Pyramid 1999

Playing Magic Without Two Full Decks
By Andrew Looney
How many times has this happened to you? You go over to a friend's house to play Magic. You're all set to try out the
new deck you finished building at 2 a.m. the night before. But he's not ready. He still has to finish building his deck.
So you sit around for an hour watching TV while he paws through his boxes of cards. And when you finally do play,
you discover that your deck is hopelessly outmatched by his deck of Drudge Skeletons and Bad Moons. So you have to
go off and retool your deck while he sits around watching TV. Now the evening's half shot and you've barely played a
game. So, where's the fun?
Because of these difficulties, I developed an alternate way of playing Magic. Now, when my wife and I play, we just
use one big deck, rather than each having a deck of our own. I deal us each the usual 7 cards, then the deck goes in the
middle and we each consider it our library. We share the discard pile too. And if we run out of cards in the draw pile,
we just shuffle and keep going.
To some, this might seem absurd, perhaps even blasphemous. "What do you mean, not have your own deck?" For
most people, that's what the game is all about: building a deck, then using it. The game has two parts: First, there's the
pregame, in which you build your own deck, then there's the actual game, in which you use that deck against someone
else's.
I will readily admit that deck construction is one of Magic's most important design features. Some people spend more
time designing and redesigning their deck than they spend actually playing with it. But even so, I think the whole deck
building aspect of Magic is the main thing that's keeping Magic confined to the world of gamers.
Lately, I've been seeing these commercials for Magic on TV, and I've looked over the latest expansion, Portal, which
has been designed to be easier to learn and targeted more for the mass market than Magic has previously ever been. So
although Magic is currently a game played only by gamers, Wizards of the Coast seems determined to change that, to
get Magic played in every home in America.
But I think this is going to be difficult. Although they've made some significant changes to Magic with the release of
Portal, with learning decks that come in a specific order and a few slight improvements to the card design, I believe
that more radical changes to the game must be made in order for it to penetrate the elusive Mass Market. My feeling is
that the very things that have made Magic an incredible success in the gamer's market will work against them in the
their attempts to expand their audience.
Because although gamers love the whole deck construction phase, most non-gamers won't.
First, not everyone enjoys, or even grasps, the issues of deck building. Most people who
wish to sit down and play a game want to start playing with as little delay as possible. They
don't want to worry over the design of the deck, they just want to start playing. This is an
issue that WotC has attempted to address in Portal, with those cards that explain how to
build specific decks, but the problem still remains, since Portal is just meant to get players
started. The logic seems to be that learning the game, and getting your mind around the
concept of building a deck, is the problem, but that once players climb this learning curve,
they'll be buying more cards and building new decks just like hardened Magic players.
But the barriers to non-gamers run deeper than this. For even if both players use preconstructed decks, there is still the
problem of the Unlevel Playing Field.
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As long as two players have different decks, the loser can end up feeling that they lost because their deck wasn't as
good as the opponent's. Of course, when you build the deck yourself, you realize you lost the game during the
pregame, and go back to retool the deck. But if your deck was built by someone else, even someone who really knows
how to build a deck, the loser can wind up with a nagging feeling that they were screwed from the outset. And that
just doesn't make for fun gaming.
This is why I recommend using a central deck, especially when playing with non-gamers. All those worrisome
problems go away -- everyone has the same odds of winning, and no one has to worry about building a deck before we
start. And indeed, that's the only way I play Magic nowadays.
A final note about deck building before this article comes to an abrupt halt. When playing with a central deck, I
recommend a five-color deck filled with a broad range of cards. This way, there is little chance of me and my
opponent ending up with the same types of cards, which would make the game less interesting. My deck has over 150
cards with no duplication at all (not even in the land). It's got lots of really fun, cool cards, but at the same time, doesn't
have any of those irritating cards that tend to cause arguments. Five-color decks provide the coolest range of options,
and while their tendency to be slow starters can be bad in a two-deck game, it's no problem when both players are
drawing from the same deck.
Magic: The Gathering® is a registered trademark of Wizards of the Coast, Inc. Deckmaster ™ is a trademark of Wizards of the Coast, Inc.
The Secret Crossover
by Steven Michael Graham
You walk into wherever your group plays, and say, "Guys, I was thinking of running a GURPS Supers campaign.
What kind of characters do you want?"
"I want my character to have lots of psionics, especially cyberpsi, and maybe some astral projection."
"I'll be a wizard, specialized in just a few related colleges."
"Can I be a Garou? Please?"
"How about bringing in my alien character from that last campaign?"
Sure, you could just, "NO!" and hit them all repeatedly with your copy of the Basic Set (I hope it's not the hardcover.)
until they all agree to make nice, simple characters with just GURPS Supers, but an unconditional "no" is never as fun
as a conditional "yes." Besides, diversity is essential to the superheroic genre. If you have all the rules for their widely
divergent choices, complete with more detail and an individual "feel," and they can be mixed together, then why not
use them? One of the strengths of GURPS is its ability to accommodate elements from different worlds and genres.
However, you also chose GURPS because you wanted it to be realistic. How do you realistically explain such a
hodgepodge of different creatures and abilities? GURPS Wild Cards offers one explanation. But there's another
worldbook that offers a more devious rationale: GURPS Mage: the Ascension
Mage postulates that the laws of reality are set by the consensus of the beliefs of all sentient beings in a region.
Because of reality's true malleability, those with enough spiritual strength and conviction in a belief system can force
local reality to conform to their personal reality model, and thus accomplish feats people of a different paradigm would
consider "paranormal." Of these miracle-workers, those enlightened enough to understand this are said to be
Awakened, and the near-infinitely versatile acts of Local Reality Adjustment they perform are called "dynamic
magick." However, there are also those who, lacking true understanding of reality's nature, can only perform those
wonders that their own beliefs consider possible, and can only bring about those effects by means of whatever their
reality model considers an appropriate cause. Such phenomena are known as "static magic," and those who cause them
are called "hedge magicians," at least in a normal World of Darkness campaign. In this one, they may also be called
"mutants," "aliens," "psions," "cyborgs" or dozens of other things.
The system the players use to simulate a given paranormal effect is merely a reflection of the unique paradigm their
characters imprint upon local reality to perform static magic. The wizard's Shape Earth spell, the psi's Telekinesis, the
werewolf's Persuasion gift, and the immortal's Regeneration may all follow different rules, at both the game and story
levels, but they are all static magic because the axiom that says, for example, that focused thought can set in motion a
hyperspatial waveform that imparts kinetic energy of a desired amount and direction to an remote object, is not part of
consensus reality. (Indeed, the personal paradigms of different telekinetics may not match completely, explaining the
nuances of power usage that are represented in the GURPS rules by things like Enhancements and Limitations.)
So it's all static magic of different flavors. This ties everything together into one huge weird secret that it will take the
party months to figure out. It sets the stage for some interesting crossovers with creatures from the World of Darkness.
It also presents the potential for the PCs and everything around them to evolve into something totally different from
what they had originally seemed to be, breathing new life into the campaign once it grows stale.
Adjustments
Superficially, this alternate requires little modification from any standard GURPS Supers setting, or any mixture of
them. However, a few areas need to be rethought in light of the underlying magickal elements. For example, alien PCs
"know" that space is an airless void. They've traveled through it to here. They "know" that their home is a sphere of
rock circling the third Pleiades from the left. But unless they possess a terribly straightforward form of hyperflight,
they probably took a shortcut through "hyperspace," a strange separate layer of the universe wherein space/time is
distorted -- you know, like the Umbra. Their "home planet" is an Umbral Realm. Their limited ability to enforce the
reality of their home may give them an edge over normal Earthlings. As for the "airless vacuum of space," if the aliens
in question can survive in vacuum, their paradigm is free of void engineering. Tell the player his people never noticed
that space was a vacuum. Characters who have never been exposed to space may just assume it's airless. (The question
is why would other races assume that? Do they have their own equivalents to the Void Engineers?)
The super-advantages Time-Jumper and World-Jumper present difficulty because they provide an astounding degree
of mobility that could prematurely puncture the secret nature of the campaign. Besides, travel into the actual past is
one of the very few things no magi can do. Conversely, travel to an Echo of Earth's history shouldn't be a problem.
Echoes (see GURPS Time Travel) would be part of the High Umbra. (Perhaps they are the collective memory of the
past.) The World-Jumper advantage presumes that other worlds are directly adjacent to the Jumper's home dimension.
In the World of Darkness, differing realities are all separated by the Umbra. However, just as gates provide a "tunnel"
through the Umbra from one realm to another without exposing travelers to the environment in between, World-
Jumpers can traverse through the Umbra without seeing it or realizing what they are doing. Nevertheless, it should not
be easy. Have them take limitations like Unreliable, Fickle, and Nuisance Effect. Even with such limits, someone with
such ability would be sought out for "study" -- possibly including dissection. -- by Nephandi, Void Engineers, and
other unscrupulous magi.
Speaking of which, some thought must be given to the placement of Awakened mages and other "monsters" native to
the World of Darkness. Be careful not to overstock them. Not only would a glut of such beings give away the surprise,
it would also become ludicrous. (Of course, if ludicrous was what you were going for, then by all means . . .) They are,
after all, supposed to be rare, and the PCs should have plenty of other problems to concern themselves with. An
occasional vampire, werewolf, "siren" or "zombie" is normal for the supers genre. An entire society of them is a
different story. Considering the Masquerade and the Veil, it should take unawakened protagonists a long time to
uncover such a subculture. The Daughter of Cacophony isn't going to casually mention that she drinks blood, much
less her weaknesses and alliances, and anyone attempting to read her mind should find it quite disconcerting, thanks to
the unearthly music they'll find there. (If you're using Fright Checks in your campaign, now would be a good time for
one.) Note that a capacity for static magic doesn't make one Immune to the Delirium. That must be purchased
separately, and the players haven't been given any reason to.
The least conspicuous way to insert magi and the like into the campaign is to turn preexisting appropriate NPCs into
monsters retroactively. For example, any exceptionally powerful or particularly versatile super could be Awakened.
Villains such as Chemico or Doctor Radiation, with their scientific backgrounds, wide-ranging powers, and tendency
to use pawns, make excellent Technomancers. Their actions show the masses how dangerous all this paranormality is,
and allow them the opportunity to study and sometimes capture reality deviants. Even their fabricated "origins" serve
to support the Technocratic line concerning the workings of superhuman powers.
Building the Mystery
The true nature of reality is, not surprisingly, quite difficult to figure out, so if you want your players to do so, you
should plant a few clues early on. PCs with connections to government projects or cutting-edge scientific organizations
may have received a number to call should they uncover certain "unnatural" phenomena. Regardless of whether their
number is called, Men In Particular Colors may show up at the end of a scenario, intending to confiscate all the
evidence "in the interests of national security." Certain types of characters, such as extra-dimensionals (In this case,
that includes extra-terrestrials), gadgeteers, those who have been magically altered, and those who practice static
magical paradigms like the ones in GURPS Magic and GURPS Voodoo, may have encountered the Technocracy or
Nephandi before the campaign even starts, although they probably don't know them by those names. Perhaps an
enigma in the area is the result of Awakened activity. (Example: Local Virtual Adepts use the Tapping the Line rote to
reach the Net from the middle of the park, leaving those with Electrokinesis or Magnetic Sense to wonder why certain
patches of grass and dirt are now electrically conductive.)
PCs will also discover that, regardless of how they know their paranormalities function, the scientific community and
general public believe that all such abilities are the result of some single mechanism: genetic mutation, psionics,
bioenergetics or something else. This is part of the Technocracy's massive offensive to hem in and limit magic. This is
a setback for them compared to a normal World of Darkness campaign. Unfortunately, a weaker paradigm dictatorship
is a gain for the Nephandi and Marauders. In a variation where the Technocracy was more in control, the public would
be completely unaware of the existence of supers. The players would be sure to wonder who or what is hushing up all
the weirdness.
Awakenings
At some point, you may decide it's time for your PCs to Awaken. You shouldn't feel required to allow this, but
likewise you should not hesitate if you feel it's the right time and direction. It doesn't matter whether the party has
uncovered any of the World of Darkness elements in the campaign, although having Awakened allies helps the process
along. Any climactic event could be the catalyst.
Since true magi cannot work static magic, you should replace all the newly Awakened characters' static abilities,
including any super-equipment or technology beyond the current tech level, with equivalent dynamic traits. External
devices become fetishes, talismans, or magickal foci. (Remember that any ultra-tech is actually technomagical in this
setting.) Inherent or implanted abilities blossom into instinctive knowledge of the appropriate Spheres, at levels
sufficient to re-create all or most of their previous effects. The GM should handle any such arbitrary selection of
"equivalent" magickal abilities. Those seeking more rigid guidelines could base each Sphere skill on the average skill
for controlling related effects, and require that the new mage receive a Sphere level only if she was previously capable
of at least one effect from each previous Sphere level. (These only apply to the translation from static to dynamic. The
fledglings may improve through experience normally. ) Alternately, the Game-Master could "melt down" the points in
each character's paranormal abilities and use the points to purchase each PC's new traits, or even allow the players to,
subject to GM veto.
The Cave Paintings of Western Europe
by Alison Brooks and Phil Masters
The world is so full of a number of things -- that some interesting entries were, regrettably, squeezed out of GURPS
Places of Mystery in the editing stage. This article is another in an occasional series dealing with some of these
exclusions, and appropriately enough, it concerns the oldest of all -- the famous and mysterious "Cave Paintings" of
Europe.
The Paintings
Cave paintings are among the earliest truly human remains, and the
most important. The one thing that most clearly separates modern
humans from extinct near relatives, such as the Neanderthals and
Homo erectus, is art, which apparently developed as part of religious
or magical ceremonies. (However, there are recent, highly debatable
theories that suggest that very early art may actually have emerged as
a sort of courtship ritual. "Come up and see my etchings" may be an
older chat-up line than previously thought.)
The Era of Origin
Art was a creation of the Paleolithic period. Some crucial inventions -

- sewing needles, harpoons, and fishing nets, as well as the beginnings
of art and personal adornment, music, and magic -- all date from this
era. Not that it was an easy time; the average life expectancy was about 30 years, and many individuals died in
childhood. Clan elders -- the few who survived to old age -- were probably important in transmitting ideas and history
to the young. This was the beginning of human culture, as we understand the concept today -- and art was doubtless a
part of it.
Despite the heroic hunting scenes of the cave paintings, most of people's food was probably gathered by the women, as
it is in modern-day hunter-gatherer societies. People lived in small, shifting bands of 20-30 adults, which were part of
a larger clan of over a hundred, which would keep in touch with occasional gatherings, possibly at the "painted" caves.
Relations with other clans were probably more tense, although warfare and its mass slaughter did not arise until the
development of farming.
The "Upper Paleolithic" is divided into several parts. In the period 30-28,000 B.C., ivory beads, small carved figures of
humans and animals, were created -- the first kinds of art. During the period 28-20,000 B.C., the first cave hand-prints
were made, and clay figurines from this era, especially of females, have been found in eastern Europe. Large,
impressive reliefs, often at living sites, were developed in 20-16,000 B.C., but most cave art (about 80%) is from 16-
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8,000 B.C., when the deep cave paintings were made. Both Altamira and Lascaux are from this time. At the end of the
Paleolithic, the cave art tradition died out, and people began to make geometric patterns instead. Perspective and the
sense of movement were not rediscovered in Europe until the Renaissance.
The Discoveries
The first modern cave painting discoveries occurred in the 19th century. Archaeologists quickly dismissed them as
fakes, because they were too good. According to their theories, art from such an ancient time must be crude, not
graceful and stylized to give the impression of movement, let alone using the natural bumps and hollows of the rock
surface to produce a relief picture. But in the early 20th century, cave pictures were discovered covered with limestone
which had taken millennia to deposit. This turned the tide of opinion.
The most famous cave paintings are at Lascaux, discovered in 1940 by four boys searching for a lost dog. A great
many sites -- over 100 -- are now known, including some which are underwater in the Mediterranean, thanks to rising
sea-levels since the Ice Ages. One set of underwater caves got a great deal of publicity in 1992 with the discovery of
pictures of "penguins," birds from the distant Antarctic. Actually, the pictures were of the extinct great auk.
Cave art is found mainly in western Europe, particularly France and Spain, although finds from the Urals show that it
may have been more widespread. One problem is preservation; the Lascaux caves have had to be shut because of the
damage caused by the warmth and humidity of visitors' breath. Even though art was made in inaccessible parts of
caves, away from living areas, several thousand years' worth of decay makes preservation a matter of luck as well as
remoteness. (Actually, just to complicate matters, art from the living areas is also known, but not much, and it differs
from the art of the inaccessible areas.)
The earliest paintings may be simple stencil outlines of hands, made by blowing paint through a reed onto the wall.
The earliest graffiti, perhaps, or part of a ritual, perhaps to symbolize unity with a deity? The art of the hunt, portraits
of mammoths, bison, horses and wild cattle, comes later. One feature of the art is twisted perspective; the animals are
portrayed in profile, but their horns are shown in front (or three-quarters) view.
Horses, bison and oxen make up about 60% of the images, but were
not so very important in the diet of the people. Carnivores are rare.
Along with the animal art are dots, chevrons, curves, zigzags and
other geometric shapes. Were these symbolic hunting paraphernalia?
Symbols of male and female principles? Or shamanic visions? A rare
kind of image is the human-animal hybrid, which is usually
interpreted as magicians in ritual dress. However, such images might
have come from shamanic visions.
Similar types of art are found in other parts of the world, some even
older than the cave art of Europe, although less well preserved. There
were living traditions of painting hunting scenes among the San
people of the Kalahari when Europeans arrived, as well as among the
Australian aborigines. Aboriginal religious sites, together with the Tassili Frescoes of Africa, are covered in GURPS
Places of Mystery.
Lascaux
First comes the hall of the bulls, a long cavern dominated by four gigantic white bulls outlined in black; they are
accompanied by a riot of other beasts, large and small, stampeding along the walls towards the deep recesses of the
caverns. There are two exits from the hall of the bulls: one leads to the Axial Gallery, a narrow passageway which is
richly decorated, although the visitor has to perform contortions to see some of the creatures in the narrow space.
The other exit leads to a winding cavern 80 yards long, and difficult to pass in places. It, too, is decorated. About
halfway along is a 20-foot-deep hole, large enough for a single person to climb down the metal ladder (in the
Paleolithic, they used ropes). On the walls of the hole is a dramatic scene of a black bison poised to charge. The bison
is hurt: its entrails are spilling out. In front of it is a fallen stick-figure man. A record of a hunting accident? At the
end of the cavern, extremely difficult to reach, is the Chamber of Felines, where lions are portrayed, a rarity in cave
art.
Altamira
The Altamira cave art, which has been described as "the Sistine Chapel of the Paleolithic," was discovered by the
landowner, Don Marcellion de Sautuola, or rather by his small daughter. The Don was a keen amateur archaeologist,
and had been prowling the caves beneath his land on and off for ten years, but he had found only a few axes and other
remains. One day, in 1879, he took his daughter with him. She was able to stand up in caves which he had been forced
to crawl through, and she looked at the ceiling.
"Look, Papa, bulls!"
She had found the first cave art -- magnificent bison. When de Sautuola revealed the paintings to the archaeological
world, he was shocked and hurt to be met with thinly veiled accusations of fraud; he closed the caves, and died in
1888, some years before his (or his daughter's) great discovery was vindicated.
Vallon-Pont-d'Arc
Just as GURPS Places of Mystery was being completed in 1995, the French Ministry of Culture announced a new cave
art discovery in the Ardche gorges near Vallon-Pont-d'Arc. In this cave complex, a series of large galleries (each
about four or five yards long and wide) connect several huge halls (up to 30 yards on a side); the galleries are
decorated with paintings and engravings representing animals, either isolated or organized in scenes containing over 50
at a time. More than 200 black or red ochre paintings or engravings have been discovered so far.
A particularly large and unusual variety of animals is depicted: horses, rhinoceros, lions, bison, wild ox, bears, a
panther, mammoths, ibex, an owl -- at least 13 different species, more than any other cave, along with symbols, panels
filled with dots, and both positive and stenciled hands.
The area with red paintings includes several panels filled with dots, sometimes with complex and original signs added.
On one wall alone there is a huge rhinoceros with a disproportionately large horn, plus three more rhinos, a mammoth,
two lions, four "positive" hands and two or three stenciled ones, a semicircle of red dots, a large bovine, and a sign
made up of two linked semicircles. There are around 30 red representations of animals overall, and two small yellow
horses' heads, in addition to the dots and other signs. The main animal is the bear, followed by the mammoth, the
horse, the rhinoceros, and the lion; there is only one example each of the stag, the ibex, and the wild ox.
About a hundred black figures have so far been counted; the majority are rhinoceroses, followed by lions, then horses,
bears, reindeer, bison, and oxen. There are also mammoths, megaloceroses (giant deer), an ibex, and two unidentifiable
creatures. The engravings include five mammoths, three ibexes, two rhinoceroses, two horses, one wild ox, and one
owl. (The official French government information on the discovery, including images, can be found at
http://www.culture.fr/culture/gvpda-en.htm. The oldest form of graphical data transmission meets the newest . . .)
Pictures and Power
And, just to show that such things can be relevant in non-supernatural modern-day games . . .
The new government of Portugal has just stopped all work on a planned 144MW hydroelectric dam at Foz Coa, on the
Douro River. The main reason that this project has been attacked appears to be that the new lake would have flooded
the site of a recent archaeological discovery -- what may be the oldest and most important Paleolithic rock-carvings in
the world.
Not surprisingly, this is a controversial decision; the dam might have supplied up to 20% of Portugal's electrical needs,
and brought substantial employment to a depressed region. Nor is the significance of the carvings certain; some experts
believe that they may not be as old as was first thought. (One hoaxer -- a Portuguese expatriate living in Canada --
briefly had people believing that they were a modern fake.) However, the government is looking hard at an alternative
site that some engineers believe is markedly better, so the carvings will probably survive. On the other hand, this
change of plan is set to cost between $140 million and $320 million, so it is not a trivial decision. In fact, every party
involved seems to be suing someone for compensation, or reimbursement of research costs.
In a game, characters might become involved in a similar, fictional, situation, and have to determine the authenticity of
an archaeological find while dealing with various factions. It would not be too implausible to depict some NPCs as
becoming underhanded or even violent over such amounts of money -- from devious politicians to construction
companies (which might be highly corrupt in the game setting) to unemployed "locals." In games with weird or
supernatural elements, the decision to preserve such finds could be influenced by stranger forces, especially if they are
potentially or actually a source of mystical power -- or even if some NPCs merely think they are.
Cave Art in Games

Cave Art and Magic
The rituals preserved in cave art were probably intended at least partly
to ensure success in hunting and abundance of game. The fact that
hunting rituals were apparently performed in inconvenient nooks at
the back of the cave, as far from the hunting grounds as possible, is
fascinating. The tribes may have seen the inner places of the caves as
the womb of an earth mother; or they may have wanted privacy for
their rituals; or the shamans may have found that these dark, secret
places enhanced the worshipers' sense of awe and hence respect; or
the reasons may be entirely different.
GURPS Places of Mystery includes brief notes on using "Cave Art

Magic" in games. The following extends this idea, repeating some of
the book's text for convenience.
Shamanic Spells and Trances
Games using shamanic magic (see GURPS Ice Age or GURPS Religion) could incorporate magical cave art; a sacred,
painted cave might give bonuses (from +1 to +5 or even more) to dice rolls to enter a Trance state (see p.118 of
GURPS Religion, or p.32 of GURPS Ice Age) or to spell-casting -- but probably only when dealing with spirits
associated with the painted images.
Optionally, spirits may be drawn to the cave, usefully for a spell-caster -- except that they are subsequently similarly
hard to drive out of it. Many spells would still be at a bonus, because they benefit from the presence or aid of a spirit
(GM's option as to which spells are enhanced, and how much), but Banish and Exorcism would be at a penalty!
Cave Art in GURPS Voodoo
Spirit-based magic is also covered by the rules in GURPS Voodoo; in games using that system, the painted caves may
permit characters to invoke and contact some very ancient spirits. They would have been associated, originally, with
the Stone Age tribe and the hunt. Summoning such a spirit in the Paleolithic probably felt like a scary but necessary
exercise; in a modern-day game, such a ritual would be even more chancy. Assuming that spirits do not grow old and
fade away -- which would leave the caves with academic interest only -- the paintings may be associated with some
extremely ancient powers, with unpredictable attitudes to any modern human. Perhaps such spirits have changed with
the times, and now form elements within the categories recognized by the Lodges and Bizongues -- or perhaps they
lurk unchanged in the shadows of the spirit-world, grown twisted and far from any human understanding. Re-
establishing "working relationships" with such beings might be a tough mission for a group of PCs.
Incidentally, as the caves have not been in continuous use for many thousands of years, they cannot be considered as
truly "established" ritual sites, and they will not therefore give large bonuses to ritual skill rolls. However, their
original significance, the skill of the painting, and the fact that they preserve something of that ancient spirit world,
could still make them good locations for ritual activity, giving +1 or possibly +2 to skills. Some idea of the sort of
spirits that may once have been invoked in these caves may be given by the nature and character of the Loa known as
Ochosi (GURPS Voodoo, p.92); simply replace references to Jungle environments with "Sub-Arctic Plains."
Alternatively, a tribe might have a "guardian spirit" similar to a Genius (p.97), or worship an unpredictable nature-
spirit resembling Pan (p.96). GMs wishing to introduce a corrupted, perverted hunter-spirit who might somehow be
associated with such places could model it on the Mayombe Mbua (p.94).
Assuming that archaeologists are correct in thinking that the rituals held in the caves were primarily concerned with
hunting, then the paintings would serve as "symbolic representations" of the subject of some spells -- the animals. As
good-quality images, they would provide +1 or +2 to the relevant ritual skills. They, and the accompanying abstract
designs, would also serve as "very detailed" symbols of the spirits invoked, worth from +1 to +3 on many ritual rolls.
The following is an example of the sort of ritual that may have been conducted in the caves:
Hunter's Blessing Defaults to Path of Luck-3
This ceremony assists a group of people, who are present when it is

performed, in hunting members of one species of animal, which is
selected at the time the ritual is cast. The individual animal cannot be
specified; the hunters must take their opportunities as they arise, in
the usual way. However, the animal is considered to be the "target" of
the ritual; for example, Multiple Target penalties apply if the hunters
are to be assisted in bringing down more than one animal. (This is
rarely considered necessary for the tribe, and most casters will limit
the ceremony to a single prey-animal.) Of course, animals are
unlikely to have much in the way of magical protections.
If the ritual is successfully performed, then any hunters present throughout the ceremony gain a bonus for the duration
of its effect, on all skill rolls directly related to the pursuit of the specific animal species; this is a base +2, with a
further +1 for every 2 full points that the ritual roll was made by. This usually adds to Tracking and Weapon Skills,
and often Stealth and Camouflage when the hunters are setting up an ambush; the relevance of other skill rolls to the
hunt is left to the GM's judgment. The hunters do not have to be Initiates, or to know anything about the ritual, but
they do have to be present, conscious, and moderately attentive throughout the procedure.
Example: Chants-Like-Hyena, shaman of the Broken Branch Tribe, has been requested to ensure the hunters' success
in bringing down a bison this day. Fortunately, he has use of the caves in what will one day be called Lascaux.
Chants-Like-Hyena has Path of Luck at 13, which would give him a default Hunter's Blessing of 10, but he has bought
it up to 11. He assembles the hunters and his ritual drums, pointing-sticks, and so on in the Hall of the Bulls, and
invokes the tribal totems. (As a second-level Initiate, he is aware when they arrive.) He then begins the ritual, taking
about an hour over it; there's no hurry, but nor is their the option to take days -- so there's no penalty or bonus for
time. The caves have already been in use for two or three generations, so they give a +1 for "Consecrated Ground."
The superb symbolic representation of the bulls gives +2, but these images are only linked to the spirits of the hunt in
an indirect way, giving a further +1 (rather than the +3 that some symbol-laden cave paintings provide some shamans).
The tribe has not learned to offer material sacrifices to the spirits -- the whole point of this ceremony is that they are
hungry -- but their prayers and thanks are enough to avoid any actual penalty. They only want to kill one beast, so
there is no Multiple Targets penalty either.
With a modified skill of 15, Chants-Like-Hyena's player rolls a 10, giving all the hunters present +4 in the hunt. This
bonus first applies to the tracker's attempts to identify bison trails; then one of the hunters, with a base Camouflage
skill of 12, gets ahead of the herd. His player rolls 14 as he attempts to hide in cover; he's painfully obvious to his
friends, and a passing ibex, but thanks to the +4 bonus, the bison seemingly look right through him. The hunting party
then attacks with +4 to their Spear and Spear Throwing skills (except for one poor fool, who dozed off during the
ceremony), carefully ensuring that they are all going for the same animal -- because they know that, once one bison
falls, all the benefits of the ritual will end.
Normally, this ritual is not resisted. However, at the GMs option, animals may sometimes be protected by either
"nature spirits" or malicious entities who wish the tribe ill. In that case, roll the "interfering" spirit's Will; if this is
successful, reduce the shaman's effective skill by the amount by which it was made.
Creating Magical Cave Art
The creation of a "magical cave" would be a major exercise in enchantment magic or rituals. It would require Artist
skill at 18 or better, several shamanic spells or high levels of skill in Ritual Magic (and preferably Sanctuary), and
months of work. GMs should usually treat such a project as a major campaign theme in itself, but the following rules
may be taken as guidelines. The caves must be carefully prepared and purified, with a successful casting of the Bless
spell or use of Ritual Magic skill. Subsequently, for the several days, weeks, or months that the painting will demand,
the caves must be carefully watched and guarded against evil influences or mischievous intruding spirits. Some
determined spiritual assaults will probably occur during this time, and should be played out in full as "fights" between
the shaman characters and the spirits.
Each image or panel will require a successful Artist skill roll; time taken to create images will vary, but should never
be less than a day, even for the smallest and simplest, and will often be much more. On a failed roll, the work must be
carefully repaired and improved; on a critical failure, that wall will have to be scrubbed down and restarted from
scratch. The artists will require the finest pigments, which may demand travel to areas with particular soils, clays,
charcoal, or whatever. For each type of animal to be depicted, or each individual spirit to be invoked or influenced, the
GM should require skill rolls from the artists (to master the effective depiction of the species) and the shamans (to
identify the important symbolic elements). If the artists and the shamans are different people, the GM may also require
IQ or Teaching rolls to ensure that the two groups are communicating effectively.
Lastly, the general population must be persuaded actually to use the caves and attend rituals there. This should not be
too difficult if they respect shamanic authority enough, but some Oratory rolls may certainly help. After a big
"blessing" ceremony and a few other impressive events, the cave can be considered a Sacred Place or "ritual center,"
with all the practical benefits that this implies for magic-workers.
A Time Travel Scenario Seed: Vision Quest
As a major marker in the history of human development, cave paintings can play a part in a Time Travel campaign.
See GURPS Timeline for notes on one fairly straightforward mission; a PC party might be dispatched simply to
observe the creation of the images, and to establish exactly what purpose they served. This would be challenging
enough; surviving in the Paleolithic, with no high-tech devices that might startle or frighten the "locals" (and thus
disrupt this crucial cultural development), would require considerable skill, and gaining the trust of a suspicious and
insular clan enough to determine their motivations, let alone to obtain access to the depths of their sacred caves, would
be extraordinarily difficult.
In a "Time War" campaign such as the Stopwatch/Timepiece setting detailed in GURPS Time Travel, this
development would doubtless be of interest to both sides -- although its precise significance, and the ramifications of
any intervention, would probably be far too difficult to assess reliably. The most likely occurrence would probably be
that two teams of observers would find themselves in the same area at the same date, and would circle round each
other, each on the alert for an intervention by the other, both nervous of the danger of doing anything too obviously
anachronistic in front of the local tribespeople.
Alternatively, PCs could become involved in a more subtle and complex intervention. For example, they might be
required to help a Dark Ages artist discover cave paintings which incorporate certain artistic techniques. The artist can
be relied on (with fairly high probability) not to reveal his discovery to the world -- but it seems that it will inspire him
to produce a series of magnificent church paintings, which will, later, inspire a particular local movement -- in either
art or the Church, as the GM wishes -- that will benefit Timepiece in subtle but ultimately very substantial ways. (Yes,
it's extremely indirect -- but that just makes it harder for Stopwatch to change, once the mission is complete.)
The artist turns out to be a hermit who will regard the time travelers as either angels, or tempter demons sent by Satan.
Which, will depend on how the PCs behave. A Dark Age hermit would expect an angel to behave with modesty,
gentleness, humility, and thoughtfulness. Devils may be suave, but they reveal themselves through arrogance,
impatience, greed, and by appealing to the base lusts of humanity. The PCs may also be required to visit the original
painting work, to ensure that the right techniques are used.
Rise of the Knights Templar
An In Nomine Resource
By Emily Dresner
The First Crusade

"The Holy Roman Empire was neither Holy nor Roman, nor an Empire. Discuss."
-- Mike Myers
As Laurence ascended to the position that Uriel once held, he found himself inheriting a Western Europe of the Viking
and Icelandic sagas, a land split by strife and bloodshed caused by marauding bands of barbarians and warlords.
European Christendom had been long neglected by the Archangel of Purity in his crusade to destroy the creatures of
myth, and the people suffered under the hand of the Dark Ages.
Laurence, through his soldiers and angels, tried to influence the local warlords to change their ways and bring the
Word of Christ to the populace. In the early days, it was through chivalry, a valiant attempt by the young Archangel to
instill a Christian ideal of the warrior into the unruly nobility. He imagined creating a glorious shining knighthood
from the barbarian warlords, a brotherhood that was to become an almost religious calling, entwined with vigils,
weapon blessings, and vows of chastity that were Laurence's hallmarks.
"A knight must be merciful without wickedness, affable without treachery, compassionate towards the suffering, and
open handed. He must be ready to help the needy and to confound robbers and murderers, a just judge without favor
or hate. He must prefer death to dishonor. He must protect the Holy Church for she cannot defend herself."
-- Chrtien de Troyes, Lancelot (Vulgate Cycle)
Eventually the notion of chivalry became popular among the young nobility. The old sagas were replaced by the
romances of King Arthur, the berserker was replaced by Don Quixote, and the Catholic Church slowly civilized the
hordes of the Roman Empire. Unfortunately, this was slow, and Laurence desired a more expedient method of
civilizing Europe to compete with Gabriel's flourishing Moslem lands to the East. The only way to accomplish that,
Laurence surmised was with a good, solid, galvanizing crusade to bring all the people under one banner and one quest.
It certainly worked for his people. The concept of reclaiming the Holy Land from Gabriel's rogue untamed religion also
appealed to Dominic on a base level, and with that he threw in some quiet, discreet political support in Heaven for this
decision.
Laurence's original vision, through his Soldier, Pope Urban II, was one of a beautiful spiritual pilgrimage to the Holy
City to unify the Christian peoples of Western Europe under the banner of Rome. He hoped to bring together the
peoples who had been long neglected, left behind in the ravages of Uriel's Crusade, and unite them with Gabriel's
enlightened Islamic society to demonstrate the true soul of Christianity.
Pope Gregory VII, strongly pulling together the Church, had set the papacy on a course to become the leader and
judge of Western Christendom in a new enlightened era of optimism. In 1095, Pope Urban II, changing a precept
handed down from Laurence's angels to suit his own vision of himself as the Pope-Emperor, called upon the faithful to
recover Jerusalem in a pilgrimage to strengthen the faith and bind them into one unifying force under the banner of
Rome. Inspired by a new vision of Christ's humanity, prevalent among the enlightened and educated of the day, the
faithful set forth to free the Holy City from the infidel.
The noblemen knights, their ranks sown with bloodthirsty feudalistic warlords who wished nothing more then to bring
home the spoils of war, saw the crusade as a method in which to win new lands, manors, and treasure beyond their
wildest imaginations. They marched off to the Holy City, singing the ancient hymn, Vexilla regis prodeunt:
"Behold the royal ensigns fly,
The Cross's shining mystery;
Where Life itself gave up its breath
And Christ by dying conquered death"
The march was marked with massacres. Infused with the belief of being the
"Chosen of God" by the Pope, the crusaders believed they could murder
recklessly and their souls would be safe in Heaven. As they moved toward the
Holy City, through Turkey, they fell on Moslem cities, viciously killing the
residents, uncaring if their targets were women and children. They impaled
those who resisted their attempts to take the cities, and beheaded their foes.
There were even reports of cannibalism, where, prompted by demonic cruelty,
the crusaders boiled women in pots and burned children on stakes over open
flame. Demons giggled in glee.
In 1099, the crusaders besieged Jerusalem. In the name of God, and to Laurence's horror, the barbarians of Europe fell
upon the Moslems, and put 70,000 men, women and children to the sword. In places, men waded in blood up to their
ankles. Weeping, the devout conquerors went barefoot to pray at the Holy Sepulcher before rushing back to battle.
Tethers to Death and Nightmares formed and dissipated as the demons goaded the crusaders onto higher and higher
acts of depravity.
Neither Moslems nor their patron Archangel, Gabriel, accepted this travesty nor the loss of Jerusalem to such invaders.
The Turkish Saracens, in retaliation, attacked the travelers and pilgrims who wished to visit the now Christianized
Holy City. The fight for the liberation of Palestine had begun, and the traditional peace between the Moslem and
Christian communities would never be the same.
Laurence despaired at his first major failure as an Archangel. The Malakite had underestimated the humans of
medieval Europe. It was a hard lesson in both Celestial and human politics for the young Archangel. He needed a new
tool to fight the horror of his own making. Defeated, he turned to his other ally, Archangel Michael, for help. From
their talks was born the concept of the first warrior-monks.
Beginning of the Templars

"Certain noblemen of knightly rank, devoted to God, professed a wish to live in chastity, obedience and without
property in perpetuity, binding themselves in the hands of the lord patriarch to the service of Christ in the manner of
secular canons. Among these, the first and most important were the venerable men, Hughes de Payens and Godefroi
de Saint-Omer . . ."
-- William, Archbishop of Tyre
In Heaven, Michael was helping Laurence to recover from the crushing embarrassment of the First Crusade. Laurence,
Michael knew, needed something other than inspired humans slaughtering other humans in a quest to purify the Holy
Land in the name of Christ. He needed a symbol of shining knighthood to which the true Christian nobleman could
aspire, a purity the young Malakite Archangel embodied passed down to the mortals. Instead of influencing a Pope to
call down a bloody Crusade to unite Europe all at once, an act which had resulted in disastrous results to Heaven,
Michael encouraged Laurence to think in manageable sizes, small groups, and work up towards great Wars through
inspiring Christian ideals. Michael even acquiesced to giving Laurence a little human help in his aims.
In 1118, nine religious knights in Palestine were brought together under the strong leadership of a remarkable,
charismatic man, a Soldier of Michael named Hughes de Payans. They called themselves the Order of the Poor
Knights of the Temple of Solomon, named for the location of their housing. They were dedicated to the selfless
protection of travelers on the road between Jaffa and Jerusalem from the deadly Saracens. The Order slowly formed
into a volunteer police force in the East, dedicated to the protection of the helpless pilgrim on its quest.
The knights took solemn oaths of chastity, obedience, and honor, transforming themselves from the murderous
barbarians into a new brand of hero, holding high Archangel Laurence's own brand of ethics. They emerged from the
horrors and devastation of the First Crusade as a band of shining knights who would inspire the population back home
in Western Europe. The Templars were formed.
Simultaneous with the rise of the Knights Templar was the copycat order, the Knights of St. John, better known as the
Order of the Hospitallers. This order was influenced by a Mercurian of Michael to be healers of the sick and wounded
after the battle. They grew in parallel with the Templars, emerging from the same devastation, but their ultimate aim
was at a tangent, to heal instead of do battle. In the East, they flourished, and soon spread across Europe as well.
St. Bernard of Clairvaux

"Indeed, the knights of Christ fight the battles of their lord in safety, by no means fearing to have sinned in slaying the
foe, nor fearing the peril of their own deaths, seeing that either dealing out death or dying, when for Christ's sake,
contains nothing criminal but rather merits glorious reward. On this account, then: for Christ! hence Christ is
attained. He who, forsooth! freely takes the death of his foe as an act of vengeance, the more willingly finds
consolation in his status as a soldier of Christ. The soldier of Christ kills safely; he dies the more safely. He serves his
own interests in dying, and Christ's interests in killing!"
-- St. Bernard
When the Order was founded, it was a "poor order," whose primary function was the protection of pilgrims. A
transformation took place when the new Order was given a shove in the right direction by St. Bernard of Clairvaux, a
powerful Saint of Dominic and nephew of one of the founding members of the Order. Dominic had no interest in
seeing the young Archangel Laurence falter in his purpose once again, considering he backed him the first time, and
Bernard was ordered to throw his weight behind the newly formed Knights.
The command from Heaven was carried out easily, as St. Bernard took a strong liking to Hughes and his purpose. In
Hughes, Bernard recognized a means in which to channel the feudal nobility's destructive energy. Bernard saw that
Hughes would convert them from the warlike barbarians, easily swayed by a well-placed demonic suggestion, to the
shining knighthood of the legends the Archangel Laurence envisioned. He recognized a method in which the nobility
could truly fight the battle of the Lord and nurse their destinies to become soldiers of God, while still holding fast to
their warlike tendencies. The military Christianity that Laurence embodied was finally finding an outlet in which to
express itself.
The Knights Templar

In 1139, backed by St. Bernard, Pope Innocent II granted the Order the privilege to build
their own churches, and made them beholden to only the Pope himself. They became the
holy knights of the Pope, the true Defenders of the Faith in the most literal sense. Given
the ability to expand, the Order grew at an amazing rate. As heroes of the First Crusade,
and defenders of the innocent, they captured the public's imagination and drew many
young men to their service.
As warriors in the Service to the Sword, the Grand Masters formed the Order from a
small group of Knights into a vast following of warrior-monks, held in check by the
chains of vows, often mirroring Laurence's Malakim in Heaven. The Knights lived under
vows of chastity, poverty, and obedience, similar to and influenced by the rules of the
Cistercian monks of St. Bernard. They were forbidden to touch women, even their sisters
and mothers. They were instantly obedient to any of the commands of their superiors, and
they built their own codes of laws and systems of punishments, all the way up to and
including the death penalty, should the crime be suitable. They lived a life of a mendicant,
participating in daily religious services that emphasized the books of Joshua and Judas
Maccabees, intertwined with military duty, and they often carried out their duties in
complete silence.
Above all, the Knights were marked for their bravery, as the Templars were forbidden to
flee from battle unless they were outnumbered three to one, a softer refracted mirror
image of Michael's angels in Heaven. This edict made them fierce fighters, loyal unto the death to their Order, and
they believed the greatest honor that could be bestowed upon them was to die on the battlefield. Many of them did die
in just that manner, out in the East, fighting the Turkish Saracens who raided Christian towns and fortresses they
defended. The Knights were willing to die on the field rather then retreat to safety, and the tales of their prowess
spread through Europe.
The initiation rites of the Order were held in secret. Once a young applicant was found to be of sound mind, free of
disease, unmarried, unattached, and of proper birth, they were free to join the Order itself. They committed themselves
to being "Servant and Slave" to God and the Virgin Mary, and finished their vows with Psalm 133. While the secrecy
made the vows all the more holy to those who chose to take them, it would later serve to undo the order as a whole.
The Growth of the Order

Once the Knights reported to no one but the Pope, the growth of the Order was nothing short of explosive. Donations
flooded into Templar coffers, and not just the usual donations of a few pennies or trinkets. The Templars were
bequeathed huge tithes of land, jewels, and treasure brought back from the East, with the belief that giving to the
Templars, as Soldiers of God, would reserve a place in Heaven for those who donated. Laurence watched his Order
grow. He saw that his knights were beginning to have the imagined effect upon the human populace where his Crusade
failed.
The Templars strove to meet Laurence's ideals, and became more than just the defenders of pilgrims and those that
held the Holy Land. They were held up as those who defended Christendom as a whole, and the young flocked to
serve. The numbers swelled, and by the Second Crusade in 1180, the Knights held a chain of fortresses and castles that
lead from Spain all the way to the Holy Land in the East.
The First Bankers

The Knights were in a unique position of holding land and gold all across Western Europe. They took vows of poverty,
so the knights had little interest in spending the money they accumulated. As they were trusted to transport pilgrims
from one end of the empire to the other, they became trusted also to transport the pilgrim's cash. Since the money
system of the time was still based on gold, a traveler, interested in going to the Holy Land, could place their money
into the hands of the Templars on one side of Europe in return for the first bank notes. In the East, their bank notes
would be exchanged for hard cash. From this, the first banks were formed, and Marc, the Archangel of Trade, felt his
Word grow among the population of Europe.
In time, they became widely trusted with large amounts of capital. The Templars became the bankers of the papacy
itself. They were entrusted with the taxation of the held lands in the East, since no one would dare refuse payment to
the Knights, and doing so would be to refuse God himself.
The Order grew and there evolved a split in the duties and the needs of the Order. Safe in Western Europe, the
Templars became less militant and more interested in being farmers, financiers, bankers, and glorified travel agents. In
the East, on the front lines with the Saracens, they were known as battle-hardened veterans who held the lands for the
Pope and for God. They served different Archangels, in different ways, and were no longer under the pure jurisdiction
of Laurence.
The Templars began to reach the height of their power. They were spread from France, through Spain and Italy, across
Central Europe, all the way to Palestine. They held vast tracts of land, dozens of fortresses, enormous coffers of money
and stores of holy relics. They influenced nobility and the church alike. The Templars inspired poems of King Arthur
and Camelot, and tales of great quests. They had made their mark on history, and entrenched themselves as the
protector of the Christian faith. With so much prestige, it couldn't last forever. It was only a matter of time before they
fell.
Bernard of Clairvaux, Saint of Judgment
Corporeal Forces -- 1 Strength -- 2 Agility -- 2

Ethereal Forces -- 3 Intelligence -- 7 Precision -- 5
Celestial Forces -- 3 Will -- 6 Perception -- 6
Status: 4
Charisma: +2
Skills: Knowledge/4 (Religion), Emote/4, Savoir-Faire/4
Songs: Healing (Corporeal)/4
Attunements: Incarnate Law
At the time of the First Crusade, Bernard, the charismatic abbot of the Cistercian Abbey of Clairvaux in Burgundy,
was amongst the most powerful men in Europe. He had enormous political leverage on the Pope and the King of
France. His eloquence had convinced scores of young men to leave their homes and to follow him into the Cistercian
order, which sought to reform old form of the Benedictine religious life.
Bernard was destined to preach the Second Crusade in 1146, a pronouncement that was so enthusiastically accepted he
was nearly torn to pieces by his audience. Recruits flocked to the armies in such numbers that Bernard wrote to the
Pope, mentioning that the countryside seemed deserted.
Bernard was a man of great intelligence, who gave the external piety of Western Europe a new dimension. He heartily
mistrusted intellectualism and rationalism in religion, and encouraged faith.
Hughes de Payans, Soldier of War

Status: 3
Charisma: +2
Skills: Fighting/3, Emote/2, Dodge/3, Large Weapon/3, Tactics/3
Hughes de Payans was originally from Champagne, and on traveling to the Holy Land during the Crusades, was a
cadet in the service to the Count of Troyes.
Hughes was a remarkable man, a master of organizational skills, and charismatic enough to drive the Templars to
success. He was instrumental in the founding of the Knights as first a volunteer police force, and then later, an order of
warrior-monks. At one time, soon after the First Crusade, the Templars were on the verge of extinction, but through
Hughes's contact with Bernard, and later the endorsement of nobility and the Papacy, allowed it to prosper and thrive.
He returned to Europe when the order needed assistance, and convinced St. Bernard of Clairvaux to support him.
Hughes became the first in a line of many Grand Masters of the Knights Templar.
Adventure Seed: Guarding the Pilgrims

The year is 1184, and the Crusaders have fought long and hard to liberate the Holy City, Jerusalem, and now it is held
by the Franks. After hearing tales of miracles, pilgrims from all over Europe are traveling to the East to worship and
find enlightenment. The problem is, they are being attacked by marauding groups of raiders along the coast.
A group of angels has been ordered to provide escort to group of travelers headed toward the Holy City. They will
meet them as they disembark the boat at Jaffa. One of the members is an old Catholic Priest, and his wish is to see the
Foundation Rock under the Dome of the Rock. But why is this man so important? This ornery, stubborn, frustrating
old man has a great destiny to be deeply moved by this spiritual experience, return to Europe and establish a chain of
monasteries which will evolve over time into institutes of great learning.
[Editor's Note: This is the first of a two-part series. Look for the rest next week. What happens? Remember the axiom,
"What goes up . . ."?]
Zen and the Art of Power Structure Maintenance
by Steve Hatherley
Managing your power structure is essential in the course of world domination. A well thought out, balanced structure
provides good defensive bonuses and group support with opportunity for expansion. A poor power structure with
groups clashing and no coherent strategy means one of three things. Either,
a) the player has no real grasp of the game -- and if he cannot master his power structure he is hardly suited to
dominate the world, or
b) a Reorganization is in the pipeline and he will bring order out of chaos, or
c) you're not cleared for that. Fnord.
As the game progresses and your power structure grows, arranging your groups perfectly is not always possible. This
article, based on cryptic notes stolen from the Bermuda Triangle, exposes some tricks in reorganizing your groups and
reveals the sort of sneakiness that separates those who are fit to rule the world from those who are not.
Is Structure Essential?
Your groups dictate how your power structure should be organized. Many groups give bonuses to masters and puppets,
and their location is an important weapon in an Illuminati's arsenal.
Control Arrows: The simplest reason for keeping a careful watch on your structure is to keep your control arrows
open. Poor structure leads to blocked control arrows and limited opportunities to expand. A powerful group, such as
the Multinational Oil Companies, is nearly useless if other groups block its control arrows. You should keep at least
one arrow free -- if only to prevent your enemies from guessing which group will be attacking them next.
A good strategy is to keep groups with many control arrows close to your Illuminati. This usually provides the best
defensive bonuses, which is important if that group has several puppets -- and they also have puppets. The loss of that
single group could be disastrous.
Defensive Bonuses: Closeness to your Illuminati and matching alignments both provide defensive bonuses. Illuminati
bonuses only count when the group is controlled directly either by the Illuminati or by one of its puppets. Alignment
bonuses (where a puppet shares alignments with its master) occur anywhere in your structure.
While proximity to the Illuminati may seem like the safest position to be, sometimes this is not so. If a puppet has two
matching alignments with its master it gets +8 to defense -- and if your Illuminati directly controls its master, it gets
another +5. Net total is +13, better than its master's +10 closeness bonus.
(A word of warning about matching alignment bonuses -- they don't apply in an Attack to Destroy, which is worth
bearing in mind when the Servants of Cthulhu are on the prowl.)
Saturday Morning Cartoons, Ross Perot, Secret FisTemple and Daycare Centers all give themselves, their master or
puppets matching alignments, all helping defensively.
OverMan Philo Drummond makes his Weird puppets SubGenius. As this is not an alignment (SubGenius is an
attribute instead) it does not count for defensive bonuses. However, Drummond's puppets are now eligible for the Drs.
for Bob free move defense . . .
Several groups give other defensive bonuses. Prince Charles and his puppets are immune to Privileged attacks, a Media
group controlling the Intellectuals cannot be captured, and any puppet of Wall Street, TV Preachers or SubGenius
FisTemples has an additional Resistance bonus. Illuminati University, Connie Dobbs and Teddy Kennedy all give
defensive bonuses to their puppets and masters.
Other Groups
As well as the defensive groups mentioned above, several other groups require careful positioning in your power
structure. Action Tokens: Three groups (China, Brazil and Hawaii) give their Corporate masters additional action
tokens each turn. Loading up one group to let it amass action tokens is tempting, but risky. First, that group screams
"Target" at the top of its voice (and if that goes, you lose four groups in one attack). Second, that group cannot control
any more groups -- all its control arrows are blocked. On the other hand, if the actions power a special ability, the fact
that they block the control arrows is of no concern. The Nuclear Power Companies is a typical beneficiary, but other
groups are worth considering, such as the Fnord Motor Company, Las Vegas, Drug Companies and the Liquor
Companies. (The list grows longer if you Privatize other non-Corporate groups.)
Local Clenches also gives its master an action token -- but only if it is SubGenius. Of course, with OverMan Philo
Drummond in play, that's not necessarily a problem.
Disasters: The token-giving groups are prime targets for Disasters, and you might consider having those Places control
Al Amarja, the Red Cross or the Survivalists, all of whom give bonuses to their masters against Disasters.
Alternatively, stock up on Near Misses and A Brief Attack of Conscience.
Controlling Personalities: The Clone Arrangers have the ability to

clone (take control of) any just-killed Personality. Similarly, to use
your Vampires, they need an open control arrow for grabbing
Personalities. Therefore you need to make sure that they have control
arrows ready for use. Otherwise you may as well control the Boy
Sprouts.
Power: Local Police Departments, Lyndon LaRouche, Dittoheads,

