User's Manual

GHIBLI 16/ 16-CHANNEL MIXING

CONSOLE/WITH
GHIBLI 16FX DIGITAL EFFECTS

R
LTO
www.altoproaudio.com
Version 1.2 September 2006
English
SAFETY RELATED SYMBOLS Fuse
To prevent fire and damage to the product, use only
CAUTION the recommended fuse type as indicated in this
RISK OF ELECTRIC SHOCK manual. Do not short-circuit the fuse holder. Before
DO NOT OPEN
replacing the fuse, make sure that the product is
OFF and disconnected from the AC outlet.
This symbol, wherever used, alerts you to the pre-
sence of un-insulated and dangerous voltages with- Protective Ground
in the product enclosure. These are voltages that Before turning the product ON, make sure that it is
may be sufficient to constitute the risk of electric connected to Ground. This is to prevent the risk of
shock or death. electric shock.
This symbol, wherever used, alerts you to impo- Never cut internal or external Ground wires. Likewise,
rtant operating and maintenance instructions. never remove Ground wiring from the Protective
Please read. Ground Terminal.
Protective Ground Terminal Operating Conditions

AC mains (Alternating Current) Always install in accordance with the manufacturer's

instructions.
Hazardous Live Terminal
To avoid the risk of electric shock and damage, do
ON: Denotes the product is turned on.
not subject this product to any liquid/rain or moisture.
OFF: Denotes the product is turned off. Do not use this product when in close proximity to
water.
WARNING
Do not install this product near any direct heat source.
Describes precautions that should be observed to
prevent the possibility of death or injury to the user. Do not block areas of ventilation. Failure to do so
could result in fire.
CAUTION Keep product away from naked flames.
Describes precautions that should be observed to
prevent damage to the product. IMPORTANT SAFETY INSTRUCTIONS
Read these instructions
Disposing of this product should not be
placed in municipal waste and should be Follow all instructions
Separate collection. Keep these instructions. Do not discard.
Heed all warnings.
WARNING
Only use attachments/accessories specified by the
Power Supply
manufacturer.
Ensure that the mains source voltage (AC outlet)
Power Cord and Plug
matches the voltage rating of the product. Failure
to do so could result in damage to the product and Do not tamper with the power cord or plug. These are
possibly the user. designed for your safety.
Unplug the product before electrical storms occur Do not remove Ground connections!
and when unused for long periods of time to reduce If the plug does not fit your AC outlet seek advice from
the risk of electric shock or fire. a qualified electrician.
External Connection Protect the power cord and plug from any physical
stress to avoid risk of electric shock.
Always use proper ready-made insulated mains
cabling (power cord). Failure to do so could result Do not place heavy objects on the power cord. This
in shock/death or fire. If in doubt, seek advice from could cause electric shock or fire.
a registered electrician. Cleaning

Do Not Remove Any Covers When required, either blow off dust from the product
or use a dry cloth.
Within the product are areas where high voltages
may present. To reduce the risk of electric shock do Do not use any solvents such as Benzol or Alcohol.
not remove any covers unless the AC mains power For safety, keep product clean and free from dust.
cord is removed. Servicing
Covers should be removed by qualified service Refer all servicing to qualified service personnel only.
personnel only.
Do not perform any servicing other than those instruc-
No user serviceable parts inside.
tions contained within the User's Manual.

1
TABLE OF CONTENTS
1. INTRODUCTION...........................................................................................................................................3

2. FEATURES...................................................................................................................................................3

3. READY TO START.......................................................................................................................................3

4. CONTROL ELEMENTS...............................................................................................................................4

5. INSTALLATION AND CONNECTION........................................................................................................10

6. PRESET LIST.............................................................................................................................................13

7. SYSTEM BLOCK DIAGRAMS...................................................................................................................14

8. TECHNICAL SPECIFICATION...................................................................................................................16

9. WARRANTY................................................................................................................................................17

2
1. INTRODUCTION
Thank you very much for expressing your confidence in LTO products by purchasing GHIBLI 16(FX) 16-Channel Mixing
Console. You will get the smooth, accurate more natural and open sound from this apparatus, and it is really ideal for small
gigs, recording and fixed PA installations. The GHIBLI 16(FX) is packed with features that can not be found in other con
soles of its size: 4 mono (these are provided with ultra low noise microphone preamplifiers and Phantom Power at +18 Volt)
and 4 stereo input channels, and each mono channel with 3 bands EQ + Mid Frequency sweep and MUTE function; highly
accurate 4-segment bar graph meters; built-in high efficiency digital effects processor for GHIBLI 16FX only;
Your GHIBLI 16(FX) is very easy to operate but we advise you to go through each section of this manual carefully. In this
way you will get the best out of your GHIBLI 16(FX).

