suggests that she can
relate to how the boy is feeling and that she wants to treat him in a way that respects
his feelings. Because the woman’s history is similar to the boy’s experience, she treats
him like a son she cares about instead of a thief she’s angry at.
If students are struggling to answer the text-dependent question, use this follow-up plan for modeling and practice:
Objective In this lesson you will learn how to infer a character’s motivation by asking how her history would cause her to act in this way.
Prior
knowledge to Inference—combining information in the text with information you know from life to figure out information the author hinted at but did not
review directly write. (RL.4.2)
Steps to
achieve Think aloud for direct instruction
objective
Connecticut State Department of Education 5
• Okay, so I’m going to reread the text, looking for places where the character acts in a way that is different from how most people
would act. “She was a large woman with a large purse that had everything in it but hammer and nails.” Hmm. That is sort of an
1) Reread the unusual description, but I know people who have a lot in their purses. I wouldn’t say there’s anything here that the woman does
text, looking for that is different from how most people would act. I’m going to keep on reading.
places where • Oh! Here it says, “the large woman simply turned around and kicked him right square in his blue-jeaned sitter.” Wow. That
the character definitely seems unusual. If this happened to most people, where someone tried to steal our purse, we wouldn’t be kicking him.
acts differently. Most people would grab the purse and run away as fast as we could. Or whip out a phone and call the police. The woman is
definitely acting differently from how most people would act here.
• I’m going to highlight this part to mark that it shows a place where the character acts differently.
• Okay. So now I need to ask myself, “What do I know about the character’s history that might connect to this unusual behavior?”
2) Ask, “What Hmm. I’d better think over everything I know about the woman from the whole story.
do I know about • Well, later in the story the woman says that when she was young she wanted things she could not get and she did things that she
the character’s doesn’t want to tell the boy. It seems like maybe she did some stealing when she was younger. Could that connect to her unusual
history? behavior?
• I think it might. I’m going to go on to the next step and try it out.
3) Ask, “How • So now I’m going to ask, “How does this part of the character’s history explain the character’s behavior?”
does this part • Well, if she stole and did bad things when she was younger, it sounds like she might have had a tough life. Maybe she even got
of the into fights when she was younger. It makes sense that she would have some experience with defending herself.
character’s • I think I’m ready to start answering the question: the woman probably kicks the boy, instead of running away or calling the police
history explain because she had a tough early life, where she may have even been in fights, and that made her comfortable with defending
the character’s herself.
behavior?” • Now I’ll look for other places where the woman acts in ways different from how most people would act so I can add more to my
answer.
• If students are having difficulty identifying places where a character acts in an unusual way, have them fold a piece of paper in half the long way. On
one side, have them list actions a character does in the story. On the other side of the paper, across from each action the character did, have the
students write what they would do in that situation. Have students share their lists with with a partner or in small groups. If most students write that
they would do the same action as the character, the character’s action is probably normal. If most students wrote that they would act differently, what
the character did was probably unusual.
• If students are having difficulty connecting a character’s history to her actions, have them work in partners or groups to list what they know about the
character’s history. Have them put a star next to the part of the character’s history that seems most different from other people’s lives. Then, have
them brainstorm all the ways that part of her history could possibly relate to the action in the story students are trying to explain.
What next?
1. Reread the text, looking for places where the character acts in a way
that is different from how most people would act.
Analyze a character’s actions
2. Ask, “What do I know about the character’s history that might
connect to the character’s unusual choice?” Explain how setting shapes a character
Question 2
The woman calls the boy different things throughout the text: “boy”, “Roger,” “son”. How does her changing word choice reflect her changing
Question #2
attitude toward the boy?
In the beginning, the woman calls him “boy”. This shows that she doesn’t care very
much about him and doesn’t think he deserves much respect. She starts using the
boy’s name when she brings him into her house. (“Then, Roger, you go to that sink • Connects the term “boy” with being disconnected with him (not
and wash your face.”) Using his name shows that she expects to spend some time with caring about him/not respecting him/not seeing him as someone
him and is interested in getting to know him. Then she switches to calling him “son”. she is going to have a long relationship with).
