The ULTIMATE Tattoo Training Guide-

By Dragon Tattoo Supplies

A complete guide for tattoo artists. Tattoo artist beginner training
and advanced training.

THE ULTIMATE TATTOO TRAINING GUIDE

The Ultimate Tattoo Training Guide

 Brought to you by DragonTattooSupplies.com
Copyright 1999-2012 by Tattoo Training Guide. All Rights Reserved.

Contents
Introduction ............................................................................ 3
Chapter 1: Knowing your tools & Equipment ......................... 5
Needle Accessories .............................................................. 6
Shop Furniture & equipment ............................................... 6
Sterilization Equipment ........................................................ 7
Medical Equipment .............................................................. 8
Art and Stencil Supplies ...................................................... 10
Chapter 2: Knowing your Tattoo Machines .......................... 11
Chapter 3: Understanding How to Properly Use Needles..... 13
Chapter 4: Practice Skins ...................................................... 15
Chapter 5: Learning about Tattoo Inks ................................ 16
Chapter 6: Designing/Sketching............................................ 18
Chapter 7: Tracing design to the transfer Paper ................... 19
Chapter 8: Preparing & sterilizing the skin ........................... 20
Chapter 9: Preparing the Tattoo Machine & Workstation.... 21

The Ultimate Tattoo Training Guide

 Chapter 10: Tattoo Procedure .............................................. 22
Chapter 11: After session ..................................................... 26

Introduction

The most important thing you can ever learn when learning how to do tattoos,
is to make sure you are learning that proper & safest way. The importance of the
proper precautions affects the outcome of your work in more ways than you
probably imagine. Not only do proper techniques when actually tattooing play a
huge role, but also preparation, quality of tools, skill, cleanliness, all play a huge
role in the final outcome of your work. This book is designed to show you the
proper techniques and precautions to get you started in tattooing. Please note:
This book is not to turn you in to a professional tattoo artist by reading it, It s
purpose is to give you a basic introduction and overview to tattooing. This book is
everything you need to know before you get started, though it is recommended
that you head to your local tattoo shop and ask questions, learn from their
surroundings and see how day to day things go in a tattoo shop. A lot of people
think tattooing is an easy profession to just pick up and do. Although there are a
lot of artistically talented people out there who can pick up a pen or pencil and
draw a masterpiece, tattooing is not only an art form but it also takes a lot
technique and practice! A lot of people give up and quit before they are actually
able to grasp the proper tools & technique and knowledge to grow at their craft.

The Ultimate Tattoo Training Guide

 Acquiring the proper tools is very necessary to get good results out of your work,
tattooing is not something you want to do on a penny pinching budget. Getting
the best quality products will definitely help your chances of getting a beautiful
piece of art in the end.
Developing a good initial reputation is a good start to a great business. Be sure
to start off on the right foot & be professional in any way possible, you will be
rewarded with returning customers and a growing clientele. We will be going over
a lot of ethods he e a d the ti e ou e do e eadi g this ou shold e a le
to apply these methods and with out a doubt start making yourself 6 figures in a
year or more.

The Ultimate Tattoo Training Guide

Chapter 1: Knowing your tools & Equipment

Before you begin tattooing, you will need to learn and understand all of your
tools. There is a general guideline when it comes to the tattooing essentials; most
artists list will be the same with the exception of a few who will probably have a
few specific tools of their preference.

Here is a list of the most common essentials you will need to get you started:

Multiple Tattoo Machines: Most Tattoo artists use multiple Tattoo machines,
using different machines for different tasks. You usually learn what works best for
you as you go along with different projects, using different machines for Lines,
shading & coloring.

Foot Switch: This is used to control your machine, it allows you to control it
with your foot, leaving your hand free to control the guns direction.

Various Tattoo Parts: This is usually different gun parts, one common parts is a
band.

The Ultimate Tattoo Training Guide

 Feeler Gauge: A feeler gauge is used for making adjustments for contact
points.
Power Supply: This is your main power source to run your machines.

Summary: Its best to not go cheap when buying your tattoo equipment. It
will save you a lot of time and aguish later. The worst thing ever is to have your
tattoo machine and/or power supply gp out in the middle of a tattoo. This is both
very embarrassing and extremely unprofessional. Spend the extra money to buy
good quality tattoo machines and power supplies.