2. FEATURES
The GHIBLI 16(FX) 16-Channel Mixing Console is designed for professional application. It provides the following features:
Mono channels with 3 bands EQ + Mid Frequency sweep and MUTE function.
TUBE SOUND COMPRESSOR on the MIC1-4 channels + De-esser function.
Insert function for all mono channels.
Surround processor with center and surround out + Stereo Bass Enhancer.
Extremely high headroom offering more dynamic range
Balanced ultra low noise microphone inputs with "HIGH END PREAMP"
Suitable for live, studio and home applications
2 AUX Control per mono channel for internal/external effects and monitoring
High-quality, low tolerance components for highest results.
Rugged construction ensures long life and durability
External power supply design for professional applications.

3. READY TO START
3.1 There is a small black box provided with your GHIBLI 16(FX). This is the specific 18V AC input adapter. Connect
the proper terminal into your GHIBLI 16(FX) and the adapter into an AC socket.
3.2 Be sure that the main power switch is turned off before connecting the mixer to the AC socket. Also, You should
make sure that all input and output controls are turned down before connecting the AC adapter. This will avoid
damage to your speakers and avoid excessive noise.
3.3 You shall turn on the mixer BEFORE the power amplifier and turn the mixer off AFTER the power amplifier once
you have finished your working session.
3.4 Before disconnecting the GHIBLI 16(FX) always turn off the power switch.
3.5 Do not use solvents to clean your GHIBLI 16(FX). A dry and clean cloth will be OK.

3
4. CONTROL ELEMENTS
GHIBLI 16

MIC 1 MIC 2 MIC 3 MIC 4 LTO

R

GHIBLI 16
16-CHANNEL MIXING CONSOLE
CENTER &
2 1 2 1 2 1 2 1 CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
SURROUND OUT
3 3 3 3

MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) CH6 RIGHT IN CH8 RIGHT IN AUX1 OUT

LEFT
BALANCED +4dBu OUT

LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) CH9-10 IN (LEFT) CH13-14 IN (LEFT) AUX2 OUT

RIGHT
INSERT INSERT INSERT INSERT CH12-11 IN (RIGHT) CH16-15 IN (RIGHT) PHONES BALANCED +4dBu OUT

LOW CUT LOW CUT LOW CUT LOW CUT

HARD HARD HARD HARD
OFF 100Hz OFF 100Hz OFF 100Hz OFF 100Hz
SOFT SOFT SOFT SOFT

BYPASS COMP DE-ES BYPASS COMP DE-ES BYPASS COMP DE-ES BYPASS COMP DE-ES

GAIN GAIN GAIN GAIN

CLIP CLIP CLIP CLIP

MIC 0 50 0dB MIC 0 50 0dB MIC 0 50 0dB MIC 0 50 0dB

LINE -20 +30 LINE -20 +30 LINE -20 +30 LINE -20 +30
0dB 0dB 0dB 0dB
HIGH HIGH HIGH HIGH
15KHz 15KHz 15KHz 15KHz

-15 +15 -15 +15 -15 +15 -15 +15

0dB 0dB 0dB 0dB
MID MID MID MID

-15 +15 -15 +15 -15 +15 -15 +15

1KHz 1KHz 1KHz 1KHz
MID MID MID MID
freq freq freq freq
Hz Hz Hz Hz OPERATING
BASS ENHANCER
600 5K 600 5K 600 5K 600 5K 0dB 0dB
0dB 0dB 0dB 0dB
0dB AUX1 AUX1
LOW LOW LOW LOW pre pre
80Hz 80Hz 80Hz 80Hz BYPASS ON

- +10 - +10
8

-15 +15 -15 +15 -15 +15 -15 +15 - +10 center center
8

0dB 0dB 0dB 0dB PHONES PAN PAN

AUX1 AUX1 AUX1 AUX1
pre pre pre pre
LEFT
Left Right Left Right
- +10 - +10 - +10 - +10 -20 -10 0 10
8

0dB 0dB
0dB 0dB 0dB 0dB
LEVEL LEVEL
AUX2 AUX2 AUX2 AUX2 RIGHT
post post post post

