Hifi €NGINEé For more Hi-Fi manuals and set-up information please visit www.hifiengine.comOPERATING INSTRUCTIONS & SERVICE MANUAL Rae SOLID-STATE STEREO AMPLIFIER SANSUI AU-999 Sansui. SANSUI ELECTRIC CO., LTD.Congratulations on joining the thousands of proud, satisfied owners of quality stereo components from Sansui. The AU-999 is the most advanced professional control amplifier ever manufactured by Sansui. Designed specifically for an ardent audiophile like you, it features the refined dull black panels common to all AU series professional control amplifiers from Sansui. The preamplifier section is constructed of carefully selected low-noise PNP silicon tran- sistors, while the power amplifier section features direct-coupled circuits specially de- veloped with the improvement of tone quality in mind. Together, they permit the AU-999 to deliver a full 180 watts (4Q)in music power output with unprecedentedly good tone quality. The AU-999 is lavishly endowed with accessory circuits. These include a Tone Selector circuit, an improved form of the Triple Tone Control circuit that offers a choice in selec- ting the critical frequencies of tone control; a Speaker Selector which permits connecting three sets of speaker systems; a Balance Check Switch which simplifies the job of adjusting for optimum balance of the right and left channel sound volumes; facilities to connect two phonographs and two tape decks; and a tape reprint circuit which makes it possible to copy a recorded tape by utilizing two tape decks. Special provisions have also been made to permit the amplifier to be built up into an electronic crossover stereo system and permit comparing such a system with a standard stereo setup. From the superior performance characteristics to the careful finish of control knobs, Sansui’s tradition of quality is evident. Packed with the most advanced circuits throughout, the AU-999 comes to you with the full confidence and guarantee of the manufacturer. It is now up to you to read the contents of this manual carefully before setting out to use it, so you may operate it correctly and obtain the maximum performance it is capable of offering for many years to come. CONTENTS SWITCHES AND CONTROLS. OPERATIONS — SPEAKER CONNECTION — RECORD PLAYING OPERATIONS. .......::seccceeeeeesseseeeeceeeeeeeeeneeaenenenseseeseneeeaanee 9,10 — RADIO RECEPTIONS —MICROPHONES OPERATIONS .......:0sseceeeeeeeeeeeseeeeeeeensueeeeeeeeeeeceescesseauenees 11, 12 —-TAPE PLAYBACK ——TAPE RECORDING ELECTRONIC CROSSOVER SYSTEM .......ccesseeeeeseeseeeeneeereees 13, 14 MAINTENANCE 15, 16, 17, 18 ACCESSORIES .. - 18 SPECIFICATIONS -19 CHARACTERISTICS .. - 20 TROUBLESHOOTING CHART 21, 22 CUSTOM MOUNTING......... 23, 24 DISASSEMBLY PROCEDURE vee 25 BLOCK DIAGRAM/LEVEL DIA sere 26 ALIGNMENT 27, 28 —TEST POINTS —MAIN AMP. SECTION OUTPUT BALANCE/CURRENT ADJUSTMENT PRINTED CIRCUIT BOARDS AND PARTS LIST. 29, 30, 31, 32, 33, 34 OTHER PARTS. «+ 35, 36 OTHER PARTS AND TH + 37,38SWITCHES AND CONTROLS Source Selector Indicator Power Indicator ‘The Power indicator is lit when the Power switch is tumed on. It remains lit while the amplifier is on. Speakers Switch Three pairs of speakers can be connected to the amplifier. You can install the main set of speak- ers (System A) in your listening room and addi- tional speakers (System B and C) in the same room or remotely in other rooms of your home. With the P-M connector removed, the amplifier and the speakers connected to the System C out- puts can be used asa component of the Electronic ‘Crossover System. OFF: All speakers connected to the amplifier are muted for private listening with headphones connected to the Phones jack. SYSTEM A: Selects the speakers connected to the System A terminals. SYSTEM B: Selects the speakers connected to the System B terminals. SYSTEM A+B: Selects the A and B speakers simltaneously. SYSTEM C: Selects the speakers connected to the System C terminals. Power Switch Power is applied to the amplifier when the Power switch is set in its up position. This switch con- trols any other components connected to the ‘upper two AC outlets on the rear panel. Headphones Jack Plug a stereo headset into this jack for private listening or monitoring. This jack will acept any standard stereo phone plug, but a dynanic head- set is recommended. Balance Check Switch «__———__ This switch is used to check whether the sound levels from both right and left speakers xe equal. ‘Turn the Mode switch to any MONO position; turn all Tone Selector switches to DEFEAT; set the Balance Check switch to the town or ‘TEST position; and adjust the Balance oratrol so that the sound levels from both spears are minimized. When not in use, make are this switch is in its up position. Note: Headphones cannot be controlled by this switch. Balance unequal sound levels forn both speakers