Needle Accessories

Regular Needle Bars: Used to hold the main needle group.

Needle Jig and Needle bar Jig: Used to make the right needle group and keep
the placement of the groups with the bars. When starting out your teacher may
require you to make your very o eedles usi g a jig, es it s ki d of outdated in
2012-2013 but many shops require it as a means have having knowledge about all
the tattoo equipment and how it works.

Soldering Gun and Stainless Solder: Used to fuse or solder the needles
together and to connect the needles to the bars

Shop Furniture & equipment

Work Table: Most states require a Stainless Steel work table, for santitation &
cleanliness reasons.

Personal Chair: It s i po ta t fo the a tist to also e comfortable; having your

own personal chair that is adjusted to your personal preference is the best way.
Usually people prefer with wheels, but whatever works for you or your situation is
hat s est.

The Ultimate Tattoo Training Guide

 Customer Chair: Clients are sometimes sitting for several hours straight while
they are getting tattooed, investing in a nice comfortable & sturdy chair is worth
an uncomfortable client.

Flat padded Bench (Massage Table): You want to make sure to use a padded
bench because customers getting back or leg tattoos will be laying there for long
periods of time, in an already uncomfortable position. Also sometime artists
forget but make sure this furniture is able to be covered with plastic wrap for
sanitation reasons.

Light: Usually a nice flexible fluorescent light works great, it provides a great
sou e of light, la it , a d it does t eall get hot, so ou a o e it as lose as
needed.

Paper Towels & Trash Can: While bounty paper towels work awesome. Viva is
also a very popular paper towel amongst tattoo artist. Not only are they very
adsorbent but there very soft on the skin. Therefore they have become a favorite
with some artists.

Sterilization Equipment

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 Autoclave (Stericlave): This is an absolute essential part of your equipment.
This is a device that provides heat, steam & pressure which will disinfect &
sterilize your equipment. Also make sure you check with the health department,
sometimes they will want the autoclave to be special certified or they ask for a
particular model, it may even have to be inspected by local authorities.

Autoclave bags: This is where you store your freshly sterilized needles in the
bag, being sure that they are not contaminated with anything. It’s always
good practice to pull them straight out of the bag in front of the customer,
assuring them that it has been sterilized.

Ultrasonic Tray and Machine Holder: This is a tray that can be submersed in
the Ultrasonic Cleaner with the tools attached. These will break up all the caked
up ink on your equipment after its done being used, preparing it to be thoroughly
washed and autoclaved

Tattoo Machine Rack: Simple rack to hold unused tattoo guns.

Germicidal Solution: A si ple solutio that does t ust o does t ste ilize,
but keeps equipment clean. Common is Madicide in the last few years. And there
are many other good solutions available.

Medical Equipment

Needle Trays: Stainless steel trays used to place needles.

Various Spray Bottles: Most people will say to have two bottles, one for a 1/3
soap to water ratio and the other bottle will hold isopropyl alcohol. Nitrile bottles
are extremely popular now and the best part there autoclave compliant.

Small Glass Jar: This will contain sterile ink caps, always recommended to use
disposable ink caps to prevent cross contamination on the needles. You will need
a lot of these for all your different small supplies, perishables.

The Ultimate Tattoo Training Guide

 Various Antibiotic Ointments and Solutions: Used for whipping client after
tattoo is complete. Most common is A+D Ointment, sometimes Neosporin. BE
SURE TO PURCHASE THE GEL NOT THE CREAM.
Green Soap: This is used for cleanup and preparation. Please note that this
soap is NOT used for sterilization purposes. It only helps in the tattoo procedure
to clean the skin.

Disposable razors: Always shave area where you will be working, this will
prevent ingrown hairs as well as clean the area of interruptions while tattooing.
Use ualit azo s. BIC ‘azo s a e best.

Various wraps, bandages & medical tapes: This is used for the initial wrapping
of the customers tattoo after you are done. Saran wrap is best, it gets the job
do t a d it s very inexpensive.

Rubbing Alcohol and Pads: Usually used to wipe down client before placing
stencil on skin.

Tongue Depressors: Used for the application of various ointments.

Sharp Scissors: Stainless steel SHARP hospital scissors.

