Complete
Complete
Complete
LEFAPHENG LA THUTABOMOTHO
© University of Pretoria
1.1 Matseno 1-2
1.2 Maikemisetso 3
2.1 Matseno 21
2.2.2.3 Mohlohleletsi 28 - 29
2.2.3.1 Moanegwahlaedi 30 - 32
2.2.3.2 Moanegwaphethegi 32 - 34
3.1.1 Matseno 36
ka moanegwa 50 - 53
3.1.7 Kakaretso 60
5.1.1 Matseno 70
5.1.2 Noto-ya-Masogana 71
5.1.2.1 Baanegwa 71 - 74
5.1.2.3 Ditiragalo 80 - 96
5.2 Kakaretso 96
moanegwahlaedi, ka gobane:
(Ietlakala 75).
bokgonthe.
lego mokgwa:
Wa go hlalosa.
Wa go hlatholla.
kwesisega.
sengwalo Ie mongwadi. Seo se ra gore dilo tse pedi tseo, e lego sengwalo
a rego:
he lived ...
ka go re:
"To see a literary work as an expression of
mongwadi.
novelette)" .
amantshwago ke sererwa.
(1989: 48), Brooks (1975: 25) Heese Ie Lawton (1988: 105) Ie Serudu Ie
wona.
ditaba.
(1916: 111), Shaw (1914:10 -11), Cecil (1924: 68), Ie Smeaton (1925: 482
Knapp (1990: 25), Q'Connel (1996: 2); Baker (1995: 74), Bal (1980: 112)
Ntombela (1994: 5), Lamarque (1994: 78) Ie Fister (1988: 95), bona ga ba
mmakgonthe.
Ge a tlaleletsa ditaba tseo 0 bolela gore ge moanegwahlaedi a hlaloswa
bantsi.
sengwalo. 0 re:
rata go bona baanegwa ba dira dilo tseo di dirwago ke batho ba lefase lea
ba phelago go lona.
tlwaelegilego.
Borateori bao ba setsego ba ngwadile ka tlhaloso ya semelo sa
Ge a tswetsa taba yeo pele Chatman (1967: 107) Ie Mcarth (1961: 66) ba
tsela yeo dimelo tsa bona di swanetse go tsweletsa bomotho bja bona. 0
ore:
being."
Se Serudu a se gatelelago ke mokgwa woo mongwadi a tsweletsago
baanegwa bao.
wa go hlalosa ka go nepisa.
Kgaolong ya bohlano go tlo tsinkelwa moanegwahlaedi gomme puku yeo e
moanegwahlaedi Ie moanegwaphethegi.
Mampho (1999: 5) 0 hlalosa gore diteng ke letlalo la mathomo la
/bl/453><
10 I~- 4 ~ }1.3 ~
botsona, pele ga ge mongwadi a bolelalngwala ka ga tsona, pele ga ge di
(1992: 2).
laolwa ke sererwa.
mongangisi Ie mongangiswa.
Mojalefa (1995: 6) ge a hlatholla kgopolo ye 0 re mongangisi ke
ratege.
ga baanegwa bao.
Lebaka (1999: 89) 0 re mongwadi ge a thoma go rulaganya ditaba tseo
mohlohleletsi.
yena. Ke ka fao Beckson Ie Ganz (1995: 217), Moss (1970: 115) Ie Serudu
mafokodi.
Nelson (1974: 121) Ie Phala (1999: 70) ba re moanegwa yo mediro ya
negative poles".
gotetsa kgotlhang".
ditaba a di isa ka fa, a tsea tse dingwe a di isa fale gore baanegwa bao ba
Iwe.
round."
Bromley (1977: 24), Carter (1998: 24), Heese Ie ba bangwe (1988: 138),
Abrams (1988: 23), Cohen (1978: 38) Ie Wellek Ie ba bangwe (1942: 226) ba
makatsa.
moanegwaphethegi.
Go tswela pele go tlo lemogwa gore moanegwaphethegi 0 emela motho wa
gobane:
- 101)."
kanegelo ge e gola.
moanegwaphethegi.
sekasekwa.
lego:
Moanegwa ge a itlhalosa
phelwago go lona.