She does this while she is acting motherly toward him. She has made him wash his • Connects the term “son” with acting motherly toward him.
face and comb his hair. She says “Eat some more, son.” It seems like she really cares • Provides examples from the text of what the woman does to
about him and wants him to feel loved and taken care of. At the very end of the story show how she is feeling about the boy.
she switches back to calling him “boy”. (“Good-night! Behave yourself, boy!”) She
probably does this to mark that she’s not going to see him again.
If students are struggling to answer the text-dependent question, use this follow-up plan for modeling and practice:
Objective In this lesson you will learn how to analyze the impact of a specific word choice by connecting the word to a character’s feelings.
Steps to
achieve Think aloud for direct instruction
objective
Connecticut State Department of Education 8
• I need to reread the story and see what is going on before and after the woman uses those words for the boy. I think first I’ll skim
through the story and highlight where the woman calls the boy “boy,” “Roger,” and “son” so I can find them easily.
• MODEL SKIMMING THE STORY AND HIGHLIGHTING THESE WORDS.
• Okay, now those terms are easy to find. The next step is to see what is going on before and after the woman uses each term.
1) Reread the
• So I’m going to skim through and look for all the places the woman calls him “boy”….Hmm. She uses it in the very beginning,
text to
when she says, “Pick up my pocketbook, boy, and give it here.” And then she doesn’t say “boy” again until the very end, when
determine the
she says, “Good night! Behave yourself, boy!”
context of the
• Now I’m going to read a little bit before and a little after these lines to remind myself what’s going on in the story…
word.
• Well, the first time is just after the boy tried to steal the woman’s purse. The woman kicked him and grabbed onto him and wouldn’t
let go.
• The second time is just after the woman said he needed to leave so she could go to sleep, and just before she closes the door on
him.
• Now I need to try to figure out how the woman is feeling about the boy. I’m going to start by thinking about how I would be feeling if
I were in her situation, but the beginning and ending seem like different situations. I’m going to start by thinking about the
beginning first.
• So, the boy just tried to steal her purse. If someone just tried to steal my purse I would be really mad.
2) Ask, “What is
• Hmm. Mad isn’t such a specific word. I think I need to push myself to be more precise. I can’t just think about my feelings. I’m
the character
going to need to think about the woman’s situation to try to figure out more precise words for how she is probably feeling about the
feeling here?”
boy.
• Well, the woman seems capable of defending herself, and the boy didn’t do a very good job of trying to steal her purse. It seems
like she’s angry but she also feels in control of the situation, since she’s ordering the boy around. It’s like she’s dealing with a kid
who was misbehaving.
• Hmm. I need to think about how the word “boy” connects to how the woman is feeling. How could the word “boy” show that she’s
angry but in charge and that she’s dealing with a kid?
• Well, the boy is really a teenager, but she calls him “boy” like he’s young.
3) Connect the
• She also doesn’t bother to ask him his name.
character’s
• So, when she calls him “boy,” it’s like she doesn’t care very much about him, and she’s treating him like someone that isn’t worthy
feelings to the
of much respect.
word.
• Okay. So I’ve figured out what the woman’s attitude is when she calls the boy “boy”. Now I need to go back through all three steps
to figure out what the woman’s attitude is when she calls him “Roger” and when she calls him “son”.
• MODEL GOING THROUGH THE STEPS FOR “BOY” AT THE END OF THE STORY, “ROGER” AND “SON”.
What next?
Question 3
Question #3 What the boy says and does shifts midway through the story. What do his changes in speech and action reflect about changes in his feelings?
Standard(s) RL6.3 Describe how the characters change as the plot moves
toward a resolution.
covered:
Example response that meets standard Look-fors
In the beginning of the story, when the boy first gets caught, he barely talks and
doesn’t do much. He mostly just says “yes’m” and “no’m”. He acts like a criminal. He • Accurately mentions changes in how the boy talks (says more
also seems really scared, like he expects people to be mean to him. By the end, he than in the beginning) and in how the boy acts (sits where the
starts talking more. He uses whole sentences instead of just one word answers, such woman can see him).
as when he asks, “Do you need somebody to go to the store…maybe to get some milk • Connects the changes with a change in the boy’s feelings
or something?” He seems like he is starting to relax around the woman and care about (trusts the woman, wants to be well-behaved).
her. The boy’s behaviors make it seem like he’s turning into a more polite, responsible • Includes evidence from the text to support the changes.
person.
