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    Olvidala - Solo Bandoneon

    Uploaded by

    Ivan Montero
    The document appears to be a musical composition containing musical notation symbols. It consists of repeated patterns of symbols organized into lines with a time signature. The composition is written for bandoneon, a type of button accordion instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Olvidala - Solo Bandoneon

    Uploaded by

    Ivan Montero
    85 views3 pages
    The document appears to be a musical composition containing musical notation symbols. It consists of repeated patterns of symbols organized into lines with a time signature. The composition is written for bandoneon, a type of button accordion instrument.

    Original Description:

    MAF ARREGLO PARA BANDONEON DE CUMBIA

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document appears to be a musical composition containing musical notation symbols. It consists of repeated patterns of symbols organized into lines with a time signature. The composition is written for bandoneon, a type of button accordion instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    85 views3 pages

    Olvidala - Solo Bandoneon

    Uploaded by

    Ivan Montero
    The document appears to be a musical composition containing musical notation symbols. It consists of repeated patterns of symbols organized into lines with a time signature. The composition is written for bandoneon, a type of button accordion instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 3

    olvidala

                                    
      
    Bandoneon

       
     
    
    
      
    
     
    
    
     

                            
    5

        

      
    
    
      
    
       
    
      

                         


    9

        
      
       

         
       
       
     
    

    

     

      

    
    14

                       

      
    
    
      
    
     
    
         
    
     

            
    18
           
                

      
    
    
     
    
      
    


    
      
     
      
     

        
               
    23

                     
          


     
               
           
           
    2

                           
    28

          

      
       
    7

          
    32
         
                   


          
         
          

     
    

      
    36

                          


        


       
          
         
          

             
    40

                          


       
      
         
      
      
      

      
    45

              


    
                
          

       



    
     

    
       

    
      
    
    

         


    49

      

       
    
    
      
    
     
    
    
     
    3

                      
    53

              
     


     
    
    
      
    
       
    
      

                       


    57

          

        
             
       
      
    

     


     

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