as described above, and then use the headphones.Volume Control This control adjusts the over-all sound level of both channels, Turn it clockwise, and the volume is increased: and vice versa. Source Selector Switch This switch selects from among the various pro- gram sources connected to the input jacks on the rear panel of the amplifier. MIC: Selects a 50k microphone or micro: phones connected to the MIC inputs. PHONO 1: Selects a record player having @ 50 k@ cartridge connected to the PHONO 1 inputs. PHONO 2: Selects a record player having a 30, 50 or 100k@ cartridge connected to the PHIONO 2 inputs. AUX: Selects other components connected to the AUX inputs. TUNER: To select a tuner connected to the TUNER inputs, set the lever to its down or TUNER position. When not in use, it must be in its up pos Mode Switch: STEREO REVERSE: Use this position if the channels of a stereo program are reverse. The Mode switch connects the left inpat to the right speaker and the right input to the left spaker. STEREO NORMAL: Use this position if the stereo program is normal. The Mode swith con: nects the left inpat to the left speaker ad the right input to the right speaker. MONO L+R:_ The Mode switch in this position connects the left and right inputs to bothspeak- MONO L: The Mode switch in this yosition connects the left input to both speakers, MONO R: The Mode switch in this josition connects the right input to speakers. Balance Control This control adjusts for equal sound fron both left and right channels to compensate fo: slight imperfections in program material, variaioons in speaker output, and the vagaries of room acous-SWITCHES AND CONTROLS Treble Control This control determines the amount of treble tone in both channels. When the marker is centered at the 0 position, the response curve is fat. The control emphasizes the treble tone by 2 dB per step as it is turned clockwise. To decrease the treble loudness, turn it counterclockwise. Midrange Control This control determines the amount of midrange in both channels. When the marker is centered at the 0 position, the response curve is flat. The control emphasizes the midrange by 1 dB per step as it is turned clockwise. To decrease the midrange loudness, turn it counterclockwise. Bass Control ‘This control determines the amount of bass tones in both channels. When the marker at the 0 position, the response curve is flat. The control emphasizes the bass tone by 2 dB per step as it is turned clockwise. To decrease the bass loudness, turn it counterclockwise. is centered Bass Tone Selector ‘This switch selects the frequency at which the Bass control begins to cut or boost DEFEAT: Use this position for flat response at low frequencies. 200Hz: The Bas cosntrol begins to cut or boost the bass tone at 200 Hz. 400Hz: The Bass control begins to cut or boost the bass tone at 400 Hz. Midrange Tone Selector This switch selects the frequency at which the Midrange control begins to cut or boost. DEFEAT: Use this position for flat response at mid-frequencies. 1 kHz: The Midrange control begins to cut or boost the midrange at 1000 Hz. 2kHs: The Midrange control begins to cut or boost the midrange at 2000 Hz, Treble Tone Selector This switch selects the frequency at which the Treble control begins to cut or boost. DEFEAT: Use this position for flat resyonse at high frequencies. 6kHz: The Treble control begins to cut or boost the highs at 6000 Hz, 3kHz: ‘The Treble control begins to cut »x boost the highs at 3000 Hz. Low Filter Turntable rumble and other low-frequency noises | are reduced by setting the Low Filter svitch to the ON position. High Filter Surface noise from old or worn records, tipe hiss and other high-frequency noises are reduced by setting the High Filter switch to the ON josition.Tape Monitor Switch Two stereo tape decks can be connected to the amplifier. When using 3:head tape decks, this switch allows recording directly {rom any program set up on the amplifier, and at the same time al- lows listening to the actual recording as picked up by the playback head. DECK 1: Selects the tape deck connected to the TAPE 1 or TAPE RECORDER jacks. DECK 2: Selects the tape deck connected to the TAPE 2 jacks When not in use, make sure the switch is in the SOURCE position. Muting Switch The Muring switch attenuates music and voice by 204B over the whole frequency range without use of the Volume control. This switch is used to suppress the background noise heard when changing a record, and to reduce the over-all sound level temporarily while playing a record. Tape-to-Tape Reprint ‘When connecting two tape decks to the amplifier, this switch allows tape-to-tape recording. DECK 1-2: Use this position for recording from tape deck 1 to tape deck 2 SOURCE RECORD: With the switch in this position, any program source selected by the Source