- +10 - +10
8

- +10 - +10 - +10 - +10

8

5-6 7-8
center center center center
PAN PAN PAN PAN
0dB 0dB
AUX1 AUX1
Left Right Left Right Left Right Left Right
pre pre

CH CH CH CH
MUTE MUTE MUTE MUTE - +10 - +10
8

ON ON ON ON
0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL

- - - - - +10 - +10
8

+10 +10 +10 +10

8

1 2 3 4 MAIN MIX LEVEL 9-12 13-16

4
GHIBLI 16FX

MIC 1 MIC 2 MIC 3 MIC 4 LTO

R

GHIBLI 16 FX
16-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
CENTER &
2 1 2 1 2 1 2 1 CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
SURROUND OUT
3 3 3 3

MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) MIC IN (BAL) CH6 RIGHT IN CH8 RIGHT IN AUX1 OUT

LEFT
BALANCED +4dBu OUT

LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) LINE IN (UNBAL) CH9-10 IN (LEFT) CH13-14 IN (LEFT) AUX2 OUT

RIGHT
INSERT INSERT INSERT INSERT CH12-11 IN (RIGHT) CH16-15 IN (RIGHT) PHONES BALANCED +4dBu OUT

LOW CUT LOW CUT LOW CUT LOW CUT

HARD HARD HARD HARD
OFF 100Hz OFF 100Hz OFF 100Hz OFF 100Hz
SOFT SOFT SOFT SOFT
1 VIBRAFLANGE
16 1 2 2 FUNKY
BYPASS COMP DE-ES BYPASS COMP DE-ES BYPASS COMP DE-ES BYPASS COMP DE-ES 15 3 3 ROCKABILLY
GAIN GAIN GAIN GAIN 14 4 4 BIGSTAGE
5 VIBRATO
13 5 8
12 6 9 FLANGER
CLIP CLIP CLIP CLIP 12
11 7 13 CHORUS
10 9 8 16
MIC 0 50 0dB MIC 0 50 0dB MIC 0 50 0dB MIC 0 50 0dB
LINE -20 +30 LINE -20 +30 LINE -20 +30 LINE -20 +30 PRESETS
0dB 0dB 0dB 0dB
HIGH HIGH HIGH HIGH
15KHz 15KHz 15KHz 15KHz

PEAK
-15 +15 -15 +15 -15 +15 -15 +15
- +10 - +10
8

8
0dB 0dB 0dB 0dB
MID MID MID MID FX LEVEL REVERB LEVEL

-15 +15 -15 +15 -15 +15 -15 +15

1KHz 1KHz 1KHz 1KHz
MID MID MID MID
freq freq freq freq
Hz Hz Hz Hz OPERATING
BASS ENHANCER
600 5K 600 5K 600 5K 600 5K 0dB 0dB
0dB 0dB 0dB 0dB
0dB AUX1 AUX1
LOW LOW LOW LOW pre pre
80Hz 80Hz 80Hz 80Hz BYPASS ON

- +10 - +10
8

-15 +15 -15 +15 -15 +15 -15 +15 - +10 center center
8

0dB 0dB 0dB 0dB PHONES PAN PAN

AUX1 AUX1 AUX1 AUX1
pre pre pre pre
LEFT
Left Right Left Right
- +10 - +10 - +10 - +10 -20 -10 0 10
8

0dB 0dB
0dB 0dB 0dB 0dB
LEVEL LEVEL
AUX2 AUX2 AUX2 AUX2 RIGHT
D post D post D post D post
F F F F
X X X X
- +10 - +10
8

- +10 - +10 - +10 - +10

8

5-6 7-8
center center center center
PAN PAN PAN PAN
0dB 0dB
AUX1 AUX1
Left Right Left Right Left Right Left Right
pre pre

CH CH CH CH
MUTE MUTE MUTE MUTE - +10 - +10
8

ON ON ON ON
0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL 0dB LEVEL

- - - - - +10 - +10
8

+10 +10 +10 +10

8

1 2 3 4 MAIN MIX LEVEL 9-12 13-16

5
4.1 THE MIC/LINE INPUT 1
These are Channel 1 through Channel 4. You can connect balanced, low
impedance microphones or a low level signal to the XLR socket. On the
1/4" Line jack you can connect either a microphone or a line level instru- MIC 1
ment .
Note: You shall never connect an unbalanced microphone to the XLR
socket if you do not want to damage both the microphone and the mixer. 2 1

3
Also, it is not possible to simultaneously use both the MIC&LINE inputs
on the same channel, use only one of them for the appropriate source on 1
each channel. MIC IN (BAL)

- PHANTOM POWER +18 Volts

It is available only on the XLR input sockets. Please make sure the power
switch is turned off before connecting a microphone to the XLR input.
LINE IN (UNBAL)

4.2 MONO CHANNEL INSERT 2

2
Insert points are provided for mono MIC channels, which can allow you to
patch external signal processing devices into signal path. When you insert INSERT

a TRS jack in the insert socket, the signal will be taken out after the channel
compressor, sent to an external processor, and returned into the channel
strip immediately before the EQ section. Of course, the jacks used must be
stereo (Tip Send/Ring Return).

