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It's All Coming Back To Me Now

The document provides sheet music for the song 'It's All Coming Back to Me' by Pandora's Box. The sheet music is presented over multiple pages and includes notation for vocals, piano, and other instruments.

Uploaded by

Esther Anton
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
408 views44 pages

It's All Coming Back To Me Now

The document provides sheet music for the song 'It's All Coming Back to Me' by Pandora's Box. The sheet music is presented over multiple pages and includes notation for vocals, piano, and other instruments.

Uploaded by

Esther Anton
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 44

It's

All Coming Back To Me


(as performed by 'Pandora's Box')

    
C G/C



Power ballad ( = 78) J. Steinman
Arr: A. Ramsell

Solo

   
Backing
vocals 1 

   
Backing
vocals 2 
 
 

            
      
   

Piano 

  

  
F/C Fsus2/C


4

     
Solo

        
 

     


    
  

  
C G/B F/A


7

                 
Solo

  
      
più mosso 


 
            


   


    
 
2

  
G11 C G/B


10


         
Solo

          
     

  
            
   

 
F/A G11 G*

     
13

         
Solo

        

There were

  

 
        
 
  
3


F


C C/E

       
Dm Em

           
    
16
3

Solo

nights when the wind was so cold, that my bod y froze in bed if I just

     
B. vx.
1  

   
 
Ahh

 
B. vx.
2

 
       
       
        

        

 


     
4

 
Am Dm F Gsus G

           
      
19

 
Solo


    
          
     
lis tened to it, right out side the win dow. There were

 
    
         
   


   
 


F


C C/E

       
Dm Em

             

22

Solo

    

days when the sun was so cruel, that all the tears turned to dust, and I just


B. vx.
1

   
 
Ahh..


B. vx.
2

   
                      

          
 
         

  

        

    
Am Dm F Gsus G

           
25

Solo

      
       
knew my eyes were dry in' up for ev er.

 
B. vx.
1

    
2       
    
...for ev er

 
B. vx.

         
     



  
   


      
  
 

    

5


Am C Am
Em F G7 Em

             
        
28

Solo

   
I fin ished cry in' in the in stant that you left, and I can't re mem ber where, or when, or

     




           



    
     
        
       

 
 

   

Am F G

 
F Gsus Em

                     
31

Solo

    
             
how, and I ban ished ev 'ry mem 'ry you and I had ev er

       
   
allargando

       
      
         

  
F G11 C

      
    
34

 
Solo

made. But when you touch me like this, and you

    
Più lento

B. vx.
1  

   

 
Ohh...


B. vx.
2

         

        
    



Più lento 
      
      


 
6


G/B Am7 Dm7 G7
F

         
       
    
37


Solo

hold me like that, I just have to ad mit that it's all com in' back to me, when I

  
accel. poco rall..

B. vx.
1    


      
Ohh... Ahh...

B. vx.
2

                        
       
poco rall..

  
  
  
         
  
accel.



C G/B Am7 Dm7

 
         
          
40

Solo

touch you like this, and I hold you like that, it's so hard to be lieve, but it's all

   
 
á tempo

B. vx.
1

Ohh...

    
B. vx.
2

 
                            
 
á tempo

  
           
   
7


F G7 C F G

                   
 
43


Solo

com in' back to me, it's all com in' back, it's all com in' back to me now. There were

 
                

più mosso


B. vx.
1


          
It's all com in' back, it's all comin' back to me now.

      
B. vx.
2

       
             
       

       
     
più mosso

       

Am7 F Em Am7
F F

                   
 
46

Solo


               
mo ments of gold, and there were flash es of light, there were things I'd ne ver do a gain, but then, they'd

           
   
          
           
 
8

       
Em F

     
F Am Em7 Am

       
 
49

Solo

 
                
al ways seemed right. There were nights of sac red plea sure, it was more than a ny laws al low,

                
   
           
      
      
 
C
9

    
Dm

 
    
G13sus

       
52

Solo

 
        
     
rit.

        
ba by, ba by, if I kiss you like this, and if you

   
poco accel.


          
         
rit.

    
poco accel.