Church of Middle America, South American Nazis, and the
Libertarians all have abilities that increase Power, either their own or
their puppets/masters.
Plot Cards: The Pentagon and Orbit One both grant additional Plot
cards while they control groups of a specific alignment or attribute.
Again these groups are both Places, so some Disaster protection might
be a good idea.
Attacks: Manuel Noriega can "borrow" his alignments for the

purposes of making or aiding an attack. This becomes particularly useful with Truck Bomb which needs a Violent
group to use it. If you want to use Truck Bomb with a non-Violent group, then simply move Manuel Noriega and
borrow his alignment for the attack.
Structure in Offense
The above points cover group management. However, two sneakier tricks rely on a flexible power structure and are
employed by the truly illuminated.
The Direct Attack (known in Illuminated circles as "The Big Slurp"): This method of offense revolves around a
single group with a large bonus for direct attacks. Madison Avenue has a +10 for direct control of any Media group. If
you also control Big Media, this gives a total of +14 to control any Media group. If you can arrange for Madison
Avenue to get an additional Action token each turn (Center for Weird Studies, say), you can almost guarantee
controlling two groups a turn. Once the Direct Attack strategy starts rolling, its biggest problem is keeping Madison
Avenue's control arrows open -- which is why this is a favorite tactic for the Bermuda Triangle . . . Attack, then clear
the control arrows at the end of your turn, ready for the next.
One weakness of the Media-based Direct Attack is that only Madison Avenue has the +10 bonus. Lose that and your
strategy falls apart. Luckily, the following combinations are less vulnerable.
Computer: Several cards give "any attempt" bonuses to control Computer groups -- Finland, Hackers, Library of
Alexandria, Phone Phreaks, Science Fiction Fans, Silicon Valley, Video Games and Wargamers. Japan and Finland
also have +6 "direct control" bonuses. Combined with the Science Fiction Fan's +6 for its master's attack, and you
have an ideal combination for the Network or anyone opposing them.
Government: Bill Clinton and the Congressional Wives have huge bonuses for direct control of Government groups.
Combine them with the United Nations and NATO (who both have "any attempt" bonuses for control of Nations) and
you have a steamrollering Empires deck. Disaster protection in this deck is essential!
Green: Canada and Al Gore lead a Green Direct Attack, supported by the Green Party, Bigfoot and Anti-Nuclear
Activists. The Assassins expansion makes this deck stronger with cards such as Oil Spill, Global Warming and Earth
First! But beware of World Hunger -- it kills Green decks.
Other cards: The Computer, Government and Green Direct Attack decks all rely on Government groups for their
"direct control" bonuses. Two cards are especially useful for this strategy: NASA gives its action token to other
Government groups and Black Helicopters makes their attacks Privileged.
Direct Attack strategies are also available for Space groups (L-4 Society and NASA) and Magic groups (Adepts of
Hermes, Library of Alexandria and Der grosse Magier -- a German Personality with +10 to control Magic groups).
Defending the Direct Attack is not easy. Whatever you do, make sure you don't become the target of those big guns.
The best strategy is to try to destroy the offending group (if Cthulhu is in play, offer to help him destroy it). Where
alignment is involved, the Orbital Mind Control Lasers can be essential in negating that massive bonus. Zaps, Attribute
Freezes and Paralyze cards may also work, but predicting which particular Direct Attack monster you will be facing is
difficult.
The Discovered Attack: A Discovered Attack works when the pieces for your strategy are in full view in your power
structure and simply need assembling. The key to adopting this strategy are groups that change alignments or increase
Power. That and the ability to reorganize your power structure completely. (This strategy works best if you are playing
to twelve groups -- any less and a rival might win before you are ready.)
The South American Nazis give +3 power to Weird Science groups they control. This ability is useful for the
Discordian Society (or anyone with the Hail Eris! goal) as Weird groups of Power 3 or more count double. The only
existing Weird Science groups are the L4 Society, Evil Geniuses for a Better Tomorrow, Illuminati University and
General Disorder. None of these have a power greater than 2 and so are not worth double to Discordia -- unless the
South American Nazis control them.
A Discovered Attack strategy would therefore consist of waiting until you have three groups left to go, and you are
already controlling two Weird Science groups. Make an automatic takeover of the South American Nazis, reorganize
so that their groups count double and you've gone from seeming relatively innocuous to a winner! (And if you use Hail
Eris! who's going to suspect anything?)
As the South American Nazis only have two outgoing control arrows, you might want to use Let's Get Organized and
pull a win from even further back.
Local Police Departments: A similar trick can be pulled with this group, although as they do not specify a particular
alignment or attribute they can also be used with Corporate Groups (such as the Liquor Companies) for the Gnomes of
Zurich or the E.F.F. for the Network.
Libertarians and Lyndon LaRouche: These groups inherit their masters' power (given certain restrictions) and can
work as a Discovered Attack for Bavaria (or the Power For Its Own Sake goal), especially if you can convince your
rivals that you are using the Libertarians for their other special ability.
Ross Perot: Ross makes his puppets Straight and Conservative, which is particularly useful with Let Them Eat Cake!
For example, suppose you have already destroyed Canada and California (aren't Disasters wonderful?) but your power
structure is a bit of a mess with three Liberal and three Conservative groups. Well, play Ross Perot and rearrange your
power structure so that he controls two Liberal groups. Suddenly you have control of six Conservative groups and have
destroyed two Liberal groups, which is a win for Let Them Eat Cake!
Liberal-Conservative decks also benefit from Fred Birch Society and

the Triliberal Commission, although they lack subtlety and your rivals
may wise up to an upcoming Discovered Attack (particularly if they
have also read this article).
(A sample deck that uses a combination of a Bill Clinton direct attack

and a Ross Perot Discovered Attack can be found at I am Not Left-
Handed! and is just one of many fiendish decks kept at the Deck of
the Week site.)
Saturday Morning Cartoons: The Hand of Madness and Up Against

the Wall goals require controlling Violent groups, and the Saturday
Morning Cartoons makes its puppets Violent . . . do you see a link
here? These two goal cards also require the destruction of Peaceful or
Government groups. As Japan, Canada and the Center for Disease
Control all fit the bill, destroying them counts for both goal cards,
possibly fooling your rivals still further.
Up Against the Wall requires the destruction of Government groups, and you can be extra sneaky by building a vicious
Corporate deck (including the Corporate Masters goal for good measure) and smash several Government groups "for
fun" before playing Saturday Morning Cartoons.
Other useful cards: Dittoheads and Daycare Centers adopt their masters' alignments and the OMCLs and Gay
Activists are obviously essential. Rewriting History makes sure that your destroyed groups have the appropriate
alignment, and Alien Abduction brings Ross Perot into play without using an Automatic Takeover.
The beauty of the Discovered Attack is that you don't look threatening until it is too late.
The best defense against the Discovered Attack is keeping a careful watch on the groups in play. Keep a particular eye
on those groups that add or change other groups' alignments or power -- and destroy them if you can.
Reorganizing -- How and When

Unfortunately, not everyone is perfect, not even the Illuminati. Groups are sometimes controlled in the wrong order
and an ideal structure can prove difficult to achieve. Luckily, there are a number of ways to rearrange your power
structure, starting with the best . . .
Bermuda Triangle: The Bermuda Triangle can rearrange its power structure at the end of its turn for free. For nothing
-- it doesn't cost anything to do this. As a result, the Triangle should do it every turn. It does not matter if you already
have your groups arranged in their best positions, just switch everything by 180 degrees. Why? Because you can. Also
because your opponents will become weary of your constantly moving groups and they may miss an important change
as you set up your victory conditions.
The Direct and Discovered Attack should be important in a Bermuda Triangle game plan, mainly because its
Illuminated Goal is difficult.
Antitrust Legislation: If you're not the Bermuda Triangle and you don't have a Corporate-heavy power structure, then
this New World Order is the best way to reorganize your power structure. Why? Because it's free. And the fact that
your rivals will also be reorganizing is immaterial --after all, you have a plan while they are merely making the best of
what they've got.
Evil Note: Antitrust Legislation is the only card that lets you reorganize during an attack -- which can be useful if you
also have Connie Dobbs or Teddy Kennedy in play. A truly Illuminated (if risky) trick is to combine a mid-attack
reorganization with the Arise! goal . . .
Elders of Zion: A poor man's Triangle, the Elders of Zion's special ability lets you reorganize your power structure --
except that this requires not only their Action token, but the Illuminati's as well! However, despite the Triangle's
predilection for changing groups every turn, you only need to reorganize occasionally. For an Illuminati like the UFOs,
the Elders of Zion might be the best way to work a Discovered Attack.
Reorganization: If you neither are the Bermuda Triangle nor control the Elders of Zion, then the Reorganization Plot
card is your best bet. The advantage of this card is that it is unexpected. Unfortunately, in order to rely on
Reorganization you need to use Crop Circles or the Rosicrucians to ensure it is in your hand when you need it.
Offshore Banks: This group can move a single group to another control arrow in your power structure. This can be
invaluable if you have just controlled a group and want to move it to somewhere more defensible. As this is a free
move, it is always worth moving something (as if you were Bermuda) to conceal an upcoming Discovered Attack.
Phone Phreaks: The Phone Phreaks have a similar ability to the Offshore Banks but theirs costs an Action token --
and you can also move your rivals' groups. This ability makes the Phone Phreaks very useful in offense and if you
need them to reorganize your groups they are wasting their abilities. However, link Eliza to the Phone Phreaks and
they can quickly become an integral part of a computer Direct Attack plan for anyone other than the Bermuda
Triangle.
Evil Note: You can use the Phone Phreaks to force a rival to discard a group: if you move a group so that its puppet
overlaps with another group, that puppet must return to its owner's hand. This means that the Phone Phreaks is one of
the few cards that can actually prevent a rival from winning!
Action Tokens: Groups may also be moved by spending an action token -- theirs, their new master's, their old
master's or your Illuminati's. This is an expensive way to rearrange your power structure and because you can only do
this during your turn, your groups may look vulnerable.
The Dallas Catacombs: This group allows you to be lazy and not worry about whether your power structure's control
arrows are blocked. It is useful if you have several groups with few control arrows, but is not really suitable for a
Discovered Attack.
Let's Get Organized: This and Let's Get REALLY Organized, its rarer cousin, give additional outgoing control
arrows to weak groups. While it can be played on a group such as Bjorne, who gains Action tokens for each Media
group he controls, it works very well on the Direct or Discovered Attack -- Finland and Saturday Morning Cartoons
become much more powerful if they have three outgoing control arrows.
Why Reorganize?
Well, you don't have to rearrange your power structure at all. You don't have to make the best of your groups, you can
ignore sneaky Discovered Attack strategies -- and maybe you will even win the odd game here and there.
Taking good care of your power structure results in maximizing your groups' effectiveness as well as the occasional
game-winning strategy. Even if you are not playing the Bermuda Triangle there are always ways of moving groups.
Your power structure is flexible: use it to its full potential.
The Playing Fields of Mars
by James L. Cambias
[Editor's Note: This article originally appeared in Challenge Magazine, Issue #73.]
I had just got back to old Syrtis after a few months poaching liftwood up in the highlands, and was feeling in need of a
little rest. So it seemed like a stroke of good luck when I met Miss Clarendon strolling in the bazaar. She's a
schoolteacher, and the sweetest thing under a bonnet on three planets. She mentioned a little trip she was planning.
"Just an excursion to view the old Martian locks on the Moeris Canal. Would you like to come along, Doctor
Blogsworth?"
"I'd be delighted to come, Miss Clarendon." I felt as though I was made of liftwood myself.
"I'm pleased that you will. And the children will be so happy."
"Er -- children?"
"Yes. The schoolchildren from Reverend Lutwidge's School. We're taking a dozen of them along."
I'm usually a brave man, but suddenly I felt a pang of dread.
A Little Excursion
Reverend Louis Lutwidge, head of Rev. Lutwidge's School in Syrtis Major, is taking a group of students on a field
trip. They will travel by steamer to the locks and pumping station on the Syrtis Major-Moeris Lacus canal, where they
can get a first-hand look at ancient Martian engineering.
Involving the Players: There are two ways to handle this adventure. In an ongoing campaign, the adult player-
characters can be invited along by Miss Clarendon, a teacher at the school. (She can be assumed to be an old friend or
distant relative of one of the PCs.) Or they may simply be passengers aboard the steamer.
If the Gamemaster chooses to run this as a one-shot adventure, than the players can choose characters from the list of
students.
The Martian Queen

The canal steamer Martian Queen is similar to the riverboats of the
Mississippi. Normally she carries mail, passengers and freight from
Parhoon to Moeris Lacus via Syrtis Major, but Reverend Lutwidge
has chartered it for the trip. There will be nobody aboard besides the
school group (unless the adult PCs are passengers).
Description of the Ship: The deck plans show the layout of the
Martian Queen. The rooms are labeled on the plan. The students will
be housed two to a room in staterooms 2, 3, 6, and 7. Reverend
Lutwidge will be in stateroom 1, and Miss Clarendon will be in
stateroom 5. Any other adults will be in rooms 4, 8, 9 or 10.
The Crew: The Martian Queen has a crew of 14. The master is Isaac
McTavish, the first officer is Arthur Penryth, the pilot is Donald
Greene (a former Mississippi riverboat pilot), and the engineer is Antonio Fornaccia. The ship's cook is a Martian
named Vymoos. The deckhands, stokers, and stewards are all Martians.
The Voyage
The Martian Queen sets out from Syrtis Major early in the morning. Reverend Lutwidge will excuse the children from
their morning lessons, so the youngsters can spend a few hours exploring the ship and getting into mischief. The
galley and the engine room will be natural magnets for inquisitive children.
If the players are running adult PCs, they will have their hands full keeping order. Young Waffles will try to take the
engines apart, little Lord Smallbridge will try to climb the mast, "Lizard" will go to the kitchen and make herself sick
on Martian treats, and Smith Minor will try to talk the pilot into letting him steer. Clarissa Douglas and Smith Major
will both develop massive crushes on the most attractive PCs of the opposite sex.
After luncheon, Reverend Lutwidge and Miss Clarendon will gather the children in the saloon for lessons. The adults
can take the afternoon to study the ship themselves and meet the officers.
The ship will anchor at sunset. Although the Martian Queen is equipped with an electrical searchlight, Captain
McTavish doesn't want to risk navigating in the dark. After a hearty English meal of boiled beef and pudding ("those
Martian foods always disagree with me," says Reverend Lutwidge), the children will be put to bed.
The adults, including the ship's officers, gather in the saloon, and Reverend Lutwidge opens an old bottle of port which
he has been saving. After an hour, everyone is sleepy and all go to bed.
Captives!
At midnight, a gang of Fenians will invade the ship from an aerial flyer. There will be little chance of their being
discovered, for both the port and the pudding were drugged. (If any character specified that he was not drinking the
wine, and did not eat the dinner, then roll a Difficult task of Observation to be awakened.)
The Fenians will take each adult's cabin one by one, knocking out the characters and tying them up. When everyone at
last wakes up, all the adult characters and the ship's officers are in the saloon, securely tied to chairs, and guarded by a
masked man with a Winchester rifle. (A Routine Intellect task roll reveals that Reverend Lutwidge, Mr. Greene, and
Signore Fornaccia are missing.)
The Martian crewmembers have been put ashore and bribed to keep quiet about the incident. They will try to alert the
authorities, but will be unable to accomplish anything until it is far too late.
The Children's Hour
Once the adults are helpless, the Gamemaster should allow the players to choose characters from among the children
on board. With the adults held prisoner and the ship in the hands of unknown enemies, can a group of British boys and
girls save the day?
The children will wake up when the ship's engines are restarted and the Martian Queen begins to move again. If any of
the students try to leave their cabins, they will find that there are masked men with guns posted at the stairways, who
will roughly order anyone back to their rooms.
The children can communicate between adjacent rooms, as the walls are thin enough to allow limited conversation.
They have whatever equipment is listed on the character descriptions. The rooms are all sparsely furnished, with a
washbasin, bunk beds, a chair, and a small writing-desk.
Fenian Plot
The villains who have seized the ship are actually a gang of desperate Fenians. They are trying to disrupt the flow of
supplies to the British army fighting the rebels in Shastapsh. The Fenians have loaded the Martian Queen with
dynamite, and intend to set off the explosives as the ship enters the canal locks. This will close the canal to boat traffic.
With the canal supply line cut, the British army at Shastapsh will have to withdraw.
The bad guys are led by a heavily bearded man wearing a captain's uniform. He is really Reverend Lutwidge/Liam
O'Connor in disguise. There are six other Fenians aboard, all armed with Winchester rifles, heavy revolvers, and
knives. They are all Veteran NPCs. One is guarding the adult characters in the saloon, one is in the pilothouse, where
Donald Greene has been forced to steer the ship, two are in the engine room overseeing the Martian stokers and
Signore Fornaccia, and two are on the upper deck, at the top of the stairways. Lutwidge/O'Connor will initially be on
the lower deck, setting up the dynamite, but will move to wherever there is trouble.
The dynamite is in a dozen big crates, lined up along the sides of the ship on the lower deck, with a timer apparatus set
up atop the coal bunker. Lutwidge's plan is to set the timer while the ship is in the locks, then escape aboard the aerial
steam launch secured atop the ship. The ship will reach the locks by noon the next day.
Defeating the Villains

The children must somehow overcome the Fenians and regain control of the Martian Queen. They can either try to
fight the Fenians themselves, or release the adults and let them recover the ship. The primary advantage the children
have is that the Fenians, while fanatics, are not completely inhuman. They will not shoot innocent children (though
they have no qualms about blowing them up). If the children are armed, or if they have killed anyone, then the Fenians
will no longer be so tolerant.
The Gamemaster should let the players come up with their own plan, and play it through. Initially, the children will not
know about the dynamite, or the aerial steam launch -- the intentions of the Fenians should be a complete mystery. If
at all possible, Lutwidge/O'Connor should survive the adventure, so that he can be unmasked at the end, snarling "And
I would have succeeded, if it hadn't been for you meddling kids!"
Non-Player Characters
Rev. Louis Lutwidge
Reverend Lutwidge is in fact the notorious Fenian Liam O'Connor. With dyed hair, thick spectacles, and a clergyman's
clothing, it is very difficult to recognize that the stern, priggish schoolmaster is really a colorful revolutionary. Only
after he has been defeated, and is no longer playing the part, will anyone be able to recognize his true identity.
Attribute: Skills:
Str: 4 Fisticuffs 3, Throwing 2, Close Combat 2 (edged)
Agl: 5 Stealth 4, Crime 4 (pick locks), Marksmanship 3 (pistol)
End: 3 Wilderness Travel 2 (mapping)
Int: 6 Observation 4, Engineering 2 (explosives), Science 1 (chemistry)
Chr: 5 Eloquence 5, Theatrics 3, Linguistics 2 (Gaelic, Parhooni)
Soc: 3 Riding 2 (horse), Leadership 2, Medicine 1
Motives: Hatred (of English), Adventuresome, Leader.
Description: Liam O'Connor is a tall, handsome man with dark red hair and piercing eyes. He has great personal
charm and is a superb natural leader. Disguised as Reverend Lutwidge, he wears a much-mended black suit and thick
tinted spectacles. His hair is dyed gray and his famous side-whiskers are shaved off. His Irish brogue will be covered
by a Midlands accent. O'Connor always carries a pistol and knife hidden on his person.
Captain Isaac McTavish
Captain Isaac Edward McTavish is a full-blooded Scotsman who came to Mars with one of the earliest expeditions and
never left. Despite the reputation for frugality which adheres to most Scots, McTavish is in fact quite generous. He
certainly spares no expense where the Martian Queen is concerned. Though McTavish has no family of his own, he is
fond of children.
Attribute: Skills:
Str: 5 Fisticuffs 5, Throwing 3, Close Combat 1 (bashing)
Agl: 6 Stealth 5, Mechanics 2 (steam), Marksmanship 2 (rifle)
End: 2 Wilderness Travel 1 (mapping), Swimming 1
Int: 4 Observation 4, Science 1 (physics), Engineering 1 (naval)
Chr: 1 Linguistics 3 (Parhooni, Koline, Hespesian)
Soc: 3 Riding 2 (gashant), Leadership 1, Piloting 2 (steamship)
Motives: Generous, Friendly.
Description: McTavish is a stout, cheerful man who dresses in a merchant captain's uniform. He has a red face and
enormous white sideburns. Despite his weight he is amazingly nimble. His voice is deep and loud, with a Scots accent
that becomes stronger when he is excited. McTavish is normally unarmed.
The Children
Smith Major
Cyril Smith (age 15) is the older of the two Smith brothers at Reverend Lutwidge's School. He is very athletic, and
excels on the cricket field or on horseback. But his real love is shooting, and he lives for the day when he can have his
very own rifle. Until then, he will hone his skill with a slingshot. Smith Major is aware that his younger brother has all
the brains, and is very protective of him. Anyone who harms Smith Minor will have Smith Major to answer to.
Attribute: Skills:
Str: 4 Fisticuffs 4, Throwing 2, Close Combat (Bashing) 1
Agl: 5 Stealth 4, Marksmanship (Slingshot) 3
End: 4 Wilderness Travel (Mountaineering) 3
Int: 2 Observation 1
Chr: 2 Eloquence 1, Linguistics 1 (Pig-Latin), Theatrics 2
Soc: 4 Riding (Horse) 3
Motives: Love (of brother), Adventuresome.
Description: Cyril Smith is a tall, good-looking boy. He has unruly light-brown hair and an infectious grin. Smith
Major wears the standard schoolboy uniform -- flannel trousers and an Eton jacket. He usually carries his slingshot
hidden in his boot.
Smith Minor
Jeremy Smith is Cyril's younger brother. Though he is only twelve, he is already much more intelligent and
knowledgeable than his brother. Smith Minor is a quiet boy, but when he does speak up he often startles adults with
what he knows. He is particularly interested in the ancient Martians and their ruins. Smith Minor and Syukeem are best
friends.
Attribute: Skills:
Str: 1
Agl: 5 Stealth 6, Crime (Pick Locks) 2
End: 2 Wilderness Travel (Mountaineering) 1
Int: 5 Observation 4, Science (Archaeology) 2
Chr: 4 Eloquence 3, Theatrics 3, Linguistics 1 (Pig-Latin)
Soc: 4 Riding (Gashant) 3
Motives: Knowledge, Loyal (to brother).
Description: Smith Minor is a small, skinny little boy with the same tousled hair as his older brother. He usually looks
very serious, and is much more calm and well-behaved than most twelve-year-olds. He still is in short pants, and
wears a cap.
Smalls
Thomas Albert, Lord Smallbridge and Baron Twickenham, is only nine years old. He gained the titles after the tragic
death of his father in a gashant stampede two years ago. His mother, Lady Smallbridge, elected to remain on Mars
where she heads the Explorers' Club Ladies' Auxiliary. Young Lord Smallbridge is unfortunately all too aware of his
exalted position, and seldom hesitates to remind others of his wealth and importance. He is very much a spoiled brat.
Though Smalls is not a good student, he has won the grudging respect of the others through his astounding ability to
sneak around the school at night, and his accuracy with the slingshot. His only real friend is Waffles, as they share an
interest in random destruction.
Attribute: Skills:
Str: 2 Fisticuffs 1, Throwing 1
Agl: 6 Stealth 6, Marksmanship (Slingshot) 4
End: 1
Int: 1
Chr: 5 Eloquence 4, Linguistics 3 (Latin, Parhooni, Pig-Latin)
Soc: 6 Riding (Horse) 5
Motives: Arrogant, Greedy.
Appearance: Smalls is a small boy with a large, beaky nose and very pale blond hair. He has a wide range of speech
impediments. Smalls wears the same short pants and cap uniform as the other young boys, but his are custom-made by
the best tailors. His shirts and socks are silk. Smalls keeps a slingshot in his cap.
Waffles
Waffles's real name is George Whitford. Though only eight years old, he has already learned a great deal about
mechanics and chemistry. Waffles is motivated by an intense desire to know how things work. He can seldom resist
the urge to dismantle something. And if he can't take something apart, he is equally fond of blowing things up. His
parents sent him to Reverend Lutwidge's school after he destroyed one wing of their house in Meepsoor.
Attribute: Skills:
Str: 2 Fisticuffs 1, Throwing 1
Agl: 4 Stealth 3, Mechanics 2 (disassembly), Marksmanship 2 (spitball)
Int: 6 Observation 5, Science 1 (chemistry), Engineering 1 (explosives)
Chr: 4 Eloquence 3, Linguistics 1 (Pig-Latin), Theatrics 1
Soc: 3 Riding 2 (gashant)
Motives: Knowledge, Eccentric.
Description: Waffles is a chubby little boy, unremarkable in appearance. Around adults he is very shy, sometimes to
the point of being unable to speak. He is usually very well-behaved, except when he is left alone with some interesting
machinery, or anything that looks as if it might burn . . . He always carries a screwdriver, and starts the adventure with
three firecrackers and a book of matches.
Clarissa
Clarissa Douglas is sixteen years old, and is very much aware that she is not a child anymore. She resents any attempt
to treat her as a one, and always tries to be included in any "grown-up" activities. However, sometimes she forgets
that she is an adult, and has masterminded some awful mischief. Clarissa wants to see the world and have some fun.
She is very romantic, and falls in love often. Clarissa is beginning a career as an Adventuress.
Attribute: Skills:
Str: 2 Fisticuffs 1, Throwing 1, Close Combat 1 (edged)
Agl: 3 Stealth 2, Marksmanship 2 (pistol), Crime 1 (forgery)
Int: 5 Observation 5, Science 1 (archaeology)
Chr: 5 Eloquence 5, Linguistics 2 (French, Parhooni), Theatrics 2
Soc: 4 Riding 3 (horse), Leadership 1
Motives: Adventuresome, Stubborn.
Description: Clarissa is already a very striking-looking girl, and is likely to be an utterly beautiful woman. With her
long black hair and big dark eyes, she has a slightly Latin appearance. She still wears dull schoolgirl frocks. She
always has a hatpin at her disposal (treat as a stiletto).
Lizard
Elizabeth "Lizard" Pinkwood is eleven years old and a determined tomboy. She routinely beats up Waffles, Smalls, and
Smith Minor, and once fought Smith Major to a draw. Lizard is most effective when armed with a croquet mallet or
cricket bat, but can use an umbrella if necessary. She admires Clarissa enormously, and wants to be like her when she
gets older.
Attribute: Skills:
Str: 1 Close Combat 1 (bashing)
Agl: 4 Stealth 5
End: 3 Wilderness Travel 2 (mountaineering)
Int: 4 Observation 3
Chr: 5 Eloquence 4, Linguistics 2 (Pig-Latin, Nonsense), Theatrics 2
Soc: 4 Riding 3 (horse)
Motives: Aggressive, Fair.
Description: Lizard is a wiry, skinny little girl with torn stockings and mud on her skirt. She always loses her hat.
Lizard has curly red hair and freckles. She is almost constantly in motion. Lizard has no equipment (she would only
lose it).
Syukeem
Natuuz Syukeem is the only Martian student at Reverend Lutwidge's school. He is six Martian years old (about twelve
Earth years). His family are merchants, who saw the advantage in having a son educated by the English. Syukeem is
already a good merchant himself -- he makes quite a bit of money smuggling goodies into the school, selling test
answers, and betting on Lizard's fights. But he has also become interested in the history of his people, and would like
to learn more about Mars than Reverend Lutwidge teaches.
Attribute: Skills:
Str: 1
Agl: 2 Stealth 4
End: 5 Wilderness Travel 4 (foraging)
Int: 4 Observation 3, Science 1 (archaeology)
Chr: 5 Eloquence 4, Linguistics 2 (English, Koline), Theatrics 3
Soc: 4 Riding 3 (gashant)
Motives: Mercantile, Knowledge.
Description: Syukeem is average height for a six-year-old Martian; he is over five feet tall and growing fast. He is
very slender and is not as strong as the other students, but his Martian constitution already gives him better stamina
than most human adults. He wears English-style school clothes, modified for his alien frame. It was agreed by all that
he should wear long pants instead of shorts.
Child Characters in Space: 1889

Since the game Space: 1889 draws much of its inspiration from boys' adventure stories of the past century, it is
surprising that all the characters in the game are assumed to be adults. But the rules can easily be adapted to allow
child characters.
Age Limits: Obviously, children are less capable than adults. This is reflected by limits on skills and attributes at
different stages of development.
At 5 years old or below, characters can have a maximum Strength and Endurance of 1. They get no skills at all, not
even the basic skills derived from the character's attributes.
From age 6 to 10, the children can have a maximum Strength of 2 and a maximum Endurance of 3. They get all the
basic attribute-derives skills (Fisticuffs, Observation, etc.), and get one of their two free skill points to spend on skills.
At ages 11 through 15, characters can have a maximum Strength of 4; there are no other attribute limits. Characters of
this age get both of their two free skill points, but are still too young to take any Careers.
Characters aged 16 to 20 can take one Career plus their two free skill points. Individuals who are 21 or older can have
two Careers, and are normal adult characters.
Childhood Career: If the campaign is realistic, then children will be limited in their abilities as described above. But
a campaign or an adventure which focuses on child characters must allow them to be more capable. The solution is the
Childhood Career. This Career can only be taken by characters between the ages of 5 and 16. There are no other
requirements.
Persons taking the Childhood Career can learn a total of 6 levels in skills from the following list:
Stealth
Marksmanship (Slingshot)
Marksmanship (Spitball)
Mechanics (Disassembly)
Theatrics
Linguistics (Pig-Latin)
Linguistics (Nonsense)
The skill levels gained from the Childhood Career are immediately lost as soon as the character enters on his or her
first adult career.
Martian Queen Deck Plans
My First Quest
by Steve Jackson
[Editor's Note:This article appeared as the First Quest feature of Dragon Magazine, issue #224. It is copyright TSR,
Inc., and appears by their permission.]
My first roleplaying game? It's been a while . . .
I remember the very first time I encountered D&D. I'm not sure exactly when it was . . . either when I was in college,
or just afterward. The DM was my old friend Forrest Johnson, who some of you will remember as editor of The Space
Gamer back in the early 1980s.
Forrest had been talking about this great new game he'd learned. It sounded like fun . . . so one day he ran me, and a
couple of others, through a wilderness adventure. I don't think he was using all the rules. In fact, I'm not sure he was
using anything but the random-encounter tables and the treasure tables. There must have been some character
generation in there someplace, but I don't recall it. In fact, I don't recall anything about my character. Not that it
mattered . . .
The play of the game was pretty simple. Forrest had the books and the charts.
He rolled the dice a lot -- occasionally, somebody else got to roll. We'd
wander through the forest until we had a random encounter -- which, as I
remember, was always a group of bandits. We would sneak up on them from
upwind. Then our wizard would cast Cloudkill. After that, we'd loot the
bodies, and Forrest would roll a lot of dice as he totaled up our take. Then we
did it again. And again, and again, and again. That must have been one truly
bandit-free wilderness by the time we were done.
I do remember asking if there was any chance our prey would fight back.
Forrest assured me that there were combat rules, but that they were awfully
complicated . . .
No character development. No roleplaying of any kind, in fact. Not a hint of

angst. But what do you expect? This was the mid-Seventies.
If we ever played a second game, I don't remember it. But it was fun, in a
perverse sort of way, and it did leave me with a vague idea of what D&D was
about. Slay the foe, loot the bodies. Cool. I could deal with that!
The next time I played was some years later. I was freelancing for
Metagaming . . . game development, article editing, game design, advertising, typesetting, a bit of art direction, you
name it. Now, from here in 1995, Metagaming is ancient history, but in the late Seventies it was a busy little upstart of
a company, halfway between D&D fandom and "real business." And around 1977 or '78, Robert Taylor started a D&D
campaign for the Metagaming crew. We all talked about how it ought to be possible to design a better game, but back
then, when we played, we played D&D. And we liked it. Howard Thompson, Ben Ostrander and I were the regular
players; others joined the game occasionally. We talked about business and how someday we'd take over the gaming
world, and we rolled those polyhedra as we wandered through Robert's dungeon.
Robert was a truly world-class GM. I didn't know that at the time, of course, but as I look back, of all the GMs I've
ever played with, only Aaron ("Play Champions till you drop") Allston put on a better show. And this was pre-1980.
Robert hadn't had the benefit of years of experience, let alone years of "How to be a better GM, get whiter teeth, and
lose 20 pounds" articles. He was just a natural.
You didn't need to know a lot of rules to play with Robert . . . he took care of all that stuff. But you did need to know
about the world you were playing in. Specifically, you needed to know what the standard monsters and magic items
were like. Because Robert loved puzzles and surprises. He was always fair about it, but those magic items were
important parts of his puzzles, and ignorance was a capital crime. I recall one tragic death that could have been
avoided if the player had remembered exactly how a Bag of Holding worked . . .
Robert's dungeon featured a museum, complete with curator, on the first level. Every adventure, the museum would
have different exhibits . . . clues to what we'd face. And sometimes the curator would give us specific hints, or even
powerful magic. Like the spray can that turned out to be death on giant scorpions. That one saved our bacon, once we
finally figured it out. Of course, Robert never used the words "spray can" when he described it to us. Good thing the
arrow on top was pointing the right direction when someone finally got desperate enough to push the button . . .
It was during Robert's campaign that I had the single most exciting bit of character development that I'd ever
experienced. My fighter, Ragnar the Impetuous, came out of the dungeon with some gold. Enough to buy . . .
chainmail! Now that was exciting. No longer was Ragnar taking his life in his hands every time he faced an orc. Now
there was a good chance that he'd live through a fair fight.
In the years since then, I've had characters win fortunes, develop super-powers, conquer empires. But there's never
been a vicarious thrill like that of Ragnar getting his chainmail.
Ragnar made it to fourth level before he died, foolishly trying to rescue a friend (one of the disgusting dwarves
Howard Thompson loved to play) from the mind-controlling clutches of an Ogre Mage. The dwarf, obedient to his evil
master, skewered Ragnar with a crossbow. Robert just shook his head. "You should have known you couldn't rescue
him without magic . . . " True. I knew that. Even Ragnar knew that. But he didn't care. He was going to die trying. He
did, too.
It was a great campaign. Hmm. You know, Robert's still in town. I wonder whether he's running any games these days
...
Fall of the Knights Templar
An In Nomine Resource
By Emily Dresner
Entering the late 13th century, the Templars were recognized across Europe for their wealth and power, which brought
about the dark ire of rival political forces. Paranoia is a powerful tool of Hell, and the uninformed people of Western
Europe began to become critical of their benefactors who protected them and their holdings in the East. Were the
Templars only killing and looting for their own gain, or bringing back powerful religious relics to use in secret rituals
in their locked monasteries? Rumors were spreading like wildfire about the Templars and their secret initiation rites,
witchcraft and dark practices.
At the same time, the Templars were dealt a powerful military blow to their organization. During the passing years, the
Moslems were not sitting idle. Radical Moslems, upset over the crusades, had formed several military responses to the
Knights Templar. One of these was the group known as the Assassins, loyal to the death to al-Hasan ibn-al-Sabbah,
who used the European intrusion into their lands for personal and political reasons. After several smaller losses, the
Templars were humiliatingly defeated on July 4th, 1187 at the Horns of Hattin, a barren double hill which protected
the pass between Tiberias and Acre on the Sea of Galilee. This allowed the Saracens not only access to the Holy City
but to Palestine as a whole.
Without being able to protect the Christian holdings in Palestine, the Templars were routed. By the time of the battle
of la Forbie in 1244, there were only 44 Knights in the Holy Land. After the Fall of Acre in 1291, there were no more
Europeans living in the East. The Knights, suffering grievous loss after loss, were no longer Europe's shining
defenders; they became Europe's scapegoats.
Philip the Fair and William de Nogaret

Philip IV of France was a man of action, intensely proud, and often at odds with the Church. He was also a King at the
head of an Empire that was nearly bankrupt from the Crusades. His closest advisor, William de Nogaret, accompanied
Philip. De Nogaret was a spin-doctor, a master of disinformation, a man who could make anyone look extremely bad,
no matter the reputation, no matter how holy, how gifted by the Church, or how enlightened. He was also a weapon.
Although Philip was a pious man, he would not consent to being just another subject to the Pope in any sense other
then the spiritual. He refused to stand by idly as Pope Boniface VIII issued the Papal Bull Clericis Laicos, which
forbade the clergy to pay taxes to any prince without the direct consent of the Church. Philip was annoyed at the
Pope's show of power, so he cut off the export of gold and silver from France to the Holy See, nearly crippling it.
Boniface retracted his Bull, but a new problem was already in the works.
Philip set his new sights on a bishop in Southern France, and wanted him to be removed from office for personal
reasons. Boniface did not agree, and would not consent to degrade the bishop for purely political reasons, even after
Philip presented a very creative and interesting list of the bishop's vices, created largely by de Nogaret. Pope Boniface,
in retaliation, reissued the Clericis Laicos.
Philip summoned his estates of the realm to gather the people against Pope Boniface. The Pope turned around and
threatened Philip with excommunication. Boniface set forth a new Papal Bull, the Unam Sanctum, where no earthly
prince was above the Pope, not even if he happened to be named Philip. Philip chose to preempt the Bull, and sent de
Nogaret down to Italy deal with the troublesome Pope. De Nogaret, who had already shown his hand in the matter of
the bishop, drew up a list of vices that would make the most hardened demon cringe. According to de Nogaret, Pope
Boniface was guilty of being, among other things, a heretic, a sorcerer, an assassin of sorts, and keeper of a mistress to
hide the fact that he was, in reality, a sodomist. In the night with his group of thugs, de Nogaret seized the Pope and
held him captive for some days before he was forced to free him by the local nobility. But Boniface, an old man by the
standards of the time, never recovered from being kidnaped, and died soon after.
The next pope, Benedict IX, proceeded to blame de Nogaret for what had happened to Boniface, and excommunicated
him in 1304. Just as the new Pope was getting ready to take on Philip, Benedict died within a year of taking office. The
threat he would have been was ended.
This time, under the advisement of de Nogaret, Philip suggested to the College of Cardinals that he would be quite
happy if they chose a Frenchman as the successor Pope. To everyone's surprise, a man clearly under Philip's control,
Bertrand de Got, Archbishop of Bordeaux, was selected and chose the name Clement V.
When Clement came to power, De Nogaret, who demanded to be cleared of all wrongdoing in the incidents revolving
around Pope Boniface, approached him. Clement was reluctant to allow de Nogaret to get his way. For six years, de
Nogaret wheedled and nagged the Pope, until Clement caved and reopened the case. De Nogaret was allowed to
present his side of the story, a tale that twisted both lies and truths. He then requested Boniface to be exhumed and
publicly burned. Clement gave in, and even claimed that Philip IV had acted justly. All of the King's men were
permitted to have their honor back. Clement did not, however, allow the dead Pope to be publicly humiliated.
When the Pope was cowed and out of the way, Philip set his eyes on a larger prize, the treasure of the Templars.
Philip's coffers were empty, and he would not allow the existence of a power in his country that did not answer to him
and him alone, a power he could not control.
The Inquisition and the Fall of the

Templars
A scheme was devised to get the Templar money from the
monasteries and into the King's coffers, while permanently
destroying their reputation. This required playing on the new
public loss of trust in the Knights, and their secret practices
and rites. Philip and his advisor chose to have them accused of
heresy and witchcraft. As heretics, they knew, the Pope would
no longer protect the Knights. The Church would not come to
their rescue.
De Nogaret first met with an embittered renegade from the Order, Esquin de Florian of Beziers, who had been
expelled for various crimes. With the renegade knight and his knowledge of the inner workings of the Templars, de
Nogaret was in position to plant spies in the great Houses and discover their patterns of activities and daily schedules.
At the same time, on September 14th, 1307, Philip sent a letter to his nobles, claiming he had been informed of many
heinous crimes the Templars had committed by "righteous people," and posed as a staunch defender of the faith. He
claimed that he had Papal consent to deal with this blight on his French landscape. The stage was set.
On Friday the 13th, October 1307, sweeping arrests were made throughout the countryside. The knights were taken
completely by surprise. Every Templar institution in France was stormed at dawn. The knights throughout France were
arrested by the King and transported to dungeons for Inquisition. Enormous inventories were made of the Templar
houses, and not a penny was missed. Large caravans transported the Templar holdings to the Kingly coffers. For the
14th century, the operation was an amazing military success, then and for many centuries to come.
Captured Knights were subjected to an inquisition, where confessions were to be extracted any means possible,
including torture. Those knights who maintained their innocence often found themselves on the rack, which neatly
invented memories of unspeakable horrors. Suddenly, the defenders of the faith found themselves admitting to heinous
crimes and rituals only to avoid horrible pain and torture, all of which fed the tribunal for their upcoming trial. Knights
claimed to have enjoined in rituals and religious work only in body, and never in spirit.
Since most of the Western Templars were more monks then knights, working with money and agriculture, many had
never seen a live Moslem let alone rushed headlong into battle with one. They were not battle hardened warriors who
had experienced pain at the hands of the enemy, they were farmers and handlers of money.
The effect of the inquisition was quick and decisive terror. Out of 138 knights captured, a full 134 confessed to terrible
crimes. They admitted to everything from spitting on the Virgin Mary, to worshiping a crystal head of the demon
Baphomet. 120 were burned at the stake. Pope Clement V, faced with the sheer number of confessions, issued a papal
bull to suppress the order, and sever it permanently from the Church.
Outside of France, the neighboring monarchs were not as enthusiastic about joining in the attack and persecution of
the Templars. They had seen the flimsy evidence of heretical activity. Those few foreign monarchs who actively made
arrests made no overtures toward an Inquisition, and soon let those they captured go.
At first, Jacques de Molay, the Grand Master of the Knights Templar and a staunch upholder of knightly ethics,
admitted to the crimes set forth before him in front of multiple tribunals over several years, some confessions extracted
through torture. He admitted that his Order committed horrible rituals and demonic acts to save his own life. Through
his words, many of the other Templars were damned and set to burn at the stake. But at the last moment, on March
19th, 1314, as sentencing of his own imprisonment was read before Notre Dame, de Molay stood and heroically
defended his order, denouncing Philip and his groundless Inquisition:
"I think it only right" he began, "That at so solemn a moment I should speak up for the truth. Before heaven and earth,
and with all of you here as my witness, I admit that I am guilty of the grossest iniquity. But the iniquity is that I have
lied in admitting the disgusting charges laid against the Order. I declare that the Order is innocent. Its purity and
saintliness are beyond question. I have indeed confessed that the Order is guilty. But I have done so only to save
myself from terrible tortures Life is offered to me, but at the price of infamy. At such a price, life is not worth having."
As he said his proclamation, the sentence was quickly changed to death. Jacques de Molay was burned at the stake
with several of his highest supporters. With the death of the Grand Master, and no other man to take his place, the
lands destroyed, the reputation besmirched, knights dead, and the money taken by the King, the Order of the Templars,
as a powerful force and an organization, was no more.
Through all the cajoling and torture and pain, Philip IV lost in the end to the puppet Pope. The lands would not be his,
and he was not to control the former Templars holdings across Europe as he had imagined. Clement turned and gave
all the Templar lands to the Order of the Hospitallers.
Less then a year after Jacques de Molay had been burned at the stake, both Philip IV and Clement V died. Some claim
that de Molay, as he died, levied a curse upon both of their heads for their crimes. Others say it was simply justice.
Saladin, Soldier of Fire

Status: 4
Charisma: +1
Skills: Fighting/3, Tactics/4, Dodge/2, Large Weapon (Sword)/3, Knowledge (Religion)/2
Saladin was born in 1138 as Salah-ad-Din, Yusuf-bin-Ayub, or "Righteousness of the Faith, Joseph son of Job". He
was a Sunni Moslem of Kurdish origin. In his youth, he as a student of the Koran, Arabic and poetry, but as he grew
older he became consumed with Jihad against the infidel Franks who had invaded and installed themselves in
Palestine.
Saladin was a very clever strategist, and in 1164-1169, he was sent on many campaigns against the crusaders. He
suffered heavy defeat at Al-Ramlah at the hands of the Templars in 1177. He was forced to retreat to Egypt without
supplies, water, or food for the horses. He learned his lesson well and put his knowledge to good use at the Battle of
the Horns at Hattin.
Saladin was instrumental in Frankish defeat in the East. In July 1187, the Christians suffered their decimating defeat at
Hattin, and on October 2, he entered the Holy City. This tipped off the Third Crusade.
Several other campaigns established Saladin as the most influential man in the East. Saladin died in 1193, leaving
behind no clear successor. The Moslems quarreled over his empire for seven years until his brother, Saphadin, took
control.
Philip IV, Soldier of Greed

Status: 6
Skills: Emote/3, Fast-talk/3, Lying/3, Savior-Faire/3
Philip "Le Bel" or the Fair was born in 1268 AD, and ruled France from 1285-1314. He was called the "Fair" in
reference to his good looks: tall and handsome with long blond hair and blue eyes. His personality was in conflict with
his pleasing looks -- a cold hard man who harbored desires to see France as the head of the empire. In order to carry
out his wishes, he would need great financial resources and a weak and subservient Pope. He and his corrupt advisors
worked feverishly to accomplish these aims.
Philip's persecution of the Templars was not his first attempt to destroy a group of people just to line his coffers. He
first attacked the Jews and the Italian Bankers, the Lombards. He expelled the Jews from France after acquiring their
money and their properties, annexing them onto his own.
Philip went so far as to purposefully devalue the coinage of his own country. He recalled all the coinage, melted it
down for his own private usage, and issued replacement currency of lesser value. At one point Philip devalued the
French currency to such a point he enraged the populace. He was forced to take refuge in a Templar monastery from
his own people. It is possibly here, while hiding from a potential riot in a Parisian Templar Temple, that he became
aware of the Knight's wealth and desired to add it to his own.
Philip died in 1314.
Nogaret, Balseraph of Factions, Captain of the Broken Promise

Vessel: Humans/2 (+2 Charisma)
Role: William de Nogaret/6 at Status/5
Skills: Fast-Talk/1, Savior-Faire/3, Dodge/2, Area Knowledge (France)/3
Songs: Entropy (Celestial/3), Charm (Corporeal/3, Celestial/4)
Attunements: Balseraph of Factions, Knight of Deception, Captain of the Broken Promise
Nogariel took on the role of a Medieval Lawyer in the late 1200s, in an attempt to create as much strife as possible
among the French populace. To have the greatest effect, he chose a deep cover role, which included being born into a
rich family. The first true mark of his effectiveness was when his human role parents were burned at the stake as
Albigensian heretics.
Nogariel worked through the bureaucracy. After conspiring to get Philip the Fair's Head Chancellor burned at the stake
for heresy through contrived evidence, he rose to be the French King's closest advisor. He reveled in the corrupt King's
greed, and worked gleefully to fulfill his aims. He advised destroying the Italians and the Jews, both biasing the
French people against supposed "ethnic outsiders" and filling the King's coffers - which fueled Philip's attempts to
make France the most powerful nation in Europe.
Nogariel's true mark on history was in the matter of the Templars. He destroyed one Pope, and subverted another in an
effort to have control of the power of the Papal seat. He helped to conceive the sweeping arrests of the Templars,
coordinate the testimony garnered through torture, and the trials to prove that the Knights had conspired of every crime
from homosexuality and heresy to black magic and worshiping Baphomet.
After the death of Philip the Fair in 1314, Nogariel lost his position in France, and with his one great victory,
disappeared from history.
Adventure Seed: Treasures of the Templars

Archangel Laurence has commanded a group of angels to retrieve a lost relic of the Knights Templar. It is a plain old
chest long hidden away in an old Temple, sealed away from the rest of the world for the last 700 years. He's rather
adamant about the retrieval of this chest, and impresses upon the group its importance. On Earth, the Temple has been
turned into a modern tourist attraction. Sneaking around in the roped off areas can prove to be a challenge, as the local
guards aren't too enthusiastic about guests wandering around. If the angels get through, sure enough, they will find a
hidden cavity in the floor in a back room, as told in the debriefing. Except the cavity is open, and the chest is gone.
From the small collection of cigarette butts, it looks like it's been opened recently. The perpetrators may still be in the
building. Where did it go, and what was in the chest?
Murphy's Rules
by John Kovalic
Far too expensive for auto-duelling, the Pulverizer is one of the most heavily armed cars on
the highway. Bruno has suggested adding the "Division 300" so that he can compete, but so
far there have been no takers. So instead, Bruno must stick to racking up roadkills, which is a
lot more challenging than fighting the girlymen who drive in the arena, anyway.
The car is really designed for "Black Ops" missions, and as such all weapons are concealed,
though the turret makes it clear that this is an autoduelling vehicle. Pulverizer has quite heavy
armor (more than half the car's three-ton weight), but its huge hydrogen-guzzling 335-
horsepower (250-kW) fuel cell engine enables it to roar down the highway at 155 mph and
keep that up for hours. Of course, it gets less than 5 miles/gallen, but Bruno has a fuel tank the
size of Synthia's bath tub, so who cares?
The Pulverizer can carry Bruno and one passenger, who had better be a slim and shapely
female, since Bruno weighs more than the 200 lbs. standard allowed for an occupant. Both
have ejection seats (driver controlled), which, since no other car can defeat Bruno, are only
useful for removing boring dates. The car also has night vision sensors, a radar/laser detector,
revolving license plate and both targeting and personal computers.
The car's "big zap" is a turret mounting a flashy 1,500-kilojoule laser that can burn a fist-sized
hole through a 7.5" steel plate. A co-axial 7.62mm gatling gun capable of firing 100 bullets
per second is just the thing for exterminating pedestrians and other vermin. Of course, Bruno
is not sure about that laser - what if da battery runs out, or dere is smoke or fog? So, he
"persuaded" Uncle Al to shoe-horn a pair of trusty linked 35mm recoilless rifles under the
hood. In the unlikely event that anything is still alive after this double-dose of explosive
death, the Pulverizer can launch a salvo of three front-firiing 40mm rockets which can clear
the debris off the road. That assumes the enemy is in front. Bruno hates tailgaters: to
discourage them, the Pulverizer deploys another trio of rear-facing rockets, and can spew forth
a flaming oil jet.
Now, time to go for a quiet Sunday drive...
Subassemblies: Standard Wheels (4). Turret (full-rotation).
Propulsion: TL8 All-Wheel Drivetrain (HP38, 250KW, 405 lbs., 8.1 cf, $8,100).
Instruments and Electronics: Radio (medium range, cellphone, 2 lbs., 0.04cf, $400, neg.
power, HP2). Scrambler ($500). Low Light TV (5x magnification, 2.5 lbs., 0.05 cf, $625, HP
2). Passive IR (5 mile range, 20 lbs., 0.4 cf, $5,000, HP 6). Sound System (10 lbs, 0.2 cf,
$200, HP 4). HUDWAC ($500). Radar/Laser Detector (0.75 lbs., 0.015 cf, $75, HP 1). Mini-
computer (dumb, 40 lbs., 0.8 cf, $3,000, Complexity 2, HP 9). Small genius computer
(dedicated to Targeting, 1 lb., 0.02 cf, $4,000, Complexity 3, HP 1). Computer terminal (40
lbs., 2 cf, $1,000, HP 15). Software: Computer Navigation ($500, Complexity 2), Targeting
(+4 to Gunner skill, $8,000, Complexity 3).
Ammo: 1,000 X 7.62mm (28 lbs., 0.18 cf, $110). 20 rounds 35mm HEAT (26 lbs., 0.26 cf,
$240). Six 40mm light rockets (12 lbs., 0.24 cf, $540). Weapon Accessories: Cyberslaves for
Laser (in turret, 83 lbs., 4.15 cf, $4,150), Recoilless rifles (138 lbs., 6.9 cf, $6,900), Gatling
Gun (in turret, 20 lbs., 1 cf, $1,000), Rocket tubes (12 lbs., 0.6 cf, $600). Back rockets are
linked ($50), front rockets are linked ($50), recoilless rifles are linked ($50).
Miscellaneous Equipment: Compact fire suppression system (50 lbs., 1 cf, $500, HP 9).
Mutable license plate (1 lb., 0.3 cf, $500, HP 5).
Controls: Computerized ($1,000).
Crew Stations: "Driver" controls all functions from normal crew station (30 lbs., 30 cf, $100).
Occupancy: Short. Passengers: One.
Acommodations: One normal seat (30 lbs, 30 cf, $100).
Environmental Systems: Environmental control (10 lbs., 0.2 cf, $100, 0.5 kW).
Safety Equipment: Safety belts. Two Ejection Seats (200 lbs., 10 cf, $100,000).
Power System: TL8 252-kW Fuel Cell (1,285 lbs., 25.7 cf, $6,425, uses 32.76 GPH hydrogen,
HP 90). 131.04 gallon self-sealing fuel tank (131.04 lbs., 19.656 cf, $1,310.4 HP 75). 131.04
gallons hydrogen fuel (76 lbs., $13.10, Fire 10). High Capacity Storage Battery for laser
(480,000 kWS, 240 lbs., 4.8 cf, $960, good for 20 seconds fire at RoF 8, i.e. 160 shots, HP
27).
Access, Cargo and Empty Space: 33.8 cf access space, 1cf cargo space, 0.399 cf empty space.
Turret rotation space 2.06cf.
Volume: Turret 10.3 cf, Body 188 cf, wheels 18.8 cf. Areas: Turret 30, Body 200, Wheels 50.
Total Area: 280.
Structure: Medium Frame, very expensive materials (560 lbs., $70,000).
Hit Points: Body 300, turret 45, wheels 38 each.
Special Structural Options: Improved suspension ($5,000), improved brakes ($500), all-wheel
steering ($2,500), smartwheels ($4,000).
Armor: All armor is expensive laminate-ablative. Front body PD 4, DR 300 (500 lbs.,
$2,000). Turret and body right, left, back PD 4, DR 200 (1,300 lbs., $5,200). Top and
underside PD 4, DR 120 (400 lbs., $1,600). Wheels PD 4, DR 100 (250 lbs., $1,000).
Details: Clear ablative armor windows, headlights.

