Artapp030 Chapter 2
Artapp030 Chapter 2
Artapp030 Chapter 2
Chapter 2
THE HISTORICAL DEVELOPMENT OF VISUAL ART
In this chapter, you will learn about the historical development of visual arts such as
painting, architecture, and sculpture. You will gain knowledge and understanding about how
artists conceptualize and realize their art forms based on the influences in the society and
the progress of selected visual arts from the pre – historic period to the modern period.
Also, you can classify the different works of arts by citing their characteristics based on the
influences of the artists in a particular period. Moreover, you can present your own exhibits
of artworks based on the different art movements by citing the influences and
characteristics of a specific art movement.
a. Old Kingdom. Painting in this period is associated with worship and life after
death
b. Middle Kingdom. Painting in this period is associated with scenes from local wars,
animal life, dancing, and hunting scenes.
c. New Kingdom. Painting in this period is found in rock tombs depicting scenes of
funerals and pilgrimages.
The Egyptian architects and engineers are skillful in building temples, palaces, and funeral
tomb of the pharaohs. Egyptian architects were the first to use stone column in building
homes. They use simple yet powerful tools; they build large structure of stones with accuracy
and precision by multitude of workers and construction details to ensure a good quality of
work, and pure geometric forms in the making of the buildings and tombs. Thus, most of the
architectural styles common to Egyptian buildings, temples, tombs, and palaces include: most
temples are made of stones instead of bricks for durability purposes, most of the sculptures
of the pharaohs are done in granite, mammoth rectangular plan of limestone with stopping
pylons with gorge molding, bud and flower capitals from post-lintel-construction and
monumental obelisks and sphinxes fronting pylons.
Egyptian pyramids were built during the old and middle kingdoms. The first regarded as the
“true pyramid” was built in Sakkara for King Dioser. It is called as the step pyramid due to its
shape resembling steps. Later, Egyptians built pyramids with four smooth faces during the 4th
dynasty. One of the most famous pyramids built by King Cheops about 4, 500 years ago is the
Great Pyramid of Giza (the last of the Seven Wonders of the World).
Egyptians also built temples which are considered to be the home of the gods. It is in the
temples where Egyptians worshipped their gods and perform rites for good growing and
abundance of their crops and for cultivation success.
Egyptian Sculptures are all figurines of the same sizes except the Pharaohs, which emphasis
power. Other characteristics include compositions are always symmetrical and perfectly
arranged, solemn and ceremonious, and utilitarian in nature.
In general, Egyptian art characteristics include: (1) art is the propagandistic support of the
power of the state religion, (2) figures show position of frontality, and fixed concepts are
repeated, (3) symbolic geometry, (4) animals and plants are commonly the subjects of their
paintings and even on ceramics, and (5) Egyptian art is religious and serving propaganda.
Sources: http://arthistorysummerize.info/Art./the-egyptian-art/ and http://www.visual-
artscork.com/ancient-art/egyptian-sculpture.htm#subjects
The development of Greek art can be traced back from the two great civilizations developed
in Crete and in mainland Greece: The Minoan Civilization and Mycenaean Civilization.
Minoan Civilization started in 2,600 BCE led by King Minos. The people during this civilization
have worked with bronze and gold thus, developing a system of writing. During this time, the
Minoans built magnificent palaces which housed the royal families, priests, and the
government. The palace of Knossos is the famous which is a small city consisting of 800
rooms. The walls of the rooms were brightly painted with lively scenes showing men and
women athletes, fanciful animals, and scenes of the daily lives of people. At this point, the
Minoans led by their king, Minos, began to establish maritime activities aside from the
magnificent palaces and buildings that were built; they create fresco paintings, stone carvings,
and ceramics. Thus, the Minoans are skilled artisans for they also made decorated fine pottery,
bronze daggers tools and are exporting honey and olive oil to places such as Egypt, Asia Minor,
Syria, and Greece. The Minoan Civilization declined due to earthquakes and volcanic eruptions.