Latex Gloves: Never begin the tattoo process without latex or some type of
surgical glove. Period. Also make sure you have some nitrile gloves on hand these
days we have people that are allergic to latex, so you want to make sure you
accommodate those clients as well

The Ultimate Tattoo Training Guide

Art and Stencil Supplies

Various Colored Inks: A variety of colors of ink, usually a lot of black.

Ink Cups: Recommend using disposables to prevent cross contamination.

Ink Bottles: These are four ounce sized with a twist top.

Cup Holder: Used to keep all ink caps in place.

Flash: These are various sheets of flash tattoo designs.

Watercolors and Pencils: Used to color flash sheets.

The Ultimate Tattoo Training Guide

Chapter 2: Knowing your Tattoo Machines

Knowing and understanding the way your tattoo machine works, is as

important as a marine soldier knowing his rifle. Knowing how your gun works will
allow you to understand it and understand how to work it and make sure that it is
set up correctly. Most guns all include the same things: These include standard
contact points, the place where the needle goes through, power supply as well as
other parts such as front and rear springs, contact caps, soldering lug, binding
post, machine frame, needle tube, band hook and needle bar.

A tattoo machine is pretty much a gun that has a fast moving needle that
moves up and down in a very fast paced motion, usually too fast for your eye to
even be able to catch it moving, it looks like it s sitti g still. The needle penetrates
the skin just enough to allow the ink to get under the top layer of skin, while the
artist controls it like an artist would control a pencil.

Using Your Tattoo Machine

The Ultimate Tattoo Training Guide

 Now that you have an understanding of the gun and how it works, you can
begin tattooing, but because the gun only helps the artist make beautiful, it is the
job of the individual to know how to hold the gun properly.

One of the first things to keep in mind is the size and the weight of the
machine, this makes a huge difference when it comes to comfort so you want to
be sure to have a comfortable gun.

When gripping the tattoo machine you need to actually grip it around the
needle tube. To do this you will grab hold of the knurled grip much like you would
hold a pencil. Be sure the open side of the needle tip is facing away from you. It
may take a little time to develop the muscles to be able to control the gun
comfortably.

The palm of your hand should be resting on the surface of the skin; much like
the way you would do if you were iti g o the usto e s ski ith a pe . The
palm of your hand can be used to swivel and turn the tattoo machine on the skin.
Actually, learning to pivot and turn effectively is going to make your designs a
whole lot easier to master.
You will need to tilt the tattoo machine at a 45-degree angle, with the butt of
the machine dropping towards the skin. When you have the grip on the tattoo
machine, naturally your palm is going to rest on the skin. This is completely
normal. As I mentioned earlier, you will use the palm and heel to pivot, move and
control the tattoo machine.

Here are a few very important pointers to know when using your tattoo
machine

Proper angle: Holding the gun at a proper 45* angle is very important to
making sure the ink gets under the skin properly.

Proper depth: Going too deep in the skin will cause a lot of pain and smearing
of the ink. Not going deep enough will cause eventual fading ink.

Proper set up: Knowing how to properly take apart and set up your machine is
also e i po ta t, it s important to practice this until you could do it without
thinking about it.

The Ultimate Tattoo Training Guide

 Palm placement: It s i po ta t to k o ho to use ou pal fo a guide,
trying to free hand it with no support will cause instability and squiggly lines.
Practice: Before trying to tattoo a person, you should have a lot of experience
on artificial skins, a lot of drawing, and the strength and stamina to be able to
control the gun for a long period of time.

Chapter 3: Understanding How to Properly Use Needles

One of the most important part of your gun is the needle, it is absolutely
essential to have a fresh needle to have your tattoo come out right.

Tattoo needles are soldered onto needle bars. There are two types of needle
bars. There are bars for lining and there are bars for shading. The Bar used for
shading has a flat end where the needles are soldered and the lining bar is
rounded on the end. Remember that lining bars are used to draw different thick
outlines around objects or for creating borders for certain designs.

Needles also come in different sizes for the thickness of lines. For eg: one
needles, three needles, four needles, five needles, etc.
Shading bars, of course, used for shading. The shading bars are designed to
cover a large area with ink, while Lining bars vary in size, but are generally meant
for drawing straight lines.