Other: Radial fireproof tires (#800). Statistics: Empty weight 6,034.25 lbs. Usual payload 420
lbs. Ammo and Fuel: 197.04 lbs. Loaded weight 6,651.29 lbs (3.32 tons). Volume 217.1 cf.
Size modifier +3. Price $279,098. HT 12.
Ground Performance: Speed 155 mph/s. gAccel 10 mph/s. gDecel 20 mph/s. gMR 1.75. gSR
5. High GP, 1/4 off-road speed.
Pyramid Interview: Basement Games
Basement Games released their first game, Forge: Out of Chaos less than six months ago. What's it like starting a
game company in these uncertain times? Basement honcho Mark Kibbe fills us in:
When did you get the idea for Basement Games?
We got the idea back in 1993. We had been altering gaming rules and designed our own gaming system that everyone
enjoyed. Over the years we continued to modify things as we went along and received constant feedback from gaming
groups and players. Then, in 1996ish we decided to take our first incarnation (a product called GruntBuggler!) to
market. Well, we did not have any experience and thought we could learn to run a business in one week (not a really
well thought out venture). Needless to say, things did not go well. People liked the game, said good things about the
mechanics and concepts, but the distributors and store owners were discouraged by the inferior artwork, poor
marketing strategy, etc. etc. etc. So, then in 1997 we decided that we would make another go. So, we went to work
learning about the industry and how things work. It was an uphill climb, but we met some very helpful people who
made things a little easier. We altered the rules, worked closely with play testers, employed some professional artists
and moved forward. I quit my day job in December of 1997 and made a major push. It has been a major undertaking,
but is something we are very proud of.
It's an awfully crowded industry. What does Basement Games bring to the table that will make it stand out?
Basement Games brings a level of grass-roots creativity. It is our desire to create quality products and support the
individual gamer. Our prices are very reasonable, we offer a lot of free gaming support, and we are always eager to
hear comments and suggestions. We are the "typical" gaming group. Full of ideas, concepts, and creativity. We just
took it one step further and brought it to the market.
What have you got out so far? How's it doing?
We released Forge: Out of Chaos in August of 1998 and followed it

up with an adventure module in November of 1998. Both products are
doing well. Right now we are forging alliances with gaming groups
across the world to help with the push. We also contact retail locations
and send promotional materials to help them sell the game.
What are your plans for 1999 and beyond?
In 1999 we have scheduled the release of two additional modules and

a referee screen. In addition, we are working hard at stocking our web
site with free, downloadable mini-modules that the public can use to
maintain their campaigns between printed releases. We are also
instituting a Gaming Club. A yearly membership fee of $5 will earn
the member access to on-line, PDF format, source material outlining
the medieval world of Juravia. From governments and militaries, to
currencies, judicial policies, NPCs, and adventure material. It is going to be an exciting year for Basement Games and
the players of Forge: Out of Chaos.
Tell us about the people involved in Basement Games: experience, background, etc.
There are four major players in the company: Mark Kibbe, Blair Hughes, Mike Kibbe, and Loraine Sirovy. Each of us
have been gaming for over 15 years. Although we all infuse Basement Games with input and creativity, I am the major
force behind the drive. Writing is a passion that I hope translates well into the written word. I have studied at college,
worked with some professional writers, and honed my skills working on various projects. I also have a business
background and have been working with people in the industry hand-in-hand.
Where do you think the roleplaying hobby is going? And what is Basement Games doing to be part of that?
I feel that the roleplaying hobby is suffering some setbacks. In our mind it appears that companies have moved more
toward the money-making side of the industry. You can see this in the flood of source books, collectible card games,
and gaming aids. We want to support the gamer without picking their pockets. Our low overhead allows us to maintain
low prices and our web site information allows gamers to continue playing our products between releases. We feel that
with these conditions, we will be able to survive in an otherwise volatile industry.
It seems like a tough time to start a gaming company. Why now?
As I said above, we feel that the gamer is not being supplied with enough free material to keep him or her interested.
We constantly hear about companies that release a product and then never support it. We hear about quality games that
fall by the wayside because the company released something entirely new. To us, that is evidence of an industry that
wants to make large sums of money on a quick release, and then quickly move on to another quick release.
Because of our viewpoint, it seems like a good time to enter the picture. Our business plan allows us to maintain a
steady flow of information, advertisements, and releases, while we ride the turbulent waters of the gaming industry.
Will we survive the purge? I feel confident that we will. Working hand in hand with retailers and distributors, I am
confident that Basement Games will reach gamers in every part of the world. And our strategy of free, on-line
material, will only help us succeed.
Have you had much contact with other companies in the industry? Have they helped you? Hurt you? Ignored
you?
We have dealt with several people in the industry. Some were extremely helpful, others seemed aloof or self-serving.
Regardless of our encounters, I feel as though we have maintained a level of professionalism and earned some respect
as a new gaming company. Our doors are always open and we are willing to pass on the knowledge we have gained
over the last, hectic year.
What's the one thing you want Basement Games to be known for?
Creativity. Whether its a fantasy role-playing game or a computer based project (that we are working toward in the
years to come), Basement Games will always be creative. Keeping the gamer interested and entertained is the most
important thing in this industry. Watch us and we will amaze you.
How Smart Is Your Sword?
by Lloyd Brown III
Art by Dan Smith

Intelligent weapons are listed as possible random treasure results in the Advanced Dungeons & Dragons Dungeon
Master Guide. To allow such a valuable addition to the campaign to be whimsically discovered is a waste of a
potential font of roleplaying opportunities and further adventures. Intelligent weapons have a personality and history;
they're more like non-player characters than other magic items.
Instead of rolling to determine if a weapon, usually a sword, is intelligent, first decide the weapon's role and how it you
intend for it to interact with the party. If it is meant to lead the party to a treasure or NPC, the weapon's role is
minimal. A paladin's holy sword is a far more prominent item, and will affect the party greatly. You need to think
about the weapon's capabilities, how much it enhances or detracts from the party's combat ability, and other factors.
Questions that arise in game play might surprise you, forcing a snap decision that does not adequately reflect your
intentions for this unique item. Many of these questions are addressed below, so that when the situation comes up, you
are prepared to describe the event to the players with smoothness and confidence.
The tables in the DM Guide can be useful when you need details for a quickly-generated intelligent weapon, filling in
the details of name, ownership, and history later. In many cases, this information is often dictated by the situation. But
when you have a chance, thereís so much more you can do.
Because of their special status as plot drivers or potential allies for the characters, intelligent weapons should be treated
as NPCs, rather than as magical items. In this analogy, the weapon's type can be considered its race (axe, hammer,
sword), since this determines its size and shape. The weapon's magical properties (Vorpal, Flame Tongue, Luck Blade)
can be compared to a character class, since these descriptions determine the abilities of magic, faith, or skill. Other
characteristics are similar to a character's traits as well.
Purpose
When you create an NPC to interact with the adventurers, you first determine his purpose. Will he oppose or aid the
characters? Is he a plot catalyst in some way, or does he merely help establish the setting? Will he begin play as an
enemy of the PCs? What happens if the situation changes and he becomes an ally? Ask the same questions you would
ask yourself about an NPC and use your answers to help you develop the weapon.
The weapon's role in the campaign is different from the weapon's purpose for existence, if it has one. The "special
purpose" mentioned in the DMG section on Intelligent Swords is different and is addressed later.
Background
An NPC's background is vital, as it establishes the character's motivation, emotions, drive, resources and other factors
that are more important to the adventure than any game mechanics. Non-player characters and weapons have different
births, but their history is equally important.
Decide exactly how the weapon became intelligent. It might have been intentionally made that way. This easy option
gives an instant "primary purpose" for the weapon. The paladin's priesthood enchanted it to "slay dragons," for
example. Few weapons are intentionally made intelligent, both because of the difficulty of the task and the dangerous
possibility that the weapon might not be under the control of the creator.
In order to keep PCs from instantly heading to the forge to create an intelligent weapon, remind them of the price of
failure. The chance of successfully creating an intelligent weapon is only 10% of the normal chance of creating that
weapon. If this check fails, the research is wasted and the character must start over. Attempting to make an intelligent
weapon is far more expensive because the quality standards involved in the task are far more demanding (no less than
twice as expensive). Also, the weapon's characteristics are not entirely under the character's control. The ability to
communicate, for example, might be far lower than expected, or the Intelligence might be higher, giving the character
a weapon he cannot control, since Intelligence affects the weapon's Personality Score.
Other methods of birth for intelligent weapons include divine interference. A god might have created an intelligent
weapon for a number of reasons. It might be a reward (or a curse) for a specific follower. It might have been meant for
an avatar's use. It might be a companion for a priest on a lonely quest. Divine influence gives a weapon an instant
"special purpose", usually one directly related to one of the god's major spheres of influence. A god rarely interferes so
pointedly for a minor sphere of interest.
Some weapons become intelligent through continued associated with a powerful mortal, usually by long duration
and/or intense emotional trauma. A dagger used to accidentally slay a friend, for example, might gain a personality of
its own. An axe used by a dwarven warrior in decade after decade of resistance to encroaching goblin tribes might
gain awareness after 50 years of continued fighting. Naturally, this method gives rise to specific purposes as well. The
weapon's abilities arise directly from the purpose to which the weapon is applied most often.
Some weapons become self-aware. The special property of a magical weapon to "grow" an intelligence is a complete
mystery. From these weapons come some of the lower-intelligence weapons; conversely, they often have strong
Personality Scores. Supposedly, they have the high Personality first, through which they somehow gain the rest of the
abilities.
The last category of weapon intelligence sources is a hodgepodge -- those that are unique or so rarely encountered that
they do not deserve their own section. Humans or monsters polymorphed into weapons who retained their intelligence,
products of wild magic surges, special crystals who form a community intelligence under certain conditions, and other
anomalies of your own creation can be included here.
The weapon's background naturally includes details on the character who currently holds it. Develop this person
alongside the weapon, including notes on how the two get along, how each sees their relationship as it applies to their
goals, and how they interact with others.
Other notes might include history, famous owners, physical description (runes, jewels, damage, sheath, etc.), and past
deeds. These details might not be discovered until last by the player characters, but they might give hints to the
weapon's abilities. Leaving gaps now, however, allows you to fill in as you make later decisions, so don't decide every
minute of the weapon's history from its creation to the time the PCs encounter it.
Race
Swords are not the only intelligent weapons. Some weapons are especially suited to a particular race. Axes and
hammers, for example are commonly used by dwarves and bows are often used by elves. Swords, however, because of
their common use and great diversity are by far the most common intelligent weapons. Some cultures also accord
swords in particular special status, becoming the symbol of knighthood or warriors in general.
Class
Our intelligent weapon's class is similar to the magical properties of Giant Slaying, Dragon Slaying, etc. These abilities
are clearly defined in the DMG and elsewhere. They form the basis from which this article works and are not the
purpose of this article.
The weapon's "class", however, should be determined right away, so that its other abilities can be taken into
consideration. These properties shape other decisions made later. Most importantly, you have to take game balance into
consideration. Specific rules affect some choices (swords of sharpness, for example, are always chaotic in alignment).
Statistics
The major statistic associated with intelligent weapons is (naturally) Intelligence. A weapon's Intelligence score is
determined by 4d4+3, giving a low of 7 and a high of 19. As you can see, some "intelligent" weapons are not very
intelligent! In order to keep these weapons from being easily dominated by characters, they should have strong senses
or other abilities to give them a bonus to their ego. On the other hand, their other abilities might be weak, making them
easily dominated, but not as useful to the characters. Again, your intended purpose for the weapon is the overriding
criterion.
The intelligent weapon resists damage as other magical items, by using the Item Saving Throws table on page 39 of the
DMG. Magical items always resist certain attack forms according to the nature of their magic, so weapons should
receive a bonus to saving throws vs. blows. Weapons that have a special ability might receive saving throws related to
that ability. A Frost Brand, for example, might have a +3 or more bonus to saving throws against magical cold.
Magical weapons always gain a saving throw bonus equal to their plus, as described in that section.
Senses & Abilities

Hearing
Hearing, none. The weapon is deaf. If subjected to magical means to make it speak, such as the priest spell stone tell,
it can hear questions directed at it only. If the weapon is able to speak on its own, its answers might be much more
detailed than allowed by the spell description.
Hearing, touch only. The weapon can only hear conversation or sounds made by someone or something physically
touching it. Hearing is not the same as speech; a sword can hear only the owner, but speak out loud. In some cases, the
owner is seen whispering to himself, while the weapon bellows half of the conversation to everyone nearby.
Hearing, as human. The weapon has the same chance to hear noises as a standard non-thief human, dwarf, or half-elf
character (15%). Alternatives include elf or halfling hearing (20%) or gnome hearing (25%). The weapon hears normal
conversation, the sounds of combat, or the cries of animals as a normal person.
Hearing, sympathetic. The weapon's hears through the owner's ears whenever it is carried. Its level of perception
varies according to who is holding it. If the holder is deaf, or deafened magically, the sword is likewise stricken until
the holder is healed. If you use this option, the sword gains the benefits of any magic used to enhance the holder's
hearing as well.
Hearing, superior. The weapon can hear noises that a normal human cannot hear. The acuity of this hearing is quite
diverse and can range from 30% to 95% chance to detect noise. Use of this ability is the same as the thief ability
Detect Noise.
Clairaudience. The weapon has hearing as one of the above and can use clairaudience. The use of this power ranges
from once weekly to three times a day. Most commonly, the weapon uses clairaudience only once each day. As with
other magical items, this ability should be treated as cast at 12th level.
Vision
Sight, none. The weapon cannot see at all. Events must be described carefully to the weapon for it to know what is
happening. If the weapon is also deaf, some other means of communication must be established.
Sight, 10' only. The weapon can see short distances. The weapon can see items out to ten feet. Anything further
appears gray and indistinguishable. Within this limited distance, the weapon can see as well as a human, including
noticing details and spotting hidden or surreptitious movement. For this category and the next, decide on where the
weapon's exact point of view is. Maybe the weapon needs to be pointed at something in order for it to see. Such
actions might be taken as hostile by those unfamiliar with the weapon's nature. The point of view might also be a
particular gem in the handle.
Sight, human. The weapon sees as well as a human with normal eyesight. This option is the most common for
intelligent weapons. The weapon is susceptible to illusions.
Sight, sympathetic. As with hearing, natural, temporary, or magical disabilities or enhancements affect the weapon as
well.
Sight, superior. Consult the sections on Vision and Light in the Player's Handbook and DMG. The weapon doubles
distances in each category. The weapon also has double DM-assigned chance to notice concealed objects and halves a
thief's chance to hide in shadows.
Sight, infravision. The weapon has normal human vision and infravision to 60'. Some weapons have the superior
(120') infravision possessed by dark elves and some other creatures.
Clairvoyance. This ability is similar to clairaudience, above.
Wizard eye. In addition to normal human vision, the weapon can use wizard eye once per day.
X-ray vision. X-ray vision is added to the weapon's normal sight. This ability functions as the ring, including
lowering the user's Constitution if used too long or too often.
Tactile Sense
None. The sword cannot feel any touch at all.
Damage only. The sword can tell if it is damaged and feels pain accordingly. Normal use in combat does not hurt the
weapon, but banging against a creature it cannot harm might hurt it. Hitting very hard creatures like iron golems would
probably cause damage except for the strongest weapons. Attack forms like fireballs and lightning bolts hurt the
weapon, although attacks that don't normally affect metal or wood (like poison) would not cause pain.
Heat/cold sensitive. The sword feels heat or cold like a human. Extremes of climate might not damage the weapon,
but it feels the effects as if it were a human and won't appreciate being subjected to it if the holder himself is protected.
The user can stick the weapon in a pool to see if the temperature is suitable for humans and otherwise use it as a
thermometer, but the weapon might not appreciate it.
Sympathetic. The weapon feels anything the user feels. This sympathy means that the weapon might think that
damage sustained is too great to continue a battle and advise a retreat. On the other hand it might disagree with a
retreat when the character is relatively healthy and withdraws from battle. If it can speak, the sword might howl with
pain when the user is hurt, possibly giving its presence away or drawing unwanted attention.
Other Senses
Smell. The weapon has a sense of smell. An acute sense of smell might allow the weapon to track like a dog or other
animal.
Taste. When touching an item, the weapon can taste it, possibly detecting poison or harmful substances.
Psionic. The weapon has an unusual clairsentient psionic ability. As with other psionic abilities mentioned here, you
can assign PSPs and MTHAC0s or simply determine how many rounds the ability can be used. You can use any of the
clairsentient sciences or devotions. Generally, the weapon has only one special ability, but the weapon's nature might
demand that these senses be the weapon's primary focus, in which case the weapon should have few other abilities.
Magic. The weapon might use a divination power such as detect magic, detect good/evil, know alignment, or most
low-level divinations. As with psionics, above, the weapon should not have extensive special senses unless detection is
the weapon's purpose.
Other. You may also decide to assign any special detections such as the ability to penetrate disguise, detect extra-
dimensional origin in creatures, determine the loyalty of a character, determine the object or power of worship of a
priest, or know a creature's level/Hit Dice. Many of these abilities are similar to the Weapon Primary Abilities found
on table 115 of the DMG.
Communication
None. The weapon cannot communicate without a magical means. Often, these weapons are not even counted as
intelligent, although they can have a very high Intelligence.
Semi-empathy. Semi-empathy is felt only by the holder, and comes across as a flat, static sound or feeling during
times of great concern to the weapon. Thus, a sword that can find secret doors might vibrate when it detects a hidden
passage, but it might not be able to communicate why it is vibrating to its holder. Trying to discover the reasons
behind the vibrating can be a frustrating game of charades -- without feedback -- for the player and character.
Empathy, touch. The weapon can communicate general feelings with the character holding it. It might signal that it is
afraid, tired, eager, proud, or angry. This communication has the advantage of being private between the holder and
the weapon.
Empathy, ranged. The weapon can communicate it's feelings to a group or area. Typically, the weapon's empathy
projects in a radius, usually 10' or 15'. This empathy has no magical force to affect the emotions of others, but if the
weapon is extremely powerful and radiates anger, it could influence the reactions of characters who can feel the anger.
Naturally, other emotions can also affect those who receive them through empathy.
Speech. Speech is relatively common among magical weapons. Those able to speak can understand and reply in one or
more languages. Most often, they speak the native language of their creator, possibly giving characters a clue to the
weapon's origin. Subsequent languages usually relate to the weapon's purpose, enemies, or allies. A knife made for a
dwarf, for example, might speak dwarven, gnomish, and orcish. An elven short sword, on the other hand, might speak
elven, dryad, copper dragon, and pixie. Sometimes, the maker's purpose is completely unfathomable and the weapon
speaks apparently random languages.
Tongues. The weapon has the ability to use tongues from 1 to 3 times daily. Sometimes, these weapons are
intentionally created to serve as translators. They might also speak several languages and have the ability to learn
more.
Mindlink. If you use psionics in your game, the weapon can use mindlink to communicate directly with an individual.
Assign the weapon a PSP pool and MTHAC0 to determine duration of use or simply establish a number of rounds that
the ability can be used during a single day. If you do not use psionics, the wizard spell Rary's telepathic bond from the
Greyhawk Adventures hardback book is essentially the same effect. You can refer to that spell for details on this
power. This power can be an addition to speech, allowing for private conversation between the weapon and an
individual, or it can be the weapon's sole method of communication. If the latter, you might wish to allow the weapon
more extensive use of the ability (an hour a day or more) for greater utility.
Exotic. The weapon can send dreams or visions to the owner. It might be able to force the owner to speak for it. It
might be able to cause runes to appear within a short range (30'), cast magic mouth on other items, or have some other
special ability. Use your imagination, but try to ensure that the ability is not one that can be exploited by players. You
might intend for the ability to create illusionary hands, for example, to allow for pantomime, but clever players can
find many ways to abuse the power.
Proficiencies
Proficiencies are related to languages in that they are primarily based on Intelligence, but they are also the
accumulation of knowledge by experience. A high-level character has more proficiencies than a low-level character of
the same Intelligence. Similarly, an older weapon can have more knowledge in certain areas than another weapon of
the same Intelligence. Not all weapons can learn proficiencies. This ability is a special talent, usually held by weapons
that became intelligent spontaneously.
A weapon made for a certain purpose, of course, must have skills to assist in that area. A sword that has no combat
bonuses for example might be that way because it was meant to serve as the symbol of office for a healer. The healer's
sword might be proficient in healing and herbalism.
The weapon's ability to utilize proficiencies, however, is modified by the lack of a body to exercise certain
proficiencies. It might also be restricted by his senses, as detailed above. Essentially, intelligent weapons can use most
proficiencies based on Intelligence or Wisdom. They can also utilize some Charisma-based proficiencies, like singing
(if they can speak) and etiquette.
Alignment
Like any character, intelligent weapons have an alignment. In addition to the known alignments, a distinction should
be made between Neutral and Absolute or True Neutral (TN). Used here, the neutral character does not care about
alignment. His special purpose or personality dictates all actions. Unintelligent animals are neutral. An absolute neutral
actively tries to promote the balance between good and evil, law and chaos.
Personality And Ego

A weapon's ego determines how the weapon feels about its own strength. A high ego indicates a confident weapon,
sure of its own abilities. A weapon with a low ego is not very confident, advocating caution and asking its owner for
extra precautions to keep it safe. Ego can also be seen as a weapon's Charisma score, affecting the weapon's dealings
with characters and monsters other than its holder. For great suggestions on dealing with high-Charisma characters, see
"He's Got Personality," in Dragon #243. The article also includes Charisma-based proficiencies that the weapon might
have.
The weapon's Personality decides how well it can force its wishes on its holder. The weapon's owner can force the
weapon to use abilities that it knows about if the owner has a higher Personality score than the weapon. Likewise, a
weapon with a higher personality can use its powers frivolously or refuse to use them at all.
The weapon's Personality Score is equal to the total of its ego and Intelligence, as described in the DMG. Using this
system, ego scores have greater variation. Before you allow the party to interact with the weapon, check the characters'
Personality scores (Intelligence + Charisma + Level) and make sure they compare with the weapon's score for the
result you wish. If you want to make sure that only the strongest party member can use the weapon, you can customize
the weapon's abilities and characteristics so that its Personality score fits where needed.
Personality Conflict
Inevitably, a personality conflict results between a character and an intelligent weapon he carries. Perhaps this conflict
allows the party to come into contact with the weapon in the first place; the previous owner succumbs to the weapon's
superior Personality at a crucial moment, as the weapon fails him to allow itself to fall into other hands. You might use
this to create an NPC who is capable of defeating the party in combat, and then reducing the NPCs powers when the
party in on the brink of destruction as his weapon takes its revenge for an earlier insult by abandoning him in his time
of need.
A conflict primarily occurs when the weapon and its owner disagree on questions of alignment, although if the weapon
has a special purpose, a conflict arises whenever the owner has an opportunity to pursue the special purpose and
refuses. Conflicts might also occur over more minor matters in the case of an evil or naturally belligerent weapon.
In the event of a conflict, a weapon with a superior Personality has several options to exercise to force its owner into
cooperation. It chooses from among these options based on the level of disagreement with the owner, its temperament,
and its alignment. Most weapons attempt to teach the owner a non-fatal lesson first, although some are notoriously
short-tempered and use the strongest means of persuasion available to them to enforce their will on their owners.
First, the weapon can refuse to apply some of its magical bonuses. A spear+3 might function as a +2 or +1 until the
owner decides to "see the light". If the owner still disagrees with the weapon's wishes, the weapon can actually reverse
its normal bonuses, causing the owner to strike with a -3 (in the case of the spear example) to all attack and damage
rolls (although damage is always a minimum of 1 point).
The weapon might refuse to use certain properties, as well. If a luck blade (a strong-willed protector of the nobility),
for example, were held by a flighty thief, it would almost certainly refuse to grant a wish to make the thief climb better
so that he could break into a baron's manor. The weapon might still be tricked into using its powers, but it can't be
forced unless the character has a higher Personality score.
Another example of withholding of properties is an inherently-lawful vorpal sword used to fight the local constabulary
while the flighty thief is in the midst of a lengthy crime spree. The weapon would most certainly refuse to use its
decapitation ability, probably using other methods of expressing his disagreement with the thief's activity as well.
While weapons can't normally move themselves, they can sometimes slip out of their owner's hands, unless disarming
is normally impossible due to the psionic graft weapon ability, or a magical gauntlet that disallows disarms, or other
magic. The weapon can slip out of the character's grip during combat, while crossing a river, or in a panicked flight
from enemies.
Outside of combat, the weapon might speak at inopportune times, possibly bringing the character far more trouble than
a mere -1 attack modifier. Suppose the character is negotiating with surly stone giants for permission to pass through a
guarded mountain pass and a voice comes from his side that says "What! You're only going to pay 400 gold pieces?
You have thousands in your backpack! Give the poor giants a little more than that."
If all else fails, intelligent weapons can attempt to force their will on characters with a lower Personality score. Some
weapons intentionally allow their owners to be damaged in combat so that the owner's Personality score is reduced,
making it easier to dominate him. As a last resort, an intelligent weapon can affect its owner with a dire charm from
the Forgotten Realms Adventures hardback book. This spell is a charm that affects the target with a killing rage,
making him attack friend or foe alike for 1d4+12 rounds. This power can be used at will, but only if the owner's
Personality score is lower than the weapon's.
Filling in the Gaps

Like an NPC, the weapon should have an individual name. It might be named
after its creator, or its enchanter, or the first person to use it. Loric the Bard
and his songs, for example, might be forgotten, but Loric the sword guards
the hearth of Morgan the Smith. More often, the weapon has its own name,
given when it is created. Some weapons are known by a title or nickname,
rather than a formal name: Dragonbane or Elfslayer are generic examples.
The famous Beater and Biter, better known as Glamdring and Orcrist from the
Lord of the Rings, are examples of both names and titles.
If the weapon can speak, you need to decide what the weapon's voice is like.
Its pitch, sex, volume, rate of speech, and other details can be used to
customize the weapon. Referring to the weapon's general traits can help. Use
words like "gruff" or "dulcet" to describe the weapon's speech to the players.
A female mezzo soprano who speaks quickly but with a lisp is vastly different
from a laconic male baritone with an "R-less" dialect (a "fight-uh" rather than
a "fighter").
For a weapon's personality traits, use the NPC General Traits table on page 114 of the DMG. Decide or roll as needed,
making changes where necessary based on the weapon's role and properties. A weapon that cannot speak, for example,
can hardly be "garrulous."
Random Attributes & Addition to Ego

For quickly developing weapons that you didn't expect the party to acquire, or for rushed planning, you can use the
following tables to randomly determine some of a weapon's characteristics. If you are creating a custom weapon, you
just need to note the effect of each characteristic on the weapon's ego. You can use these adjustments to make a
weapon that fits the role you have in mind. You might want a weapon that is subservient to the NPC who currently has
it but which can dominate any PCs in case they take it from him. Or you might have the opposite in mind.
Race
Weapon Type (d100)

1-10 Battle axe
11-15 Bow, long
16-25 Dagger/knife
26-80 Sword
81-95 Spear
96-00 Warhammer
Class
Use the Magical Weapons tables on page 140 of the DMG.
Senses & Abilities
Hearing (d20); Ego Modifier

1 Hearing, none; -1
2-7 Hearing, touch only; 0
9-15 Hearing, as human; +1
16-17 Hearing, sympathetic; +1.5
18-19 Hearing, superior; +1.5
20 Clairaudience; +2
Vision (d20); Ego Modifier

1-3 Sight, none; -1
4-5 Sight, 10' only; 0
6-11 Sight, human;+1
12-13 Sight, sympathetic; +1.5
14-15 Sight, superior; +1.5
16-17 Sight, infravision; +1.5
18 Clairvoyance; +2
19 Wizard eye; +2
20 X-ray vision; +2
Tactile sense (d20); Ego Modifier

1-5 None; 0
6-15 Damage only; 0
16-19 Heat/cold sensitive; +.5
20 Sympathetic; +.5
Other senses (% chance of each occurring); Ego Modifier

15% Smell; +.5 (+1 if able to track)
5% Taste; +.5 (+1 if able to detect poison)
10% Psionic; +1 for a devotion, +2 for a science (per daily use of 12 rounds or less)
20% Magic; +1 for each daily use of a L3 or lower spell, +1.5 for each daily use of a L4-6 spell
10% Other; +.5 to +2 each
Communication (d20); Ego Modifier

1 None; -1.5
2 Semi-empathy; -1
3-5 Empathy, touch; 0
6-8 Empathy, ranged; +.5
9-17 Speech; +1, plus 1 per each additional language
18 Tongues; +1 (in addition to ego for speech)
19 Mindlink; +2 (plus possibly speech)
20 Exotic; Varies
Proficiencies
Weapons gain additional proficiency slots according to their Intelligence score. You can also allow them extra
proficiency slots based on their history or creation. A weapon gains a +.1 to ego for each proficiency slot. If it can
learn new proficiencies, add +2.5 in addition to existing proficiencies.
As an alternative, you can allow for a random number of proficiencies to reflect a very old weapon of medium
intelligence or a weapon of limited experience that has a high intelligence. The weapon might also have knowledge of
specific proficiencies for a reason related to its purpose; the healer's sword in the above section on proficiencies is an
example.
For random proficiencies, choose 1d4 from the Intelligence table, 1d3 from the Wisdom table and 1 from the Charisma
table. Note that only the Player's Handbook was used for creating these tables. Many more non-weapon proficiencies
are described in the various Complete Handbooks, Players Option: Skills & Powers, and Dragon Magazine.
As a final note on proficiencies, certain skills are useless without the ability to see, hear, or communicate. A weapon
might know how to plow a field, the best time of the year, how to protect the field from ankhegs, etc, but if it cannot
tell its owner, the ability is largely wasted. Reroll any proficiency which you cannot make work within the weapon's
already-determined abilities.
Intelligence (d20)
1 Agriculture
2 Ancient History
3 Animal Lore
4 Appraising
5 Astrology
6 Brewing
7 Cooking
8 Engineering
9 Heraldry
10 Herbalism
11 Languages, Ancient
12 Languages, Modern
13 Leatherworking
14 Navigation
15 Reading/writing
16 Reading lips
17 Spellcraft
18 Survival
19 Weaving
20 Reroll twice, ignoring additional rolls of 20
Wisdom (d10)
1 Animal Handling
2 Animal Training
3 Direction Sense
4 Fishing
5 Healing
6 Hunting
7 Religion
8 Tracking
9 Weather Sense
10 Reroll twice, ignoring additional rolls of 10
Charisma (1d4)
1 Etiquette
2 Gaming
3 Local History
4 Singing
Alignment
Alignment has no effect on a sword's ego. It certainly affects the weapon's personality, however, both how the weapon
looks at situations, and how it forces its wishes on its owner. A lawful good weapon, for example, would certainly seek
to persuade its owner of a particular course of action before it allowed him to be killed in combat by adversely
affecting attack and damage rolls.
Alignment (d10)
1 LG
2 LN
3 LE
4 NG
5 TN
6N
7 NE
8 CG
9 CN
10 CE
Sample Intelligent Weapon Design

Jay has a great foe planned for the PCs to meet. He is Poxolotl, an evil priest who is collecting tribeless humanoids--
outcasts, last survivors, lost, or renegades -- into a tribe of his own. While persuasive and willful, the priest is not very
cunning and needs a little advice. Old Pox (as the orcs call him) plans to announce himself to the world by destroying
a dam whose lake supports a large fishing city.
Jay plans to use ideas from "101 Dirty Orc Tricks" in Dragon #242, but Poxolotl and his band still won't challenge the
middle-level party. Also, Poxolotl is a little out of date with the local lingo, having been entombed under a feign death
effect for the last 900 years.
The priest needs an advisor, a translator, and bodyguard. Instead of developing three separate NPCs out of the
makeshift tribe, Jay decides that an intelligent weapon can fill all three roles.
Jay determines that, of the most common intelligent weapons, none fits his concept of the priest as well as a dagger.
To make it cosmetically different and add spice to the campaign, Jay describes it as bone, but assigns no combat
penalties to the weapon. He calls it the "Tooth of Mar", but he doesn't yet know who or what "Mar" might be.
As a combat aid, Jay decides the dagger should be a dagger of venom, and allows Poxolotl knowledge of herbalism.
Poxolotl makes his own poison, a nasty brew that paralyzes its victim. Again, Jay makes a little change for color. The
idea of a screw-off cap with a poison reservoir sounds too scientific for the ancient priest, so he decides the bone
dagger "drinks" the fluid from the tip. The effect is the same, but the appearance is different.
Since the weapon is intended as an advisor, it must have some communication ability, preferably speech or mindlink.
Jay doesn't like using psionics, but he has read the description of mindlink and tentatively decides that the dagger can
speak, but can also mindlink with its owner. He notes the addition to ego and continues.
As a translator, the dagger must be able to speak with the humanoids, so some languages are necessary. It should
speak orcish, one of the most common humanoid languages, and it should be able to speak goblin and Jay reluctantly
decides on ogre, as well. His campaign doesn't have many, but Old Pox might need them to help bash in the dam. He
also decides that the weapon doesn't speak the priest's out-of-date language, but communicates with him only via
mindlink. This idiosyncrasy also means that the priest doesn't necessarily know what is being said to the humanoids,
which Jay thinks could lead to some interesting complications later.
Also because of the dagger's role as translator, the Tooth must be able to hear. Since no pressing reason exists for
superior hearing, the Tooth can hear as well as a human. The dagger has no great need of sight, either, but Jay decides
to grant the dagger limited sight (10'), and keeps this information secret even from Poxolotl. Maybe the priest does
something the dagger doesn't like in his view, leading to conflict later. Jay jots that idea down for future use and
continues.
In order to speak these extra languages, Jay decides to grant the Tooth a relatively high Intelligence. He remembers the
dagger is supposed to advise Old Pox, as well. He assigns the weapon a 17 Intelligence and decides that the Tooth, not
the priest, invented the idea of destroying the dam. Maybe Jay can tie this plan in with some secret agenda of the
dagger.
Thinking about this last plan further, Jay decides to take a moment to develop some of the Tooth's background. Maybe
the lake created by the dam has covered a site important to the dagger. Maybe the site is the resting place of a previous
owner, whom the weapon found shared his goals. Maybe even Mar lies hidden under the lake -- whoever or whatever
Mar is.
Having already decided that the weapon speaks most of the humanoid languages, Jay reasons that a humanoid might
have made it. Since the weapon is more or less human-sized, an orcish shaman could be a reasonable assumption. Orcs
in Jay's campaign don't currently become powerful shamans, however, but he sees no reason why a shaman in the far
past -- before the lake was created -- couldn't have been more skilled than most contemporary shamans.
Jay likes his current train of thought and marks down the shaman history and reason for the Tooth wanting the dam
destroyed. He writes down details about the weapon's appearance, adding orcish runes, a rude iron handle, and other
details. Knowing the weapon was made and possibly used by orcs, he decides that the weapon speaks in a rough male
voice and probably curses frequently, loudly, and colorfully (the weapon isn't going to be useful to the party in social
situations, if they keep it!). He adds that when the weapon poisons a target, it taunts the character mercilessly, giving
him horrible details about his impending agony and death.
Choosing an alignment is an easy decision. Since orcs are lawful evil, an alignment close to that is likely. Jay decides
that since the dagger speaks to different tribes of humanoids, a neutral outlook would make it more useful to its owner.
Jay establishes the Tooth's alignment as Neutral Evil.
Jay finally decides that Mar was an orcish hero from another tribe who took the dagger from the shaman who made it
when their tribes fought. Mar grew so popular that some of his followers swore to have him raised after his death. The
Tooth is not eager to see Mar raised. On the contrary, it wants his body utterly destroyed to prevent his revival.
Perhaps Jay can leave some clues to this history for the players to find, giving them another adventure after they deal
with Old Pox.
Time On Your Hands 2
by Thomas Devine
Art by Dan Smith