Mycenaean Civilization rule Crete and mainland Greece about 1900 BCE, thus, it is the
dominating force in the Mediterranean. At this time, warrior kings ruled walled cities built
around the palaces at Mycenae, Thebes, and other places in Southern Greece. The first palace
built during this time was investigated by the archaeologist since it was then believed that
Mycenae was the richest and important town. They Mycenaean borrowed from the Minoan
Civilization such that pottery and jewelry that were decorated with design in the Minoan style
and that Mycenaean kings employed Minoan artisans and they took the Minoan’s Sea trade
to Italy, Egypt, Phoenicia, and Sicily. The Mycenaean were destroyed by the Dorian which
caused the decline and the downfall of their civilization.
In Greece, the practice of fine art comprised the three basic periods:
The Archaic Greek Pottery is the most developed art of the pre-Archaic period. It involves large
vases and other vessels which are decorated with linear designs, triangles, zigzags, and other
similar shapes. Also, the ceramic figurine painting depicts the Greek fascination with the
human body which is the noblest subjects in painting and sculpture. The Archaic Greek
Architecture began in 6th and 7th centuries in which stones were used to build Greek public
buildings most especially temples. It relied on simple post-lintel building techniques and that
the Greek architects were the first to base their architectural design in standard of
proportionality. The three orders of the Greek architecture include:
a. Doric. It is the simplest of the three Greek columns with no base and slight tapered
column. It is used in mainland Greece and later Greek settlements in Italy. This type
of column symbolizes the “STRENGTH AND NOBILITY OF THE GREEKS”.
b. Ionic. It comprised of hair like design on both side of the capital. It is used in
buildings along with the west coast of Turkey and the Aegean Islands. The column
signifies “TENDERNESS AND BEING NATURAL OF THE GREEKS”.
The Archaic Greek Sculpture is heavily influenced by the Egyptian sculpture as well as the
Syrian techniques. It created stone friezes, statues in stone, terracotta and bronze and small
works made up of ivory and bones. Marble and wooden sculptures were colored with tempera
and encaustics.
The Archaic Greek Painting involves Fresco painting which is decorated on temples,
buildings, and tombs.
The Classical Greek Sculpture subjects were usually gods and goddesses, and bronze became
the main medium for free-standing works and anatomy become more accurate since the
Greek artists starts to render human and animal forms in a realistic manner. It is less rigid than
the Archaic sculpture. Artworks in this period have featured flexed knees, turned heads, and
contemplative expressions which were regarded as attempts to suggest motion, thoughts,
and naturalism.
On the other hand, the Hellenistic Sculpture is much more varied and extreme than the
sculptures that are produced during the Classical period. Some of the most beautiful pieces of
Greek statuary during this period include Nike of Samonthrace, the Dying Gaul, Apollo
Belvedere, and the Lacoön Group, date back to Hellenistic times.
Hellenistic Sculpture (323 B.C. to 31 B.C.) was much more varied and extreme than sculpture
produced during the Classical period. Some of the most beautiful pieces of Greek statuary,
including Nike of Samonthrace, the Dying Gaul, Apollo Belvedere, and the Lacoön Group, date
back to Hellenistic times.
With the great achievements of the Greeks in Arts, it produced five Wonders of the World
namely: Colossus of Rhodes, Temple of Artemis at Ephesus, Statue of Zeus at Olympia,
Mausoleum of Halicarnassus, Lighthouse of Alexandria which ruins and even fragments have
been survived at this time (Aller and Autida, 2018).
The Anglo-saxon Art used bright and vivid colors in illustrating their manuscripts. They reflect
the migration period towards the British Isle. Also, their metal works were truly fine and highly
intricate works of art.
The Romanesque Art is greatly influenced by the Byzantine art. It is characterized by the
preservation of iconic biblical events that took place and kept records of important figures
such as influential leaders of their times. Romanesque art also is characterized by its beautiful
styles in painting and sculpture. Moreover, it shows illuminated Romanesque manuscripts
with lavish color decoration which can be seen in the bibles and also colored décors in capital
columns showing excitement, great powers, and mastery designs and also it artworks depict
scenes from several carved figures.