Selector switch can be recorded by either deck 1 or 2, or by both decks simultaneoud y. DECK 2-1: Use this position for recording from tape deck 2 to tape deck 1. Note: During the tape-to-tape reprinting process, monitoring is possible on either recording or play- back side by setting the Tape Monitor switch to the DECK 1 or DECK 2 position. When the Tape Monitor switch is returned to the SOURCE, position, it is possible to play a record as usval while reprintingOPERATIONS —— SPEAKER CONNECTIONS —— RECORD PLAYING Connecting Loudspeakers Three pairs of 4- to 16-ohm speakers can be con- nected to the amplifier. One set of speakers con- nected to the SYSTEM A terminals may be installed in your listening room and two other sets of speakers connected to the SYSTEM B and C outputs may be installed in other rooms of your home. The Speakers switch selects from among the A, B and C speakers. When it is set to the SYSTEM A+B position, you will hear sound from both speaker systems, Only the C speakers can be used as a component of the Electronic Crossover System. A. detailed description will be found in the section en- titled Electronic Crossover System. To connect the main set of speakers to the ampli- fier: 1, Connect the positive terminal of the speaker on your right (as viewed from the listening area) to the right channel SYSTEM A (+) terminal on the rear of the amplifier. 2. Connect the lead from the negative speaker terminal (marked —) to the right channel SYS- ‘TEM A (—) terminal on the rear of the amplifier. 3. The left speaker connections are made at the left channel SYSTEM A terminals on the rear of the amplifier in the manner described above. 4, Set the SPEAKERS selector to SYSTEM A. In connecting speakers to the amplifier, no more than }4-inch of insulation should be removed from the end of a speaker cable, since any greater length ‘of exposed wire is likely to cause shorts at the ter- minals, All wire strands should be tightly twisted. To connect, depress the terminal button with one hand, push the stripped end of lead wire in the hole with the other hand, and release the button. If you wish to connect one or two more sets of speskers in the same room or remotely, you can consect such speakers to the SYSTEM B and C terminals of each channel as indicated above. To listen to sound from the B or C speakers, be sure to turn the Speakers switch to the SYSTEM B or C position respectively. RECORD PLAYERS Connecting Record Players The AU.999 has two sets of PHONO inputs to accommodate a pair of players, The PHONO 1 has the input impedance of 50 kQ. The PHONO 2 can be switched between 30, 50 and 100k@ by means of the PICKUP LOAD switch on the rear panel To connect a record player to the amplifier, proceed as follows: 1. Connect the left channel output of the record player to the LEFT PHONO 1 (or PHONO 2) input jack on the rear of the amplifier. 2. Connect the right channel output of the record player to the RIGHT PHONO 1 (or PHONO 2) input jack. 3. If a monophonic player or turntable is used, it may be connected to either LEFT or RIGHT PHONO input jack. Listening to a Stereo or Mono Record 1. Set the SOURCE SELECTOR switch to PHO- NO 1 or PHONO 2 depending on which input is being used. Check the TUNER SELECTOR switch to see if it is in its up position. 2. Set the MODE switch to STEREO. If: mono- phonic record player is used, set the MODE switch to MONO. 3. Make appropriate settings of controls on the record player. 4, Place the needle on the record. 5. Adjust the BALANCE control for equa sound from both right and left speakers. 6. Use all other controls and switches according to your personal taste and room acoustics. Note: When monophonic records are playsd on a stereo player, follow the same procedures as for stereophonic records for better results. Insert the power-cord plug of the player int» one of the two A.C. outlets marked SWITCHED on the rear of the amplifier. The power supply will then be controlled by the front POWER switch. 7—LEFT CHANNEL ‘Vouraae seLecTOR might CHANNEL : pit connccron Baza connectine ro. SPEAKER TERMINALS. PICKUP, ~ aD To LOAD SWITCH! RECORD PLAYER RECORD PLAYER fo\ LEVEL ADJUST GROUNDING LEFTSPEAKER RIGHTSPEAKER RIGHT SPEAKER LEFT SPEAKER LEFT SPEAKER RIGHT SPEAKEROPERATIONS ——RADIO RECEPTION ——MICROPHONES TUNERS Connecting Tuners For a stereo tuner, connect its left channel output to the left channe! TUNER input jack, and its right channel output to the right channel TUNER input jack. For a monophonic tuner, connect its output to either left or right jack. For use with an FM- MPX adaptor, connect the tuner output to the adaptor input; then connect the left channel output of the adaptor to the left channel TUNER jack, and the right channel output of the adaptor to the channel TUNER jack. Listening to a Stereo FM Program 1, Set the TUNER SELECTOR switch to its down or TUNER position. 