(b) tikologo, (c) go swantsha ka go t1aleletsa, (d) go reela leina, (e) polelo, (1)
gona ka go re:
"In some stories and plays, appearance may
sathane, mola bag ale ba Ie botse gape ba lokile. 0 tiisa ka gore tumelo yea
loke, mola yo mobotse go dumelwa gore 0 dira tsa go loka. Seo se ra gore
Go tiisa kgopolo yeo ya Irmscher, Serudu (1995: 10) Ie Schwarz (1989: 85)
on which it is based."
moanegwa. Gape 0 arola leina ka dikarolo tse pedi e lego (a) leinaina Ie (b)
leinahlaodi.
yoo a lokilego 0 tlo fiwa leina leo. 0 tsopola mohlala go tswa setsong sa
wa go siroga.
30)."
siroga.
Fredrich (1995: 96), Chatman (1967: 97) Wagenknecht (1947: 50) Ie Daniel
motho yo a dirago ditaba tse mpe tsa leswiswi. Ditiro!Sa gagwe di a siisa. Ka
ka go siroga.
boifisa.
Wilton (1994: 101), Winks (1980: 84), Ogude (1997: 76) Ie Stone (1976: 19)
Ntombela (1992: 130) Ie Irmscher (1981: 289) ba bontsha bohlokwa bja theto
mmadi 0 kgona go utolla semelo sa gagwe, ka gore theto yeo e tsweletsa seo
wa go siroga.
Fredrich (1995: 61), O'Connel (1996: 3), Myers (1997: 97), Morgan (1943: 23)
bolela seo e sego nnete ka ga moanegwa ba tla timetsa babadi, ka gore bona
moanegwa ka gona
moanegwa.
bjalo ka (a) ditiro tsa moanegwa Ie (b) polelo ya moanegwa. Dikarolwana tSeo
bontsha seo moanegwa a lego sona. Ge aruma taba yeo 0 re ka ditiro mmadi
a kgona go tseba moanegwa yoo a balago ka ga gagwe ntle Ie go botswa ke
motho yo mongwe.
Ge ba tswetsa kgopolo yea pele Hatton (1973:38), Madden (1980: 7), Price
dipotsiso tseo di nyakago dikarabo tseo di tlago mo thusa gore a itsebe gore
amogelwa ke batho.
evoke the dynamic aspect of the character, often playing a part in a training
yona.
Malebana Ie ditiro tse di tlwaelegilego 0 re di tsweletsa ponagalo ya go se
fetoge ditirong tseo a di dirago. Ge a be a dira tse mpe 0 tla tswela pele go
moanegwa.
tsona. Ditiro tseo 0 di arola ka dikarolwana tse tharo, e lego (a) tsa tshwaetso
("act of commission"), (b) tsa go akanya ("contemplated act") Ie (c) tsa tlogelo
mokgwa wa go nepisa.
semelo sa moanegwa.
ga gagwe.
bophelong.
go siroga. Mekgwa yeo e arotswe ka dikarolwana tse tharo, e lego (a) seo
tikologo, bjalobjalo.
Ge go ka lekodisiswa ka tlhokomelo polelo ya borateori bao go tlo
(Ietlakala 98).
go gegea.
Mathata a magolo ao a tsweletswago ke Forster, ke ge a re
lenaka Ie ge a se a Ie hlalosa.
sona seo.
lahlegelwe ke bophelo.
a kgotsa a re, "Tshin! Kwedin, intoni Ie"? (Ietlakala 45). A realo a batamela
ba mo fosa ka ditena, tseo di ilego tsa mo teta mokokotlo, tsa ba tsa nyaka
(matlakala 42 - 45).
go ikgweranywa Ie yena.
Taba ye bohlokwa yeo Forster a e bolelago mabapi Ie moanegwaphethegi
depth" ke ye bohlokwa.
tswelela.
otlwago.
tsela ye:
molwantshwa
loke.
ga a mo fetole:
(Ietlakala 4).
Gape Lesibana ke motho wa go hlomphega setshabeng ka ge e Ie
gabotse mo go yena.
tla a mmeka:
nyale Mamahlo. Pharela ke gore Lesala ga a eso a dira tsa go se loke bjale
Mamahlo.
Pele go ka hlathollwa dithekniki tseo tsa go ikgweranya Ie kgopolo ye
bolelwa:
Thekniki ya mathomo ke thaetlele, kgopolo yeo e tlo hlathollwa .
