He, J'Oe: American Woma
Uploaded by
WayneHe, J'Oe: American Woma
Uploaded by
WayneIHCLUD ;
American Woma
Day Tripper
He~ ,J'Oe
La;1a
Money for Not"' "lg
Self Estee
.
Scuttle Butt"
Sweet Child O Mi e
CONTENTS
4 AMERICAN WOMAN The Guess Who
11 CARRY ON WAYWARD SON Kansas
19 CRAZY TRAIN Ozzy Osbourne
26 CULT OF PERSONALITY Living Colour
36 DAY TRIPPER The Beatles
42 DREAM ON Aerosmith
49 DUST IN THE WIND Kansas
52 FREE RIDE Edgar Winter Group
61 HEY JOE Jimi Hendrix
76 IRON MAN Black Sabbath
82 LAYLA Derek and the Dominoes
101 LIVING AFTER MIDNIGHT Judas Priest
105 MISSISSIPPI QUEEN Mountain
110 MONEY FOR NOTHING Dire Straits
126 MYSTERY TRAIN Elvis Pres e1
131 OH, PRETTY WOMAN Van Halen
138 ROCK AND ROLL HOOCHIE KOO Rick Derringer
149 SCUTTLE BUTTIN' Stevie Ray Vaughan
155 SELF ESTEEM The Offspring
158 SILENT LUCIDITY Queensryche
165 SMOKE ON THE WATER Deep Purple
171 START ME UP The Rolling Stones
181 SUNSHINE OF YOUR LOVE Cream
187 SUSIE·Q Creedence Clearwater Revival
193 SWEET CHILD 0' MINE Guns N' Roses
202 WALK THIS WAY Aerosmith
214 WE WILL ROCK YOU Queen
211 WHAT I LIKE ABOUT YOU The Romantics
t
216 WILD THING The Troggs
219 YOU REALLY GOT ME The Kinks
223 Guitar Notation legend
American Woman
Written by Burton Cummings, Randy Bachman,
Gary Peterson and Jim Kale
Gtr. I: Open G Tuning:
©=o
@=B
@=G
©=o
@=G
@=0
BS
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lffl
13
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05
13
Prelude ~1~
Moderate Shuffle J = 104 <n .J Ji)
G G7 Gb7 F7 G 06 G5 G6 G5 G7 Gb7 F7
Rhy. Flg.1 End Rhy. Fig. 1
Hann.- - - - - - -l
G1t. I: w/ Rhy. Fig. I. 3 times, simile
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G1t. I: w/ Rhy. Fig. 3, 3 times simile. 2nd time
Gtr. I: w/ Rhy. Fig. I, 3 times simile, 3rd time
G5 06 05 G6 GS G c Bb G
,. 3 3 ..---3--,
-
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-
I
1., 3. A - mer - i - can worn - an __ gon - na mess your mind.L,
2. uh. I say "M," uh. I say "E,u __
End Rhy. Fig. 2
,.
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., J J J
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tr -r I ., p=-1
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say
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mess your mind._ Mmm,
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© 1970 (Renewed 1998) SHILLELAGH MUSIC (BMl)/Administered by BUG MUSIC
4 All Rights Reserved Used by Permission
3.
Gu. I: w/ Rby. Fig. I, 2nd meas. only, 2nd time
GS FIG G G5 G C G5 B~ G G5 G7 G~7 F7
'mer - i - can worn-an gon - na mess your mind. _ I say "A,''../ mess your rrund.L
I
L L
"N," mn.1.__ i
·If~i J J g ' J J ~4 f F F 6 J imi·~~I ~
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u1tp
~
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letnng- - - - - - - - -! let ring
1 1 1 1 1
rn = : : ! !! ! I = : i i i : i i :I : !
Intro
Moderate Rock J = 88
Gu. I tacet
G BS 05 E B5 05 E B5 05
© ©
J J J !1 n 1 n J-J J !1 n ~ rt:
open open
Gu.3 ITT j 1 ff) ===J
Gus. 2 & 3: wt Rhy. Figs. 4 & 4A, 2 times
E ru rn E 85 05 E O E B D
©
open
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open
Gu.Jj
Rby. Fig. 4A
JJJj
Rhy. Fig. 4
n-m n j JJJj n-m n
End Rhy. Fig. 4A
End Rhy. Fig. 4
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f IF FF FEf u f !J ,(11 II
1-
f (w/dist.)
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5
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l. A - mer. i . can worn-
2. Av mer v i - can worn-
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~ Verse
Gtrs. 2 & 3: w/ R.hy. Figs. 4 & 4A, 6 times
Gtr. 4 tacet
c c r r- I
E DE B D E D E B D
....
·1·## t qr- l ¥
c ,. c - I q~ I p· ., p
an,
an,
an,
stay
get
a • way
a - way
I said get
J
from
from
a
me.
me.
way.
' ' A - mer - i - can
A - mer -
A. mer
. can
- can
worn-
worn-
worn-
E D E B D E D E B D
....
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an,
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ma - ma
ma . ma
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let
let
what
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' me
me
I
D
be.
be.
say .
E D E B D
r f qr r r ~, c
E
.,-.-..
~-## '
~.
E E
Don't come a. hang-ing a . round ; my
i7C£?
door. __
!f IC E c r 5 r
don't wan - na see your
r-c -
Iace L,
;;J
no more.
p "', .,
Don't come e -knock-ing a • round ; my door. __ Don't wan - na see your L, shad-ow no more.
Don't corne., hang-ing a - round.; my door. __ Don't wan - na see your L, face L, no more.
,.##'
E
qr c
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3----.
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F
got more im - por - tant things
Col-ored lights.;
I don't need your
i; war
to do_
can hyp . no - tize. _
ma - chines ..
' i .:i I& E
than spend my
Spar -kle
1 don't
J
time
some
need
c r F
c,
i,
grow-ing
one
your.
c,
old
else
ghet
L,
-
c r
with
's
to
you._
eyes .•
scenes .•
( J
Now
Now
c c r-I
E DE B D E D E B D
41##{ qr-
worn - an,
worn. an,
Col - ored lights
l
can
§
hyp
J9
said
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s
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a
a
~~
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I
Spar • kle
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some - one
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else -
'
's
~
'
A - mer - i - can
A - mer - 1 . can
eyes. Now
worn-
worn-
6
Gtr. ~:"''Fill I, 1sttime ToCoda e-
Gtr. 4: v.l Fill 3. Zod time
DE B D E D £ B D
,.
c r i 1· c f · II
say. _
an. lis - ten what
an. lis - ten what I say.--------------------
,rrom- an, get a - way from me. _ A mer - - can
Guitar Solo
Goa.: & 3 Rhy. Figs. 4 & 4A. 8 times, simile
E DE BD E DE B D E DE BD E DE B D
Jc: s
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full
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DE B D £ DE B D E DE B D
14 12
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----
E DE H I) E DE B D E DE B D
112
Interlude
Gtr 4 tacct
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Outro
Gus. 2 & 3: w/ Rhy. Figs. 4 & 4A, 9 times. simile
E D E B D E D E B D
' t## ' qr- l 'I
c r 5 r ;t~ I l r
worn - an, ma - ma let me be.
8
D E B . D_ E DE D
-..," -~ - - - - - -- -
E
y
, - - -
-
Go. Got - ta get a- way, got - ta get a - way now go, go, go.L, I'm gon - r.3
Gtr.5
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leave you worn - an. Gon - na leave you worn - an. Bye,
A .II, ... ~ II- -it. :!
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bye. Bye, bye. Bye, bye. Bye.
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~
bye. _ I'm no good for you._
~ '#'·
a I C' v o~u-1.e
I I 15
' 112
1s-'
12 14 14?
112
T 15
in
.J
12 ::::::::;
14
9
E DE B D E DE B D
;;---.._
Goo- na look you right in the eye,_ tell you what I'm goo - na do._ You know I' m goo - na
E D E B
.. ..
D E D E B
L... ..
D
.. ..
I)
leave. You know I'm goo - na go. You know I'm goo - na
8va··················-·-················································································································
A 1< ,+ /L j;'~~-/1,. r;.. # .a /L •
full~
T.. \
.,
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Fade Out
" JI, ,It
E D E B
L. .. .. .. .. D
~
E D E B D
I)
leave. know I'm goo - na go, worn . an. I'm gon - na ...
(ad lib. vocal}
81,11 - - - - - .. - - - - - - - - - - - - - - - .. - - - - - - - - - - - - - - - - - - - - - - - .. - - - ·i- - --- - -- -,
A1<i ~ .a -
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,v ,v
..
10
Canyon Wayward Son
Words and Music by Kerry Uvgren
Intro
Moderate Rock J = 124
,1, u ~ r ai r ~lHl u ~ t aw r
N.C.
Car. ry on my way - ward son. _
! 1,
There' II be peace when you_ are
~ •
done.•
[1 r Jg} f ~@[€ ~ ., It EJ 0 I ~::Z.::
- f
'
t t I
Lay your wear . y
~
head_ to
~
rest. Don't you cry
f no_ more. __
l. 2.
Gtrs.
I &2
*N.C.
Riff A
c D G DIF# G DIF#
End Riff A
, elec.) """"
1, II] J J i)I J g 14, g.
""""
d1 ns 1;, g_""""
>
;i J"""" II i11 g""""
a I- 53 • • ~
*Chord symbols reflect overall tonality.
53 I• . sA
5
1 s a 1. a
5
2
:11. • 5
2
E7#9 F#m7 Em7
Gtr.1 Rhy. l<'lg. l ~ End Rhy. Fig. 1
1,111g std. ; ~W~:C~ @if•HJ ig N f::~ll~
~~
steady gliss.
t· -Ill
11:. • 1 1I tmj :I
• ,.., • • n I • • ¥§1 I
j b.. d d
1I,, 1g n.
Gtr.2 Rby. Fig. IA ~ ~ End Rby. Fig. IA
g g¥j±fi 114, no ig N. g ,~ Pi:5! fJJ3 fi!J u
> >..., '-" ~ P.M ~ > >..., .._, > '-" '-"
II:. • 9 •••• • •• I •• · n :I
Guitar Solo
(J. :J)
Grrs. I & 2: w/ Riff A. 2 times. simile
N.C. C D G DIF# """"
Gtr.3
elec.) ~ 6 6 3 ~
;,1 ~ I {£]
>
4JJ (!J t£J ££J J./f
> > >
! I
Iw/dist.
full~
1
)
5
1.. ~ 7 6 s 3 5 (5)
2
© 1976 EMI BLACKWOOD MUSIC INC. and DON KIRSHNER MUSIC
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 11
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~
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Gtrs. I & 2: w/ Rhy. Figs. I & IA
E7#9
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full
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Verse
Gtrs, l,2&3tacet
Am G6 Frnaj7 G6 Am G6 Frnaj7 G6
U-CECJ 1J I'J J tr It uEr E J- IF CJ r r
I. Once I rose a. bove the noise and con - fu . sion, just to get a glimpse be . yond this ii. Ju sion.
Dm c B~ c Dm c G
r r f f . j - IF r r r r rEt IJ
'
l E ll
was soar. ing ev er high . er, but flew too_ high.
12
:'
Am G6 F:D3.J~ G6 Am G6 F:nar G6
•
f J 1J 0 r r r IF CJ f :
i
r J tr ll
Ef E EI E
"Though my eyes could see, I still was a blind man. 'Though my mind could think, I still was a mad man.
J £] F IF J - F r: F IEE f f J r: f f; 1[ r f r ·c F FJ I
9 9 9
9 9
9
1• '
• • • 1• 2 9 • • 1 • ' 2
• I
c
r~ r r
Dm B~ c Om c G
'$; .,
( j F J IF r ll c r r tr I
O:::ii
11
l hear the voi - ces when I'm dream - ing. I can hear them say:
I J
End Rhy. Fig. 2
!f ~ r E ~
~
J ij Ii~ ~J ~
~ I I~ r E ~ ~ E [ F I~ F [ ~
t 11
1 9 a
2
a
9
a I 1
a
a
a a
a
i 1 •
2
a s
s
s 1 a 4
s
4
I
Chorus
u~ r ,wr r
Gtr, 4tacet
u~r ,wr
Am C G Fsus2 Am C G
"Car - ry on, my way • ward
p·t]J~ , It
~
son, __ There' II be peace when you _ are done. _
I Go I Rby. Fig. 3
4 JJUJ~.r1J clean tone
lg J J g J J JJ Ii] J J JJ j .]
i!i ~tfJ J J I
kt nng throughout
2 9 2 i = ii
i
9 9
o
2
2 a
2
I. 2
9
a 1
a
3
1. 2
2 3
2
I ; 9
2
a I
Am c G Fadd9 F N.C.
EJf r Jal pi~i~ -~ J ,. I t
EJ 0
'
t D f ~
r I
Lay rour wear - y head_ to rest. Don't you cry no_
End Rby. Fig. 3
J lg J J J J J u J If >
tJ t I
2 9 9
e 2 a 2
I• 2
9
3
a
~
I i II
13
Gn.lL:.. ~A.:c::ies
~c c D G DIFI c D 0 DIF#
~
! ~: :1
'
! l 11
more."
Verse
Gu. 4 w/ Rhy. Fig. 2, 2 times, simile
Gus. I & 2 tacet
Am 06 Fmaj7 06 Am 06 Fmaj7 06
F 1 1J rJ J tr ll u ( r E • I~ E d• r r
'
l
tJ E
2. Mas - quer - ad - ing
E
as a man with a rea - son. My cha-rade is the
j
e
~
vent of the sea son.
c B~ c Drn c G
Dm
,,, ,.
r f • l~F r .L I ' E E r f J• le
'
'! E J E
j
t
And
~ ~
if I claim to be a wise man, ah, it sure - ly means that I don't know.
Am 06 Fmaj7 06 Am 06 Fmaj7 06
l 1J J=-- J J tr r
I• u· c l?F E d• F
' Dm
El G
On a storm-y
E E j•
c
sea of mov ing
B~
e - mo - tion.
c
Tossed a - bout, I'm like
Om
E E j•
c
a ship on the
0
0 - cean.
r j--- f f F IF r l I• r r r r I
Q
I
'
'!
c: set
E
a course for winds of for tune. But
E
hear the
E
voi - ces say:
~ Chorus
Gu. I: w/ Rhy. Fig. 3, simile
Am c G Fsus2 Am c 0
l Ef r '*' F ~:~::§~ I• E1 f E7J f ~st l
'
'!
~ ~
"Car- ry on my way - ward son. There'll be peace when you_ are done.L;
To Coda-{lt
Am
E1 f
c
,:a, f G
~:::[ § ~
Fadd9
I•
F N.C.
EJ f Ill
'
l
Lay your wear - y
~
head_ to
~
rest. _ ' Don't you cry no_ more." No!
Interlude
N.C.(Am) *DS CS N.C.(Am) DS
>
slightP.M.
=composlte arrangement *Gtr. I plays bouom
notes of chords only.
14
:,;.C(Aml 05 C5 :s;.C.(Am)
n n~ 1fnvu1 a. J 1iJ J iis
D5
""" """"""
• J ,&J > > >
"""
3
1 • 5
• l. l(l) 1. a ii a s
3 5
L
Organ Solo
xc.
RitrB Eod RiffB
1:& I
I~ ~
J 'J
J , ;J , J I , j , J, Jir """"
~ I J • J , ;J , J J I iPJ
9
1 5 4
1 I 5 3
5
5
I• 1 5 4 2 1. 2 3 4
3 :I
~
-· Guitar Solo
Gus. I & 2: w/ Riff B
Sva ....•..•.....•...•...............••.•............••...... , loco """
Gr= 3 1'. . > . ::-"'\ ....
. , ~f •:f ,'(, t, lfiyE} f tFa' I•
P.H. P.H ...• ,. P.H. P.H .••• - • - - - - - - •• - • i
full
15
J 15 14 12 """
1~2
I" ~
12 14 1G2 14 H 14
12~
14
12 14
14 .,.--;;, 1 .. 13 12
14 13 12
.. :i (l!) :; I
Interlude
Gtr. 3 tacet
Cm.
&: 2 N.C. c D G D/Fjl
~ ~
"""""""' ~§J """"
J 0 I .J~ J. · II
' II:. 11:J J J J_) I; J. Ji,,..._,,J
1,1;1
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>
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>
~-
I I
~
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3 5
a (a)
5 a I• 5 ;~~ 5
1 5 a 1. 3
5
2
:I
Bridge
Ct ,.
A5 N.C. G5 F5 N.C. A5 N.C. G5 F5 N.C.
f±J f u: ,r Lr r ti f ~;.J*,F r
Car- ry on, you will al . ways re-rnem . ber._ Car. ry on, noth-ing e - quals th: splen dor.
Gtr. l Gtrs. I &2 GO'. I
> >
I'
Ii
3/9 5/1 ~ 81, "'
•Gtr. I to the left of slash in TAB.
II 3/9 5/1 ~ 81• "' I
15
D.S. a/Coda
,.
05
.. .. - C5 8;,5
~
N.C. OS
- -
cs
- - •"'•
~
1t
GS
IL IL "'.p.
-
~
....
..,
Now your life's no lon-ger emp . ty._ Sure-Iy, heav-en waits. for_ ycu.i,
Gtrs,
Gtrs, I &2
!&'.?
,. Gtr. I
.....
.
I I I I I I I I
.., .. .. • • Gtr.Zr
divisi *
I f rrrr • • . - ~ . =~ -- - -
~ ~
- . ~ .
.- - .
. -. -~ - --,,_- . - -. . -. ::.
ft
.
v
.- --
y
v
ft A
Y/
/A
.,.. , .. ;:
v v v
A A ;:
-
y y y y y
-
A
*Gtr. l rolheleftofslashinTAB.
-$- Coda
---
(J :J.)
Gtrs. I & 2: w/ Rhy. Figs. I & IA, 2 times
p N.C. E7#9
r n: r·-r·-----.0.-~:::::--:----:::
II- ~ - - I I
:::J
Don't you cry no
(Don't you cry. _
F#m7 Em7 E7#9 F#m7 Em7
Guitar Solo
Gtrs. I & 2: w/ Rhy. Fig. 4, 2 1/2 times
N.C.(F#m7) A5 ES N.C.(F#m7)
Gtr3
,. -" ,i;
.f\
,~
·------
Bva ..................................••••.......•.•....••.••.•....•.•••••.......•.•.....•.•..........................•....•••••••.••.••.•.......•••••••••.......................
{\/\
- "- ~- ~ -·
I
~
I
~"
f\_. f\M .A/"-.
.,._ .
.,
"' I I I I
~~~, 4:J
~
grad.bev
f .............................. T\
full full
r··----f\
full
.
full
t ~
·~.. .·~ ·~ .. ··-
.~J-
..
·~.. ·~,.
\ I
, .. ,
~,..
I I
.. "
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\ 'I
Gtrs.1&2 Rhy. Fig.4 End Rhy. Fig. 4
,. .. ,i;
., ~, . ~,'
. - - . - -- I
-
I
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>~ >~
~ ~ >
~ ~ '*J ~ ~:
>
slight P.M ......... ___ .•...••••••••••••••••••• i
.-- - - ft
.- -
-
ft
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ft
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-
A
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A
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A ;;
::
v
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A
v
ft
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A5 E5 N.C.(F#m7) A5 E5
Bva •••••••.••••..•.•••...•.•••••••••••••••••••••••••••••••••••••.•••......•.......•....•.••..•.•.....•.....••••••••••....•..•....••.••••.•.•• ,
,. -" ,i; IA· ~- ~1!=· -~
A ~- . loco
- r-:
-- - - --
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.., 2
-
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I
full
J
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11/2
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....~ .. ..
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t
\ 'I ·- \
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A
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16
-----
Gtr. 3 iaoet
x.c. (Flm,) A Jr,._.E7f9
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L
"ft
k
•
-·-P.· .n,
~
..,
No more!
~~ Gtr. I ~
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,...-...._ .,,,-...,
---- ~·. ~»>.,, .
II .a. i l ' L k - -
" "
,~
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TI •
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-'f
I
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A I
.
.
v
.
v - .
. - -
:: :::: I:::: J
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- -
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v v
Gtr. 3: w/ Fill I Gtr. 3 tacet
F#m7 Em7 E7#9
"'
... ,flL ,flL ,fll.·-..
-
tJ
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-· -·-
~
·-·
>
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-
slight P.M .. ___ • __ .. ___ -< ~M·-----------------<
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:
ft
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-
-'f
-
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v v
ft ft ft
= = ft
,,- - - - = "
v v v v v v v
17
Gtr. 3 • ..-1 Fill I Gtrs. I & 2: w/ Rhy. Fig. 4, 4 times
Ffm7 Em7 N.C. (F#m7) AS ES
,.