Most Timepiece/Stopwatch campaigns center around the efforts of Timepiece agents to put history back the way it
was. This is because a great outcome like Timepiece's world of democracy, social justice, prosperity, and a healthy
environment is very unlikely.
The reason that Stopwatch has not long since won is that survival, without justice, is even less likely.
Like Timepiece, Stopwatch does not want to scramble history. They only want to make things less just and free. That
is why I present ten ways to make history a little duller, a lot sadder, and more corrupt.
Keep Italy out of WWII
This would not hurt Hitler. It would not win him the war either, but it will help him. Having Italy as a friendly neutral,
instead of an unstable ally, would have freed up resources for other fronts. The Germans could have still used Italian
ports, but the allies could not have bombed them. Italy, as a neutral, could have been a major pipeline for whatever
trade goods the Nazis needed.
After the allied victory, Mussolini, like Franco, could present himself as an anti-communist and an ally of NATO. The
Fascists could have ruled Italy into the '90s.
An Italo-Spanish right-wing alliance to corrupt the Catholic hierarchy could have brutally warped the Catholic
Church.
Challenge: The problem for Timepiece agents would be twofold. First, find out who influenced Mussolini to use his
brain -- not a common thing for him. Then get Mussolini to do something really stupid -- join the war -- after he had
figured out the risks.
Note: Mussolini's motives were composed mainly of vanity, malice, power lust, and caution. Mussolini's mind always
mixed intelligence with stupidity. The players will never be able to depend on Benito to be either dumb enough to fall
for their best tricks, or smart enough to see through even the most transparent flattery. This drove his opponents to
despair. Have it do the same to the players.
All Social and Thief/Spy skills will be useful. Language skills in Italian, French, and German are also necessary.
Along with period history and culture, a good knowledge of ancient Rome and its literature will help the players pass
as contemporary Italians. Fascist party members would be interested in Roman glories.
Similar Mission: This is really a reverse but the damage would be similar. Get Ireland into WWII. As a friendly,
neutral Ireland was helpful to the allied cause; But if Ireland had joined an alliance with Britain, and sent men overseas
to defend Britain, riots would have broken out all over.
Ireland had been independent for less than 20 years and was still wounded over the twin humiliations of having to
accept the lost of Ulster(including majority Catholic areas that had been promised to them) and having to accept
dominion status instead of full independence and the right to proclaim the Republic. A long bitter history of British
dominance was too much to get past. Neither Roosevelt or Churchill ever understood that. Both of them developed a
deep contempt for DeValera and his wise restraint.
If Stopwatch could get DeValera to join the allies, the resulting riots would require British troops to put down. This
would lead to full fledged civil war the second the British stepped on Irish soil.
Churchill would never have let go of Ireland once he had it. The Irish, who always have to labor under unfair
reputations, would have been branded pro-Nazi. Everything Irish would get linked with the Nazis and the Holocaust.
Irish nationalism, which would not die, would be handed over to the fascist right. Stopwatch would love the eternal
army of occupation that would be required to enforce British rule.
Resources: The ideas for both of these interventions came from The Rise and Fall of Great Powers by Paul Kennedy.
For more background, try Mussolini's Empire by Edwin P. Hoyt, which gives great background on Mussolini. The
Italian Story by Geoffrey Tresse, Garibaldi and the Making of Italy by G.M.Trevelyan and The Making of Italy 1815-
1870 by Edger Holt should give you a better view of the Italian scene.
Stop Rock and Roll by Stopping BeBop
Most of you have never heard of BeBop, a Jazz style, but it has changed your lives. BeBop became the dominant style
of Jazz in the 1950s. This helped an obscure Rhythm and Blues style, called Rock and Roll, become first a dance craze
and then the dominant music style worldwide.
Because both '50s pop ballads and BeBop are useless as dance music, everywhere teens danced had to play Rock. If
Jazz had stayed dance music, Rock would not have been a necessity. Club owners never would have let the early
rockers in the door if they had had a choice.
The main cultural effect of Rock was its revving up the generation gap. The fact that parents just did not understand
how good rock was taught teenagers that their parents did not understand their world. Changing conditions were
already doing that, but the fact that kids suddenly had a sealed-off culture of their own speeded things up and
deepened the shock.
All of this made the idealism of the '60s seem far more important than mom and dad's objections. Once you throw out
one tradition, others are easy. Many things, mainly good and some bad, became possible. This whole tendency toward
experiment and exploration is hated by Stopwatch. They would certainly try to prevent the vast shift in tastes that
helped make the '60s.
Challenge: A cultural movement like BeBop comes from many sources. Stopwatch would probably need to kill, maim,
or otherwise thwart the lives of several dozen musicians. Very few of these people would be all that obvious. It will
take careful research on Timepiece's part to find out what was done.
Since most of the people Stopwatch is attacking lived in the pre-WWII African-American community, records of their
lives will be scanty. Those in power preferred to have fewer records of African- Americans. This is because it is easier
to cheat people who have little access to legal records. Voting rights are especially vulnerable to courthouse fires even
today.
Social and Thief/Spy skills would, again, be crucial. Streetwise would be the most needed skill. Musical skills would
aid the players in fitting into the crowd. Music appreciation will be an important detective skill in this case.
Similar Mission: The artists that had the greatest influence on human life were the Victorian novelists. Authors like
Dickens, Eliot, Tolstoy, Twain, Crane, Hugo, Balzac and Zola showed their nations to themselves. Ancient barriers to
understanding others in your own society were dissolved. The turmoil of the 19th century was spelled out to the
masses by these authors. Stopwatch would want to stop the empowerment this promoted.
Resources: The Music of Black Americans: A History by Eileen Southern and America's Black Musical Heritage by
Tilford Brooks, will both provide background. The second book has a small section called BeBop pioneers. Afro-
American History: Sources for Research edited by Robert L. Clarke, should help you find whatever background you
need.
Get Edward the VIII to dump Mrs. Simpson
Edward VIII was a useless airhead. Britain has had many stupid and cowardly kings but WWII was a particularly bad
time to have a second rate playboy for a king. Edward VIII would have left Britain for the Bahamas at the first
suggestion that he not risk his own life. The Nazis would have loved telling the British about Edward VIII's luxurious
ease during their suffering.
The damage to British morale and moral standing during the war years would have been only a start. Edward was a
racist, and a tactless one. That would have cost Britain much.
Edward would have sided with the Tories against independence for India. A long war of independence would have
been likely. The Chinese Communists would have been involved by the '50s. India would never have become the
world's largest democracy.
Back in Britain, Edward's racism would have humiliated racial minorities, and encouraged bigotry. Either Britain
would have been humiliated in the eyes of the world or racism would have remained acceptable.
Challenge: Edward VIII was a weak-willed airhead, but he was a sentimental, spoiled-brat-grown-large airhead, with
bodyguards. Manipulating him would be draining. You could not trust him to follow any course of action unless you
watched him.
Stopwatch, mindful of how fickle and weak he was, probably would have set up a Femme Fatale, with a good
background, to win the king over and marry him. She could then run Edward for Stopwatch and raise the next king to
serve as well.
The Timepiece players would have to get a weak and fickle prince to dump a beautiful aristocrat for a frumpy
divorcee.
Social skills, particularly Savoir-Faire at a high level would be needed. Thief/Spy skills will also be needed. Combat
skills will have lots of use; the British upper class was surprisingly violent and cruel in this period. Also, the prince's
bodyguards would be the first ones Stopwatch would try to control.
Similar Mission: Most of the modern monarchies are more influenced by their kings than you would think. A corrupt
or lazy monarch can seriously weaken a nation.
Stopwatch might want to get rid of good kings. King Mongkut of Thailand, the king in The King and I, preserved Thai
independence. Stopwatch would prefer Thailand colonized. Less risk of democracy that way. Juan Carlos of Spain, the
best king of this century, stopped the fascists from returning to power in Spain. Stopwatch wants him to die in the
cradle, or at the hands of a "communist" so that the fascists have a martyr.
William IV of the United Kingdom is a weak King that Stopwatch would try to remove. He supported and signed the
Reform Bill of 1832. He was the only member of his family that would have signed it! Without the 1832 reforms,
Britain would have gone toward a more efficient form of oligarchy or a violent revolution with reaction. Stopwatch
would benefit either way. If both William IV and his niece Victoria were killed, then Ernest Augustus, the infamous
Duke of Cumberland, would have gained the crown. His son, George V of Hanover, was just as callous and
reactionary as his father. Between them, England would have had 60 years of corrupt rule and an alliance with Austria
that would have meant several wars with Prussia. The 20th-century's Anglo-German wars would have started 50 years
early.
Resources: The Britannica calls The Windsor Story , by Joseph Bryan III and Charles Murphy, excellent, but
unflattering. It is probably the most useful book on the subject. Novels by Agatha Christe, P.G. Wodehouse, Dorothy
L. Sayers and Margory Alingham will provide both background and situations. Many of the characters can and should
be lifted whole out of these books and thrown at the player characters. It is important to remember that the English
then, and to some extent now, view all Americans with a mixture of contempt and pity seasoned with ignorance and
supposed knowledge. If any of the characters are American, lay it on thick.
Aid the Communists in Greece
In the late '40s, Russian backed communists nearly won control of Greece.
Had they succeeded, the Dardenelles would have been effectively closed for
years. Turkey's economic development would have suffered as much as
Greece's, and Turkish democracy would have withered away. The Border
between Greece and Turkey would have been even more of a trouble spot
than it was.
Challenge: If most time missions are like GURPS Espionage, this one is
more like GURPS Special Ops. Both the Timepiece and Stopwatch agents
will be involved in guerrilla warfare. Both sides in the Greek civil war used
bandits and organized crime groups as allies. The levels of corruption, deceit,
and violence are still shocking. Combat and armory skills will be needed. If
there is any realism the players will have to repair their own guns and make
their own bombs. Streetwise, Wilderness Survival, Area Knowledge [Greece
and Balkans], and Language [Demotic Greek], [Turkish], [Russian],
[Bulgarian], and [German], to read the directions on the stolen Nazi weapons.
Social, Thief/Spy, and Cultural skills for Greece, will also be useful.
Note: If the time agents have been involved in stopping the 1953 coup in Iran, becoming known trouble makers in the
late '40s will aid Stopwatch and both the western and eastern intelligence agencies to be ready for them. Making
enemies in your present that will know you in your past, which happens to be their future, is an old science fiction
plotline. It can still snag people. Have cruel fun!
Similar Mission: This combination of a violent action/adventure plotline, with a rich cultural background perfect for
roleplaying, as opposed to roll-playing, can be found in several European wars. The guerrilla wars in Turkey and
Yugoslavia could also be manipulated by Stopwatch. Killing Tito would be the Stopwatch goal in Yugoslavia. Both
would be similar to the Greek crisis.
The war against Napoleon in Spain, which gave the word "guerrilla" to the language, would offer the same mix but
with a little bit of swashbuckling added. Both GURPS Swashbuckler and GURPS Scarlet Pimpernel will be useful.
Stopwatch would not be aiding Napoleon. They will be using the war as a means of killing off the grandparents of
future radicals and liberals. Aiding the reaction by weakening the leaders of liberal parties will be another priority.
For a much grimmer setting, try the Thirty Years War. Stopwatch will be trying to aid the Catholics. Kill Gustavus
Adolphus early on and a Catholic reactionary hegemony of Europe is likely. Of course keeping the King alive beyond
the battle of Lutzen, could have spread the conflict further afield but it is less likely. Witch hunters, plague, and famine
would be added to the guerrilla campaign. The casual violence of the conflict ceased only for moments of horror and
slaughter in the name of faith. Time travelers will need a fast-talk specialization in theology if they do not like being
burned alive.
The Spanish Civil War of the late '30s has similarities to the Greek idea, both in time period and enemies, but it was a
more idealistic struggle on the Loyalist side. Franco's crew were as brutal as the Nazis, and proud of their crimes.
Resources: Edward S. Forster's A Short History of Modern Greece 1821-1956, would be useful for the broad
background. Vasidika, a Village in Modern Greece by Ernestine Friedl, should provide details for the scene.
Stop Aswan High Dam
Aswan high dam is why Egypt needs peace. They need it for other reasons too. But if even one missile scores a good
hit on the dam, no more Egypt.
The valley of the Nile's narrow floodwaters would be held in the valley all the way to the delta. The delta is very flat
everything there will still be washed away. The Nile valley holds 95% of Egypt's people. It is the site of more than
95% of Egypt's industry. An even higher percentage of their arable land is in the Nile valley. They can never risk the
dam. That is why the dam forces them to make peace.
Stopping the dam would be a gain for Stopwatch because the Middle East wars would not stop till water shortages,
which are coming fast, crush those nations by thirst. Only the peace process can give the Middle East a chance to deal
with population overload and water shortages.
Challenge: Only president Nasser could have stopped the dam. How Stopwatch will get him to give up what he saw as
the symbol and substance of a renewed nationhood, I will not guess. However, once he had decided that the dam was a
threat to Egyptian sovereignty, it would be dead.
Stopwatch might prefer to try to stir up Islamic conservatives. Stopwatch could tell the truth about what the dam
would do to Egypt. Telling the Muslim Brotherhoods about the reduced sovereignty and ecological degradation, would
get them to fight. Telling them, that it is a western affectation that will force peace with Israel will get them to fight for
decades.
All social and Thief/Spy skills are useful. Language skills in Egyptian Arabic, Coptic, and possibly Russian if you run
into any technical advisors, will be useful. Islamic Theology, Political Science, with a specialty in Arab nationalism,
Civil Engineering, Ecology, and cultural skills related to Egypt will help. Martial Arts skills are advised; quick quiet
violence will reduce the need for further violence, but the characters will need to be able to defend themselves.
Similar Mission: No other major nation is, or ever was, as vulnerable as Egypt. But while we are on the theme of
dams, if Stopwatch gets desperate, they might blow the dam up. Israel would get the blame. The Arabs would call it a
new Holocaust. It would be as brutal a crime as the Holocaust and would kill more than ten times as many people. The
Middle East wars would heat up and last a generation at the least. If the slaughter did not produce at least ten times as
much shock and outrage in the West as the Holocaust, the Arabs would accuse the west of bigotry, hypocrisy, and
complicity. Also it would promote a huge worldwide increase in anti-Semitism.
Resources: Nasser's New Egypt by Keith Wheelock, covers life in Egypt at the time the players would be there. Other
books with details on the period and its politics are Egypt by Tom Little and Miles Copeland's The Game of Nations.
Get Japan to Put More Effort in the Invasion of Alaska
FDR had a hard time pushing his beat-Germany-first policy, but the nation was swayed and we attacked the stronger
nation first. If the opposition had been stronger or more frenzied, we might have concentrated on Japan first. The
outcome of the war would shift.
Getting the Imperial Japanese government to put enough effort into invading Alaska to do more than capture two
islands would have panicked the nation. Cooler heads would not have prevailed. FDR would have had to leave
England without enough resources to invade North Africa and protect the Suez canal.
A beat-Japan-first strategy would have likely led to, 1) an invasion of Japan, 2) a less than unconditional surrender of
Germany, 3) covering up the Holocaust, and 4) greater expansion of Soviet influence in the post-war world.
Because of Japan's militarist obsessions, an invasion would have been the only way, other than the A-bombs, to get
Japan to surrender. Anything less than surrender would have meant another war in three to five years, because of
Japan's militaristic worldview, and everyone in the governments of both nations knew it. But invasion of Japan would
have been a bloodbath for both sides. The A-bombs did not begin to match the destruction. A democratic post-war
Japan, or even a fully independent one, would be unlikely. If the bombs were not ready, then both Japan and the U.S.
would have lost millions.
Any extra time for the German army might have given them a chance to capture the Suez canal. Certainly they would
have entrenched in North Africa. All the French colonies would have been firmly under their control. The Afrikaner
nationalists were pro-Nazi, and only the speed of Allied victory in North Africa keep them from rebellion. Any chance
for revolt would have been taken, and the Germans would have made use of it. These events would have greatly
prolonged the war and involved Britain in a series of colonial wars right after WWII. The prolonging of the war would
have made Germany's unconditional surrender unlikely. At some point both the Axis powers and the Allies would have
been exhausted and drained enough to talk terms. The Nazi "knife in the back" myth of German defeat would get a
new life because the army would have forced someone else to order the peace.
With less than unconditional surrender there would have been no Nuremberg trials and the death camps would never
have been exposed to the eyes of the world. Everything about those camps has been denied by right-wingers even with
physical evidence before their eyes. If the evidence is destroyed and the victims silenced, no one would have believed
what happened. As it is there are more memorials to the Axis war dead than to the Holocaust victims.
If the A-bomb had been used on Germany, the world's anti-Semites would have claimed that the bombings were
equally immoral. The de-Nazification of Germany would still not have been achieved because of the floods of self-
pity. Prolonging the European war would aid the communists. Stalin would have pushed for hegemony in Europe as a
counterbalance to a un-de-Nazified Germany. The U.S., which would have neither the energy nor resolve after the
Japanese invasion for more struggle, might not even have started the Marshall Program. At least Austria, Greece,
Turkey, Italy, and possibly France, would have been taken over by the Soviets.
Challenge: If Stopwatch gets the Imperial government to see invading Alaska as a cheap way to scare Australia and
Canada into neutrality, and maybe get America to ask for a truce, then the players will have a dirty fight to win. The
whole thing will be more like a GURPS Illuminati campaign than anything else. Conspirators, double bluffs, assassins,
fanatics -- and that is just the secretarial pool! Establishing who is trying to get Japan into a self-destructive war and
who is merely a militant imperialist will be loads of fun.
If you ever find out who is who, then trying to influence the government's policies will be risky. Even those not
arrested by the government might die at the hands of the young officers that made assassination of those who they saw
as less loyal than themselves, a fashion in prewar Japan. Any voice of peace or moderation, or even caution, will be
labeled disloyal, which could become a death sentence.
Timepiece agents would need to pass for Japanese natives, TL8 plastic surgery will handle it. They will also need
patrons to sponsor them in bureaucratic circles. The most likely role, for the player characters, will be as Ninja type
agents for deep cover agents. Social, Thief/Spy, and Martial Arts type Combat skills will help. The ability to speak
Japanese fluently enough to pass in different social classes at need will be what keeps the agents alive. Check all the
language modifiers in GURPS Japan. Cultural skills and Savoir-Faire will help players fit in and go unnoticed.
Similar Mission: Two possibilities come to mind. Stopwatch could work to delay the entry of Japan into the war,
which would mean delaying U.S. entry. That would cause most of the same pains in Europe, for the reasons stated. Or
Stopwatch could get the U.S. to do a full scale invasion of Vietnam. The Vietnamese plan would have ruined the lives
of most of the peoples of Southeast Asia. The U.S., which fought for a policy of stopping communist expansion,
would have never gotten the Viet Cong, who fought for national existence, to surrender. America would have ruined
her reputation in the world community by invading a small nation. The inevitable retreat would have made us laughing
stocks. The right-wing reaction in the States to the retreat would have crippled the country for generations.
Resources: The only book I know of on the Japanese invasion of Alaska is The Thousand Mile War by Brian Garfield.
A former head of the U.S. geological survey for Alaska, Alfred Huse Brooks, wrote a book about the Alaskan
wilderness in the early years of this century, Blazing Alaska's Trails.
Get the Major Hollywood Studios to Back TV in the Late '40s
Because the studios declared war on TV in the late '40s, many new people got a chance to get into the national media.
Television programs were made in New York on shoestring budgets; writing, drama, and human interaction, were all
they had to depend on. Most of it was still dull, but people took chances, and some of them paid off.
If the movie studios had gone into TV production in the '40s they would have taken over. They had more of every kind
of resource and experience. Jackie Gleason, Sid Caesar, Mel Brooks, Neil Simon, Imogene Coca and Carol Burnett all
probably would never have made it in the studio system which would have controlled TV.
The competition from TV forced the major studios to experiment with social content, new technologies, color film, and
the products of independent film makers. Film Noir would have had far less of an influence. Science fiction, youth
issues, and rock and roll would have all been less likely to get into films.
Because the Hollywood studios of the '50s had a long history of contempt for science fiction and horror, shows like
Twilight Zone, Outer Limits and Star Trek would never have been produced. The Prisoner and Doctor Who would
never have been imported either. These shows have had lasting cultural effects which tend to favor Timepiece.
Whoopi Goldberg summed up the effect of Star Trek on her when she spoke of Lt. Uhura. "She was a black woman
and people listened to her!" No less a person than Dr. Martin Luther King, Jr. recognized the image of a African-
American professional woman as radical for that time. The old moguls with their hunger for respectability and country
club membership would have seen it, too. And killed it quick.
Challenge: Once the Stopwatch agents are entrenched, it would be an enormous job to thwart them. Show business is a
very incestuous business. It was worse in the old Hollywood days. The player characters will need to find their way
among legions of phonies before they could find the real phonies. The GM can and should use every show biz cliche in
the book. It is really a cross between GURPS Illuminati and Trivial Pursuit.
The people to influence for control would have to be the moguls. Each of these men were crafty, egotistical, cruel, and
shrewd. Manipulating these guys is not impossible, just close to it.
Similar Mission: Messing around with media gives the GM a chance to throw the celebrities of yesteryear in the
players' faces. The fun of singing with Elvis, nightclubbing with Fred and Ginger, and machine gunning the Brady
Bunch can all be part of your campaign. Canceling, warping or perverting the existence of shows like All in the
Family, M.A.S.H., Roseanne, Good Times, Sixty Minutes, and Gunsmoke could have interesting effects. It is obvious
that Stopwatch has controlled standards and practices ( the censors) from day one.
Resources: Robert Altman's film The Player will cover the basics of the Hollywood business offices. Just remember it
is only a film'; the real executives seem much more vapid and are much more vicious. Stewart L. Long's book The
Development of the Television Network Oligopoly should provide some dates and ideas. The TNT documentary MGM:
When the Lion Roars also has some information amid the glitter. Most books on the moguls and the studios are
gossipy and don't have any details about the real business offices.
Get Truman to Let MacArthur Attack China
This would have lead to a major prolonged war in the '50s. Nuclear weapons would have been used. In spite of the
anti-communists' propaganda, Russia did not have as many bombs or delivery systems as the U.S. and they might not
have even gotten a bomb dropped on U.S. soil. The fallout would have made it over anyway. There would have been a
repeat of WWII's destruction less than a decade after its end. Germany, France, Britain, Japan, China, and the U.S.S.R.
would have taken the main shock -- again.
A world war at the height of the anti-communist hysteria of the early ['50s would have permanently damaged U.S. civil
liberties. Neither the economy or the environment would have recovered for a long time.
Challenge: Because of the Cold War, strangers talking peace would have been at least suspect. The national press
corps was filled with people who saw Reds under every bed. The real menace of communism was hidden behind our
projected nightmares. It would be like a GURPS Illuminati silly campaign in deadly earnest.
The major players in the period would have been hard to manipulate. MacArthur always seemed to corner the market
on arrogance. Truman was more thoughtful than his "Give-em-Hell-Harry" image would suggest. But good or bad, he
would stick to an idea. He was the hero who forced the Democratic party to commit to civil rights, and he was the fool
who got the CIA through Congress with extremely limited oversight. McCarthy was a blustering bully, but he could
also be very charming; he thought only of himself. Even more selfish was Roy Cohn. He was also mindlessly
vindictive and given to blackmail.
Thief/Spy skills would be needed for this intervention. All Social skills and a wide knowledge of recent history will
also help. Most of the major modern languages will be useful, too. Letting most people know you're able to speak
other tongues would have made you seem weird in the States, but it would get you a positive reaction in other
countries.
Similar Mission: Patton wanted to start a war with Russia right at the end of WWII. His death prevented him from
trying. It was not that he cared about the Communists, it was just that he wanted to have another war. He knew that the
Atom bomb meant the end of his kind of warfare. If Stopwatch could keep him alive long enough to start a war when
Truman would have lacked the clout to stop him, WWIII would begin. The politics of the war would have prevented
the Marshall plan, the democratization of Japan, the Nuremberg trials, and India's independence. The post war
economy would have been bleak and Europe would not have revived for decades.
Resources: The Korea Knot: A military-political history by Carl Berger, should give you background. GURPS Atomic
Horror also covers the period. Charles A. Willoughby and John R. Chamberlain's MacArthur 1941-1951 should have
information on the Truman/MacArthur conflict; search out several sources.
Warn Syria About the June 5th Air Raids During the 1967 War
Israel took a huge gamble during the 1967 war. They had their whole air force attack one target at a time. Without
leaving any significant reserve to defend Israel. On June 5th, 1967, almost all of Israel's air force was attacking Egypt.
If Syria had known how vulnerable Israel was, they could have wiped out Israel while Israel wiped out the Egyptian
air force. This would have left Assad the undisputed master of the Middle East.
Challenge: This is an espionage mission. Thief/Spy, Social, and Language skills, are vital. The player characters must
remember not to take away Israel's advantage of surprise. Most of the effort would have to be put into Syria, keeping
the Syrians from believing or acting on Stopwatch information.
Similar Mission: Telling secrets can change things. Tell North Korea about Inchon, tell the Nazis about June 6th, tell
the U.S. about the Tet offensive, tell everybody Paul is dead, no wait, we did that one. Spilling the beans to the right
person at the right time can destroy a lot of hard work and lives. And it's fun, too!
Resources: I got the idea from Transformation of War by Martin van Creveld. It is a book all the serious thinkers at
the Pentagon are reading to understand how war has changed. All serious pacifists are reading it too. The best-period
book on the Israeli army is The Israeli Army by E.N.Luttwak and D.Horowitz. John F. Devlin's Syria: Modern State in
an Ancient Land and Nikolaos van Dam's The Struggle for Power in Syria rev. ed should cover the Syrian side.
Disrupt the Supreme Court During the Brown vs. the Board of Education Hearings
This was the single most important case to go before the high court in U.S. history and everyone in the courtroom
knew it! It was also unusual in that all of the justices agreed that the decision had to be unanimous. All of the judges
believed that the South might try to secede from the union again. Riots and mass slaughter of African-Americans were
believed to be likely as well. If anything had happened to scare the judges, they would have just waffled till they felt
the nation could bring itself to do justice in the case.
Challenge: Anything dramatic could have fouled things up. The players would need to worry about attackers from any
and all sides. Stopwatch might find an emotionally disturbed black man, and slip him a gun. A shooting spree in the
court chamber, particularly if Earl Warren or Thurgood Marshall gets killed, and the NAACP goes back to square one.
A white man with a gun and a rebel flag would have been seen as proof that the South would explode.
Players could use the Alertness, Danger Sense, Empathy, Intuitive, and Luck Advantages for this intervention.
Thief/Spy, Social, Social Science, and very quiet Combat skills are vital. Fast-Talk, Diplomacy, Acting, Detect Lies
and Occultism (Race Theories) will all be vital.
Similar Mission: Derailing civil rights movements would appeal to Stopwatch. As authoritarians, they wouldn't see
leaders like Dr. King, Nelson Mandela, Ghandi, Mother Jones, De Valera, Mrs. Pankhurst and Susan B. Anthony as
expressing an focusing the popular will, but as creating their movements and imposing them on others. They would
believe that murdering or corrupting such people would prevent the movements they championed. Timepiece would
know better, but would still have to guard all these champions.
Resources: The movie Simple Justice is a great introduction to the tensions surrounding the case. A History of the
Supreme Court by Bernard Schwartz and Free at Last? by Fred Powledge, will provide background dates and many
story hooks, if you dig for them.
Illuminati: New World War by J. Hunter Johnson
INWO: One With Everything is a good way to introduce

players to INWO without making them think about deck
construction (yet). But its all-the-cards, all-the-time format
can also be a drawback, if you keep drawing cards with very
specific targets (like The First Thing We Do, Let's Kill All the
Lawyers) or very specific requirements (like Angst) --
something that you don't normally have to worry about in a
constructed-deck game (unless you're just really bad at
making decks). This variant combines the newbie-friendliness
of One With Everything and the harmony of a constructed
deck. The Abuses section of the One With Everything rules
alludes to this type of variant, but my intentions are good . . .
The idea is simple -- get a set of Group cards with a common

theme, and take out the Plot cards that are less likely to be
useful with those Groups. In this case, the Groups deck
focuses on Nations, making this the New World War as the
secret organizations fight for international political power. This will usually be a cold war, but it can get hotter as
NWO: World War Three comes and goes.
The Groups Deck

The Nations cards make up the heart of this deck. Groups that have something to do with Nations (or just fit the
international theme) provide support. The Groups deck is made up of:
Al Amarja*
Australia*
The Big Prawn*
Bill Clinton
Boy Sprouts
Brazil
C.I.A.
Canada
Center for Disease Control
China
Earthquake Projector
England
Federal Reserve
Fidel Castro
Finland
France
Germany
Helmut Kohl**
Hidden City
The Holy Grail
International Cocaine Smugglers
International Communist Conspiracy
International Weather Organization
Israel
Italy
Japan
Killer Satellite*
Loch Ness Monster
The Mafia
Manuel Noriega
Margaret Thatcher
MI-5
Midas Mill
Multinational Oil Companies
NATO
Offshore Banks
Orbital Mind Control Lasers
Power Satellite*
Red Cross
Rogue Boomer
Russia
Saddam Hussein
Spy Satellite*
Switzerland
United Nations
USA**
Vatican City
Vladimir Zhirinovsky*
W.I.T.C.H.
Weather Satellite
* From the Assassins! expansion (leave them out if you don't have them -- or substitute some other cards, like Nuclear
Power Companies or Robot Sea Monsters).
** From Neue Weltordnung (if you don't have those cards, you can find out what they do in the article "INWO
Spricht Deutsch" from Pyramid #16 and use proxies, or just leave them out).
The Plots Deck

The Plots Deck should start with one of every Plots card you can find, at least from the base set and the Assassins!
expansion. Treat NWO: Peace in Our Time as a Yellow NWO card for this game, to provide some counterbalance to
NWO: World War Three.
If you have INWO SubGenius, you might consider adding a few cards from there as well, although most of them only
work well with the SubGenius groups (some good ones are Miraculous Manifestation, Rant!, The 13th Apostle, Time
Control, and Official, Divine, All-Inclusive Excuse).
Then you remove the following cards, since they don't have enough "targets" in the Groups Deck to be useful:
Air Magic
Albino Alligators
And STAY Dead!
Angst
The Auditor from Hell
Backfire*
Backmasquerade*
Bait and Switch*
Bank Merger
Bar Codes*
The Big Score
Bimbo at Eleven
Bite the Wax Tadpole*
Blood, Toil, Tears and Sweat
Car Bomb
Cease Fire*
Censorship
Charismatic Leader
Cold Fusion
Computer Security
Computer Virus
Counterspell
Cover-Up
Crackdown on Crime*
Crusade*
Currency Speculation
Death to All Fanatics*
Defection*
Dolphins*
Don't Rock the Boat*
Don't Touch That Dial*
Earth Magic
Eat the Rich!
Exorcism*
Exposed!
Family Values*
The First Thing We Do, Let's Kill All the Lawyers
Floating Point Error*
Foiled!
Frankenfood*
Freaking the Mundanes
Full Moon
Gang War
Go Fish*
GOAL: Blinded By Science*
GOAL: Criminal Overlords
GOAL: Earth First*
GOAL: Hail Eris!
GOAL: The Corporate Masters
Grave Robbers*
Harmonica Virgins
Hex
Infobahn
The Internet Worm
Jake Day
Jihad
Junk Bonds*
Let the Sunshine In*
Market Manipulation
Mass Murder
Media Connections
Metric System*
Miracle Diet Plan
Mob Influence
Monopoly
Never Surrender
Nevermore!*
NWO: Antitrust Legislation*
NWO: Bigger Business
NWO: Energy Crisis
NWO: Military-Industrial Complex
NWO: Tax Reform
NWO: The Magic Goes Away*
NWO: Visualize Whirled Peas*
NWO: Watermelons*
An Offer You Can't Refuse
Partition*
Pave the Earth!*
Pizza for the Secret Meeting*
Plague of Demons
Poison
Power Corrupts
Privatization
Pulitzer Prize
Regi$tered Trademark*
Resistance Is Useless!
Rewriting History
Save the Whales
Scandal
The Stars Are Right
Stock Split
Sufficiently Advanced Technology*
Supernova*
Sweeping Reforms
Take the Money and Run*
Tax Breaks
Teflon Coating*
Unlucky 13
Vile Secretions*
The Weird Turn Pro
Whispering Campaign
Witch Hunt*
Withering Curse
Finally, you can use some of those blank cards to serve as duplicates of the NWO: World War Three card, so that you
have one in the deck for each player. Or two per player if you're feeling particularly anti-social. Some of the other
blank cards can become:
War-Crimes Trials
But he started it!
Only playable when NWO: World War Three is in play. Discard NWO: World
War Three. The player who played that card must remove all action tokens from
his Nations and expose the Plot cards in his hand.
Isolationism
The target Illuminati cannot take over Nation groups.

An Illuminati action is required to play this Zap.
Play on a rival Illuminati at any time except during a privileged attack. A Zap
stays on its victim until it is removed. Spending an Illuminati action, at any
time, will remove all Zaps from any one player.
Summit
No Nation group, no matter who owns it, may use its Action token(s) until the
end of the present turn, except to defend itself against an attack. Alternatively,
if this card is played immediately after a Nation action, that action is canceled.
This card requires an Illuminati or Nation action.
Foreign Aid
Don't spend it all in one place.
Place an Action token on any one Nation group, or on two or more Nations
whose current Power adds up to 5 or less. This card may not benefit a group
that already has any tokens, or a group which is suffering from any effect that
prevents it from getting Action tokens. This card may be played at any time. It
requires an action from your Illuminati.
Nuclear Capability
We've had Top Men working around the clock . . .
This card may be played at any time, and counts as the action for the group it
affects. The increased Power takes effect immediately. The Power for one
Nation group is increased to 6. Link this card to your chosen Nation.
No player may have more than one Nuclear Capability in play.
More Grist for the Mill
That's it -- you're set for a lively game of global thermonuclear war, just like in WarGames. Or you can try it the
sophisticated way and win through diplomatic means. Note also that the various Illuminati are not created equal here --
the Adepts, for instance, are not going to find a whole lot of use for their special powers. So make sure everyone
knows (or can look through) the decks before selecting their faction.
This is just one example of a themed One With (Not Quite) Everything deck. You could also have Illuminati: New
World Paparazzi (Media and Personalities), Illuminati: New-World Politics (U.S. Democrats and Republicans), or
Illuminati: Technomancer Order (Science and Magic). If you're into cooperative gaming, throw in just the Peaceful
Groups and let everyone play Shangri-La . . . Just so long as you can keep dragging new players into the grip of the
conspiracy, They'll be happy.
When I Own TSR By Mike Stackpole
[Editor's Note: This column originally appeared in the February 1999 issue of
Comics Retailer magazine, Issue #83.]
It's January, and I try to do columns that are predictive in nature. I'm going
out on a limb this time, making a big prediction and one that won't come true
until the middle of the year 2000 or so. That prediction is that I'll buy TSR in
the year 2000, paying for it what it's worth (a million and change -- what
Wizards of the Coast should have paid for it) and turn the company around to
rebuild it into what it should be. The first thing I'll do is stop the stupid
mistakes TSR keeps making. By way of example:
TSR actually tightened the discount on its backlist. Let's follow this logic:
Backlist items sell more slowly than frontlist, so let's give distributors smaller
discounts on the slow-moving stuff. Is that what the business schools are
teaching these days? Let's realize something, kids: If a product isn't on the
shelf, it ain't going to sell. By giving the same or a bigger discount on
backlist stuff than you provide on frontlist stuff, you encourage having more
product in the stores, thereby making liquid the capital you have tied up in
inventory. Since frontlist sales drive backlist sales, tightening the backlist
supply makes no sense whatsoever, since it won't be in the stores to satisfy
demand. Rule #1: Let's not let the short-term bottom line blind us to making
sensible decisions about how to move product.
TSR has intimated that it may be moving toward a flat-fee payment for
novels by first-time authors. That pretty much guarantees it'll only get first-
timers working in its line, eroding quality and sales. I can remember a time when every TSR novel hit the New York
Times bestseller list. TSR's book sales have collapsed to the point at which in any given month a BattleTech or
Shadowrun novel can eclipse them on chain bestseller lists. I know first-hand the numbers that BattleTech novels sell,
indicating a 600% reduction in TSR novel sales over the last decade. Rule #2: If you want quality, you pay for quality.
Book lines don't succeed by beggaring authors and working with first novelists. Cherry-pick the best novelists out
there, get some seriously kick-butt books going, and return to the glory days.
How did I pick the year 2000 as when I'd snag TSR? Well, that's when I figure it'll be at its lowest point,
approximately three months after the release of the Third Edition of Advanced Dungeons & Dragons. I predict that
product will tank big-time and I'm willing to point out my reasons for that scenario now, a good 18 months out, so
TSR can correct the problems and prevent the disaster. And I'm willing to do this even if it will cost me the chance to
buy TSR.
The biggest problem I see with the coming product is the direction from which TSR is coming at it. I think the folks
working on the project may not be designing a game suited to today's market. I think they may be using this
opportunity to turn AD&D3 into what they think AD&D should have been. Game designers (and gamers) are all
notorious for this: thinking we know better than the original designer of the game. Working from a basis of nostalgia
that contains not a little contempt for the changes made when the second edition came out, I think TSR may be
working on a game that would have been state of the art in 1982. I worry it will be rules-heavy, written in an
impenetrable style, unintelligible to a beginning player and idiosyncratic enough to annoy players outside the design
team. I fear it will come out in a series of five books, each of which will run $35. Sales will spike with the first one,
then spiral down in flames. (And, in an attempt to recover from this disaster, TSR could offer a Classic Coke-New
Coke dichotomy in subsequent products, but those things couldn't roll out until 2001, which will be far too late.)
The second problem is that TSR's missed what has been successful in the past. Since 1985, with Dragonlance, and
certainly 1989 with Vampire and Shadowrun, the lesson in the industry is that worlds sell, not game systems.
Deadlands is the latest example of this: The game system is inelegant, but the world is so exciting and vital that folks
buy the products. To be able to move AD&D3 and make it a big hit, TSR needs to design a new game world that will
be fresh and exciting and pull a lot of readers in. The difficulty there is, as I have pointed out endlessly, TSR/Wizards
of the Coast's track record leads one to worry that it couldn't develop an intellectual property if a gun were held to
designers' heads. TSR staffers look at things like BattleTech and Shadowrun -- which they contemptuously consider
dead lines -- and wonder why they continue to sell. Here's the secret, boys: They continue to sell because the lines
reinvent themselves over and over again. Take BattleTech, for example. Since 1987 I've been working to shape the
history of that universe. We had the Fourth Succession War (two years), the Clan Invasion (three years), The Chaos
March War (two years). and the Twilight of the Clans (two years) -- and that's leading into the new era. FASA has
been doing event-based releases for more than a decade that keeps BattleTech fresh and trucking right along. Things
are shaped to appeal to the market, to our changing audience.
Of course, TSR has the resources to go out and hire folks to create a kick-butt fantasy world in which to set AD&D3.
They've got the lead time for great novels set there. They can make it exciting and launch the game as a line that
invites new players into roleplaying games, allowing them to graduate to AD&D2, which eventually will be
supplanted, as reprints of older products carry stats for both games. AD&D2 is gradually retired, and the transition will
be a seamless one that won't spawn a backlash.
The third problem I see with AD&D3 is that it's really too little, too late. TSR has good reasons for delaying the
release, but these are problems that could be taken care of by other means. The second Wizards of the Coast bought
TSR, the Magic roleplaying game should have been on the drawing boards and should have been out by January 1998,
if not sooner. (They could even have been working on it during the acquisition phase. The staff working on AD&D3
was already at Wizards of the Coast, anyway.) There really was a need for a product that would have proved that TSR
under new ownership wasn't just going to be the same-old same-old, but that time has passed. A Magic roleplaying
game would have also broadened the Magic property, but my remarks about handling an intellectual property still
apply here.
In addition to that, the staff that isn't working on AD&D3 is left to work on products they know won't be getting a big
push and likely will be superseded when AD&D3 comes out. The designers at TSR in that position could well be
better people than I am, but I know I'd lose a bit of my competitive fire and drive to crank out my best work when my
projects were destined to be forgotten or given short shrift as far as promotion was concerned.
The fourth big problem I see is related to the first, but I'll reiterate it so it can't be missed: Designers at TSR (and
Wizards of the Coast, for that matter) have transcended their audience. It doesn't matter if they still game -- in fact, that
exacerbates the problem. What they are is old gamers who are getting older. They know what they like and they tweak
things to mesh with what they like. There doesn't seem to be any inducement in the corporate culture to get folks to
think outside the box or, at least, to look at what today's audiences want and then provide it. (Flat or failing sales in
Magic releases point out how the market is shrinking; flat and shrinking Wizards of the Coast income numbers,
despite pulling in Five Rings and TSR, show a failure to expand its lines with products that appeal to customers
walking away from Magic.)
When I buy TSR, I'll make a number of changes. The first thing is to make the book, magazine, and game divisions all
start pulling in the same direction. Stories about game-product managers having to beg novel slots from the book folks
are just plain stupid. Books began as promotional tools for games and, though their sales might exceed those of game
products, if things are not coordinated, then the added benefit for game sales evaporates. And Dragon needs to
maintain its support role, publishing previews, short stories by novel authors, and keeping folks informed about all the
exciting stuff coming up. Coordination of these efforts is vital and I'd see to it that it would be done. I would go back
to cherry-picking the material that gets shipped to the book trade. Bookstores only ever used to be feeders to the game
trade: Introductory items, as well as novels, would go into the stores. Things that players would graduate to would be
found in speciality stores, and I'd return to that program. What went into the book trade would only be items that
would be winners for the stores, and that would feed new folks into gaming. Anyone already in the subculture would
have to be serviced in game stores, where the staff is knowledgeable about games and can provide gaming experiences
that bookstores never will.
I would establish rapid-response design teams and give them the goal of putting together sharp, event-based release
projects. These projects would be stand-alone items using an existing game system, streamlined to let anyone pick up
the material and start playing immediately. The venues for these events might be existing worlds or new worlds, giving
us a chance to introduce new folks to existing worlds -- or trying out a concept to see if we want to expand it later.
While most of the design staff would continue to service strong lines, we'd have some hot, kicky new projects to sate
the tastes of jaded players and designers alike.
I'd adjust the balance between marketing and creativity, because, whenever one predominates, the lines suffer.
Marketing can't tell creators what they should produce, because marketing bases future projections on past
performance. As far as marketers are concerned, more of the same is the way to go. Innovation runs the risk of
alienating the audience, but it never does it as well as boredom, in my opinion. Marketers should concentrate on
identifying our audience and seeking means to acquaint that audience with our games. Creators need to be reminded
who their audience is. They need to be reminded that every product is going to be someone's first product, and, if we
lose that person then, we've lost him forever. While some products will be so idiosyncratic no beginner could
understand them without other reference, gateway products can't be that way. Once the creators understood there were
parameters within which their work had to function, they'd be let alone to go wild, with praise and bonuses to follow
performance.
What do I think my chances of success would be, were I at TSR's helm? I think they'd be stunning. A little direction, a
big dose of reality, some streamlining and coordination, and I think TSR could scream. The excuses of "That's the way
we've always done it," or "Gamers will like it because I'm a gamer and I like it," just won't fly any more. We'd be
doing projects that will lead the industry in innovation, cost, and fun -- putting all the weight of TSR's reputation and
history behind them.
What do I think are the chances that I'll be able to snap TSR up for a song 18 months from now? Frighteningly closer
than even I'd care to imagine. After only 16 months, TSR's first director under Wizards of the Coast has been moved
aside, despite having designed and brought into being the heavily touted Alternity. Any changes made by the new
director will be hard-pressed to bear fruit by the time AD&D3 is due out, so I see another shift then, which destroys
any continuity of leadership in time for the new rollout. Whoever is dropped into the driver's seat at that point will be
put in charge of a vehicle careening out of control, and surviving the coming crash is not guaranteed.
Wizards of the Coast bought TSR for a staggering sum of money -- one which TSR never really has a chance of
earning back except in the extreme long term. (OK, some serious licensing deals could earn it back, but we're 18
months out from purchase, and the only licensing deals I've seen out of Wizards of the Coast/TSR have involved their
becoming licensees, not licensors.) At some point Wizards of the Coast is going to look to rid itself of a division that
isn't profitable, and that's when some sharp cookie will snap it up.
Does this mean I think TSR is going to collapse and bring down the market? On our level, within our end of the
hobby, that's not really a concern. What I do think is that TSR isn't going to be in a position to expand the market the
way it could, which hurts us all. With the right strategies in place, with a cold dose of reality and an internal
restructuring that provides direction and motivation, TSR could be in a growth spiral. I just hope someone steps up and
does the job before circumstances makes more dire predictions come true.
[Attention Retailers! You can get a free subscription to Comics Retailer by contacting them at
circulation@krause.com.]
Jedi Mind Tricks
Psychological Gaming on the Star Wars CCG Battlefield

by Francis K. Lalumiere
Psychology has always been used in confrontations: there's nothing new under that particular sun. From a simple
business transaction to a full-fledged war, psychological manipulation proved to be a subtle but powerful ally. Taking
this secret weapon into the strategic environment of the Star Wars Customizable Card Game was an natural step.
Strategy and psychology go hand in hand, and many great wars have really been fought not on bloodstained plains, but
behind closed eyelids, across the imaginary battlefields of a strained mind. And when the clash of weapons takes place
on the familiar surface of a tabletop, what we usually call "psychological warfare" subtly morphs into "psychological
gaming".
There are many advantages in using psychology as a war machine. It is a weapon that costs nothing, that can be carried
anywhere with no effort whatsoever, that is so versatile it can be wielded in just about any kind of situation, and that
loses nothing to the enemy knowing it is about to be used against him -- because you can always turn to counter-
psychology. Sneaky is the name of the game indeed. But nothing is perfect, and there is a handful of disadvantages
here, which pretty much boil down to the fact that you have several details to consider all at once, while keeping in
mind the game itself. Our goal is thus to make psychological gaming a second nature, so you can consciously
concentrate on the physical game elements (in our case, the cards), and let your mental reflexes handle the rest. But
letting your subconscious take psychological control is more easily said than done, and so we'll examine in detail the
different aspects of psychological gaming as it exists in the SWCCG environment.
Relax, take a deep breath, and look closely at the pendulum . . .
The Cards
Cards are the obvious vehicle for psychological gaming, since they are, in fact, the only
game elements that physically exist. Now the most popular scheme has always been the
bluff: Con your opponent into thinking that you've got a specific card in hand, when in
fact you don't. This tactic is actually so well known that very few people would call it
"psychological gaming." It is the basis of any card game, collectible or not. You try to
outguess your opponent as to what he can truly do with his resources. But however
common bluffing may be, it still belongs in our big bag o' psychological tools.
Still, there is much more to this art than to pretend you're holding a threatening card.
Making your opponent believe you're not holding a certain card is a start, and it's often
surprisingly effective because most people expect it the other way around. Most of the
time, this is achieved through the use of subtle body language signs, as we'll see in a
moment. But some effects can be conveyed through innocent comments or questions, like the (in)famous "How many
cards do you have in your hand?" when you're not holding a Monnok at all, or when you don't even have one copy of
it in your deck!
Also pay a great deal of attention to your overall attitude, which can yield interesting results. The traditional "poker
face" is usually what we see around the card table, and with good reason. No use in letting your opponent know you
just drew the bolt that your war machine was missing. Or is there? Timed carefully, this trap -- letting your adversary
believe you drew just what you were waiting for -- might have your opponent focus his attention where he should not,
and allow the breakthrough you needed to go unopposed. Reversed -- this is when you act as if you just drew slag -- it
might just help the dreaded seed of overconfidence grow its roots all over your opponent's strategy. But be careful not
to betray yourself in the process; I've seen it done more than once.
The way you handle your hand also affects the gameplay of your opponent, whether he realizes it or not. Almost in
every case, the effect is not conscious, but remains nonetheless very important. You're not as geared up yet as you
wish you'd be? Keep your cards spread out in a large fan, and even if your adversary isn't looking directly at your
hand, he's constantly reminded that you have more than a few resources at your disposal. You could probably deploy
en masse, and are most certainly prepared for whatever threat he could throw your way. You hand is way too large for
your taste? Keep the cards in your hand together in a neat stack, and unless your opponent looks directly at your hand,
or asks you, he won't be really aware of just what your possibilities are (or could be). Moreover, this Grimtaash you've
been fearing since the beginning of the game might stay unplayed for a little while longer. Now this is very different
from hiding some or all of your cards, or keeping your hand under the table, which would be rightfully considered
cheating. Instead, you always keep your hand above the tabletop, in plain view, but you manipulate it to your liking
and send subtle messages to your opponent. Note that no method is better than the other: it all depends on the situation
you're in and the effect you seek. If you've only got a few cards left and would like to delay an impending invasion,
holding your four or five cards in a wide fan might slow your opponent's enthusiasm just long enough for you to catch
up. Likewise, if your hand looks large enough, perhaps your opponent won't think of using the special ability of his
M'iiyoom Onith this turn. Sounds way too far-fetched? Try it for yourself.
The different piles (Used, Lost, Force and Reserve Deck) and their contents also have
an interesting and sometimes powerful psychological impact on gameplay. We've all
looked in awe at some incredibly fat Force Pile with the "fear of deployment" clinging
to our very soul, because we weren't sure what to expect (and with that much Force,
anything can happen . . .). But people usually leave a large number of cards in their
Force Pile when they already have what they were looking for, and expect to deploy it
all on their next turn. Since everyone is aware of this, you'll turn it around and use the
tool in another way, by leaving quite a few cards in your Force Pile even when you
haven't really drawn what you needed. I usually do this when I know I'll be able to
manage with what I have, but I don't want my opponent to act just yet. If I draw
everything, he'll be a lot less suspicious and may start implementing his own strategy.
Bad thing. Besides, I'll have more Force to work with if something does happen -- even
the best hand in the world can't help you if you don't have the resources to back it up.
On the other hand, leaving no cards at all, or very few, in your Force Pile can lead your
opponent to think that you're relatively helpless during his own turn, and if you've got a
surprise or two packed in your hand, he might get more than he bargained for. Combining the "dried-up Force Pile"
scheme with the subtly bored-to-death look of the guy who just drew ten copies of Juri Juice is especially vicious. In
such a situation, Interrupts that play without a cost are terrific. And cards that can deploy for free, like Black 4 (with a
pilot!!) are a complete nightmare. For your opponent, of course.
Needless to say, this system is dynamic: all of these methods depend on what is in your hand, what is in play, and
what your goal is at any given time. But these tactics are very flexible and can be adapted to any situation with a
minimum of work -- and a maximum of fun.
Body Language
Body language is without a doubt the core of any psychological battle (even if you use words, your body has to
convincingly back up what you say). The best instrument at your disposal remains your face. The classic "poker face"
is always the most popular option, and it should be your "default" mode. But should the need arise for a psychological
thrust, bid the eternal poker face farewell and let emotions cross your features. Which emotions? The ones that suit
you, of course. Say Grand Moff Tarkin is alone at some site and you'd like to play with real effectiveness the Moment
Of Triumph you've got in your hand. You need your opponent to attack, and to achieve this you'll make him believe
Tarkin is really cornered -- and that you are cornered, too. Look desperate or resolute, whichever attitude would be
yours if you were really done for, and wait for the outcome. Chances are your adversary will divide his forces, to try to
be effective in more than just one place, and hit your lone Tarkin with what he thinks is enough. Gotcha. And now that
we can play Interrupts during a battle, such ambushes can prove to be even more destructive. A lone Han Solo at a site
(and a desperate-looking player on the same side of the table) might look like a tempting target; until Solo Han gets
out of the bag, Life Debt hits the table, Chewbacca deploys for free . . . you get the idea.
The way a player is seated also provides very useful information. Someone who feels
defeated and doesn't think there's any way to get back into the game will usually lay
slumped on his chair. However, a player who's got everything he needs to go on and
who thinks victory may still be within his grasp will look sharp and be, most of the
time, on the very edge of his seat. So in the middle of a game, even if you don't want to
say anything or have any kind of look on your face, staying slouched on your chair, with
not even one muscle tensed, will give your opponent the impression that this is going to
be an easy win. Once again, he might relax his focus just enough for you to suddenly
jump out of your lethargy and slip into the breach.
Nervous twitches might also be a good tool when you want to create the illusion that
you're trapped. But don't overdo it -- it might turn out to be simply annoying. You want
to look natural, and convey the believable illusion of something that's true, "from a
certain point of view." So keep in mind you've got to be yourself. A yourself who's
acting a bit, yes, but who remains yourself nonetheless.
The Environment
Psychological gaming is only effective in an enclosed environment. This doesn't mean that you have to be playing in
your own living room with all doors and windows shut to use it: The playing area can be psychologically as well as
physically enclosed. Tournaments are a good example of psychologically enclosed settings -- the players are usually
surrounded by silence, and there is just about nothing there that could possibly distract two opponents engaged in a
serious game of SWCCG. This is where you'll want to bring out the psychological artillery, because your opponent is
in a very receptive situation. He'll probably hear every sigh to escape your lungs, notice each of your gestures out of
the corner of his eye, and be able to "smell" your panic or your confidence.
So a relaxed game in a noisy card shop might not be the best opportunity for psychological gaming practice, although
you might want to give it a try there as well. You'll quickly realize that you can't use your tactics in the exact same
way, but that's okay. "Adaptation" is Esperanto for psychological gaming.
Defending against Psychological Gaming, and Counter-Psychology

It is often said that the best form of defense is the attack, and so your psychological target may very well decide to try
your own weapons against you for a change. What to do then? The usual way out involves diving right in and meeting
your opponent on equal footing. If kept up long enough by both players, this leads to a meta-game, a psychological
gaming match atop the actual game of SWCCG. While this sort of thing can be very interesting and exciting (and
potentially neuron-burning), it seldom happens, for psychological gaming in practice consists of short bursts of
psychological maneuvering separated by long periods of strategic contemplation. So most of the time you'll want to
attain a level of concentration -- and awareness -- sufficiently high to sustain a very short psychological attack, and
then drop back to "surveillance" mode until the time comes to parry a new blow, or deliver one of your own. So keep
your eyes peeled for any impending "mind attack" and learn the tricks yourself. In addition to having them at your
disposal for use at the most opportune moment, you'll be able to recognize a psychological maneuver when it's coming.
Then there is the matter of counter-psychology, which comes into play when your opponent knows, or suspects, you're
using psychological gaming. No problem. The idea here is to try and use this particular information against him. For
example, you could act in a way that would let your adversary see that you know he's aware of your Jedi mind trick
attempt, and lead him to believe that as a result you've abandoned your plan altogether. Then, while he's waiting for
another trap to be sprung on him, you drop the very same web he had discovered. I know that this may sound like a lot
of "theoretical considerations" yelled by a drunken armchair general sprawled in the back of a smoky pub, and that it
all seems impossible to apply in real-life situations, but believe me: you'd be surprised to see how often you
unconsciously play these little mind games each time your SWCCG cards (or any cards, for that matter) find their way
to a tabletop.
Learning the Psychological Game

While the best way to learn the actual game is to watch other people play, the best way to start learning psychological
gaming remains to observe yourself. Study your actions and your thoughts during a couple of games, and try to see
what purpose some of your most innocent moves and words might have been hiding. Again, you'll be surprised at the
presence of so many little automatic psychological thrusts and parries. And once you've identified a few recurring
patterns in your own gameplay, try to find them again in others. In itself, this activity is a lot of fun. All that remains to
do is to adapt those tactics to your own style, so that your actions look natural and automatic.
Psychological Gaming and Ethics

Whenever psychological gaming is discussed, one question always pops up: is it
ethically acceptable to make use of such tactics? When it is handled properly and in the
spirit of strategy gaming, certainly. What I mean is that there is a big difference between
using certain psychological "wedges" to push your opponent out of his equilibrium, and
giving way to actions which show a total lack of sportsmanship. Trying to distract your
opponent each time his control phase swings around so as to make him forget to Force
Drain is under the headline Cheating in my book. Staying still and keeping from
running through your hand on the lookout for "what to throw out" -- so you don't
unwittingly remind your opponent that he should be Force Draining you -- is perfectly
okay, and is an excellent example of psychology at work in strategy gaming. It all
depends on how it's done. Psychological gaming never forces the opponent into a
corner; rather, it lays a trap and awaits patiently for the adversary to stumble into it.
Furthermore, psychology is usually the basis of any strategy game: bluffing and counter-bluffing, feinting and then
flanking. To ban psychological gaming is to destroy much of gaming itself. Which brings us to the next concern: isn't
psychological gaming unfair to new players? Actually, not at all. Psychological effects only work on players who have
a thorough knowledge of the game. Imagine that player A fears player B might play an Elis Helrot during his turn, and
squeeze the fat out of player A's small band of characters alone at a site. To try to prevent this, player A decides to
leave 2 Force in his Force Pile, in order to suggest to player B that he's holding a Quite A Mercenary. Now although
player A's strategy is a good one, it won't work unless player B is familiar with the card Quite A Mercenary. If he's a
SWCCG veteran, he might just fall into the trap and wait one more turn before playing his itching Elis Helrot; but if
he's a newcomer, still unfamiliar with the huge variety of cards, the whole scheme won't mean a thing to him, and he'll
simply proceed with his plan. So in fact, new players (and absent-minded ones, I might add) are simply immune to
psychological gaming. The true nature of the beast lies only in the eye of an experienced beholder. And for those who
maintain that "such psychological trickery" detracts from the spirit of Star Wars, I'll remind you that it was used more
than once throughout the trilogy, the most famous instance probably being at the end of Return of the Jedi, when Darth
Vader seeks a way to get Luke back into the lightsaber duel: "If you will not turn to the Dark Side, perhaps she will . .
."
One must always remember, though, that this is only a game, and that psychological gaming merely adds one more
element to an already highly enjoyable universe. But if you do decide to use this interesting tool, do so with care and
respect. Wielded properly, it'll bring you lots of fun and maybe a few additional victories. In the words of the Bard
himself, "Bait the hook well: this fish will bite."
Card Art TM and © 1998 Lucasfilm Ltd. TM, ®, & © 1998 Decipher, Inc.
Doppelganger
by Alexander Shearer
Art by Dan Smith
It couldn't be what he thought it was.
Greg leaned against the pseudo-classical facade of the clothing store, taking slow, deep breaths to try and relax. He
closed his eyes, counted to ten in Altaic, then opened them and turned to look around the corner again. His breath left
as a ragged hiss.
There he was, paying for a newspaper at the magazine shop.
"Doppelgänger" is an extended adventure, designed to be slipped into a normal campaign instead of played by itself. It
can be woven in as quickly or slowly as desired, though it will have an increasingly great impact on the campaign as a
whole as it draws to a close. As with other adventures, you'll spoil things for yourself as a player if you read through
any of the following material ahead of time (and that would be a shame). GMs are encouraged to read everything a
few times before trying to run "Doppelgänger," to ensure a smooth game.
The Protagonists
This adventure can be used for a wide range of character types, from secretive magicians to Black Ops. While it
sometimes refers to the PCs as "heroes," they don't really have to be heroic, just worth the attention of Francis
Bauding and the RRG. Especially good targets include superheroes, government agents, people with political influence
and anyone else with exceptional abilities. For more perfectly Illuminated campaigns, anyone is a good target -- the
Illuminati guard their motives closely.
Assembly Instructions
"Doppelgänger" is presented below in a series of chapters. Rather than explicit single events, each one describes a step
in the progression of this interwoven adventure. Some of them, especially the early ones, are easily handled as simple
comments or hints dropped in the course of your normal adventures. The later ones will probably call for full
adventures of their own, especially chapters III and IV. Each one discusses how to include it in your normal game and
what it is meant to do for the plot. Everything will start to come together as you read through the chapter; there's also
an explanation of what's really going on included at the end.
The Chapters
I. Déjà Vu
In one or more regular adventures, the PCs have the odd experience of seeing people who look surprisingly like
themselves and people they know. This is just an early teaser, so it shouldn't be more than a couple of quick incidents,
tossed in amidst other confusion and hubbub. Make sure they don't stand out too much -- it's best if the players simply
think you're messing with their minds by tossing in idle chatter.
II. En Passant
In the second teaser, the heroes should still have very little clue about what's in store for them. Unlike the previous,
probably forgotten incidents, this one involves other people seeing double. These are minor occurrences, usually
nothing more than a friend mentioning that he saw one or more of the PCs the other day, but didn't say hello because
they "looked busy anyway." They will also occasionally find themselves losing a bit of time here and there, though
this should be done infrequently, so they aren't too suspicious.
Some of these sightings are actually the PCs, during those times when Bauding switches them into Null mode. The rest
of them are due to the RRG's clones. Neither Bauding nor the RRG have used their respective clones to commit any
terribly noticeable (or criminal) acts at this point.
III. Gremlins, Criminals and Killers
This is the first major confrontation, including something that looks much like a finale. The strange sightings and lost
time of En Passant have worsened. The heroes have now been seen committing crimes! This isn't a simple case of
misidentification, or someone wearing a mask -- the physical evidence points to them. By now, reasonably astute
players should probably connect their occasional lost time with these crimes. If they keep each other under
observation, everything will seem fine . . . until they realize that everyone lost the same amount of time, and another
crime has occurred. If some outside help can be found, nothing more will happen as long observation continues.
As long as he can get away with it, Bauding will use the heroes to commit crimes for him in Null mode. He is careful
not to give away his goals; rather than having them directly steal needed chemical and biological supplies, Bauding has
selected an apparently random assortment of lucrative targets, everything from jewelry stores to rare parrots. He then
fences the stolen items for money, which he can filter through dummy agencies to purchase the necessary lab supplies.
Since they are effectively Bauding's "first draft," he's being none too careful with the PCs and fully expects the
authorities to apprehend them. He's not their only problem, either . . .
On top of all these strange crime difficulties, someone has started tampering with everyone's personal lives. Bank
accounts are being cleared and closed, with the bank management insisting that everything was properly signed for.
One or more apartments were searched, apparently with a key. The manager insists he gave the backup key to the PC
personally. The players are likely to attribute this to more lost time problems, though it's difficult to see why they'd
search their own homes.
Actually, these problems arise from the efforts of the RRG clones. They have explicit orders to shut Bauding's clones
down as quietly as they can. At first, they will try to cut off their funding. This will inconvenience Bauding, but won't
stop his flashy crimes and the risk they pose to RRG. From money, the hostile doubles will proceed to plan B,
alienating friends, forcing unemployment and generally acting like jerks in the heroes' stead. If this doesn't stop
Bauding, as it probably won't, they'll try to eliminate the PCs. If the heroes are captured by the authorities because of
their crimes, RRG will be forced to kill them.
The conclusion of this chapter, whatever form it takes, should leave the players convinced that they know what
happened. Effective detective work or simple capture by the authorities will force a confrontation with some bloody-
minded RRG clones. Assuming they don't succeed in offing Bauding's version, these clones will provide ample
evidence of evil afoot. It's obvious from casual inspection that they are clones (see Cloning, below). From that
information, anyone should be able to figure out that someone made these clones to commit crimes. That's totally
wrong, of course, but it should satisfy them. Bauding, keeping his distance, will make it away from this mess intact.
IV. Deja Vu All Over Again
Let a fair bit of time pass between chapters III and IV. Bauding is laying low for a while, and the real heroes won't
escape from RRG immediately after their clones are destroyed.
After a suitable fog of time, things become strange again. Once more, friends will mention having said "Hi" and
receiving no response, or seeing a PC who was supposed to be elsewhere at the time (and was). However, some close
friends will start calling in confusion and distress, wondering what these weird, desperate messages on their answering
machines asking for money and help are supposed to mean. If anyone thinks to check, he'll find that the voice on the
machine does sound authentic. When the first new incident of lost time occurs, the players should have expected it for
a while.
Bauding is back at it again, but RRG isn't. RRG had their own difficulties and had to pull up stakes and relocate. In the
confusion, the real heroes were accidentally lost. It didn't take them too long to figure out roughly what happened.
Now, they're trying to reconnect with friends, convince them of what happened and track down whomever is
controlling the clones. Of course, given the clone incident, friends are unlikely to believe their exceptional story.
Driven by this escape, Bauding has decided to go use his clones to commit a few final crimes. He's almost ready to set
up his mass-production cloning system -- a few more heists will pay for the final touches.
V. Changeling
It is up to the GM to roleplay the true heroes in a reasonable manner. There are quite a few approaches to dealing with
the cloned replacements, ranging from outright attack to simply walking up and trying to explain the truth. Pick the
one that is most likely based on the characters and the play style of the group. The closer it is to what they would have
done, the creepier the result.
The conclusion of "Doppelgänger" depends heavily upon the PCs. They're unlikely to believe their doubles outright --
no one likes to think they're not really who they think they are. If things go peacefully, more extensive medical testing
will show with near-certainty that the current PCs are clones (see below). Even if things get rough, the cloned heroes
are likely to attempt to show, by force, that their opponents are clones. Once the truth comes out, it's up to everyone to
figure out what to do. Realizing that they are only copies of the genuine articles is a heavy weight for the clones to
bear. On top of that, they probably realize by now that they are somehow being used to commit crimes. Can they go on
and live, knowing that their memories belong to someone else, someone who is effectively a twin?
However these major issues are resolved, the twin concerns of Bauding and the RRG remain as loose ends. The RRG
has managed to disappear fairly effectively. Depending on their detective abilities, the heroes may be able to track
down Bauding. Even if Bauding is not captured, the Null transmitters in the clones must be dealt with. A radio jammer
will prevent remote control; given more time, the devices can be removed via special powers or a competent
neurosurgeon.
The final item of this adventure is up to the players. Do they continue to play the clones, or return to the real thing? It
might be fun to play both for a while, as they resolve their differences.
What's Really Going On?