4.3 STEREO INPUT (CH5~CH16) 3

Each stereo channel comes with two unbalanced line level inputs on 1/4"
TRS jacks, which are used to connect left and right input signals. Use the
CH5 LEFT IN (MONO) CH7 LEFT IN (MONO)
LEFT input when connect a mono input signal to the STEREO INPUT. The
last two stereo channels feature an original and exclusive double stereo
input for each stereo channel. This feature allows you to connect two stereo
sources at the same time for each stereo channel, enlarging the real CH6 RIGHT IN CH8 RIGHT IN
number of signals you can manage at the same time.
3

CH9-10 IN (LEFT) CH13-14 IN (LEFT)

CH12-11 IN (RIGHT) CH16-15 IN (RIGHT)

4.4 LOW CUT 4

By pushing this switch you will activate a 100Hz low frequency filter that
provides a precise cut for frequencies under 100Hz. You can use this facility
to reduce the hum noise infected by the mains power supply, or the stage
rumble while using a microphone.

4.5 THE TUBE SOUND COMPRESSOR SWITCH 5

The TSC switch (on the first 4 channels) activates the TUBE SOUND
COMPRESSOR and let you choose between Compressor and De-esser
functions. The two yellow LEDs show the amount of compression applied
to the input signal. Two algorithms are provided, one for soft compression
with a threshold level of 0dB, and one for hard limiting with a threshold
level of around +10dB. This dynamic processor works on the very entry
stage of the channel and it can avoid also the channel clipping, maintain
the best signal-to-noise ratio. The compression algorithm applied to the
sound is shown by two yellow LEDs.

6
 4.6 CLIP LED/0dB LED 6
The green LED illuminates when the signal overpasses the 0dB level,
the red CLIP LED illuminates when the channel is going into overload.
If the CLIP LED becomes permanently on, reduce the amount of gain.
To have best signal-to-noise ratio set the gain so that the green 0dB LED
becomes lighted.

4.7 INPUT LEVEL SETTING 7 LOW CUT 4

HARD
This control is provided with 2 different indication rings: one is for the OFF 100Hz
MIC input and the other for the LINE input. When you use a MIC input SOFT 5
you shall read the INSIDE ring (0~50dB); when you use a LINE input BYPASS COMP DE-ES
you shall read the OUTSIDE ring (-20~+30dB). GAIN

4.8 The 3 BANDS EQUALISER CLIP 6

- HI 8
MIC 0 50 0dB
This is the treble control. You can use it to get rid of high frequency noises LINE -20 +30 7
0dB
or to boost the sound of cymbals or the high harmonics of the human HIGH
15KHz
voice. The gain range goes from -15dB to +15dB with a center frequency 8
of 15kHz.
-15 +15
- MID 9 0dB
MID
This is the midrange control. It can affect most fundamental frequencies
of all musical instruments and human voice. An attentive use of this 9
control will give you a very wide panorama of sound effects. The gain -15 +15
range goes from -15dB to +15dB. 1KHz
MID
freq
- MID FREQUENCY SWEEP 10 Hz 10
This control allow to choose the ceuter frequency of the mid band in a
range going from 600Hz to 5KHz. 600 5K
0dB
LOW
- LOW 11 80Hz
This is the bass control. It is used to boost male voice, kickdrum or bass 11
guitar. Your system will sound much bigger than what it is. The gain range
-15 +15
goes from -15dB to +15dB and the center frequency is 80Hz. 0dB
AUX1
pre
4.9 AUX 1& 2 12
This control is used to adjust the level of respective channel signal sent - +10
8

to the Auxiliary Bus. The configuration of AUX1 is pre-fader so the signal 0dB
12
AUX2
sent to the AUX Bus 1 will not be affected by the LEVEL control of that D post
particular channel. The AUX2 is post-fader so the signal sent to AUX Bus F
X
2 will be affected by the channel LEVEL control. In this GHIBLI 16FX, - +10
8