-- . ' ..
"
n
>
-
-
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'"~"
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. -
a lt
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i i~~.--~. ;"-'
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•:,, _ ~:::
A
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.
v v
. -...:
v
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;; I;; k
-
--
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- >- '-"-~ -· ..._...,.--
~ -~
I - I
->- • -- ....
Gtr. 3
a lt
"
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.....
tJ
,'I
i i~~.--~. >
I) I I
I I I
~' ~ -,J •
I
P.M .••••••••••••••••••• ~ full full b•.........
. .
~"'" f·········----........
.. , .
f----~ -
,. _, .
,.,-
i. ./
,.,
- ,.,
..
:
:: ::
:
. - .. - .. v
- "'
.- A
v v
N.C.(F#m7) AS ES N.C.(F#m7) AS ES
hold bend
full l/4 full 1/4
-----------------------
N.C.(F#m7) AS ES Am G Am G Fmaj7
s~,a---- ·-------· ..... ----- ---· -----·· ···--· ---------- ... ------------- ------- ------ -- ---,
"JI, .. t-.~: . (•)~
/.':\/""---.A-
-
~ L I, ...
loco
... ,,_ ... ,,_ v-
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.
..
.; "
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\
-
v
v
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Gtr. l
I I j I j !fi·C~e
.....
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I)
"" ....
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- - ,~
L-'3--l
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divisi dim.======-
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::
. ::
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;;
- -
v
Bva .,
Fill 1
Gtr 3 t-. !\-~
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,. ~! !t; 't
--
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I
w/ echo repeats
full full
~
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J ....
.,-,
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I
I I
18
Crazy Train
Words and Music by Ony Osbourne, Randy Rhoads and Bob Daisley
Intro
Free Time Moderate Rock J = 138
N.C. (F#5) (A5) (E5) (F#5)
, ft• 1 ~r rtrcr 1•
,-- 3---,
rrrrr
,-- 3---,
1r· • I l CJ
rja. s
All a - board!_ Ha! Ha! Ha! Ha! Ha! Ha! (echo repeats) Aye! _ (echo repeats)
~
(F#5) (D5) (E5) (F#5) (A5) (E5) (F#5)
~ t~~-
:i;-....~ play Ltimes
7
•fdbk. P.S.
1 ::::s:: 11 4 a ; a u J 3 a I J 4 4 4 J 4 4 4 ,114 a ; a u J a-1 1
l
x
i &~~ ::::::11:,
*Microphonic fdbk.. not caused by string vibration
2
4
2
5
2
4
2
1. 5 4 s
2
s 4 9 2
4
2
5
2
4
= '2
05 E A FJA DIA A
Rhy. Fig. l End Rhy. Fig. 1
{;
~ft#~ j IJ J J > JO ffl JJJJ
P.M. _____ -<
1f fJ JJl~J
>
>.._..., YJ1 <:»:
I P.M. ____ -< P.M. _____ -< P.M. _____ -<
1/2
1t.
I I I• 9 9
I 9 9 9 9
! 9 9 9 9 Ii 9 9 9 9 I a='
z I
DIA A
3
f' ## J JJ JJJJ {ZJ J J J JJjll ~
6-
'--.::_..::'!
I P.M. _____ -< P.M. ______ -< P.M. ______ -< P.M. ______ -<
9 9 9
I 9 9 9 9
i 9 9 9 9 I! 9 9 9 9 I ,:+'.'.e 4'+ 9
4'+'.e I
Verse
Gtr. I: w/ Rhy. Fig. I, 6 times, simile
A FJA DIA A FJA DIA A
1i#
tr ., p J J J 38J ( ;;:.r
' 11: D
l. Cra - zy,
!is - tened to preach - ers,
1t
' but that's how it
I've lis - tened to
goes.
fools.
~
I've
3. Heirs of a, cold _ war, that's what we've be - come. In -
,.## c
FJA DIA A FJA DIA A
c r ff ' r ¥ il ¥ D~
liv ing as
r E ffIT'c f f }? ;j
foes.
Mil- lions of peo pie
watched all the - drop outs who make their own rules. One
her - it - ing trou - bles, I'm men - ta! - ly numb.
Copyright© 1981 Blizzard Music Limited, 12 Thayer Street, London, W1 M 5LD, England
International Copyright Secured All Rights Reserved 19
A E/A DIA A
.,
E/A DIA
., ., g
~1## D £r
May - be
ll ~
it's
~
not too
J
late
ft§( cir 1- l
to
per - son con - di-tioned to rule and con - trol. The
I just can - not bear. I'm
Cra - zy,
E/A DIA A DIF#EJG# D5 A
and for-get how to hate.-------
and you live the role. -------
that just is-n't fair. _
>
P.M. _ - P.M.. - - P.M--1 P.M._-1 P.M-,
P ..M._-1 P.M.. - - -l -l -l
112
Chorus Gtr. I: wl Fill 2, 3rd time
F#5 F#5 05
Men-ta] wounds not heal ing, life's a bit ter shame.L
still scream ing, driv-Ing me__ in sane._ I'm
Men - tal wounds
Men - ta! wounds not heal ing, who and what's to blarne? ,
loco
Hann. __ - - - - - __ -1
w/bar
-112
Fill2
Gtr. I 15ma •......................••.•.........•. ,
.... ~ I I ,..........____/'-..
let ring - - - - - - - -1
Hann. -1
_ w/bar ,_
. ,-,
\
" )
I
'- I
'
I ~I
' I
I
v
-112
Fill3
Gtr. I
full full full full
20
Gu, I: "'' Fill 3. 3rd ume, sec f:R';ous page Gtr. l: •1Fill I. :?odli::ie
A5
Jr E5 t ---!:1-~-CF#5)
,,## p t ~~it e r a r ~·a I r .,.
go - ing off_ the rails_ on a era - zy train._
full
2
2
5
0
2 3
0
2 5 2 ·=·
5-4-2
4
2
4
9 4
A5 E
·,I## - l 'I p 1P t pi t
,.--..
ta71e e e a e ta~,
I'm go - ing off_ the rails_ on a era - zy train.L,
P.M. _ _,
2
4
2 >
432323232~
<
I1 • • II 4 4 • I
To Coda-$-
.....-.,_F#5 A5 E5 F#5 05
,.## f ¥ -
'if i ! i ~a· J J i§!i J J 5-=J a J 1 a ,
I
i . i. . .i!.~
JS loco /Sma •.... , loco
1 1
p· 1,.............. 1
I *Hann. - ... "-"' =Harm. - ..,
: • a •.••.••• 1 I .. 1 • • la • a .......
1 I
=Located between I st and 2nd frets.
21
p. Interlude
E A EJA DIA A
-·1."it
.. .II
"
-
I) I
Let's go!
it
- I . -
I 11111
-- . - -- I
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y .II
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P.M. ___ -, P.M. ____ .., P.M. ____ -, P.M. ____ -<
in
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::: ::: ~ --., :: :::
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;;
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::
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.. . -v -v _.., I
.
-
2.
E/A DIA A E
P.M. -< P.M. .. P.M. -, P.M. -<
Bridge
F#5 AS ES F#S 05 ES
know that_ things i, are_ go ing wrong for me.L,
8va
loco
..........
<, *fdbk.
·~
P.M._ ... P.M. _-,
pitch: Df
•Microphonic fdbk., not caused by string vibration.
A.,. ,i+
F#S
- - p..
AS
s=-:
- -
ES
- . -trr
F#5
lf..----:-....... )I- ,,.
I)
You've got - ta !is - ten_ lO my words, yeah,
,....._ I
A ... ,i+
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-
22
Guitar Solo
Ff5 E5 DS C#S
yeah! _
I ce. 2
,,.##
(dist.)
f ~~
T T T T T T T T T T T T T T full_ -
,i ~ ; ..... ,i u .. ,H, ,i u i, ,t;, ,i ,;, •• 1 ·•-,, •• u " ,ti, ,i ,;;=; i, ,A, •• ,;;=; i, ......./ I
,,.##
Gu. I
I 1!
f ~ F F
y y I!
'
~ ~
F#S
full full""""'"'"'"'"'"'"'"'"'
l t
:&•l ! ! a
~ i !
ES D5 C#S BS AS G#S
Bva .•....••••.•.•.••••••.•....•..•....••.•..•...••.......•••••••••..•••..•.••.......•••.••....•••••••.•.••.••..................•.•.....•.••••.......•.••••.........•...•...
~ti taf ,Fl._J___J
tr r 't"'"'"'"'""""'~"'Ir L__3___J
E f ·r
/'-:.
full
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IC El; r( tJ.:l f=i, r:r • - I
tI'?'"'I
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l(
l(
)(
17 16
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I" 16
. . _)"'"'"""""""'"'"'"' I" 17 14
17
T
14
1i
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15~4 16 14 1s°;4 16;:.> )
'
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i--3---,
:,·## FL-J___J
F F F a 19 9 3 3 3 15 3 i
y i y y I I! f f f ! Ii i !
23
F#S ES
8va •.•••••••••.••.•••••••••••...•..•...•.•..•...................•....•••.•.•••••.•.•••••••••••••••••.•.•....•.•.•.•.•..•.•••.•••.•...•.•..••••••••••••.........•.••.•...........•
·112
v .
- v
wl bar __--:'.:
....
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-l
5:4 ~-
·112
full
+ .. . . .... l'U'I. ...........
~·
l"I
A J1 ,Mo I
----
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i i i i----1 1 1 I I
L_ ____
eJ I L___J
. . "
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!! !! !! !! !! !! !!
-:
a
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a
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·.; ....... ·.: '.' ·-· =s
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D5 C#5 BS AS 0#5
8va •.•••••••••.••.•••••••••••••••••••••••••••••.••••....•••••.........•......•........•...........•.....•••••••••.••..•.••••.••.••••••.••••••••.•••••...•••.••..•.•......••••••••
F#S ES D5 C#S
.
8va ••••••••••••••••••••••••••..............•••••••.••••••••••••••••••••....••••......................•..••••••••••••••••••••••••••.•..••••••.....•...•••••••.••.
,_,_,,,, ,
---
»<. !':.----,,-.,. . - 3 - 3 - 3 3
A J1 ~
., - - ~ ~~ ~
~ ~ ~ ~
~ ~
~ -- - - -
6
full f1;11~ ,,,,_,,,
+ ·- .. .., ... .
·---
l"I
" .. .. ..-~ . .,.... ..
. . . . ..
.. . .. ........ ... .. ..
......
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.
.
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24
D.S. al Coda
. ~m €-
BS A5 Gf5
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All ,If,
loco
--- ....--., ~n~/~E€ ._
._
._
-~
.., .,.---=------- 6
..
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25
Cult of Personality
Words and Music by William Calhoun, Corey Glover, Muzz Skillings and Vernon Reid
Spoken: "And during the few moments that we have left, we want to talk right down to earth in a language that
everybody here can easily understand."
Intro
Moderate Rock J 92 =
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Copyright© 1988 by Dare To Dream Music, Darkology Music, Teenage Dog Music, Muzz Skillings Designee and Famous Music Corporation
All Rights Controlled and Administered by Famous Music Corporation
26 International Copyright Secured All Rights Reserved
Gtr, :?· .,.-, Rhy. Fill l. lst time
09 x.c.
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1. Look
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in my
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eyes,
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what
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do
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you see?_
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I'm the smil in' face on your T \'._
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al i - ty. am the cult of, am the cult of, am the cull of, am the cult of
cult of.)
34
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I am the cull of,
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,~1 not what your coun - try can do for you ... "
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35
Day Tripper
Words and Music by John Lennon and Paul McCartney
• If • .Sft
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Intro
Moderate Rock J = 138
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~ Verse
Gtr. 2: w/ Rhy. Fig. I, 2 times
E E7 E E7 E E7 E E7 E E7 E E7
for tak-ing the ea y way out. _
She took me half_ the way there. _
she on - ly played; one night stands.,
Copyright© 1965 Sony/ATV Songs LLC
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
36 International Copyright Secured All Rights Reserved
Ger 2; '"' Rhy. Fig. I
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f;._ r u cH Got a good rea - son
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for
1 r n ed J Han
tak-ing the eas - y way out, - now. f
i i t1: 'I
She's a big tea - ser. She took me half .; the way there,_ now. Shewas a
Tried to please , her, she on - ly played .one night stands; now.
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one way tick - et, yeah.
Day Trip-per; one way tick - et, yeah.L It tookme
r, r, Sunday driv - er, yeah. _
jj
mp
j j i j j j I j-:a, j j j fij
~
fl I j j j j j j j j I j J j j fl: fl) > y
P.M. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -1
Fill 1 Fill 2
Gtr 3 Gtr. 3
Fill 3
Gtr. 3
37
Gtr. I: w/ Rhy. Fill I. 2nd time
sr= 0#7 C#7
) ) ) ) ) ) ) ) ) )
long to find out, __ and
ToCoda-$-
-r:
87 N.C. (E7) E
) ) ) )
,. .tl. i+ I Gtr. 2 (cont. in notation)
-.., - -- &
- - -
out.
,.., v ,.., v ,.., v ,..,
r--,~ Gtr.1&2 Gtr. l
-...,
"~ -Jj, .. i+
1,_
,. . -. . - . .
-. -~
. . .. . .. . .,,. - .,---· .,,.
TI -
-~
......__.., '1·
> ~- ~
...
11/
"!
.
1
"!
1
"!'
. .
'!
"!
.. ~. . 1 1
;
.
A A A
.
A
..
':
..
;:
.
;: ~
.. ..
A ..
;:
A
v ..,.
.." w A
• -
A
v
Gtr. 2: w/ Rhy. Fig. I 12.
E7 E E7 E E7 87
) ) ) ) ) )
~I
-- -. .....
,. .. It ,.
~
..,
H
.- -~
out.
r,...
,.
-...,
.tl. i+
•• r: .. .
.,---· -. . -~
.,,. .,,. .,- -~
H
......__.., '"
~T~-
- ~
~.
~
~
A
..,.
.." .
A A
w
.
A
."
A
v
-
A 1
.
:::
v
-,
38
Interlude
Ger. 3."' Riff A
-r:
87 87sus4
) ) ) ) )
Gtr I
-~
tJ
- -
I\ - ff
-·
..,;. '1·~
. -
com. strum simile
-
I
-
- - -
I
- -- .,,..> ,-~ -~ -
>
. . . . . .-
i
...
A
. A
. . -
A
..-.
I
- ~ - .,
- I
..
::
-
p
-
-
A
;. ;. I
'
871ype2 87
.+ .---'I
. Jo
-.-."TI.a
"" - -
I
- -
I
. - ..,;-·. .
"
., .........Jt"' - -
- - - -
.---'I I r
- - - --
• >
,....., .- . ..
;.
-
. . - .
- .,-
,,
I
,. ,
A
..- --
p -A
-
.:.
.,
I
I
Guitar Solo
87¥11 87~9
Gtr. 2 ) ) ) ) r--) ~ ) ) ) ) ) ) ) I
>
- -
,. .. .+ - _ __--=::::::::: -
. n
TI
- ~ -- ,~·
- .,
el I v
Ah.
»< ~ __... ,. ~
;
~ ..
-- - -
10~ ~ ~ ~ +=
;..
A <1 ~
~ TI
TI
- - - ~-
·~ - - - ·-·~~ -
tJ I I
full hold bend ,n
-
P.M.- -i
sLi~~~' ~
+·············· ····· t <,
·-·- ·-.. ·-..
- . ....·-
•A
v ....,. I l v
·-
A A ,A
., - - A-
,., ..;.,
,-, r
- r
v
.,
A A
v
A
I
I
Riff A
Gtr. 3
I\ .. .+
-.., - . . . .
--
"I..L - - •A
" A A A A =
.,,. ,_,?) 41-..._,,g. ... '-'"" - -
...
I
n
. -
...:
D .
A
"
v
, '
.,
.+
-..,~ ·- .
A Jl.
,.
"
.
A
- - . -- n . -- - -- r
- _:_
"
"
I I I I
I I
.
-.
A
v
A
.,
-
A r
I
I
r
i
I
I
39
G1r. 4: w/ Rhy. Fill 2
)
>
~ ) ) ) ) ) ) >
)
>
) ) ) ) ) ) )
> > >
)
>
) ) ) ) > >
) ) )
>
-
A"-~
16 -·'
"
.. -
~
-
-
~
~·
~.
~. -. ,
P--:~~
-· - ::
I
4t)
'
Ah. Ah.
I' r-r>.
; ~<;>~ ~~ .fl-,,,...._ f2.
- ..
~" .,. +t A
. .
-~-
. ::
-.) I I I I
hold bend
full
__.. J--n.. . ·- ...•
'(l'-f lV
-
'!
,.
':
-':
..
A
D.S. al Coda
(take lst ending)
Breakdown Gtr. 2: w/ Rhy. Fig. I
N.C. (E7) E E7 E E7 E E7
-$-Coda
Breakdown
Gtrs. I & 2
Rhy. Fill 2
Gtr. 4 (overdub with Gtr. I)
P.M. - -i P.M. - -i P.M.- -i P.M. - -;
40
Ei E E,
Grr.2 ~
JJ J J qJ~J J&J = J J =· •
4 0 2 0 4 0 2
2 2 • I
0 a 4
2 I 2 2 I
Out-Chorus
Gtr. 2: w/ Rhy. Fig. I, till fade
E E7 E E7 E E7 E E7 E
'111#1 11 · t f t f
Day - Trip - per,
'fzj
'!!#~ l iJ J J qJ~J ~ -~ i =~ q~ J 11,~
~i J J qJ~ I
2 e 4 0 2 2 e
2 2 2 11 .• 2
e a 4 a 4
Repeat and Fade
,·b E7 E E7
I t
E
f tf
E7
Day - Trip - per,
E
~®~
yeah._
i t
E7 E E7
- II
'1##1
--- J r
-~ =~ i q~ J I
l ~ J J J qJ~J ~
~~
= i q~ J -11
4 2 2 0 4 0 2
(9}
2 2
0
I 0 a 4
2 I 2 2 -II
Fi114
Gtr. 3
41
Dream On
Wordsand Musicby Steven Tyler
c FS EbS Db Ebsus2 Dm7bS
B
C07 C7
ilr' Ir" lffl8ft lffl6r, ll4ft M6f, li5fr
Fm/C
iffl4fr
341
c
231 142
cs
142
.,r, ii 13
FSI
13
GS
1333
AbS
1341
BbS
1324
•
BbS DbS
1333
ill II13 l3 13 13
.13fr
13
Intro
Moderately Slow J = 78
.
Dl>maj7#11 Fm Fsus4
.. ..
•Fm Cm Dm7l,5/F
Gtr I (clean)
...-
Riff A
... - - - . End Riff A
- -
~ ~
- - - ~-
#
-
A I
-., mf
let ring throughout
. -
~-
- . .. -
. -. . ..-
~ '.! ~
- ..
- --., .. .
;:
.- . ..-
;: :
---..
-
.
:
- ... . -.
;: ::
-v
-
.
::
.- .
:
.-
..
l
II
• Chords reflect combined tonality of gtr. and elec. piano.
-.,-"'
I
Fm
~ ~ ~
- .. ...-
- -
Cm
- - #
Dm71>5/F
. .
·-
Dbmaj7#1 l
-
- . . . .
.
~
. . - .::
.
.
::
.
- .
;:
-
.
::
. "
::
.- .
::
.- .- ' .- .
;:
-.
a
" .-
::
- .- .-
,.
-., I . .. - -
Fm
~
Fsus4
-
IL
Fm
e ~ ~ . ~
81>9
• • e ~ ~
El,
- -- - -- -
. . . -:: . ~ . . -:: ,.... . -:: .
. ..- . .. . .- :. -
;:
-
"
;: :
-v .
::
. ;:.
:: ::
" --.
::
. . ::
" .- ..- -
"
-
.- -. .. .- . -
A I
n
.
L
Fm
-
.--.. ~ ---# .. #--/L .. II- • ...# ..
-~ I ,.-::--..._ ~·
~~
/!!!°:
~ ~
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.,
L
• n
-. .. .
--
a . -. .. -
.. z, . . . -.. .
- .. ;.. .; .. -. .. - -.- . ... .
-.
':.
..- -.
-
.
- ~. -v "
Verse
Gtr. J:wfRiffA,4times
~-
Fm Cm Dm7l>5/F Dbmaj7#11 Fm Cm Dm71>5/F Dl>maj7#11
'&''&& l
l. Ev-'ry
u· r,_Etr Ir time L, that I look in the mir - ror, all these lines _ in my face get-tin' clear - er.
