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The term “Commonwealth literature” has historical, geographic, political and

linguistic connotations that simultaneously affirm and revise its status as a


distinct body of literary work. The historical fact of colonization by the United
Kingdom and the linguistic reality of English as mother tongue or official language
do not automatically imply membership of either the Commonwealth as a political
organisation or of the body of literary works known as Commonwealth literature. The
United States is perhaps the most prominent example in this regard. The Republic of
Ireland is another. There is also the ironic fact that the literature of the United
Kingdom is not regarded as Commonwealth literature, even though its imperial past
and language form the basis of the concept of Commonwealth literature.
In spite of all this, however, the designation “Commonwealth literature” has, over
time, become a convenient appellation for the literary output of most of the
countries that

were former colonies of the United Kingdom, and are thus to a large extent, linked
by (i) a common experience of British colonialism, (ii) the use of English in
contemporary life, and (iii) the influence of the British literary tradition.
Unlike other literary categories, it is not completely defined by political
ideology (such as the historical period (Marxist literature, (Elizabethan
literature), geographical region (African literature) or prevailing literary trends
(Symbolist literature). Commonwealth literature is, in many ways, a complex
combination of all of these other categories, and this enables it to bridge the
inevitable distinctions between writers from very different socio-cultural
backgrounds. As William Walsh claims, “it is at least, a useful category of
denotation grounded in history and making a point of substance about those it is
applied to,”1 yet, one which does not ignore the fact that “an African or an Indian
or a Nigerian writer writes against a particular historical tradition and in a
particular national context.”
”2 In essence, Commonwealth literature demonstrates the inherent connections
between geography and history, and between theme and subject matter in a
particularly resonant way.
These similarities have in turn brought about the development of broad resemblances
of theme and subject matter, as well as of technical approaches and patterns of
growth. For example, many works of Commonwealth literature are distinguished by the
examination of physical and psychological displacement brought about as a result of
slavery, voluntary or forced migration and colonialism. In India, Malaysia and
Singapore, the process and after- effects of colonialism have occupied literary
artists, while settler colonies like Canada, Australia and New Zealand have tended
to examine issues dealing with the problematic nature of their relationship to
Britain as the “mother country.

The development of the writing was keeping pace with and reflecting relationships
between the countries, now independent, and their former ‘Mother Countries’ in
Europe. Additionally, as a result of large-scale migration following such phenomena
as the Windrush and other similar factors around in the 1950s, Europe began to
become somewhat multi-cultural with growing ‘minority’ populations. There developed
such social and cultural acts as ‘othering’ of minorities – minority groups
becoming the ‘Other’.

The writers were responding to the social, political and cultural factors in many
ways, including their uses of form and style. Since much of the work was published
in the UK it had its effect on what was happening there and English literature
itself saw transformation. Commonwealth Literature were compiled, RK Narayan was
the leading Indian writer of fiction. Since then there has been the powerful
emergence of leading post-colonial Indian writers such as Vickram Seth and, most
prominently, Salman Rushdie.

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