•:. Thaetlele
POEM, etc.".
term fokalisering.
ke tebelelo ya mongwadi.
yena. Mosadinyana yena 0 ile a laela Lesibana gore a fihle a nyake Dikwata
tlogele tsa go se loke, a boele gae go nyala Mamahlo. Taba yeo e tiisa
go se loke, tela ga a tsebe gore taba yeo e tlo direga ka tsela mang? Seo
bosodi mo go yena.
nyalana. K:.ayona mmadi 0 lemoswa seo se tlogo direga kua pele. Taba ye
bathe bao. Gona moo 0 dira tsa go se loke. Seo se bonagala ge ba ile
re go Lemeko:
basadi ba Makgoweng mola a tshepisitse Mamahlo kua gae gore 0 tla boa
gagwe.
lebalelwa ka ge a itshotse.
Ge Lesibana a dira tsa go se loke 0 a otlwa gore a boele e be motho wa go
maphodisa a etla.
Bjale Tsebe 0 hlalosa seo e lego bokgopo bjo bogolo, bjala. Ka go bitsa
go bontsha dilo tse pedi tsa go fapana. Ke ka fao Serudu (1989: 39) a
lego ya boraro.
ye e ya go hlathollwa.
laetsa gore bjale ba nwa bjala bjo bogale. Ditlamorago tsa go nwa bjala
ya go reka se segolo.
melomo, mahlo Ie ona a sara kana gomme ditsebe Ie !Sona tsa thoma go lIa
se nago tekanyetso.
amogelwa.
ge a swerwe ke tlala.
realo 0 a amogelwa.
wa go ya gae.
Taba ya gore Lesibana a se boele gae e dira gore a dire molato wo mogolo,
Mamahlo.
gore 0 tla ya go soma gomme ge a boa 0 tla tla a mmeka. Lesala 0 ile a
o ile go boa ba lokisa tsa lenyalo. Ditaba di ile tsa tetoga ge Lesibana a
boa.
mosoro.
goede."
116 - 117).
'kwade', ke go se loke.
mmadi Ie molwantshwa
lebanego Ie go se loke
go Ie botsa tseo tse botse tsa tse e sego tsa selo. Gatee mosomedi yoo Ie
lokolla sengwalo seo sa Karabo go Ariel, Bubbles 0 ile a lemoga dilo tse
kudu go lokolla sengwalo sela sa kotsi diatleng tsa Ariel Meso. Le gore 0
(Ietlakala 71).
boradia.
bonnete bja go botsa motho thereso ka ga boemo bja boraloki bja gagwe
re:
58).
Vena 0 re:
Bubbles babalela bophelo bja gago. 0 tseba
sindikheiti e e dirago.
(Ietlakala 193).
Se se laetsa bokgopo Ie bosora bja bathe bao. Ge ba nyaka se sengwe
ga ba na kwelobohloko.
ba re:
bathe ba go dira tsa go siisa namana tsa mmele. Ba bolaya motho bjalo
ka ge ba bolaya tshosi.
na Ie Ariel; 0 re:
Sa tla mmolaya Ie yena ge ba mo hweditse
somisitswego ka gona.
ka Tshwane.
Go tioga moo mongwadi 0 mo hlalositse a tenwa ke bathe ba ba
1). Go tioga moo go bolelwa ka ga Ariel tela. Seo se bontsha mmadi gore
Ariel.
Bohlokwa bja ditiragalo tse ke bja go godisa bokgoni bja Ariel Ie go godisa
Ariel.
gola ka gore bjale mmadi 0 a tseba gore Ariel Ie Bubbles ba tlo nyalana.
bohlokwa.
Ditiragalo ga se tsa rulaganywa bjalo ka tsa Noto-ya-Masogana (1954), e
se tiisa maatlakgogedi.
Ie sindikheiti.
tsa sona. Gona moo 0 ile a lemoga gore bjale ba ka gare ga mathata. Go
a ka palela Bubbles.
se tshwenyago go sona.
dirago sona.
sindikheiti.
bolaya Kwena. Lehu leo la Kwena ke Iona Ie dirilego gore Ariel a thome go
gona.
Ariel 0 ile a leletsa Pula mogala, a mmotsa gore nke a bolele Ie Bubbles, ka
gore Kwena 0 hlokofetse. Taba yeo e ile ya dira gore Ariel a lemoge gore
faD Pretorius Ie Swart (1982: 24) ba tlaleletsago taba yeo ka go bolela dika
ga moanegwaphethegi.