The Byzantine Art is developed from the arts of the Roman Empire embracing its classical
heritage; it is greatly influenced by the Ancient Greek and Egyptians arts. Byzantine art is
mostly concerned with religious expressions, translation of the church teachings into artistic
forms such as paintings, sculptures, and mosaics. Thus, artworks produced during this time
are highly sophisticated artistic design and it is therefore highly revival of the classical
aesthetics.
The Gothic Art emerged during the Medieval Gothic period that lasted for more than 200
years. It is a style of Medieval art which emerged in northern France preceding to the
Romanesque Art in the early 12th century. Gothic art painting is presented in a more
animated facial expressions and pose. Also, art forms in this period are fresco sculpture,
illuminated manuscripts, panel paintings, and stained glass painting of both secular and
Christian essence. (http://www.medievalchronicles.com/medieval-art/gothic-art/).
ISLAMIC ARCHITECTURE
Islamic Architecture is defined as the building traditions of Muslim populations of the Middle
East and any countries wherein the religion Islam has been dominant from the 7th century on.
Most common types of Islamic Architectures include: (1) Mosque, it is the Muslim Center and
place of worship, (2) Madrasah, it is the Muslim’s public school, (3) Hammam, it is a structural
design for a hot bathhouse, (4) Caravanserai, it refers to a roadside inn for travelers, (5)
Casbah/ Citadel, it a fortress, and (5) Mausoleum, it is a tomb or a monument. Islamic
architecture consists of a wide range of both secular and religious styles from the foundation
of Islam to the present day, thus, it influences the design and construction of buildings and
structures as far Islamic culture. (http://muslimheritage.com/article/introduction-
islamicarchitecture)
In the Philippines especially in Mindanao, a lot of mosques were built famous of it geometric
designs. Hence, the integration of Chinese and Muslim forms and style elements is a
characteristic feature of the early church building. Common Interpretations of Islamic
architecture include: the concept of Allah’s infinite power is manifested in designs and
repeating themes, human and animal forms are rarely depicted in decorative arts as Allah’s
work is matchless, the architecture of Islam focused on interior rather than exterior space,
and the building of impressive domes, minarets, and large courtyards are intended to convey
power (Aller and Autida, 2018).
RENAISSANCE PERIOD
The word Renaissance is derived from the Latin word “RENASCERE” which means “rebirth
“or “revival”. Thus, this period marks the revival or rebirth of cultural awareness which
occurred in the 14th to 15th century. At this period, artworks are reverted back to Greek and
Roman art influences. More so, it is then the revival of classical art, literature, architecture,
and learning which originated in Italy and later spread in some parts in Europe. Most of the
artworks in this period emphasizes on the following: sciences, humans and their
environment and philosophy. Thus, it concentrates much on religious subject matters which
contain symbols and are realistic. Moreover, it concerns more about life towards new
discoveries, it is more sacred or biblical and even nude. Renaissance art is divided into three
periods:
a. Early Renaissance. This period characterized by simplicity, gesture, and expression
styles of painting. Thus, paintings in this period use man and fresco techniques.
b. High Renaissance. The center of this period is in Florence, Venice, and Rome. The
characteristics of the art works in this period include deepening of the pictorial
space, and making the sky more dramatic with dark cloud.
c. Late Renaissance /Mannerism Period. The period characterized human figures as the
subject matter of their artworks. Artists use warm and sensual colors and oil painting
in producing such work of arts (Aller and Autida, 2018).
MANNERISM PERIOD
After the Renaissance period, it is followed by the Mannerism art movement. Mannerism is
derived from the Italian word “MANIERA” meaning MANNER or STYLE, a term which
denoting to exaggerated, foreshortening and elongated features. Thus, concepts of
artworks during this period are into distorting elements to produce drama, unusual lighting
effects, frequent eroticism, bright colors, fine detail, spatial, scenic, and dramatic distorted
poses, perfect elegance and mathematical in nature. Artists belonged in this period create
works of art aims to renew religious spirit. Hence, it is known to be the first international
style of Western Art which is then also belongs to the Late Renaissance period.