The Replication Research Group is an ethically-challenged batch of scientists and businessmen devoted to furthering
their power by cloning. While their interests cover everything from replacing public figures to mass-production of
cloned armies, they had never managed to do more than replicate the body, until Francis Bauding came along.
Bauding, a genius in the biological and cognitive sciences, developed an implanted system allowing the complete
downloading of human memories and thought patterns into a newly-produced clone. As an interesting side effect, one
could still download thoughts via remote after the initial procedure, effectively taking control of the body and leaving
no memories afterward. Bauding dubbed this the "Null" mode. Everyone was happy, at least until he tried to replicate
the RRG executive staff.
When the RRG staff got wind of Bauding's plan, they decided to eliminate him. He managed to escape with the aid of
the best-developed set of clones at the agency -- those of the PCs. Grown from samples taken earlier, these clones
were about to go into action, to replace the recently-kidnapped heroes. Bauding trashed RRG, stole the comatose
heroes and escaped to start his own lab. RRG immediately began rebuilding. Their first project was the forced-growth
of clones to deal with their stolen doubles.
Chapters I-III cover the period when Bauding's clones have replaced the PCs and the RRG clones are trying to stop
them. Francis is using his clones in Null mode to commit money-making crimes. At the same time, the RRG doubles
attempt first to stop, then to kill Bauding's clones. At the end of chapter III, the RRG clones are most likely caught and
revealed for what they are. Of course, even if they do manage to kill the heroes, they haven't killed the real heroes.
Should that happen, you can simply roleplay the escape of the real heroes from Bauding and continue from there.
Chapters IV-V happen after the real PCs escape and Bauding rushes to complete his mass-cloning device. The
authentic heroes try to reestablish themselves and eventually confront their clones, one way or another. Once
everything comes out into the open, Bauding will stop using the clones for his crimes, to avoid capture.
On Cloning
The clones grown at RRG are very effective duplicates, within certain limitations. After an initial period of forced
growth to full adult size, they are then intentionally treated with special chemical and mechanical methods to give them
an appropriately "weathered" appearance. This is a careful procedure that takes almost as long as the initial growth.
The clones Bauding made off with were pretty much fully-treated and hence look like the genuine article. The RRG
clones were made quickly, skipping the entire aging process. As a result, a physical exam will reveal some obvious
flaws. None of them have tans, freckles, wrinkles of any kind, scars or any other telltales produced by experience over
time.
Bauding's clones, having the full treatment, look fully as old as they're pretending to be. They aren't exact duplicates.
While they do have tans, freckles and wrinkles, they will not match exactly. Major marks, such as obvious scars, were
added to avoid a simple blowing of the clones' covers. Once the adventure draws to a close, however, more careful
methods will be needed to identify the originals. If anyone is really familiar with one or more PCs, they might be able
to help. A full medical workup will produce definitive proof. The clones, though physically aged, have not experienced
much physiological aging. Their livers are fairly undamaged, they have healthy blood which still retains hemoglobin
characteristic of infants, their cells are generally healthier. A competent clinician can determine the true from the copy
in a week or two of testing.
All the clones in this adventure have Bauding's memory implant. Francis only has the override codes for "his" clones -
- he can't set the RRG ones to Null mode. In Null mode, thoughts from a controller (e.g. Bauding) are transmitted via
radio to command the clones via the implants. No memories are formed during Null time -- a psychic will find the
conscious brain is effectively turned off for the duration. The RRG implants also contain one ability added after
Bauding's violent escape -- self destruction. They can be remote-burned, an unpleasant procedure that doesn't do much
for the clone's skull. RRG will do this if their clones are captured (dead or alive) unless jamming or other defenses
prevent it.
Francis Bauding
Francis Bauding is a bit of a genius dilettante. Though intensely interested in the workings of the human body,
especially the mind, he was unable to handle the rigorous study required by his graduate school. Dropping out after
only a year, he attempted to develop his own research projects, using saved funds and money gleaned from tedious
daytime jobs. At $10 an hour, work proceeded very slowly. Francis managed only a few articles describing new
techniques he'd developed, rather than the big discoveries he hoped for.
One of RRG's cloning researchers saw in a technique paper the promise of a solution for their cloning problems.
Bauding was contacted through a front organization, given some funding and then left on his own for a while. As RRG
hoped, Bauding was able to make impressive advances with even limited funding. Soon after this initial test period,
Francis was taken directly into the core RRG lab group. He was extremely excited by the cloning project and the
extreme wealth of his benefactors. No one at RRG suspected the manner in which these two ideas would converge in
his mind . . .
by the Wizards of the Coast Staff
The Sixth Edition of Magic: The Gathering will be released on April 26,
1999. The Basic Game will sell for $9.99, Tournament Packs will also sell for
$9.99, and Booster Packs are priced at $2.99. The game is designed to be the
next step for starter-level Magic enthusiasts who are ready to progress to an
advanced level of game play. Designed by Magic lead game designer Bill
Rose, the Classic card set contains more than 350 white-bordered cards, some
of which are from out-of-print Alliances, Mirage, Visions, and Weatherlight
expansions. Introducing new and modified rules, the Classic game enables
novice Magic enthusiasts to better understand the game's core rules while
minimizing rules disputes for advanced and expert-level players.
The Classic cards are available in 80-card games (two 40-card decks), 75-card
tournament packs and 15-card booster packs. The game includes a basic
rulebook, and the tournament packs contain a quick-reference sheet for
<Magic,/b> fans who participate in tournament play. The Classic game
will be available through all of Wizards of the Coast's traditional outlets -
- most hobby, game, book, music and toy stores.
New for Collectors: Premium Cards

Wizards of the Coast Inc. announced that it is enhancing Magic with the addition of new, collectable premium
cards.
The result of an overwhelming demand by collectors, the premium cards are expected to balance the basic
attributes of the Magic game by emphasizing collectability along with strategic game play and aesthetic appeal.
The unique, foil-enhanced laminate cards have been especially developed for avid card collectors and will first
appear in the February 15 release of the Magic: The Gathering -- Urza's Legacy expansion.
Wizards of the Coast President and CEO Peter Adkison said, "Magic is enjoyed on a multitude of varying levels
by a wide variety of game enthusiasts that includes collectors. We believe the premium cards not only enhance
the overall appeal of Magic, but will also satisfy the avid interests of collectors, and social and competitive
players."
The new premium cards are played in the same manner as the regular cards and do not alter game play in any
way. Each card in the set has a premium, foil-finished version, identical in every other way. The premium cards
will be randomly distributed in 15-card booster packs. Collectors can expect to find one premium card in every
100 cards, with one premium card appearing in approximately every six booster packs. There will be
significantly fewer full sets of premium cards than there were of the rare cards found in the Beta version of
Magic.
New Rules for Sixth Edition

After careful deliberation and extensive playtesting, the Magic: The Gathering Research
and Development team determined that the implementation of the Classic (Sixth Edition)
rule modifications will serve as a critical stepping stone for the growth and sustenance of
the Magic player community. While preserving the in-depth strategy imperative to Magic,
unified rules will both enable new players to better understand the game's core rules and minimize rules
disputes for advanced- and expert-level players.
Magic creator Richard Garfield said, "The adopted rules parallel my original concept for Magic, which entailed
a clear and comprehensible set of rules with the strategic play depth introduced through the cards. I played an
integral part in the reevaluation process for the Classic rules, and I am confident that the elimination of
extraneous and complicated rules will help establish the game as a classic like chess or Go."
In response to the elevated interest and speculation surrounding these changes, Magic: The Gathering lead
designer Bill Rose will address and explain each rule modification in a letter posted to the Wizards of the Coast
website. Rose will also periodically respond online to rules questions from players. Players and enthusiasts can
post inquiries for response or visit www.wizards.com/Magic for updated information.
The following is a full description of the major modifications in the Magic: The Gathering -- Classic (Sixth
Edition) rules. The Classic card set will be released in April 1999, and these changes will become effective in
tournament play on June 1, 1999.
The Stack
Forget batches and series -- whenever you play a spell or ability, it goes on the stack. You can then play another
spell or ability or pass. If you pass, your opponent gets priority to play spells and abilities. When you both pass
in succession, the spell or ability on top of the stack resolves. Then the player whose turn it is (the active player)
gets priority again. You don't have to wait for everything on the stack to resolve before playing another spell.
Example: I play Hammer of Bogardan on your Fallen Angel. You respond by playing The Hive's ability to
create a Wasp token. After The Hive's ability resolves and your Wasp comes into play, you sacrifice it to your
Fallen Angel. The Angel, now 5/4, takes 3 damage from the Hammer and survives.
Abilities that add mana to your pool don't go on the stack. (These are now called "mana abilities.") You simply
get the mana immediately. Spells that produce mana, however, such as Dark Ritual, go on the stack like other
spells. Mana abilities can be played only when you have priority or are asked to pay mana. Mana sources no
longer exist.
Countering Spells
Classic rules do away with interrupts. All interrupts are now instants, which means you can counter a spell any
time before it resolves. (Abilities that trigger on a spell being "successfully cast" now trigger on a spell being
"played.")
Example: I play Terror on a creature you control. You respond by playing Inspiration, which lets you draw two
cards. One of the cards you draw is Counterspell. You can now play it to counter my Terror.
Damage Prevention and Regeneration
Classic eliminates the damage-prevention step. Damage is no longer dealt ("assigned") and then successfully
dealt -- it's simply dealt. Damage prevention, regeneration, and other spells and abilities that generate
replacement effects are now played just like other instants.
When such a spell or ability resolves, its effect creates a kind of "shield." Damage-prevention effects create
shields that prevent the next damage the target would take. Regeneration's effect creates a shield that replaces a
permanent's next destruction with regeneration. These shields last until used up or until the next cleanup step,
whichever comes first.
If an effect prevents a specific amount of damage, it creates a shield that hangs around until that amount of
damage is prevented.
Example: I tap my Prodigal Sorcerer to deal 1 damage to your Tundra Wolves. You respond by playing
Healing Salve on the Wolves. The Salve resolves first, setting up a shield that can prevent 3 damage. When the
Sorcerer's ability resolves, the shield prevents the 1 damage and waits around for the rest of the turn to prevent
up to 2 more.
If two different effects could each prevent the same damage, the "shielded" player or controller of the
"shielded" creature chooses which effect gets applied.
All damage-prevention spells and abilities are now targeted. This means, for example, that you can't play
Healing Salve on a creature with protection from white.
Triggered Abilities
In the Classic set, any ability that begins with "when," "whenever," or "at" (as in "At the beginning of your
upkeep") is a triggered ability.
When a triggered ability's condition is met, the ability automatically goes on the stack. Its controller chooses all
targets for it, and when it resolves, makes all other choices for it. If two or more triggered abilities go on the
stack at the same time, those controlled by the active player go first. If one player controls two or more, that
player chooses their order. Triggered abilities can no longer resolve while another spell or ability is resolving.
Phase abilities have all been changed to triggered abilities that trigger when the specified phase or step begins.
Under Fifth Edition rules, you couldn't play a permanent's abilities until you dealt with its phase costs and
"comes-into-play" costs. This rule no longer exists. Abilities that read, "do A or do B" should now be read as
"You may do A. If you don't, do B."
Phases and Steps
Each turn now has five phases: beginning, main, combat, second main, and end.
The beginning phase has three steps: untap, upkeep, and draw. No spells or abilities can be played during the
untap step, and abilities that trigger during untap wait until the beginning of the upkeep step to go on the stack.
If an effect instructs you to do something at the beginning of the turn, you do it at the beginning of upkeep.
Upkeep abilities ("During your upkeep, do A") are now triggered abilities: "At the beginning of your upkeep,
do A." Likewise, abilities that read "During your upkeep, do A or do B" should now be read as "At the
beginning of your upkeep, you may do A. If you don't, do B."
There are now two main phases in every turn. They're separated by combat, which is now its own phase. You
may still play only one land per turn. Phase abilities played at the beginning of or during your main phase are
now triggered abilities that trigger at the beginning of your first main phase.
The end phase has two steps: end of turn and cleanup. The end-of-turn step works just like the upkeep step.
When it begins, all triggered abilities that start with "At end of turn" go on the stack. When the cleanup step
begins, the active player discards down to the maximum hand size (usually seven cards). Then all damage on
creatures is removed and effects that last "until end of turn" end. If any abilities trigger during the cleanup
step, they go on the stack, and then the active player gets priority to play spells and abilities. If no abilities
trigger, no one gets priority. If any spells or abilities resolve during cleanup, the whole step is repeated.
Otherwise, the turn ends.
Combat
Combat is now its own phase with five steps: beginning of combat, declare attackers, declare blockers, combat
damage, and end of combat. Spells and abilities may be played during each of these steps, but only after the
step's mandatory parts have been completed. For example, you can play a spell during declare attackers only
after attackers have been declared.
The declare attackers and declare blockers steps are unchanged, but dealing combat damage works differently.
The active player announces how he or she wants attacking creatures' combat damage to be dealt, then the
defending player does the same for blocking creatures. Tapped blockers now deal combat damage just like
untapped ones. Because there's no damage-prevention step in Classic, the combat damage isn't dealt
immediately -- instead, it goes on the stack. Players may then play spells and abilities as usual. Nothing that
happens to the attacking and blocking creatures can affect damage that's on the stack waiting to be dealt. When
the stack reaches the combat damage, it's dealt according to the earlier damage announcements, even if one or
more of the creatures in combat are no longer in play.
Example: I block your Fire Elemental (5/4) with my Air Elemental (4/4). The creatures' combat damage goes to
the stack. Afterward, I play Unsummon on my Air Elemental. The Unsummon resolves, returning the Air
Elemental to my hand, and then the combat damage is dealt. The Air Elemental deals 4 damage to the Fire
Elemental--even though it's no longer in play.
The end-of-combat step works like the upkeep and end-of-turn steps. When the step begins, all abilities that
trigger on the end of combat go on the stack.
Miscellaneous
You now lose the game as soon as you reach 0 life, not at the end of the phase.
Artifacts' continuous abilities now work the same way as other permanents' abilities. They no longer "shut off"
while the artifact is tapped.
Under Classic rules, you choose modes and targets for a spell or ability (and pay costs) when you play it, but
you make all other choices when the spell or ability resolves, not when it's played. You can identify modal spells
and abilities by the "Choose one --" phrase.
Baldur's Gate Tips
Joe G. Kushner
Baldur's Gate spans five disks and gives the player many different opportunities to gain experience points and items.
Here are some tips that can help save a player much grief and -- more importantly -- time.
1. Save when you have just finished a fight, or have explored a large area without a fight. While the game does
save automatically for you in between load points, it is important to save after each fight. In some battles, half of your
party may be slaughtered, but by reloading it and attempting a different attack, you may win without a single loss. In
addition, some of the encounters are random, so you may go a long time without meeting anyone, only to be wiped out
by surprise. Save when you have searched a large area of land so that you don't have to explore it all again. This is true
for traps as well. If a member of your party has set off a trap, reload and have the thief find and disarm those traps and
then save again.
2. Save when your go up a level. In Baldur's Gate, your next level does not automatically apply. You have to go to
another screen and hit the level up key. If you save before you do this, you can get maximum hit points.
3. Save before you try to write spells. When a mage or specialist mage gets a scroll of a spell he does not know, he
can right click on it to attempt to learn it. By saving before each spell, the player can make sure to learn every spell
that he comes across.
4. Q for quicksave. While this is listed in the book, many people just jump right into the game. For all of these
important save times, hit the Q button. You may not save when there are monsters about, even if you can't see them, so
be sure to be on the alert if it tells you that it's impossible to save due to monsters being about.
5. Explore everything. While this should be mandatory for all players, some may decide that they only want to follow
the game itself. This isn't the best of options. There are numerous sub quests and small lairs that about within the five
disks, and only by exploring every area can you be sure to have conquered them all. Use M for Map to see any areas in
darkness that you have not found yet.
6. Use the space bar to control combat. In Baldur's Gate, combat is fast and furious. If you don't use the space bar,
you'll not be able to get off enough spells, drink enough potions or attack the right foe. Use the space bar to pause
after every spell or every effect from potions has gone into play. This will maximize your ability to win a fight.
7. Animate Dead and Stinking Cloud. This is a devastating combination. The skeletons that the priest spell Animate
Dead creates are immune to the spell effects of Stinking Cloud. This makes these two spells some of the best to have
when preparing for an important combat. The crucial thing to remember is to keep your living characters out of range
of the Stinking Cloud.
8. Web and missile fire. Another powerful combination. When at least half the party is able to use some type of
distance attack, use the Web spell to immobilize your opponents and then use them for target practice. They can't cast
spells or attack while trapped by the Web. Like Stinking Cloud, it's important to keep your group from spell's effects.
9. Take notes. While the game does come with a self-writing notebook called "Journal," it doesn't keep the notes from
one chapter to the next. If you manage to move on to another chapter without completing all of the mini quests that
make up Baldur's Gate, you won't have your Journal to look back upon.
10. Quick formation. By right-clicking on the quick formation icon, you can gain access to different types of
formations. This allows you to customize your party's movement to its maximum efficiency for areas like dungeons
that only allow one or two abreast.
11. Don't be stingy. Potions, scrolls, and spells are only good when used. Don't hoard them. When party members are
down to half their hit points, they should be healed. Use protection scrolls whenever possible to insure a quick victory
over foes.
12. Keep the party in formation. Due to encumbrance and other factors, some party members will move faster than
others. If the player keeps on clicking ahead of the group, it will throw the group out of formation. This makes it easy
for foes that aren't visible yet to inflict massive amounts of damage on those few who are ahead while suffering little
damage in retaliation.
13. Use the backstab. Thieves can backstab in combat without a limit on the number of times they can do it. When
fighting a powerful opponent, have the thief go to the rear and make a backstab attack. When the opponent turns
around, have the thief move away until the opponent turns back around to fight the new attackers. If you have two
thieves, have one on either side for a continuous backstab attack.
14. 89,000 maximum experience. There is an experience point cap in the game which prevents the characters from
going over seventh level. When a character outside of the main one reaches the maximum amount of experience, the
player should see if he can find another character to get up in levels. This gives the player a wider range of options
when attempting to put a group together. This last option should be used with caution, however, as some characters
will refuse to rejoin a party once they are removed from it.
15. Stack those items. Items like potions, scrolls, and arrows can be stacked one upon another to save room in
inventory. If the item has a number by it, such as a gem stone, then whenever you find another of that type, stack them.
This makes your characters able to hold more, and allows you to sell faster as well. Beware of stacking too much with
potions, however; certain ones like Healing should be spread out through the whole group to insure a higher survival
rate.
16. Massive missile attack. Whenever possible, make sure that everyone has a missile weapon that they can use.
Priests use slings, warriors bows or crossbows, thieves short bows and mages darts. There are three slots for missile
weapons. Try and keep a mix of different types of missile weapons. When fighting a powerful foe, right-click on the
missile weapon and all those in missile slots will come up. This prevents you from using those magical arrows on
wolves when they could be used on ogres.
Baldur's Gate allows the player a lot of options, and knowing what those options are and when to use them allows
even a person who knows nothing about the Forgotten Realms or AD&D in general to make a name for himself.
New Ships for GURPS Traveller
by Kevin Walsh
Class Name: Bowie

Type: Fleet Combat Scout
TL: 12
Tonnage: 600
Cost: 215.963 MCR
Mass: 1746.85 tons
DR: 862
Hit Points: 52,200
Crew: 8 crew, 10 troops
Engineering
Jump: 3
Maneuver: 2.5
Offensive Systems
2 Fusion Guns in popup dual turret

2 Triple Missile Turrets, 1 is a popup
2 Triple Laser Turrets, 1 is a popup
Defensive Systems
Triple Sandcaster Turret

Nuclear Damper [20 Mile Radius]
Area sensor Jammer [rating 16]
Blip Enhancer
Basic Stealth
Radical EM Masking
Small Craft
G Carrier
4 Grav Bikes
50 space space dock
Other Features
Hardened Command Bridge

Survey Bridge with Extensive Survey Array
Machine Shop
Electronics Shop
Sick Bay
18 Staterooms
20 Low Berths
2 5-Space Missile Magazines
Notes
Covert Operations Scout, built on a liner hull. Primarily used for data collection and monitoring in possibly hostile
areas. Discreetly armed with a basic collection of weapons in standard turrets, and 3 popup turrets for combat use
including a dual fusion gun turret for point defense. These ships have also been used for anti-piracy sweeps and as q-
ships in the Trimaris rift.
Two ships of this class were used as part of Operation "Rowan Shield" which sent the ships along with elements of the
39th Spaceborne regiment, and the 4566th Fighter Wing into the Trimaris Rift, in the Hawkwind subsector. There they
scouted several independent planets and a couple of gas giants for signs of piracy activity.
After the Grey Ghost was attacked by corsairs in the DVX-151 system, she jumped outsystem and headed back for
Confederation territory, Whereupon Strikeron 11 and AssaultRon 51 were sent to put an end to the menace once and
for all. Later the Grey Ghost had a run-in with a Vargr raider while prowling the border region, and was able to take
the raider as a war prize.
Design Notes
If running on EMCON, and with the extra turrets retracted, these ships can pass for a standard liner to casual scans.
They're not well-armored for a stand-up fight, but have enough agility to run like hell, and they can take care of
themselves fairly well in a fight with smaller ships. These ships are often used for planetary surveying in outlying
regions or for crew training.
Missile Turrets: Two Triple Missile Turrets, also capable of launching sensor drones. Drone control is handled from
the bridge or the survey lab. One of the turrets is a popup mount. The Turrets are mounted fore and aft, Below the
bridge and drive deck. Each turret is fed by a five-space magazine, and 12 drones are carried in each magazine.
Fusion Gun Turret: One dual FG turret in a popup mount, mounted roughly center of the ship, giving it an
exceptional field of fire. It is primarily used for point defense purposes.
Laser Turrets: Two Triple Laser Turrets, mounted aft on the stub wings, one is a popup. Two false laser turrets are
situated forward above and below the bridge.
Command Bridge: Located in the dish shaped bow of the ship, contains two extra workstations, one is for the extra
sensor array. The other is for scientific operations and control of the drones. There are a total of six workstations in a
horseshoe arrangement around the edge of the bridge, with a large holo chart table in the center pit.
Survey Bridge: Located in the lower aft hull, two standard workstations and another, albeit smaller, holotable. It is
connected directly to the Survey Lab, which contains a separate sensor workstation and a commo station for
communicating with landing parties and the drones.
Spacedock: Split into two separate sections, one normally contains a G Carrier and four Grav Bikes. The other has
fittings for two 10-ton fighters, or can be used for assorted cargo. The spacedocks are located in the aft section of the
hull between the maneuver drives.
Electronics Suite: Aside from the standard sensor array, the ships in this class are fitted with an extensive electronic
warfare package, including a powerful Area Jammer, a Blip Enhancer, and decoy dispensers. They are also fitted for
RPV control, and for planetary surveying.
Crew Quarters: Eight single staterooms for the crew. Ten double staterooms will hold two squads of Marines,
although only one is usually carried.
Conference Room: Located adjacent to the survey bridge and used as an office by the ship's marine officer, it's also
used for mission briefings and for recreational activities as time allows.
Machine and Electronics Shops: Located in the center of the hull, just forward of the docking bays. These are
equipped with standard tools for working on the ship and small craft. There's also a set of armory tools for working on
the marines' equipment.
Missile Magazines: Heavily armored and located below the launchers, each magazine contains 390 misses, and 10
sensor drones. The magazines are designed to blow out and vent explosions away from the ship to minimize explosion
damage.
Class Name: Centurion

Type: Fleet Battle Rider
TL: 12
Tonnage: 3,000 streamlined
Cost: 754.108 MCR
Mass: 21,802 tons
DR: 6,349
Hit Points: 141,750
Crew: 125 crew and 500 troops
Engineering
Jump: 0
Maneuver: 4.6
Offensive Systems
Missile Bay
7 Triple Laser Turrets
2 Dual Fusion Guns
Defensive Systems
Meson Screen [DR 5053]

Nuclear Damper [20 mile Radius]
Triple Sandcaster
Rating 16 EMS Jammer
Blip Enhancer
100 decoys
Radical Stealth
Radical EM Cloaking
Small Craft
300-Space Spacedock for vehicles
Other Features
Hardened Command Bridge

Basic Emergency Bridge
4 Sick Bays
65 Staterooms
31 Bunkrooms for Troops
100 Low Berths
5 Drop Capsule Launchers
Machine Shop
Electronics Shop
257 Spaces Cargo
These ships are capable of delivering an entire battalion of troops to a planetary surface, and provide fire support for
them if needed. These ships are often carried aboard larger assault transports, or on Assault Tenders, and usually
operate in squadrons of 3-6 ships.
Design Notes
The design is based on a cylinder hull with disc-shaped wings and a maneuvering foil aft, and smaller maneuvering
fins at the centerline.
Missile Bay: Located in a setback position in the belly of the ship, roughly centered. The magazine is fitted with
blowout panels to vent an explosion below the ship in case of a catastrophic hit.
Laser Turrets: Two of the triple laser mounts are fixed in the outer leading edges of the stub wings. Two more turrets
are mounted dorsally and ventrally amidships, although the ventral turret is mounted behind and below the missile bay.
The other three are mounted port and starboard aft, and above the drive module.
Fusion Gun Turrets: Mounted aft on the center of the airfoil, this turret is remotely-controlled from the bridge.
Command Bridge: Situated in the heavily-armed nose, stations are arranged in an I formation, with the captain's chair
above and centered.
Vehicle Bay: The cavernous Vehicle Bay has large doors opening to port and starboard, and stretches the entire width
of the ship. Two large cargo lifts are also available for loading and unloading. These ships are equipped with full
machine and electronics shops, allowing major maintenance and repairs to be conducted on any carried vehicles. The
ship's cargo bay is also attached to the Vehicle Bay, although heavily compartmentalized for safety.
Troops' Quarters: The ship's 500 troops are separated into 31 bunkrooms, which helps keep order, and prevents
catastrophic hits from taking out all the troops at once. Each bunkroom has separate fresher facilities and a small
galley.
Maneuver Drive: Two 50,000-ton Thrust Heplar drives power these ships to a hefty 4.6 G's of maneuvering power.
These drives are license-built locally, from a design by Carpenter Engineering. The bays are very roomy, for easy
maintenance.
Drop Capsule Launchers: Five Drop Capsule Launchers are contained in a room just off the vehicle bay, along with
storage for 150 capsules. This is enough to hot-drop an entire reinforced Jump Infantry Company.
Sensor Array: These ships are equipped with an enhanced sensor array, which includes provisions for RPV Control.
These are used mostly for forward observer roles, and for tactical support. Twelve sensor drones are usually carried.
Emergency Bridge: Located aft below the drive bays, this serves a secondary purpose of handling communications
with troops and vehicles on the ground, and handling fire control data from drones or forward observers.
Special Notes
Here are the stats for the Carpenter Arms CPX-351 "Brown Bess" Railgun:
Heavy Autoloading Very Long Barreled Gauss Gun [TL-12]

ROF: 25
Damage: 6D*343 [Solid Shot]
1/2D Range: 4,725 yards
Maximum Range: 12,830 yards
Power Required: 187,500 kw per turn
Weight: 48 tons
Volume: .30 tons
Cost Per Shot: 10
Weight Per Shot: 1.5
Acc: 19
SS: 30
Class Name: Titan

Type: Fleet Bulk Cargo Carrier
TL: 12
Tonnage: 30,000 tons unstreamlined
Cost: 4,266.092 MCR
Mass: 111,319.7 tons
DR: 102
Hit Points: 552,000
Crew: 37 and up to 40 passengers
Engineering
Jump: 3
Maneuver: 1
Offensive Systems
Nine turrets are fitted but no weapons
Defensive Systems
One Triple Sandcaster
Small Craft
Four Shuttles in Space Dock
Other Features
Basic Bridge
Cargo Office [Basic Bridge without Sensors]
Sick Bay
20 Low Berths
21 Crew Staterooms
20 Passenger Staterooms
17,420.5 spaces of cargo
This is a massive bulk carrier, built for and used by large megacorps for various tasks. Terran Fleet Command leases
eight of these ships for tanker/supply duties in times of need. While poorly armed and armored, it was never designed
for operation in combat zones; any used for tanker/supply duty will always have an escort, and the passenger
staterooms will carry a platoon of marines. These ships are mostly found as ore carriers or for hauling large
prefabricated equipment from one system to another.
Other Notes
The design is based on a long cylinder hull, with a bulb-shaped bridge at the nose and a large square box aft for the
drives. The cargo bays are in the huge cylinders that wrap around the center of the hull.
Design Notes
Crew: These ships carry a bare minimum of human crew, supplemented by 24 robotic cargo handlers for
loading/unloading duties.
Cargo Hold: separated into eight separate bays, all compartmentalized heavily to protect all the cargos. Five of the
bays hold 3,000 spaces each and the last three hold 700 spaces each. There is also a ninth cargo bay, but it is used for
storage aboard ship only. Each cargo bay has an elevator large enough to accommodate a 100-ton shuttle. Large
remote cranes are also mounted in the ceilings of each cargo bay, two are mounted on tracks that rotate 360 degrees
and run the length of each bay. Each crane can lift 30 tons.
Shuttle Bay: Four standard 100-ton shuttles are carried in a spacedock, which is below and forward of the #2 cargo
hold.
Cargo Handlers: Each ship is equipped with 24 Voelkers XM-8 Robotic cargo handlers. These are very simple robots
with auxiliary drone capability, that are normally controlled from the cargo office, or by a human with a remote box.
These robots are tracked, and are capable of towing a 25-ton contragrav-equipped trailer.
Cargo Modules: Retractable attachment points and tie-downs in the floors of each bay allow for the use of standard
1-, 2-, 5-, 10-, 25-, and 50-ton cargo containers. Larger containers can be secured with multiple tie-downs or movable
bulkheads. If a cargo requires special handling, individual modules are set up with the necessary requirements, or in
the case of a large cargo, the bays can be configured environmentally for special needs.
Special Robots: Each ship carries 6 Voelkers CFR-552 Fire Fighting/Rescue Robots. These are designed for damage
control tasks, and for search and salvage duties. These humanoid robots are capable of more autonomous actions, and
have good sensor and communications capability.
Cargo Office: This office is in the center of the #1 cargo deck. It has five workstations for the cargo staff, and for
remote control of the cargo bots. During loading and unloading operations, the ship's internal Internal Security is run
from this office. The cargo office Is designed as a basic bridge but with no sensor capability.
Tanker Capabilities: Each of the cargo bays can be equipped with collapsible bladder tanks for fuel or other gases,
liquids, or hazardous bulk solids. Fittings are provided for transfer pumps to get the materiel from the tanks to the
waiting ships. If the ships are pulling tanker duty, they will need extra refining capacity, as they don't have enough
capacity to refine any extra tankage.
In Remembrance of Magic: The Gathering Past
by Philip Sternberg and the B.I.G.C.
I started playing Magic: The Gathering a few months before the release of Ice Age (Winter 1994-95), which, in
retrospect, was a turning point for the game. Ice Age was the first expansion set that could function as a stand-alone
game, and it was followed by two sub-expansion sets (Alliances and Homelands). Since then, every expansion set has
followed this pattern (Mirage, Weatherlight, Visions, etc.), which laid the groundwork for making Type II
tournaments the standard of play for many tournaments. (Type II tournaments only allow the use of in-print cards.) At
first, I loved the idea behind Type II tournaments -- the $75-$250 game-turning, or "edge," cards were banned, so the
winner would be the smartest player, not the richest.
Unfortunately, my take was too optimistic. The past few expansions have each made a few decks superior for Type II
competition, which has led to nearly homogeneous tournaments. Take a census at your local store and find out how
many people use Suicide Black decks, or how many used Tolarian Academy decks while they were still legal. The
Internet has made matters only worse, since web sites post the winning decks as soon as they start wining local
tournaments. Wizards of the Coast (WotC) also sells the winning decks preconstructed -- with gold borders and a
printed signature to render them non-tournament legal, of course -- but supply is the only force stopping a player with
a healthy bankroll from purchasing the black-bordered equivalents. Type II tournaments have thus become a contest of
money as much as a contest of skill. It is wonderful that resources exist to teach new players the fundamentals of deck
construction and game play. But the web sites and the preconstructed decks do not teach these skills -- they simply
demonstrate an application of them.
Richard Garfield, designer of M:TG, has said that he thinks of Magic as a fantasy game
in which everyone with a deck is a player and he is the referee. With each expansion set
he introduces new creatures and abilities to keep the players on their toes as the game
progresses. Unfortunately, many players read the text of every card in a new set before it
becomes available, and know its strengths and weaknesses. This makes M:TG the only
fantasy game in the world in which the players are free to look at the referee's notes to
increase their chances of success.
Another change that has taken place over the past few years is the pace of the game.
Before fourth edition was released, I had a white/blue deck which could beat more than
three quarters of the decks I played against. I put the deck back together recently, and
could not consistently beat any of my friends' decks. My deck was fast by old standards
-- I could win within eight or nine turns. The standard has been steadily rising, and is
currently at five or six turns. Each game is therefore a question of which deck does the
best in the first thirteen cards. As a result, combo decks are becoming more risky, since
the combination is less likely to appear in those first cards. This has led to an overall simplification of deck
construction strategy, which further contributes to the homogeneity of the game.
So, what is to be done? Is M:TG to be ruled forever by the top decks of the season and the players who can afford
them? It is up to those who run small tournaments (mostly retailers) to bring back the spirit of the game by making it
less predictable. The easiest way to do so is to make up new rules.
Possible Tournament Variants

Alphabet Soup. Every letter of the alphabet must appear in the title of at least one card in every deck. Go get your
Zephyr Falcons and Suq'ata Lancers!
Power of One. Every card (with the possible exception of basic land) is restricted to one per deck.
Required Cards. Certain cards must be included in every deck. These should either be colorless or be allowed to be
cast with colorless mana for the duration of the tournament. This can be particularly interesting with cards which add a
random element to the game (Mana Clash, for instance) or which change the nature of play (Teferi's Puzzle Box.)
"Proxying," writing the name of the required card on a land or common, is a simple way to make this possible for rare
or valuable cards.
Single Power Card. Every deck may contain one card that would otherwise be illegal, provided that it was at some
time a real card from WotC. This card may be proxied.
Points for Style. Every deck must have a theme, preferably outside of the realm of M:TG. "Lions and Tigers and
Bears, Oh my!," "Professional Sports Teams," and "For the Birds" are a few possibilities. Prizes go to the most
original deck, best use of otherwise useless cards, etc., in addition to the winner of the tournament.
Random Deck Assignment. Every player brings a deck, then is randomly assigned a different deck each round. Prizes
go both to the player with the best record and the owner of the deck with the best record. This emphasizes ease of play
in deck construction and understanding of the fundamentals of timing in play.
Further Reading
http://www.thedojo.com -- A web site containing a forum for discussion of strategy and other topics in the M:TG
community.
http://www.nground.com -- Neutral Ground, a nationwide (U.S.) game store with an active presence on the web with
news and discussion about M:TG.
I Was A Teenage Game Master
by Chris Pramas
[Editor's Note: An abridged version of this article originally ran in Arcane magazine, Issue #20. Later, this article also
appeared in the excellent fanzine, Alarums & Excursions.]
I went to my first GenCon in 1989. I had always remembered those ads in the back of all TSR's early products telling
me the wonders of the Con of Cons and that year I decided to find out if it all was true. So I flew out, crashed on the
floor of some friends who happened to live in Old Milwaukee, and dove head first into the biggest con in the Western
Hemisphere. It's kind of funny to look back at that year, when I knew no one and had no idea what to expect. Now, it's
a yearly ritual, something I take for granted. Then, it was much more mysterious. As you might have guessed, I've
gone every year since then, I had a great time and told all my friends about it. Many of them came the next year and
have been with me ever since. Over the years, I've gone from simple player to GM to aspiring freelancer to publisher.
Quite a ride, I must say, and in many ways in all began that fateful year I said, "I think I'll go to GenCon."
It should come as no surprise that I've played in a lot games at a lot of cons. A few have been great, outstanding
examples of what roleplaying can be that will live forever in my memory. A far larger proportion, however, were
exercises in mediocrity or simply downright bad. Over the years I began to notice the mistakes that I saw GM after
GM make. When I started running a tournament of my own at GenCon, I tried to implement what I had learned. My
game, an Ars Magica tourney chronicling the continuing adventures of the covenant of Castellum Collis, ran for four
years and was, I think, a great success. While I was forced to stop running the game due to my spiraling involvement
in the industry as a freelance writer, I did learn a great deal about the fine art of game mastering. What follows are
some suggestions, solidly based on my own experiences, for how to run a successful roleplaying game at a convention.
First, a warning. Running a good game takes a great deal of time, effort, and preparation. If you think you can show up
with a few ideas jotted down on a napkin and run a satisfying game, you are wrong. If you can't commit to working on
your own game, do everyone a favor and don't run one.
The Basics
The first thing you need to do is pick a system for your game. It's really best to go with a game you know very well.
Otherwise, you spend precious time looking up rules, or worse, you end being dictated to by the rules lawyers who
infest every con. After you've picked your system, decide what kind of game you're going to run. Will it be a single
round game or a multi-round tourney? Do you plan to make this a continuing series or is it a one-off? Both of these
decisions will affect the way you develop your game so it's good to make them at the outset.
The next thing to do is to sit down and come up with the basic plot line for the game. You needn't hammer out the nitty
gritty at this stage, but give some thought to what you're trying to do. Is your game going to be political intrigue, a
classic dungeon crawl, something experimental, or all of the above? You should also decide how many players you'd
like to have in the game. Commonly, you'll have up to eight, but many cons let you decide. I've found that six is a
good number. More than that and the game becomes more like babysitting than game mastering.
The Characters
Many GMs leave character creation up to the players. This is usually a big mistake for a couple of reasons. First,
spending an hour or more of your game time is a big waste of time. People go to cons to play, not to make characters.
Second, creating the characters beforehand lets you tailor the plot to suit them. You can write encounters specifically to
play up the strengths and weaknesses of particular characters, which really serves to engage the players and to get
them to identify with their characters. It also makes things easier on you, since you'll know exactly what each character
can and cannot do You don't have to worry about the guy who wants to make a Monk/Paladin/Acrobat if you design
the characters. All that being said, there are certain games that are designed for quick character generation that can be
successfully run at cons without pre-gens. Over the Edge and Feng Shui are both games of this type.
An important thing to remember when designing the characters is that they are not simply a bunch of stats. There's
nothing worse than being handed a sheet of paper covered with numbers and then being told to roleplay. You must
provide the players with a character's history and roleplaying notes if you expect any kind of meaningful interaction.
This is where you'll spend much of your time preparing your games. The first year is usually the worst, since you have
to come up with six to ten characters that are interesting and playable. After that, you can tweak and update them in the
wake of experience.
Another thing to consider when making characters is whether they'll be fun to play. You should try to give everyone a
character who is unique in some way. It's no fun to play a character that is second best at everything. I remember
playing a Call of Cthulhu game in which I played a high school student. I was under the impression that we were all
high school students and that that was the angle of the game. Then about an hour in I realize that two of the characters
are in fact professors who specialize in magic. So I'm running around with a baseball bat while these guys are slinging
Elder Signs and casting spells. Their characters were simply better at everything than all the other characters. This is
not fun and I quickly lost interest in the game.
Writing the Game

Now comes the really hard part: writing the game. You can have the best characters in the world, but people are still
going to hate your game if the adventure itself is lame. It isn't within the scope of this article to try to answer the age
old question "what makes a good adventure," but there are a few things you should try to bear in mind when designing
a con run.
First, you should try to design your game so that it engages all of the players and, most importantly, their characters.
Games that focus on one or two characters over all the others tend to marginalize the players of the other characters
and make them feel unimportant. I once played in a Pendragon game in which I got to play Mordred. It's not every
day that you get to play one of the classic villains of literature, so I jumped at the chance. The adventure was based on
an episode in Mallory and dealt with Mordred turning from a good knight to the evil knight we all love to hate. Since
the adventure was based on my characters, I had a blast, especially given my love of the Arthurian mythos. All of the
other characters in the game, however, were lesser knights who were basically my flunkies. A number of my friends
also played in this game and expressed severe dissatisfaction with the small role they had played. After all, it was their
game too, and I had gotten to have all the fun.
An excellent way to avoid the aforementioned problem is to try to plan scenes for each of the characters. These are
encounters specifically designed for individual characters, yet another bonus of using pre-gens. Even if the story
revolves heavily around one or two of the characters, giving each player a moment to shine makes them feel that their
character is really involved in what's going on. These scenes are most often dramatic situations, but can just as easily
be based around a character's special abilities or knowledge. For instance, one character in my tourney, a magus
named Octavius, had the flaw Demon Plagued. A particular demon was striving to corrupt his soul and Octavius was
trying to keep this fact from all of his comrades. So each year, somewhere in the game, the demon would show up
(usually in disguise) and make trouble for poor Octavius. Other characters in the game had similar scenes.
Another thing to remember is that you're working with a time limit. At GenCon, this is usually four hours. Whatever
the limit, you must be sure that your you can finish the game in the allotted time. If you don't finish, you can't just get
everyone together the next week. If want to send your players home with a gaming experience they will remember,
there really must be a sense of closure. One trick that I've used to great effect is to design an optional encounter. This
is a scene you can use towards the end of an adventure that is not crucial to its outcome. If the game is proceeding as
planned, use the encounter as normal. If you find that the game is running late and you're worried about finishing, skip
it and get to the climax as soon as possible.
If you're planning on running a multi-round tourney, you also need to consider the structure of each round. Often, GMs
get carried away with the grand plan of their three-round tourney. They give little thought to how each individual
round plays, but think only of the whole. This is great if you advance to the final, but the truth is that most players
won't. You have to make sure that each round of your tourney is fun to play in its own right. The characters should
have the opportunity to complete a task that's important in the emerging plot. Thus they'll feel as if they made a
difference, accomplishing something even if they don't get to see how the whole story plays out. I actually built this
into my tourney by making round one all Grogs and round two Magi and Companions only. The Grogs, common
soldiers who protect the much-vaunted magi of the Order of Hermes, always had a crucial task to perform and their
triumphs usually set the stage for the game's final round.
Running the Game