Motsheletshele e be e Ie moebangedi yo
(Ietlakala 11).
Go realo go bontshwa semelo sa Motsheletshele gabotse gore ke moruti, 0
kolobetsa ngwana:
lokilego.
dithuto tsa bona pele. Ke ka lebaka lea a bego a nyaka badisana ba babedi
.,
mo itia gona 0 be a go kgafela kgole (Ietlakala 12). Se se laetsa gabotse
Ie yo a ka mo nyatsago.
gona.
(matlakala 11 - 12).
dijo.
go tswetsa dithuto pele. Lukas 0 ile a rekelwa diaparo tsa maemo a godimo
bjalo 0 itlhapile yena. 0 ile a bolela gore 0 tla kgona bjang go tsena ka
setero sa gagwe a Ie ka tsela yeo. Go tioga bjale a ka se sa ba Ie kopano
botswa gore Dorothea 0 tlile a lesa Ie dijo tseo a bego a di ja. 0 ile a
Kgolotha 0 i1ego bona ditaba di betile a botsa monna wa kariki yeo e bego
a se lemoge.
Tiragalo ya senyane ke ya ge MotsheletShele a amogela mangwalo a
Aletta Ie Phoebe.
bona ka moka.
gahlanetsa.
Albi 0 ile a anegela Lukas tsa Motsheletshele Ie Dorothea. Lukas 0 boletse
go wisa tatagwe.
ka tsona.
gore 0 swanetse go nyala gore a mo abele seo a nago Ie sona. Ditaba tsa
lenyalo la Lukas di ile tsa lokiswa tsa ba tsa begwa ka kerekeng. Sontaga
Lukas Ie Una.
nyamisa mmadi.
Ka boripana go ka thwe mmadi 0 kwela MmaMotsheletshele bohloko ka
Ie yena a sa mo nyatse.
mosemane wa sethakga:
19).
se rate ditshila.
hlalosetsa boThemba tsa bophelo bja gagwe, motho 0 kgona go bona gore
ka" (Ietlakala 29). Tse ka moka di bontsha gore Faro ke ngwana wa go loka
go loka.
dithuto tsa gagwe, a t10gela go dira dilo tsa go tswa tseleng. Morutisi yo 0
tiiswa ke moruti.
se gona.
yo a ka bago kotsing.
mo, yeo a e aparago ge a tseba gore 0 Hego boa ka leswiswi (Ietlakala 4).
sethunya.
maphodisa.
ka ponyo ya leihlo.
Tiragalo ya lesome ke ya ge Faro a roba Sarona leoto gomme a rakwa
karabo a kwa motho a bolela ka kua ntle, a tseba lentsu la tatagwe a napa
ile a hlakana Ie Sarona, ba bolela tsa lerato la bona. Faro 0 ile a lefa
ntsi ge ba eya gae. Themba 0 Hea nyaka go tseba gore tshelete yeo ba e
lethekeng.
tetsa letorokisi bona ba tsene. Ditaba di ile tsa bolelwa ka botlalo. Faro yo
52)
madulong Ie go boela dintlong tsa bona tsa marobalo, moo ba ilego go etisa
gore ke:
"... interpollated narratives or scenes often
go lemogwa gore taba yeo e hudua moya wa gagwe. 0 ile a ipotsa gore
Ge a be a rapelela bagolegwa bao 0 Hea lIa kudu. Fela go tlo lemogwa gore
nyamiswa kudu. Mmadi 0 tseba gabotse gore 0 kwa bohloko kudu ka lebaka
la polelo yeo e badilwego ka godimo ya gore 0 fetogile nku yeo e lIelago teng.
ka sona.
mmadi Ie Tladi
phatose
Go loka ga Tladi go bonala gabotse ge a sena go belegwa. Basadi ge ba
gape ....
(Ietlakala 19).
lefaseng.
bolailwe ke dibata tsa naga maabane. 0 bolela gore kwana ya nku yeo e
re:
Mongwadi 0 a gatelela. Kua pele Phatudi 0 kgonthisa taba yona yeo ge are:
Sjale Dikgati ke monna, 0 na Ie bathe -
(Ietlakala 19).