One of the scariest parts of beginning tattooing is learning how deep is deep
enough and how deep is too deep. You want to be sure you are going deep
enough to get a clean line but not too deep to cause pain, bleeding, and blurred
lines and detail. Going to deep also often means it will scar and make it look
faded.

Tubes

The Ultimate Tattoo Training Guide

 You will also need a different tube for the different needle bars. They are
constructed specifically to work with the type of needle bar and number of
eedles ou i te d to o k ith. Fo e a ple, if ou e o ki g ith a -needle
shading bar, the ou ll need a 4-needle shading tube on your tattoo machine.
This applies to all other size bars as well. Matching them up correctly is very
important.

There are also two sub groups within these groups of tubes (shaders or liners):
round tip and square tip. Each tip has different qualities. For example, the round
tip has very little problem with ink splatter but you might end up with a wider line
when turning a sharp corner if not careful. The square tip is limited in the amount
of movement but corners are usually sharp and defined. With a square tip;
however, everything has to be in perfect alignment.
Disposable tube are really important these days, and for good reason the
tu es ade o a e highe ualit a d a e ost of all disposa le this uts do t
on sterilization issues, as you can finish the tattoo and just pitch these.

The Ultimate Tattoo Training Guide

Chapter 4: Practice Skins

Tattooing on practice skins are a great way to practice. The skins are designed
to p o ide the feel & te tu e as a pe so s od , ou a u the i different
sizes a d it s ofte a good idea to ha e a f ie d sit/la do a d positio the ski
on their body as if you were tattooing them. This is good hands on experience,
helping you move in awkward positions, angles, and learning how to position your
clients the best possible and comfortable way. This also allows you to be able to
get in as many hours as you need before you are comfortable moving on to
tattooing a friend or a client. I would recommend starting out with simple outline
design, leaving the inside blank and with plenty of potential to come in later when
your more experienced and color and shade it in.

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Chapter 5: Learning about Tattoo Inks

Choosing a good ink is extremely important in a tattoo. You could have a great
design, gun set up, sketch and using a low quality, or poorly prepared ink will ruin
the entire tattoo, leaving inconsistency, color smearing, and fading, which will
leave a beautiful tattoo looking horrible. The difference in a decent tattoo and
great tattoo could simply be the ink that you are using.

It s i po ta t to e k o ledgea le of the diffe e t i ks a d hat the a e

made of. Some may vary, but for the most parts, most colors are made up of the
same as other matching colors. Most of the colors are made of different metals
and materials, mixed with a solution that allows the colors to spread in an even
and consistent way allowing the ink to look full, bright, and spread in to the skin,
the exact way the needle wants it to spread. It s extremely important to pick the
right Ink, I spare no expense with my inks. The best inks on the markets are the
common Intense, Starbright, And MOMS. Also I have to give mention to my new

The Ultimate Tattoo Training Guide

 favorite is it s called Dermoglow. It s from the UK and it s simply the best ink I
have ever used, the blue is amazing

Below is a small list of what certain colors are made of:

BLACK: Made of iron oxides, carbon, or logwood.

BROWNS, FLESHTONES: Made of ochre.
RED: Made of cinnabar, cadmium red, iron oxide, or napthol.
ORANGE: Made of disazodiarylide, disazopyrazolone, or cadmium seleno-
sulfide.
:YELLOW Made of cadmium yellow, ochres, curcuma yellow, chrome yellow, or
disazodiarylide.
GREEN: Made of chromium oxide ("Casalis Green" or "Anadomis Green"),
Malachite, Ferrocyanides, Ferricyanides, Lead chromate, Monoazo pigment, Cu/Al
phthalocyanine, or Cu phthalocyanine.
BLUE: Made of azure blue, cobalt blue, or Cu-phtalocyanine.
VIOLET: Made of manganese violet (manganese ammonium pyrophosphate),
quinacridone, dioxazine/carbazole, and various aluminum salts.
WHITE - Made of lead white (lead carbonate), titanium dioxide, barium sulfate,
or zinc oxide.
It s al a s a good idea to use disposable ink caps. This prevents contamination
of the ink from one client to the next. The ink is not reused, and any excess is
thrown away.