2, Set the MODE switch to STEREO. 3. Use tuning controls to reach the desired station. Make appropriate settings of controls on the tuner. 4. Adjust the amplifier’s front panel controls and switches according to your personal taste and room acoustics. Listening to a Mono Program. 1. Set the TUNER SELECTOR switch to its down or TUNER position. 2. Set the MODE switch to MONO. 3. Use tuning controls to reach the desired station. Make appropriate settings of controls on the tuner. 4, Adjust the amplifier’s front panel controls and switches according to your personal taste and room acoustics. For Use with an FM-MPX Adaptor 1. Set the TUNER SELECTOR switch to its down or TUNER position. 2. Set the MODE switch to STEREO, 3. Use tuning controls to reach the desired station. 4, Make appropriate settings of controls on the FMMPX adaptor. 5. Adjust the amplifier’s front panel controls and switches according to your personal taste and room acoustics. MICROPHONES One or two microphones can be connected to the MIC inputs on the rear of the amplifier. Use high- impedance 50-0 dynamic or velocity microphones for optimum performance. Connections If two microphones are used, connect one to the RIGHT MIC input and the other to the LEFT. If only one microphone is used, connect it to either RIGHT or LEFT MIC input. Operation 1, Tur the SOURCE SELECTOR switch to MIC. Check the TUNER SELECTOR switch to see if it is in its up position, 2. If two microphones are used, set the MODE switch to MONO L-+R for mixing the two input signals or to STEREO for separate use of the two microphones. If only one microphone is used, set the MODE switch to MONO L or MONO R de- pending on which input is being used. 3. Use all other controls and switches according to taste and listening conditions. CAUTION: When you connect one set of speakers to the SYSTEM A terminals and another set of speakers to the SYSTEM B in order to use them simultaneously with the Speakers switch set in its SYSTEM A+B position, each speaker must have impedance of 8ohms or more. If a 4ohm im- pedance speaker is used, the amplifier may be damaged.TO TUNER ee SEE “SPEAKER CONNECTION WALL OUTLET LEFT CHANNEL (T CHANNEL,OPERATIONS —— TAPE PLAYBACK —— TAPE RECORDING TAPE DECKS Connecting Tape Decks Tape decks can be connected to record from, and playback through, the AU-999. Tape monitoring is possible with a tape machine having a built-in preamplifier as well as separate recording and playback heads. Tape Deck with DIN Connector If your tape deck has a DIN (German Industrial Standard) 5-pin plug, plag it into the TAPE RE- CORDER socket on the rear panel of the amplifier. Caution: The tape deck having a DIN connector must not be used together with another tape deck connected to the TAPE 1 jacks, To use both decks simultaneously, the latter tape deck should be con- nected to the TAPE 2 jacks. Pin-Jack Tape Deck To record on tapes from the amplifier: 1. Connect the left channel input of the tape deck to the left channel TAPE 1 (or 2) REC jack on the rear of the amplifier. 2. Connect the right channel input of the tape deck to the right channel TAPE 1 (or 2) REC jack. 3. If a monophonic tape recorder is used, it may be connected to either left or right TAPE REC jack. ‘To playback through the amplifier: 1. Connect the left channel output of the tape deck to the left channel TAPE I (or 2) PLAY jack on the rear of the amplifier. 2. Connect the right channel output of the tape deck to the right channel TAPE 1 (or 2) PLAY jack. 3. Ifa monophonic tape recorder is used, it may be connected to either left or right TAPE PLAY jack. Recording on Tapes 1. Set the SOURCE SELECTOR switch to the program to be recorded. 2. Set the MODE switch to STEREO. If a mono- phonic tape recorder is used, set the switch to MONO. 3, Make appropriate settings of controls on the tape deck. To record on a pair of tapes simultaneously by using two tape decks connected to the TAPE } and 2 jacks: 1. Set the SOURCE SELECTOR switch to the program to be recorded. 2. Set the TAPE-TO-TAPE REPRINT switch to SOURCE RECORD. 3. Set the tape decks in the recording mode. 4. Use other controls and switches appropriately. Listening to Tapes 1, Turn the TAPE MONITOR switch to PLAY BACK DECK 1 or 2. 2. Set the MODE switch to STEREO. If a mono- phonic tape recorder is used, set the switch to MONO. 3. Make appropriate settings of controls on the tape deck. 4, Use the amplifier’s front panel controls and switches according to your personal taste and listen- ing conditions. ‘Tape Monitoring Monitoring is possible only with a tape deck which has its own playback preamplifier as well as separate recording and playback heads. Set the TAPE MONITOR switch to PLAYBACK and ase all other controls and switches according to your personal taste and listening conditions. Tape-to-Tape Reprinting To record from the tape deck connected to the TAPE 1 jacks to the tape deck connected to the TAPE 2 jacks: 1. Turn the TAPE-TO-TAPE REPRINT switch to DECK 1» 2. 