All right, now you've designed the game and you've got the characters. If you're lucky, you've even had time to
playtest it with your regular gaming group. Now you're at the con with six hungry players sitting before you. You
think you're ready for every contingency and the next thing you know your game has been ruined. What went wrong?
Running a game for a group of people who are not only new to you but also strangers to each other can be quite a
challenge. The one thing you can't plan for is the type of players you're going to get. A popular reason for running
multi-round tournaments is that you can weed out the disruptive elements and insure a quality group for the final.
You're not always going to have that luxury, however, and there are all those first rounds to get through. In my
experience, you need to be on the lookout for three types of players who can ruin your game.
First, there's the type I like to call the know-it-all. This category includes the dreaded rules lawyers, as well as those
who consider themselves to be experts in the background and history of the game. The worst specimens of this type
combine both characteristics. Now there's nothing wrong with knowing the rules and background of a game. In most
cases, it's a positive boon. However, there will always be those people who feel that they must prove before the world
that they know more about the game than the GM. They'll interrupt you to quote rules, start lengthy arguments on your
interpretation of a rule or part of the games canon. Anything really to show off how much they know. The best thing to
do with these players is to be assertive early. Don't let them interrupt, explain to them calmly but forcefully that its
your game and your going to take whatever liberties you want to with the background and rules. This usually solves
the problem. If it doesn't, ask them to leave and stop wasting everyone's time.
Second, there's the type I call the needy-children. I don't mean children in a literal sense though. I'm talking about
players who need to be the center of attention all the time. They often will talk louder than everyone else and attempt
to browbeat the other players into following their lead. They try to have their characters involved in every part of the
adventure, even if their character is somewhere else. They try to butt in on other character's scenes and steal them. In
short, they are rude and inconsiderate. As a GM, you need to be aware of how a needy-child can dominate a game. If
you sense it happening, make a note of players who have lapsed into silence. Then start specifically asking the silent
characters what they want to do and ignore the needy-children. Try to give everyone a chance to act before resolving
situations and don't assume everyone is following the lead of the loudest player. Your players will thank you.
Lastly, there are those I simply call idiots. As you can tell, I have no patience for idiots. These are the types of players
who show no consideration for all the work you've put into designing an adventure. They have their character pick
fights for no reason, insult major NPCs no matter the circumstances, and run off on their own with blatant disregard to
the actual plot of the adventure. I often wonder why these people play at all, since they have absolutely no interest in
the adventure provided. If you don't get them to behave early on, your game is doomed. It's best to simply ask them to
leave the game, since the tight schedule of most cons does not allow time for the years of therapy that these people
need.
While it is easy to blame the players for disastrous games, sometimes the fault lies squarely at the GMs feet. Apart
from issues of preparation and style, the GM needs to maintain a sense of fairness and equity throughout the game.
Try to give everyone a chance to participate, and stay away from the deadly game of favorites. No one likes to be
snubbed, and this is double true in RPGs. Above all, do not let one player kill or incapacitate other characters. This
usually results in the dead characters' players leaving the game and feeling ripped off. In one Stormbringer game I
played, the GM let one player run wild and this ruined the entire game. The GM loaded the character down with potent
magic items and then let his player utterly dominate the game. Then, when a friend and I plotted against this classic
needy-child for a lack anything else to do in the adventure, the GM simply told the player what we had done. As we
prepared to for a showdown, the GM favorite used a magic item to dominate our wills and take over our characters.
Not only were we forced out of the game, we had to give this yahoo our character sheets as well. The sad thing is that
this was a demo event sponsored by Chaosium and such actions on the GM's part were hardly going to sell people on
an otherwise fine game.
Wrapping Up
One way or the other, with the thrill of victory or the agony of defeat, your game will end. While you may be tempted
to rest on you laurels (or knock back a fifth of scotch depending on how the game went), there are a few tasks that still
need doing. The most immediate of these is to determine the "winner" of the game. This is not necessary at all cons,
but many provide gift certificates for each event and its your job as GM to hand them out. How you do this is entirely
up to you and in many ways depends on your temperament. Some people refuse to play the winner/loser game at all,
and simply have the players dice off for the prize. I've even seen it done before the game starts to kill the spirit of
competition in its crib. Many GMs go with the prize concept to encourage better roleplaying, using it as a kind of
carrot and stick device to get better performances out of their players. Prizes are then awarded by either popular vote
or GM fiat. There are problems with both methods (popular voting usually rewards the blatant over the subtle, while
GM fiat is by its very nature extremely arbitrary). I tried to fall somewhere in the middle myself. I would let the
players vote but reserved the final judgment for myself. I usually found that my judgment and that of the players
coincided, but sometimes I did overrule the vote if I thought someone was really being overlooked. Again, there's no
right way to do this, but it can become an issue (some folks take it mighty seriously) and it's best to plan ahead.
If you're planning on running a sequel to your event the following year, definitely sit down and write out how the
adventure played out and what key actions the players took. Believe me, you'll be glad you did nine months later when
you're working on the next adventure and you can't remember exactly what happened the year before. I made that
mistake once and I never did it again. Repeat players, a sure a testimony that you're doing something right, expect a
sense of continuity between years. That is, after all, one of things that brings them back to your table time after time.
Final Thoughts
After reading this article, you may well think all of this is too much bother to run a few games at conventions. I would
urge you all, however, to give it try before giving up on the idea. Yes, it's hard work but there are still many things to
recommend it. There's nothing quite like the feeling you get after a great session. When you get the right group of
players and they click with your story, it's a beautiful thing. When players take your characters and give a virtuoso
performance, or add a whole new level to their personality, it's a joy to watch. On a social level, it's a great way to
meet like-minded gamers, as well as industry people, who are usually very happy that you've taken the time to
promote their game a convention. I'll never forget the final of the third year of my tournament. The game went
extremely well and I was quite pleased. Afterwards, one of the players came up to me and said, "That's the best game
I've ever played at GenCon." That's when it's all worthwhile.
Pyramid Interview: John Wick
by Les Simpson
John Wick has come a long way.
After breaking into the gaming industry by writing an infamous Shadis article in defense of diceless roleplaying, the
Minnesota native went to work at Alderac Entertainment Group as the story coordinator/compiler for the Legend of
the Five Rings CCG. That quickly led to the design and development of the popular L5R RPG. Now, along with his
wife, Jennifer, and the rest of the AEG crew, he is getting ready to set sail with a new RPG. Pyramid caught up with
the man himself to discover more about 7th Sea.
John, when movie concepts are being pitched around, for better or worse, they're often described in familiar
terms, like "Die Hard on a bus" or "Men In Black in the old west." Is it possible to describe 7th Sea in that
fashion?
Actually, it is. The best way to describe it is "swashbuckling and sorcery." 7th Sea is going to
do for 18th century Europe what L5R did for feudal Japan. We want people to be familiar with
the world at first glance and then be amazed how different the details are. We've focused on the
best things about each European nation during this time period and have summoned those
different images up, giving them different names but keeping the emotions behind them.
There hasn't been a swashbuckling game on the market in quite a while. What led you to
try and bring the genre back?
It all stemmed from us thinking about what we were going to do next here at AEG. I was having dinner with my wife
one night and she said, "You know, you should do a Restoration Age roleplaying game." I had just spent five years
with my thoughts in Japan so I was, like, "Restoration? What's that? That sounds familiar!" And that's where it sprang
from: the idea of doing a late-1600s, early-1700s fantasy roleplaying game based on that time period in Europe, on
things like The Three Musketeers and The Scarlet Pimpernel.
On a further note, I believe 7th Sea is something that has been missing from roleplaying for a long time, even though
it looks like it is coming back in a big way. Since the time we announced we were doing it, a couple of other people
have said, "Hey! It's time to do a pirate game again!" and I'm really glad to see that it's coming back. People who have
missed the opportunity to play D'Artagnan or Cyrano de Bergerac or that type of character deserve the chance.
And that means pirates as well, right?
Of course. Whenever I tell people we're designing a

swashbuckling game, they say, "Oooh! Pirates!" Pirates are a
big part of the setting, and who in the world doesn't want to
be a pirate when they grow up?
If the time period is a fantastic version of the Age of

Restoration, what have you done with the physical
setting?
Well, the game world is based around the continent of

Théah. It's a land surrounded by six seas and, whereas
Rokugan, the land from L5R, looks like China, Théah looks
a lot like Europe.
To break that down a little further, in the northwest section, there is the island kingdom of Avalon. South of that is a
kingdom called Montaigne. South of that is another kingdom called Castille and, moving a little bit further east, there
is the great mud kingdom of Eisen, a land that has been the battleground of a war fought between Castille and
Montaigne for three decades . . . one of the first Machiavellian acts in Théah's history. Moving even further east is the
great, snowy wasteland of Ussura, a big, backwards nation using 14th century technology. No one dares invade, mainly
because of its unforgiving winters and strange, magical bears. Then, to the south of all that, is a large peninsula called
Vodacce, not so much a nation as a confederation of princes who can't seem to make up their mind who the king is.
These are the chief players in Théah's politics and, obviously, they each have European counterparts. The counterparts
are not twin brothers and sisters, though. They're more like distant cousins. They have their own character and their
own themes. It's a very rich and diverse world, just like our own, and I'm very happy with what we've come up with.
You mentioned that Théah is surrounded by six seas. What's the seventh sea the game gets its name from?
The seventh sea is a place of sailor legend where the sky moves backwards, where the sun and moon appear at the
same time.
If you sail on it long enough, can you get to Rokugan?
(laughing) No. Rokugan is not in the same world. It's a very, very different world and it is very, very far away.
Designing a roleplaying game is challenging and, I'm sure, creating a setting as rich as Rokugan or Théah must
present its own problems. Have there been any obstacles along the way?
One of the greatest challenges of designing Théah has been its Church. Of course, Europe's history and culture owes at
least a little bit to the presence of a dominant religion, and we didn't want to cheat Théah of that same influence. It's
too easy to present the Church as your stereotypically corrupt, villainous, nasty guys who are using its power for their
own means. That's too easy and something of a coward's way out.
When we did Rokugan, we designed the religion to be evocative of Shinto, and we designed the philosophy to be
evocative of Buddhism and Zen. You cannot do Japan without those beliefs and, likewise, you can't do Europe without
the Church. We thought long and hard about the situation. Finally, we decided to present the Church in a positive
light, familiar but different.
In the early days of Europe's Church, there were a lot of factions striving for control of the Message of the Good
News. We decided to take that in a slightly different route. What if a different faction had taken control of the
Message? What would that produce?
As a result, Théah has a Church that has taken the gnostic approach: you can see the Creator in His works. The mind
of God is all around us in nature, and what He created, He created for a reason and a purpose. If we can come closer
to that purpose, we can learn from it. Everything in nature is a lesson.
As a result of that thinking, we have the Vaticine Church. It's all about discovering God in His works. Because of that,
the Church has been the spearhead of science, of researching nature and how it functions. All of Théah's most
important scientific discoveries have come from the Vaticine; the discovery of gravity, entomology, and others are all
results of Church research.
It was a very nice fit to take just a slight twist on that part of history and see how it would come out. In a world where
sorcery and magic is real, the Church is the paragon of reason, logic, and, in a very Greek way, compassion and virtue.
How about the game mechanics? Are the rules similar to L5R?
People who play the L5R RPG will feel right at home. We're using the same roll-and-keep engine, but we've modified
it.
L5R was designed to be lethal, where one sword wound can kill you. The idea was to convey the reality that a samurai
lives only four feet, the length of a katana, from death. Of course, if you're going to be playing a Three Musketeers-
type game, you can't be living four feet from death. It's a much more heroic and, most importantly, a much more
dramatic combat system.
The first design consideration I wanted for the game system was for players to be able to look at their character sheet
and say to the game master, "I jump from the balcony, grab the chandelier, swing across the room, pick up the girl,
land on the other side, and fight the villain that is trying to shoot me." I wanted people not to have to look in the book
and see how they can do that. One of the things I am most pleased about 7th Sea is that we have accomplished that
feat. The game mechanics not only allow such acts, but encourage them.
That takes care of the swashbuckling part, but what about the sorcery?
There is definitely magic in the world. It's passed down through noble blood, which makes it a very exclusive club.
Some of its forms are very subtle, some not so. The different flavors of magic include glamour in Avalon, from a
connection with the Sidhe. In Vodacce, there are Fate Witches who can literally perceive and pull on the strands of
fate.
I wanted sorcery that was powerful and yet very rare, something not seen all the time. When you do see it, you know
to sweat because it is so dangerous. This tradition is from all the fantasy literature I have read, from Tolkien to Conan
to even the old Grimm's Fairy Tales. The one character that you always look out for, the one you are always scared of,
is the sorcerer. I can't understand why so many fantasy game worlds feel a need to balance sorcery with everything
else. That doesn't make any sense to me. I wanted our sorcery to be powerful, the cannon on the field, so to speak, and
we've succeeded. I'm excited to see how people are going to respond.
What kind of adventures do you hope to see players pursue?
Any that they wish. If you want to play a straight, Three Musketeers, Alexandre Dumas, high action/adventure game,
it's there. You can play as a Montaigne, one of the king's elite guard. Likewise, if you want to play a game of intrigue,
you can go down to Vodacce and get involved in all the plots going on there. If you want to play a game of
exploration, Théah is rife with the ruins of what appears to be an ancient civilization that was around before men. The
ruins are filled with treasures, horrors, and really bizarre thing so, if you are up for a good, old-fashioned dungeon
crawl, we're set for that, too.
One of the best parts of 7th Sea, or at least one part that I really enjoy, is the espionage aspect of it. This time period is
the birth of modern espionage. We first start getting what we recognize as spies, and one of the first areas we are going
to be developing further is our secret societies, inspired, of course, by Adam Weishaupt's Illuminati and all the
Rosicrucians that popped up in England and France.
One of the first books we are doing is The Knights of the Rose and Cross, a gentlemen's society which is a less than
secret society, but a secret society in the original sense of the word. Not everyone can join and the rituals and rites of
the group are kept hidden. They wear their symbol on their lapels and on their chests, going around doing feats of
daring-do because, well, that's what right and proper gentlemen do.
All kinds of games can take place in Théah. It's like a great big gamer gumbo.
When is this gumbo going to be served?
You can expect to see 7th Sea hit the shelves very soon. We're looking at it being out at the end of April or the
beginning of May.
Other than The Knights of the Rose and Cross, what kind of support do you have planned?
There's going to be everything. We're doing a miniatures game. We're going to be doing comic books. We're going to
be doing novels. We would really like to do a collectible card game. All of these things are going to be set up with a
system that will affect the world of Théah
What, exactly, do you mean by "affect"?
With L5R, we wanted to make an interactive world, where card game tournaments would influence the story line. We
experimented with that, found out what worked, what didn't. Now, with all that under our belts, we're ready to make
what we feel is the first real, truly interactive world. We're going to have the same mechanics setup that we had for the
L5R game in that tournaments will affect the world, but we're going to extend that into a roleplaying game.
We're also going to be e-mailing information. When you sign up for the 7th Sea fan club, you sign up from a nation
and a secret society. You'll be getting mail from your particular secret society saying, "This is what is going on in
Théah. This is our viewpoint. Here are opportunities for you to change the world."
You can also sign up for the club as a gamemaster, and the gamemaster gets a message saying, "Hey! We've told your
players to go out and do this. Keep track of what they do and let us know. We'll keep you updated on how their actions
are changing the world."
It's going to be fully interactive in any way we can think of so that the players are part of the world. We don't want
them to see this culture from the outside. They are a part of it. I want Théah to be a living, breathing environment. It's
not just a game. It's going to be a new world.
It sounds like you guys will be busy.
Well, we really want people to feel like they are telling a story. In my mind, at least, roleplaying games are storytelling
devices. They're still games. They still have the dice and they do roll and they still have rules but, in the end, we don't
play roleplaying games because we think the ranged attack mechanic is really cool. We play roleplaying games
because we tell stories to each other.
There's going to be a lot of things for players and gamemasters to explore and discover with 7th Sea. In dealing
with ancient ruins, secret societies, and intricate politics, would you say that's the overall theme?
Discovery is the chief theme . . . right behind go out and have a good time.
Common INWO Errors
by Glen Barnett
Some errors in play seem to crop up everywhere INWO is played. Here are a few common ones.
Attacking From Hand: a common one is using the Orbital Mind Control Lasers on a
group being attacked from hand -- which are not "in play." However, they do count as
"just played," so Immortality Serum, Commitment, and Never Surrender work on them.
(Some people play a house rule that they are in play. Try it!)
Attacking With +10s: You must play the +10 card when you spend the token. After the
token is gone, you can't later say, "Oh, here's +10 to the attack."
Basic Goal: It seems hardly anyone sets the Basic Goal until play has begun.
Direction of Play: Many people miss that the play goes counter-clockwise (in the
opposite direction to just about any other game).
Disasters and Destruction: the roll to Destroy has "succeed by more than X", not
"succeed by at least X". e.g. an Earthquake on Hawaii (one step away from its
Illuminati, say) is at 16 vs. 1+5: 10 or less to Devastate. It will Destroy "if it succeeds by
more than 5" -- that is, on a 4, not a 5.
Disasters and +10s: You can't use a +10 card against an Instant Disaster. You can use a +10 against non-Instant
Disasters (both mistakes are fairly common). With non-Instants, other bonuses to Destroy will count as well.
Goal Cards: To use a Goal card, you reveal the Goal card, and once your rivals agree they can't stop you, show the
rest of your hand to prove there are no other Goal cards in your hand. If you are stopped, your Goal remains exposed.
Presently, nothing can affect a revealed Goal card until after the win is thwarted. Note that if a second Goal ever enters
your hand (unless something lets you hold more than one), you must immediately get rid of one.
Illuminati as Groups: Illuminati count as groups (of a special kind); many of the things you can do to "groups" apply
to them, such as Thule Group's Special Ability. Many people also forget to count their Illuminati as a controlled group
for goals.
Illuminati Special Abilities: Don't forget the all-important Special Abilities of your Illuminati! Cthulhu's plot draw,
Shangri-La's +5 for defense, Bavaria's privileged attack, and Bermuda's reorganize are very easily forgotten. Write the
ability on the back of your hand. Put a post-it note over your Illuminati with "Reorganize, Stupid" on it. Any of them
can slip your mind at the wrong moment. How many of us remember that the Adepts also have a +6 to destroy a
Magic group?
Pauses: Often in play you need to pause to allow rivals to interfere. With Go Fish, for
example, you should pause before naming the card, so that the affected player can Hoax it
before you name Hoax. Similarly, when playing multiple plots -- two +10s for example -
you should pause between each. In practice, many people don't put in the pauses, which
helps to keep the game moving, but they must then be ready to rewind the action if
someone says "Hey, I was going to cancel that", or whatever.
Percentage of Goals: When finding the percentage of goal for the Servants of Cthulhu's
Special Goal (the part where destroyed groups reduce the number you need to control by
1), it is common to take the percentage as: [Number Controlled + Number Destroyed] /
Basic Goal x 100. In fact this is not what the card says. The correct calculation is:
Number Controlled / [Basic Goal - Number Destroyed] x 100. The correct one is always
smaller when the percentage is less than 100.
Tokens in Defense: Don't forget that if you spend a token on a group's own defense, the
Power counts double (not Resistance). Or to be more precise, it gets a power bonus equal
to its permanent power -- as described in the Very Frequently Asked Questions list on Steve Jackson Games' web
pages.
Let's Rumble
by John Tynes
Art by Dan Smith
[Editor's Note: This article originally ran in Valkyrie magazine in 1996.]
"It's going down tonight, Ringo. Big Trousers Garcia and the boys from Capture Squad Capybara are gonna be there.
They've gotta be stopped!"
"We'll be there with bells on, don't worry. But where's it happening?"
"That's the thing. You'll never believe this . . ."
Where is it happening? Is it a public place? A private residence? Are there enough doors and windows for hordes of
mooks to come blazing through? Could hordes of mooks even be there in the first place? What cool stuff is available
for the big fight scene that is bound to happen as soon as Garcia lights his cigar and says "Teach 'em a lesson, boys!"?
In Feng Shui, big honking fight scenes are the mayonnaise that binds the double-pastrami-on-rye of your scenario
together. How many cool places to stage a big fight scene can you come up with on the fly? In case your creative
juices are all squeezed out, here's ten quick suggestions for excellent situations just begging for excessive gunfire and a
squad of roaring abominations to shake things up. These locales are all set in the contemporary juncture, but most
could easily be converted to the other time periods in the game. Use 'em, abuse 'em, and make up more on your own.
When the feng shui hits the fan, you'll be ready to craft the things-blowing-uppest scene your players have seen since .
. . well, since the last time they played Feng Shui. Lock and load, secret warriors!
One: The Island Refuge

The evil Dr. (fill in the blank) has a secret island retreat. A big mansion, a warren of secret tunnels and control rooms,
little jeeps to zip through the muddy roads, and a bunch of big, wild predators stalking the jungle -- these are the
elements you'll have at hand when the PCs show up and set off the plastique. After all, five hundred mooks in orange
jumpsuits can't be wrong!
The PCs will probably arrive in one of two ways: either as guests or as intruders. If they're there as guests, they may be
undercover or they may be "guests" brought there at gunpoint. Regardless, Dr. Whatsisname has a lavish dinner for
them just before he turns on the death traps and has Hit Squad #13 (collect them all!) line up outside the front door for
the big hunt -- with the guests as the prey. If the PCs are there as intruders, they get to do all that cool commando stuff:
slipping up to the beach in inflatable rafts, defeating the security system, avoiding the tigers, taking out the sentries,
and so on. Of course, they might just nuke it from orbit -- but where's the fun in that?
Cool Stuff
Lee Marvin city! Jump from palm trees, leap out of bushes, stand in the back of a jeep firing away while your buddy
drives, or just throw someone into the electric fence.
There's gotta be a big pit of venomous snakes in the jungle fight scene. Toss someone in, or grab a big handful of
snakes and toss them into a passing jeep full of mooks.
Blow the generators. The secret warren of tunnels is guaranteed to have some sort of big power system that can be
quickly rigged to blow up the whole island. Even better, there could be an active volcano that powers the facility (don't
ask how) and that can be set off with some chewing gum and a paper clip.
Two: The Museum

A classic place for mooks to use as a drop point. They've got a gym bag full of heroin or arcanotech gear or the latest
issue of Guns & Ammo to swap in exchange for a briefcase full of cash. The PCs are there to blow the deal. Bystanders
are everywhere, and all those glass display cases -- well, you know!
Museums are also great places to add a little Thematic Unity. Is it a Lotus meet? Stage it in a room with treasures
from the early dynasties of China. Are Buro agents present? Presto, it's a po-mo virtual reality kinetic sculpture altered
environment interactive video gallery. Ascended? A collection of subversive political art that rages against the Powers
That Be.
Cool Stuff
Ancient weapons. You've gotta have a display case full of ancient weapons. Swords, maces, nunchakus, whatever.
Somebody (probably a chump mook) is going to smash that sucker and think he's Mister Cool. Put him in his place.
Or, if you're a PC or named GMC, this is when you get to whip the weapon around and show just how much you
know.
Museums are very popular with all sorts of people, but especially -- school kids! When you set up the scene, mention
the school buses parked outside. It's a field trip! Dozens of screaming kids and their teachers just happen to waltz in as
the guns come out, and next thing you know you've gotta be careful that you aren't blowing away Little Bobby instead
of Big Brother Tsien.
Glass cases, glass cases, glass cases. Great for throwing people into, especially if they fly through the glass and are
impaled on the collection of ancient weapons inside.
Dinosaur skeletons are just ripe for toppling over.
The old suitcase-full-of-money-dumped-over-the-balcony scene is de rigeur for a museum. They've got those big
atriums full of tourists and everything.
Three: The Parade

Oh, crowds! Big tacky floats with stupid things made of paper flowers on them! A marching band! I tell you, parades
have it all. If it's in China, you even get dancing dragons and lots of firecrackers! Don't forget to check out that next
float -- hey, wait, who are those guys dressed as Vikings with the AK-47s?
Parades offer the kind of big, public, crowded spectacle that can't be beat. Rent the movie Animal House for a perfect
example of a parade that goes way wrong. Out-of-control floats, screaming bystanders, collapsing band formations,
and so forth.
Cool Stuff
Big balloons of cartoon characters. Oh, yes! Flying characters will have a field day with those. But flying characters
who get too close to one that is (for no good reason) filled with flammable hydrogen gas had better watch out. Plus, a
PC can snag one of the ground lines just as the ground crew takes off and be yanked up into the air where every mook
in sight can get a clear shot.
Silly floats. Mooks in disguise, goofy scenery you can jump on, and best of all there is a high-speed performance
automobile underneath every one! (No, really!) Punch your way through those cheesy paper flowers, get in the driver's
seat, and you can send The Miracle of Seaweed float charging against that big demon.
Celebrity commentators. Has-been actors often get tapped to host parades, and are just ripe to be thrown into the
situation.
Four: The Factory

This is so elemental that you should have already used it, but just in case . . .
Cool Stuff
Conveyer belts help PCs take the trash out. Toss a mook on there, and bingo -- exit, stage left. Plus, PCs can ride the
conveyer belt into the next room, guns at the ready, and surprise the fools inside.
Heavy equipment. Power loaders, grinding machines, big tanks full of molten metal or boiling water, and the ever-
popular Spray of Scalding Latex that scars the named GMC and leaves him a hideous, deformed freak who will harass
the players for the rest of the campaign.
Chains, hooks, tools, and other improvised weapons are everywhere.
Five: The High Society Party

Ah, veddy refined. Have you seen that ring that Princess Schmendrick is wearing? And oh, that twelve-foot horned
chap with acid for blood -- what's he drinking? I'll have one of those.
It's a swank joint, full of rich idiots in tuxedos and designer gowns snorting cocaine and eating caviar. Of course, burly
doormen run everyone through a metal detector since terrorists and criminals like to whack rich folks. And it's awful
hard to hide that Helix Ripper inside your Italian-tailored jacket. On the other hand, you never know who you might
meet. The retired Special Operations Agent might still be quick with a life-saving knee to the groin if your back's
against the wall and that named GMC is all over you. And there is an endless supply of society women with mace in
their handbags who can turn the battleground into a hazy, blinding hell!
Cool Stuff
All waiters are mooks and they're all carrying uzis. Just assume it.
The swimming pool is ready for a good hand-to-hand fight. Time to improvise some drowning rules!
A fight in the kitchen gets you big pots hanging on hooks from the ceiling that you can knock off onto the head of the
mook below. Plus, someone's face gets seared on the grill.
Society types are bound to have good security. Guards with guns, rapid police response, and all sorts of alarms,
sensors, and cameras can make things tricky.
Great opportunities for gags with haughty old society matrons (wailing about their poodle some supernatural creature
just ate) getting shoved into the pool and sputtering something ludicrous.
Six: The Airplane

Feeling a little pressure? How about knowing that a gunfight is a really bad idea unless you want to send everyone on
this flight -- including yourself -- on a one-way ticket to 'round-the-clock coverage on CNN following your fiery
deaths in a massive crash? Put that gun away. It's time for knuckle-to-knuckle, down-and-dirty, pull-his-hair-poke-
her-eye fighting! (Passenger 57 has some good examples.)
Cool Stuff
Hostages, baby! They're everywhere, traveling with their families, so the heroes get the teary-eyed kid bawling "Save
my daddy!" just before the twitchy mook cuts papa's throat. Aww! Better get some revenge for that poor kid.
Carts full of hot meals. Steaming rice-with-orange-meat, anyone? How about in the face? Oh, yeah. You've also got a
drawer full of soda cans, too, which you can pitch like crazy.
Emergency exit doors. Screw the pressurized cabin -- that bad guy has got a one-way ticket to street pizza city!
Mad bombers. Just when you think you've got enough problems with the 12 hopping vampires posing as a basketball
team, some lunatic from the Leftist People's Rightest Front jumps up with a shoebox and an alarm clock and demands
that the plane be diverted to Leeds.
Five words: Netherworld portal in the bathroom.
Seven: The Church

If you've seen The Killer, you know that a church full of candles and doves is a heck of a place to blow up. But that
just scratches the surface! What about being there during a service? You've got crowds (can you tell I'm fond of
crowds?), plus priests, altar boys, offering trays full of bucks, and (if it's a big American church at least) a TV camera
broadcasting the whole thing live for the sucker invalids watching at home and begging for an end to their
hemorrhoids.
Cool Stuff
Flying PCs or GMCs that come smashing through the plate glass windows are always a good way to start things off.
It's a Roman Catholic church, there's a wedding, and guess what -- the groom's in the Mafia! Completely independent
of the PCs and their opponents, there are a bunch of spaghetti-sucking gangsters there with weapons. Better yet, turn it
into Romeo and Juliet: two warring crime families are making the peace and their kids are getting married. When the
shooting starts, each assumes the other is ambushing them.
Quiet assassinations in the confession booths. There's nothing like seeing the trickle of blood from the booth that starts
first titters, then screams, in the crowd.
A thick slab of irony, cooked bloody rare. Religious icons everywhere, the preacher talking about the lion laying down
with the lamb, and next thing you know it's a freaking bloodbath and the entire Youth Fellowship Peace League of
pre-teens is taking gunshots to the head! How ironic!
Eight: The Nudist Colony

Hubba hubba! Hilarity ensues as our heroes get to learn just how buff they really are when they're in the buff.
Supernatural creatures who can normally pass for human in a big overcoat have some serious problems. Martial artists
have little to fear, but anyone relying on guns is going to have a real concealment problem. Unless, you know, it's a
real small gun and, well, never mind.
Nudist colonies are good places for rich Ascended bad guys to be relaxing. They get to luxuriate in their human skins,
all the while hearing the roar of the beast within. Plus their martial arts abilities work even if they're au naturel.
Cool Stuff
Acid in the bottle of suntan lotion. Ouch!
Look closely and count all the Ascended wheel tattoos.
Innocent sporting endeavors (volleyball, aerobics, etc.) that somehow end in inexplicable and fatal accidents.
Crotch kick, crotch kick, crotch kick.
Nine: Political Convention

For he's a jolly good Jammer, for he's a jolly good Jammer . . . It's election time, and the white male power structure is
in drunken-sailor mode! Endless buffet tables of chow are devoured by starving, pasty-faced journalists while ruddy-
faced politicos smoke cigars, suck down brandy, and fondle whores. There's nothing like politics, is there?
But something's wrong. It's not all innocent back-room deals and sweet-natured character assassination. There are
sneaky guys with guns, a loony with a bomb, and protesters with strange bulges in their clothing who misspell
"ethical" on their protest signs. Political conventions are vortices of power and money, and they draw the criminal
element like flies to -- well, like flies.
Cool Stuff
Big crowds. You know what to do with them.
Rent The Manchurian Candidate. Brainwashed ordinary people are descending on the convention with firearms to
snuff out the lone voice of reason in an electorate gone mad.
Everyone's interested in politics! The Jammers would like to blow the place up. The Architects want to peddle their
influence. The Lotus want to learn how the game is played in the modern day. The Hand want to save that little city
park with the good feng shui. The Ascended -- oh, that's right. It's their convention.
Dramatic assassinations are always fun, but chases across the convention floor are better. Journalists with cameras
mounted to their heads will be in hot pursuit, catching the whole thing live for CNN. Burly ex-military delegates will
try to intervene. Convention security will disgorge teams of guys in black suits and sunglasses. It's chaos! It's politics!
Cool touch: a PC is standing in the crowd, watching himself on one of the big live-TV monitors. Then it cuts to
another camera and he sees someone -- someone familiar! A lost love? An assassin? But where was that camera?
Where's that special someone? Quick, start shoving people around and make a scene! (See Brazil for a good example
of this trick.)
Ten: Seedy Pub

There's a tear in my beer . . . hey, that's not a tear! It's an ear! Better call the cops, there's trouble at the tavern.
Whether it's Smoky Joe's, The Green Lantern, or The Ottery Tar Barrel, your local pub is ripe for some action. Burly
working-class folks with short tempers and a high blood alcohol count will gladly clean your clock. Saucy waitresses
pack .22 automatics in their garter belts. The bartender has a double-barrel 10-gauge shotgun (sawed-off, natch)
behind the bar. And the owner is, of course, a master of several martial arts (known to the adept as kicking butt or can
of whup ass) involving chains and meaty fists.
Cool Stuff
Pool tables to knock someone onto. Pool cues to knock them onto pool tables with. Bad guys like to sprawl a hero
onto a pool table and then drive a knife through the hero's hand and into the table.
Hurl someone into the jukebox! Then chortle as it plays something ironic like "Express Yourself".
Glass pitchers, beer mugs, tables, chairs, stools -- so many things to throw, smash, trip over, or what have you.
A band should be playing. They might feature a beautiful, innocent lead singer who is blinded during the fight or the
band might be a bunch of Harley-riding badasses who don't like music critics. For comic relief, have the whole band
go diving for cover except for the piano player, who keeps playing no matter what.
The patrons will, of course, start a brawl at the drop of a hat. As soon as one punch is thrown, tables flip over and
everyone starts slugging random people. (See numerous western movies for examples.)
Swing from the chandelier and kick some bad guy square in the face.
Someone simply must go flying over the bar, smash into the big dirty mirror, and collapse onto the dozens of liquor
bottles. Big ouch. Just as they clear their head, their eyes focus through bloody tears and they see the bartender
leveling the sawed-off in their direction.
Some psycho with too many firearms cleans out the whole place, so that the PCs innocently walk into a pub full of
corpses, blood, and one very big killer with two very big guns. (See Desperado.)
A Few More
There are gobs of places that work great for Feng Shui fights. Here are a few more just to get that little squirrel
running in the cage of your head: Halloween Party, Cemetery, Supermarket (see Raising Arizona), Cruise Ship,
Amusement Park, Times Square on New Year's Eve (Strange Days is close), Deserted Warehouse, Porno Theater,
Corporate Boardroom (see Robocop), Opera House, Playground, Inside a Bus, Indoor Mall (see Commando or
Terminator 2), Bank (see Heat), On Top of a Blimp (see Black Sunday), Police Station (see Terminator) . . . gosh, the
list just goes on and on.
All right, no more excuses. Get out there and do some property damage -- and don't spare the ammo!
Gray Renegades
A New Type of Celestial for In Nomine

by Beth McCoy
Art by Dan Smith
In a battle between good and evil, there's always a cry for "balance," for someone who doesn't follow the rules, but has
ethics none-the-less -- for someone who dreams in shades of gray . . .
A Gray Renegade is angelic slang for a demon who, for whatever reason, is halfway to Redemption without high
levels of dissonance or Discord -- and, for whatever reason, unwilling to take that final step, preferring to exist with
near-human levels of selfishness. Demons usually call this type of Renegade "insane," even by demonic standards.
Gray Renegades are very rare, most often coming from the ranks of Lilim, Habbalah, and Impudites. Balseraphs, Djinn
and Calabim are less likely to become Gray, and Shedim, by their nature as corrupters, find it almost impossible.
There are as many reasons to go Gray as their are Gray Renegades -- and a few extra, from the ones who didn't
survive.
Habbalah have the most mechanistic rationale. Gray Habbalah are the ones who have experienced enough of their
own "emptiness" resonance to relieve them of the belief that they are angels, but have acquired the possible delusion
that they can walk the tightrope between selfishness and true good deeds, using their emotional-projection abilities
against demons, Hellsworn, and other appropriate targets. Gray Habbalah also get to keep indulging in their own
emotions, which may be part of the appeal.
Impudites and Lilim usually go Gray because of their natures: they get along well with humans and there are some
evils that they just don't like (e.g., curtailing freedom, for Lilim, and killing humans, for Impudites). Furthermore,
Impudites didn't have far to Fall in the first place; it's a relatively small step from not wanting to "waste" humans to
wanting to protect them in other ways, out of simple self-interest. Unhappy humans aren't much fun at parties.
Lilim make very tempting Grays for a number of reasons: the Free Daughters
have a certain motive to "buck the system" and do what they want, and
Lilith's Rites are as suited to a freedom fighter as a terrorist. Their pseudo-
angelic resonance (Perception-based) can be used to justify the notion that
they, unlike just about all other demons, can actually perceive a little of the
True Symphony -- they just have their own personal theme that sings loudest
in their pretty heads. They're also the most likely demons to fit into a group
of angels -- by their nature, they can be Geased into something resembling
trustworthiness. (And betrayal, of course, but that's such a minor detail when
they're so cute . . .)
Balseraphs might be able to go Gray, but their utter selfishness usually keeps
them from even realizing other beings exist, except in so far as they affect the
Balseraph in question -- the Liars went from the Most Holy to the Most
Unholy, in one unbroken step, and it shows. Calabim, likewise, are too short-
tempered and destructive; too likely to lash out at the innocent as well as the
guilty. Both types, when Gray, often suffer from hideous mood-swings as they strike at what bothers them and then
grow remorseful upon realizing they did something "evil."
Gray Djinn are almost nonexistent because they simply don't care enough, either way. When they appear, it's usually
because someone has managed to drag them along into Renegade-hood -- Lilim and Habbalah are especially good at
manipulating Djinn through the Djinn need to be cared about. Impudites can be quite charming as well, but the Djinn's
Will needs to be fairly low for that approach.
Shedim, of course, have the worst time of it. They must corrupt their hosts, and failure to do so generates dissonance
and Discord. While having lots of Discord may be a selling point for Redemption ("Hey, look, I've been playing nice
with my hosts!"), it doesn't do anything for a Shedite who wants to stay free of authority and play nice with its hosts.
The only so-called "Gray" Shedim must inhabit the bodies of humans who are already Hell-bound (in the Shedite's
opinion, at least) and corrupt them to the point of death without harming others -- too much. "Gray" Shedim are
neither nice nor safe to be around, unless they're one of the lucky types with a Band attunement to let them get around
the corruption problem. Asmodeus' Shedim have this ability . . .
A final type of Gray is a new-Fallen angel who hasn't gotten around to pledging loyalty to a Prince, and isn't sure he
wants to. He still remembers his former nature, or at least his old habits, and may harbor delusions of eventual
Redemption. Some new-Fallen Habbalah might scorn the suggestion that they would work with a Demon Prince --
though there are "angelic" Habbalah Princes for these "tough cases" to approach.
Reasons Gray Renegades Don't Seek Redemption

All: Even if they can find an Archangel willing to give them a chance -- which is rarely an easy task -- demons do not
always survive Redemption! (PC Demons will, but they aren't supposed to know that they're player characters.) Simple
fear of destruction works well to justify anything, in a demon's self-centered mind.
Balseraphs: Arrogant and paranoid, Balseraphs might not want to do the humble pleading that most Archangels
require. Furthermore, a Balseraph is skilled at constructing realities in his head -- he may worry that his sincerity is a
lie that fools himself. And his paranoia will always be niggling at him, telling him that a "sympathetic" Archangel will
grab him up and destroy him, laughing.
Djinn: Gray Djinn Just Don't Care. Enough said.
Calabim: Calabim are destructive and temperamental. Sometimes, they simply can't muster the right attitude that
would let them survive asking an Archangel for help. Knowing that, they don't try.
Lilim: Gray Lilim are hit with a double whammy -- in the first place, they're none too fond of binding themselves to
service; even formerly-Bound Lilim, once on the run, might think twice about doing that again. In the second place,
they've usually got a Geas or 20 on them, and Lilim can be tracked by their Geases and made to do nasty, nasty things
. . . Even a truly repentant Lilim might not bother asking an Archangel for Redemption, knowing how her Geases ruin
her value.
Habbalah: The ability to project emotions is powerful. Habbalah are deluded anyway, so it's not hard to imagine that
they've swapped one delusion -- "I'm an angel keeping the weak and unworthy from Heaven, punishing them as is
God's will" -- for another: "Okay, I'm a demon, but I'm more effective this way, so I'd better stay a Habbalite and fight
demonic influences, as is God's will." And they get to stay sexy and loving it.
Shedim: Shedim do disgusting things to their hosts. It's a rare angel who will bother to listen to a Shedite, so see "fear
of destruction," above, as a reason why a Shedite might try to go Gray instead of seeking Redemption.
Impudites: Being an Essence-battery is a good thing -- in a group of demons, an Impudite is the next best thing to a
cleric! ("I'm out of Essence after that fight! Medic!") Like a Gray Habbalite, a Gray Impudite may have convinced
himself that he's more useful with his ability to drain humans -- taking care not to deplete any one human too often, of
course -- than as an utterly pacifistic Mercurian.
As said before, Gray Renegades are incredibly rare: it is very difficult for a celestial to balance between the selfish
impulses that make him a demon, and the selfless urges to right what he considers to be wrongs. Most Grays either
backslide into evil, trying to be Bad enough to return to Hell without being killed outright, or tire of their halfway state
and find a sympathetic Archangel to Redeem them.
Or die.
Because they're working against the plans of Hell, and because they might go Bright, Asmodeus hunts Grays -- which
means that if you have several of them in a group, they're going to be a top priority with the Servitors of the Game as
soon as somebody finds out.
Gray Renegades are also likely to interact with angels from time to time, and many of the "softer" angels think Grays
are just Redemptions waiting to happen. Sometimes they're right, sometimes not, but occasionally one will try to play
"missionary" with a Gray or six. Dominic considers that this is just asking for an Outcast or Gray new-Fallen -- and so
his angels go around hunting Grays. He'll tolerate one or two Gray Renegades, if they seem on the path to Redemption
and are staying put with their angel buddies (as opposed to skipping town), but triads will be coming around monthly
to make sure the angels aren't slipping and the Renegade isn't plotting something evil.
All of this means that, if the PCs are a group of Gray Renegades, they have the attention of the Heavenly Inquisition
and the Infernal Secret Police. They are probably one of, at most, three groups of Grays. Their survival value is low --
this will become a "fugitive" campaign sooner or later, and the players and characters should both be aware of that.
While the campaign can be run on just that level, the primary reason to go with Gray Renegades instead of Outcasts or
normal Renegades is for the moral and ethical dilemmas -- is the group stable, singly or individually, or are they
sliding towards Redemption? Or are they backsliding to evil? Will they wind up betraying angel friends, demon allies
or each other? Can they beat the odds?
"It's just us against the world . . . When do we attack?"
Pirate Canyon - The Sequel
by Jason P. Prince
Art by John Grigni
Introduction
This is a scenario for FASA's Crimson Skies boardgame. The premise for this aerial engagement is the rivalry between
two of Hollywood's up-and-coming actors, the dashing Peter Swift and the stoic Gregory Williams. Both men have
begun making appearances in major motion pictures, and are touted by the media as destined for stardom. They have
been portrayed as friendly rivals for roles, with Peter's looks competing with Gregory Shakespearean training. Another
connection between the two is that both are pilots who have publicly steered clear of being involved with the
renowned Hollywood Knights. The truth is that both have failed Charlotte "Charlie" Steele's standards, and refused to
join a lesser outfit.
After this secret humiliation, Peter turned to Hughes Corporation to seek a patron, impressing the man himself with his
abilities and confidence. Gregory took the whole thing rather personally, blaming the rejection on why he has been
unable to raise his profile and get choice parts. In time Gregory would have managed to get his star hitched to a few
successful shows or films, and all would have been well -- but then too much wine and an intrepid reporter sent things
public.
A bold, third-page column in one of the less reputable, but widely read tabloids set off Gregory's thirst for revenge.
At the Palace last night, the famous rubbed shoulders amidst the sultry tones of Miss Billie Holiday (who is
incidentally on a tour from New York -- which none dared hold against her after the first song). This reporter found
herself in a sea of gossip and rumor, and then she ran into the debonair Peter Swift. Peter (whom was kind enough to
request we be on a first name basis) discussed many things about the movies and Hollywood. When I asked him about
his future as a flyer -- and whether he would be approaching the Hollywood Knights -- he let it be known, and I quote
with his permission, "Well, my dear, Mr Hughes has more important things for me to do. I am off to sunny Texas to
show them what the Firebrand can do."
Well, I said, how exciting. It seems he is to be traveling with one of the Hughes test pilots and if all goes well the
Firebrand will do for the Texas Rangers what it has for the city of sparkle. This is not the high point of this article,
dear reader. Shortly after, in a conspiratorial tone, he went on. "As soon as I get back expect to see me in a starring
role in the long awaited sequel to Pirate Canyon," he said. Had not I read in this very paper just the other day that
Gregory Williams was rumored to have that role. "Well my dear, Greg is a fine actor but with all due fairness, he isn't
the pilot I am. Part of my trip to Texas will be practicing canyon flying for the role."
At that point, the gorgeous Miss Lucy Devon interrupted us, and I could see I was no longer in a good position to
compete for Peter's attention. It appears that Gregory Williams has fallen behind in the long duel to the top, perhaps
fatally. One wonders what he has to say when he finds this out.
On the scoop -- Cherie Wilks.
Overview
Gregory Williams did, indeed, get word of the loss of the part his agent had promised him. Gregory was further
outraged when he missed catching Peter Swift before he left on Hughes airship, the Majestic. In a fury, he decided that
if Peter failed to return from Texas, or at least was disgraced, then he could turn things around. With some money
behind him, Gregory set out to find the plane and fliers to complete the scheme.
He decided to seek them in Arixo, where he could at least try

for anonymity in his role. A seedy bar found Greg talking to
some Arixo self-styled vigilantes with a hatred of Texans --
the Harbingers of Death. Drawing upon his fine acting skills,
he persuaded them that the Majestic's visit represented just
one of many steps being taken to create an alliance between
Hollywood and Texas. With the promise of supplying a
Vampire in return for their assistance in seeing the airship, and
most importantly Firebrand, destroyed, Greg had a deal.
The canyon country where the Hughes Aviation airship

Majestic is moored is the home to the Texas Ranger Air
militia squadron, "Dave's Flight." They have a mix of
experienced and novice pilots, training in the twisting cliff
passages. Such practice is consider essential by the Ranger
command, to be able to properly combat pirates and others
who would use the landscape to avoid detection before and
after they strike.
On board the Majestic are Peter and a Hughes test pilot, Juan-
Carlos. Peter has brought the Hughes-Lockheed Firebrand to
show off to the Texas Republic and, in particular, the Texas Rangers. Juan-Carlos is here to protect Hughes property;
Mr. Hughes believes a movie star would be a better choice to show off his plane, but also knows the value of a good
wingman. The quiet and confident Juan-Carlos flies his customized Bloodhawk.
Set-Up
This scenario uses the Canyon Map in the Crimson Skies boxed set. For reference purposes, the edge of the map with
the Crimson Skies logo to be north.
One special feature of the scenario is the airship. To play the scenario, an airship the same size the ones on the other
maps must be traced or otherwise copied. This will represent the Majestic, which is treated as a normal airship (That
is, it may be collided with). The airship is positioned along the north edge of the hex grid, taking up a horizontal east-
west line, which touches a mesa and a couple of buildings.
The Harbingers are split into two areas. The first two pairs plan to attack the airship immediately, and have flown up
the river canyon from the east (the right-hand side of the map). They begin the game in any of the first three hexes
over the river at speed 2, facing northwest. The other pair, consisting of Brigands, has been assigned to hit the Ranger
airbase, and begins in the clear hex immediately south of the river where the rest of the Harbingers are.
The Hughes aircraft have just launched as the scenario begins, and may start anywhere within two hexes of the
Majestic. The Rangers are fortunate to have dawn patrol (Lead and Wing 2) on the runway. They start in the southern-
most hex of the runway, facing northwest. They will have to use the special rules below for taking off to get airborne.
Lead and Wing 3 are not so fortunate. They must scramble, taxi, and then get aloft, as per the special rules. They begin
the game in any of the four largest buildings on the airfield (and specifically not the smallest at the center of the two
runways). Their actual positions must be secretly recorded before the beginning of the game and revealed when the
Ranger player wishes to begin taxiing them. They can both begin in the same location.
Special Rules
Ground Attacks
Stationary or taxiing planes have their effective size reduced by 2, which means they are easier to hit. Planes that
become airborne during a turn do not suffer this penalty. An HE rocket, in addition to its regular damage to its
intended target, will also do d5 (d10/2 round up) .30 dum-dum hits to any aircraft in the same hex the target of the
rocket was in, due to flying fragments of debris. If the HE rocket misses, all planes in the hex -- including the target! --
still take the shrapnel damage.
Planes in hangars ignore this damage unless the hangar itself was the target of the attack. Attacks should be rolled
separately against each plane. The cover of a building adds 2 to the size of the plane under attack.
Taking Off
The Ranger planes on the runway must travel 3 hexes in a straight line on a runway and be moving at their maximum
acceleration in order to lift off. Once a plane has taken off, it is airborne and moves normally. Pilots may "redline"
their engines and "push" their max speeds to get airborne earlier if their acceleration and top speeds are not both 3 --
which would allow lift off in one turn. All hexes used for taking off must be runway hexes and the plane must travel in
a straight line. If a plane has movement left over from getting airborne, it should be plotted as per the usual rules.
Planes that become airborne may fire in that turn as normal. Area effect rockets may be fired at any time.
Scrambling means that Lead and Wing 3 cannot begin moving until turn 2. To taxi and take off, a plane moves at a
maximum of 1 hex per turn on any surface other than a runway (which must be plotted as normal but ignores gees.)
Taking off "in the rough" is not considered possible in this scenario.
The Tanker
A fuel tanker and a rocket trolley are currently sitting near the runway, in the hex with the smallest building. This
target should be considered size 4 for difficulty to hit. If hit with a HE Rocket or magnesium round, it does damage
immediately as if a flak rocket had just gone off. In addition to the normal damage, it inflicts d5 (d10/2 round up) .30
magnesium rounds equivalent hits to any aircraft in the Mega hex, whether on the ground or airborne. Planes in
hangars ignore this damage.
Pilots, Planes and Payloads

All rocket payloads have been predetermined and are included under each plane. What ammunition each gun carries
must be determined as normal before the scenario begins. The Harbingers and Gregory have come expecting to
destroy an airship, so they have made sure their payload is specifically designed to deal damage. A couple of planes
carry drill rockets, to allow them to engage fighter craft at longer ranges. The Hughes Aircraft were expecting to go for
a morning demonstration and they carry large numbers of flash rockets. Fortunately, the display involved some target
shooting and they have some HE rounds. The Ranger dawn patrol is fully equipped but the scrambled planes have no
rockets at all.
The Harbingers of Death and Gregory Williams
Lead 1: Mike "Deadeye" Wellsinker
Vampire 6-7-9-6-5-6
4 Armor Piercing Rockets
2 High Explosive Rockets
Aerial Torpedo
Wing 1: Lucy "Lacey" Grant
Devastator 5-7-4-6-4-5
3 Drill Rockets
2 Sonic Rockets
Lead 2: Gregory Williams
Vampire 4-3-4-3-6-4
4 Armor Piercing Rockets
Aerial Torpedo
Wing 2: Boris "Gauntlet" Chekov
Fury 3-6-3-6-3-6
2 Flare Rockets
5 Drill Rockets
Aerial Torpedo
Lead 3: Pat "Killer" Morgan
Brigand 4-5-6-6-3-3
Tail gunner "Hugo" 4-5-4-4
Wing 3: Desmond "Elephant" Matthews
Brigand 7-3-3-2-4-4
Tail gunner "Woody" 3-2-2-4
Aerial Torpedo
Hughes Aircraft
Lead 1: Peter Swift
Firebrand 6-4-5-7-5-3
8 Flare Rockets
4 High Explosives Rockets
Wing 1: Juan-Carlos
Bloodhawk 4-8-5-2-9-7
8 Flare Rockets
The Texas Rangers -- Dave's Flight
Lead 2: Dave "Dave" McGovern
Warhawk 7-7-7-6-6-6
4 Beeper Rockets
2 Flare Rockets
3 Seeker Rockets
Wing 2: Henriette "Queeny" Smart
Peacemaker 3-5-5-3-5-5
2 Beeper Rockets
6 Seeker Rockets
2 Sonic Rockets
Lead 3: Joseph "Dogboy" Mulgrave
Valiant 4-6-5-6-5-4
No Rockets
Wing 3: Sally "Wild Cat" Walsh
Raven 3-3-3-5-4-4
No Rockets
Hughes Airship -- The Majestic
The Majestic is of military standard of construction, so the lower of the two figures should be used when determining
damage. Its engine pods mount twin .40-caliber guns loaded with dum-dum ammunition; the nose and tail pods carry
twin 60-caliber cannons, loaded with armor-piercing ammunition. As usual, all guns fire two hexes further. All airship
gunners have 3-3-3-3. One above-average crew is chosen before the game starts and secretly written down, and are
revealed when they act. The upgraded crew is rated 4-4-5-4. The Majestic will not move during the game.
Texas Ranger Seeker Rocket Launcher
The Rangers have a seeker rocket launcher at the airbase. It is in the southernmost building of the base. It has 10 rows
of armor. It has 12 seeker rockets that it may fire at a rate of two at a time, each in either seeker mode or as an armor-
piercing rocket. The launcher may begin firing beginning on the second round of the game.
Rules of Engagement
The Harbingers and Gregory's objective is to destroy the airship Majestic and Peter Swift's Firebrand. The Hughes
pilots and Rangers must stop this from occurring.
Winning the Mission
If both Peter's Firebrand and the Majestic are shot down, then the attackers win a total victory. If only one of the
aircraft is destroyed, then the Harbingers and Gregory achieve a partial victory. If neither is lost then the defenders
win. If either side's Hollywood star pilot is killed, then that side loses. The measure of success in this scenario is based
on what Hollywood will think of this event and what it will mean to the success of either star.
Babylon 5 Errata: The Great War
by the Precedence Publishing Staff
Due to a printing error, page 53 of the rulebook for the Great War Expansion Set for the Babylon 5 Collectible Card
Game was not included in the initial printing. Printed below are the Non-Aligned Faction rules in their entirety,
including the missing page 53 of the Great War Rulebook.
The League of Non-Aligned Worlds

The Great War introduces the League of Non-Aligned Worlds as a new faction for
the Babylon 5 CCG. For most purposes, it is treated just like any other race.
Exceptions and highlights will be noted here.
The League is the fifth "standard" player race. Cards loyal to this race are
designated as "Non Aligned." The League represents a diverse collection of
starfaring species, each with its own needs, drives, governments and goals. Many
Non-Aligned characters list a Species to which they belong as well as their race.
Some of the species in the Non-Aligned worlds include the Drazi, the Pak'ma'ra,
the Vree and the Gaim.
Reminder: The terms species and race are not interchangeable. No matter their
species, any "Non-Aligned Character" is a member of the Non-Aligned race.
As an emerging leader in the League, you will lead your species first to
preeminence among the "lesser" powers of the League. Then, you will forcibly carve the League a place among the
greatest powers of the galaxy, whether by diplomacy, intrigue, military might, or by applying the special advantages
conferred by your faction. This will not be an easy task, as the League starts at a disadvantage compared to the current
galactic powers, and none of the major races are eager to surrender their place to "upstarts". But it is time for the
declining powers to move aside, and make way for your young and vital species!
Unlike the other standard races, there is no single "ambassador" for the League. Each species has their own
representative to the rest of the League. Therefore, a Non-Aligned player does not have any single specific starting
ambassador. Instead, the player chooses a character listed as an ambassador for one of the Non-Aligned species, and
that character becomes his starting ambassador for play.
In addition, due to the diversity of the Non-Aligned Worlds, a Non-Aligned player begins with a second species
ambassador in play in his Inner Circle. However, due to the fragmented nature of the League, Non-Aligned unrest
begins at 2, rather than 1. The additional starting character does not count against the 3 additional cards a player selects
for his opening hand, and does not count as the sole character allowed in the opening hand.
Setup for Multiple Non-Aligned Factions
If there is more than one Non-Aligned player, each player in turn chooses a starting ambassador. Then, in reverse
order, players choose their second starting character. After this is done, the Non-Aligned players choose the remaining
3 cards for their opening hand.
A Non-Aligned ambassador's assistant can provide the ambassador's assistant bonus to any species' ambassador, but
only within the same faction.
Species' Ambassador versus Faction Ambassador: Ambassador, in the card text, is a specific game term which
refers to the leader of a faction. There will usually be more than one Non-Aligned character in play who is labeled as
an ambassador for a species. Cards which refer to an ambassador apply to a Faction's ambassador only, not to Non-
Aligned characters who happen to be the ambassador for a species. Think of the faction ambassador as the spokesman
for the rest of the faction. For example, the conflict Psi Attack cannot target an ambassador. If a faction's ambassador
is She'lar then She'lar cannot be targeted. But, Vlur/Nhar, who was that faction's second starting character is still a
valid target despite having the title "Pak'ma'ra Ambassador."
The League, at the time Babylon 5 begins operations, is divided and relatively weak. Tensions between the League and
all major races begin at 2. Many league races are predisposed to favor the Humans, who aided the League in the Dilgar
war, and others fear the aggressively expansionist Narn. The Centauri are viewed with disfavor, as the declining
Centauri Republic once dominated many of the now-independent Non-Aligned worlds. The Minbari have often been
isolationist, and little is known of their true goals. Still, though these sentiments are common, there is no real consensus
among the many species of the League. The Humans have suffered setbacks, and some resent the parental attitude they
take toward the League worlds . . . and the growing anti-alien sentiment expressed by some members of the Earth
Alliance government. And though the League has no goodwill toward the other major races, they are not individually
prepared to defend themselves against an aggressive major star power. It will be the task of any Non-Aligned player to
change the current state of affairs, to unite the League, and to choose who will be a friend and who an enemy to the
united strength of the League worlds.
The League as a whole has one vote on the Babylon 5 council, which can only be cast to break a tie. If the voting is
ever tied after the five races (including the Vorlons) have cast their votes or abstained, the League vote must be called.
Each player casts one vote for each Non-Aligned character in their faction who is a 'Species Ambassador'. If the vote
is a tie, the League abstains. Otherwise, the League vote is cast in accordance with the majority vote of the species'
ambassadors.
Summary
Starting Ambassador: Any 1 "Species' Ambassador."