 


G/B
Dm7

     
Am7 F G

                 
55

Solo


         
whis per like that, I was lost long a go, but it's all com in' back to me. If you

   
B. vx.
1

      
        
...all com in' back to me.

B. vx.
2

                 
   
                
 
       
          
     


C G/B
Dm7

          
Am7

          
58

Solo

     
want me like this, and if you need me like that, it was dead long a go, but it's all

B. vx.
1 

     

...all


B. vx.

         
2

 
           

             

   
            

     
10


G Am7 Dm7 G
F F

             
          
61

Solo

com in' back to me. It's so hard to re sist, but it's all com in' back to me. I can


           
       
 

B. vx.
1

       
       
com in' back to me. ...all com in' back to me.

       
B. vx.
2

  
       
                  
    
             
         
 

        
Dm7 G7

          
Am7 F

   
64
Guitar solo

Solo

bare ly re call, but it's all com in' back to me now.

              

B. vx.
1

            
 
...all com in' back to me now.

B. vx.
2

                

 
          
               
 
C
11
C

    
F


       

      

  
67

Solo
  

      
                  
              
  
            
      
        
F
Dm7

             
               

70

Solo
   

  
  

  
    

 
  
 
         
   
        

G11


F

  
   
        
72

              
    
Solo

    
        
rit

  

       
        
   

  
C G/B Am7 Dm7


74

             


Solo

         


        
Guitar solo cont.


á tempo

    
                
      

 
12

  
F G C G/B


77

Solo

      
                        
         

       
                
             
  

   
Am7 Dm7 F G Am7 Dm7 F G


80

Solo

                             


                  
 
         
                            
                  

Fadd9/C

   
Am G/B Dm

     
3

84

Solo

      
                      
There were those

              


      
   
       
   
l.h

    
  
13

   
F


C C/E Dm Em

                  

89

Solo

     
emp ty threats and hol low lies, and when ev er you tried to hurt me, I just

B. vx.
1  

   
   
Ahh...

B. vx.
2

       
           
      
   
         
 

     

 
Am Dm F Gsus G

             
   
92

Solo

            
     
hurt you ev en worse, and so much deep er. There were

       
  


        
  
 

  
 


F


C

 
C/E Dm Em

           
        
95

Solo

   
 
hours that just went on for days, when a lone at last we'd count up all the


B. vx.
1

   
 
Ahh...


B. vx.
2

           
               
      

       

  

     
14

    
Am Dm F Gsus G

       
   
98

Solo

   
chan ces that were lost to us for ev er.

        

  
 
B. vx.
1

    
         

...for ev er

   
B. vx.
2

        
           







     
  
 

  

Am


Am F C Em

      
Em G7

              
101

Solo

   
But you were his t'ry with the slam min' of the door, and I made my self so strong a gain, some

                 


           
      
        
       

   
3

 

Am G
15
F

 
F Gsus Em

     
              
104

Solo

   allargando  
             
how, and I nev er wast ed a ny of my time on you since

       
   
     
         
        
allargando
16

  
F G11 C

      
    
107

 
Solo

  
then. But if I touch you like this, and if you

 
Più lento

B. vx.
1  

   

 
Ohh...


B. vx.
2

 
           
         




Più lento 
      
   
  


 
17


G/B Am7 Dm7 G
F


                
    
110


Solo

kiss me like that, it was so long a go, but it's all com in' back to me, if you

  
accel. poco rall..

B. vx.
1    


Ahh...

  
Ohh...

B. vx.
2
   

                        


      
poco rall..

  
  
  
       
     
accel.


18


C G/B Am7 Dm7

          

          
113

Solo

touch me like this, and if I kiss you like that, it was gone with the wind, but it's all

   
  
á tempo

B. vx.
1

Ohh...

    
B. vx.
2

               


        

á tempo

  
           
   

G7 C G
19
F F

                   
 
116


Solo

com in' back to me, it's all com in' back, it's all com in' back to me now. There were

 
           
     
più mosso


B. vx.
1


  
It's all com in' back, it's all comin' back to me now.