Copyright© 1973 by Daksel LLC
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
42 International Copyright Secured All Rights Reserved
,~bl,&
Fm
-
Cm
' !tfl
The past L, is
iJ:::~
gone;
~e
Dm71>5/F Dl>maj?fll
,r
Fm
it
r r
went
Cm
by
'I Qjt? E
like __
Dm71>5/F
ctfib
dusk to dawn.
D nu.nn
.,
Dm71>5 Csus4 c Dm7b5 Dl>maj7#11 c Fm!C
*G1r.2) ) ) )
. . ..... - - - - - - -- - - -
(clean)
A I
--- - - - ~ - ~
-
m/
-
.,
- Is- n't that the way?_ Ev - 'ry-bod-y's got _ their dues_
- -....i
in life_ to pay.
oe.i
A
., .
I . .. - . ..- - .- - - - - - ~ ~ - -
·"'
-
. . .l:
.. .
ft A
.
;:
.. . .
;:
-
.
l:
.. ::. .. .
;:
.
;:
v
.
l:
-
v
.
. -. .
v .- -. .. -. .. -. .. -.
I
• kybd. arr. for gtr.
Pre-Chorus
C07 C7
Gtr. 2tacet
F5 Eb El>5 Db Db Eb El>sus2
Rby. Fig. IA
e
6fr
©
4fr
©
6fr
) ) ) mGtr.3t ), ., )) ) ., )) ) ., )) )
(slight dist.)
mf
'f &I,&·I, r ,......- ----;;;
r ,-i!·
J 11, p· r e c -r
J lb r
,.-..
-t r ar Ur
~ ~
Well,_ know no-bod - y knows where it comes. and where , it goes._
,f
Rby. Fig. 1
&''&& r r r r r r r r If ,. ;F ,. f:f 'f $:f .,
~ ~ ~ ~
6 5 6 s 6 s 6 s
11 l~ =:a 3 ~:I ~ ::a 3
I
Gu. 3 tacet
F5 Eb El>5 Db Db Eb El>sus2 Fm Cm
©
6fr
©
4fr
e
6fr
End Rby. Fig. IA
t ), ., )) ) ., )) ) ., )) )
-.,
A
~ I
-· -'"'- - ~
-- ~
r - - .. -
I know it's ev - 'ry-bod-y's sin; you've got to lose. to know_ how to win.
A I - -
.,
-r -
~ - .,
-
- -
End Rby. Fig. 1
. . .. ..
.,
"' I , I I .... I
.
ft A
. . . . . .x •. .. •. .. ':
.- ':
,;;; -
- ;:
. .= =- ;;
v
;:
v v
ft
v
.
v
ft
v
v
43
Dm7P5 DPmaj7#11 Fm Fsus4 Fm
A I
"
"
.,
---
,. .
Gtr. 4 (clean) ~~~"'~~~~~"'~"'~~~"'~~~~~~~
-~
-., v
I
..
~
v
-
-
~~~-q-w*
mf
~"'~"'~~~~"'~~~~~"'~~~"'~~~~~~~"'~
.
.- .
A
A
-,,-
. u
,.
Gtr. l
-.,- ~ v
I
..
~
v
.. - ..-·- .. - .. . /1. /1.
-
~
~
~
- -
~
.x - . - -
." .- " .- ..
A ft ft
.::: .. :?
u
.. . - .
··x
." u
x
" -
u
x
" -
u
"
u
.- .
x x.
"
Verse
Gtr. 4 tacet
Gtr. 1: w/ Riff A, 4 times
Fm Cm Dm7P5/F Dpmaj7#11 Fm Cm Dm7P5/F Dbmaj7#11
'&'·,.& .,. ~tJ~r
2. Half"; my life's
J)•
in
Ir
book's writ-ten
al~ pa - ges,
J 'I It tr r
Iived and learned from
J)• 1tr
fools
ECJ) - ~r·
and from sag cs.
Fm Cm Dm7p5/F Dpmaj7# 11 Fm Cm Dm7b5/F DPmaj7#1 l
sJ ll
~
- ., ltfl 1.rc ~·~-p
.r ::J ., I ., p r "I I
'&"1,& f ~~ ;;;J
You know. it's true all these things __ come back to you.
~ Pre-Chorus
F5 Eb EP5 DP DP Eb EPsus2
Rhy. Fig. 2A
e
6fr
©
4fr
©
6fr
Gtr.3 i ), "I Ji ) "I Ji ) "I Ji )
A I .- .. - . .. .. .. .. .... . - - -
--- ~
- -:------
-
., tears. __
Sing with me, sing for the years.L sing for the laugh- ter 'n' sing L, for the
Gtr. l Rhy. Fig. 2
A I -
- - -~ -·--
., r T ,.. I ~ I ,..
..,: .. - . A A
-
..
A
.. !'! y
v
;;
u
·x
·u
y
v u " .
x
44
FS E~ E~S D Dm7~5 D, D>
© © ©
6fr 5fr 4fr
t )_ "I j) ) "I j) ) "I j) )
§•' I, & 'I "* c
6=z' ccrcc #
.J
~
~·
~ 1f c c ,~c c ....,,
.J cr ....,,
I ccc
~
r I
Sing _ with me if it's just for to - day,_ may-be to- mor - row the good Lord will take you a -way.,
E C C F r
19 19 19 8 8 8 8
8 8 8 8 19 19 19 19 1 .. 11 11 11 11 (11)• <
Ge.I
~j''1,~::~ !
~
;;~ 'J.
~
1:~ !
~
::~ ~
~
::~~ :~ ::1 I f11 rn ::~ ~
To Coda-<!)-
Gtr. I: w/ Fill I, 2nd time
c
End Rby. Fig. 2A
) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )
' ~---
r !I'&& f rt-c E
,.
I r ""'
End Ri!rB
II
I
I. """~~~"""""~~""""""~~""~~~~""~~~~~~~~~~~~~~~
•.
I
I
.-.. ,o
I
End Rby. Fig. 2
,~l'I,~ c c c 1r c
c ....--
6
~
5 6
~
5 6
~
5 6
~
5
~
5 6
~
5
~
6 6
~
5
' ' 5
II
I• I
Fill 1
Gtr.1
II
.,
I
- --- -·
-
~
-·
,
- "
~ ~ 'f!;
- ,.. . - :'.
-- - - ~ v .. 'f!;
..
,.
I t
-. .- -
.. .
A
- .... ....
A .. ~- ..
..
. ..
A
full
_,
t
I .
A
. .. .
A A
..•. -. ..- . .. - ....
,o -
- -~ -
full
I
t
~
full
_,
t~
45
Interlude
GIIS. 3 & 4 13CCt
Fm Fm(maj7) Fm7add9 Bbadd9 Eb13
Gtr. I
IA I .. . - - ,._ - _,...
v
- •
ft ft
V' IV IV V - v -
- v - """ - ·v - ft -
v v •
v
- -v - -v - v • ... ... v ..
Gtr.2
At I . I•
- I I I
L I T I I I I I
let ring throughout
.
- - .
.
- v
p
v
. - v
v
t play fingerstyle
D.S. al Coda
Fm Fsus2 Fm(maj7) Fm7add9 Bl,add9 El,7/6
,. I
- -
.
I)
Well,
,. -. .(:;.,.,....-,, .... . .
• . -_ - . -_ - -- 8~
~
e
--- -
'f!:. j,. 'f!:. 'f!:. -~'f!:.~_'f!:. ~
- I
=
- - - - -
I)
ft
v
--
v
ft
-
v
-
v v
/
lf
...
\V/
-.,.
.
ft
.
-
ft
v •
-
-
ft
v
-
. - - v •
-
v
ft
-
v
-
•
-
v -
v
.,
•
-
r-;,., -,...-
ft ... - .
u
-
-
-
u
--
ft
v
~
v
-
ft
-
-
v --
v
,. I . .. ., • -- - .. .. , . -
-
- - -
- ~ r-z- ~-~
I
- ......
I
., -1.-bi- 111-.:J I I I I I I I I I I '?:
~
- - .,- ~
-
. - - - ~- . -,~ - -:: -. . . . . .
;::
--
;: ::
v v
x
~ "
u
- v
.- - ;:
p
;:
., . . " .
- -
ft
. ft
- - - . -
ft
-.,- -- --
-.,
::
v
v - -- v
-.,-
v v ft
v
v ft
v "
v
-
v
ft
v
ft ft
ft
-(!}Coda
Chorus
Bl,5 C5 01,5 El,5 F51
Ger. l) ., }) "! } ) "! } ) "! ~ Gtrs. )
) ) )
. .. - . .. .. -
/' l &3
,.
- ~- ~- ~ I
n
.. .. -
~
-· .. - - . - -
~~
- - - ... -
I)
Gtr. 3
,.
Dream on_ 'n' dream on,_ 'n' dream on,_ dream your-self a dream come
.. . a a a a--
Gtr.4
true.
--
-.., ~- -
. -
I
~ ' -
-,J -,JI # •
'
- ~
- f
-- --
(cont. in slash)
full
f --- J - - - - -t- - - -t,
~ .> __ .,, ..,
,v
·- ·- ·-
. -
v
ft
v
. v
- -
v
46
Gtr.4~1
Bb5 C5 0~5
) ) Ger.I) 1 } ) 1 } ) I
(Ger. 3 cont. in notation)
('n') Dream on.c, 'n' dream on.c, • n • dream on, _ dream un-ti I your dreamcome •
tj'
J) J 'I
J, IJ ., j J 'I Ji
(CODI. in slash)
13
15 13
15
.. ...... 16 13•,
I. 1 a 3 1. 4 6 6
F51
Gers. )
1&3 ) ) ) ) r,1 ) )
(Ger. 3 cont. in notation)
; & ~l'I,~ r C"'
true.
I
I
Gtr.4
~t·,'~ .I J j ti j J J j J J j J ~o f f r IF cEr e c c r ff e ,~, ~, ~Lr I'
1/4 114 1/4 full
4 4
I 9 9
I u l~ l~Aduli
a 1
a
1 a
1 1
a
3 1
a
1 ~ 5
I" 8 8 ,\ 18
Gtr. 4 tacet
Bb5 C5 Db5 Eb5 F5 G5
Gtr. ') 1 }) } ) }) } ) })
('n') Dream on,_ 'n' dreamon,_ 'n' dream on,_ 'n' dream on._ Dream on,_ dream on.c,
i,~'·, 'J~
Gtr.3
.,
JJ
tj'
Ji
's
¥
Ji J
.,
J I
1 a • 1. 4 6 6
I. 1 3 a I
47
Ab5 Bb5 C5
) } ) + ) ))))))))
. . .
). ) ). ) ) ) ) )
dream on,_ ah!-------------------------------
Pre-Chorus
Gers. I & 3: w/ Rhy. Figs. I & IA
r E-r f
F5 Eb5 Db5 Ebsus2
r r r-r
~
w ~,, c F @ q 1F F c rc f f
'&~&& '
'
.J ;.J
Sing with me, sing for the years.L sing L, for the laugh-ter 'n' sing L, for the tears. __
F5 El>5 Db5 Ei>sus2
,,
,~'·1,& cd c c c r i E
#
J @
#
1C F c f~C r c JI E rf F e f
'
¥ ;.J
Sing it with me if it's just for to - day,_ may-be to - mor - row the good Lord will take you a - way.
'&1'1,&
Gers. I & 3: w/ Rhy. Figs. 2 & 2A
F5
w ~J
Eli5
r rF
Db5
~
1C c F r E f r r-r f r f r f
Ei>sus2
-
'
~ ;,;J
' Sing with me,
.J
' sing for the years,_ sing_ for the laugh- ter 'n' sing L, for the tears.__
Gtr. 4: w/ RiffB
F5 Eb5 Dm7b5 Db C
'&'·, &, Ci E r c; Q r ; CJ , r cc ft r 1 c r 1 c c c ETP1 ., l I
Sing it with me if it's just for to-day,_ may- be to- rnor-row the good Lord will take you a- way.;
Outro Repeat and Fade
Gtrs. I. 3 & 4 tacet
ce.z
A I
N.C.(C5)
... - - - • - - •
~ri~-------------------------------------------------------------~
- . . :
48
Dust in the Wind
Words and Music by Kerry Livgren
Intro
Moderately J = 46
*Gu. I (acous.)
C Cmaj7 Cadd9 c Asus2 Asus4
mf
m p i p m p i sim.
p
0 wifingers
let ring throughout
*6·str. steel-string doubled by 6-str. in Nashville tuning.
••p=thumb, ieindex, rnemiddle
Am Asus2 Cadd9 C Cmaj7 Cadd9 Am Asus2
• ?PPJJJJ 1f:Cffl]O,;J 1f)jJJJf:CfflJ 1pppJJJJ I
1 9
l ''• Il ''aa' i ''a l '' Il '', ''; '',
O 9
' ' ; '
2
• ' '
9
'' I; ' 0
a '
0
aa'
9
' '
Verse
Am G/B c GIB
., p II· r t
l.I close my eyes, _
2. Same old song, _
I 3. Now don't bang on, _
' Pj J j j fD fi li=fn j J J J fD j J j j I Jill J J j j f1? J J J J > >
: 2
2
9
a
2
2
9 2 e
a
1
2 e :
.. : . · I : 2
2
e
9
,, G
e
on
just
ly
a
c e
for
drop
rc
a mo
of wa
Dm7
.,.--._,
~
;..J
,.,.,
ment,
ter
r c r-1·c r .ffTr
and
in
the mo .
an end
Am
ment's
less
gone._
sea.L,
GIB
I noth . ing lasts for. ev er but the earth_ and sky._
A
~
t)
-
-11
-
• - ~
-11 • •
-
~
.
r-J I
- -
_....,
- - -- -
- -
- 11
4 4 4 4
.
- -
A
-
. . A
v
. .
. .-
<
-. .
A
v v
"
- v
A
v
-
A
-
A
A
-
A
-
- -
A
.-
A A A
v
-
v
-
A
-
A
-
A
-
v
v
-
A
© 1977, 1978 EMI BLACKWOOD MUSIC INC. and DON KIRSHNER MUSIC
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.
All Rights ReseNed International Copyright Secured Used by Permission 49
c
.. .. .. .. - .~.
G
GIB Am Dm7
r-3---,
...
A
·- ~ .
& -
I)
All my dreams pass be • fore. my eyes,_ a cu ri .
All we do crurn-bles to the c, ground..though we re .
slips a . way and all your mon - ey won't ; an. oth er
r--.. r--._ r-i=::. i---
. - ~ f9i
- .- - - - - . . --
~
A
~ ~~
.. -- -
~ ~
.. - - -.. --,, ~
J
..
J
tJ
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ll • • ~
- :. :. :. - • •
. . . .
ft
. .
. . .,
ft
. --., . v . v .
.
-
v
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-
v . v . v
. -
ft
. -
.
ft
. -
.
ft
. -
.
ft
v
- v- . v
. -
ft
ft -
ft
.
ft
-
ft
ft ft
v
- v- ft ft ft
v v
v v v v v . -
v v
Chorus To Coda-$-
-.-·-
Am ,,-.. DIF# G Am Am!G
A
. - '
-
&
-
tJ
OS . i-ty._
fuse to see.L
min-ute buy .. ! Dust in the wind
-
A
.~
-
,.__, =r-1 ~
., -
~ - -
- -- - - -
J J
J .
~
- - :. . -
-
I)
:. - :. :. :.
F ~
• .. • .. .,; :. .. -..
.
v . . . . . . .
..
ft
.
ft ft
. .. .
-
v
-
. - -
v v
. . . .
ft
.. -
ft ft
. .
. -
ft ft
.
- - .-
ft
v v L
- - -- . .
.-
ft ft
ft
v
ft
v
ft
y
L
v
-
-
ft
v
.
v
v
.
v
- ft
v v-
v
I. 2.
II
I)
DIF# G
-
~
-c-
=
-
Am
,~
'
GIB
...
( dd9)
A ma
----- .- -
All they are c, is dust in_ the __ wind. wind.
(we)
,.--._
A r---...
- - .. .... . ~ ~ ~~
-:. ., - - • -- -..
~ -J
.
J •
tJ • .,; ;j
- ;j :. :. ;j ;j ~
F 1
.
. .
. .
. . ..- . . . -. . . . .
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.
-.,.
. - .- - . .. -. . .- .
y v v v y
.
v v v • v
. --.,
.- v
.- v
v
.
v
v
v
. -z;
. .
v v v
. .
- .
v
-
.
--.,
- v
ft
v
v
.
v
v
GIA F(# l l)IA F6(# 11)/A
...... 3
A~
~
~ --
.x -· - lr-e-
I)
Oh, ho, ho.
.....
-
- ~ --== -
~ ~
--==- -
A
. -J
-- . J
- :;.
J
- - ~
~ =
=
-zr-
- - - -
J
tJ :. :. :. :. :;. :. 4 :;. :. :;. :.
. . . . . .
. . . . . ..
.. . ..
ft ft
. .
. - .
-v v v v
v
- v
- - v v v
r v
r
.
. .. . v
.
v
- --., . v
. v v
v v
- v . ft
v . ft
v v . v . v . v
ft
-
-
ft ft ft ft ft
y v y v v v v v v v v
50
Instrumental Bridge
]1 .... :
Am(add9) GIA
r ~ ~
J
J J J J j j
J .J J J..__..d
If ~
J j I J~ I • •
' ll·J
II:: :,.
5
~
9
9
:,.
5
~
~
'1-
5
~
9
9 ,=,,
ii 5
I: 5
1"
9
e
5
:,.
~
s
:,.
-:;,
9
e
5
:,.
D.C. al Coda
F(# 11)/A F6(# 11)/A
,. ,.
j
i j
~ r"'
r"
J J J J J J ~ ~ ;F J
I f ~ ~ =II
' I~
~ ~ ~ ~ ~
~ ~ ~ ~ ~
9 9 a e
Ii
5 5 5 5
~
a
5
9
a
5
~
a
5
9
a a
9
a
~
a 9
a
• :I
,$, Coda
DIF# G Am Am/G
).....--.1 ~
"' -- --
- - --
,.-...
..
., ~ A
A
All we are L; is dust in_ the wind.L,
(All we are L; is dust in_ the
"'
- -,,..._, - - ~
.
., F
~
•
- - •
~
-ll •
- -. ... 1i
- 1i i
- -ll
• .
.. -- - - .. .. .- .-
- -- - -- -
-
v
.
.
--
·4 4
- -
. ~- - -
- -
4
--
v
..
.
-- - .. v .
u
DIF# G Am Am/G DIF# G
~
D-5£71 ..fl I~ ~·~ :·LJ 1&f27 . FJ ~ J-~ I
* ~ ~ ~
---=-- Ev- 'ry-thing _ dust in the
Dust in_ the wind. is
wind. Ev - 'ry-thing _ is dust in c, the wind.)
i~ fn J J fD fJ fJ' j J fD J J fn J J] I J j J jI J] j f1J fJ I
! : • • .' • • : • • • • • I ~ • • • · • • : • • • · • • I : • • .' • • : • • .' • I
Outro *Play 4 Times and Fade
Am Asus2 Asus4(b 13) Am Asus2 Asus4(b 13)
I~ 11, t,· I- ¥ _g£71 J. · II
wind. The_ wind._
•ad lib. voe. on repeat
51
Free Ride
By Dan Hartman
Intro
Moderately Fast J = 128
D G A G D G D A D
Rby. Fig.1
=compostrearrangement
G A G D G D A D GA G D
> >
D G A G D G D A
l. The
End Rhy. Fig. 1
>
>
let ring, let ring,
*Doubled an octave below
throughout verse.
~ Verse
Gtr. 2 tacet
,,'1
D
E
C5
E E
A
~
E Et f "I
l
.J)
lbp
DIA
E t £~r:sm -
,~r
A5
"I j
D c
r c
A
~
r F "I
;j -
moun-tain is high, ___ the val ley is low ___ and you're con - fused __ on
0 - ver the coun - try_ I've seen it the same. No - bod - y's win ning at
Rhy. Fig. 2
>
let ring - - - - - - - - - a
© 1972, 1974 EMI BLACKWOOD MUSIC INC.
52 All Rights Reserved International Copyright Secured Used by Permission
,.; ~-
~
DIA
which way
E t F
to
A5
go._
"j ¥
So
p 1tr
D
I've
c
come
c r
A
~
here_
E F
'- ;j
to
lbf E t
a
DIA
give you
A
ttrJSEJ: ., -
hand_
rl
and
this kind of garne.L We've got - ta do bet ter, it's time to be gin._ You
,.# !jjji{:q ., l t ! M a i I !fjjifq
>
¥ ¥ .,
~
¥ g
> > > >
>
let ring ••••••••• ; let ring •••••••• •
I~ ! I ! I I I i I ~ !I I I I !~ ! I ! I I I ~
Chorus
Gtr. I: wt Rhy. Fill 2, 2nd time
D C A DIA A F#m G
j II~ tEcsrlcrr
. to the prom - ised land. _ l So,
(Ooh.
come on_ and take a
_
. swers must come from with · in. _ j
End Rby. Fig. 2 Rby. Fig. 3
>
P.M.