Additional Starting Inner Circle Character: Any 1 "Species' Ambassador" not chosen as a Starting Ambassador.
Opening Hand: Standard 3 cards + Starting Ambassador, and 1 additional starting (Inner Circle) character.
Total Opening Hand Size: 5 cards.
Starting Unrest: 2.
Starting Tensions: 2 toward each other race.
Voting: Tiebreaking vote only, requires League vote.
Precedence will be distributing adhesive stickers which will be made available at retail outlets worldwide to give to
purchasers of The Great War starter sets. This sticker will correct the rulebook by providing the missing rule page
when inserted in the appropriate place. The missing rules information will also be available on our web page, or by
calling Precedence toll free at 1-888-256-4955 in the USA, 1-602-449-0928 elsewhere, or sending an S.A.S.E. to
Precedence Entertainment, Great War Rulebook, P.O. Box 28397, Tempe, AZ 85285.
Unity University
By Thomas L Bont, Mark L Williamson and Christopher J Lawton
Members of LaTUGA
Art by andi jones
Unity
Location: 0201 (replaces Saxe), Five Sisters, Spinward Marches
GMs may replace the existing entry with this one, or select another appropriate system.
UPP: A65583 G P
A – 10K diameter
6 – Standard Atmosphere
5 – 50% Hydrographics
6 – Millions of Inhabitants
8 – Civil Service Bureaucracy
3 – Law Level – Weapons of strict military nature prohibited.
G – Occasional Non-Imperial technology.
P – Planetoid/Asteroid belt in system.
Class B Starport with extensive orbital and ground facilities designed for bulk passenger handling.
Background
In a move of cooperation unprecedented in known space, all the major races (and many of the minor ones) determined
to sponsor a cooperative center of higher learning. Spearheaded by the Aslan Hierate, Unity University was founded as
the first jointly-sponsored, cross-race educational institution. The intent of the endowing races was to build a center of
learning and culture where the galaxy’s finest minds would gather to learn and then take that knowledge back to their
respective societies. The fruits of research performed at Unity University were to be distributed to all participating
governments so each could benefit from their investment and justify the university’s existence and expense. The effort
has been a complete success.
Determining the final location of Unity was the first of many obstacles confronting the sponsors. Each government
initially demanded that the university be located near its own territory. Unfortunately, the only centrally located space
was within the Imperium and a truly neutral system was required. Furthermore, the Zhodani Consulate would not agree
to locations anywhere trailing of the Spinward Marches. No single location would truly satisfy all the participants but a
compromise location was found which left all the races at least equally dissatisfied.
That location was the planet Saxe. Saxe, an underdeveloped world,
located in a neutral system within the Spinward Marches was a
politically acceptable location. Unfortunately, its state of development
led directly to problems in building and maintaining the university.
Conveniently, the system was within reach of moderate off-world
resources and could be jointly developed by the sponsoring
governments.
While Unity was formally founded in 1012, many years were required
before the university was ready to accept students. Saxe’s ground and
space facilities were far from adequate to support the proposed
university. Construction of such a major project would have been
difficult if just one race competed for the numerous construction
contracts. Awarding contracts and coordinating the efforts of companies
from seven different races created a bureaucracy that may well outlast
the university. Staffing the university proved equally difficult and
costly. Competition for positions at Unity University was (and remains)
strong and each race was determined to place as many of its own citizens on staff as possible.
Unity University began accepting students in 1032. The graduating class of 1036 was 1700 strong. Most of those
students came from the Imperium but a significant percentage were Vargr. Graduating class sizes steadily increased in
size at 20 to 30% per annum for the first 20 years of operation and have since stabilized at about 200,000 students per
class. The student body has grown much more races diverse over time as well.
Today Undergraduate Graduate Staff Positions

Programs
Programs
Imperium 300,000 60,000 30,000
Solomani 150,000 30,000 15,000
Zhodani 225,000 45,000 22,500
Vargr 200,000 40,000 20,000
Aslan 150,000 30,000 15,000
Hiver 5,000 1,000 500
K’Kree 5,000 1,000 500
Minor Races 40,000 8,000 4,000
Total 1,075,000 215,000 107,500
The thoroughness of the entrance exams and dedication of the staff insure that dropout rates rarely exceed 10% of the
class. The professors of Unity University operate under one edict, "Produce qualified graduates!" The pressure to
"publish or perish" is not an issue for the staff or administrators, although most still produce highly prized papers.
Access to the massive resources of the university and the prestige of holding a position here has produced an academic
staff that is unequalled in known space. Resources are rarely a problem as the sponsor races almost compete to
contribute to the school. Indeed, serious negotiations are occasionally undertaken to impose spending limits though
none have yet been successful. What many called a foolish pipe dream has succeeded beyond any of the founder’s
wildest hopes.
Administration
While the administration of Unity University has been very successful, there were serious staffing problems to
overcome in the beginning. In the early years, sponsors tried repeatedly to place someone from their respective
governments as Dean of Unity. When it was clear there would probably never be a consensus, all agreed on the Aslan
who spearheaded the campaign in the first place, K’rak mon Gr’yl (She Who Bites Tails). She made an excellent dean
and over the next 10 years, Unity University grew to become the place of learning and tolerance she had envisioned.
When her 10- year term of office was up, the sponsor governments again fought over the position of dean. Serious
consideration was given to lifting the 10-year term of office limit so that K’rak mon Gr’yl could serve another term.
K’rak mon Gr’yl refused the honor and suggested that if the sponsor governments could not arrange for a truly neutral
dean, then perhaps they should look beyond themselves for someone. There were many debates and a decision was
finally reached. The Board of Governors final decision surprised all the involved races, including the Aslan. The
employees of Unity University were to elect the Dean from their own ranks. There was one unusual stipulation; the
new dean would have to relinquish all citizenship to its home government and would not be allowed to regain that
citizenship once its term of office was up. The former dean would have to remain on Saxe in a teaching position (and
possibly be reelected Dean following 10 years of teaching) or retire to one of the small towns that have sprung up
around the various campuses. Retired and active deans would be allowed travel papers and could roam as they wished,
but would have no special rights inside any governmental province.
This had a surprising affect. Nearly all instructors, professors, and staff relinquished their citizenship to their home
provinces within two days of receiving the news and Saxe was renamed Unity. This caused a great deal of excitement
in some circles but when it became clear Unity had no intention of declaring itself "independent" the crises waned.
Since then, Unity University has become a truly neutral training ground for any subject imaginable. If it is not taught
at Unity, then it cannot be learned.
It is noteworthy that there have been three Vargr Deans. Whether this is because Vargr are simply more adept
politicians than other sophont races or because they just seem to excel in giving orders is unknown, but it has opened a
whole new area of research on Unity. Either way, it has given all Vargr a new sense of pride in their race.
Board of Governors
A Board of Governors was formed by the member races to "manage" Unity University. Each race supplies one
governor. There are currently seven major races and 17 minor races contributing to Unity. In the beginning, there were
only five minor race members on the board. Over time another 12 have applied (by promising to contribute resources)
and have been accepted. All board resolutions require a 3/4 majority to pass. The major races occasionally pressure the
minor races into accepting their terms, though this is becoming increasingly uncommon as the number of minority
members of the board grows. If the minor races ever achieve a 3/4 majority, there is sure to be a reaction from the
major races. Strikingly, the Aslan have sided with the minor races on numerous occasions. It is interesting to note that
the Zhodani governor always seems to know "which way the wind is blowing" and what appropriate actions to take.
The past few years have seen an increase in Anti-Psi helmet use in the meeting room.
The board currently resides on Unity, as distances involved are too great to meet elsewhere. The term of office is 6
years, though many like the duty and decide to stay on. As this is an appointed position (and quite prestigious these
days) the board members are usually from the political elite and have the acumen to acquire additional appointments.
Quite a few have decided to retire on Unity afterwards (but none have yet given up its citizenship to its home
province).
The chairman of the Board of Governors (elected by a simple majority of the other members) is in charge of the token
force assigned to Unity for protection. Each member race is expected to supply at least one ship to the task force. As
this is usually considered easy duty and there is little of strategic importance on Unity, generally the oldest ships of the
respective fleets are assigned this duty. There is currently 1 battleship (very old and usually in port for repairs), 2
cruisers, 3 destroyers and any number of smaller support vessels. If the time ever came for a serious showdown, there
would be a race to see who could get out-system the fastest to alert their respective governments.
Acceptance
Admittance to Unity University is based strictly on academic achievement. As Unity is essentially an independent
entity, there are no strings to pull or buttons to push. The Acceptance Committee at Unity University operates as a
blind committee. No one beyond a few high-level university administrators is cleared to know who sits on this
committee. Committee membership is a yearly duty that rotates through the entire academic staff in a semi-random
fashion. Professors typically sit on the membership committee for one year out of every fifteen. Even the dean is not
exempt from this duty if selected. The Acceptance Committee is also charged with the evaluation of acceptance exams
and handles cases of academic ‘coasting’ by alumni.
Each world usually has its own screening process to limit the number of people taking the Unity entrance exam to
manageable numbers. Local education departments administer screening tests drafted by Unity University personnel.
These tests, and the final entrance exam, are updated every year. Applicants that pass the screening test receive round
trip middle passage and accommodations (courtesy of Unity) to the nearest Class IV or V starport for the entrance
exam. Screening tests are scheduled such that successful applicants will need to leave for the actual entrance exam
immediately (i.e. bring your bags to the test). Unity University contracts local merchant vessels for so called "Baby
Runs" for these particular events.
Unity entrance exams are given at every Class V and IV starport on a yearly basis. The personal records of those that
pass this stringent battery of tests (a three-day mental and physiological ordeal) are forwarded to the Unity Acceptance
Committee. Six to eight months later, depending upon travel times, prospective students are notified of their results.
Successful applicants are awarded round trip middle passage tickets to Unity. Departure dates and travel itineraries are
arranged to ensure that new students arrive at Unity coincident with the beginning of a new class. These arrival times
are not negotiable. Depending upon location, applicants may have little to no advance warning of their departure times.
Applicants may take the entrance exam any number of times but are limited to one attempt per year (and one free
passage to the starport). Local planetary screening policies may or may not require that the applicant retake screening
tests for each attempt.
Individuals born on Unity may attend the university as students but face the same entrance requirements as any other
sophonts. Due to the proximity of the University, the lower educational system of Unity is among one of the best in
known space. Consequently, there are a disproportionate number of natives attending and graduating.
Individuals born on non-sponsor worlds may take the test at any Class V or IV starport, though they must make their
own travel arrangements. The number of non-sponsor government students attending Unity University is less than one
percent. The Minor Races voice the strongest arguments against this policy but have been unable to get the entry
requirements changed. The Minor Races feel that races that send students to Unity University should have to pay for
the privilege. This is one area where the Aslan are in constant conflict with the Minor Races.
Alumni of Unity University are not required to take the acceptance test again for further study. They are automatically
accepted. However, Unity University will not pay for passage to Unity for continuing education. Each student must
make travel arrangements for themselves or remain on Unity after graduation and immediately enter graduate studies.
Curriculum
The curriculum of Unity University includes virtually any subject that can be taught in a classroom and many that are
not. Classes range from weapons training to outdoor skills to professional and scientific skills. Most training dealing
with thievery and strict military applications are difficult to qualify for (or forbidden by policy) so students may have
difficulty acquiring this sort of education at Unity (though there may be any number of unofficial ‘tutors’ available for
those in the know). Many social skills, such as carousing, do not lend themselves to the classroom either, though a
healthy after class culture has arisen to provide these experiences. GMs should exercise good judgment when allowing
PCs to generate skills through attending classes at Unity or else they may turn a shining example of civilization into a
seeming den of cut throats.
There are degree fields for all sciences: social, technical, engineering, business, etc. Degree titles are Journeyman,
Adept, and Master. The Journeyman degree usually lasts 4 years. The Adept represents a more in-depth knowledge of
the subject matter and usually requires an additional 2 years. The Master degree represents the pinnacle of learning and
usually requires an additional 2 to 4 years of training and research beyond Adept although in some ‘esoteric’ fields up
to 10 or even 15 more years may be required to reach mastery.
Earning a degree at Unity University and reentering society usually guarantees at least a 25% to 50% increase in
starting salary. A large and growing number of mega-corporations are finding Unity University graduates in their
senior ranks.
There is a non-University-sponsored Psionic Institute on Unity. This is a source of no little concern to the Imperium.
Its existence is usually overlooked due to the overt benefits the Imperium receives from Unity University itself. Within
the Imperium publicity about this branch of the Institute is actively discouraged.
Society
In the early years, the presence of the university was greatly resented by the natives of Saxe. There were aliens
‘running all over the place’ and the local population did not like it at all. But as time wore on, it became clear that
Unity University was good for business. The economy was undergoing what appeared to be a permanent upswing. No
matter the decisions made concerning the university, it always turned out for the best. When Unity University proposed
that the planet’s name be changed to Unity in response to the dictates of the sponsor governments, the motion was
passed in record time with nearly 98% approval. Since then, over half of the planetary economy has been converted to
servicing Unity University.
There are hardly any questions related to race on Unity in a social setting today. It is a major faux pas to even bring it
up. First year students quickly learn this and as time goes by learn to take advantage of it. There are many upper-
classman willing to devote time to tutoring. When a Vargr is having problems with Jump Space Physics, he rarely
cares if it is an Aslan or another Vargr that is giving him the help, as long as he learns the material. Moreover, in some
instances, learning from someone of another race is beneficial as it generally leads to a completely different mode of
thinking about a problem. Unfortunately, this is not so in the "real world" and many Unity University graduates report
a sort of culture shock on returning home to find the old prejudices still in place.
There will always those that cannot abide by this policy. At least one first year student or collections of students
believe there should be race-specific divisions in berthing, commissary privileges, and training schedules. Occasionally
these students come to blows (or worse). But the most basic tenet on Unity is education, and when the planetary police
(heavily augmented by the multi-government security force stationed there) comes in to break it up and send the
offending students back home, affairs quickly return to normal.
How to Game Unity
There are many ways to use Unity in a campaign. Here are three:
1) As a starting point for a campaign.
Starting out on Unity is just like starting out on any other planet in the Traveller Universe. The characters
can simply start the game as students (or have an adventurous time simply getting to Unity) or the GM
may require the players to roll the average of their character’s stats or less for acceptance and "Boom"
they are there. They can choose to just live on Unity in a support-type capacity; working for the university
in the technical services or administration department or working for any of the hundreds of other
businesses that have sprung up around the campuses to support them. Getting a job in any of these other
capacities is handled just as in the GURPS Basic Job Table.
However, if the characters wish to attend Unity University, they should take the advantage "Unusual
Background – Unity University Student" worth 5 points. It is quite possible to play the entire campaign on
Unity as there are almost certainly foreign agents stationed there to gather information for their respective
governments before the university officially releases it. This could lead to adventures by itself.
Earning a Degree
If the characters are students attending Unity University, the GM may wish to use game mechanics to
make the characters earn their degree. In order for the characters to successfully graduate from Unity
University, they must roll the average of all their Stats or less for each year in school to graduate. Round
to the nearest whole number.
Four successful rolls indicate that the character has graduated. Graduates acquire the advantages "Unusual
Background - Unity University Graduate " and "Reputation – Attended Unity University" (see table below for
status bonus).
If a roll is failed, another year will be required for graduation (the success roll for that additional year is
made with a –1 modifier). Two consecutive failures indicate that the character has failed miserably and
been expelled. Failed students acquire the advantages "Unusual Background - Was Accepted to Unity
University" and "Reputation – Attended Unity University +1" (see table below) through normal character
point expenditure. If the character wishes to remain on Unity, he may seek employment in any of the
industries that have popped up or simply become a drifter.
If the character gets a critical success for any of the years in school and graduates in the minimum time
allotted, then the character graduates with honors. Two such critical successes earn high honors. Three
critical successes earn salutatorian. Four critical successes earn the status of Valedictorian. These
advantages are subject to the associated character point cost (a player that earns advanced honors and does
not wish to pay for them with character points has the option of declining – the character may simply be
an underachiever).
Any failed roll limits the character to a maximum of "Normal Graduation" regardless of any other critical
successes achieved in the process.
Benefits of Attending Unity University
If the character graduates, consult the table below for a list of advantages and special reputations he
receives (and must buy with character points).
Once a character has finished school (either through graduation or failure), Unity University provides a
middle passage ticket back to the character’s homeworld. It may be redeemed at any time.
Successfully completing a graduate degree increases the characters reputation. Failing out of a graduate
program has no ill effects on the advantages already earned. Multiple degrees of the same level do not
increase advantages.
2) As an Unusual Background
If used as an Unusual Background, then characters simply choose the different advantages and
disadvantages from below in the Mandatory Advantages/Disadvantages for Unity University Students
Table and from the optional Advantages and Disadvantages.
Optional Rule: Simply choosing the advantages and disadvantages should be limited to the Normal
Graduation equivalency.
Suggested Point Levels for characters upon graduation from Unity University.
Journeyman Degree 100-150 points

Adept Degree 125-175 points
Master Degree 150-300 points
There are no "skill awards." The player selects the skills that would be appropriate and justifiable for the
degree sought (with GM acceptance). In this instance, Unity University is a tool to help GMs and Players
justify skills.
A good starting point is a 25-50 point character and 20-30 character points per year at Unity University.
Players can put no more than twice the character points in a skill than years at Unity: 4 years at Unity
University, then only 8 points in any one skill learned there (above and beyond what is already known).
These 20-30 points per year can be used for stat gains at the normal rules cost (or house rules).
If players are gaming on Unity and their characters are students, then this number should be cut down to
prevent characters from becoming over-inflated.
3) The players may start the game involved in the founding or construction of the university (or in continuing
construction of a functioning Unity University). The construction of Unity University was riddled with intrigue of all
sorts: sabotage, graft, espionage, etc. The range of possibilities are unlimited (imagine Disney World constructed by the
UN!).
Examples include:
Owners of a struggling construction firm trying to fulfill the contract of a lifetime (and facing many
unethical competitors/governments)
Smugglers supplying goods to contractors or construction workers (anything from stolen solar
panels to proscribed drugs)
Spies trying to plant surveillance equipment or suborn the staff
Saboteurs trying to disrupt the construction or plant doomsday devices
Union rabble rousers or strike breakers
Special governmental or commercial agents investigating graft (or any other crime – note that what
is considered criminal in one culture may be considered quite ethical by another)
Simple (or not so simple) construction workers caught up in a random plot (see above)
Advantages and Disadvantages
Mandatory Advantages/Disadvantages for Unity University Students Table
Did not graduate but did attend Unity University

Cost Description
5 Unusual Background – Was accepted to Unity University
Normal Graduation
Cost Description
10 Unusual Background – Unity University Graduate
1 Reputation +1 (all who review the character's records)
Honors/High Honors Graduation

Cost Description
Valedictorian/Salutatorian Graduation
Cost Description
Adept/Master Graduation
Cost Description
New Advantages
There are new Advantages available for characters attending or working at Unity University. These are optional.
Traveler’s Aid Society5 points or the GM's discretion
Through either work or special studies, TAS has decided to award you a membership. Good job!
Contact variable
As per the Basic Book. Good examples would be an old professor, someone on the Board of Governors,
anybody else employed by Unity University, one of the many different spies working on Unity, etc.
Patron variable
Unity University would make a powerful patron if on assignment for the university. Senior members of the
staff, administrators, and members of the Board of Governors will also serve as patrons.
New Disadvantages
There are new Disadvantages available for characters attending Unity University or for characters working
there. These are optional except for Loss of Galactic Citizenship which is required of former deans as
described above.
Race Naivete’ -5 points/level
You think life off of Unity is still as easy and simple as it used to be. Everyone is your friend, no matter
what they look like, and you find it hard to believe that someone from another race would take advantage
of you just because you are (insert race here). As such, you receive a –1/level to all Will Rolls when
resisting suggestions from members of other races.
Race Liberal -5 points
You harbor no preconceived notions about other races and treat them all with equal respect. This produces
a –2 reaction penalty to members of you own race who do not have this disadvantage and see you
interacting with members of different races as you would your own. This disadvantage bestows a +1
reaction modifier to members of other races not actively hostile to your own. Relations with races that are
actively hostile suffer a further –1 reaction modifier (you must be up to something sneaky).
All Theory/No Reality -1 points/level
You excelled in all your theoretical coursework but always had trouble with labs. Characters with this
disadvantage make excellent designers but poor craftsman. Levels of this disadvantage must be paired
with specific mechanic/engineering/operation/craft skills. The character suffers a –1 modifier/level to
actually using the selected skill (including defaults) to operate, build, repair, or modify equipment (there
are no penalties for design, intuiting functions, or reverse engineering).
Loss of Galactic Citizenship – Unity Resident -20 points
NO citizen rights off Unity. No (or close to none) due process, no licenses for practicing law, medicine,
piloting, credit, etc. You are the equivalent of a foreign national with no embassy. You are a legal alien,
but your rights are restricted depending on the province you are currently in. It does bestow an additional
+1 reputation to all that know about it though. The local representative on the Board of Governors has
permission to grant release of citizenship from his or her province. This disadvantage is required for Deans
and optional for any employee of Unity University. Students are usually forbidden this disadvantage by
their respective provinces (they want you back!).
There is no "Unity Citizenship," per se. Since Saxe was originally a neutral planet when it was literally
taken over by the original university sponsors, it effectively belongs to the sponsoring race by fiat. Anyone
can apply for Unity Resident Status without giving up their rights in their respective provinces. It usually
takes about two days for the paperwork to be processed. Undocumented, non-residents are summarily
deported. Unity Resident Status is nothing more than a change of address and grants no special benefits
beyond protection from deportation.
Deans and former deans are literally "beings without homes," and can apply for Unity Resident Status. In
effect, they become legal aliens of all provinces. They are not allowed to relocate off Unity and are only
allowed travel visas to other provinces. These visas are temporary and usually expire at the end of their
business.
Jobs at Unity University
Expanded Job Table for Unity
Comfortable Jobs:
Instructor (Academic Advisor/Tutor):
Two skills appropriate to the curriculum: 20+.

Teaching: 20+
Research: 14+
$150 x best skill.
Professor (guides multiple Instructors):
Three skills appropriate to the curriculum: 24+.

Teaching: 22+
Research: 16+.
Administration: 16+
$200 x best skill.
Wealthy Jobs
College President (manages multiple Professors and Instructors):
Two skills appropriate to the curriculum: 20+.

Teaching: 24+
Research: 18+
Administration: 18+
$500 x Administration skill.
Professors are never hired off the street. They must first work as an Instructor for four years before qualifying for a
chaired position. The Board of Governors can make recommendations, but the final decision to promote, hire, or fire
instructors comes from the Acceptance Committee. College Presidents are selected from the Professors of that college
by popular vote every four years (the dean holds a veto though it is rarely exercised).
Zauberpunk
by Stephen Kenson
Art by andi jones
Cyberpunk-Fantasy is one of the most popular "genre jams" in roleplaying: the juxtaposition of magical fantasy
against the high-tech, low-life future. GURPS Technomancer presents an alternate 20th century Earth where the
Trinity nuclear test unleashed magic on an unsuspecting world. GURPS Cyberworld describes a dark future of
government corruption and corporate control. "Zauberpunk" is a setting that combines the two. "Zauber" is a German
word for "magic." Zauberpunk is when magic meets the low-life punk ethos of the One-and-Twenty.
History
The history from GURPS Technomancer happens as described. What follows is a brief outline of events from
GURPS Cyberworld, with an emphasis on any changes brought about by the existence of magic. In the 21st century,
pressure fell increasingly on the United States as the "policeman of the world." Former Soviet Russia formed an
economic alliance with Japan, promising resources, magical knowledge, and a ready work-force in exchange for
technology. This formed the beginning of an ongoing Russo-Japanese alliance, in economic competition with the
powerful North American corporations.
In 1999, there was a huge outbreak of Ambulatory Necrotic Plague world-wide. Plague zombies infected huge
segments of the population, and there was a rise in associated necromantic and magic-resistant diseases, notably
vampirism. Many governments and municipalities were forced to declare martial law in order to keep the plague under
control. Riots and breakdowns in infrastructure followed.
In 2006, problems caused by the necrotic plague and subsequent concerns about magic use led to a world-wide stock
market crash called the Grand Slam. The disaster sent inflation skyrocketing in most nations and led to a restructuring
of the world financial system, as well as increasing lack of confidence in magical forms of prediction, which failed to
foresee the crash.
The greatest change for the United States came in 2010, when President Burris was killed by an assassin using an anti-
personnel rocket armed with an enchanted warhead. Vice-President Patterson immediately assumed office and blame
fell on a terrorist group called the Army of Satanic Order (ASO). President Patterson called for immediate strikes
against the ASO and exposed to the nation a vast, demonic conspiracy. Almost immediately, stronger measures for
controlling magic and mages were passed through Congress, to prevent the "demonic threat" from spreading.
Numerous wizards who failed to cooperate were blacklisted.
In 2024, the continuing deterioration of American society led to mass riots and civil unrest. President Patterson
suspended the Constitution and declared martial law. Full power is given to the Provisional Government (ProGov) "for
the duration of the emergency." Some 20 years later, ProGov is still in control, and the "state of emergency" seems
permanent. America is a dictatorship, under the rule of the ProGov and the National Emergency Resource
Coordinating Commission (NERCC), or the "nerks."
The World
In 2045, exactly 100 years after the formation of the Hellstorm, the world is a very different place. The United States
remains under the rule of the ProGov and the NERCC, led by ProPrez Adam Hammond. The country has a
"citizenship scale" that rates a citizen's rights and privileges. Mages are given preference, provided they are willing to
cooperate and abide by the ProGov's restrictions. The NERCC and the ProGov's propaganda machine still rely on the
specter of a "demonic conspiracy" to keep citizens in line. Chimera tend to be low-scale, unless they have some kind
of useful skills or influence. Societal prejudice towards chimera has grown, since they are often associated with fears
of "demonic magic."
The truth is far more disturbing than most people imagine. In fact, there is a demonic conspiracy, but the ProGov isn't
fighting it, they are it. President Patterson sold his soul to demonic forces for the aid necessary to achieve his coup,
and his followers are similarly indebted to demons who move unseen in the halls of power in Washington. Nobody
knows exactly what these demons want; they may simply enjoy causing human suffering, or their machinations may be
preparations for some kind of invasion or other demonic plot. A few fringe conspiracy-theorists who have figured out
what's going on suspect the demons may be setting up for Armageddon.
Mexico's government fell during a particularly harsh outbreak of necrotic plague. The nation was annexed by the
United States, both to ensure control of Mexico's considerable magical resources and to deal with any security risk
posed by plague outbreaks and rumors of "blood sacrifice cults." The ProGov treats the Mexican states like poor
relations. There is a small, but growing, rebel movement which has attracted many disaffected mages and chimera.
In 2025, Argentina, backed by the Condor Group, invaded and annexed its neighbor Chile. The United States and other
nations were too concerned with their own affairs to notice. Argentina is the major power in the Southern Hemisphere,
and their neighbors wait and watch fearfully, waiting for another invasion. American authorities are also concerned
about possible Argentine aggression, and maintain the Central American nations as "buffer states."
The Russo-Japanese Alliance is a major world power, with considerable manufacturing clout. Although it still lags
behind America in terms of technomagic, the Alliance is continuing to rise as America sinks into the grip of the
"permanent emergency."
China's moderate reform government collapsed in 2032. Since then, China has maintained a "bamboo curtain" against
all outsiders. China remains at the technological forefront in alchemy and genetics, and rumors of strange Chinese
genetic experiments abound.
United Europe is a moderately stable alliance of nations, playing second-fiddle to the larger and more powerful
alliances like the Russo-Japanese and the Americans.
In 2037, Australia suffered a terrible outbreak of an unknown strain of Ambulatory Necrotic Plague. In a matter of five
months, every person on the continent was dead, a great many of them reanimated as plague zombies or other strange
undead. The surviving Australian government established itself in New Zealand, and the world-community has
quarantined Australia; destroying any plane or ship attempting to leave. Thus far, no viable solution has been offered
for dealing with the "zombie nation." Weapons of mass destruction are too likely to cause environmental problems,
and no two nations can agree on a military solution. Governments and corporations are known to back covert missions
to Australia to collect technological information and resources or data on the necrotic plague. Otherwise, the nation is
off-limits.
The Megacorporations
One of the strongest powers on the One-and-Twenty is the

megacorporations or "korps," which have continued to grow in power
and influence all throughout the worst troubles the world has faced.
They are dominated by the "unholy trinity" of the Leviathan Group,
Manadynamics and Sephiroth Industries, the three largest corporations
in the world. After the top three come various other corporations like
North American Technology & Thaumaturgy (NAT&T), Kosmozavot
Tenno-Tanjo, Ishido Communications, Korsakov-Shimadzu, Rio Largo
Manufacturing (Argentina) and Fabrique Europa.
The korps have little or no interest in politics, provided they do not

interfere with their bottom line. Many korps recruit mageborn from America and other nations, providing them with
education and shelter from some of the harsher realities of life in the 21st century.
Space
Magic has accelerated the race into space. The Moon is home to America's Kennedy Base, supported by NASA as a
space colony and mining facility. Other outposts on the Moon include a Russo-Japanese moonbase and mining
facility. Major orbital stations include the American Hermes platform, the Russian Mir station, the Russo-Japanese
Tenno-Tanjo platform and Sephiroth's Tiphares and Kether stations. Argentina is clearly gearing up for ventures into
space, constructing an orbital teleportation facility near Tierra del Fuego. The race is on for missions to Mars between
the Russo-Japanese, the Americans and Argentina.
Magic in the One-and-Twenty

Magic still has a major impact on the development of technology in the 21st century. Technomagic has pushed many
areas of development to Tech Level 8 or even higher in some cases. The major technological developments include:
New Spells
Golem Limb (VH) Enchantment
Similar to the Golem spell (GURPS Magic, p. 39) this enchantment animates a prosthetic limb and attaches it to a
wearer, making it a functional replacement for a missing limb. The spell grants the prosthetic full flexibility and range
of motion, regardless of its material composition; a solid metal limb can function normally using this spell. Many
ancient heroes possessed golem limbs, like Nuada of the Silver Arm, from Celtic myth.
The limb has DX equal to that of the wearer and ST 14. Additional DX and ST can be enchanted into it as well. The
wearer can feel through the limb, but does not feel pain from damage done to it. Damage to the limb does not heal
normally, but any Healing spell can repair it.
A golem arm costs character points equal to 30% of the cost for the difference in ST and 60% of the cost for the
difference in DX, half that for a golem hand. A golem leg costs 10 character points.
Energy Cost to Cast: 200. Additional DX costs 500 per +1. Additional ST costs 300 per +1. Halve costs for a
prosthetic hand.
Prerequisites: Enchant, Animation.
Graft Healing
The caster can use this spell to graft different biological or even non-biological parts onto a living creature. The
subject of the spell must be either willing or unconscious and unable to resist. The spell ensures that the subject will
not reject the graft. It becomes a normal part of the subject's body. Biological grafts continue to grow and heal
normally, while non-living implants are harmlessly incorporated into the subject's body. This spell greatly eases
implant and organ replacement surgery, ensuring compatibility. The caster is at -2 to graft biological parts not of the
subject's species, and -4 for grafting non-living objects.
If a magic item is grafted to the subject, the subject can use the item normally. GMs may require subjects with grafted
magical items to pay character points as if the item were a Knack (see below).
Energy Cost to Cast: 20. One try.

Time to Cast: one minute.
Prerequisites: Cure Disease, Restoration.
Knack Tattoo (VH) Enchantment
Grants a subject a magical Knack (GURPS Magic, p. 86) by tattooing a pattern on the subject's skin. The tattoo covers
a number of square inches equal to the knack's cost in character points; so a Night Vision tattoo (Energy Cost 200)
would cost 4 points and cover four square inches. The design of the tattoo can be whatever the caster desires, although
it must incorporate some appropriate symbols for the knack being enchanted. GMs may require characters who get
knack tattoos to devote any earned character points to paying for them.
Energy Cost to Cast: Equal to the energy cost of an equivalent magic item.
Prerequisites: Tattooing 12+, Enchant, one spell from each of 10 different colleges.
Zauberware
In 2021, Manadynamics perfected the Graft and Golem Limb spells, starting the "zauberware" revolution. Originally
designed to provide replacement limbs and organs for medical purposes, zauberware quickly spread beyond its original
designs and became almost a fashion trend. Other corporations began developing their own zauberware designs.
Common zauberware includes golem limbs, often with enhanced ST or DX or built-in weapons like Claws or Flame
Jet. Replacement eyes are enchanted with spells like Aura, Mage Sight, Dark Vision, Hawk Vision and See Invisible.
Implants providing Dexterity, Might and Vigor are also known. Zauberware can duplicate virtually any of the implants
from GURPS Cyberpunk or GURPS Ultra-Tech, along with some unique technomagic combos:
Hideaway Flesh Holster (TL9)
A flesh holster (GURPS Ultra-Tech, p. 107) can be enchanted with Hideaway, allowing it to hold much larger and
heavier objects than normal, such as large weapons (rifles, swords, even spears). The object still must be able to fit
through the opening of the flesh holster. Such holsters are generally enchanted so as not to add to encumbrance.
Powerstone Implant (TL8)
A powerstone can be implanted in a suitable body cavity. The advantage is that the user is always "touching" the
powerstone and can drawn on its stored energy at any time. The stone is also difficult to detect and take away. The
limitation is that other powerstones recharge slowly in the presence of the wearer and the implanted powerstone cannot
be upgraded without removing it surgically. For game purposes, the character is considered to have the Extra Fatigue
advantage, with the -30% limitation "Only for spellcasting."
Scrollchip (TL10)
A scrollchip is a TL10 version of a digital scroll from Technomancer. It is used in the same manner, except the user
must have a suitable jack to plug the scrollchip in.
Spellchip (TL10)
A spellchip is a skill chip (GURPS Ultra-Tech 2, p. 117) with the knowledge of a particular spell encoded onto it. The
chip provides the user with the knowledge necessary to cast the spell, however the user must either be a mage or in a
High Mana area like the Manabelt. The spellchip ignores all prerequisites except Magery requirements. The user
expends fatigue on the casting normally, adjusted for the effective skill provided by the chip.
Ghostchip (TL10)
A ghost chip is a receptacle for a Soul Jar spell. The chip has all the normal properties of a soul jar, plus the spirit in
the chip can attempt to "possess" anyone who jacks the chip. Roll a Contest of Skills between the spirit's Will and the
subject's. If the spirit wins, it takes control of the subject's body for as long as it wishes. If the subject wins, the spirit
cannot try again for at least an hour. A ghostchip enchanted with Machine Possession can also "take over" any
machine it is plugged into, including a computer. If the data on a ghost chip is ever erased, the spirit is destroyed.
Chimera Grafts
The Graft, Alter Visage and Alter Body spells permit the creation of artificial chimera, adding animal traits to
otherwise normal humans. These include virtually any of the traits of chimera from Technomancer, as well as any
other animal features permitted by the GM. Gangs often go in for common animal-traits, like sharp teeth and cat's eyes,
for example. Alter Visage and Alter Body spells are common for cosmetic changes, while Graft is used to provide
more comprehensive alterations, like adding new limbs or other organs. Players and GMs can consult GURPS Bio-
Tech for additional inspiration.
Tattoo Magic
Tattoo Knacks are popular enchantments, especially among the young and organizations like the Yakuza. Most street-
tattoos focus on protective or sensory spells, along with some combat-useful spells like Might or Dexterity. A mage
can determine what spell a tattoo provides using Identify Spell. Any of the legally restricted spells from
Technomancer are also legally restricted as knacks.
Street Alchemy
Alchemy has filtered its way down to the streets in the One-and-Twenty. Backroom alchemists set up illegal labs to
brew different elixirs and sell them on the black market. Various legally-controlled elixirs from Technomancer like
combat elixirs, Lecherousness and Love can be bought cheaply on the streets. Mana-active drugs like PHTP and
spelljack are epidemic on the streets, both in high and low society.
Some zauberware can take advantage of different elixirs. Characters with a Poison Reservoir can carry an elixir rather
than a normal toxin. Morpheus is a popular choice.
Sample Characters
"Aqua" Reggie Vasquez, street alchemist (100 points)
ST: 10 [0], DX: 10 [0], IQ: 14 [45], HT: 10 [0]

Advantages: Acute Taste and Smell +5 [10], Contacts [three] (Street; skill-18, 9 or less, somewhat reliable) [9],
Magical Resistance +3 [6], Resistant to Poison [5].
Disadvantages: Enemy (Drug and Alchemy Enforcement Agency, 6 or less) [-15], Greed [-15], Stubbornness [-5]
Quirks: Never uses drugs himself; Very punctual; Thinks mageborn just "got lucky"; Attracted to fox chimera; likes to
give his potions pleasing flavors.
Skills: Alchemy-16 [16]; Biochemistry-12 [2]; Computer Operation-15 [2]; Cooking-14 [1]; Driving-9 [1]; Fast-Talk-
14 [2]; Merchant-14 [2], Pharmacy-15 [6]; Poisons-13 [2]; Streetwise-14 [2]; Thaumatology-13 [4]
Zauberware: Claws [15], Poison Reservoir [10]
"Aqua" Reggie Vasquez is a freelance street alchemist, brewing up elixirs in his home laboratory and selling them to a
variety of customers. He makes everything from home-brewed hair-restoratives and birth control elixirs for the Low-
Cs who can't legally buy the good stuff, to combat and mind-control elixirs for sale to the black market. He always
keeps a few elixirs on hand, just in case. Reggie's one restriction is that he doesn't deal in drugs; no spelljack, no
addictive potions. He doesn't like to mess with that stuff. Otherwise, if the money's good, he's in. Reggie is wanted by
the Drug and Alchemy Enforcement Agency for several counts of illegal production and distribution of elixirs.
Johnny Demonic, cyberwiz (100 points)
ST: 10 [0], DX: 10 [0], IQ: 14 [45], HT: 10 [0].

