Comic Charts
Comic Charts
that sentiment: “More people are buying comics than ever before.”
And Susanne König, co-owner of Powerhouse Books, trumpeted sales increases for
comics and graphic novels, particularly for younger readers, in all three of her
Brooklyn stores.
1 The Boy, the Mole, the Fox and the Horse Charlie Mackesy HarperOne 450,116
2 Chainsaw Man #1 Tatsuki Fujimoto Viz 276,841
3 Spy x Family #1 Tatsuya Endo Viz 271,397
4 Demon Slayer: Kimetsu no Yaiba #1 Koyoharu Gotouge Viz 264,852
5 Chainsaw Man #2 Tatsuki Fujimoto Viz 223,779
6 Demon Slayer: Kimetsu no Yaiba— Hirano/Gotouge Viz 214,670
Stories of Water and Flame
7 Jujutsu Kaisen 0 Gege Akutami Viz 181,874
8 My Hero Academia Kohei Horikoshi Viz 179,977
9 Chainsaw Man #3 Tatsuki Fujimoto Viz 178,537
10 Chainsaw Man #4 Tatsuki Fujimoto Viz 174,050
11 Spy x Family #2 Tatsuya Endo Viz 173,890
12 Chainsaw Man #10 Tatsuki Fujimoto Viz 173,059
13 Demon Slayer: Kimetsu no Yaiba #2 Koyoharu Gotouge Viz 170,197
14 Jujutsu Kaisen #1 Gege Akutami Viz 160,792
15 Chainsaw Man #9 Tatsuki Fujimoto Viz 159,823
16 Chainsaw Man #11 Tatsuki Fujimoto Viz 157,003
17 Berserk Deluxe #1 Kentaro Miura Dark Horse Manga 145,848
18 Demon Slayer: Kimetsu no Yaiba #3 Koyoharu Gotouge Viz 143,236
19 Chainsaw Man #5 Tatsuki Fujimoto Viz 134,429
20 Spy x Family #7 Tatsuya Endo Viz 125,274
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Comics Retailing Comics Retailing
Fantastic Four, and Spider-Man leading the way with debuts of new volumes. The Susanne König, co-owner of
Powerhouse Books in Brooklyn.
return of Brian K. Vaughan and Fiona Staples’s Saga series was also warmly received.
But Brower, in contrast, saw the single-issue comics format lag. He listed key genres König reports that while “paperbacks
and categories and how they performed at his long-standing fan-base home base in are flying off the shelves,” hardcovers
the Midwest, and only three declined: superheroes, single-issue comics, and merchan- have become “a harder sell.” And
dise like posters and enamel pins. Handselling single-issue titles used to be easy for Hemming says that Skylight has had to
Brower and his team, he says, but has grown increasingly difficult. stop carrying an increasing number of
titles simply due to increased ship-
A changing industry and economy ping costs. Haines notes that increased
Despite strong sales, retailers faced headwinds and feared fallout from industry and carrying costs have left The Dragon’s
world economic shifts. The instability in the larger economic environment was often profit margins “slashed,” limiting the
cited by booksellers as a cause of concern. An increase in costs, both for consumers and traction and gains from increased
the retailers themselves, forced stores to shift priorities. revenue numbers.
Brower brought up the fact that
comics retail packaging supplies—like bags and boards used to protect single-issue
comics—have seen three price increases in the past two years (after zero in the previous
decade). While customers understand products being out of stock, frequent price
increases lead to contentious conversations with loyal collectors.
Comics supplies aren’t the only products increasing in price. Some shops bristled
at the unpredictable costs of single-issue comics themselves. Customers continue to
be willing to pay as much as $10.99 for one (albeit oversize) single-issue Superman
comic, but the concern is that these prices can have a ripple effect. Paying that much
for a single release could come at the expense of comics the consumer may have other-
Top 20 Children’s and Young Adult wise added to their order. With comics often being nonreturnable in the direct market,