Tladi lefaseng.
tswala tahlego" (Ietlakala 27). 0 ile a lala a theile sebata seo ka selaga. Ka
bitsa dimpsa tse pedi tse kgolo. 0 ile a tsea selepe Ie lerumo. 0 hweditSe
nkwe e tantswe ge a fihla. Nkwe e ile go lemoga Tladi ya tuka bogale. E ile
ditshabeng ke dijabatho
e be e setse e wetse go setse fela dibeke tse tharo gore boTladi ba fologe
nnete.
idibala.
phela.
a sa ratwe ke bophelo.
(Ietlakala57).
thuto ye.
Forster.
ditiragalo di tsinketswe.
mmagoTladi.
go na Ie botho.
tsa go itisa Ie tsa kwesisano. Tsa go itisa di lebane Ie ditiragalo mola tsa
kwelwe bohloko.
Thulano ya kanegelo ya kwesisano e gare ga go loka Ie go se loke. Mmadi
Publishing Goup.
of Chicago Press.
University of Michigan.
10. Beckson, K. and Ganz, A. 1995. Literary Terms. Canada:
Englewood Cliff.
Minnosta.
Publishing Company.
University Press.
Academica.
Town.
26. Enright, D.J. et al. 1962. English Critical Text. New York:
Arnold.
Press.
31. Fredrich, M. 1995. Character and Narration in the Short Fiction
University Press.
Blackwell.
39. Harvey, W.J. 1965. Character and the Novel. London: Chatto
and Windus.
Canadian Publishers.
and Company.
62. Mahon, W.D.M. 1984. Critical Texts (Plato to the Present day).
Educum Publishers.
Review 28.
Pretoria.
Pretoria.
Yunibesithi ya Pretoria.
73. Mojalefa, M.J. 1995(b). Ntlhahle ya Bobedi (B.A) Sepedi 202.
75. Morton, D.Z. 1957. Craft and Character. New York: The Viking
Press.
80. Neethling, S.J. 1990. The Good, the Bad and the Ugly in Xhosa
of Princeton.
London: MacMillan.
89. Perrine, L. et al. 1983. The Story and the Structure. New York:
Michigan Press.
University Press
94. Phelan, J. 1989(b). Reading people, reading plots. United
University Press.
Arica.
London: Metheun.
107. Serudu, M.S. 1987. The Novels of O.K. Matsepe. DUtt. thesis,
108. Serudu, S.M. and Kgobe, D.M. 1985. Northen Sotho Sudy
109. Serudu, S.M. et al. 1984. Only Study Guide for NST 101-V.
115. Smeaton, T.A. 1925. The Twentieth Century Novel. New York:
Afrikaans University.
and Charles.
Pretoria.
The Sepedi literary works chosen for the purposes of this study represent
and Ariel as a flat character. The problem that surfaces in this instance also
The distinction that can be drawn between the concepts 'flat character' and
with the flat charater is based on the reader's ability to distinguish between
good and eVil, while an understanding of and a feeling for fellow human
beings determine identification with the round character. The author brings
the mentioned works and on how this theme determines the character
types. The concept of 'identification' is a central issue in this study and has
thus been explained in detail. The specific literary devices used by the
author to bring about this identification have thus also been carefully
determined thematically.
Round character
Flat character
Human depth
Characterization
Pathos
Focus
Tragedy
Explicit
Implicit
Humour
In hierdie ondersoek word getrag om die begrippe van vlakkarakter en
te omlyn. Die uiteensettings van teoretici is meesal vaag en leen hulle tot
interpretasies wat nie bevredig nie. Die beste voorbeeld hiervan is die
Forsterdefinisie wat veral t.o.v. die begrip van volkarakter probleme skep
daar dit ge"interpreteerkan word as sou die onderskeid bepaal word deur
gewys dat hierdie begrippe nie met die van antagonis, protagonis, and
beskryf kon word. Die probleem wat hom in hierdie geval voordoen, kom
Die verskil wat tussen die begrippe van vlakkarater en volkarakter gemaak
kan word, hang met menslikheid saam. Die leser se vereenselwiging met
aan.
In hierdie proefskrif val die klem swaar op die tema van elk van die werke
en hoedat dit die karaktertipe bepaal. Daar die begrip van vereenselwiging
sodanig nie die tipering van die vlak-of volkarakter bepaal nie; dit word
Vlakkarakter
Medemenslikheid
Karakterisering
Patos
Fokus
Tragedie
Eksplisiet
Implisiet
Humor