I
P.M.
let ring ........ _ ....... --t let ring •••• • let ring •• •
I I I 1:~i ! ! I ~ ~
I I 11 i ~
; ~
i i
i ~
~
I
A5 A6 A5 A6 F#m G D5 06 05 0
.*t~
~
free
d~
ride._
Q 1; ;_f
Come on_
r f! c r~
......
and stand here
j
- ~-
1if:
by
c
my
tzrz;r:
side.
t
,,. n r=th1 a n ~- a ~ u a a a n n 2 fh ii i n
Free nde.., Ooh.
> . >
1, . >
I I
P.M.
I
~M
let ring ••• -1
Rby. Fill 2
Gtr. I
A .II.
-
~ '
.___., x
- x ,<:
.i ~
>
:;j :;j
! ~ ~
>
let~-- ••••••••••••• ······•
. . .. . .. ..
ft ft ft
::: ::: ::: e . . . :
" ~
.
: - y
:: : ~ "!, "!, n ::
: ~
": ":
~ ":
~ "
n ~ ~ ~ n
I a y y y y y
53
To Coda~
,. ~ J
..,
F#m
i
-------- - -
~ _,:
Come on ___
G
_j
and take a
"
05
free
-h'~:
ride.
ce. 2: wt Rhy. Fill I
Ooh. )
•Gtr. 3 (dist.)
"' .... > > > - -
..,
- ,:.
"
.;,
-
-x-
·- > »-:
.. -
v ..
..
.... -
v
v
-
A
-- - -
A
End Rhy. Fig. 3
,.
Gtr.l
~-- ~ .,. .,. I
-..,-
~ ~ I -
..
-
~-------,:;
.. -~L--.J
- - ..
I .J
>
'' ''
I L_
P.M. P.M.
let ring •••• -I let ring ••• 1
.~ v
- v v
-y e c -s:
.
~
.
~
o '!
..,"
c
.."
c
-~
s: -~
!.
- -- "'
. .
~ ~ ~-
v --.,
~- v
*Two gtrs. arr. for one.
Guitar Solo
Gtrs. I & 2: w/ Rhy. Fig. 1, simile
GA GD G D A D GAG D G DA D
~~~~~"~~
- ...
~~
"' .... ' r-:» r-..>, »<: >
.., >
~
'r
-
'
- '
>
,.
~~~~"~~ full
t v-.
.,,I i
~~~~~
-,~ ~ -
v
-- ~I "
Pl
-- . v
-
D.S. al Coda
G A G D G D A D G A G D G D A
"' .... - ~ ..
..,
"'~
., n
~------ -----.
full
~""~~~~
...
-
112
r-;
112
- 3 ~~~~~~
>
~~~
2. All
t~~~~ 1' 1'--.
...,
,.,..
-
--
. I I I
-- .
Rhy. Fill 1
Gtr.2
~"' ... --. - .. -
-
-.,- vi __J
-
r._
--
-
I
-n: - ·. !.
~ v
54
Gas. I & 1: v;/ Rby Fig. I. I st~ meas., simile
GAG D GD A D GA G D
-Gu.3
A-" ~~~"'~"'~"'"'"'~"'~ -, > .............. "'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'"'
., > - - >
~,~~~ r1-----__ "'~"'"'"'"'"'"'"'~"'"'"'"'"'"'"'"'
, I
...
'\_- -
-- Pl -- -- --
"Two gtrs. arr. for one.
Guitar Solo
Gtr. I: w/ Rhy. Fig. 2, simile
Gtr. 2 tacet
G D A D D CS A DIA A5
:,.# t te f ff I
Yeah, yeah, yeah, yeah.
Gtr. 3
t.JtiJ E "'
rr r- t-: """"'
·r r ctir tJ
1/4 full full full 1/2 full 1/2
2 /4
2
J ,) 5 5 e7
t """"'
5 t
t
7
5
J
5
:;>
t
I
7
,.# D c A DIA A5 D c A
,.# 4r ~r r-r r r E I ·)"'~
- el= c-1
"A~ ~
r F f/''r""""' c c I
e1 r f' c r
full 112 full 1/4
full full
.r-.-. ~ _;---." _)
/
1
..> I
t
5
5
e=--
t""""'
19 e I" ~~ . 19 19 e 19
9
I" ~~. 19
10
19 8
,.# DIA A D c A DIA A
4•,c r t ,-r c1 tr tr tr c-r E ·~r
A· ~~ ~
f e r 1
~I ~A~el= r E
full full full 1/2
I 1/2
~~ _;-.r-. ~
e 18 ..J ..J ,e ..J
10=--
t
19 19 e e
18
I" ~~ . 19 19 e 19
9
I" ~1
55
Gtr. I: w/ Rhy. Fig. 3. simile
F#m G AS A6 A5 A6 F#m G
Bva .•.••.•••.•••....••••..•.....•..............••••••..•••••••
full hold bend hold bend
112 112 ....... , t:
,ult
full full full
full hold bend
........... ,
•vib. bent note only
Gtr. I: w/ Rhy. Fill 3
D6 DS F#m G D
...:.-----
~: J J d ~:
--
,. JI,
..
u .
~ -
tJ .... .... ....
-- Ooh. Free ride.)
8va .............................................................................................................................................................................. ,
!'..~ ..
!'.. r-.
--r-.- - ""'~
o.>; [\../""\_
- .. - - -- - -- - -
,. JI,
- u
"
.. .. -
tJ i.......i - ~ I I
full full~
112 l/4 full full
~""'"""', .., ~ ~
1/4 full
.... ·- .. r-...,. _
,.
_)
..
_) oA
.. - ....
r-,.. -
,, ,, .-
,v
t
. '"
,v .• -
t
.. ..
t
..
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- •A
. .. - t
..
•A ..
-
,. JI,
u
"
t't: ~ t't:~ ~ ~
.
f't: ~ t't: t't: r.r.
~t: ~- ~ . ~~
-
~
,:: ....
tJ
hold bend
full full full full full
t~ t~ r:':» t f······-~ ~
..-
I
..-
I
.. ·~ .•
4A
/
-
AA
.. -
I
.. -
I I
..
\
, .., ·-.. -.... ·-..
..
OA '"
Rhy.Fill3
Gtr I
,. JI,
., "" .>.
>
~
:..
-
:,
:..
;. ;.
- -
56
Interlude Outro
Gu. I: w/Rhy. Fill I Gas. I & 2: w/ Rby. Fig. I, till fade. simile
Otts. I. 3 & 4 tacel Gu. 2: w/ Rhy. Fill 4 w/ Voe. ad Lib, throughout
N.C. D GA G D
~i ~ II: I
'1
111
Voe. Fig. l
Jr,r
Come
n
on ___
f
and
r r
take a
G D A D G A G D G D A D
End Voe. Fig. 1
ride._ Yeah, yeah, yeah, yeah.
Gu.3
,. » ~~~~ ~ -
-
r-;
- -
y
=
-.._..,.. "
r
-
I} >
1/2
~~~ r---....
. -~ . '
I
.- . ft ft
.. -" ,.. ;.
,., -
-
w/ Voe. Fig. I, till fade, simile
GA G D G D A D G A G D
~~~
~~
(\Q----
;;.e-: IJ r F r 1· I
~"~~
-
let ring •••••••••
.
-1
~ , r-~~""
-
ft
,,
r:
¥
¥
.
¥
~~~ ~~~
,. » I
""
" ..
tJ >
~~ ~
-,. .- ~
. .
¥
-
ft
,, ¥ ¥
Rhy. Flll 4
Gu. I
-
,. »
... -•L
tJ
&
I
~
~
r I
v v
~--
>
~ ~
-, . . - -· .. . - ,. ., .,
- .
v v
c o l', '-- o o l',·- •• c c
.· .
¥
~- , .,,. ~·
~ ·- ¥
....
.... ft cn ;;
n ¥
;;
n
;;
n ¥,
/~
..
;;
"
I '
57
Ga. I • Rily f1 s
G D A D G A G D D A O
,,,~,,~,,,,,,,,,, ...
...,~~~''''
,..-....
"" """'
,.,
-- v
,., - .
l
8w, ..•••..................•............•................•.....•........................•....••••....•.••.........•..•.......•...........
,~,~,, ~,,,,
A" - • I
> -
full hold bend
full
t
full,~~
f- ....... --.......__ f ....... , full
t
full
t
,~,
,., .,.
I
/
I .l.
,··-·--
.. ,
/
..
ftft ,/
·'
I
.ft .ft
..
..- ...
G A G D G D A D
" ... _ .. ~ #t ~ ~
ti?-
i~ ~~
,,~,~,~~
..,
full 112
t t ~~~
I /
.ft >ft ftft .>
, •ft
8va .......•••••••....•.•••......•••.....•••..•....•.............•....•..•.•.......••.........•..•••.•...•••••........•.......•.......••...........•..•....••••.••.•................
~
•
I
' '
112
t
full
t
~~~,~ full hold bend
f ......... , 1/4
t
,~
..
.ft ,.-'
I
.ft
-- I
·~ •A
_.,. I ftft
.ft
·- ,._, I
·~
Rby. FUI 5
Gtr. I
.. .. ___,
""
..,
~
.
-
-..
>
-- -
~ -
~
I ...J
let ring
... ~
- . . ~ . -
--
A v v v
I !. - v :: !. :: c c c
...- ..-.
II. :,· ;. ;. :. ::;; v v c :.
ft
- n n A
58
G A GD G DA D
8>,a. ·•········•··••· •...••••••••••••.... ·•·•··· ............•.•.•.••••••••.••..•.............•...•.••..•.•••••••••.••..... ············································-···
~,,,,
"
c )" J ~c •
full
~~
19
y
' 19 19 19 17
19
1i' 19
8va •....••••••••..••..•.•.......••.•.•.••••••••••.••••..•.•.....••••••.••..••••••••••••....•.........••••••.•••••••••••••••••......•.........••••.•••.••••••••••..••.••••.•••••.••••
,~
E c d. J r:
hold bend hold bend hold bend hold bend hold bend
~I
r············, ~
r···---------, r···--·····--,
~ ~
1·············,
19 19 19 19 17 19
19
Gtr. l:w/Rhy.Fill5
G A G D G D A D
.
8vn ••.•••••••••..•.•..........•.......••••••••••••••....•..................••....••.•••••••••.•.............•.•••••••.•••••••••••••••••..•.........................•..•.•...•••....•
r B •
~J -r"' r C7J ~
r ... - .. - ·, f ,
.r .r .r .r .r .r
full hold bend full hold bend full hold bend full hold bend f hold bend
f""""1
r 29 ;;,1 29 ;, 29 ..I-~-,
19 19 19
1 J
•wt pick & fingers
Bva ••.•••••••••.......................•••••••••••••.•....•.........•........•.•.••..•.•••••••••....•.•••.....••.•••••..••••••••••••••••....••.•..........•..•.........••..•....•...•
;f 4-•k'i: f•4'r F·4'i- [4 f•!a- f•!i'r F•4r f•k'i: f 14 C·!i'r F•\ g~C F l't C f I
;
'
r .r hold bend
.. r . r . r . r . r . r . . r . r
r 1
full hold bend
t
:r 1i'
,
full hold bend
c·········,
.- .... I
Rby. FillS
Glr.1
IA .II. ~ • •
____,
"' .., -- ..
~
.'-
-
~ ~
~
:>
...
y
- ----.,
----.,
----.,
' .__/
lei ring
-· -- .
:.
A A A
-
,: ~-
.. .. v
:: :: -:.
..-.-
0 0 0
i
.:.
-. .
;.
.
;. !. y e
n
;;
n
:;
n
59
Begin Fade
G A G D G D A D
full hold bend
full hold bend
............ , .........••• ,
G A G D G D A D
8va ...........•.................••....•.•..•••••••••••••••••••••••..••••.•.••...............•.•.......••.•....•••••••••••••.••••••••••••.•••••••••.......•..........••••.••••••••••.
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60
Hey Joe
Words and Music by Billy Roberts
Intro
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I. Hey, Joe, __ uh, where you go - in'
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gun in your hand? Hey,_ Joe,
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All Rights Reserved Used by Permission 61
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I said, where you go - in' with that gun in your hand? ; Al - right.
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you know I caught her mess-in' 'round. with an-oth- er man.
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Interlude
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N.C.(C) (G)
Mex-i . co_ way! _ Al right! - I'm go-in' way down south,_
Joe! _
1/4
..... 3.., "b"'"'"'·--
b-
72
(D) (A) E
I
1,· ! ~
t
way
lei
'--]--'
down ___
i, r tt r!ffSJr
where I __ can be free!
J
Ain't
f 2?ZF=1
no one c,
Joe, where you goo na go?
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- gon-na
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find me babe!
~
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liilllllll
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I
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he ain't gon-na put a rope a. round me! You bet. ter be - lieve __ it right.
Joe. where you gon - na go?
-
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Begin Fade
N.C.(C) (G)
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Hey, __ hey,_ Joe,
-- now!_ l got- ta go L; now!
Hey,
hey,
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74
D E
you bet-ter run_ on ; down! Good - bye ev-'ry-bod-y. Ow!
Joe, where you goo - na go? _
let ring -i
full
b
> > > > >
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Fade Out
N.C.(C) (G) (D) (A) (E)
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Hey,_ hey., Joe,_ what'd I say. run on __ down.
Hey, Joe, where you goo - na go?)
I
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75
Iron Man
Words and Music by Frank lommi, John Osbourne, William Ward and Terence Butler
Intro
Slow Rock J = 69
N.C.(Em)
-- - -
" »
tJ
**Spoken: I - am
.
"
I - ron
"
8va
.
Man!
Gtrs. I & 2 (dist.)
-- - ---
" »
tJ
- -
:
• =~
"..J~----
~ -~ .--l
fdbk,
f full
.... c---
<,
<,
...
.a.
D
. /
\
\V/
I
·-· ,n,
\V/ - /
*Bend behind the nut **With effects. pitch: F#
8va Bva
loco
--
/(X'O
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pitch: F# F#
85 D5 E5 GS F#5 G5 F#5 G5 D5 E5
/O('Q
" » •
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I
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tJ -- ....- --··-·
poco accel.
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85 05 E5 G5 F#5 G5 F#5 G5 D5 E5
--
Rhs- }"1g. 1 EdRh
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© Copyright 1970 (Renewed) and 1974 Westminster Music Ltd., London, England
TRO - Essex Music International, Inc., New York, controls all publication rights for the U.S.A. and Canada
International Copyright Secured
All Rights Reserved Including Public Performance For Profit
76 Used by Permission
Verse
Slightly faster J :: 76
N.C.(85) (D5) (E5) (G5) (F#5) (G5) (F#5) (G5) (D5) (E5)
r E J - r
~
I C r: c--r c--f ;j
~
( ! r
I. Has he lost his mind? Can_ he_ see_ or is he blind?
I 2.
3. Heav
Is
RilTA
he
y
live
boots
or
of
dead?
lead, '--
fills_
see_
his_
thoughts _ with
vie tims
- in
full
his
of
head.
dread,
End Riff A
"'"'"'"'"'-
J £-2
c..._.....-
J IJ ....._....J J....._....J J....._....J j J _J ;.>
c..._.....-
"'"'"'"'"'-
II: • 5 7
54 5 4
5 5' ;;.>
<
,.......~
GIIS. I ~ 2: w/ Riff A
(85) (D5) (E5) (G5) (F#5) (GS) (F#5) (G5) (D5) (E5)
- - r ,,
:---.....
4# r Can he
r walk
c
at
J r
all,
IC
or_
r: c r
if he
~
moves __
:J
will
c J
he fall?
We'll just pass him there. Why_ should ; we e - ven care?
run ning as fast as they can. 1 ron_ Man lives a - gain!
I. Gtrs. I & 2: w/ Rhy. Fig. I
B5 DS ES GS F#S GS F#S G5 DS ES
-II
.,
Interlude
Gtrs.
1&2 N.C(BS) (AS) (85)
~
J u)
:,· Ji J
- simile on repeat
J J_j\,
114
i) 1;4 J J.
~
g;g J J w I Ji J JL,Jt, J
1/4
t
l
t
l
:·1 7 7
5 (5~
7 6 I 5 5 5 e 4 5 5 6 I• 7
5 (Sf.
7 6
To Coda {r)-
(AS) (B5) (A5)
,.J J J. J J w 1µ) J J~'-"' J.,, J J s IJ J J ¥ II
@J 1/4
> > >
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7
5 5 5 9 4 5 5 6 I 7 1
5 (5)7
7 7 6 I• 5 5 I
85 D5 E5 G5 F#S G5 F#S GS DS E5
.,. ll=d=-= g~ f :d d I d::g i::~ f:] 3B ::d f J~J
' ~
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~
x ', a
77
BS DS ES GS F#S G5 F#5 G5 D5 ES
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Verse
Gtrs. I & 2: w/ Riff A. 2 times
,- r
N.C.(BS) (DS)
r c - j
(ES)
F 1C -----G
c~r
(G5) (F#5) (G5) (F#S) (GS)
rf - _j
(DS)
E J -
(ES)
F
3. He was turned to steel in __ the __ great L; mag - net ic field,
4. Now the time is here for __ 1 - ron Man to spread fear.
,#r
(BS)
r
(DS)
E 1
(E5)
F
(GS) (F#S) (GS) (F#5) (G5)
I C-----r: c~r rf - :J
(D5)
c j -
(ES)
r~· 11
when he trav . elled time for __ the fu ture of man - kind.
Vcngc a nee from the grave, kills_ the __ peo pie he once saved.
Bridge
B5
E5 05
r-3 ---.
-..,,. "' .~·- - ..
-tr~ ,..-._ -
)!' - - )!' ~-
-- -
-
"
No-bod-y wants , him.t; he just stares , at the world.L,
No-bod-y wants , him,_ they just tum _ their _ heads._
-
Gtrs. I & 2
,. "'
Rhy. Fig. 2 End Rhy. Fig. 2 RitTB
- End RiffB
~
u ..,, ..,, ..,, .- -,.. ~ ~
yy/ ...
,~-
... -
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" A •
:;
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;: A
.,
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Gtrs. I & 2: w/ Rhy. Fig. 2 Gtrs. I & 2: w/ Riff B
E5 05 B5
I-
Plan-ning his venge-ance _ that he will. soon un - furl._
No - bod - y helps , him,_ now he has_ his re - venge. _
Interlude
Double - Time J = 164
N.C.(C#m)
End RiffC
" ..
Gtrs. I & 2 Riff C
~ "
--
"
.., I ..,, ..,,:...-,... "'!- I ..,, ..,,:...-,... ... "
"
-- -. .- .- - . - -
.
. ..- .
s - -v -., -~
A
-
A
-
A
78
Guitar Solo
Gu. 2 tacet
,,;;I
Gl. I N.C.(C#m)
J@{]JJ
. -=- .., --=- 5 ~l
0
'4 5 5 0 . -=-
2 [4 4 '2
2 4 .;:::::~ 4 4 4 6 6 6 4 4 6
2 4 4
I I 6 6
,1##1
~
r <r> r ~ ~ ~--- ir r r,: r c a t ,~,. .,. #er, r f r i~r e
~
3 ~ I
~ full
.., 112
l .., ... ..,
6 i9l 11 ~::,
9
12 9
11 9 9
. .::::,
19 , -=- 9 117
-1 9
12 .g =
11 '.g
9 12 .g'
11 9 9 11 it
I' I
full full
,..-..__ ful~
9 ~I~ 9
/ I~ 12~2) 9 12 9 9 •
9 9 12 9 9 12
i~
1cJ:j r r ffi [EJ 1r r ffi f r r 'r'
full
9 ;''"•
12 19 117 it 1~ .g
11
I •'0. 11
9 9 ..., 9
11
. ,.....,, 11 9 9
11 '9
..., . -=- 11 9
(9)
11
9
I 11
9
J4'i~ tr· tp-r tr Ip tr· £r tr 1tr· tp-r tr Ip tr- tr tr II
I
I
H1 H1 H1 H1 H1 H1 j:-,. H1 H1 H1 H1 H1
I
79
Half· Time Feel J = 76 D.S. a/Coda
Gtrs. l & 2: wtRmC Gtrs. 1 & 2: w/ Riff B. 2 times (take 2nd ending)
-$- Coda Double · Time J = 164
(AS)
Gtrs. J &2
~----&-----~
A JJ. ......
..
eJ ~ ~
"''''''~'''
.