If students are struggling to answer the text-dependent question, use this follow-up plan for modeling and practice:
Objective
In this lesson you will learn how to describe how a character changes by examining changes in speech and behavior.
Prior
knowledge to
review
• If students are having trouble using a character’s speech and actions to determine what kind of person the character is have the class brainstorm a
list of words that could describe the kind of person someone is. Have individuals or pairs choose a word from the list and then write, draw a cartoon,
or act out an example of what a person who fits that word would say and do. Alternately, pairs, small groups, or the class could brainstorm examples
of individuals they know who fit one of the describing words and then share examples of what that person has said and done that fit the description.
• If students are having trouble explaining the difference in the character from early on in the story to later in the story, give them this sentence frame to
use: In the beginning, the character used to be ____, but in the end s/he isn’t. Instead, s/he is ____. Practice using this sentence frame with the
woman from the story, with a character from another story, or with examples of how students have changed since they were young.
What next?
1. Reread the story, noting what the character says and does. Analyze a character’s actions
2. Ask, “What kind of person says and does that?” Grow ideas about character traits
3. Explain the difference in the character from the beginning to the end. Analyze a character’s thoughts, actions and words
EARLIER LATER
What the character SAYS
Table Example:
Connecticut State Department of Education 14
EARLIER LATER
What the character SAYS • Yes’m • Do you need somebody to go to the
• I didn’t aim to story, maybe to get some milk or
• Yes’m something?
• I’m very sorry, lady, I’m sorry • That will be fine.
• No’m • Thank you
• No’m, I just want you to turn me
loose
• No’m
What the character DOES • Grabs the woman’s purse • Sits where the woman can see him
• Picks up the woman’s purse (when • Eats dinner
she tells him to) • Takes the money the woman gives
him
• Walks down the hall with the woman
• Turns and looks at the woman
Question #4 How does the change in the meaning of the phrase, “When I get through with you, sir, you are going to remember Mrs. Luella Bates Washington
Jones,” relate to the story’s theme of how people can change?
Standard(s) RL6.5--Analyze how a particular sentence fits into the overall structure of
a text and contributes to the development of the
theme.
covered:
Example response that meets standard Look-fors
In the beginning of the story the phrase seems to mean that the boy isn’t going to • Accurately identifies a contrast between the beginning and end
forget the woman because she was so rough with him. The woman put him in a half- of the story: in the beginning of the story the phrase sounded
nelson and dragged him down the street. At the end of the story the phrase seems to like it was about the woman treating the boy badly, whereas in
mean that the boy is always going to remember the woman because of how kind she the end the phrase was a reflection of how the woman had
was to him. She fed the boy dinner and gave him $10 to buy the shoes he wanted. affected the boy in a positive way.
This is like how the woman changed from being a rough teenager who did things she • Supports the answer with specific phrases from the text that
wasn’t proud of to being a kind and generous adult. The boy changed too. He started illustrate the negative view of the woman in the beginning and
off trying to steal to get what he wanted. Later, he didn’t steal the purse when he had the positive view of the woman in the end.
the chance. The boy became more trustworthy after the woman took him to her home. • Connects the change in the meaning of the phrase to the
He might remember her for helping him change. changes in the characters.
If students are struggling to answer the text-dependent question, use this follow-up plan for modeling and practice:
Objective In this lesson you will learn how to analyze how a particular sentence contributes to the development of a theme by examining the change
in its meaning.
Prior
knowledge to Theme—reflects the author’s message to the reader (RL4.2)
review
Steps to
achieve Think aloud for direct instruction
objective
• So I want to reread a little before the sentence and a little after the sentence to see what the sentence means here.