BAROQUE PERIOD
This art movement gives emphasis on exaggerated motion, easily interrupted details; thus,
artworks in this period produce drama, grandeur, tension, exuberance, dramatic poses and
even passionate expressions. Also, during this period, art forms are more theatrical, having
elaborate ornamentation, religious grandeur and even dynamic. Baroque art movement
flourished in the following countries: Italy, Spain, Flanders (Southern Netherlands), Dutch
Republic (Northern Netherlands), France, and England. This art movement coincides with
the worldwide mercantilism, age of exploration, advances in shipbuilding, extensive
voyaging, and improved cartography. Characteristics of Baroque in Italy, Spain and Flanders
are the following: didactic to spiritual purposes, possessing theatrical effects, grand
buildings, and strongly supported by the Pope. Characteristics of Baroque art in France
include opulence, identified with absolutism, being simplistic and dignified.
ROCOCO PERIOD
It is an art movement that is the extension of the Baroque Period which flourished in France.
The term Rococo was derived from the French Word, “ROCAILLE” which means bits of rocky
decorations which can be found in a 16th century architectural idea. Common characteristics
of the art works found in this period are the use of light or pastel colors, curvaceous forms,
graceful lines, cherubs with myths of love, highly ornate and exquisite study of details which
these are found in furniture, panels, vases, and urns. Moreover, subjects of the artworks in
period are always in the center of the canvass.
ROMANTICISM PERIOD
It is the art movement began in Germany and England and later spread throughout the
different parts of Europe. It is the style of art that found its subject in the world of dramatic
and exotic; a style of art and literature which draws on the imagination rather than
nationalism, thus, appealed to the emotions of the audience. This art movement gives
emphasis in the painter’s reaction to the past events, peoples, and landscapes.
Romantic art forms provide deep love of nature and concerns about the metamorphosis of
the world into a new golden age in the powers of the imagination. Moreover, it also depicts
realistic figures with psychological attitudes. Common characteristics of artworks in this
period also include individualism, exoticism, and of emotions and is the revival of Gothic.
A. REALISM
It is the one of the modern periods in the art movement which was adopted by a group of
artists in France concerning on representing contemporary subjects in a realistic manner. It
began in 1850s after the 1848 revolution. This movement is recognized as the first modern
movement of art that rejects the traditional forms of art, literature, and social organization;
artworks belong in this period conveys a truthful and objective vision of contemporary life.
B. IMPRESSIONISM
Next to Realism is Impressionism, a movement that aims to bringing out the effects of
experience upon the artists and audiences’ consciousness. This movement started by Paris-
based world, and the name of the movement is derived from the work of Claude Monet’s
“Impression, sunrise”. Moreover, artists in this period use photograph as basis in creating
their artworks, capturing fleeting effects on natural light, sketchy styles that captures the
overall impression of a scene and the momentary effects of the light. Also, paintings during
this period have visible brush strokes, free style common subject matter and element of
crucial human perception and experience and unusual visual angles. The movement of art
form include new inventions like portable and collapsible easels and marine scenes.
C. POST-IMPRESSIONISM
It is an art movement that appeared after the Impressionism movement, from the word
“POST” means “after”. Thus, it marks the beginning of the modern art. This art movement
under the modern include encompasses a wide range of distinct artistic styles. It is an art form
that looks beyond the natural world, art that is a fascination to foreign cultures and attraction
to the exotic primitive cultures of South Africa. Moreover, artists in this movement use vivid
or arbitrary colors, often thick application of paint, and more emphasis in geometric forms
and with real life subject matters.
D. SYMBOLISM
E. ART NOVEAU
It is an art movement that flourished between 1890 to 1910 in Europe and the United States.
This art movement refers to the “NEW STYLE” and “NEW ART”. This art is characterized by its
use of long, sinuous organic lines which is most often engaged in jewelry, architecture, interior
design, posters, and illustrations. Also, this movement marks the beginning of modernism in
design with intricate lines and flowing curves based on natural forms. As what Gustav Klimt
said, “Art is a line around your thoughts”.