2, Set tape deck 2 in the recording mode. 3. Set tape deck 1 in the playback mode. 4, Use other controls and switches appropreately. To record from tape deck 2 to tape deck 1: —u—a 1, Turn the TAPE-TO-TAPE REPRINT switch | AU-999, rather than through microphones placed to DE 21 in front of the speakers re connecting and oper to look up the m: ting the tape decks, rer's operating Set tape deck 1 in the recording mode. 3. Set tape deck 2 in the playback mode. 4. Use other controls and switches appropriately instructions. Note: 4. The TAPE MONITOR switch should be in the 1. Tape recorded sound cannot be controlled by SOURCE position except when the tapes are being the controls and switches on the front panel of the monitored or played back by the tape deck. When amplifier. They control sound from the speakers the switch is in the PLAY BACK position, signals only. from any other source will not be heard from the 2. For better results, record directly through the | speakers. aT > PLAYBACK RECORDING ol] A asta Te ut oore TO TAPE DECK 1 TAPE DECK ‘SEE "SPEAKER CONNECTION" = LEFT CHANNEL RIGHT CHANNELELECTRONIC CROSSOVER SYSTEM Electronic Crossover System The electronic crossover system is said to be the best hi-fi sound reproduction method available, featuring the following advantages: L. Since the tweeters, midranges and woofers have their own amplifier, any speakers of different im- pedance and efficiency can be used for stereo ar- rangement. 2, This system has better filter characteristics than the conventional LC crossover network. You can determine the optimum crossover points for the speakers used, 3. Since there is no component between the ampli- fier and speaker, the damping factor of the amplifier is not affected and it is directly coupled to the sped 4, This system allows use of the power amplifiers: effectively and efficiently. For instance, a big-power amplifier can be used for woofers, and ones with good characteristics for midranges and tweeters. You can select the amplifiers suitable for each of the woofers, midranges and tweeters. The AU-999's preamp and main amplifier sections can be used separately by simply removing a pair ‘of connectors from the PRE OUTPUT and MAIN INPUT jacks on the rear panel. This feature en- ables you to use the AU-999 as a component of an Electronic Crossover System in the following man- ner: 1. Set the SPEAKERS switch to SYSTEM C. 2. Remove the two connectors from the PRE OUT- PUT and MAIN INPUT jacks. 3. Connect an electronic crossover unit (Sansui CD.5) to the PRE OUTPUT jacks. 4. Connect the low-frequency output of the electro- nic crossover unit to the MAIN INPUT jacks on the AU.999, 5. Connect the right and left woofers to the SYS- TEM C terminals on the AU-999. 6. Connect the mid-frequency output of the elec- tronic crossover unit to the inputs of the second separate power amplifier (Sansui BA.90), and the right and left midrange speakers to the said power amplifier. 7. Connect the high-frequency output of the elec- tronic crossover unit to the inputs of the third sepa- rate power amplifier (Sansui BA-90), and the right and left tweeters to the said power amplifier. Notes: 1, You can connect speakers to the SYSTEM A and B terminals in addition to the SYSTEM C. and directly compare the sound of the Electronic Crossover System with that of the ordinary stereo arrangement by turning the SPEAKERS switch between the SYSTEM A, B and C positions. 2. The connection of an additional pre-amplifier to the MAIN INPUT jacks cuts off all front panel switches and controls except the BALANCE CHECK and SPEAKERS switches. Thus, to adjust, the tone and volume, operate the controls of the additional pre-amplifier connected to the AU-999. When an additional power amplifier is connected to the PRE OUTPUT jacks, the tone and volume can be adjusted by the controls of the AU-999.ELECTRONIC CROSSOVER SYSTEM === [oe e BASIC AMP. FOR HIGH RANGE BASIC AMP. FOR MIDRANGE SPRE-AMP. OUTPUT ) 1S sasic AMP. INPUT FOR’ LOW RANGE ELECTRONIC CROSSOVER UNIT LEFT CHANNEL ae i) RIGHT CHANNEL, LEFT SPEAKER RIGHT SPEAKER =iMAINTENANCE PM Connectors Warning: Be sure to turn the POWER switch OFF before removing the PM connectors. ‘The PM connectors hook up the PRE OUTPUT and MAIN INPUT terminals on the rear panel of the amplifier. When the PM connectors are remov- ed with the SPEAKERS switch set in the SYS- TEM C position, the pre-and main amplifier sections can be used individually and separately. They should not be removed except when connecting additional pre- and/or main amplifiers. Refer to the section en- titled Electronic Crossover System. Level