The Ultimate Tattoo Training Guide

Chapter 6: Designing/Sketching

A very important part of tattooing is making sure that the customer is happy
ith the out o e & the fi al o k of thei tattoo he it is all healed. It s
important to make sure that the design makes sense for the customer, there are
many things to take in to consideration: The location of their body they want the
tattoo, what kind of coloring/shading they are looking for and the size. Another
thing to keep in mind is the color variation depending on the particular person s
skin. Different colors show differently on different skin colors & textures. Some
skins may be more dry and white with potential for lots of brighter lighter colors,
a othe a e da ke , ith a little o e eat o thei o es so ou o t e
able to see those lighter colors as clearly as a darker, more solid color would stand
out. You will learn which skins take which inks and colors best through
experience, as you tattoo all of your friends, family, locals and hopefully
eventually, people from all over the world.
Most people come in with ideas in their heads, or pieces of what it is they
a t tattooed o the . It s a good idea to ake a fe diffe e t sket hes of the
ideas a d let the usto e pi k & hoose hat the like a d hat the do t like
to help both of you in the direction you are taking the tattoo. After you have gone
over the sizing, the positioning & the shading of the tattoo the final sketch is
ready to go you are ready to move on to transferring it over to the tattoo paper.

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Chapter 7: Tracing design to the transfer Paper
Now you have your sketch & outline drawn out, your customer is getting more
excited and anxious to get started. There are still a few mores steps to do before
your customer starts getting zapped. To transfer your final sketch on to the
Transfer paper is a very simple yet a very tedious task that is important because it
will be the basic outline of the initial tattooing, although you can still fix a few
things freehand as you go along, it is still import to have a good sketch traced on
the transfer paper. You want to trace the sketch on to the transfer paper, usually
found at Tattoo supply shops/websites. There are two ways of doing this, you can
use a thermal copier machine, or you can trace by hand. This depends on how you
prefer to do it, the tattoo & if you have access to a copier at the time. If you do
have a Thermal Copier, you simply place your sketch between the carbon paper &
the transfer paper and run it through the machine, it will make a perfect copy of
the sketch on the transfer paper allowing you to be able to place it on the skin. If
you do not have access to a Thermal copier you can trace it yourself. The first
thing you will need to do is remove the little brown protective paper in the middle
of the carbon & sketch paper. Set the original sketch on top of the white sheet of
t a sfe pape a d fi l t a e the outli e. It s e o e ded to use a old poi t
or a ball point pen when tracing, using a fine point will probably be too short and
cause a rip.

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Chapter 8: Preparing & sterilizing the skin
Now that you have finished your final design and got it on your transfer paper,
it s ti e to t a sfe it o to the ski he e ou ill e doi g the tattoo. You a t
to make sure that skin is clean & free of any hair. This is so the lie t does t end
up with ingrown hairs during the healing process. Even if the skin appears to be
ald al ead , it s al a s a good p e autio to ha e a B a d e azo , so e
warm water & some good shaving cream to be sure that it does t get i itated. A
small nick in the skin can be a burden to the tattoo & you do t a t i itated ski
whe e ou e goi g to e tattooi g, so e su e ou add ple t of a ate a d
shaving cream. O e it s all sha ed & s ooth, ou ill the lea it ith eithe a
alcohol pad or some green soap & water. After cleaning, Apply the stencil, using a
Ultrasonic gel, some people use unscented Speed stick deodorant. Ultrasonic gel
is the same gel that they use in ultra sounds in the medical field, it will help
transfer the design from the paper to the skin, the deodorant stick does the same
thing, just be sure it is the green unscented speed stick deodorant. When applying
the paper to the skin you want to be sure the applied area is relaxed, and resting.
Tense muscles can cause the design to look out of alignment when the muscles
relax Transfer paper.

The Ultimate Tattoo Training Guide

Chapter 9: Preparing the Tattoo Machine & Workstation
Anything that you will touch through out the process of the tattoo, you want
to make sure is covered in plastic to prevent cross contamination from any body
fluids. Anything that you will be making contact with is covered in plastic or
disposable. All needles are autoclave sterilized, though they should never be used
twice.
You will need:
1. New sterilized needles
2. New sterilized tubes.
3. New ink and inkcaps.
4. Wears new clean latex gloves.
5. Uses new salve and spatula

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Chapter 10: Tattoo Procedure

Before beginning double check that you are comfortable in your chair
and your client is as well, you guys will be here for a while, so if you need
some refreshments, grab them now!