F. Fauvism
It is an art movement popular in France with the use of vivid colors on subject like pictures of
comfort, leisure, and joy to express feelings. Common characteristics in this movement
include intense bright, clashing colors, distorted forms and perspectives, vigorous brush
styles, flat linear patterns, and bare canvass as part of the overall designs. Moreover, this is
the first 2oth century movement which is inspired by the artworks of Vincent Van Gogh, Paul
Gauguin, Georges Seurat, and Paul Cezanne and from the style of Les Fauves, French for “The
Wild Beasts”.
It is an art movement which gives emphasis on emotional experiences and the artists attempt
to depict subjective, personal, and self- expression, and not objective reality. This movement
began in the early 20th century which is centered in Germany and is the movement derived
from Cubism. One of the common characteristics in this art is that the image of reality is
distorted making it expressive on the artists’ inner feelings; an art which emphasizes extreme
expressive properties of pictorial form to explore subject emotions.
H. Cubism
It is an art movement which started in France and was suggested by Henri Matisse in 1909.
The concept behind this art movement is showing the importance of an object through
displaying it from many angles and points of views; thus, objects were broken apart and the
pieces could be viewed. Characteristics of the artworks in this period include abstract forms,
broken mirror effect, geometric and simplified shapes multiple angles and reconstruct
objects; geometric structures usually rendered as a set of discrete plains.
I. FUTURISM
It is the art movement in the early part of the 20th century which started in Italy. Italian artists
at this time celebrate the scientific and technological progress of the modern word; thus,
Filippo Tommaso Marinette wrote their manifesto advocating an artistic revolution. The
common characteristics of artworks in this movement focused on speed, power of the
machine and dynamism and energy of the modern world promoting a new taste for energy,
speed and power of modern technology and urban life.
J. CONSTRUCTIVISM
It is an artistic and architectural philosophy which emerged in Russia in the early 20th century.
The concept of this art movement is that arts should serve a social purpose which is beyond
aesthetics. It is the rejection of the idea of autonomous art rather; it focuses on the idea that
art should be constructed. Artworks on this movement focused on abstract with emphasis on
geometric shapes. Moreover, this art movement is a combination of the ideals of Futurism
and Cubism.
K. DADAISM
It is a European artistic and literary movement that ignores conventional aesthetic and cultural
values producing artworks that are non- sense, no rules, and no values; it is considered as the
first anti-art movement. Artworks in this movement include random or ready- made objects
that make people shock or are offended; thus, it is the rejection of prevailing standards in art
through anti- cultural works.
L. SUPREMATISM
De Stijl is a Dutch term for “The Style”, an art and design movement founded in Holland in 1917
by Theo van Doesburg, a Dutch artist, and Piet Mondrian. Artworks in this movement
emphasized on the ideal spiritual harmony and order, geometric shapes e.g., squares and
rectangles, simplified visual compositions to the vertical and horizontal directions with the
use of primary or light colors along with black and white.
N. ART DECO
It is a popular art movement that flourished internationally in the 1920s, 1930s and 1940s. This
art style is seen across the spectrum of visual arts such as painting, architecture, sculpture,
graphic arts, and decorative arts. Artworks in this movement are characterized by rich colors,
geometric and angular shapes, fashion oriented, lavish ornamentation and strongly
decorative. This art design was popular globally and has affected many areas of designs such
stylized images of airplanes, cars, cruises, liners, and skyscrapers. This art style influences Art
Noveau, Cubism, African Tribal Patterns, Historical motifs such as Greek and Egyptians. Thus,
this art style represents luxury, glamour, exuberance, and faith in social and technological
progress.
O. ABSTRACT EXPRESSIONISM
It is a school of painting flourished in New York City after the World War II until the early of
1960s. The center of the Abstract Expressionism is the New York School of Modern Art. This
school of painting is characterized by the perspective that art is non- representational which
means that there are no actual objects represented and that it is chiefly improvisational.