Adjustments AUX: This level control determines the strength of signals fed into the AUX inputs. PHONO 1 and 2: Two level controls are provided to adjust the loudness of each phonograph input. Adjust these controls so that there will not be any difference in the loudness level between the PHONO 1 and 2 inputs. To increase the loudness level, turn the controls clockwise with a screwdriver; to decrease, turn them counterclockwise. La ocx ars oe ae a eee Connecting Wire Be sure to use adequately thick shieldwire when connecting tape decks, record players or other components to the AU-999, The use of an ordi- nary twin leadwire may cause hum or noise. Don’t use shieldwire longer than 7 feet (2 meters). The use of a longer wire leads to greater attenuation at high frequencies ee eyes es cag Connections Always check to see that leads are connected firmly and properly to their corresponding output or input terminals. If the connections are loose or in touch with other parts, the AU-999 will not perform normally, and may produce undesirable noise. If used in such a way for a long time, it will eventually break down, Always read the manufacturer's in- structions for tape decks, record players, ete. before connecting. Where to Place Since transistors are extremely susceptible to heat, the AU-999 has been designed to diffuse heat through the top and rear of its case. Therefore, special consideration should be given to where it will be used before installing the system. It should not be operated in a place where it is e x | Y mz x ¥ Lz Rew (220k 10% 4 W Carbon Resistor (k) Rese | 334 210% KW Carbon stor (2) | 2A Rew 22012. 10% JW Carbon Resistor (8) Ress 1002 10% JW Carbon Resistor (8) | 2A, Res 220k 10% KW Carbor Rese 100M 10% MW Corbon Resistor (R) | 28 ta | 20h 210% few cone Ras | Seif 10% wv Cowon Ressor (| 1A. 8 as | WM £105 S¢w Corben fosior can | azar 108% 50 wy styler Copscior | 18 tas | WA 210% SZw Carbon feuor Gana | aver £1036 80 WV Mylar Copecion. | 1A Reo IMD. £10% QW Carbon Resistor (8) 10nF 25WV Electrolytic Capacitor 28 Ras | IMG £10% 34W Carbon tester 10ef 25WY Elclaytic Capocier | 2A an | 9340 £10% 4¢w Carbon Feitar $pt 108 80 WY Carnie Cpactor| 18 Roo | 3.301 210% Zw Corkon Resistor (8) 330 £10% $0 WY Ceramic Capocitor | 1 A 3%M1 £10% KW Carbon Resistor (R) ‘A7at 10 WV Electrolytic Copod 18 39M 10% JW Corbon Resistor (k) Grae 10 WW, Hecteolytie Capest 1A S3PF 63 WY Electric Capoctor | 28 ZAM 10% 34W Carbon Soratr S3pf 63 WY Elecite Gopostoe | 2A 22k £10% MW Corbon Resistor (k) con AT0pF £10% 50 WY Ceramic Capacitor | 28 Ros | a0 210% Mew Carbon Sesion © G2 | Lropt =10% 50 WY Ceramic Copecor|2A Row ATKQ. 10% 34W Carbon Resistor (2) Cas O47 pF £10% $0 WY Mylar Copacitor | 28 far | 2340 £105 34W Carbon tester (© Cau | uaroe E103 $0 WY bylr Copscior | 2A aw | aanh 210% S¢w Carton feraor (©) Gass | oovsnt £1096 80 WY Myler Conccnor | 28 fas | avout 2108 few cone aroma Gee | ocosor 105 50 wv byl Canscioe | 2A Fag | Pek S1Ok hn Corton teitor Gor focozart =10% $0 wv byl Concctor | 28 Ra | esd) 210% 4W Corben tuner ©) Caio [eccaace St0% $0 wv Myler Copoctor | 2A Cao Pepe Zt0% £0 wv Coromis Copactor| 28 Rea 180M 210% Mw Cordon Resistor (k) Gao | Soot 210% 50 Wy Curome Copocor| 2 Rea | 10k 10% 44W Carbon Resistor (8) an 39pt 60 WV Elecrot : lacholyc Capecion | tA. B Rax | 100 10% 3¢w Carbon Restor ° Ree | iran teas savy cztbon Batson TRiat | AEGEEUC) Siicon Tronsar 030162 | 1 8 Res | 4700 210% Nw Comer tern () TRom | XA«9584(C) Silcon Transistor 030016: | 1 A Ree | See Eee Ga Gat deter (0 Ries | 25C4SEUG() Scan Tromivor o30sot—3 | 1 8 pas | anes at aw cone meee Rios | 2SC4SNG() Seen Tremor onsatea |1'A Rew 350 1% MW Carbon Resistor (2) TRes XA49S84(B. C, 0) Silicon Transistor Rex 33k 10% KW Corbon Resistor (2) Tr. XA49584(8, C.D) $i 030016-1~3 | 18 : hon Resor os icon Trnsaoe Rx | 3340 10% Kw Cordon Reser (8) SMieima laa A B SANSUI TP-N71 F-1228-1 z o 780 a was Hei 308 io 1 Cor Rare ers Rei ¢ is Gs 5 cans SHa|alahe e Rare alee ro i S °) = coe « ; 2 Rage Rea o 8 lg I (st | [2a 21 Teo |) CI a A Ye. | 2 2 ae 3Parts No Yt Parts Name — TONE CONTROL BLOCK x Y Te x ¥ z Reo 28 Rear 15M £10% MW Cordon Resistor (8) 2A. B Rees 18 Ree 220 10% JW Carbon Resistor (R) | 2A Rees: 1.24 Rest 2202 10% JW Carbon Resistor (Rk) | 2A, 8 Ror 28 Ress 1A 210% MW Carbon 1B Ree 10% MW Carbon Resistor (2) | 28 Rees ‘V8 10% KW Carbon Resist 2A ter | Set tom Som orm teser (| 18 Ble Ade (1907. tsa | Sema S108 Jem cas tnter (18 ios tar sar (ise | tA Ras 820 £10K HW Carbon Resistor (Q) | 28 Coen Int 10% 50 WV Mylar Copocitor | 18 fay | 210 210% Sew Coven tar @ | 28 toa | star Sto a0 w Cuome Comecor| 1k fe iz Coes |ecoys 2105 89 Ww Goons Copstee| 128 mm 2 Gio | pe fo we Buen acer 38 fan | ($22 10% Hw Corben taser | 24 stoer 25 wv eecvaie Coast | tao | Tout 210% Sw Goren tear (| TA Gan | oipr £109 50 WY