Outlining:

Whe o ki g ith a lie t the a tist should t to gauge the pe so s

reaction to the initial needle poke. Some people are squeamish and others
just do t feel it. If this is the pe so s fi st tattoo, a e should e take to
pick an area of the outline where little damage can be one if the client pulls
away or moves suddenly during the initial lini g. It s e i po ta t to help
the customer be comfortable; assuring them that everything is ok, or asking
the if the a e ok. “o e usto e do t feel a thi g at all, so e a e
very scared/sensitive, most of the time it is just their nerves so just
communicate with them and all should be ok. Lining can make or break a
tattoo. The line must be straight and clean. A light hand of the improper

The Ultimate Tattoo Training Guide

 needle depth can be the difference between a very blotchy, dotted looking
blurry ugly line, from a clean straight line. It s also e i po ta t to e su e
to stretch the skin to ake su e ski does t get blotchy.

Remember the outline is the foundation for building the rest of the tattoo. If
the outli e is t good the est of the tattoo o t e eithe . Al a s ake su e to
check over your machine first and make sure everything is in order before getting
started.

Befo e getti g sta ted ith the outli e it s a good idea to keep a fe guideli es
in mind first.
Always tattoo forward or sideways with the machine. This ensures the needles
always have a backward pressure so there will be a continual flow of ink in the
machine tube.

Keeping the skin pulled tight is very important in getting a clean tattoo,
tattooing on loose skin will leave bad end results.
The first step in beginning your outline is to dip the machine tip into the
outlining color, which is normally black. This should be done before the machine
is ever even turned on. The reservoir should be filled with ink so you can continue
for a little while and create the first few lines easily.

Begin your outlining from the bottom of the design and work your way up.
After the first few initial lines are done, be sure to stop and see what they look
like to e su e the e a e o p o le s su h as fai t li es, et . Afte this ou ll eed
to dip the tip into the ink several times to get the outline accomplished. Work to
make your lines in one long motion. Remember to fill the tip every few seconds to
avoid running dry. Avoid pressing too hard and always start at the top of a line.
After the tattoo outline is complete you can step back and take a break. Be
su e to he k it to e su e the e is o eed fo tou hups. No ou e ead to
continue with the rest of the tattoo, which is shading.
Shading

Generally shading with black is known as shadowing. This type of work is very
eye-catching and attractive. Unfortunately, if the black shading is not done
correctly it can really be the downfall of the tattoo. There is definitely an art form

The Ultimate Tattoo Training Guide

 to learning to shade correctly. Black is a very bold color and it is important to
master the appropriate techniques of shading. Besides simply applying black on
the skin, to learn to shade right you need to learn the idea behind light and
shadow to create a realistic shadow. This requires practice and lots of it. It there is
one area that you need to master this would be it.
Always remember you can correct a wide variety of mistakes if you are able to
shadow and shade with black. In fact, in the tattoo industry, artists are often
judged by how well they can shade and shadow with black.
Basic Steps to Shading

Remember to use a 7 Mags or 11 Mags needle shader as well as the proper

tube, with the needles sticking out 1/32 of an inch from the tip. Usually I keep the
needles flat ith the ope i g of the tu e, This a ou do t ha e ot o a out
it catching the skin when your gliding over the piece

To start a shadow, begin with the lightest areas first and then work your way
toward the darkest areas. Developing the contrast. My method is to use 4 cups.
The first cup has 1 drop of ink the next cup 10 drops the third cup is half full with
ink and the 4th cups is full of black ink, then I fill the cups the rest of the way with
witchhazel.
Remember to work in circular otio s ut ake su e ou do t o e o k it o
ou ll ha e la k i k e e he e.

A technique known as sweep shading is used for both color and black shading.
The tip of the tattoo machine is moved forward. As you move forward you will
need to flick your wrist upward. Remember the sweep shading method requires
extensive practice to get it right. It is important to make sure you get this
technique right because it is often used for larger tattoos that require a lot of
color and intricate designs.

To set up for sweep shading you will need to set the needles further apart.
I stead of setti g the at / the ill eed to e set at / 6 . I easi g the
depth will provide the depth needed for color.