The AUX2 signal also feeds the internal digital effect processor. center
PAN
13
4.10 PAN 13
This is the PANORAMA control. You can adjust the stereo image of the Left Right
signal via this control. Keep this control in center position and your signal CH
will be positioned in the middle of stage. Turn this control fully counter- ON
MUTE 14
clockwise and the signal will be present only on the left speaker and vice- 0dB LEVEL
versa. Of course a wide number of intermediate positions are available.
15
4.11 MUTE SWITCH 14 - +10
8

Mono channels are provided with a MUTE switch that allows to switch on
and off the channel signal, both on Left and Right buses and on AUX ones. 1
4.12 LEVEL 15
This control will adjust the overall level of this channel and set the amount
of signal sent to the Main output, and to the Surround and Center outputs.

7
4.13 AUX1 pre 16
The AUX1 control allows to manage the signals coming from the
stereo inputs and send them to AUX1 output in order to feed the
monitors. The level of this signal is not affected by the channel 0dB
AUX1
0dB
AUX1
pre pre
LEVEL control. 16
- +10 - +10

8
center center
4.14 PAN 17 PAN PAN

This control allows to choose the position of a mono input signal into 17
the stereo field. It allows also to modify the amount of left and right Left Right Left Right
0dB 0dB
LEVEL LEVEL
level for a stereo input signal (balance function).
18
4.15 LEVEL 18 - +10 - +10

8
It determines the amount of the input signal on the main mix (LEFT 5-6 7-8
0dB 0dB
and RIGHT output) and on the Surround and Center outputs. AUX1 AUX1
pre pre
19
4.16 AUX1 pre 19 - +10 - +10

8
0dB LEVEL 0dB LEVEL
The AUX1 control allows to manage the signals coming from the
stereo inputs and send them to AUX1 output in order to feed the 20
monitors. The level of this signal is not affected by the channel - +10 - +10

8
LEVEL control. 9-12 13-16

4.17 LEVEL 20
It is channel's LEVEL control and it determines the amount of the
input signals on the main mix (LEFT and RIGHT output) and on the Surr-
ound and Center outputs.

4.18 24 BIT DIGITAL EFFECTS (For GHIBLI 16FX Model only)

- PRESETS 21
Adjust this knob to select the right effect you wish to perform. There are total 16 options for you: Vibraflange, Funky,
Rockabilly, Bigstage, Vibrato, Flanger and Chorus etc.
- FX LEVEL CONTROL 22
This control is used to adjust the output level of FX signal, which can be varied from - to 10dB.
- REVERB LEVEL CONTROL 23
This control is used to adjust the output level of REVERB signal, which can be varied form - to 10dB.
- PEAK LED 24
This LED will illuminate when the internal effect signal is too high and possibly distorted.
In case of the digital effect module being muted, this LED also lights up.

1 VIBRAFLANGE
16 1 2 2 FUNKY
15 3 3 ROCKABILLY
14 4 4 BIGSTAGE

21 13 5
5
8
9
VIBRATO

12 6 FLANGER
12
11 7 13 CHORUS
10 9 8 16
PRESETS

22 PEAK 24
- +10 - +10
8

FX LEVEL REVERB LEVEL

24

8
4.19 OPERATING LED 25
The operating LED, when is on, shows that the main power
supply is present and the mixer is operating.
25
OPERATING
BASS ENHANCER

4.20 PHONES 26 0dB 28

BYPASS ON
This control sets the amount of signal sent to the PHONES 26
output. - +10

8
PHONES

4.21 VU METER 27 LEFT

It is the output VU meter of the mixer, it shows both the left -20 -10 0 10 27
and right output signal level. RIGHT

4.22 BASS ENHANCER 28

This is the BASS ENHANCER processor switch. Inserting this
processor it is possible to increase and optimize the general per-
formance at low frequency of the mixer. 29

4.23 MAIN MIX LEVEL 29

This control sets the amount of signal sent to the MAIN MIX
LEFT and RIGHT outputs.
MAIN MIX LEVEL
4.24 CENTER & SURROUND OUT 30
This is Center and Surround output of the mixer. You can pick
up their signals using an insert cable.