1) Reread the • First I need to skim the story to find the sentence …..
text around the • Here it is! So what’s happening before the sentence? … The boy says he just wants the woman to turn him loose and she doesn’t.
sentence to • Then, just after the sentence she puts him in a half-nelson and drags him up the street to her home.
determine the • So now I need to try to figure out what the woman could have meant by saying, “When I get through with you, sir, you are going to
sentence’s remember Mrs. Luella Bates Washington Jones.”
meaning. • The woman was being pretty rough with him. It sounds like she’s saying the boy is going to remember a punishment she gives
him.
• Well, if the theme is that people can change, I need to think about how the characters changed, and how that connects to the
meaning of the sentence.
4) Ask, “How • So how did the characters change? Well, how the woman treats the boy definitely changes. At first it seems like she was going to
does this give him a rough punishment and then she was really generous to him.
change in • Okay. That’s a start. I’m going to keep thinking about what else I know about how the characters changed.
meaning • I know when the woman was young she did some bad things but now she’s generous. Hmm. How can that connect to the
connect to the sentence?
theme?" • Well, what I said sounds kind of like what I said about the meaning of the sentence; she used to be rough but now she’s generous.
• I should think about how the boy changed, too. How could that connect to the meaning of the sentence?
• MODEL FOR THE CHANGE IN THE BOY.
• If students are having difficulty figuring out what the sentence could mean, based on the events of the story, explain to students that people tend to
remember other people for the way they make us feel. Have students reread the text, either in groups, pairs, or individually, and put in emoticons to
show how the boy felt in response to the woman throughout the story. Then, have pairs or groups discuss what emotions the woman brought up in
the boy and which emotions would be most memorable for the boy.
• If students are having difficulty recognizing how the meaning of the sentence might change from the beginning to the end, divide the students into two
groups. Have one group focus only on the meaning based on events from the beginning and the other group focus only on the meaning based on
events from the end. Put students in pairs so one student is from each group. Have students explain the meaning of the sentence in this way: a
student from the group focusing on the beginning explains the meaning of the sentence, both students together say, “And then the meaning of the
sentence changed,” and then a student from the group focusing on the end explains the meaning of the sentence.
What next?
For additional practice, with students or for students' independent work, apply
this learning objective and set of steps to other fiction texts to analyze how a See more examples of how to teach analysis of theme. (RL6.5)
sentence contributes to the development of a theme. (RL6.5)
Objective: In this lesson you will learn how to analyze how a particular
sentence contributes to the development of a theme by examining the
change in its meaning.
1. Reread the text around the sentence to determine the sentence’s Interpret the text through a key phrase
meaning.
Explain how a theme is developed by analyzing character relationships
2. Reread the end of the story, looking for events that might connect
with the sentence in a different way. Determine the theme of a text
3. Ask, “How did the meaning of the sentence change?”
Question 5
Question #5 How does the part where the woman gives the boy money to buy shoes contribute to the development of the theme of people’s ability to change?
If students are struggling to answer the text-dependent question, use this follow-up plan for modeling and practice:
In this lesson you will learn how to explain how a theme is conveyed through particular details by examining changes in characters’ words,
Objective
actions, and feelings.
• If students are having trouble identifying changes that relate to the theme, have small groups of students dramatize each change by acting out what a
character was saying or doing early in the story and then what s/he said or did later in the story. Have each group begin and end their performance
by holding up a sign that says the theme. Ask audience members to share examples they noticed in the skit that connected or didn’t connect to the
theme.
• If students are ready for an extension, have students practice this work without telling them the theme. Have them use changes in characters’ words,
actions and feelings to determine what they might have learned and use this lesson to determine a theme.
• Another option for an extension is to have students choose another scene from the story that conveys the theme. Have students identify changes in
characters’ words, actions and feelings that reveal that they have learned a lesson related to the theme. Then, have them find a scene that highlights
these changes—either a scene that exemplifies what the characters were like before they changed or a scene that highlights how they are different
now that they have changed.
What next?
1. Reread the part that contains the particular detail, noting the
characters’ words, actions, and feelings.
Determine the theme of a story and analyze its development
2. Reread the rest of the text, looking for parts that connect to the
particular detail through a “theme change”.
3. Explain how the particular detail shows changes that connect to the
theme.
The boy