To achieve a good color shading make sure you maintain constant, flowing and
tight circles. Avoid shading an area more than once to avoid doing damage to the
skin. Try not to press too hard on the needle tube as you move it over the area.

The Ultimate Tattoo Training Guide

 When you complete an area, be sure to wipe it and then check to see if any
touchups are required. Make sure you wipe away the excess ink so you can check
the area that should be shaded.
Be aware you will need to follow a certain color sequence to achieve the best
tattoo possible. Colors must be inserted in certain orders in order to avoid
dulling, clouding and mixing of colors. Colors should be inserted in the following
order:

Dark purple
Blues
Greens
Light Purple
Browns
Reds
Orange
Yellow
White

Make sure you wait a few moments between colors before starting the next
color. This allows the colors to set and reduces the chances of clouding. And also
make sure you use a lot of ointment on the skin during this process. This will help
keep the colors from mixing on the skin, kind of like a barrier from color to color.

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Chapter 11: After session
After tattoo is complete, you need to dispose of all waste in a Biohazard
containment unit, this includes: used needles, paper towels, and any plastic
covering your work station.
Clean the customers arm using green soap and water wiping firmly to be sure
any loose ink and/or blood wipes off.
Cover the open wound in A & D ointment and wrap the tattoo in plastic,
instructing client to leave it on for about 2 hours.
After two hours has passed, you will remove the plastic and clean it with soap
and water, not applying too much pressure.

After the tattoo session has been completed you will need to sterilize and your
work station your tools away. This is very important because it ensure safety and
organization. Be sure to place your machines in an Ultrasonic Cleaner for at least
30 minutes and wipe down everything handled during the procedure. The floor of
the area should also be mopped and all trash taken out. Remember to close the
bags and staple them.
After you remove the needle bars and glass tubes from the Cleaner they will
need to scrub. After drying it off and then checking it to ensure there is no
excessive wear it can be reused. After tattoo is

Sterilization should be your NUMBER ONE priority! If ou do t, ou a ot

only get in a lot of trouble and be put out of business, but you also run into many
huge health issues.

Finding an apprenticeship:

The Ultimate Tattoo Training Guide

 Finding an apprentice ship can be hard. Shops are either full or dont want a
new apprentice around. You have to understand that many shops are too busy to
have a trainee around. If you looking for an apprentice ship, you have to realize
ou e in a position on making the tattoo shop owner feel like it s worth there
time. You will defiantly need to have some art skills. The last thing any shop
owner wants is to put some hacker on the street with a tattoo machine. Bad
artists or should I say bad work ethics has caused some shops to not even want to
deal with apprentices. So surely make sure you let them feel that you re
trustworthy and willing to work hard and learn. AND DO SOME HARD WORK!

Setting up your Own Tattoo Shop

Beginners just learning the basics will more than likely be tattooing in their
own room. At first, working at part time can be ideal because it allows you to be
confident and comfortable in your own space. It also saves a lot of money. A shop
involves rental fees and other costs. Once you have obtained some skills, then you
might consider moving to a better location to increase business. For now;
however, working from part time at a shop is a good idea.

When you do eventually set up your own shop, make sure you have enough
space for a waiting room, restroom, private tattoo room and a work room to keep
your equipment and tools.

If you are serious about starting your OWN tattoo business, you will need a
good tattoo business plan.

The Ultimate Tattoo Training Guide

 In regards to setting prices, remember that you will need to cover the cost of
your equipment, supplies and if you have your own shop, utilities, advertising,
et . That s a lot of o e head so ou ill eed to ha ge a easo a le a ou t to e
sure you are covering your costs as well as making enough to make a living. At the
sa e ti e p i es should e o siste t a d fai o ou ll e su e to fail. Get an idea
of what the local competition is charging. Many shops find it handy to create price
specific categories, usually according to the size of the tattoo. This smart but my
best method is literaly make a few different sizes and then give the lowest price
you will take the for first smallest one, then you have 2 other bigger ones that
cost even more. Usually 50-$100 and higher for the other 2. You would be
surprised how many people go for the bigger tattoo. Then then BANG you make
even more money.