4.25 AUX1 OUT 31

This is the AUX1 output, it is useful to connect active monitors
to the mixer. R
LTO
30 GHIBLI 16 FX
4.26 AUX2 OUT 32 16-CHANNEL MIXING CONSOLE
WITH DIGITAL EFFECTS
CENTER &
This is the AUX2 output, using its signal it is possible to feed SURROUND OUT

an external effect processors, wiring the effect return to one

of the stereo channels of the mixer. 31
AUX1 OUT
4.27 PHONES 33
LEFT
This socket will be used to send the signal to a pair of head- BALANCED +4dBu OUT
34
32
phones as well as active monitors.
AUX2 OUT
4.28 MAIN MIX OUTPUT 34
This stereo output is controlled by the MAIN MIX LEVEL on 33
the front panel and will send the audio signal to an external RIGHT
PHONES BALANCED +4dBu OUT
amplifier. It is electronically balanced and it has got a profe-
ssional standard level of +4dBu. You can use both for stereo
and for surround system wiring.

4.29 REAR PANEL

- POWER SUPPLY 35
Used to connect the supplied 24V AC adapter, supplied by LTO company only.
- POWER ON/OFF SWITCH 36
This switch is used to turn the main power ON and OFF.
36 35

MODEL

SERIAL
POWER POWER
ON SUPPLY

9
5. INSTALLATION AND CONNECTION
Ok, you have got to this point and you are now in the position to successfully operate your GHIBLI 16(FX). However,
we advise you to read carefully the following section to be the real master of your own mixer. Not paying enough
attention to the input signal level, to the routing of the signal and the assignment of the signal will result in unwanted
distortion, a corrupted signal or no sound at all. So you should follow these procedures for every single channel:
1). Before connecting mics or instruments, make sure that the power of all your systems components including the
mixer is turned off. Also, make sure that all input and output controls of your mixer are turned down. This will avoid
damage to your speakers and avoid excessive noise.
2). Properly connect all external devices such as microphone, power amplifier, speakers etc.
3). Connect the 24V AC adapter to the mixer and main power.
4). Now, turn on the power of any perpheral devices, and then power up the mixer.
Note: the power amplifier or powered monitors shall be turned on after the mixer and turned off before the mixer.
5). Set the output level of your GHIBLI 16(FX) or the connected power amplifier at no more than 75%.
6). Now, set the PHONE level at no more than 50%.
7). Set HI, MID and LOW EQ controls on the middle position
8). Set panoramic controls on the middle position.
9). While speaking into the mic (or playing the instrument), adjust the channel level control so to maintain a good
headroom and ideal dynamic range.
10). You can shape the tone of each channel by adjusting the equalizer controls as desired.
11). Now repeat the same sequence for all other input channels. The Main LED Meter could move up into the red section.
In this case you can adjust the overall output level through the MAIN MIX control.
12). For GHIBLI 16FX, you can select desired DSP sound effects via PRESET and FX & REVERB LEVEL controls.

10
5.1 SOME FINAL TIPS ON WIRING CONFIGURATION
You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schemes.

Ring=Right Signal
Sleeve Tip
Ring

Strain Clamp Tip=Left Signal

Sleeve=Ground/Screen

Use for Headphone

1/4" Stereo (TRS) Jack Plug

Sleeve Tip

Strain Clamp Tip=Signal

Sleeve=Ground/Screen

Use for Mono Line In, Mono 1/4"Jack Plugs

1/4" Mono (TS) Jack Plug

Ring=Return Signal
Sleeve Tip
Ring

Strain Clamp Tip=Send Signal

Sleeve=Ground/Screen

Use for Insert Points

1/4" Stereo (TRS) Jack Plug

2 1 2 1
2=Hot(+) 1=Ground/Screen 2=Hot(+) 1=Ground/Screen
3 3

3=Cold(-) 3=Cold(-)

Use for Balanced Mic Inputs Use for Main output

(For unbalanced use, connect pin 1 to 3) (For unbalanced use, leave pin 3 unconnected)

3-pin XLR Male Plug 3-pin XLR Line Socket

(seen from soldering side) (seen from soldering side)

11
 Ring=Return Signal (Connected together)

To Channel Insert

Sleeve=Ground/Screen

Tip=Signal

To Tape or FX Input

Sleeve=Ground/Screen

'Tapped' Connection Direct Output Lead

(Enables the Insert to be used as a Direct Output

while maintaining the channel signal flow)

To Processor Input

Sleeve=Ground/Screen
Tip=Send Signal
Tip

To Channel Insert

Sleeve Ring Ring=Return Signal

To Processor Output

-Stereo lead for insert Connection

(To be used when the processor does not employ a
single jack connection for the In/Out Connections)