., -.,. . .,-
N.C.(E)
,. jJ,
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• i,_J~V-----V-----1'"
full
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. I
'
.
. ,I
I
I \
l
.
u
·-·
\V/
•Bend behind the nut.
*N.C.(ES) (DS) (C#5) (CS)
EndRiltD
RiffD ~---]---~
r--3----, 3
------- ...._.....
.. u - .
. . .
.- .
., - - .,
.
.,
*Chords implied by bass.
Guitar Solo
N.C.(ES) (D5) (C#S) (CS)
,. ...
Gtr. I
r-:..--............. .r--.--............. rx=. ~ ~'~"' - ~ ~u
- ~
. -
- - -·
-
-~
'
eJ ·....; 'r
I 112 l l/2
I 1/2
r---- c---. s-« "'"""'''''' . .... - f":_
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eJ
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I 112
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l 112
c---
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80
(DS) ((:$5) C5
/";.~~ ~
=f &Ur f 1
ck r··rr E r I QJ .g ] lJ J J I J J 4@ f : r: : :
full full full
12.J 12.J
f).r-. r-;
12 (12) 10 12 10
x 12 12~0 8 /19 8 ,......,,,
9 7
7
57 ,<=>,
57
I5 7 7 /"i • 9 ..
'"' 5 .-.
full full full
~~.,.J ~. , ,,c;, " ,:;,, • ,;:, ' '
(ES) (05) (C#5) (C5)
A"' r.; ~ r- "'" - .rx>:«,~ - .,-.. r-
- -- - -
..-....
-
-
., liiiiiiiill.,,j
'-- 3.....,
'
I I -
I 112
.--.... I 112
r --......
I 112
r - - --......
I 1/2
.. I 112
. 112
•
112
•
112
s--;
. .,/
I
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-
- /ft ft
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-J
Outro
N.C.(E5)
Gtrs. I & 2: w/ Riff D. 3 times
Gtrs l & 2
,. "
.,
.
81
Layla
Wordsand Musicby EricClapton andJim Gordon
Intro
ModeratelyJ = 116
Gtr. 2: w/ Riff A
Gtr. 3: w/ Rhy. Fig. I
N.C.(Dm) 05 C5 Bb5 C5 05 N.C. 05 C5 Bb5 C5
Gtr. I (dist.)
..,
""
~·· ... ~-----
f
~ ·'7----· ~·· ~
~
., * ~---
. .., . . . --.,-.
--:: - . .-
-
v
-
v
v v
-
v
v-
-v
v v
v
'
RiffA EndRiff A
Gtr. 2(dist.)
''''''''""''""''''''""''"''~~~~'""'
-
>,--..._
II
..,
>,--..._ >
- ., ~ -- ~ ~
~
- -
i::::;;i
f
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- ·- - .. - - .. - ..
- ,.
'V
,v
,v
- ..
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I t
Gtr. 3 (dist.)
,. Rby. Fig. 1
-
EndRby. Fig. 1
~ -
.., ~ -. -:;;. ... . . - ... ~
. ._., ~·--.- . -
~~
--.-> --~
t.__,--; ~ ~ ~.. _. .· ~ .
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p
I
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- -
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-.,-
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v v
v v
v
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v
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v • v
.. =v =
v A
v
I~ I.
v
- -
v v
v
Gtr.2:w/RiffA, lsttime
Gtr. 2: w/ Riff A Ger. 2: w/ Rhy. Fill 2, 2nd time (see next page)
Ger. 3: w/ Rhy. Fig. I, 2 times Gtr. 3: w/ Rhy. Fill I, 2nd time (see next page)
Ger. 6: w/ Fill 1, 2nd time (see next page) Gtr. 6: w/ Fill 2. 2nd time (see next page)
05 N.C. ns a Bb5 a 05 N.C. 05 C5 Bb5 CS
*Gtrs. 1-4 & 6 RiffB
Gtr. l
sunile on repeat
full full
) )
--
>
Gtr. 5 (dist)i.....i.-~
RiffB2'--'
divisi
wt slides
>
-
>
~'''''""'''''
--
>
-
• Composite arr. Gtr. 6 mixed down on this recording. It is easier to hear on previous releases.
Copyright© 1970 by Eric Patrick Clapton and Throat Music Ltd.
Copyright Renewed
All Rights for the U.S. Administered by Unichappell Music Inc.
82 International Copyright Secured All Rights Reserved
L 12.
Ver.s-e
Orrs. Z. 4, 5 .f:6 ra,er
DS N.C.
·Ill
Ah, what-']l you do. when you get lone· ly,
t~~-f E
full 112
(12)
13 .. 19 13 .. .... I 13.
(12)
13 .. ~ I "J
Fill l 8va .................•.•.•.... ··· · ·· ····· ·· · ·•· · · ·•• · · · · · ··· ··· · ···· ····,
Gtr. 6 (dist.)
I w/ slide .....•••••••• -•---···· ··•• ••~
114 wlo slide
w/o slide ) ,,-...._
Rhy. Fill l Rhy. Fill2
Gtr.3
,.
Gtr.2 ~''''''''''"'"''''''''''''"'''''
Ill
Fill?
Gtr.6 Bva .....................••.•••.• · · · · · · · · · · · · · • · · • · · • · · · · • · · · · · · · • · • • · · · · • • • • · • · · · · · · · ·.:.:.:· · · · • • • • · • • · ,
A
.., ' '
w/o slide w/slide
, ...
I
..
,v
..
•v
•A
,v
.ft
.....
Cl
83
C7 07 E7 F#m(add9) B
,. .... "
,i
-- - _,.....,.
~ ~ ~.k
=
,--...._
- - -- -
,.-.._ -
I) r your __ run. nin' and
and no-bod-y's wait in' by side? You been
- - ..
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t)
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r
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hid • in' mucb .too long, __ you know it's just.your fool ish pride.
(Lay
Gtrs. I & 6 ;C'\
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84
~ Chorus
Gas. I. 4 & 5: vd Riffs B. Bl & B2. lsr & 2nd times;
wt Riffs B, 81 & B2. 1st 7 meas, 3rd time
Gtr. 2: w/ Riff A, 3 times
Gtr. 3: w/ Rhy. Fig. I, 3 times
Gtr. 6: wt Fill 3, lst time; wt Riff B, Ist 4 meas, 2nd time;
wt Riff B. 1st 2 meas., 3rd time Gtr. 6: wt Fill 5, 3rd time
cs cs
n
05 C5 Bb5 C5 05 N.C. 05 Bb5
.;:=:::--......
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la. __ Lay la.
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- • position slide halfway between
17th & 18th frets
A ,...
8va
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Gtr. 3
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85
To Coda 2 -$- To Coda 1 ~
Gu. 2: w/ Rhy. Fill 2, simile, tst & 2nd times;
wl Riff A, l st meas., 3rd cime
Gtr. 3: w/ Rhy. Fill I, I st & 2od times;
w/ Rhy. Fig. I, 3rd time
Grr. 6: w/ Fill I, simile, 2od time
05 N.C. 05 CS B~5 CS D5 N.C.
beg you dar . !in' please, . Lay . la, __ dar-Iin' won't you ease my wor-ried
Verse
Gers. 2, 4, 5 & 6 tacet
- . ..
C#m G#m7 C#m7 C7 D7
,...--.._, ~:-:.
A 1' .t
• •"•. s>:
- -- - • .- - ~- ~,A
r-,.
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2. I tried to give.you con so-la . tion when your old man, • he let ., you.
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86
RS. td Cala. l
F#m B E x.c.
,...._
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r c f -6 r r-c --
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td
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you turned my whole. world up side down._
(Lay
Gtrs.1&6
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-$- Coda 1
Verse
Gtrs. 2, 4, 5 & 6 tacet
C#m7
,.-.....,
G#m
.
C#m7 ,--.,_C7 07
3. So make the best, of the sit - u - a tion, be-fore I fin . n'Iy go_ in .
,-.> ~
>
in in ,,,,,,,,,,,,,,,~
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divisi
87
E Ffm B
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sane. Please don't ___ say L, we'll
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full
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7
nev - er find __ a way, ___ and tell me all_ my love's. in
... r-... t >
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hold bend
full
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88
E N.C.
D.S. al Coda 2
-$- Coda 2
~ Jr-..
lf*b (jl l -·
A
.,. ~ ....
F"' ..,
vain. Lay
(L ay . --
RiltC End Riff C
__ _
>....-.....
> >
............ ..._......
t~ f!. Gu.1"""'.J,
J 1h1 J i 1--- J- j J
A .LI ~ >
Gtrs.l~ ~ ~
A - - -
- -=-
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., .,
Gtr. 2 Riff Cl
S,.. > ;;,---- End RJIT Cl
divisi
..,_,,,,,,,_,,, .. .-::---:...
.. ·- --.v
"' .. ,T"T
....
.... ·-.. .. ..•. ..~
.
..
..... ,v ..
A
,v ,v
-.
A
.... - ,v
- .... - - ,v
,v
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A
.,
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Gtr.4
..,
A
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>
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End
... RitTC2
.
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ll
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divisi
l
RiffC3 ...._...
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End RiltC3
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,,,,,-,,,,,,,,,,,,,,-,,,,,,,
·-
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A A
;; v v
Gtrs. I, 4, & 5: w/ Riffs D, Dl & B2, l st 7 meas.
Gtr. 2: w/ Riff A, 3 1/2 times
Gtr. 3: w/ Rhy. Fig. I, 4 times Gtr. 6 tacet
05 N.C.
er
05 C5 Bli5 C5
., t
11
4~t la,
~ j
... ,
J.
(Lay la. __
., p
you
1E
got
r r--s r
me on __ my
J
#,
knees._
'C'·
Lay '
,~ 05 C5 Bli5 C5 05 N.C. D5 CS Bb5
C5
~
lb r .J-~;
:-------...
_:-:, ~:3
; ., . ~ E - -·
~
~
;.:J
~
lt I tr fs : )~
beg you dar lin', please._ Lay la,
la. ___ Whoa._
-----
Gtrs. I, 2, 4 & 5: w/ Riffs C, Cl, C2 & C3
05 N.C. 05 ,,-.._ CS Bb5 cs D5 N.C.
'j Ji i
i-3-,
r r r r: t r-=-r f r 'I p IE
J J
J
~S-
--r I
dar · lin' won't you ease my __ wor · ried mind?_
Whoa!. ' No!
No! ___
89
Guitar Solo
Gus. I, 4, & 5: w/ Riffs B. Bl & 82, l st 7 meas.
Gtr. 2: w/ Riff A, 3 112 times
Gtr. 3: w/ Rhy. Fig. l , 11 112 times, simile
D5 C5 Bl,5 C5 D5 N.C. D5 C5 Bl,5 C5 D5 N.C.
'I,---
l Sma ••••••.••.•...............•.............•....•............•....•••••.•....•••••••••••••••••••••••••...••••••••••••••••..•.••..........•......................•............••.•..•
Gtr.6
-"'"'"'"'"'._ > -""""" > ~>"'"'"'"'-"''"'
A
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-> 7 ' ~ .,,_ --- - 1...> - I ~ ~
- '
t)
w/slidef
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~----- .i-:
,,_,_·~- -- "'~"'"'"'~,---
- --- - - - _ ... - ...., . ..,, --- - --·---
-
• TAB numbers based on location of notes beyond fretboard.
Gtrs, r, 2,4& 5: w/Riffs C. Cl, C2& C3
D5 C5 Bl,5 CS D5 ~: 05 C5 Bl,5 C5 D5 N.C.
l Sma ..•..................•..•..•....••••.........•.....•••.....•••.••..•.•..•... -i:.......................•.......•..........•........................................................
>
! .. ;.. . :. ....../~'
A - > L L >..--. •
.. - - - -_ -- -
.... 'l,'l,'l,'l,'l,'l,'l,'1, - >
3 - - - steady
gliss.
-e>
steady
k-~~--~~~-
1/4
gliss.
- __ ) -- . -- ~
Gtrs. I. 4 & 5: wl Riffs B. Bl & 82, 1st 7 meas.
Gtr. 2: w/ Riff A, 3 112 times
D5 C5 Bl,5 C5 D5 N.C. D5 C5 Bl,5 cs D5 N.C.
Gtrs. l, 2, 4 & 5: w/ Riffs C, Cl, C2, & C3
D5 C5 Bl,5 C5 05 N.C. 05 CS Bl,5 CS D5 N.C.
Gtrs. l, 4 & 5: w/ Riffs B, Bl & B2. lst 7 meas.
Orr. 2: w/ Riff A, 3 112 times
05 CS Bl,5 C5 05 N.C. 05 C5 Bl,5 C5 N.C.
..__,.._.._._._
05
/5mn ........•.••••••••••.••••....•.••.....•.•....•.....•.......•..........•..•........•..........•.••.••.•...••••••••••••••....•••••••.•.•.•.....•.....•.................•.......•...
._ .. ,,_
> > > > >
90
Gin..1.:.;a:! ... fil:sli."-G.6C~SJ
Ga. 3,. 1u, Fi:;
~ ~~~~~· 4¥--~ f"'~,~~
l Sma ••••..••.••.••..•............•...••••••••.•••.•••...........•••• ,
j···········~~·············,s§
D5
~~-~~,,~·~,~
.Of ±tr r rJ·r-=tux,
l Sma ..•.••.•
Ii~ ?f;tef[ i; I CF cf ti Ir @10@ I!•
1/4
,,.-....,. -/"'\
(l!!lj>,;117 ;;!? ;;!? ;;!? f!ll'la (31 / 'la 'la (l!9)', 1aAe
Interlude Outro
All gtrs. tacet
*C Cmaj7/E Fadd9 F Fmaj7
,,,_,_,,,,_ ~,,,_,,,,,,,
8va ...........••.•••••••••.••.......•..•.......•.•....••••••••••.•.•.•...•...•..••••..••.••••.••.........•••••
,,,,,_
(piano)
10 Gtr.1
-. ----.. . -
mf - -
vr " ,v
,, -.,- ""
,.; .....·- ,.., ......
8va •.•.•...............•.••••••••••••............••..••••••.•••..••.•.........••....•.••••...................•.••••••••..•••
Gtr. 2 r 3:! ~- ~''''''''''
10 .---::;,,.~ _ ~ " ,_,,,,,,,,,,
..,
I
w/ slide
,,_
ft .. .. . ·. ·- ·- .. ·--'- 4A II\
,,.
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10
Gtr. 7 (elec.)
,=lf""1
-'"" --
w/ chorus
I d"'"'1
-v
-.
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Rhy. Fig. 2
r
'
let ring throughout
I l
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r I l
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• Chord symbols come from piano.
Fill6C& 6D
>
Gtr. 4 -
,,. r-, I I ~ ~ I
~
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- I
I I
Otr.2 Otr.5
divisi ~ _,,,,,,,,,,,,,,,,,,,,,,,,,,_ divisi
..
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.
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-
91
F6 F Bb7 Bb7(b5) Bb7 C
.
8va •••••...•....••.•.•.•••••••••••••••••..•••••.......•.....•••.•.•••••••••••••••.•.....•.•.........••.•••••••••••••••••••••......••.........•••..•..••••••••••••••••••• ,
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-
Bva •••.••••........•.•.••....•••••••....••.•.•••...........••......••••.•..•.••.••••.•.••................•.•••.....••••••..•••...............•..•..••........•..••••.•.....•.••••.••..
>
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let ring ..••••••••••••.....•••••••••••••••••..•... _ .••••••••••••••• ·-I
. . I
ft • -
Gtr. 8
,. ~------ > >
' >
,:,,
~
>
I
,:,,
dim.
let ring • -I mf
.. . -
~
~
ft "- v
-
100
Living After Midnight
Words and Music by Glenn Tipton, Rob Halford and K.K. Downing
Intro
Moderate Rock J = 134
E D A B E D A B
Rhy. l<'ig.1
••Gtrs. 1 & 2 (dist.)
,. "' it
(drums)
4: - ... J
-. . - -- --
~
J
~ -
eJ
y I
--
11
.. ~ ~ ~ :.
.
11 :
11
l -. ~
~ --
11
-:
r.
r.
~ :.ii 11 ::±
.,,,
P.M. P.M. let ring ____ -i P.M. P.M. let ml!
A - -:. -: - -:: - -:. A
::
;;
::
;; !. - =
:
~ •
"! ,!"
::
-'! ~ -x
=
::
•
1
;
I I
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.
A
.:. x
.
:: ::
.
A
.
;:
u
.
:: ::::
u
. -.
:.
-a .
;;
.
A
-
a
.
A
*Key Signature denotes E Mixolydian.
=ccmcosne arrangement
,. "' lt .
E
•
D
_J
A
-
B End Rhy. Fig. 1
.....
., ~ ~ -
--• ~
~
:
~
:
~ :. 11 11 .._,11 11 11 11 .._,11 11 11
:.
~
--
~ 11
let ring ___ -t P.M. P.M. let ring
-:. -:: A . . . . .
•
ft ft
-r
: : :: "!
' "!
. •. •.- .•
;; ;; :. :: :: '! '! '! '!
. . .
A
:: ::
A
u
.
:.
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:::
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:: ::
. A
v
;: :: :: "!' 7 ;:
.
A
'###,
Chorus
E
Liv - in'
,
Gtrs. 1 & 2: w/ Rhy. Fig. I, !st 7 meas.
D
., r af - ter
~
A
,r r
mid - night,
B E
,r
rock -
r
in'
'I r
D
to
~
the dawn.
A
ir l
B
Gtrs. 1 & 2: w/ Rhy. Fill I
E D A B E5
4### r e
Lav - in'
'I
r
till the
~ ir
morn - in',
r 'I
tt
then I'm
¥ ,j,:
~~~?
gone,_
I ,.
I'm
~
'I
ttifgone._
II
R.hy. Fill!
Gtrs, 1 &2
l
-., - --. .
,. "' lt
n
,_,11
.
11
~
11 ., ,. - '-"
I 1I
' .
, , '!
.
I"! I "! "!
,
I I
l;: I
.
::
.
z
, "
© 1980 EMI APRIL MUSIC INC., CREWGLEN LTD., EBONYTREE LTD. and GEARGATE LTD.
All Rights Controlled and Administered by EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 101
~ Verse
Gtr. 3: w/ Fill I. 3rd time
ES GS,..-.._ ES GS ES
,..-.._
took the cit - y 'bout-a one A. M._ Load ed, load ed.
2. Got gleam-in' chrome re - flect-ing feet ; Load ed, load ed.
3. The air's e - lec-tric, spark-in' pow-er. Load ed, load ed.
P.M. P.M. P.M. P.M. P.M. P.M. P.M. 1/4 P.M .•••• - - - -< 1/4 P.M. __ -< let ring • __
GS ES GS,..-.._ ES G
I'm all geared up to score a - gain.; Load ed, load ed.
Read-y to take on ev - 'ry deal.. Load ed, load ed.
I'm get - tin' hard - er by __ the hour. ___ Load ed, load ed.
""
P.M. • -< P.M. -<
Jet ring_-< 1/4 1/4
Pre-Chorus To Coda-$-
" ... ~ 1,_
- - -- ~-
-rr- - •"'-
GS F#S
-
~ - -- --~
-
85
II- .. -h'
DS
.
......
..
..,
I come a - live in the ne - on lights.L, That's when I make my moves , right. -
set
My pulse is rac - in'.
my sights and then
hot to
home
take._
in. __
But this
The joint
mo-tor's
starts
revved up,
fly- 'n' _ when { __
fit __ to
be -
break.,
gin.L;
" . .w--,..--========--- ... ·
~ .....
.... --
1/j_•- - - - - - - - -~
....,_
-- .. ---
... I ~~ ......
---
I
- .. ...._........ .
-z-
..,
. .,U------==----------;: q; !
.__....
po'
f~ .,. ._,?)-----;
fdbk. fdbk.
. ~ -
;,
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I I'
,
-,
I I
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.Fl
"!' "!' I I - I
:
x
-
;:
-
;: I --,;-
-
pitch: G
Fill 1
Gtr. 3
" .... ~ ..-.
..,
'-~--------=---------=--------=
-..,U _______
--
U _______ U _______ U
.'
I;: I
.: I ~I
Ill I l I
v
102
Chorus
Gus. I & 2: ,-/ Rhy. Fig. I. 1st 7 meas.
E D A B E D A B
,.#,
• £ 1f r it t .,
t t If
' l ~
., t
Liv - in' af - ter mid - night, rock - in' to the dawn.
I. 2.
Gtrs, I & 2: Gtrs. I & 2:
w/Rhy. Fill I w/Rhy. Fill 2
E D A B E5 A
Lov - in'
d ~ 1r r
till the mom - in',
• E F•
then I'm
i4f
gone,_ I'm gone.L,
.tf
Bridge
A A DIF# A E5 05,,_..__ E5 A
I'm aim in' for_ ya.