I additio , do t fo get to ake su e ou a e follo i g all lo al a d state

ordinances in detail before you start your business. This includes zoning, permits
and licenses. Finally, be sure to keep your books up to date and handle the
tracking of your income and expenses precisely for tax purposes. I have recently
moved to excel files. This way you can catalog everything done at the end of the
day and have it all stored for later use. You can look over the file for quick
revenue printouts and it s awesome for tax time.

Promoting your shop online.

If you plan to make a lot of money you have to be up with the time and the
hot thing now is the internet. You will need a website. Google places account.
And if you really want to engage your clients you will need a Facebook page and
twitter. All you clients are there so why should you be? There s tons of ways to

The Ultimate Tattoo Training Guide

 get traffic to your website. Also asking in your shop for people you like you
website and all really helps, we offer a $5 coupon every time people like our
page. Now we have thousands of likes and our clients and local residents
sharing our links and coupons. This keeps us super busy once it s all setup and
working. We do the same for Google places and reviews. Give them and deal or
a coupon and you will have no problem getting social media attention. This
works great the more you use it and is also the road to six figure incomes
Also: I a t stress e ough a Great way to get lo al lie t s fast. Make a nice
professio al ad and post on craigslist it can bring you instant customers. Ive
do t this for ears. Make sure you ad is clean and professional. I landed a client
that bought a sleeve tattoo worth $1500 my first week being open like this!
Whenever its gets a little slow post, post, post!

Portfolio:

Make sure you have a nice clean up to date portfolio. Your portfolio and how
it s displayed is everything, its and extension of your art and people pay
extreme attention to it. Sorry but believe it or not. Put yourself in the clients
shoes if ou alk i to a shop a d the pla e s ells or is t lea or upkeep ou
think the re going to want someone there penetration there skin? Doubt it.
Your portfolio can make the different from commanding $50 a tattoo or $100
for the same tattoo. I d rather has my work displayed nice and look clean and
trim. And command the higher price. That s the road to 6 figures.

The Ultimate Tattoo Training Guide

 Customer service:

I can’t stress this enough, you want to make six figure

tattooing? Well listen up customer service is everything. If you
not a people person well you may be in trouble, it s hard for people to support
you if you like to hide under a rock. Or else you could have everyone in town at
our door e ause ou re the i est gu to get a tattoo fro . People are
nervous agout artists in general sometimes. With the bad wrap tattoo artists
used to get. But now it s changed. But you do still have to deal with. People are
er ous efore getti g there tattoo. A d it s the ool al olle ted artist that
puts them at ease. Tattooing is a big big deal for a lot of people. You treat your

The Ultimate Tattoo Training Guide

client right and there yours for life. In tattooing you can develop a near cult like
following. People love to stick with the same tattooist and for good reason.
Provide good customer service and you have accomplished a monumental setup
on the road to six figures.

Picking a shop name:

Another often overlooked part of the road to six figures tattooing. Let me ask
you one thing. If you a mom and your looking to live a little and get a tattoo.
You have $200 bucks in your pocket and you arrive on the Venice beach strip
and you see tattoo shop names # Dead Man Walking Tattoos . Shop # Evil
Needles Tattoo Or the shop #3 The Tattoo Gallery . Which choice do you think
this person will make? The name of your shop is extremely important in
business. There are many shops that you would think a 6 year old teen was
smoking pot and picked out the name. A bad name can mean the end to a
otherwise successful business.

In closing:

We have gone over many things that will help you be a successful artist and
be on the road to a six figure income. Our next installment is around the corner.
We ill go into Online marketing even more and how to setup your website and
social media pages. One thing I want to add before we end. Is all this is worth
othi g if ou do t ha e the dro e to ake si figures? You ill ha e to e a le

The Ultimate Tattoo Training Guide

to get a k up a d do hat ou ha e to do. “leepi g i to p e er da o t
make you successful even if you think that s a tattoo artist s life. That s a tattoo
artists like that make 10k a year. If you want to make the big money you will
have to apply these things and if something does not work tries again. There
tattoo artists that make 1-2 million dollar isn 2012 it s e ause the orks hard
applied the methods and then continuing making more revenue stremes like t
shirts selli g art ork. O li e a d offli e. There s a to s of o e out there. Go
get some!

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The Ultimate Tattoo Training Guide