12
6. PRESET LIST FOR GHIBLI 16FX

Position Name Eff.1 Variat (REVERB) Eff.2 Variat (FX)

1 Vibraflange Spring Rev. Waves

2 Funky Spring Rev. Funky style

3 Rockabilly Tape Rev. Slow & Soft Flanger

4 Bigstage Hall Rev. Solo Flanging
5 Vibrato4 Base Rev. Vibrato modul. Speed 4
6 Vibrato3 Base Rev. Vibrato modul. Speed 3
7 Vibrato2 Base Rev. Vibrato modul. Speed 2
8 Vibrato1 Base Rev. Vibrato modul. Speed 1
9 Flanger4 Base Rev. Flanger modul. Speed 3 + mod. Depth + Feedbk
10 Flanger3 Base Rev. Flanger modul. Speed 4 + mod. Depth + Feedbk
11 Flanger2 Base Rev. Flanger modul. Speed 2
12 Flanger1 Base Rev. Flanger modul. Speed 1
13 Chorus4 Base Rev. Chorus modul. Speed 4
14 Chorus3 Base Rev. Chorus modul. Speed 3
15 Chorus2 Base Rev. Chorus modul. Speed 2 + mod. Depth
16 Chorus1 Base Rev. Chorus modul. Speed 1

13
 1 2 3 4 5 6 7 8 GHIBLI 16

D7 D6
GHIBLI 16 BLOCK DIAGRAM
D GR GR D
-10dB -20dB
D9 D8
RED YEL
BASS ENAHANCER 10dB 0dB
MONO INPUT CHANNELS(1-4) LOW CUT 100HZ
GAIN LO MID (FREQ) HI
PHANTOM

LEFT-BUS
RIGHT-BUS
AUX-2
AUX-1
POWER
+18V LEVEL
LOW CUT SW
BYPASS MASTER LEVEL
2 PAN
3 80 600Hz-5KHz 15K 2
MIC IN COMP
1 3-BAND EQ 3
+/-15db 1
MUTE D7 D6
SOFTDE-ES
LOW CUTSW AUX2 GR GR MAIN LEFT OUTPUT
3c R POST -10dB -20dB
LINE IN 4d RN D9 D8
RED YEL
7. SYSTEM BLOCK DIAGRAMS

2b TN
LOW CUT 100HZ 1a T 10dB 0dB
BASS ENAHANCER

5e S AUX1
MIC GAIN: 0~50dB
INSERT PRE
LINEGAIN: +30dB~-20dB
C C

MASTER LEVEL
2
3
1

AUX1PRE
MAIN RIGHT OUTPUT
5e

1a

14
CH5/CH7(MONO) 2b
4d
3c

L BUS
CENTER&SURROUNDOUT
5e
PAN
1a LEVEL
CH6/CH8(RIGHT) 2b
4d
3c R BUS PHONES LEVEL

B B

PHONES LEVEL
HEADPHONE OUTPUT

AUX1PRE

X1 5e
CH9/CH13 (LEFT)
AUX1(PRE)
1a
CH10/CH14 (RIGHT) 2b
4d L BUS
3c

X2 5e
CH12/CH16 ( LEFT) R BUS
1a
2b AUX2(POST)
CH11/CH15 (RIGHT)
4d
3c

A A

1 2 3 4 5 6 7 8
 1 2 3 4 5 6 7 8 GHIBLI 16

D7 D6
GHIBLI 16 BLOCK DIAGRAM
D GR GR D
-10dB -20dB
D9 D8
RED YEL
BASS ENAHANCER 10dB 0dB
MONO INPUT CHANNELS(1-4) LOW CUT 100HZ
GAIN LO MID (FREQ) HI
PHANTOM

LEFT-BUS
RIGHT-BUS
AUX-2
AUX-1
POWER
+18V LEVEL
LOW CUT SW
BYPASS MASTER LEVEL
2 PAN
3 80 600Hz-5KHz 15K 2
MIC IN COMP
1 3-BAND EQ 3
+/-15db 1
MUTE D7 D6
SOFTDE-ES
LOW CUTSW AUX2 GR GR MAIN LEFT OUTPUT
3c R POST -10dB -20dB
LINE IN 4d RN D9 D8
RED YEL
7. SYSTEM BLOCK DIAGRAMS