End Rhy. F1g. 2
P.M. -, P.M. ...,
P.M. _..., 1/4
Gtrs. I & 2: w/ Rhy, Fig. 2. 2 times
DIF# A DIF# A E5 05 E5 A
,.## I- g '! r=rr~r
I'm _
tT]a
gon
#r
na floor ya.
DIF# A DIF# A ES 05 E5 A
'I## 1- g '! p:J:p: ::t1f7%p f ~Z[_f l
My bod y's com in',
Rhy. Fill2
Gtrs I & 2
,.,;,i
I)
~ -- . :.
~
. ~ -=:
._,~
-"
··~
'I 'I ._,
' '
I 11 1 1 ..-
I'! I '! '! ·=~
I I .
1;: I
.
;:
.
;:
"V
103
,.
~
-.,
JI, It
DtFI A D/Fj A 85
,,--.._ . ......-..... ..
05,,--.._
...
-
85
-
::
y
all
I
- nighl_
r
long._
I
Gtrs. I & 2
,. JI, It I I I I I I ~ I .. .. I
" ·- ~- -- - ... ..._..... . . -..._,,-..._,,-... . . _
eJ
-~
,,_,.:
~ ~ .... __,,;rJ• ..__-.
if
P.M. --i let ring
- ::- -x
I:: I
- ::-
::
-
::
.
::
.
::
ft
:: -:. . I \,
I :::
I ::1
.
:::
::
-:
•, - ;;
.
ft
.
ft
• • • -
;:;
•
;:
- ~.
-
1
~
I 1 I,'
-
~ I, '
.... ft
Guitar Solo
Gtrs. I & 2: w/ Rhy. Fig. I, Isl 7 meas.
E D A B E D A B
-
Gtr 3
(dist.)
AJI.
~
::
r:
It .... ~ . 1.- ~ ~ r:
~ Bva
t ··'if··,
I'~ /'-~
loco
- -,_"'"'"'"'~"'"'"'"'- - - --
,~
eJ
f -
_.,
full
+
_.,
full
+
·-
.ft
. ..·-
~
..·~ . ,.,, ,.,, - /
1/2
+
.>
I
.-.--~-~
112
P.H. ___
..
I
-i
.. .-
"'"'"'"'"'-"'.-.-"'"'"'
.. -.
,, ,,
D.S. al Coda
Gtrs. I & 2: w/ Rhy. Fill I
E D A B Sva , ES
loco
,. JI,
"
It~ ... {tr.
.. "- ~ ~ e ...... "- . .-.---f'L·-
r-r>.
"
!':. --~"'"'"'~
<,
-
eJ - - -'I ..._,,
..:
<;»
1/2 full fuU
+ +
~ + -- - f~
- ~".-.-"'"'"'"'"'"'"'"'"'"'"' ..
..,I _..,I
·-
•ft
.·~ ..·- ·~.
, .·~ .. .·~ .. .·~,, ....
, •ft
.• -
--- - ,-, ----- -, ' ft
=
::
;.
v
-(1t Coda
Outro-Chorus
Gtrs. I & 2: wf Rhy. Fig. I
E D A 8 E D A B
4tt 11J 4 y ~
f 1f F it r 'I r j 1r I
Liv - in' af - ter mid - night, rock - in' to the dawn.
*Sing note 1st time only.
Play 3 Times and Fade
rrrr~
E D 8
,.## r
A
r ., r ~
,r r 'I
tJ 'I I ¥
~
.,
tfif · II
Lov - in' till the morn - in', then I'm gone,_ I'm gone._
104
Mississippi Queen
Words and Music by Leslie West, Felix Pappalardi, Corky Laing and David Rea
All Gtrs.: Tune Up 1/4 Step
Intro
Half-Time Feel
Moderately J 140 = N.C.
.
Cowbell Riff A End Rift A
,. JI,"" J J J J Gtr. I tr .......... b
-.., ---
- -ILi'-.:.
, __
- .,, --~- -- -'
.,, ~- r r
- ......_;; ....._,,- '
~ '-.../ <:»
I
tr u•
.....
I
A
...: .
p
-- .
p
-- ~ -
~ ,,
p ~ ., \' I '
,,
p
- ,_
' ., I I
A5B5 G5A5
8va--------------·-··················································---------------------------------------,
Gtr 2 /'-- . r-: ~ ~ ~ Jr1.. ~
-- - - - - ·- -- - --
i - • fl. • /'--.,. fl..
- -- --
,. JI,
-
~
- - -- ~ - .. "
-
-
..,
"'
" a
- -
I hold bend
full full full 1/2
~ ~ ~ ~
• ·- .. • r ·;: :t,·--:;;,
·--"'
,,, ,.., _../ .. ft
"' .. ·-.. ·-..
....
.. ..
4A 4A
·- ·-.• ·- . .•,. ........• ·- ·-.. ·- ·-.. ·-. - .. .. .., .• l4A\
\
4A 4-
·-.• ·-
Gtr. I
-.., - - - -- . --- -- . .."
I
.. ..
,. JI, ""
- . ~ ~
~ --
-:»
.... 'I ~ 1 i,;3, ~+ ~+ ~ ~ - '-../
1/2
•
--
I
-- -. - -
.:.
,,
-
:.
::;
:.
::;
:.
::;
A
:.
::;
-
:.
::;
-. .
A
- -. -
.
A p
;:
::
v
-
----
:.
~ ~ ~ ~
v
:.
v
:.
v
.:.
v
p
v
-- .
/
.- .. .
Chorus
Gtr. 2: w/ Fill I
D5 ES ... DS ES
-., -
'JI,
"
""
- ~
1.-
"
... »-
.. . - ~ - -- - - ~--- "- .
a
Mis· sis· sip· pi Queen,_ do you know , what I mean?
Gtr. I
-,. _.._II_
JI, ""
Rhy. Fig. I
._
- -I I .I . ~
- .I .I -- -. ~-....
.., "
.,..._..,- --
-, -
-'
' a
- - ., ..
- ~ - •
.,.__::;-
p -
-- - '
a
- ,., . ,
--; -
~~-? ~
112
~ ~
•
-:. , ;.
x- -x - ~!, , ,,
-
- - - A
I
v
x
-- - x
!, , ;: ;: ;: ;: ' 0
-
A
:. , ,
,, , .:: .:: .:: .:: . .
A p
. ::; ;;; ;;; ;;;
-
v . ., I
- ..0 ,.,,.,
v
Fill I
Gtr. 2 8va~.,
t.~ ~
-..,
,. JI, ""
- "
= -- "
"
~
'II" ·-I
I
!J.
-·
AA •-
\
; .....
I~
Copyright© 1970 by BMG Songs, Inc.
Copyright Renewed
International Copyright Secured All Rights Reserved 105
-
A Jl. ~
.. _,11•-
TI -
DS ES
- .~ ~
• 1,_ .- ~ • it-
.
OS ES
- ~
--
i.-
- - ""
"
I) -
she taught me ev - 'ry-thing.
Mis sis-sip- pi Queen,_
~
--. ~
-- I
-~ -~ -
I I ......
. -~ .
,. JI, ,It I I I ~
- ~
-
-.,
-
I)
"
., ..._..,, - - -'
~ ~
- ~.,- -;
~·.:..::..;-
~
- - -' ~~J""""' '--' -
~
-
- A A A A
-.:.. A A A
:::
A
~ '
.:..
~v,
::
::
::
::
::
::
:::
:: - - A
v
p
v
~ -
v
' ::
::
::
:: :: ::
-
- -
A
~" "
v
- -
A A
GS AS
I. Way down ; a-round Vicks- burg, a-round Lou - i - si - an - a way, _
~
1/2
DS ES
lived a Ca - jun la dy called the Mis-sis - sip- pi Queen.
~
112 112
05 A5
You know _ she was a danc - er, she moved _ bet - ter on wine. While the
~
1/2
106
A Ai
"
NC (ES)
~ ~~ .. NC
l
..
" ' .
&
.. . .. ~ ~ ~ -- ~
-- -
eJ -
rest of them dudes was a' get- tin' their kicks; bud- dy, beg your par .don I was ger-tin rnme,
AjJ,i ~ fl" End ~-tll,,J
.
" &
~ ~ ~~ .·- ~ ~
-
~ ...;
-:: ..._-,
eJ
-
..:
1
•
~ ti· .
.- -
-;.
y
.- . . - -
vr>
• Top note vib. only.
Chorus
-
Gtr, I: w/ Rhy. Fig. J
05 ES 05 ES .. -
Mis sis - sip - pi Queen, _ if you know __ what I mean. _
- "'
.
& r,
r
-
&
fuII hold bend full hold bend
__ _,,
.-----.--.....
I ,ft I \
'''''' f-----.--....
I ,ft I \
\ ,, " ·-·
I\ '/ ' .,
-., -
A jJ,
... _,11•-
~
i 05 ES
- ~
i,.1,,_ .. ~ ~ /1-1.~
" ~- .
DS ES
-
~- ~
-
~-
!.-
Queen,_ she taught me ev - 'ry-thing.
A jJ, i "-
r->»>»
.- J.- ~-:.,.
-- ~
Mis-sis-sip
- ·-
- pi
-
-
»< .. I'- )r_
- - ~
.
. ~-. ,.,,_
t> ""'
- "
" TI
~ =
&
-~
~
eJ
bold bend
full 1/2 full full 1/2 full
~ +··---~ ~
e-«; • +
,..,./
.,
I
,
I
..' ., ,./ .. A ·-· ··--
/
.. ...., ..
.ft I
\
\
A ....
\"I
/
I
"
\ \
" '"'
A 1l, i
Verse
G5A5
,
- -
~ 1, .. .. GS AS L.- ... - ... 1.- /1- •""'•
- ~ • -s,
"
-
-
"
eJ
2. This la - dy she .., asked me if I would be her man. __
I''"'"~"''''''' ~ ...r->». 1.!''"'
A a i • .0.------/1- I'- ..
--
., -
... -""''- &
" ~
full full
+I ~"'""'''''"''
f:"""--...
'""'
.. /
·-
·~ I
,
\
...-,
\
..
.ft
...
107
DS ES
that I told her I'd_ do_ what I can
full
full
-..,- -
,. JI,
n
...
-
A S BS .....
"
. ---. . * . .,.. i. ..
"
GS A S
* ..
i. ..
.
..
..
i. .. . s>:
v-•
- -
-
,. JI,
..
i . r-.,... ;'p..---.,...
to keep_ her look-in'
~
pret · ty.
.... .,...
/> /'
. w
"'"'~..
i.,,---.
Buy
..
her dress-es that shine., While the
-
eJ
hold bend
full full fu!L ••• i
+
I
+
I
·-·-
+
I
+
I
.
""""""""""'"'
·~ ·- ,·,.A,
,/
·~ / / / •A
-, .
,j~~#· e r ~r N.C.(ES)
rest of them dudes
r Et
was a'
IC
mak-in'
f!lr r '.
their bread;
l
bud-dy, beg your par-don I was los. in' mine.
- 11
Guitar Solo
Gtr. l: w/ Rhy. Fig. I, I st 23 meas. only
Gtr. 2
ill~ ill~
8va •••••••••••.•.••••••••••••••••••••••••••••••••••••••..•••.•.•..•.•..............................
»< ... .,... r-.../"-. ~ »< .. .,... r-.../"-.-
,
ill~
.r-.,....
loco
-..,- - - - "'"'"""""'
,. JI, ...
-
n - - . - ~
-· - . ~ ~
- ~
I
full hold bend full bold bend full
····.:.-.---... ~ f.··;;·~ ~ +
·-·- - ·- .. ·- ... \ vt
,v
·-·- - ·- .. ···-·.. ,
\ ·- \
-'I
·~
,./
I
DS ES GS AS
""""'"'""""'
full
108
. .,._
I'
... ~ _ ......__ . . . . .........................
..
,."' i
.. -·1.~·- ... 1, ..
"
~
- ·-
G5A5 ~! _,
~ .,._ ... 1,_,-,._
-vrr
05£5
-
~
r-
- .....
.
.., L
full full
~ full n:::
~
.. •
+ + •
I
. ..
.. ./ ·~... •A
... .. .. ./
.. ./
. ./
.. . . .
•A
... •A
..... . ,...,
. ...
I ~,
D5 E5
8vu------------··---······----------------------------------------------------------------------··························-
I' /'- I' r"> I' /'- I' /'- I'
,."'i 1, ..~ & "f!:." IL "f!:,CJD "f!:. IL "f!:,CJD "f!:. IL "f!:,CJD "f!:. .,._ "f!:.<JD "f!:.
.., " - - full _____________________________________________________________ ~
~ .... J .AJ
... ~ ._J ...t
-.-.,
._J t
-.-.,
•-)
,v ..t
·- AA
-· ·- ·- '"
·-·- ·-..
.
•
~ ~
"
n -
A5 B5
- . ..
You know ;
-,. -. __· .. ...
she was
- IL
a danc
I.~
er,_
G5
-
A5
_,
L.-
-- Gtr. 2 tacet
• "-
she moved. bet. ter on wine. While the
... .
Bva •••••••••••••.••••••••••••••••••••••..•..•.....•.......................................••••••.•..••• ,
~"' i
-
I'
& "f!:. &~
I'""~
.
I'
&~
.
I' r-.. .,._ .. ~- - -- --
- - - - - -
-
...,
-
-c-
"
full
full
""~ full
112
..J .. J .J full
,. ·-"' •A
"'
•I
·- .. • ·-"'"'"'""'··-
./
·-.• .• ./ 'r '1
Gtr. I: wl Riff A, 2 limes
rest of them _ dudes _ was get- tin' their kicks; broth-er, beg your par-don I was get-tin' mine.L,
Gtr. I: w/ Fill 2
Hey, _ Mis . sis - sip . pi Queen. _
Flll2
Gtr. I
.~ ~ ~ . ~ ~~ .
..,
Tl. -- - -~
J J
~ .,,; >'-'- '
......
I
.n. -
-
g
.,~ -
.,
- I' I
109
Money for Nothing
Words and Music by Mark Knopfler and Sting
Prelude
Free Time
1.
*Gm7
r r :l r r r :r E r-Q-----0
: : · II
fade in want my, __ want my M. T. v.
*Chord symbols derived from Keyboard part.
:l r r r-e: :l r r r :r E r-Q------Q
: :
Ebmaj7
want my, __ want my M. T. v.
r.....-.....&-----& Gm7
'&I, t r r r-e:
(ad lib. drum fills)
:t r r r :r E : :
,:,,
want my, __ want my M. T. v.
Intro
Moderate Rock J = 135
G5 FS/G GS FS/G *GS.
Gtr. I (dist.) 8va loco
I I r 1..-.. -
- I I ,:,, I I
. ~~
- --
IA
-~ --
I
-- ..
·---·
~ ~ ~
= ~ -
., "!" D 1 1 D "'
I
" mf
w/ fingers
Harm.
.
. . - -~-=--
~
.~ . -.,~ -~ .
,:: -., :: -.,- . . .::: .
: .,- : :
-
;;
,T
::: ................
c
--.:::; -., -., . ~
v
::
- -
::: ::
. -.... v
pitch:D
•Qiord symbols reflect implied tonality.
- . ..
II
.-u
I
,.. .. ....._.... . .. ..
Bb5
..-- .
C5
-- --
I
- •
~
GS
Bva
-
loco
I I I I I
l
~
I --::i l
~ -- --
--~
i=.J
l
I
,._......---._
I r r
" c.__.,- Harm. '-'
..
-.~ .. .. -
.
.
. . . . . . -
~- -
~-
v
- .x
v ":::
. x
. "v __,
'"
-l:!
.,
l:!
., .. ~
. .- . ~ -.,. .,' :: ::: x".
v "!...,
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G.M. Sumner Published by Magnetic Publishing Ltd. and Administered by EMI Blackwood Music Inc. in the USA and Canada
110 International Copyright Secured All Rights Reserved
B~S cs GS
Verse
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Huh! I. Now, look at them_ yo - yos, that's_ the way you do it,
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you play the gui-tar on the M. T. v._ That ain't __ work-in', that's L the way you do it,
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mon-ey for noth-in' and your chicks for free. __ Now, that ain't work-in', that's L the way you do it,
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let me tell ya
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guys ain't
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You may-be get
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may-be get a blis- ter on your c, thumb._ We got - ta in - stall mi - cro - wave _ ov -ens,
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End Rhy. Fig. 1
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112
Verse
GS C5
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2. See the lit - tie fag-got with the ear-ring and the make - up? Yeah bud-dy, that's his own hair.
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113
Chorus
Gtr. I: w/ Rhy. Fig. I, simile
Eb5 E~5 F5
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E 05
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Chorus
F5 GS Eb5
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3. I should-a learned to play the gui- tar,_ I should-a learned _ to play them drums._ Look at that
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116
Gtr, 2 tacet
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ma-ma, she got it. Stick-in' in the cam-er-a L; man,_ we could have some fun. And
Ger. I
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he's up there. What's that? Ha-wai-Ian nois-es? He's bang-in' on the bon-gos like a chim - pan - zee. Oh, that
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that's the way you , do it, get your mon-ey for noth-in', get your chicks for free.
(That's ; the way you do it, mon-ey for noth-in', get your chicks for free.)
;",
Chorus
EP5 F5
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We got- ta in - stall mi -cro - wave. ov-ens, cus-tom kitch-en de - liv - er - ies.
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117
G5 C5 05
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We got - ta move i, these L, re - frig - er - a - tors, we got - ta move thse col - or T.
(We got - ta move these re - frig - er - a-tors.)
Interlude
E5 05
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*Sing simile on repeats.
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Gtrs. I & 2
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in', chicks for free. ___
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125
Mystery Train
Words and Music by Sam C. Phillips and Hennan Parker Jr.
E A AS
•
A/E B7
m
0 00 XO 0 XO XX x ox
ffl 231
ffl
123
ffl 12 123 213
Intro ,3,
Fast Rock J-120 (!J = J ii)
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mf
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pta y 5 ti,mes
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mf let ring throughout
P.M. P..\1. P.M.
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Rhy. fig. 2 End Rhy. fig. 2 Rhy. Fig. 3 End Rhy. Fig. 3
i- ~ ~- ~ rJ ~
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Copyright© 1955 by Unichappell Music Inc.
Copyright Renewed
126 International Copyright Secured All Rights Reserved
'-'"· 1. " Kh). r-ru i, Jro ume l,lr. I:" Rhy. I-lg. I,:> nme.
E NE
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six - teen_ coach - es long.
com - in' __ 'round. 'round the bend.
com - in' __ down, down the line.
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129
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130
Oh, Pretty Woman
Words and Music by Roy Orbison and Bill Dees
Tune Down 1/2 Step:
(D=E~ @=D~
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Intro
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Copyright© 1964 (Renewed 1992) by Acuff-Rose Music, Inc., Barbara Orbison Music Company, Orbi-Lee Music and R·Key Darkus Music
All Rights Reserved Used by Permission 131
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132
Interlude
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134
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qui - toes start- ed buz-zin' 'bout this time of year.
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148
Scuttle Buttin'
Written by Stevie Ray Vaughan
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154
Self Esteem
Words and Music by Dexter Holland
A5 F5 CS G5
ti II lli II
133 133 133 133
Intro
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Copyright© 1994 Gamete Music (BMI)
Administered by Wixen Music Publishing, Inc.
International Copyright Secured All Rights Reserved 155
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N.C.(AS) (FS) (CS) (GS) (AS) (FS) (CS) (GS)
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l. I wrote her off for the tenth time to - day _ (and) prac-ticed all the things I would say. _
3. Now l'U re - late this lit - tie bit_ that hap-pens more than I'd like to ad - mit. _
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But she came o - ver, I lost my nerve._ I took her back and madeher des - sert. _
Late at night she knocks on my door.L She's drunk a - gain and look-ing lo score.L
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'r like the
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go.L;
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may be
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she's play - ing with
but I'm not a
me.L,
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That's o - kay 'cause I've got no self es - teem.L Oh, hey, yeah,_ ay, yeah .•
I'm just a suck - er with no self es - teem.L
• gradually less P.M.
156
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A5
Yeah. __ Oh,_ yeah, __ yeah. __ Oh, __ yeah. __
To Coda Lh._ Verse
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tum out the light. _ This re-jec-tiori's got me so low. ; (If)she keeps it up, I just might tell her so. _ Oh,
~Coda
Bridge
DS cs DS B~S
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When she's say - ing ah, that she wants on - ly me. __ Then won - der why she
When she's say - ing oh, that I'm like a dis - ease. _ Then won - der how much
Well I guess I should stick up for my - self, _ but real - ly think it's
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more I can spend.L,
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D.S.S. al Coda 2. I
GS C5/G 05 CS/G FS 05 CSIG 05 C5/G AS
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Right?_ Yeah. Right?_ Yeah.
