Download as DOCX, PDF, TXT or read online from Scribd
Download as docx, pdf, or txt
You are on page 1of 2
The conceptual approach to the design
intervention is to create a museum in flux.
This means that the museum experience is constantly changing. This concept can be applied in the functioning of the museum with changing exhibitions. A contemporary museum experience opposes the idea of a museum being built and portraying the same message for a hundred years to come. A contemporary museum should be constantly changing; growing or shrinking according to the needs of the visitors or the types of exhibitions on display. A contemporary museum should make the cross-reference between exhibited objects and the building that functions as a ‘living museum’ possible. The designed museum spaces should be able to accommodate changing exhibitions as designed by curators. The intervention should make provision for alteration and variations.
7.6. Design Informants
In the design concept, the term ‘flux’ is understood to mean ‘continuous change’. The aim is to design museum spaces that provide experiences that are continuously changing. The following aspects have been identified as the main informants of the design: 7.6.1. Reaction to the Atrium Building Interior architecture is influenced by the architecture of the building in which it is positioned and the urban context of the building. The design of a museum in an existing building in the inner city is a project that compels the interior architect to become familiar with the urban scale and fabric of the city in order to decide on a conceptual approach for the final design. The design will activate the central atrium space of the Standard Bank Centre. The shape of the intervention represents a living organic structure that contrasts with the rigid modular structure of the building. The design reacts to the site by contrasting the rigid shape and static character of the building. The existing entrances and movement patterns will be preserved and enhanced with the design intervention. Circulation is an important aspect of the building and this will be used to strengthen the design. Authenticity is an important concept of critical regionalism. By promoting participation of the users of the building and city, the museum provides and authentic experience. The use of local materials and craftsmanship is an important aspect of the design. The museum should be able to grow and change to transform the atrium into a ‘living’ public space.