Mexican Lead Glazed Earthenwares
Mexican Lead Glazed Earthenwares
Mexican Lead Glazed Earthenwares
Bibliography:
Arnheim, Rudolf. “Russell, Guernica: The Labyrinth of Narrative and Vision,” Studies in Visual
Communication, vol. 7, no.2, 1981.
Atlee, James. Guernica: Painting the End of the World. London: Head of Zeus, 2017.
Barr-Sharrar, Beryl. “Some Aspects of Early Autobiographical Imagery in Picasso's Suite 347.”
The Art Bulletin, vol. 54, no. 4, 1972, pp. 516–533, https://doi.org/10.2307/3049039.
Batlle i Argimon, Helena. “From Goya to Picasso.” Print Quarterly, vol. 16, no. 1, 1999, pp. 91–
94, http://www.jstor.org/stable/41825244.
Berger, John. Success and Failure of Picasso. New York: Pantheon, 1989.
Burgard, Timothy Anglin. “Picasso's Night Fishing at Antibes: Autobiography, Apocalypse, and
the Spanish Civil War,” The Art Bulletin, vol. 68, no. 4, 1986, pp. 657-672.
Cantelupe, Eugene B. “Picasso’s Guernica.” Art Journal, vol. 31, no. 1, 1971, pp. 18–21,
https://doi.org/10.2307/775628.
Cooper, Douglas. “Picasso’s ‘Guernica’ Installed in the Prado.” The Burlington Magazine, vol.
124, no. 950, 1982, pp. 288–92, http://www.jstor.org/stable/880761.
Daix, Pierre. Picasso: Life and Art. New York: Icon, 1994.
Damian, Rodica Ioana, and Simonton, Dean Keith. “From Past to Future Art: The Creative
Impact of Picasso's 1935 Minotauromachy on his 1937 Guernica.” Psychology of Aesthetics,
Creativity, and the Arts, vol. 5, no. 4, 2011, 360–369.
Eakin, Hugh. Picasso’s War: How Modern Art Came to America. New York: Crown, 2022.
Eluard, Paul. “November 1936,” L’Humanité, 17 December 1936, quoted in Pierre Daix,
Picasso: Life and Art. New York: Icon, 1994, p. 246.
Evans, Thomas. “The Speed Graphic and The News Cameraman in the 1930s,” Graflex Historic
Quarterly, vol. 18, no. 2, 2013, https://www.tumblr.com/graflexcamera/67581169227/the-speed-
graphic-and-the-news-cameraman-in-the.
Granell, Eugenio Fernándes. Picasso's Guernica: The End of a Spanish Era. Ann Arbor, Mich.:
UMI Research Press, 1981.
, Notes on Picasso’s Guernica in Context 2
Green, Jon D. Picasso's Visual Metaphors,” The Journal of Aesthetic Education, vol. 19, no. 4,
1985, pp. 61-76.
Held, Jutta and Potts, Alex. “How Do the Political Effects of Pictures Come about? The Case of
Picasso's Guernica, Oxford Art Journal, vol. 11, no. 1, 1988, pp. 33-39.
Jones, Jonathan. “When the Master of Peace Did Violence.” The Guardian.
https://www.theguardian.com/culture/2003/oct/25/1.
Kaes, Anton, et al., editors. “Avant-Garde and Industry.” The Promise of Cinema: German Film
Theory, 1907–1933, 1st ed., Berkeley: University of California Press, 2016, pp. 450–81,
http://www.jstor.org/stable/10.1525/j.ctv1xxw2m.19.
L’Enfant, Julie. “Dora Maar and the Art of Mystery.” Woman’s Art Journal, vol. 17, no. 2, 1996,
pp. 15–20, https://doi.org/10.2307/1358462.
Morris, Lynda, and Grunenberg, Christoph. “Picasso’s Politics.” The Burlington Magazine, vol.
153, no. 1295, 2011, pp. 103–103, http://www.jstor.org/stable/25781987.
Penrose, Roland. Picasso: His Life and Work. 3rd ed. Berkeley: University of California Press,
1981.
“Picasso’s Newspaper.” The Wilson Quarterly (1976-), vol. 7, no. 5, 1983, pp. 37–38,
http://www.jstor.org/stable/45266245.
Pool, Phoebe. “Sources and Background of Picasso's Art, 1900-6.” The Burlington Magazine,
vol. 101, no. 674, May 1959, pp. 176-182. https://www.jstor.org/stable/872725.
Richardson, John. “A Different Guernica,” The New York Review of Books, 12 May 2016, 63 (8):
4–6.
Richardson, Mark, and Slack, Gordy, eds. Faith in Science: Scientists Search for the Truth.
London: Routledge, 2001.
, Notes on Picasso’s Guernica in Context 3
Schnurmacher, C. “Wire That Photo,” Popular Mechanics, July 1937, pp. 392–395, 128A–133A.
Sedwick, Frank. The Tragedy of Manuel Azaña and the Fate of the Spanish Republic, Columbus:
Ohio State University Press, 1963.
Song, H. Rosi. “Visual Fictions and the Archive of the Spanish Civil War.” MLN, vol. 129, no.
2, 2014, pp. 367–90. JSTOR, http://www.jstor.org/stable/24463496.
Thomas, Hugh. Goya: The Third of May, 1808. New York: Viking, 1973.
Thomas, Hugh. The Spanish Civil War. New York: Penguin, 2001.
Tobias, Jacque Venus, “Picasso’s Guernica: 80 Years Later.” The Artifice. https://the-
artifice.com/picasso-guernica/.
Utley, Gertje. Picasso: The Communist Years. New Haven; Yale, 2000.
van Hensbergen, Gijs. “Death, Destruction and Deity: Painting Guernica,” The Art Newspaper.
https://www.theartnewspaper.com/2017/04/04/death-destruction-and-deity-painting-guernica.
van Hensbergen, Gijs. Guernica: The Biography of a Twentieth-Century Icon. New York:
Bloomsbury, 2005.
Whelan, Richard. “Robert Capa’s Falling Soldier: A Detective Story,” Aperture, 2002.
https://issues.aperture.org/article/2002/1/1/robert-capas-falling-
soldier#:~:text=The%20Falling%20Soldier%20was%20first,a%20further%20state%20of%20col
lapse.
Witham, Larry. Picasso and the Chess Player: Pablo Picasso, Marcel Duchamp, and the Battle
for the Soul of Modern Art. Hanover; London: University Press of New England, 2013.
Zervos, Christian. “Histoire d’un tableau de Picasso,” Cahiers d’art, vol. 12, no. 4-5, 1937.