P.M. - - - - - - - - - - - - - - - - - -i --------i
157
Silent Lucidity
Wordsand Musicby ChrisDeGanno
•
D5 CS Csus2
• If 13 3 4
Intro
Slow Rock J = 72
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(nylon-stt. *G
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Verse
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I. Hush now, don't _ you cry,_
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drop from your eye. _
End Riff A
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,, 'I' .,
~ 'll J J,) -J Ill n._)JJ s l 'I' II
You're ly-ing safe _ in bed, __
flJJit was all L, a bad ; dream spin-ning _ in your head.
© 1990 SCREEN GEMS-EMI MUSIC INC. and TRl·RYCHE CORP.
All Rights for the U.S. and Canada Controlled and Administered by SCREEN GEMS-EMI MUSIC INC.
158 All Rights Reserved International Copyright Secured Used by Permission
,._ Em7 c Csus2 c ..
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= '17
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Your mind tricked you to feel i, the pain L, of some - one close; to you
RilfB
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-- leav-ing_ the game , of life.
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So here it is, _ an - oth - er chance, .. wide a - wake .. you face_ the day,_ your dream is o - ver ...
Interlude
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or has it just be - gun?_
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159
~ Verse
Gtr. 4: w/ Fill I. 2nd time
Gtr. 5 tacet, 2nd time
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2. There's a place , I like to hide, ___ a door - way that l __
3. If you 0 - pen your mind for me, ___ you won't re- ly ___ on
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run through_ in the night._
o- pen eyes 10 see.L;
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Re - lax, child, you • were there, _
J
but on - ly
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did-ri'r _ re - al - ize _ (it), and you were
~
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scared.L '
The walls you built with-in, __ come tumb-ling down and a new world will be - gin._
i
Gtrs. I & 2: w/ Riff B, I 3/4 times
Esus2 Em7 C Csus2 c Csus2
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It's
r.i E a place where you
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will learn_
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to face_
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your fears, __
--::-----
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Liv . ing twice at once,_ you learn_ you're safe c; from pain __ in the
Am? ~ A7sus4 Am7 A7sus4 c Csus2
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trace the years _
dream.do - main._
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and ride
A soul
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the whims , of your rnind.c,
set free to fly. _
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Com-rnand- ing
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er world,.
A round- trip jour - ney in_ your head,_
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Chorus
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dream's a - live.L, you can be , the guide but. .. (I
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161
To Coda~
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am smil - ing next to you, __ in si - lent lu - cid - i - ty. __
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Csus2/Bp N.C.(Ab) (G) (F)
Spoken: Visualize your dream, record it in the present
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163
(D) (C)
tense, put it into a JNnnart,enl fr- I;_.-- persu: 111 'JOl'r effons, you can achkl·e dream conuol.: control.:
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dream dream control.
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164
Smoke on the Water
Words and Music by Ritchie Blackmore, Ian Gillan,
Roger Glover, Jon Lord and Ian Palce
11.-5.
Intro
Moderate Rock J = 112
N.C. (GS)
Gtr. l (dist.)
Rlf1'A End Riff A
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6.
~ Verse
-
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*GS
.. .. - -- - ......-..... - - .
•
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--..i
-
I.We all came out to Mon - treaux on the
They burned down the gam - bling house, it
We end - ed up at the Grand Ho - tel,
RilTAI I End Riff Al
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slight P.M. • i slight P.M .• • i slight P.M .•••••••••••••••••••••..•••••• _ ...•
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I\
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- F5
I
GS
Lake_ Ge - ne va shore- line
died __ with an aw - ful sound. _
it was emp ty, cold and bare. But with the
End RiffB
.
I\ I
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~
.. •
slight P.M .• __ • _ ••• ••••••• ••••••.. - - - •••• - - - - - ••••••• - - • _ •••••••••••••••••• - ••••••• - ••••••••••• - ••••••• - - - - ••• - - i
.
. A A
C 1972 B. FELDMAN& CO. LTD. trading as HEC MUSIC
All Aiglits for the United States and Canada Controlledand Administered by GLENWOOD MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 165
Gtr. I: w/ Riff B, 3 times, simile
F5
p r r c r r 1r r· ·p~, I- ,.
~&I, 'f
to make rec - ords with the mo bile, __
'f I f
we
E
did - n't
r
A Fun - ky Claude was run-ning in and out, pull - ing
Roll - ing truck Stones thing just out - side, mak - ing our
GS
4&1. &r r ,. llJ I I 'f p r r c r r ,r r-o if ,. p
have much time. __ But Frank Zap - pa and the Moth - ers ___
ver, __
were
kids out the ground.L, When it all was 0 we
mu - sic there._ With a few red lights, a few old beds
FS GS
.....-....
~&I, BJ
at the
pr
best place
r C
a -
![ J- 1r
round. __
I 'f p r
But some Stu - pid
r c r r
with a
had to find an - oth - er place. But Swiss time was
we made a place to sweat. __ No mat - ter what we
F5 G5
~&I, r
flare gun
r - IC
burned the
±t Mr
place to
r tR
the ___ ground. __
,~-
J
8::J I 11
run - ning out; it seemed that we would lose the race. ___
get out of this, I know, know we'll nev - er for - get.
Chorus
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Start Me Up
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180
Sunshine of Your Love
Wordsand Music by JackBruce, Pete Brownand EricClapton
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be with you, dar ling, soon. __ I'll be with you when. the stars L, starr.; fall
stay with you, dar ling, now. __ I'll stay with you -uu.; my seeds are dried up.
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Copyright© 1968, 1973 by Dratleaf Ltd.
Copyright Renewed
All Rights Administered by Unichappell Music Inc.
International Copyright Secured All Rights Reserved
To Coda~
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185
D.S. al Coda
(2nd lyrics)
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Outro
Gtr. I: w/ Rhy. Fig. 2 Gtr. I: w/ Rhy. Fig. 2. 2 times. simile
A c G A c G
play 3 times
' Jt.J5 J ))b J -111
I've_ been wait ing so_ long. to_ be where c, I'm go ing
c
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186
Susie-Q
Words and Music by Dale Hawkins, Stan Lewis and Eleanor Broadwater
Intro
A
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134211
B E
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134211 231 23
Moderate Rock J = 126
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Copyright© 1957 (Renewed) by Arc Music Corporation (BMI)
International Copyright Secured All Rights Reserved
Used by Permission 187
Gu. 2: w/ Rhy. Fig.I, 3 times
A A A A c c B B Em7
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- and nev- er leave me blue,_ Su - sie . Q._ Well, say that you'll be mine.i;
> End Rhy. l<'ig. 2
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To Coda2-(!} To Coda 1-(1)-
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D.S. al Coda I
Interlude
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192
Sweet Child O' Mine
Words and Music by W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan and Steven Adler
• .6f•r II • • •
05 D Cadd9 G Dsus4 Dsus2 A5 85 C5
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Copyright© 1987 Guns N' Roses Music (ASCAP)
International Copyright Secured All Rights Reserved 193
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Woo,_ yeah,_ yeah! Ooh. sweet love o' mine. _
196
Guitar Solo
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cs 05111 ES G5
End Rhy. Fig. 7
) Hvt, .
When do
sva ,
grad. bend full
AS cs DS GS
X,·,, ,
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Ger '.::"' Rhy. FJ '. liN 3 Rb.
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go? __ Where do we go _ now? No. no, no. no, no. no,
L_ 3 ____J L_ J ____J
gr.<t. bend
full full full 1/2
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E5 AS C5
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-----
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sweet __
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1/2
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•bend neck
201
Walk This Way
Words and Music by Steven Tyler and Joe Perry
.6r .lift
E7
213
A7
213
Intro
Moderate Rock J = 120
N.C.(ES)
(drums) 2 Gtr. 1 (dist.)
let ring' ; -1 let ring __ -1 let ring_ -1 let ring __ -1
Gtr. 3: w/ Rhy. Fill l
AS
. ...... ~~
A JI.
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A
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-
-- . -- -- -- . -- -- -
v
A
v
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A A
v
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A
-- ::
:::
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!is Verse
N.C.(C7)
IA I
- -
.-- 3 ---,
- --- --- - I
-
.i
l. Back - stroke Iov - er al-ways hid- in' 'neath the cov-ers, "Gon-na talk
- to you," my dad- dy say,_ said, "You
3. School girl skin-ny with a class-y kind - a sas - sy lit - tie skirt's climb-in' way up her knee., there was
Gtrs. l & 2
(dist.)
Rhy. Flg.1 End Rby. Flg.1
...- .- ...
IA
e)
- - - - -
- - ~- - - - -- -- -- - *
-
f
~~-------------------------------------------------------------------
,.
A
v
A
v
A
v
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'" '" A
v
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·- ·-
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,.
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v
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v
A
v
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Rby. Fill 1
Gtr. 3 (dist.)
IA .,.
' I
-
.i
~--
f
r
- ·-
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....~ .:; A
:. x x a:
~ : ::-
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";:
Copyright©>1975 Daksel LLC
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
202 International Copyright Secured All Rights Reserved
A - • I - -
ain't seen noth-in' till you're down on a muf-fin and you're sure to be a-chang-in' your ways.". I met a
three young la. dies in the school gym lock-er when I no-ticed they was look-in' at me.L, I was a
. ......
I\
- - - -
- --
~M·-------------------------------------------------------------------
..
·-
,v ·- ·- ·- .. ·- ·- ·- ,v
,A •A
·- .. ·- ,v
IA
IV
,11\
•V
4#11
IV
..iA
IV
......
I• .•
,,.. .. ,..,,. . ,.. Gtr. 3: w/ Rhy. Fill 2, 2nd time
-I\ I I
- - --
I)
-
cheer . lead . er, was a real young bleed-er all the times I could rem - i . nisce, _ 'cause the
high school los - er, nev- er made it with a la - dy 'til the boys told me some-thin' I missed, then my
Rby. Fig. 2
--
I\
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~~-------------------------------------------------------------------
.... .... .. .... ..·- ·-.. ·- .... ..·- ...• .... .·.- ....
. .
A A
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.
.
A ·-.. ·- ·- ·-·- ·-
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I
·- AS JI,
I)
best things in lov- in' with a sis - tCT and
- a cou - sin on - ly start- ed with a lit • tie kiss,_ a - like this!
next door neigh-bor with a daugh-ter had a fav - or so I gave her just a lit - tie kiss c; a - like this!
-
I\
I) ... -- - -- - . - -- - - - ... --
-
.. - -
I
End Rhy. F1c. 2
--
I
....
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JI,
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Gtt 3
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:
203
Interlude
Gtr. l: w/ Riff A, 2nd time
N.C.(E5)
Ger. I
P.M. -t
Ger. 3: w/ Rhy. Fill I
Gtrs. I &2
P.M. -;
Verse
Gtrs. l & 2: w/ Rhy. Fig. I, 3 times, simile
N.C.(C7)
f ''r
2., 4.See - saw
r r c r
swing-in'
F r
with the boys
e
in
r E
the school
E
and your
r Ir
feet
E tr
fly - in'
E E
up in
r bf-F
the air,_ ' er
I sing,
E g'·r c 5 F E c r F c ,, Ir II ;; iJ r r
'
'I
E
in the mid- die
f E
of
:I
the swing
o F
like you did - n't
F :I
care.L So
"Hey did - die did - die" with your kit - ty
.
r E" r '~f :e
q •
q bF F r •c c r Ir r E ~r E E
'I 5d
took a big chance at the high school dance with a miss - y who was read - y to play, - was a
• Sing harmony Ist time only.
Riff A
Gtr. I
P.M. _ - - - -;
204
"
,.,._ .,..
- ~ - I
- • - .. ..
., L..
know'd Jove was here to sray _ when she tole me to •••
me she was fool-in' 'cause she knew what she was d o-m
.,,and l
whenshe told me how 10 walk tlus way._ She told_ me to ...
Gus. I & 2
- I
.. .. .
I
"
... .
..~~--------------------------------------------------------~
.. . .. -
.
.... .... ... .. ... . .. ..
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OA
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-
Chorus
C7
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F7
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C7
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(Walk this_ way,_ talk this_ way,_ walk this way,_
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Gtr. l
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Guitar Solo
Gtrs. I & 2: w/ Rhy. Fig. 2
"
.,
.
F7
!
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l
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N.C.(C7)
.
- . -
walk
- this_ way._)
1
Uh, just gim- me a
-
kiss.
-
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A5
1- •r· 111
A-like this!
full 112
Interlude
N.C.(E5)
P.M. .,
Gtr. 3: w/ Rhy. Fill I D.S. al Coda
A5
~Coda
-.
Chorus
"'
C7
..- • <">, .-. - .... t
..
F7
. ......--.. . .... l
-z-
..,
-z-
--- ---
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way, __
. .-
(Walk this_ way, __ talk this_
Gtt. I
A
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206
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F7
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talk this L way,_ walk this L way,_ talk this L way,_
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talk this c, way,_
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walk this L way,_
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---
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"
Uh, just gim-me a kiss .•
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207
Guitar Solo
Gtrs, 1 & 2: w/ Rhy. Fig. 2
N.C.(C7)
-..,,. -~"
-
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Gtr. 3
-..,
~ . - -~ -
- ~~
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Like this!
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v
v
ft
v v
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v
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v v v v v
..
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---
Guitar Solo
Gtrs. 1 & 2: w/ Riff B. till fade
Gtr. 3 N.C.(E5) A5 --- N.C.(E5) A5
,. "' . ~
- -- -
~
... ·--
A
...-
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A
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w/bar w/bar w/ bar
full
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sr+-«:
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.,
I
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full
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full
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1 1/2
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N.C.(E5) AS N.C.(E5)
rc=: ;.:.-.~~~
.. #~ i.t -~,, .. #~ rt
-~ -
,.._,.,,........__~~ <,
,. JI.
~ -
&
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eJ wz bar
w/bar w/bar
·-
w/bar
full I 112 full I 112
full ........_ +_ ........ ~ ........_
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,·-1 ., I
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RiffB
Gtrs. I & 2
208
(r-;
(dist.) ---
full full run 1/2
E7 A7
....
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#
1/2 1/2
E7 A7
} )_
••
full full
J J
E7 A7
)_ .... } )_
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r, :A ·-
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v A A
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209
E7
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Begin Fade
E7
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Fade Out
E7
.,
••
let ring ...
full full full
210
What I Like About You
Words and Music by Michael Skill, Wally Palamarchuk and James Marinos
Intro
Moderately Fast J = 160
Esus4 E AJC# 05 Asus4 AS Esus4 E NC# 05 A
--. .-,....
Gir. I
(slight dlsr.)
,ii,
Rhy Fig 1
.. ..:. ,. I --:- - . • • I
End Rhy Fig 1
....
-
A .II,
* ~ - * ~ -
.,
w .. . . .. ·~ ..
~
l
' ..:: .._,.;:
'-"
let nng ____
~ ~
-1
.
-- -'I --'I -'I
..::
let ring - - - - -
..:
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• let ring ___
I
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-1
.... . ..
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<A A OA OA A A A <A A A A A A
•,:: .: ·: ::: " ::: ::: '"·: ·: " "
: ::: ::: ::: :
x x" r: .... x ":: x :: .... .... "
;:: ":: x :: :: :: x
- A A
-- - - -
1, " " :
-
:::
- -
:::
-
A
-
A
:::
v
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"
- .II, ,ii,
Esus4 E NC# 05 Asus4
-
AS Esus4 E
-
NC# D5 A
..
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. .
Hey!
" .II, lt •- .- • M- -r--
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--
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let ring _____ -1 let ring ______ ... let ring ____ -1
·-
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x ·-.
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x ·-
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E A OIF# Asus4 A E A OIF# A
..
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•Gtrs. I & 2
Uh,_ huh._ Hey!
(slight dist.)
Rhy. Fig. IA End Rhy. Fig. IA
r- --. r--
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r""'-1 I I
..- - ..- - - - - ..-
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•composite arrangement
Gtrs. I &: 2: w/ Rhy. Fig. IA, simile
E A OIF# Asus4 A E A OIF# A
&'## I- ., 2-F r 1D ll e r E~
3 F I
Uh,_ huh. __ I. What like a - bout
Verse
Gtrs. I & 2: w/ Rhy. Fig. IA. 2 limes, simile
E A D/Ff Asus4 A E A OIF# A
&'i# 'E I ll ¥ p ~o F pJ?it l -
you, you hold me tight. __
E A OIF# Asus4 A E A DIF# A
41## t E E
Tell me I'm the
r r r r~· 1~r r r f r r F]F l l ., tp 1r~· l I
on - ly one, wan- na come o - ver to - night._ Yeah._
© 1979 EMI APRIL MUSIC INC.
All Rights Reserved International Copyright Secured Used by Permission 211
Asus4 A E A DJF# A
J l
I~ .l .l .l ! ;52·ni J J J ·t J Jr .J-
I
Keep on whis-per - in' in my ear. Tell me all the things that r __ wan - na hear i; 'cause that's true.,
(Ah. Ah. That's
~p
E A DJF# Asus4 A E A DIF# A
,. #· h
# F ' I 1}
J .J .J Ip, I E F E :J" F I
what
~
like.
that's what like a - bout
That's
~
you.
what
~
like.)
' 2. What like a - bout
~ Verse
Gtrs. I & 2: w/ Rhy. Fig. IA. 2 times. simile
DJF#
$ •## qr. · E A DJF# Asus4 A E A A
, 1 ,. c qr E f r F]F 1- ( J- F
you, you real - ly know how 10 dance.L, When you go
you, you keep me warm at night._
A DIF# Asus4 A E A DIF# A
r. · qr r r· 1qE r r p F D]F 'I eD Jr· t 1
up - town jump a - round, think a - bout true ro - mance. _ Yeah._
Nev-er wan-na let you go, know you make me feel al - right._ Yeah._
Chorus
Gtrs. I & 2: w/ Rhy. Fig. IA, 2 limes. simile
E A DIF# Asus4 A E A DIF# A
,~# IF___....
J {]
i IJ J J
' F____ ;52]'! J J J-t J J, .J- I
Keep on whis-per - in' in my ear. Tell me all the things that J __ wan- na bear .; 'cause that's true.,
Ah. _ That's
(Ah.
To Coda~
,.##-~
E
I
A
outit
DIF#
i
Asus4
.J 1p A E
Ir . · I
A DIF# A
what
E
~
like
A
a - bout_
that's what
you.
DIF#
.,
like a - bout
Asus4
That's
' A
you.
what
E
like
~
a - bout _
A
That's what
you.
DIF#
~
like a - bout
That's
,. » * i.J t .-. I I i.JI
- -- I
-- I t .-. ~~
-..,
II -•L~•
-::-
. .. -
- -
e;
I I I I J
you. That's what I like a - bout you. Wow!
That's what like.)
-..-
what I like a - bout _ you. I
Gtrs. l & 2
* -= I r- ~ I I i.•
-..,
,. »
"
..- - : ~---•- : -- - ~
. . . ..
i i i i ~ ~ ~ ~
~
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c
:
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v
v v v v v v v v
Guitar Solo
G N.C. D5
,......., r,
G
~.
N.C. A5
I ... ... . .. ......- . ~
A
. .. ......,,- --..- -..-
I I to..r • i..
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-
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full full
...
-
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v
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v !: ··~
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ft
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v
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-
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+
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v v v v v v !:
v
212
...,
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- -G •
•
A 8/FJ B5 B
..
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Hey!
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. --- -- - I I
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-
I
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- '
:
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v
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:: :, ;:
- - - ;: ;:
Harmonica Solo
Gtrs. I & 2: D.S. al Coda
w/ Rhy. Fig. IA.
3 umes, simile
EIG# A OIF# Asus4 A FJG# A DIF# A
12
Gtrs. I & 2 3. What I like a-bout
12
,$- Coda
Gtrs. I & 2: w/ Rhy. Fig. I A. 3 limes, simile
ouLl i hQ !
Asus4 A E A OlF# A
flf 1~' f ; you. That's what like a - bout
1F-
you.
I f ostdiWhispered: That's what
;
I x
i
f3 !
like a- bout
I
I
what like a - bout _ you. That's what like a - bout _ you. That's
E A DIF# A 0/F# A
you.
1}
I
g
That's what like a - bout you.
f LJ:ii:U : Hey!
J
]
what like. That's what like a - bout_ you.)
Outro
Gtrs. I & 2: w/ Rhy. Fig. I, 2 times, simile
Esus4 E AlC# 05 Asus4 A5 Esus4 E AIC# 05 A
41## 1- y
t F r Il ~r I F Il ~F l #r
Uh,_ huh, hey, hey, hey, hey.