Corome Copsctor| 24 Rew 1k 10% KW Carbon Resistor (@) | 1A ‘TRe HAa98G (C. 0) 030017 (2, 3) / 1.28 Rast 3302 10% YW Corbon Resistor (8) | 1A ‘TRee | xA495G (C. 0) 030017 (2, 3) 28 Rese B.D 110% YW Carbon Resistor (8) | 1A ‘TRes | 6002-1 (8, C) 030555 (1, 2) | 28 Res We £10% KW Cordon Resistor (8) | 1A ‘TReer 8002-1 (8, C) 030855 (1, 2) 1A Rear 12002 10% YW Carbon Resistor (2) 1A ‘TReer | 25C2#1 (C) 0305122 A too | “ttt tom Sgn arm tear (| 124 Ter | seers rose [2a Rea 150, 10% MW Cordon Resistor (2) | 2A Troy ‘35A832 (@) 0300971 1A feo | 3e Som Jom corn tener (| 2A om | seisoor totaas | 18 tes | sate 310m Jom Com tern [1 Om | Sten cetoas) | 1A. 8 A SANSUIX: PartNo ¥: Parts Name el FILTER BLOCK x | Y z x Y z Rror | 4708 410% KW Carbon Restor (®) | 28 fom | 4700 10% Kw Corbon Resistor (®) | 18 Roe | 47040 10% JW Carbon Rosstor (®) | 2A frm | 4700 210% J4W Carbon Resistor (@) | 1A Res | MEL 410% IW Corbon Resistor (2) | 28 fx: | roo £1096 S4W Carton Resistor (®) | 28 Ro | 1M £105 K4W Carbon Resistor (&) | 2A Ria | 1001 10% Aw Corton Resistor (®) | 24 Res | 2.260 10% YW Corben Besstor (®) | 18 fru | 22102 410% 54W Corton Fasistor | 1A cre: | ora 10% 50 WY Mylar Copocitor | 28 Rr | ai 10% HW Carbon Resistor (2) | 18 Gree | aura 10% $0 WY Myler Copecitor | 24 fre | zi 10% Kw Carbon Resistor @) | 14 Gros | orp 10% 50 WY Mylar Copocitor | 18 ror | iid £108 JAW Corben Resitor (8) | 28 Cre | ort £108 §0 WY Mylor Copocitor | 1A Bre | IME 10% KW Cordon Resistor (2) | 7A Gros | 0.08ut 10% 59 WY Mylar Copocitor | 28 Ran | 1M £103 Kw Carbon Resistor (@) | 28 Gree | a8 10% $0 WY Mylar Copecitor | 24 Roe | IMM 10% KW Carbon 2A Gro | 0.033% £10% 50 WY Myler Copocitor | 28 Rein | 39M 110% KW Carbon fessor @) | 28 Gros | casa 10% 80 2A Rae | 99M 10% 54W Corbon Resistor (8) | 2A Grom foonnayt #10% 20 23 Ris | 00K 10% MW Corbon Resistor (2) | 28 Cre lo.oazaut = 10% 50 WY Mylar Capacitor | 2A Rie | 1008 10% 14 W Cordon fe 2A Gm | “ourpe 210% 50 WY Mylor Capacitor | 18 ary | 6840 £10% HW Cordon te 28 on | aurpe =10% 50 WV Myler Copecitar | 1A Re | 4840 10% YW Cordon 2A Gra | ovine 10% 50 WW Mylar Capoeitor | 28 Raw | 15M £10% KW Cordon 13 Gre | 0001p 3£109% $0 WY Mylor Capocitor | 24 Rem | 1549 10% KW Cordon fesitor (2) | 1A Gris | oaazut 10% $0 WY Mylar Copecitor | 28 Ron | 70401 10% HW Cordon tesistor (2) | 18 Gre | @ou7ue £108 50 WY Myler Capacitor | 2A Rrm | 47040 210% MW Corton Resistor (&) | 1A Res | IMM 210% JG Cordon @ {13 Roi | XA4958L (8. C. 0) 030016-1~3 3 ru | 1840 10% KW Corbon Resistor (2) | 1A Tee C. 0) os00r61~3 ~ Rr | am £10% SW Cordon Resistor (2) | 13 Thres | xAavset (8, C, 0) 020016.1~3 2% ran | 8.2402 410% KW Cordon tasntor (®) | 1A Troe | A450 (8, C, 0) 020016:1~9 1KPRINTED CIRCUIT BOARDS AND PARTS LIST RIPPLE FILTER BLOCK SP PROTECTOR BLOCK PLUS RIPPLE FILTER BLOCK x Y | 2 x Y | z Rese | 0.5 20% 3W Coment Resistor 1A res | os 20% 1A ase | 0.812 20% 3 Comont Resistor 18 ras | 05m 220% 1B Ress | 4.70 10% 2W Cemost Resistor 1A Reo | 47 210% 1A Revs | 10K 410% H4W Solid 2 18 Ren | 476 10% 18 Rare | 472 £10% JEW Solie Resi 1A Rees | 47 £10% J4w Sol iA Caw | 100mF $0 WY Electeolytic Capacitor = | 18 W0HF $0 WY Power Copaci 18 Car | 4.7uF 50 WV Electrolytic Capacitor — | 1A 4.7pF $0 WY Power Capacitor 1A Cert 0.91 uF 10% $0 WY Ceramic Capocitor | tA 0.01gF 10% 50 WV Ceramic Capacitor | 1A Con | 0.15" 10% 50 WV Ceramic Capacitor | 1A air | O.1SpF 10% 50 WY Mylar Capacitor | 1A Trew | 5A892(E) Sicon Tromsntor 0000371 | 18 Res | 75C875(E) Silicon Tronsistor 0305981 | 18 —34— INnSNVS lezi-dOTHER PARTS Y Y 100K 10% MW Carbon Resistor (8) VOOM +10% YW Carron Resistor (8) YOON 10% YW Carbon Resistor (R) 10042 10% MW Carvon Resistor (8) 100K 10% YW Carbon Resistor (&) 100M 10% KW Carvon Resistor (®) 100% 10% 1{W Carbon Resistor (8) YOOKA 10% KW Carbon Resistor (8) 47. £10% YW Carbon Re 47D. £10% YW Cordon S042. 10% YW Corbon Resistor (R) S042. £10% YW Carbon Resistor (®) VOOKM 10% KW Corbon Resistor (8) TOOK 10% 4W Corbon Resistor (8) 33062 £10% 14W Corton Resistor (8) 3302 £10% 1{W Corben Resistor (8) 33k £10% MW Cordon Resistor (8) £109 YW Corton Resistor (8) £105 YW Carbon Resistor (8) 10% YW Coron £10% YW Corton £103 YW Carbon Resistor (8) £10% JW Carbon Resistor (R) 410% YW Carbon Resistor (8) £10% YW Corbon Resistor (R) TOM £105 KW Corbon Resistor (®) TOLM 10% }{W Carbon Resistor (R) TOM 10% }{W Corbon Resistor () V2 410% KW Carbon Restor (&) 1AM 10% H4W Carbon Resistor (®) 12M 10% KW Corbor Resistor (R) V2 103% }4W Carbon Resistor (8) TORO 10% }W Corbon Resistor (R) YOLA 10% }W Corbon Resistor (2) YOK 10% 14W Corbon Resistor (@) TOL +10% 14W Carbon Resistor (®) 8.240 £10% 1{W Cotbon Resistor (®) £10% JW Corbon Resistor (k) £10% AW Corbon Resistor (R) £10% 4W Carbon Resistor (R) £103 4W Corbon Resistor (@) £10% J4W Corbon Revisor (8) £10% MW Corbon Resistor (8) £10% YW