2b TN
LOW CUT 100HZ 1a T 10dB 0dB
BASS ENAHANCER

5e S AUX1
MIC GAIN: 0~50dB
INSERT PRE
LINEGAIN: +30dB~-20dB
C C

MASTER LEVEL
2
3
1

AUX1PRE
MAIN RIGHT OUTPUT
5e

1a

14
CH5/CH7(MONO) 2b
4d
3c

L BUS
CENTER&SURROUNDOUT
5e
PAN
1a LEVEL
CH6/CH8(RIGHT) 2b
4d
3c R BUS PHONES LEVEL

B B

PHONES LEVEL
HEADPHONE OUTPUT

AUX1PRE

X1 5e
CH9/CH13 (LEFT)
AUX1(PRE)
1a
CH10/CH14 (RIGHT) 2b
4d L BUS
3c

X2 5e
CH12/CH16 ( LEFT) R BUS
1a
2b AUX2(POST)
CH11/CH15 (RIGHT)
4d
3c

A A

1 2 3 4 5 6 7 8
8. TECHNICAL SPECIFICATION

Mono input channels Microphone input electronically balanced

Bandwidth 15Hz to 20kHz, +/3dB
Distortion (THD & N) 0.007% at +4dBu, 1kHz, Bandwidth 20KHz
Gain range 0dB to 50dB (MIC)
SNR (Signal to Noise Ratio)
Line input unbalanced
Bandwidth 15Hz to 60kHz, +/3dB
Distortion (THD & N) 0.007% at +4dBu, 1kHz, Bandwidth 60KHz
Line level range -20dBu to +30dBu
Stereo input channels Max input level +10dBu
Line input unbalanced
Bandwidth 10Hz to 55kHz, +/3dB
Distortion (THD & N) 0.007% at +4dBu, 1kHz, Bandwidth 80KHz
Equalization Hi shelving + 15dB @12kHz
Mid bell + 15dB @600~5kHz
Low shelving + 15dB @80Hz
Main Mix Section Max output +26dBu balanced
AUX Sends max out +22dBu unbalanced
Phones Out +22dBu unbalanced
Center, Surround output +22dBu unbalanced
Signal-to-Noise Ratio 112dB, all channels at Unity Gain
Power Supply (AC/AC Adapter) Main voltage USA/Canada ~115VAC, 60Hz;
Europe ~230VAC, 50Hz;
U.K./Australia ~240VAC, 50Hz
Japan ~100VAC, 60Hz
Physical Dimension (W D H) 270mm 198mm 43mm
Net weight 1.73Kg
Shipping weight 2.45Kg

16
9. WARRANTY
10.1 WARRANTY REGISTRATION CARD
To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card
within10 days of the Purchase Date.
All the information presented in this Warranty Registration Card gives the manufacturer a better understanding
of the sales status, so as to purport a more effective and efficient after-sales warranty service.
Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty
service.

10.2 RETURN NOTICE

a. In case of return for any warranty service, please make sure that the product is well packed in its original shipping
carton, and it can protect your unit from any other extra damage.
b. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail
information about your return address and contact telephone number.
c. A brief description of the defect will be appreciated.
d. Please prepay all the costs involved in the return shipping, handling and insurance.

10.3 TERMS AND CONDITIONS

a. LTO warrants that this product will be free from any defects in materials and/or workmanship for a period
of 1 year from the purchase date if you have completed the Warranty Registration Card in time.
b. The warranty service is only available to the original consumer, who purchased this product directly from the
retail dealer, and it can not be transferred.
c. During the warranty service, LTO may repair or replace this product at its own option at no charge to you for
parts or for labor in accordance with the right side of this limited warranty.
d. This warranty does not apply to the damages to this product that occurred as the following conditions:
Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product.
Normal tear and wear.
The product has been altered or modified in any way.
Damage which may have been caused either directly or indirectly by another product / force / etc.
Abnormal service or repairing by anyone other than the qualified personnel or technician.
And in such cases, all the expenses will be charged to the buyer.
e. In no event shall LTO be liable for any incidental or consequential damages. Some states do not allow the exclu-
sion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you.
f. This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also
have other statutory rights that may vary from state to state.

17
 SEIKAKU TECHNICAL GROUP LIMITED
No. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan
http://www.altoproaudio.com Tel: 886-4-22313737
email: alto@altoproaudio.com Fax: 886-4-22346757
All rights reserved to ALTO. All features and content might be changed
without prior notice. Any photocopy, translation, or reproduction of part of this
manual without written permission is forbidden. Copyright c 2006 SEIKAKU GROUP

NF01889-1.2