       
      
B. vx.
2

       
       
 



  

  
  

       
     
più mosso

    
  
20


Am7 F Em Am7
F F

                   
 
119

Solo

         
mo ments of gold, and there were flash es of light, there were things we'd ne ver do a gain, but then, they'd

B. vx.
1 

        

...flash es of light,


B. vx.
2


       
 
  




 
      
       
   
          
           
 
21

        
Em F

     
F Am Em7 Am

       
 
122

Solo

al ways seemed right. There were nights of end less plea sure, it was more than all your laws al low,

   
B. vx.
1        

    
       
...al ways seemed right. Ahh

B. vx.
2

 
              
  
                
   
           
      
   
   
22

         
Dm
C

    
G13sus

       
125

Solo

  
rit. ba by, ba by, ba by, when you touch me like this, and when you

            
poco accel.


B. vx.
1

 
           
ba by, ba by, touch me like this

B. vx.
2

 
      
   

   
                


       
       
     
rit.

   
poco accel.

  


G/B
Dm7

     
Am7 F G7

                  
128

Solo


    
hold me like that, it was gone with the wind, but it's all com in' back to me. When you

          
   

B. vx.
1

        

hold me like that ...all com in' back to me.

         
B. vx.
2

               
      
      
 
            
       
    
23


C G/B
Dm7

            
Am7


        
131

Solo


see me like this, and when I see you like that, then we see what we want to see, all

            
  

B. vx.
1

     
 
see me like this see you like that ...all

     
B. vx.
2

            


            
   
             
    
 
24

 
G7 Am7 Dm7 G7
F F

               
          
134

Solo

com in' back to me, the flesh and the fan ta sies, all com in' back to me. I can

                
     
B. vx.
1

       
       
com in' back to me. ...all com in' back to me.

       
B. vx.
2

      
                   
    
         
        
    
25

        
Am7 Dm7 G7

         
F F


137

Solo

bare ly re call, but it's all com in' back to me now.

              

B. vx.
1

         
...all com in' back to me now.

  
 
B. vx.
2


...all com in' back to me now.

                  
                   
      
   
          
          


    


   
C F C F


140

Solo

 
                    
           
                      
  
                    
  
      


   
    
 

26

  
Dm7 F G11

   
144


Solo

 
      
       
If you for

             
 



           
           
rit.

     
 
Dm7
27
C G/B Am7

 
        
Freely, with feeling

          
Solo

give me all this, if I for give you all that, we for give and for get, and it's

            
           
 

            

  


       


F G7 C G/B

        
        
      
151

Solo

all com in' back to me, when you see me like this, and when I see you like that, we see

  
B. vx.
1 


Ahh

  
B. vx.
2

               
               
  
          
   

28


Am7 Dm7 G7 Am7 Dm7
F

                        
154

Solo

 
just what we want to see, all com in' back to me, the flesh and the fan ta sies, all


B. vx.
1     

    
Ahh


B. vx.
2

              
            

    
       


G7 Am7 Dm7 G7
F F

                      
 
157

Solo

com in' back to me. I can bare ly re call, but it's all com in' back to me

B. vx.
   
1

 
 

B. vx.
2

              
          
   
  


  
        

29


C F C C/E

  
           
       
160

Solo


          
now. It's all comin' back to me now, and when you kiss me like this, it's all comin'

    
           


       



  

F C C/E F

                    


163

   
Solo

 
                 
    
   
back to me now, when you hold me like that it's all comin' back to me now, and if he

  
     
    

  
C

         
         
166

 
Solo

     
       
                 
touch you like this, it's all com in' back to me now, and if we...

 
rit.

 


    
    

rit.


Voice

It's All Coming Back To Me


(as performed by 'Pandora's Box')


              
G/C F/C Fsus2/C C G/B F/A G11 C G/B F/A J. Steinman
G11
Arr: A. Ramsell


Power ballad ( = 78)

                    
C C/E F

  
G* Dm Em Am

     
15
3

There were nights when the wind was so cold, that my bod y froze in bed if I just listened to it,


                       
Dm Gsus C C/E F Dm Em
F

          
 
20

right outside the window. There were days when thesun was so cruel, that all the tears turned to dust, and I just

 
              
Am Dm F Gsus Em Am F G7 C

             

25

knew my eyes were dry in' up forev er. I finished cry in' in the in stant that you left, and I

Am Am G


                                   
Em F Gsus Em F
F

30

can't re member where, or when, or how, and I banished ev 'ry mem 'ry you and I had ev er made.
G11 C G/B Am7 Dm7 F G7

              

    
    
35

  
But when you touch me like this, and you hold me like that, I just have toadmit that it's all comin' back to me,when I

Più lento accel. poco rall..