Corbon Resistor (8) 8.20 +10% 4W Corben Resistor (3) 8.240 £10% 14W Corbon Resistor (@) YOK 10% Ww Corbon VOD 10% MW Carbon TOM 10% YW Corton Resistor (2) TORN 10% YW Carbon Resistor (®) VOM 10% 1W Corton Restor (R) VOM 10% 14W Carbon Resistor (®) 6.842 £105 }{W Carbon Resistor (@) 6.84 £10% MW Carbon Resistor (8) 5.62 £10% YW Cordon 54401 10% YW Carbon k 392 10% KW Corbon R601, 422 Rao, aoe Ves, «oe rei, 702 R703, 704 rine Roias Roa Row Rriae ria Rise Rist Rrisa Reiss Reine Ras Rois Row Reise Rove Ru rue Rr Pre Rous Rriae Rner Rous Rous Reise Rrist rise Riss Rise Rriss Reiss Ris Rss Rose Rr ne re Rr Rriee Rass Raw Coos Cro ca ca co 3.9 +10% JW Corbon Resistor (®) 23M £10% KW Corton Resistor (&) | 3382 £10% YW Cotbon Resistor (®) 410% 4W Carbon Resistor (8) £10% }4W Cotbon Revistor (8) 1% YW Carbon Resistor (8) £10% YW Corton Resistor (2) 410% YW Corton Resistor (2) 410% ZW Corton Resistor (&) £108 }4W Cotbon Resistor (8) 3% £10% YW Carbon Resistor (&) 39D 10% Kw Carbon Resistor (8) 3% £10% KW Carbon Resistor (8) | 3.90 10% KW Carbon Revistor (8) rise | | 390 210% ZW Carbon Resistor (8) 390 10% W Carbon Resistor (8) 3% 410% KW Carbon Resistor (8) 3.3L +10% HW Corbon Resistor (@) 3.3801 10% }{W Carbon Resistor (&) 274 £10% YW Corbon Resistor (R) 2740. 10% YW Corbon Resistor () 2740. £10% 4W Corban Resistor (8) 274. £10% YW Corban Resistor (8) 8.21 410% YW Corbon Res.stor (8) 8.2401 10% 1{W Corbon Resistor (8) 8204. £10% 14W Corbon Resistor (®) 8204. £10% 14W Cordon Resistor (8) 82042 10% MW Corbon Resistor (8) 820: 10% YW Carbon Resistor (8) 20:51 10% KW Cordon Resistor (8) 82042 +10% KW Carbon Resistor (8) 20801 + 10% KW Cordon Resistor (@) 820k02 10% HW Cordon Resistor (8) 8202 10% HW Carbon Resistor (@) 410% Mw Corbon Resistor (2) 10% YW Carbon Resistor (8) 10% YW Corbon Resistor (8) 310% YW Corbon Resistor (8) £105 }4W Cordon Resistor () 410% 2W Metal Resistor (RO) £10% 2W Metal Resistor (RO) 2 PHONO 1 Level Adjustor (401809) 200i22 8x2 PHONO 2 Level Adjustor (301503) 200M 8X2 AUX Level Adjuster (noises) 280k A.C Bolonce Volume (101048) 28012. AX2 Volume (o10u) 0.033 600 WY Ol Capacitor 4700)8 50 WY Electrolytic Copocitor 470026 50 WY Electrolytic Capacitor 0.0221 210% 50 WV Mylar Copecitor 0.022pF £10% 50 WV Mylar Copocitor O.01pF 10% 50 WY Mylar Capacitor O01 10% $0 WV Mylor Copocitor 00224 +10% $0 WV Myler CopecitarX: Parts No Ys Parts Name x Y x | Y cru focoozzye £1056 50 WY Mylar Capacitor Sine. 8) | Bolonce Check Switch (17012) Cre fo.ozzy# 10% 50 WV Myler Capacitor Sita, »)| Power Switen (701) Cru |o.oca2uF 10% 50 WV Mytor Capacitor Go | Outpt 10% 50 WY Mylar Capacitor Gra | D.1pF 10% 50 WY Mylar Copocitor Grn | Dug 210% 50 WY Mylar Copocitor Gm | OF 10% 50 WY Mylar Capacitor Gin | OTHE £10% 50 WV Mylor Copaeitar Gin | Ott 3109 50 WV Mylar Capacitor Con | Oar 10% $9 9 Myer Copactor oo: | 582 Siticon Diode 031068) Des | $4.08 siticon Diode (031086) Dr | v.08 Silicon Diode ost086) Dr | v.05 Silicon Diode (031086) Dre | $9.08 Sticon Diode (os10ee) Tras | 25C480 Silicon Tronsisor (030502-0~2) Tre | 205480 Silicon Tronsisor (030562-0~2) TRar | 25A866 Silicon Tronsisior (0300150~2) Tras | 25A866 Silicon Tronsisor (0300150~2) Rav | 25C878 Silicon Transistor (¢208700.1) Res | 25C898 Silicon Tronsstor (030870.0.1) Re | 25C898 Silicon Transistor (030570-01) Ren | 25C898 Silicon Tronsstor (030870-01) Pleo | 6a¥ 250nA Pilot Lone (40009) Plan | 7¥ 200mA Pilot Lone (0400162) Plos | 7v 200mA Pilot Lamp (040015.0) Plow | 7V 200mA Plot Lome (040015.2) Ploos | 7¥ 200mA Pilot Lame (o40015-1) Plow | 7v 200m Pilot Lamp (040015.0) Toor | Power Tronsformer (400-5968) (400058) 5A Quick Acting Fuse (042014) 4a Foxe (043008) AC Outlet (24s001-1) AG Outlet (248001-1) AC Outiot (246001-1) § Conactor (CIN) (243008) Headphones Jack (243007-1) 2P68N Jock (2430081) SOURCE Selector Switch (1) ciioais) SOURCE Selector Switeh (2) (7010) Tape to Tope Switch (117010) Tope Monitor Switch (7014) Fickup Lood Switeh nen) Mode Switch (ions) tow Filter Switch (117012) High Filter Switch (117012) Tone Control Switeh (Midtonge) (110212) Midrange Selector Switeh (110120) Tone Control Switch (Treble) (u1e2i2) ble Selector Switch (110120) Tone Control Switeh (Boss) 10212) Sass Selector Switch (110120) ‘Mating Switch (17012) Speater Selector Switch (150928)OTHER PARTS AND THEIR POSITION ON CHASSIS Ss(a,b) Reas~eas VRs01,602 \WRe03,604 \WReos,606—} Sa(a,b} ; me —Rrr~796 Se(a~c)—F 4 5 aca Rrie~ri96 se $i2(6,b)_— Sid(a,b)_— St Si7(a,b) Si(a,b) Rrss,r64 R733,736 Rvea72e R7iss~7ise R7isI~7is4_R7ISS~7162 859,860 Rriga,7is0 Cras~r4s Crsg~raz_ Cra7~754 —37—* Deslan and specifications subject to change without notice for improvements siklo~f) Si3(6b) Sola) Siidib) VRT03%04 PLoce VR701,702 PLCS Ss{a~c) PLoos PLoos PLoos- a SANSUI ELECTRIC CO., LTD. BCE cro aT ik Stock No, 9206810 Printed tn Jopon 5 3500MA)