(Hey!)
~I##
Esus4 E AlCI
1-
05 Asus4
' E
AS
Uh, __
F 1 , Esus4 E
6
I
AlC#
"""'9
05
r· ...... bq
A
°'"14
T'
huh, brrr. Hey!
(Hey!)
AlC#
-
Esus4 E AlC# 05 Asus4 AS Esus4 E DS A
" .... ~
....
.., A
Uh,_ huh. Hey!
Gtrs. I & 2
-..,- -
"JI, - . . • .- ..- .
h I
' I\ I.. ~ .. .. I
..
,.....
(Hey!)
..
- --
...
--
'I
I
l.J • • ~ '-".~
'-'
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...
--
'I LlJ' • ~ :::~
let ring _____ -< let ring _____ -<
.ft
·:
ft
::
..
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:: :: :: ::
- .
::
·-
•;:,
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x
:
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r: ..... :: ;;
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-
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213
We Will Rock You
Words and Music by Brian May
Intro Verse
Moderately Slow J • 80
(drums)
a N.C.
4ff4tF >
111 c E c r E cr r r cc c c
• (hand claps) I. Bud- dy you 're a boy, make a big noise play-ing in the
• Continue throughout entire song.
uur C;r fr
street, gon-na be a big man some day. You got
r 1s r; mud on your face, you big dis-grace, kick-ing your can all ; o-ver tbe place. sing-ing,
Chorus
N.C.
t~ r 1 1
we will
1£1
rock you.
l If f 1 j
We will, we will
1£1
rock you." ' II
"We will,
,,
• Multiple voices throughout choruses.
Verse
N.C.
c E
2. Bud. dy you're
F r c
a young
j-
man,
r r c c
hard man. shout- ing
E
in
r
the
IE
street,
E f E
gon · na take
r
on
- tr
J
the world
r [ c f
some day. You got
§
Chorus
r~ u §J n r. li...l r U&® H~·
blood on your face, you big dis-grace. wav-ing your ban-ner all. o-ver the place._
llfc r
We will,
1
we will
j 1E
rock you.
I !6Jff ,1
Sing it. now!
Verse
~r ,f7l
N.C.
-1 j l 1C e E r r r r r ccrr
We
r
will, we will rock you. 3. Bud-dy you're an old man, poor man, plead-ing with your
4i E c f E r r r r [ r F § 10 r I p ., r E r f
gon. na make you some peace some day. You got mud on your face. big dis grace, some
eyes,
bod-y bet-ter put you back in-to your place. We will, we will rock you._ Sing it. Mm. _ We will, we will
(rock you.)
- I I
rock you. Ev' . ry · bod· y;
I
we
I
will, we
•
will rock you.
-
Uh._
Gtr. I (dist.)
Lli-sji
----- ------- --- -- ---------- --- -----------
fade in
fdbk .••••••••••••••••••• - ••••••• - ••••••••••••••••••• - •••••••••••••••••••••••••••••••••••••••• - •••••••• - •• - ••••••••••••••••••••••••••• - •••••••••••
© 1977 QUEEN MUSIC LTD.
All Rights Controlled and Administered by BEECHWOOD MUSIC CORP.
214 All Rights Reserved International Copyright Secured Used by Permission
Outro-GuitarSolo
c cs AS A
I I r,
-v
Ail -
.
~- - . .,
.,
~ -,,; J.I,
I I
.
We will, we will rock you. Al-right.
-- -- I . - I = 11 loo
--~
3
~ =-- .
1
>--- -
Ail
~
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.~
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-- -~l~ ., ~ ~
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fdbk .•• -- •••••••••• - - • - -- -- -1
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f
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--- ~ ii ;:.i '
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11 ) :;j
1/4 1/4
P.H.
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pitch: G
D D A D A D A N.C. D A D A
let ring •••. _. _.
, __._.._.._._
.. __ ••••.
w/bar
.•••••• 1 let ring. •• 1 let ring.; .. _ ••••• 1 let ring. _. __ • _ •••..••.......••••••. - - - - - - - .••••••. - - - - - - . - - .•••• - - -
A D A D A D A D A D A
let ring •••... ----· .....•••...........••• -1 let ring , , .. ••••• - .. - ..... -1 string noise
let ring ..... ----· •••. -- -1
D A D
D.,...____A
::,. . . .,
D
.,...____A
~-- - , •-
D
j
-
A
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•
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A 11
TI
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..
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- let ring ..••••. _ .. __ .... _ ••••.• - . -- .......• •1
let ring ••. _ •.. ___ .•. _ •••••..........•••• - • -1 string noise
.. .
.
!"!
..
·!,
..
. " ..
. ., .
~
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.
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215
Wild Thing
Words and Music by Chip Taylor
Intro
Moderate Rock J = 102
N.C. A D E
Gtr. I (slight disr.)
ll~i />; .. rr- ~
. . . ~. . . ,.-....
•
-..,
y
-u, -·-
--· ---------- '
:; :;j ~ ~ ~ i
~
1 1
~ ~
1
~
181
._,..
1
'.:
1 i
f
full
I 'T'
1' - ',A,
I
. ,-,
-
~
A
u
::
n
.
!.
u
:;
"
Chorus
A D E D A D E D
II~
..,
i
I
- -
-
..
I
I
·-
Wild thing, you make my heart sing. You make ev.
--
Rhy. Fig. I
. .- - - r--. ~ ""'-
. . ~ r--
" .... l+ ...
.., .ii
...
'.i ~ ~
' ~ i i
- -
: i
~
~ ~ :
'
~
'
~ ~ 1 ~
~
1
- 1
~
~ ~ ~ +
'
.. -!. u u
-:: -t: u u
e
.. ::
n ..
:;
..
c
A D E D A D E Gsus4 A Gsus4
-..,
II~ i -
-- '
........
-- --
y _,, ..
-
-...., '-" ~ I
. 'ry-thing groov . Y·-- Wild thing.
"~
..,
'"
n
"
lt ...
:
~
.
~
-
~
~ ~ ~
~
-- --
,.._
.,
.-
1
. -
i :~
_. ,.._
~ ~ :;
'
' ~ ~
~
~
- .,
. . .
11 -:. ~
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- - -- ..-
~ :=:1 •
~
n• "'
Eod Rby. Fig. 1
,,,_
I
a-
~
l ......
..
·-·
,;, ,A,
w ·-
,;:,
.. .. .. u ., ;:
v
;. ::
v
o o o c
n "n "
-~
n
© 1965 {Renewed 1993) EMI BLACKWOOD MUSIC INC.
216 All Rights Reserved International Copyright Secured Used by Permission
~ Verse
Gtr. 2: w/ FiU I.2nd time Gtr. 2 tacet
A_.,. ...
A Gsus4 A Gsus4
..
A
-=
- --
I)
-c-
l. Wild thing.; I
'-'
~ ~
think I love you.,
~
-~
know_
- for sure.
---.
but I warr-na
----
2. Wild thing- I think you move me,
&----------- . .
..,. .......
..,
'""
:
~------~---;
&----<!
---------
TI ..
-
::
- -::
::
I
TI ..
-
&----==----"'
-
- -----====----.: :::::::=::::::· .
.,
.,
-
:
TI•
.
::- -::
I
;: .:.. : :
y
~ :
y
y y
A Gsus4 A Gsus4 A
A_.,. ...
-= - ...
.., &
-,CI
~ .. ' . ~
So, come on and hold me tight. I love
Y~u move
you.,
me.
- ..,
-----.
&-----===-----&
-..,A JI~
~ & ·..i ------ ..
..- ....
-::- TI
.-.cc..__
-
-===~
----- .. .I
-
:
:
y
::
~
-
- -
:
-,!
y
- ----===-------
&----&
To Coda -{jt
Pre-Chorus
A D E D A D E D
,,.. ,....... ,..._ ,..._ ,:"' ,-....
.. . . ,:"' . ,:"'
.
.. ~. . . ..-
ii
-+~
A_.,. ... 11
"
-_
I)
~ -~
+ ~ ~ -i i i ~ ~ ~ ~ ~ ~ + ~ ~ i 1 1 ~ +
-
y
..
c -
.:..
u
;;
~
"!'!
v v
~"
-
s:
v
e
..
c
"
Chorus
Gtt. I: w/ Rhy. Fig. I, !st 7 meas.
A D E D A D
~-## F 1- ., c F J 1,r .L.
Wild thing, you make my heart sing.
D E D A D
,.## E D
r rJEfr
A
J, J :b......_....I .b' '} l Ir J.,
'}
r:
You make ev 'ry - thing
' groov · Y·-- Wild thing.
Fill 1 8va
Gtr. 2
... ,,. ... • . ......
..,
&
, ... I
-~
"
.a.
·-
:D
217
Recorder Solo
Gtr. I: w/ Rhy. Fill I Gtr. I: w/ Rhy. Fig. I
E A D E D A D E D
"Gtr. 2
" ,. It
..,
i...
- "-· - ... - ... .. - "
.;,. - "-.. L-
- - .... ..:.
-
Bva ..•••••...•••••••...•••......•..•.................•.••.••......••.•.••.••....•••..••••.....•.........•......••••.••...••.•.•...•••••••.•.••..•.............
- "-" .;,. .. /I-
-.•...
.... .... ·- .... ·-.. .... ·- .·-. ·-.. .. .. .·-. ·- ·-.. .. ·-.. ·- ·- ·-.. ·-
-- ...-- ·- ..·- ....
·-.. ·-.. ·- ..·-
•Recorder arr. for gtr.
D.S. al Coda
A D E A D D E Gsus4 A Gsus4
-..,-
II.II.
.
u
f/L
*"~ - "
,.. .
8va ....•............................................•....•.•..•..•.••.........•.•............•...................•.......•.........••.••••....••••••..........................•.••
~ Ill.. .. L.~ Ill.. ..
- - "- - ~ ~
·- - "-.. ...
s J s
Oft
,w ·~ .... ·- ·-. ... .·-. ·~ ....!'::>..._ ·- ·-..
r>.
.. ·- .... ·- ·-,w
·- ...,w0. .... ·-.. ·- .. ..
·-
-
-- ·-.. ·-
~
·- ....
~ ..~~
.. ·~..
H
-$-Coda
E
-..,-
I\ .II,
-n,
"
-- -- --
t • • • ..- "'•.. -•- • • . r<;
- . . .
~ ~ ~
"'· . .. . ~. ~.. ~..
~ ~ ~ - -
• • • • •
i i i i ::;i i i i i i i :::i ll 11 ll ll i 1 :::1 1 1 -1 1 i i i i i i ii
,! .,,.
-,!
'!
:::
:::
- ~
Outro-Chorus
Gtr. I: w/ Rhy. Fig. I, 1st 2 meas., till fade
A D E D A D E D A D
,.## F J, I- .,
c - 1qr J., I- El[f J,. ;, J JLI
Wild thing,
E
you make my
J
heart sing.
' E E
You make ev 'ry - thing groov - Y·-
E D A D E D A D
f *l Ji' ' '-"
I Ir
Wild thing.
J., I- ., qc
ad
Come on,_ come on
~ ·'3 3 Ir
wild
J,
thing.
,.## -
Begin Fade
E
't&Shake it,_
D
~ E
shake
J -
it,
1qr
wild
A
thing.
l,
D
1-
E
., ,,
D
I love
.£J Ir
L, you,
A
wild
J
thing.
D
Fade Out
II
Rhy. Fill 1
Gtr. I
..,
" .. It
i
.
ll i
. .
i
-
::::=;:i
~
~
~
218
You Really Got Me
Words and Music: by Ray Davies
F5
II II
G7 A5
- Ofr
lffl5fr 118fr .I
c D
134 134 134 134211 134211
Intro
Moderate Rocle J =132
F5 G5 F5 05 PS F5 G5 F5 GS F5 G5 F5 G5 F5
Rby. Fig. 1 End Rhy. Fig. 1
Gtr.2
(dist.)
~ }__ ) ) ),) ~
Gtr. I (dist.) f
$5 Verse
Gtr. 2: w/ Rhy. Fig. 1, 3 1/2 limes
GS F5 G5 F5 GS F5 G5 F5 G5 FS G5 FS
-
~ ~
"
- -
I I
., A
- - ~
--
---
r. Girl. you real - ly got me go - in', you got me so I don't know what I'm do
- l
in'_
2 .• 3. See. don't ev er set me free. r al - ways wan - na be by your side.
" I
. - .
·--: :; ;- ~ - ~ A
~::::; :::; -
1:::-, -
-,
~ -. ~
t.J ~
... --
-:; ; ~ : : : :~ -~
!:::=
.- - - - - -:: -. -= . - -.':!.. - -- -
.
·-=. :: ;; ;; = = ,, ,1--
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-
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.
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-., v ::
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. - v
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-
F5
-
GS FS G5 F5 GS F5 G5 FS GS F5 G5
". I
- - . - ~ ~
~ ~ - -
t.J
- A
~
now. Yeah,_ you real - Jy got me now. you got me
Girl, __ you real . Jy got me now. you got me
-.,-" I
. - .
~ ~~ -
1:::-, -,- -:-,
~ ~ ~ "
:::; ; ~ :::; ~:::=; ; i
:jj --
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-- ~
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-- - - x- -::: - - =-
:: :: ::
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-
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-
Copyright© 1964 Jayboy Music Corp.
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 219
oe. I: "'/Rhy. Fill I.~ wne
Gu. I: wf Rhy, Fill 3, 3rd time
GS
)__ ))
GS FS G5 FS GS FS GS AS GS AS
~ )_)))) )_
E --..::::::::~~================:;::::::::::---
so
so
can't sleep at
can't sleep at
night._
night._
I Yeah, you real . ly
(Yeah,--------------
Gtr. I: wf Rhy. Fill 2. 2nd time
A5 GS AS GS AS GS AS GS AS 05 AS C
_)) )_)))) ) __ )) )_)))) ) __ )) )_)))) )_
got me now, you got me so don't know what I'm do . in',__ ah. Oh
Rhy. Fill 1
Gtr. I
.Rhy. F-.U3
Gtr.l
Rhy. FUJ2
Gtr.1
220
D C D c D C D c D C D c
_)) )_)))) )__)) )_)))))--)I I-I I I I
I I ., I
-J I r-, I ., I J I J I J I J I ., I
"
t) J
yeah, you real . ly got me now, you got me so I can't sleep at night. You
.·-~
Yeah.
-d - ·-::
)
"
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A I . ,......._ ,......._
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t)
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e ~· s-:
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full full full full full full 1/2
t t t t t t t
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Guitar Solo
Ott. 2: wt Rhy. Fig. I. 5 times
GS FS GS FS GS FS GS FS 05 FS GS FS
full full full full
221
-.,,. .
~
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I
n
G5
~
. -
F5
r-:
GS
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full
i.-- I -i=:=J
- 1/2 1/2
r>. t . . .::: - _.,,t .,,t
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v -., I v
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':!
v v
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-- v v v
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GS
.- FS 05
- -
FS GS
-- --
F5 GS
--- --~-~- --- - - - .
- -
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I
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let ring. __ i
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1/2
t - .::: - _.,, v-.- I~
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222
Guitar Notation Legend
D A D E G
Guitar Music can be notated three different ways: on a musical staff, in tablature, and in rhythm slashes. ©©
open 3fr
)-) n
RHYTHM SLASHES are written above the
staff. Strum chords in the rhythm indicated.
Use the chord diagrams found at the top of
the first page of the transcription for the
) ) )
appropriate chord voicings. Round
noteheads indicate single notes.
Notes:
E F
,.. JI,_
C D
THE MUSICAL STAFF shows pitches and F r ..,
A 8
'-'
rhythms and is divided by bar lines into
measures. Pitches are named after the first Strings·
~.,-
ft
seven letters of the alphabet. E
-r l:
TABLATUREgraphically represents the
•
G
I ::
:
guitar fingerboard. Each horizontal line D
D ft
.,
represents a string, and each number La
represents a fret. 4th string, 2nd fret 1st & 2nd strings open. open D chord
played together
HALF-STEPBEND: Strike the note and bend WHOLE-STEPBEND: Strike the note and GRACE NOTE BEND: Strike the note and bend up as SLIGHT (MICROTONE) BEND: Strike the
up 1/2 step. bend up one step. indicated. The first note does not take up any time. note and bend up 1/4 step.
.. A ~- A r : .
--.,
ti
...
...
/
..
in
II
,1
II
ti
--
...
full
/ • II
II
Ir.!
• II
II
II
c-...-
-.,.-
./
·~· II
II
II
;...,;: ·n II II
u u II
"' II
BEND AND RELEASE: Strike the note and PRE-BEND: Bend the note as indicated. then VIBRATO: The string is vibrated by rapidly WIDE VIBRATO: The pitch is varied to a greater
bend up as indicated, then release back to the strike it. bending and releasing the note with the degree by vibrating with the fretting hand.
original note. Only the first note is struck. fretting hand.
A ,,~,,,,,,,,,,~ .. ~~~
/"~ ~A~/>~..,,~-~~~~~~
...
-...... • full
II
II
II
II
II
II
II
II
- II
II
II
II
HAMMER-ON: Strike the first (lower) note with PULL·OFF: Place both fingers on the notes LEGATO SLIDE: Strike the first note and SHIFT SLIDE: Same as legato slide, except
one finger, then sound the higher note ( on the to be sounded. Strike the first note and then slide the same fret-hand finger up or the second note is struck.
same string) with another finger by fretting it without picking, pull the finger off to sound down to the second note. The second note
without picking. the second (lower) note. is not struck.
A .... ---..... A~
ti ti
. II
II . II
- . II
II
- II
II
"
NATURALHARMONIC: Strike the note while
II
II
II
'-'-
PINCH HARMONIC: The note is fretted
II
II
TRILL: Very rapidly alternate between the TAPPING: Hammer ("tap'') the fret indicated
notes indicated by continuously hammering with the pick-hand index or middle finger and the fret-hand lightly touches the string normally and a harmonic is produced by adding
on and pulling off. pull off to the note fretted by the fret hand. directly over the fret indicated. the edge of the thumb or the tip of the index
finger of the pick hand to the normal pick attack.
... tJ
-.
Harm. P.H.
T
II II
I II
II
II II
II
u II
PICK SCRAPE: The edge of the pick is MUFFLED STRINGS: A percussivesound is PALM MUTING: The note is partially muted RAKE: Drag the pick across the strings
rubbed down (or up) the string, producing produced by laying the fret hand across the by the pick hand lightly touching the indicated with a single motion.
a scratchy sound. string{s) without depressing, and striking them string(s) just before the bridge.
.. with the pick hand.
A
ti ...
PS.
.... .....
-..
"n II
II
-
,1 II
II II
,1
TREMOLO PICKING: The note is picked as VIBRATO BAR DIVE AND RETURN: The VIBRATO BAR SCOOP: Depress the bar just VIBRATO BAR DIP: Strike the note and then
rapidly and continuously as possible. pitch of the note or chord is dropped a before striking the note, then quickly immediately drop a specified number of
specified number of steps (in rhythm) then release the bar. steps, then release back to the original pitch.
returned to the original pitch. .Jn -in .1a
A
.. v v v
A "
ti ti I --.:,- w/bar ••••• ---------f
w/bar .. .in .in .112
v v v
- II
II
v - v
II
II
. -
II
II
II
II
·I 223
AMERICAN WOMAN T e Guess W o
CARRY ON WAYWARD SON Kansas
CRAZY TRAIN Ozzy Osbourne
CULT OF PERSONALITY Living Colour
DAY TRIPPER The Beatles
DREAM ON Aerosmith
DUST IN THE WIND Kansas
FREE RIDE Edgar Winter Group
HEY JOE Jimi Hendrix
IRON MAN Black Sabbath
LAYLA Derek and the Dominoes
LIVING AFTER MIDNIGHT Judas Priest
MISSISSIPPI QUEEN Mountain
MONEY FOR NOTHING Dire Straits
MYSTERY TRAIN Elvis Presley
OH, PRETTY WOMAN Van Halen
ROCK AND ROLL HOOCHIE KOO Rick Derringer
SCUTTLE BUTTIN' Stevie Ray Vaughan
SELF ESTEEM The Offspring
SILENT LUCIDITY Queensryche
Deep Purple
START ME UP The Rolling Stones
SUNSHINE OF YOUR LOVE Cream
SUSIE•Q Creedence Clearwater Revival
SWEET CHILO 01 MINE Guns N1 Roses
WALK THIS WAY Aerosmith
WE WILL ROCK YOU Queen
The Romantics
WILD THING The Troggs
:saN o-634-01547-a The Kinks
HL00690407
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