C G/B Am7 Dm7 F G7

              
    
          
40

touch you like this, and I hold you like that, it's so hard to be lieve, but it's all com in' back to me, it's

á tempo
C F G Am7 F Em F

                


        
44

all comin' back, it's all com in' back to me now. There were moments of gold, and there were flashes of light, there were

più mosso

      
Am7 Em

     
F F Am Em7 Am F

                
 
48

things I'd never do again, but then, they'd always seemed right. There were nights of sacred pleasure, it was more than any laws allow,

C G/B

 
Dm

    
Dm7

                      
G13sus Am7

52

rit. baby, baby, if I kiss you like this, and if you whisper like that, I was lost long a go, but it's all

poco accel.
C G/B
Dm7

              
F G Am7

         

57

com in' back to me. If you want me like this, and if you need me like that, it was dead long a go, but it's all

                                   
F G Am7 Dm7 F G Am7 Dm7 F G7

 
61

comin' back to me. It'sso hard to resist, but it's all comin' back to me. Ican barely recall, but it's all comin' back to me now.
F
3
F
C


C


 
F


              
     

 
Guitar solo

  
66

   

Dm7 F

     
        



71

   

  
Dm7 rit

C Am7

Dm7 Dm7
G G G

G11


          
C G/B Am7 F G/B Am7 F F Am

   
73

Guitar solo cont.

 
Fadd9/C

  
G/B Dm C C/E F

                 
3

85

There were those emp ty threats and hol low lies, and when


                    
C

            
Dm Em Am Dm F Gsus C/E


91

ever you tried to hurt me, I just hurt you ev en worse, and so much deeper. There were hours that just went on for days,

   
F Am


Dm Em Am Dm F Gsus Em

   
                             

96

when a lone at last we'd count up all the chances that were lost to us forev er. But you were hist'ry with the
Am
Am

                                    
F G7 C Em F Gsus Em

102

slammin' of the door, and I made my self so strong a gain, some how, and I never wasted any of my


         
F G11 C G/B
F

     
          
106


time on you since then. But if I touch you like this, and if you kiss melike that, it was

allargando Più lento accel.


Am7 Dm7 F G C G/B

     
            
111

so long a go, but it's all com in' back to me, if you touch me like this, and if I kiss you like that, it was

poco rall.. á tempo


Am7 Dm7 F G7 C F G

     
                  
115

gone with the wind, but it's all comin' back to me, it's all com in' back, it's all comin' back to me now. There were

Em più mosso Am7


Am7 F F F

                    

119

mo ments of gold, and there were flash es of light, there were things we'd ne ver do a gain, but then, they'd

Dm

          
Em

      
F Am Em7 Am F

       

122

always seemed right. There were nights of end less pleasure, it was more than all your laws al low, rit.

G/B

  
Dm7

             
G13sus C Am7

    
126

ba by, ba by, ba by, when you touch me like this, and when you hold me like that, it was gone with the wind, but it's all

poco accel.
C G/B
5
Dm7

                                
F G7 Am7


130

com in' back to me. When you see me like this, and when I see you like that, then we see what we want to see, all


Am7 Dm7 Am7 Dm7

                      
F G7 F G7

         
 
134

com in' back to me, the flesh and the fan ta sies, all com in' back to me. I can barely re call, but it's all

        
G7


F F C F C F Dm7 F G11

138

comin' back to me now.