Artists in this movement may have their own ways of expressing emotions through the
artwork they produce. Subjects are often distorted and exaggerated, and artists use vivid and
shocking colors.
P. OPTICAL ART
Op art or commonly known as Optical art is an international art movement which started in
the 1960s, is a style of visual art which uses optical illusions. It consists of non-representational
geometric shapes which create various types of optical illusions; thus, it gives the viewer the
impression of movements or hidden images which patterns, colors, and shapes are chosen.
Q. POP ART
It is an art movement emerged in Britain and the United States during the 1950s created by
“Independent Group”, a group of artists from the Institute of Contemporary Art. This art
movement lasted until the early 1970s when the modernist art movement came to an end.
Artists in this movement use acrylic paints, plastics, photographs, fluorescent, and metallic
colors which can be found in Billiards, Murals, Magazines, and Papers. Influences of the Pop
Art include Fauvism and Dadaism wherein its similarity includes the use of every object and
presents them as an art, and the reaction of Abstract Expressionism. This artwork can be
found in new technologies such as TV, magazines, and newspapers; it is reproduced,
duplicated, combined, and mass produced.
R. MINIMALISM
It is one of the art movements began in Post- World War II. It is an art movement that rejected
the idea that art should reflect the personal reflection; it focused on creating a purely visual
piece and not concerned about the hidden or deeper meanings of what a certain artwork
conveys to the audience or viewers. Hence, artists in this movement want people to see the
piece for what it is, not what it represents.
Artists in this movement include:
a. Frank Stella, his artwork entitled, “Die Fahne Hoch!” (1959)
b. Tony Smith, his artwork entitled, “Die” (1962)
c. Carl Andre, his artwork entitled, “Lever” (1966)
d. Robert Morris, his artwork entitled, “Untitled (Mirrored Cubes)”
e. Richard Serra, his artwork entitled, “One Ton Prop (House of Cards)”
f. Sol Le Witt, his artwork entitled, “Two Open Modular Cubes/ Half Off” (1972)
g. Ronald Bladen, his artwork entitled, “The X” (1965)
It is an art movement flourished in the mid-1960s and 1970s. Conceptual Art posits that idea
or concept, and meaning are the most important work of art; it means it is the art of ideas
wherein ideas are more important than the finished works. It rejects the idea that “Art is
Beautiful” and the conventional painting and sculpture. Artists in this movement use text as
well as imagery along with a variety of everyday materials and objects so viewers think
particularly about what art is and its meaning. Also, the kind of artworks in this movement
incorporates photography.
T. SOCIAL REALISM
It is an international art movement that depicts daily struggles of the everyday condition of
working classes or human condition of its time; thus, artworks in this movement portrayed
human flaws and cruelty of human nature that includes more of individual people and small
settings or social structures.
It is a genre of art in which artists study photograph and attempt to produce the image as
realistically as possible; thus, artists take photography as their inspiration. It depicts simple
scene from everyday lives e.g., trucks, fast f”, and truants, or mechanical toys. This movement
evolved from Pop Art and counter to Abstract and Minimalist movements. Moreover, Louis K.
Meisel, an American author and an art dealer is the proponent of the photorealist art
movement having coined the term in 1969.
V. INSTALLATION ART
It is relatively a new genre of a three- dimensional work of the 1960s and 1970s which involves
the configuration or installation of objects in a space such as rooms or architectural spaces for
a temporary period; thus, the artworks mounted or installed transform the perception of
space and which comprises the artwork.
W. PERFORMANCE ART
SOURCE:
Autida, M. A. B and Aller, E. B. (2018). Arts and Humanities in the 21st Century Education Art
Appreciation. Cavite: San Sebastian Recoletos de Cavite (Recoletos Educational
Apostolate in the Philippines).
FURTHER READINGS
Ortiz, M. A. R. et al. (1978). Art Perception and Appreciation. Manila: University of the East.
Menoy, J. Z. (2014). Introduction to the HUMANITIES: A Holistic Approach, Revised ed.
Mandaluyong City: Books Atbp. Publishing Corp.