C
G/B Am7 Dm7

             
          
147 Freely, with feeling

 
If you for give me all this, if I for give you all that, we for give and for get, and it's

F G7 C G/B Am7 Dm7

            
       
151

all com in' back to me, when you see me like this, and when I see you like that, we see just what we want to see, all

F G7 Am7 Dm7 F G7 Am7 Dm7 F G7

                                     
 
155

comin' back to me, the flesh and the fan tasies, all comin' back to me. I can barely re call, but it's all comin' back to me


C F C C/E F

                     


         
160

 
now. It's all comin' back to me now, and when you kiss me like this, it's all comin' back to me now, when you

C C/E F C

   
          
          
164

hold me like that it's all comin' back to me now, and if he touch you like this, it's all com in'


     
      
167

  
back to me now, and if we...

rit.
Backing vocals 1

It's All Coming Back To Me


(as performed by 'Pandora's Box')

 
                
   
Power ballad ( = 78) J. Steinman


Arr: A. Ramsell


 
         
           
Ahh Ahh..


27


 
        
                    
 
  

Ohh... Ohh... Ahh... Ohh...
43



                              
It's all comin' back, it's all comin' back to me now. ...all comin' back to me.

    
58

   
         
...all comin' back to me. ...all comin' back to me.

    
...all comin' back to me now.


67

 
      
                  
Ahh...

 
Ahh...


99

 

        
                
         
Ohh... Ahh...
Ohh...
113

           
                   
It's all comin' back, it's all comin' back to me now. ...flashes of light,


Ohh...


122

 
...always seemed right. Ahh ba by, baby, touch me like this hold me like that

                      
     
129


...all comin' back to me. see melike this see you like that ...all comin' back to me.

 
      
                         

135

...all comin' back to me now.


...all comin' back to me.
Ahh

 
   
     
156
Backing vocals 2

It's All Coming Back To Me


(as performed by 'Pandora's Box')

 
              
   


Power ballad ( = 78) J. Steinman


...for


Arr: A. Ramsell

 
  
          
     
27 ev er

 
                
          
42


              
          
57

   
   
        

   
 
65

  
       
           
 
 
...for ev er

  
97

                       
         
112

                            
  
121

                   


 
   
  
130

    

           
Ahh

 
137


   

...all comin' back to me now.
167
Piano

It's All Coming Back To Me


(as performed by 'Pandora's Box')

       
    
            
         

   
J. Steinman

      

Power ballad ( = 78) Arr: A. Ramsell


      


     
            
        
    
              
 
più mosso
7

            

 

                


    
 
 
                            
   
     
  
11


   

             
    

      
    
                                
            
16

     
   
                        




   
 

          
        

                          
                               
     
23

   
         
         
  

  
 

          

            
                     
               
  
allargando

  
29


 
        
           
 


              
 

 
    

                              
                

poco rall..
35





    
      
   
 

       
  
accel.

 
Più lento

  

              
                             
    
á tempo
40

 
              
        
    
più mosso

 
   
                              
           
45

     
              
                     
      
    
          
  
                                 
    
50

    


                        

                  
   
rit. poco accel.

     

                         
            
                
56

  
               
 
                 
    
      
3

                          


    
61

    
                  
               

     
            
  
         

  
 
  
65

 
             
        

 
                           

       


         
           
             
á tempo

   
70

   
                
                          

     
    
                                      
                   


75

                   
             

               
  
        
   
                              
   
80

   
        
                         
                 
        
       
                
          
 
              
84

  
    

       
      
    
  
l.h

    
        
                   
              
  
91

 
  
    


                
 
   

  

    
    
                       
                          
   
 
 
     
     
 
97

 
                    
                


 
  

  
3


           
        
    
                            

  
104



   Più lento
                   
 

  
allargando

         

                                           
         
  
poco rall.. á tempo
110


        
      
           


   
accel.


        
    
           
        
 
                

115

 
   
                
      
           
più mosso

     
  

                                 

                  
  
121

  
                    


      
                               
rit.

    

                 
5

                              
       
127


              
               
       
poco accel.

 
 
                
  
       
                   
   
132

 
                       
                 
    
   
                              
                 

137

   
          
     
                 


    

                               
                         
141

   
                      

           
           
rit.

    
 
        
                             
      


146

            
         
  



      
   
                       
      
                      
151

  
           
  
      
             
                      
   
156


     


   
       


      
 
               
  
  
 

     
  


     
     

161

          
      


                 
              

166


    
    

rit.

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