Advantages: Lightning Calculator [5], Magery 2 [25], Mathematical Ability [10], Zeroed [10].
Disadvantages: Addiction (Stimulants) [-5], Curious [-5], Low Empathy [-15], Skinny [-5], Unfit [-5].
Quirks: Always wears mirrorshades, even indoors; Celebrates major victories by getting a new tattoo; Cheats at
computer games, then later regrets it; Avoids sleeping when he's "on the job"; Eats constantly, but never gains weight.
Skills: Area Knowledge (Net)-14 [1]; Computer Games-13 [1]; Computer Hacking-16 [4]; Computer Operation-15
[2]; Computer Programming-17 [4]; Cryptanalysis-13 [2]; Electronics (Computers)-15 [2]; Electronics Operation
(Computers)-14 [2]; Mathematics-15 [1]; Research-13 [1].
Spells: (base skill level 14, 13 with VH): One point was spent each of the following spells: Seek Number, Wrong
Number, Identify Caller, Magic Switchboard, Sense Foes, Sense Emotion, Truthsayer, Mind-Reading, Soul Rider,
Speed Data, Purify Air, Create Air, No-Smell, Static Charge, Ether Static, Seek Emitter, Purify Signal, Lightning,
Seek Food, Know Recipe, History, Measurement, Seeker, Trace, Scryguard, Counterspell, Ward, Keen Eyes,
Apportation, Locksmith, Voices, Seek Machine, Reveal Function, Machine Possession, Magnetic Vision.
Johnny was trained by a korp. He won't say which, but rumor has it that it's one of the big-boys, maybe even
Sephiroth or Manadyne. Instead of working as a korporate wage-slave, he decided to hit the streets and make use of
his talents as a magical hacker and "computer consultant" to earn a living. Before he left, he erased all traces of his
existence from the korporate and government computer banks. He also got some face-work done, such that most of his
old acquaintances wouldn't even recognize him these days. Johnny conducts most of his business over the Net, a lot of
his clients have never even seen him, and rumors abound that he's everything from an awakened computer to a real
demon living in the Net.
Adventures
Characters in a Zauberpunk game are most likely to be street operatives working for the korps, or rebels working
against the ProGov and their demonic patrons, or both. GMs can run a fairly straightforward action-adventure
campaign with the characters as mercenaries, street-ops or even government or corporate special forces. Conspiracy
campaigns involving the ProGov, demons, mysterious artificial intelligences and Seelie abductions are also a good
possibility. GMs can easily adapt adventures for other cyberpunk games, particularly Shadowrun, to the zauberpunk
setting.
Crossovers
The zauberpunk setting provides fertile ground for crossovers with several other GURPS settings:
CthulhuPunk: Perhaps the stars were right during the Trinity nuclear test and Oppenheimer's ill-timed words did
more than just bring magic into the world. Perhaps they awakened the Great Old Ones from their slumber and started
the world down the road to ruin. In this case, the "demonic conspiracy" behind the ProGov is actually Mythos-inspired.
It is a simple matter for Cthuhuloid cults to operate in a world already filled with strange happenings, and creatures
like Deep Ones or Ghouls are likely to be mistaken for new chimera or unusual forms of undead. The Seelie are almost
certainly a cover for a Mythos creature (or several different ones).
Fantasy: Oppenheimer's unwitting "spell" may have actually attracted the dark elves' Banestorm. Perhaps the
Hellstorm and the Banestorm are one in the same, or related in some way. Strange creatures may come out of the
Hellstorm from time to time, and it is quite possible that wizards on Yrth or Earth might find ways to cross over.
Perhaps the Seelie are actual elves or faeries from Yrth who are exploring Earth.
Reign of Steel: Experiments with the Awaken Computer spell prove disastrous, creating artificial intelligences hostile
to humanity. When the AIs unleash magic-resistant plagues on humanity and begin using their own golems and
constructs to take over, magically capable underground rebels have to fight back.
Time Travel: Infinity Unlimited discovered the parallel of Merlin (their name for the Technomancer Earth) during the
"Soulburner" adventure in GURPS Time Travel Adventures. The Zauberpunk world may be Merlin's future, or yet
another parallel with similarities to Merlin. As the Tech Level advances, Infinity is going to be watching very
carefully, lest the inhabitants start experimenting more with dimensional and para-chronal travel. Perhaps the Seelie
are para-chronic travelers themselves, from another parallel undiscovered by either Merlin or Infinity.
Magic Card Spotlight: Goblin Bookie
by Will McDermott
[Editor's Note: This article originally appeared in The Duelist magazine, Issue #30, October 1998.]
Goblin Bookie is an incredible card that could easily make its way into top tournament decks...
what's that? Goblin Bookie isn't tournament legal? Why the #$&* am I writing about it then? What?
Oh, am I still typing? Sorry.
Okay, so you can't use Goblin Bookie in your tournament decks, but that doesn't mean you can't
amaze your friends with the wonders of this little gem hatched under the warm...auspices of Mark
Rosewater, Magic: The Gathering-Unglued lead developer.
According to Mark, R&D has for a long time wanted to create a card that allowed players to reflip a
coin, and Unglued provided the perfect venue. Because the set sports a number of dice-rolling cards, rerolling was
added to the Bookie's repertoire as well. Mark made Bookie a creature so its effect would be reusable, but some
developers wanted players to sacrifice Bookie for its effect. Mark argued the player's side and got his way.
So, what can you do with Goblin Bookie? In a nutshell (or is that eggshell?) Bookie improves your odds whenever
you use a card that depends on a coin flip (or a die roll) for some effect. If you combine Bookie with Clam-I-Am, you
can even get several chances to improve a die roll. And don't forget, you can target your opponent with Bookie's effect
to make him or her get "lucky" twice in a row on any die roll or coin flip.
Within the Unglued set, there are a number of overpowered/undercosted cards that rely on a good
die roll for that extra oomph. With a Bookie in play, you can try twice each turn to get your
Chicken Egg to hatch. You can go for a tougher or more powerful Elvish Impersonators. You can
get two chances at matching your first die roll when boosting Free-Range Chicken or try for more
damage every turn with your Goblin Bowling Team.
Plus, don't forget Spark Fiend and Jumbo Imp-potentially two of the most powerful cards in the set.
Goblin Bookie can help you keep your Imp alive every turn (and even make it bigger), and it can
help you with that crucial initial roll of the dice on the Spark Fiend.
Once you leave the confines of the Unglued environment, Goblin Bookie takes on some more serious characters. Wild
Wurm, a 5/4 Tempest creature for , makes you flip a coin to keep it in play when you cast it. With a Bookie around,
your odds improve from 50/50 to 75/25. Better yet, combine Bookie with Frenetic Efreet from Mirage to give yourself
a 75 percent chance to phase out your Efreet in response to your opponent's Terror.
Obviously, Goblin Bookie isn't a tournament-quality card, but if you want a better-than-average chance to win with
that fun coin-flipping deck, you need a Bookie running the numbers for you. How else will you get five fuse counters
on that Goblin Bomb? In fact, according to Mark, Bookie became a Goblin because of Goblin Bomb (I think it's yet
another part of Mark's secret ultimate Goblin deck).
Deck Spotlight
Goblin Bookie
Bombs Away
B ombs Away uses Goblin Bookie to help put fuse counters on your Goblin Bomb while Giant Fan blows even more
counters from your other cards onto the Bomb, building up to a big BOOM. To provide a plethora of counters, I've
added cards like Wall of Roots, Gemstone Mine, Serrated Biskelion, and the Spikes. Even if you don't get your
explosive combo into play, Bombs Away provides some decent power with fast mana, Wildebeests, and Spikes. -Mark
Rosewater
Green (24)
4 Birds of Paradise
2 Elven Rite
2 Hungry Hungry Heifer
4 Spike Feeder
4 Spike Weaver
2 Stampeding Wildebeests
2 Wall of Blossoms
4 Wall of Roots
Red (7)
4 Goblin Bookie
3 Goblin Bomb
Artifacts (5)
3 Giant Fan
2 Serrated Biskelion
Lands (24)
1 Dwarven Hold
14 Forest
4 Gemstone Mine
1 Hollow Trees
4 Mountain
Betting on Chickens
Okay. This Unglued deck won't win any Standard tournaments, but it has Chickens and dice rolling. What more could
you ask for? Use Goblin Bookie and Clam-I-Am to alter your rolls on Chicken Egg, Spark Fiend, Jumbo Imp, etc.
Ricochet, Charm School, and Prismatic Wardrobe should provide some control while your Chickens, lead by the
Chicken à la King, apply poultry beatdown. -Will McDermott
Red (16)
4 Chicken Egg
4 Goblin Bookie
2 Krazy Kow
2 Ricochet
2 Spark Fiend
2 Ultimate Nightmare of Wizards of the Coast® Customer Service
Blue (8)
2 Chicken à la King
4 Clam-I-Am
2 Common Courtesy
Green (4)
2 Free-Range Chicken
2 Growth Spurt
White (4)
2 Charm School
2 Prismatic Wardrobe
Black (4)
2 Jumbo Imp
2 Poultrygeist
Artifacts (4)
2 Blacker Lotus
2 Jack-in-the-Mox
Lands (20)
2 Caldera Lake
4 City of Brass
2 Gemstone Mine
4 Island
6 Mountain
2 Reflecting Pool
Pyramid Interview: Jill Lucas
by Scott Haring
{Editor's Note: This interview originally appeared in the March 1999 issue of Comics Retailer magazine, Issue #84.]
Jill Lucas, President of FASA, Inc., has guided the company through the last several tumultuous years with a great
degree of success, not only avoiding the disasters that befell several other major companies, but even finding ways to
keep FASA strong and prosperous. Now that things seem to be turning around for the industry as a whole, FASA is
primed to take advantage of the upturn with two new game lines and a miniatures company. Lucas talked to Comics
Retailer in mid-January, just after the announced purchase of FASA Interactive by Microsoft.
What's new with you guys? How does the purchase of FASA Interactive by Microsoft affect FASA Corp., the
paper side?
It greatly increases our exposure. Microsoft handling the BattleTech property and the Shadowrun property, as far as
electronic computer games go, the exposure they're going to get as opposed to what we can get in our industry is just
enormous. It's yet to be seen what kind of response we're going to get on that, but I know our exposure is just going to
be tremendous.
An early rumor was that Microsoft didn't really want Shadowrun because of a competing property being
developed by Digital Anvil (also owned by Microsoft). Not true?
No, that's not the case.
So Microsoft is going to move forward with the Shadowrun property FASA Interactive was working on?
Well, there's no mistake they bought it for the BattleTech property. It's a proven, $70-million-plus-making computer
game. And Shadowrun hasn't had a title out. So it's only natural that BattleTech would be their focus. But at no point
was there no interest in Shadowrun. They have the license to work with all our games -- Shadowrun, Earthdawn,
Renegade Legion and BattleTech.
What about Earthdawn?
We are going to cease production on it. The line, unfortunately, will be shut down, and we're moving forward.
Dragons, the book that was next in line and is already written, we're going to put it up online so the Earthdawn
players can still have access to that material. And we're checking with our novel authors now to see if we can put the
rest of the novels up online for them.
Is this the end of any attempt to find new publishers for the line?
Yeah. With the new Microsoft deal and the electronic rights over there, same as with Renegade Legion, we'd just as
soon have a clean break and not enter into any other rights agreements.
Is Microsoft going to do anything with Earthdawn? Have they expressed an interest, or is it just an option?
It's an option. It's really too early to tell . . . Jordan Weisman just started there Monday. It's a great game line,
Earthdawn, and we put our heart and soul into it, and it's got some of the best production values in the industry. We're
very proud of it. But it's . . . it had a healthy run, there's a lot of adventuring people can still do in it, but with all
things, sometimes you have to move forward. We've got two new games coming out, and rather than split our focus
and not do justice to any of them, we decided to focus on the two new ones. One door closes, a new door opens -- if
we hadn't shut down Renegade Legion, we wouldn't have Shadowrun today.
It's been a while since you've done something new, and now you have Crimson Skies. Is it a hit?
It's a little early to say it's a hit, but we've had a really positive response from everyone we've talked to about it. It
seems to fill a void that isn't out there, and it's been selling quite well. We're very happy with it.
How would you describe that "void"?
It's a more of a back-to-basics, simple beer-and-pretzels kind of game. There's fictional aspects of it, but it's the
Renegade Legion system, that type of thing. There aren't a lot of games out there like that. Right now, the focus is
either roleplaying or specific miniatures . . . this is a more familiar system to our audience.
So the appeal is the system, in addition to the game world?
Yes, I think so.
Tell me a little about the game world, and what you have planned for it. Certainly the miniatures game isn't
everything.
Crimson Skies is a stand-alone game. In the way FASA does things, it has a lot of fictional aspects that allow us to
broaden on that. We've got a series of short stories prepared for it, we've got a campaign expansion prepared for it, a
pirate expansion prepared for it; so there's product coming down the line. But this was not the "FASA universe" we've
been working on for several years. That's VOR. This is a game that came out of a fun night with Ross Babcock and
Jordan Weisman and some of the people at FASA Interactive. We agreed that it was a fun concept, and it was kind of
like a bonus -- a bonus for us and a bonus for the consumers.
Tell me about this other game world you mentioned.
VOR: The Maelstrom.
Is this FASA's attempt to crack the Games Workshop "big box full of miniatures" market?
We bought a miniatures company, so it's our attempt to capitalize on that, as well as do something we haven't done.
We've got Kevin Adams on staff, and have for over a year, working on the sculpting; we've got Matt Wilson working
on a lot of conceptuals, working closely with our art department. We wanted to come out with a new universe, we felt
miniatures was the way to go, but we got sidetracked because of industry conditions and a lot of other things going on
at FASA. The game would have been out about a year ago had we been able to give it our full attention.
Can you describe the game world? Is it fantasy, or science fiction? Is it dark, with lots of "spiky bits"?
It has its moments of spiky bits. It's basically . . . you caught me before my pre-GAMA spiel, so I'm not on this yet . . .
basically, the worlds are being sucked in by a space anomaly that is consuming and fusing worlds together. The Earth
has been pulled out of its orbit, you've got the United States split up, you've got Union and Soviet troops . . . you've got
these fused worlds and the survivors are fighting for resources. You've got hulking growlers, which are huge, massive
guys -- these miniatures will knock your socks off. You've got the Chi, which are more Zen-like fighting guys that
have mystical tattoos. You've got a lot of different things that have been brought into this universe. It's very open-
ended, and there's room for lots of interesting terrain and interesting races, yet there's still that familiar aspect of
human troops.
What's the release date?
We're looking at the end of May.
Not going with the traditional GenCon release?
We've got MechWarrior 3, a roleplaying game, coming out at that point. These days, everything gets held back for
GenCon, and we thought it would be nice to have something for the beginning of summer. That's the plan right now;
we'll see if we'll be able to pull it off.
Is GenCon as important as it used to be?
I don't know yet. The jury's still out yet. GenCon has the potential to change, but it hasn't as of yet. It's always good to
have a big convention where you can show things off to the direct consumer; that aspect hasn't changed. The
consumer's still there, we're still getting a chance to show things off, and we're getting that excitement. It psyches up
the company, it psyches up the consumer, it's still doing OK.
Been a tough couple of years for just about everybody in the business. Are you guys still doing pretty good? Are
you happy where you are?
We're never happy with where we are, but that's what makes FASA FASA. The industry has had a lousy, lousy time,
and I don't think that's any surprise. We survived it this year, and we're very pleased. We took a long, hard look at the
industry and thought about a lot of things we could be doing other than this, but we had faith ultimately in this
industry and what we could do, and things really did pick up in September and in the last quarter. And the Microsoft
deal does bring in resources that enable us to weather any kind of storms that come in the future. We're very confident
in the product we're coming out with and the added exposure we're getting through the computer products, and we're
feeling very positive about '99 and beyond.
How do you feel about the industry as a whole? Do you see it making the same comeback FASA has, or are the
problems more widespread?
I think it already is. The success of Shadowrun . . . no one thought an eight-year-old roleplaying game could make any
kind of dent in the market, and it came out in August, and I'm on my fourth printing here in January. It's doing
exceptionally well, and I'm sure White Wolf is doing the same with Vampire, and a lot of the other products out there
(are doing well). There's an interest, there's a resurgence. That means that manufacturers can't let up, we've got to keep
working, finding new ways to get information to the retailers and the distributors. I think, overall, the industry is
bouncing back. Of course, it had nowhere else to go but up.
You mentioned the retailers and distributors . . . it's been very fashionable the past year for manufacturers to
blame everything on distributors who don't care and retailers who are clueless. What's your take on all this?
Completely unjustified, an exaggeration of a real problem, or what?
Oh, there's a real problem. My theory -- and it's just a theory -- when cards came in, this industry got trained to go for
the quick buck. You could move a box of cards and make a huge profit, and it was such a hot thing that you got a lot
of new retailers in that diversified (into cards), but the only thing they knew how to do was to sell things like they sold
cards, and that created a really bad sales pattern. It taught everybody that you get a product in, you sell it, you breathe
a sigh of relief and you move forward to the next product. But that's not how roleplaying works. That's not how
miniatures work. You have to keep backstock, you have to keep certain amounts of products in, and you have to
perpetually keep your audiences involved. And the distributors also got used to not having to deal with inventory
issues; let's face it, when card product comes in and it blows out immediately hitting the dock, that is a beautiful
product to have. And roleplaying and miniatures and things like that make stock levels a pain in the neck -- they're not
turning it instantly, and they have to actually plan for a lot more. It's harder work, and I think the industry in general
got used to not having to do hard work. Most successful business have to work hard. We got a pass for a couple of
years, a lot of people in the industry did. I think it trained them poorly. And I think that all the manufacturers are
pulling their hair out -- I know they did last year -- trying to figure out how to correct this problem. I can tell you that
our Tech Readout 3060, which as far as a BattleTech product goes, is gold -- it is an instant seller, historically it's the
strongest type of product we can do for BattleTech. The players love 'mechs, we don't do them very often, they're very
art intensive. And everyone I talked to after the product shipped -- they were out of it. Even when we were going to be
at their door, they were out of it. That's stores, that's distributors, that's everybody. Out of sight, out of mind. They sold
through it, it didn't matter (anymore). And that's not how, in the adventure game business, you stay in business. We're
still trying to correct that problem.
Do you correct that through education? Or do you wait for evolution to catch up with the "bad" retailers and
distributors?
You can't do that. You have to educate, you have to take a proactive stance. In some ways, it means you have a
heightened exposure on the web -- a lot of people don't want to hear that, but if the manufacturer can't get the product
on the shelf or keep it on the shelf, they've got to find an alternate way to stay in business. That's not absolutely
necessary -- it's necessary to have a web presence, that's where the technology is taking us. But there are a lot of stores
that are doing just beautifully with all gaming product, and even during the height of the cards did beautifully, they just
kept their focus on it. You need to educate them, you need to gain their confidence that your product will sell, and in
some cases that means sending a distributor an overage, guaranteed. I don't know if I'd do that for all products, but
certainly there are some products that I am so confident in that I have no problem sending it to them. Because they'll
sell it. So far, every time we've done that, they have. Slowly, they start to believe that when we tell them they're under-
ordering, they are. It's a gradual thing. We have a lot of new people, too, that we have to train.
How important is GAMA in this? Or is this something each manufacturer has to do on his or her own?
It has to go beyond GAMA. (The GAMA Trade Show) gets the cream, it gets very proactive retailers. We see a lot of
the same faces, because these guys are very proactive, and they're around. And even if it's a new store, the fact that
they're there says that they're on the right track. But it needs to go beyond that, because not all the stores show up.
Whether they don't have the funds, whether it's too far, whether it's bad timing, there are a lot of reasons. You've got to
take the education beyond GAMA, but GAMA's a good start.
How do you do that education beyond GAMA? Do you have your own retailer list? Do you count on the
distributors to contact the retailers for you?
Both. We believe in keeping the distributors informed, and a lot of the distributors do a very good job of informing the
retailers. But they also have a lot of products, so we don't kid ourselves that we can be the focus of every distributor
all the time. We have our own retailer list as well, and we have our release schedule posted up on our web site, and
we're trying to make the information as accessible as we can. We do our promo packs that have our sales information,
our catalogs, our promotional flyers and things like that. The packs have stock numbers, so it's easy to inventory for
the distributors, it's easy for the retailers to order, we're continually evolve and find new ways that makes it easier for
both groups.
Let's talk about Ral Partha. You've brought in Bob Watts from Heartbreaker . . .
Yes, that was quite a coup for us.
What will Ral Partha be doing differently under Watts' and FASA's management?
Bob Watts is a very dynamic man, and he is going to do a lot of things that make it a much more efficient company.
Already -- he's been there since October -- their backorder fill rate has gone from six to eight weeks to one week. That
alone is a huge improvement. Ral Partha was always one of the leading manufacturers, but their focus got diverted
when industry times were bad, and maybe they went in one direction when they should have done another, it's hard to
say. But it's always good to have someone from the outside step in and refresh and reenergize and head off in a new
direction.
Is BattleTech and the new VOR going to be the heart of the new Ral Partha, or they going to continue to do all
the other fantasy and science fiction they've always done?
It's a little early, but BattleTech is their strongest-selling product. That's been the case for several years. They're
definitely interesting on expanding, not only with FASA product, but hopefully they can continue with TSR product
and do their own line of figures and get other licensees in.
Any fearless predictions for 1999?
For the industry? I don't know. I think it will definitely be a better year than last year. I don't think that will be hard,
but I think it will be the case. But that's a positive thing, that's movement in a good direction. As far as FASA goes,
we're going to be operating for the first time in a long time with some good capital and a lot of energized people and a
new product -- we're very excited about '99.
So FASA gets to spend some of Bill Gates' money, too?
(laughs) Yeah, FASA gets to clear up a lot of old things and do some new things, too. It's good. Getting the miniatures
game and company going, there's a lot. We always have our hands in something. It will be interesting to see what the
next thing will be.
So you're still bullish on the adventure game industry as a whole?
FASA is a company that's had their hands in so many things. We worked on the TV show (BattleTech), we created
the computer-generated animation for that show, we've started virtual reality companies, software companies, we're
adept at licensing . . . we wouldn't be here if we didn't think there was something to be here for.
[Attention Retailers! You can get a free subscription to Comics Retailer by contacting them at
circulation@krause.com.]
The Theta-Nine Sleepers
by Rick LaRue
Art by andi jones
The Situation
While en route to a distant world, the player characters must stop in a rarely-traveled system. During routine sensor
sweeps of the system, the characters discover a derelict ship bearing unfamiliar markings, floating amidst an asteroid
field. The ship bears the name Whitestar and is a type of merchant trader not used in almost two centuries. It seems
powerless and adrift, but closer inspection shows barely noticeable energy signatures coming from somewhere inside
the vessel.
Boarding the ship reveals a long dead crew, killed by some unknown means and another more shocking surprise.
Tracing the energy signature leads to the discovery of almost a dozen individuals still alive in cold sleep. The player
characters must bring the ship's major systems back on-line and revive the sleepers before the failing cryogenic
chambers completely malfunction. The revived crew soon begins to exhibit strange and aggressive behavior,
threatening the player characters and one of their own, who seems oddly unaffected.
The survivors are a mercenary retrieval team in the employ of a megacorporation. They seem obsessed with
completing their long-forgotten mission. The only rational survivor, a very pregnant woman with a dangerous secret, is
desperate to persuade the player characters to stop the other survivors from completing their mission. Unknown to the
player characters, she is an agent of a long-dead Emperor, trying to manipulate them for her own reasons.
Outnumbered, the player characters are forced to retreat to their own ship with their new ally. The adventurers must
stop the insane mercenaries to prevent the massacre of a primitive race on a nearby planet. To do this they must place
themselves in the middle of a battle for possession of a long lost Ancients' site and stop the discovery of its valuable
secret.
This adventure is designed to be played by four to six 100- to 150-point GURPS Traveller or GURPS Space
characters and can be placed anywhere the GM wishes. It could easily be inserted into an existing campaign any time
the party is traveling a long distance to a distant sector outside the boundaries of surveyed space.
The Story So Far . . .

Two hundred and eighteen years ago, scientists of CommTech, a megacorporation specializing in communications
research and development, detected what appeared to be galactic background noise of unusual strength. The signal
abruptly ended after exactly 40.531 standard hours. After the initial occurrence, the team of scientists found no other
trace of the mysterious signal, but continued to monitor the same frequency with hopes it might reappear. After
months of silence, the signal returned 346 days, 18 hours after initial detection. Better prepared this time, the scientists
were able to isolate the signal's frequency and determined that what they originally believed to be a separate signal,
was actually distortion caused by a highly focused tachyon wave traveling at faster-than-light speeds through normal
space. Before an origin could be pinpointed, the signal stopped again, exactly 40.531 standard hours after it began.
Due to the regularity of the occurrence, the scientists began to suspect an artificial instead of natural source. With the
intriguing data, the lead scientist took the team's findings directly to CommTech's CEO. If the initial data proved
accurate, they may have inadvertently discovered a means of communicating at tremendous faster-than-light speeds.
Research on project Alpha-Comm progressed slowly. Not slow enough for CommTech to lose interest, but slow
enough for the CEO to reconsider the massive expenditures required to maintain the top-secret project. The scientists
admitted they were at an impasse, and without a break, they could go no further. They decided that a retrieval mission
should be sent to the distant Alpha Carnin system, from which the signal was believed to originate, and attempt to
locate and acquire whatever was producing it. Seeing no other choice, the CEO agreed to authorize a covert retrieval
mission.
Unfortunately, CommTech's secret project was not as secret as they had hoped. With the help of an agent within the
megacorporation, Emperor Tomutova II learned of the potentially revolutionary discovery. He was not impressed with
the idea of such a level of technology being in the hands of a megacorporation that lacked the proper "respect" for the
Iridium Throne.
Through sheer luck, the agent, one Dr. Marla Rishar, had been assigned to assist in the project. Through a series of
contacts, Dr. Rishar was ordered to obtain as much information on the project as possible and keep the Emperor
informed as to its progress. When it was decided to send a retrieval mission to Alpha Carnin, it became imperative that
Rishar go with it. Dr. Rishar was passed over on the first round of choices to accompany the mission as one of three
scientific advisors. Oddly, an unfortunate accident befell one of the scientists assigned to the mission shortly afterward.
Dr. Rishar was his replacement.
In an attempt to avoid drawing unwanted attention to the mission, CommTech chose to use the Whitestar, a
reconfigured Endurance-class merchant trader, to transport the retrieval team to Alpha Carnin. The Whitestar was an
unremarkable vessel of a type often used for cargo transportation. Its movements would attract little attention, and once
it entered Jumpspace, no one would know its destination. Due to space limitations, and to prevent the Whitestar's crew
from learning anything more about mission's purpose than was absolutely necessary, all fifteen members of Retrieval
Team Theta-Nine, including Dr. Rishar, entered cryogenic sleep for the duration of the trip.
When the Whitestar failed to return, CommTech discontinued project Alpha Comm. Within a decade, two important
events occurred. First, Emperor Tomutova II died and was succeeded by Empress Margaret II. Second, CommTech fell
victim to a hostile takeover by a rival corporation (owned, coincidentally, by the second cousin of the new Empress).
In the ensuing confusion surrounding both events, the details of Project Alpha-Comm were lost. From that point on, no
mention of any further work on Project Alpha-Comm was ever reported and the fate of the Whitestar was never
learned. Until now . . .
The Fate of the Whitestar

Everything went as planned until the Whitestar reached its destination. A new experimental Jump-3 jumpdrive engine
had been retrofitted into the cruiser before it departed. The drives replaced the normal Lanthanum coils of the inner
jumpdrive engines with a less expensive experimental material called Tarinium. Lacking proper testing, the new engine
coils contained an unknown and dangerous design flaw. Upon prolonged use, the surface of the Tarinium coils would
ionize, forming a gas deadly to most life forms. The ionized gas would continue to build up pressure within the
reaction containment unit until released. The trip to Alpha Carnin required repeated jumps and lasted far longer than
the prototype engines had been tested to withstand. When the Whitestar's crew attempted to power down the
jumpdrive engine and return to normal space at their destination, the containment unit ruptured and poured the deadly
ionized gas into the ship's environmental systems. The gas quickly flooded the ship, killing the crew before they could
react. Only the retrieval team, safely held in cryogenic sleep survived.
Unknown to anyone, the Whitestar drifted through its destination system for more than two centuries with the retrieval
team peacefully frozen in a timeless slumber. Less than six months ago, main power failed when the internal hydrogen
supply of the ship's fusion reactor ran out. With main power off line, the cryogenic chambers switched to their internal
battery supply. Since then, several of the units have malfunctioned due to battery failure and lack of maintenance and
the rest will follow suit within a few weeks.
The Whitestar's Mission

The ship's original mission was to transport corporate retrieval team Theta-Nine, consisting of one dozen elite security
troops and three scientists, to the third planet of the Alpha Carnin system. The Theta-Nine team was to investigate and
secure the source of the signal, possibly a site belonging to the Ancients, and report back. Additionally, they were to
make a limited inspection of the site and attempt to identify and recover any obvious artifacts. They never reached the
planet.
Unknown to any of the crew, one member of the corporate retrieval team is an Imperial agent. She was sent to gather
information for the Emperor so the Imperium could exploit the site themselves. She had nothing to do with the engine
malfunction, since she was at the time in cold sleep.
The Whitestar Now

The crew discovering the Whitestar will find the ship adrift
within the biozone of the system's sun. Its armored hull has
kept it well protected from the rigors of an extended time
adrift and despite its age, the ship appears whole and in
relatively good shape.
Sensor scans of the ship reveal no life signs, but a weak

energy signature can be detected somewhere in the lower
midsection of the ship, probably the cargo hold or low
berths.
The ship can be entered through the two-person air lock just
aft of the forward bridge section. It is currently unpowered
and must be opened manually (a ST-6 roll). A thorough
inspection will reveal some clues to the Whitestar's fate.
The gas that killed the crew has long since become inert, but
environmental control systems must be repaired before life support can be restored. Main Power and Computer
Systems must be restored before repairs on the Life Support system can begin. Currently, the atmosphere within the
ship is stale and unbreathable.
The rescuers will find eight dead crew members -- two at the controls on the bridge, three in engineering, and the last
three are in the access ways leading to the cargo hold. No signs of violence are evident, but the exact cause of death is
impossible to determine without an autopsy. In addition, several deactivated robots are scattered about the ship, one for
every two investigators. Each appears to have shut down while attempting to recharge from the ship's power supply.
If the characters are tracking the faint energy reading, it will lead them to the low-berth section adjacent to the cargo
hold. The sources of the readings are 16 cryogenic sleep chambers. Fifteen of the 16 chambers are occupied, but only
11 are operational. All of the chambers are in need of maintenance, and the power indicator on each unit is
dangerously low.
Main power is off-line and must be restored before any systems can be made operational. The small internal hydrogen
tank of the fusion reactor is empty and must be refilled or replaced. This requires a successful Mechanic (TL9) (Power
Plant) skill roll and 30-Skill hours. Even with full power restored, all lights within the ship will be dimmed. Since the
accident occurred while the Vilani crew was preparing to reenter normal space, lights had been dimmed as per
traditional "jump dimming" procedures.
With power restored, it is possible to reboot the computers. All ship's systems are computer-controlled and can be
accessed from any of the ship's crew stations. Reactivating the computers require a successful Computer Operation
skill roll with appropriate modifiers for unfamiliar equipment. Once the computers are up and running, the PCs will
find they are locked out of all major systems. A security program (activated when the Captain failed to enter his daily
log for three consecutive days) was in operation when main power failed and has locked all computer access until the
proper security codes are entered. Only the dead Captain knows the codes, so a successful Computer Hacking/TL9 at -
6 is required to deactivate the program on restore computer access. Attempts take 2 hours - 10 minutes per point of
success. Only one attempt can be made.
If computer access is not restored within 30 minutes after the computers are rebooted, the robots will finish recharging
and resume their patrol of the ship as part of the security program. The robots are able to identify all crewmembers by
voice print recognition software and will identify the visitors as intruders as soon as they speak within earshot of the
robots. Alerted robots will attempt to subdue them immediately. In direct violation of the Shudusham Accords,
CommTech has fitted these robots with concealed laser weapons equivalent to a TL9 Laser Pistol. Considering the
importance of Project Alpha-Comm, CommTech decided the added protection, and element of surprise the armed
robots would add if the Whitestar were boarded, was worth the risk. If the PCs attack the robots with deadly force, they
will switch to termination mode and use their lasers to attempt to kill their attackers. If the player characters took the
precaution of disconnecting the robots from the recharge ports, the robots will not activate.
Upon entering the engine room, it will be obvious to even an untrained character that the engines have been heavily
modified or replaced. The Whitestar's engine room is a disorganized mess of open access panels, crisscrossing power
conduits, and obviously mismatched parts. Anyone with Engineering or Mechanic/TL9+ (Jumpdrives) can make a
thorough inspection of the engines in about an hour. A successful roll will confirm that the engines have been replaced
with a more advanced system. If the roll succeeds by 4 or more, the engineer will discover the damage to the
jumpdrive coils. A second successful skill roll will reveal that it was not the installation of the engines that caused the
accident, but a failure within the engines themselves.
Before the jump drives can be used, the containment unit breach must be located and repaired, or activation of the
engines will flood the ship with ionized gas again (requiring a resistance roll vs. HT each turn of exposure. A
successful Mechanic/TL10 (Jumpdrives) roll and (50-skill) hours will repair the engines enough to function, but the
crew will have to wear Vacc suits during operation. To completely remove any danger of gas contamination, the
engines must be replaced at a Class B or better starport. The maneuver drives are undamaged and will work normally
with enough power.
The cargo hold has been heavily modified to house the additional Jump Fuel tanks required by the new Jumpdrive
engines.
Reviving the Sleepers

Spending almost 200 years in cold sleep has had an unexpected effect on the survivors. A build up of chemicals has
caused a condition called Cryogenic Narcosis, which will cause erratic and dangerous behavior upon revival. Of the
survivors, only Dr. Marla Rishar seems unaffected. She was seven weeks pregnant when she entered cold sleep and the
normal build up of hormones during pregnancy have altered the Cryogenic Narcosis, preventing most of the
degenerative effects and adding a few new twists. Unfortunately, intermittent failure of the cryogenic freeze capsules
allowed gradual aging during the 200-cold sleep and the woman is now at a stage of pregnancy equivalent to almost
eight months. The rest of the team shows similar signs of limited aging, including body hair and fingernail growth,
marked weight loss and minor malnutrition. The backup nutritional supplements contained in the cryogenic chambers
have been exhausted and any further chamber malfunctions will cause the death of the occupants.
When the crew is first revived, they will seem weak and disoriented, but no worse for the wear. Eleven of the 15
occupied cryo-chambers are still functioning. They are occupied by Dr. Rishar, Lt. Colonel Latimer and nine of the
original 12 members of the retrieval team. The first goal of the revived individuals, after learning the details of their
current situation will be repairing the ship, in hopes of using it to return home. As their condition worsens, they will
become more aggressive and fixated on completing their original mission. Once repairs are nearly complete, the
retrieval team, suffering from their narcosis, will aggressively drive the PCs and the unaffected Dr. Rishar off the
Whitestar and race off to complete their mission. In response, Dr. Rishar decides to continue with her mission as well,
but in her new, more fragile condition and due to the modified effects of Cryogenic Narcosis, chooses to enlist the
player-characters' aid. She will use the condition of her "teammates" to her advantage, claiming they are obviously
impaired and must not be allowed to continue. She will, if necessary reveal some of the facts of their real mission,
stating that her "teammates" are planning on completing the mission to recover a dangerous artifact, possibly a bio-
genic weapon. This is a lie, since she has no idea what secrets the site contains other than the possible communications
array.
Reaching the Planet

The Whitestar is not far from Alpha Carnin III and getting there should not be a problem. The GM should add
whatever encounters he feels are necessary to maintain the proper pace of the adventure.
Rishar, Latimer and the rest of the team are unaware of the exact location of the Ancients' Site. The actual amount of
time necessary to find the site is up to the GM, depending upon the equipment available to the crew and how he wants
the rest of the encounters to proceed. Preferably, the player characters and the Whitestar should reach the planet at
nearly the same time, making it a close race to find and reach the site before the other group.
The Ancients' Site can be located anywhere within the tropical region of the planet, and should be surrounded by miles
of tropical rain forest.
Alpha Carnin III

The world is called Alpha Carnin III on recent star charts, but the name used by the indigenous Mayatin is unknown.
This small world is mostly covered by water. Landmasses tend to be small and clustered along the equator. Three
continents exist, with numerous large islands and island chains. Climate is tropical, with sub tropical or temperate
regions in the far northern or southern reaches of the larger continents. Vegetation is primarily dense rain forest along
a thick band at the equator, gradually changing to hard wood forests and plains as you move north and south. Alpha
Carnin III has its share of mountains, which occur along the coasts of the major continents or as the source of the
island chains. A wide variety of flora and fauna exist, including numerous species of insects, avians and carnivores.
The GM should feel free to add animal encounters to make any unprotected overland travel difficult and dangerous.
Planetfall
Once in orbit, the planet's surface can be reached by whatever means available to the crew. The Theta-Nine team
aboard the streamlined Whitestar can land the ship itself. The open air-raft housed in the spacedock of the Whitestar is
non-operational, due to its nuclear power unit having long since run down.
There are two sites suitable for landing spacecraft. The first is 40 kilometers northwest of the Ancients Site, while the
other is closer (18 kilometers) and due west. The first landing site, although farther away, has a more accessible land
route. Latimer's team will choose to use this one since they must travel by foot once making planetfall.
Their journey will take them straight through a number of territories held by the Mayatin. The Mayatin will watch the
team's progress, maintaining a respectable distance and attempting to remain unseen. Once Latimer's team comes
within ten kilometers of the Ancients' Site, the Mayatin will guess their destination and act. The Mayatin's first attempt
to stop Latimer's team will be peaceful, using superior numbers to try to frighten them off. Unfortunately, by this time,
the team will be heavily affected by the Cryogenic Narcosis and the encounter will quickly degenerate into a "bug
hunt." After this, the Mayatin will resort to hit-and-run ambushes to prevent the team from reaching the "holy" ruin.
The second landing site crosses some very difficult terrain, and will require an extended trek of several days or some
type of grav vehicle. No Mayatin inhabit the first 12 kilometers of this route, so travelers can get reasonably close
before attracting their attention. Once detected, they will react as above unless a way to communicate with them can be
found.
If traveling by different routes, encounters with the Mayatin will not be influenced by the other group's actions, as the
Mayatin from different tribes will not communicate or cooperate until after coming within one kilometer of the
Ancients' Site (see below).
If the Rishar-led group chooses to take the same route as Latimer's team, the Mayatin will react the same as above.
Spotting the Mayatin before the ten-kilometer mark will be difficult and communication with them is nearly
impossible.
The Ancients Site

The site can be anything the GM wants it to be. For instance, a communication relay station, linked in the distant past
to a vast communications array. Now the station "awakens" once each local year and attempts to reestablish contact
with the array. Other possibilities for the site include a power facility or weapons cache. In any case, the station is of
great religious importance to the Mayatin. Instinctually, they know the station is somehow important and linked to their
past, but its exact connection is long forgotten.
Regardless, the Mayatin view the station as "holy" and refuse to allow anyone, even themselves, to approach within
500 meters of it. Once the Mayatin realize that Latimer's team and the player characters are headed for the station, they
will become frantic to prevent it. All the tribes from the surrounding area will cooperate in this endeavor, putting aside
their normal disagreements to prevent the desecration of the station. The area within a one-kilometer radius of the
station is considered neutral ground belonging to all the Mayatin and no ritual combat may take place, but this rule
does not apply to non-Mayatin. Unless the adventurers have established contact with the Mayatin and agreed to help
them stop Latimer's team, they too will be constantly harassed until they retreat beyond ten kilometers from the station.
Under no circumstance will the Mayatin allow anyone to enter the station.
If the player characters insist on entering the station, they must do it covertly. Gaining entrance requires an Electronics
Operations/TL14 (Security Systems) skill roll. Alternately, the doors could be blown open, but any blast capable of
damaging the doors would most likely destroy whatever lay beyond it.
Wrapping Things Up
At this point, Risharís team has most likely defeated Latimer and the corporate retrieval team. If they have entered the
station, then either all of the local Mayatin are dead or they are unaware of the player-charactersí activities. In either
case, the heroes are faced with a difficult choice. If they allow Marla Rishar to return with what she knows, or choose
to sell the information themselves, the Mayatin will most certainly be wiped out by future survey teams. They must
decide what to do with the dangerous information they hold and how to keep their pregnant spy quiet.
Further Adventures
This adventure sets the stage for many future scenarios. Perhaps while on layover at a starport, Dr. Rishar escapes from
the group before they decide what to do with her. To prevent her from selling the dangerous information that will
threaten the innocent Mayatin, the player characters must pursue her across the sector. Maybe the party decides to sell
the information themselves and are hired to return to Alpha Carnin and lead a corporate research party. It is also
possible that the player characters will end up stranded on the planet. Surrounded by hostile natives and the survivors
of Latimer's team, the castaways must survive until help arrives, or find a way to escape.
Connected adventures do not even have to occur right away. For instance, what if after several months, the
megacorporation that took over CommTech learns Dr. Rishar's story and decides her young child is "special." Because
of the circumstances of his birth, they want to take him into custody for "observation." Rishar, having no one else to
turn to, seeks out the PCs and begs them to help her protect or rescue her child. Another possible scenario is that
Latimer (if he survives), could suffer from long term effects from the Cryogenic Narcosis and blame the heroes for his
condition. He could become a recurring enemy of the player charactersí, popping up at the worst possible times.
This adventure could also provide the GM with an interesting opportunity to bring in a new player. The new player
character could be one of Latimer's team, who after treatment for Cryogenic Narcosis asks to join the group.
Appendix
Cryogenic Narcosis
Cryogenic Narcosis is caused by the prolonged interaction of neurotransmitters and lactic acid with the chemicals used
during cryogenic suspension while a cryogenic chamber is operating at less than optimal temperatures. It effects the
endocrine and nervous systems, causing increased production of adrenaline and the degradation of mental faculties,
particularly reasoning and logic. At first, victims will seem edgy and disoriented, but otherwise normal. Over time, the
condition rapidly degenerates causing aggressive behavior, delusions and paranoia. If untreated, it will cause
permanent insanity and possibly death. The only known treatment is a complete blood transfusion and strict vitamin
regiment. Treatment is available at any major medical facility. A Diagnosis/TL10 skill roll at -4 is required to identify
the disorder. Treatment requires a Physician/TL10 skill roll and six weeks treatment.
Upon awakening from cryogenic sleep affected individuals will suffer from the following quirks and disadvantages:
Distractible (-1 pt., p.CI89), Edgy (-5 pts., p.CI90) and Uncongenial (-1 pt., p.CI94). Thereafter, every 24 hours the
individual must make a successful HT roll with a cumulative -1 each day, or progress to the next stage of the disorder.
When an individual progresses to Stage Two his condition worsens as follows: Distractible becomes Short Attention
Span (-10 pts., p.CI94), Edgy becomes Bad Temper (-10 pts., p.B31), he develops Paranoia (-10 pts., p.B35), Minor
Delusions (-5 pts., p.B32) and IQ is reduced by 2 points (-15 pts.). Each day an individual suffers from the effects of
Stage Two, a successful HT at a cumulative -2 must be made. Failure indicates the individual has entered Stage Three.
The effects of Stage Three are as above, except Short Attention Span becomes Absent Mindedness (-15 pts., p.B30),
the IQ loss becomes -4 (-30 pts.), Bad Temper intensifies to Berserk (-15 pts., p.B31) and the Delusions become
Severe (-15 pts.). Even if the individual is treated after Stage Three is reached, all Stage One effects become
permanent. As above, each day spent at Stage Three requires a successful HT roll or one point of HT is lost and
cannot be healed normally without treatment. Individuals suffering from Stage Three will eventually die if left
untreated. Any Critical Failure of a HT roll causes the current stageís effects to become permanent, as well as
progressing the disorder to the next stage.
An unknown side effect of the disorder is a heightened resistance to psionics. Any use of psionics against an
individual suffering from the disorder is resisted at +2, regardless of the individual's willingness.
It appears that the increased hormone levels present in a pregnant female are able to counteract the disorder's effects to
some degree. Any pregnant individual affected by the disorder will suffer from Stage One effects only. The individual
still gains the resistance to psionics, but at an additional cost. All existing mental disadvantages (including quirks) are
gradually heightened to the next appropriate level (i.e. Overconfidence becomes Glory Hound, etc.) over the course of
several days (1d6+1 days). The afflicted individual will not notice the change. What effect this may have on the
unborn child has never been fully diagnosed.
Corporate Retrieval Team Theta-Nine
The individuals the player characters find in cold sleep were a corporate retrieval team designated Theta-Nine. They
were one of many teams, used by megacorporations throughout the Imperium to recover equipment and personnel
trapped in potentially dangerous situations. Originally numbering 15 (12 security specialists and three scientists),
Theta-Nine was placed in cryogenic sleep to avoid contact with the crew of the transport ship and reduce the risk of
discussing the delicate mission. All Security personnel are highly trained and experienced soldiers loyal to their current
employer. They are led by Lt. Colonel Vincent Latimer, a seasoned veteran and skilled officer. He has spent the
majority of his life in the service of CommTech, and is unencumbered by the petty dictates of morals or ethics when
they conflict with the concerns of his employer. He has the rest of the team's utmost loyalty and devotion.
The individuals that comprise Theta-Nine's security contingent are a motley crew of veterans with varying specialties.
Lt. Colonel Latimer has hand picked his team to be resourceful and able to work together under extreme stress.
Typical team members can be built on 150 points using the Marine Special Operations (Enlisted) Template on p103 of
GURPS Traveller. Lt. Colonel Latimer's statistics can be found below. The equipment available to the corporate
retrieval team should be determined by the GM as appropriate to the campaign.
None of the team members are aware that Dr. Rishar is a spy for Imperium Intelligence. They will be as surprised
about Rishar's pregnancy as she is, but will not begin to suspect her of wrongdoing immediately.
The team is suffering from Cryogenic Narcosis (see above) and within 24 hours will exhibit most symptoms to varying
degrees.
The complete details of the team's true mission (see above) will never be willingly revealed by any member of the
team. Instead, they will maintain that they wish to repair the ship and travel to a habitable planet to gather fresh
supplies for the return trip home. During the course of the repairs, the player characters should come to realize that the
team still intends to finish their original mission (whatever its details). Unless the player characters agree to actively
help them complete their mission, they will be viewed as an annoyance at first, later as an obstacle to be overcome and
finally as the enemy.
Lt. Colonel Vincent Latimer
Age 42, 5' 11", 175 lbs., Bald with black goatee and mustache, brown eyes, a long scar running from behind his right
ear down his neck, ending under his arm.
ST: 12 IQ: 13 Speed:6

DX: 13 HT: 12 Move:7
Damage: Thrust 1d-1; Swing 1d+1
Dodge: 6
Point Total: 200
Advantages: Combat Reflexes [15]; Fit [5]; G-Experience [10]; Rank 5 (Lt. Colonel) [25]; High Pain Threshold [10].
Disadvantages: Fanaticism (CommTech) [-15]; Callous [-6]; Sense of Duty (To his command) [-10].
Quirks: Wears a .45 caliber "dud" slug on a chain around his neck. [-1]; Converts battle plans to nursery rhymes [-1];
Likes to talk about his plans for retirement [-1]; Never uses foul language [-1].
Skills: Administration-12 (M/A) [1]; Armoury (Small Arms)-13 (M/A) [2]; Battlesuit-13 (P/A) [2]; Beam Weapons
(Laser)-15 (P/E) [1]; Brawling-14 (P/E) [2]; Computer Operations-13 (M/E) [1]; Demolition-12 (M/A) [1]; Electronics
Operation (Comm)-13 (M/A) [2]; Engineer (Combat)-13 (M/H) [4]; Explosive Ordinance Disposal-12 (M/H) [2]; First
Aid-13 (M/E) [1]; Free Fall-14 (P/A) [4]; Gesture-12 (M/E) [1/2]; Gunner (Laser)-15 (P/A) [2]; Guns (Pistol)-16
(P/A) [2];Guns (Rifle)-16 (P/A) [2]; Intelligence Analysis-13 (M/H) [4]; Interrogation-12 (M/A) [1]; Judo-12 (P/H)
[2]; Knife-13 (P/E) [1]; Leadership-15 (M/A) [6]; Mechanic (Jumpdrives)-12 (M/A) [1]; Piloting (Starship)-12 (P/A)
[1]; Running-12 (P/H) [4]; Savior-Faire (Military)-13 (M/E) [1]; Scrounging-12 (M/E) [1/2]; Shortsword-12 (P/A) [1];
SIGINT Collection/Jamming-12 (M/H) [2]; Tactics-15 (M/H) [8]; Traffic Analysis-11 (M/H) [1]; Traps-12 (M/A) [1];
Vacc Suit-14 (M/A) [4].
Languages: Language (Anglic)-13 [0]; Language (Vargr)-12 [2].
Equipment: As determined by the GM based on the difficulty and style of the campaign.
Lt. Colonel Vincent Latimer is a company man. No more and no less. Recruited by CommTech after his first tour with
the Imperial Marines, he has done exceptional work for them as part of their Acquisition and Retrieval Division. Being
assigned to lead the mission to Alpha Carnin was the opportunity Latimer had been waiting for. Success meant a
wealthy retirement and assured a place for him within the megacorporation. Failure meant nothing since Latimer never
failed. Or so he thought.
The Lt. Colonel is not an evil man. Most people find him personable and easygoing except when it comes to the job.
Latimer is devoted to CommTech. They have treated him well, and provided for him in every way. His loyalty is
unwavering and he would do anything they asked. He sees his work as being for the greater good of the company, and
ultimately for the Imperium. If a few have to suffer as a means to an end, then so be it.
Under other circumstances, Latimer might be an ally for the player characters. Unfortunately, the Cryogenic Narcosis
makes an otherwise reasonable man act irrationally. Latimer's skill at tactics and planning combined with the effects of
his condition make him a truly dangerous foe. At the first sign the player characters are threatening the success of the
mission, Latimer will treat them as an obstacle to be overcome. He will attempt to do this by the most efficient means
possible. To him, "it's nothing personal, but I have my orders."
Doctor Marla Rishar
35, 5' 4",137 lbs , Shoulder length light brown hair, hazel eyes.
ST: 10 IQ: 14 Speed: 5

DX: 12 HT: 10 Move: 5
Damage: Thrust 1d6-2; Swing 1d6
Dodge: 5
Point Total: 100
Advantages: Mathematical Ability [10]; Patron (Imperium Intelligence) [10]; Wealth (Comfortable) [10].
Disadvantages: Curious [-5]; Pregnant (Includes Emotional [-5]; Overweight [-5]; and Unfit [-5]) [-15]; Secret
(Corporate Spy for Imperium Intelligence) [-30]; Sense of Duty (To Imperium Intelligence) [-10]; Stubbornness [-5].
Quirks: Uncongenial [-1]; Proud [-1]; Nosy [-1]; Attentive [-1]
Skills: Acting-13 (M/A) [1]; Astronomy-14 (M/H) [4]; Computer Hacking-14 (M/VH) [8]; Computer Operation-16
(M/E) [6]; Computer Programming-18 (M/H) [12]; Cryptology-14 (M/H) [4]; Detect Lies-13 (M/H) [2]; Electronics
Operation (Communications)-16 (M/A) [6]; Fast-Talk-14 (M/A) [2]; Guns (Pistol)-13 (P/E) [1/2]; Holdout-13 (M/A)
[1]; Judo-11 (P/H) [2]; Leadership-12 (M/A) [1/2]; Mathematics-14 (M/H) [4]; Physics-18 (M/H) [12]; Research-15
(M/A) [4]; Savior-Faire-12 (M/E) [1/2]; Swimming-12 (P/E) [1]; Teaching-13 (M/A) [1]; Writing-14 (M/A) [2].
Languages: Language (Anglic)-14 [0]; Language (Zhodani)-13 (M/A) [1]; Language (Aslan)-12 (M/A) [1/2].
Equipment: Personal Computer; Short Range Communicator; Personal Basics; Body Pistol; Imperial Warrant (see
below).
Raised in a fanatically patriotic family, Marla grew up believing the Imperium to be the pinnacle of governmental
ideals. During college, she was active in a number of pro-Imperium political groups. Her associations continued into
graduate school and during her post-graduate doctoral work. Shortly after graduation, Dr. Rishar was approached by a
megacorporation well know for its Imperial contracts. They offered her an internship where she could put her skills to
use working for the Imperium. The megacorporation was actually a front for Imperial Intelligence and the internship
was actually designed to indoctrinate the participants. Imperium Intelligence's goal was to create a group of highly
skilled individuals, loyal to the Imperium and willing to act in its best interest. This translates as "provide us with any
useful information you find". When her internship was done, she had no trouble finding a research job with
CommTech. After years of exemplary work, Dr. Rishar was one of three scientists assigned to retrieval team Theta-
Nine to act as scientific advisor to the team leader. When the opportunity arose, Imperial Intelligence contacted Marla
and convinced her to act as their agent while on the mission.
Two years before she began work on Project Alpha-Comm, Marla became involved with a fellow Comm-Tech
scientist from another department. They were planning to get married when she returned from the mission. Unknown
to either of them, Marla was several weeks pregnant when she left.
When first revived, she will be as surprised as the rest of the team to discover herself eight months pregnant. Although
not severely affected by the Cryogenic Narcosis, Rishar will exhibit mild Stage One symptoms including the resistance
to psionics as well as accentuated personality traits (see below).
Considering her situation, her pregnancy and the effects of the Cryogenic Narcosis, Dr. Rishar will not be acting like
herself. Survival, and her duty to the Imperium will take first priority. Dr. Rishar recognizes the instability of Latimer
and his people, and does not trust them to help her complete her mission for Imperium Intelligence. In response, she
will do whatever she can to convince the player characters to stop the retrieval team and investigate the Ancients site
themselves.
She carries an Imperial Warrant, signed by Emperor Tomutova II himself. This legal document requires the complete
cooperation of all Imperial officials with the holder of the warrant, in execution of his or her Imperial duties. If the
player characters fall under the authority of this Warrant, Dr. Rishar will not hesitate to use it. The Warrant reads as
follows:
Capitol, 036-0906. The bearer of this warrant is under my direct orders. All Imperial officials must lend any and all
required assistance. Tomutova II.
The Alpha Carnin System
Alpha Carnin
Type: G V Star Mass: 1.1

Biozone: 0.8 - 1.2 Stellar Radius: 0.0 Inner Limit: 0.0
Cometary Belt: Normal
ORBIT WORLD TYPE DISTANCE (AU)
#1 Hostile Greenhouse 0.30
#2 Hostile Greenhouse 0.65
#3 Earthlike 1.00
#4 Asteroid Belt 1.70
#5 Empty Orbit 3.10
#6 Small Gas Giant 5.90
Alpha Carnin I
Orbital Distance: 0.30

Planet Type: Hostile Greenhouse Diameter: 7005.0 Gravity: 0.7
Density: 4.5 Composition: Low-Iron
Axial Tilt: 6 Degrees Seasonal Variation: Minor
Day Length: 145 hrs. (6.0) Year Length: 9.0 days. (0.1)
ATMOSPHERE:
Pressure: Standard Type/Composition: Fluorine
Climate: Hot (90 - 130)
Surface Water: 0 % Humidity: 0 %
Primary Terrain: Hilly/Rough Secondary Terrain: Mountainous/Volcanic
MINERAL RESOURCES:
Gems/Crystals: Ample Rare Minerals: Absent
Radioactives: Plentiful Heavy Metals: Ample
Industrial Metals: Scarce Light Metals: Extremely Plentiful
Organics: Absent
MOONS:
Moonlets: 0 Small Moons: 0 Medium Moons: 0 Large Moons: 0
BIOSPHERE:
Dominant Life Form: None
Alpha Carnin II

Planet Type: Hostile Greenhouse Diameter: 4636.0 Gravity: 0.5
Density: 4.6 Composition: Low-Iron
Axial Tilt: 27 Degrees Seasonal Variation: Earthlike
ATMOSPHERE:
Pressure: Trace Type/Composition: N.A.
Climate: Hot (90 - 130)
Primary Terrain: Mountainous/Volcanic Secondary Terrain: Plains/Steeps
MINERAL RESOURCES:
Gems/Crystals: Extremely Plentiful Rare Minerals: Absent
Radioactives: Ample Heavy Metals: Plentiful
Industrial Metals: Absent Light Metals: Plentiful
Organics: Absent
MOONS:
BIOSPHERE:
Alpha Carnin III

Planet Type: Earthlike Diameter: 5955.0 Gravity: 0.9
Density: 6.6 Composition: High-Iron
Axial Tilt: 0 Degrees Seasonal Variation: None
ATMOSPHERE:
Pressure: Standard Type/Composition: Oxygen/Nitrogen
Climate: Tropical (80 - 120)
Primary Terrain: Forest/Jungle Secondary Terrain: Mountainous/Volcanic
MINERAL RESOURCES:
Gems/Crystals: Scarce Rare Minerals: Plentiful
Radioactives: Plentiful Heavy Metals: Scarce
Industrial Metals: Ample Light Metals: Ample
Organics: Scarce
MOONS:
BIOSPHERE:
Dominant Life Form: Higher Animals (IQ 4-6)/Special (see below)
Carnin's Belt
Asteroid Type: Type-S
MINERAL RESOURCES:
Gems/Crystals: Absent Rare Minerals: Absent
Radioactives: Scarce Heavy Metals: Plentiful
Industrial Metals: Plentiful Light Metals: Scarce
Organics: Scarce
Alpha Carnin V
There is no planet in Orbit #5.
Alpha Carnin VI

Planet Type: Small Gas Giant Diameter: 32740.0 Gravity: 0.6
Density: 0.8 Composition: Gas Giant
Axial Tilt: 24 Degrees Seasonal Variation: Earthlike
ATMOSPHERE:
Pressure: Superdense Type/Composition: Hydrogen/Methane
Climate: Cold (0 - 40)
Primary Terrain: N.A. Secondary Terrain: N.A.
MINERAL RESOURCES:
Gems/Crystals: Absent Rare Minerals: Absent
Radioactives: Scarce Heavy Metals: Plentiful
Industrial Metals: Ample Light Metals: Scarce
Organics: Plentiful
MOONS:
Giant Moons: 0 Small Gas Giants: 0
BIOSPHERE:
The Mayatin
Mayatin are a race of nocturnal, arboreal brachiators indigenous to Alpha Carnin III. They vaguely resemble the
pygmy loris of earth, but are larger and more intelligent. They have four long fingers and an opposable thumb, each
ending in a sharp claw used in climbing. Their long prehensile tails are used to aid climbing and movement through
the treetops. Their eyes are large and well suited to nocturnal vision. A thin layer of fur covers their bodies and has an
unusual characteristic. From a distance, the fur takes on the coloration of nearby objects providing a limited chameleon
effect. The effect does not function in direct lighting or upon close inspection. Their mouths are lined with numerous
small, sharp teeth, suitable for their omnivorous diet. Males and females are usually about the same size, but females
tend to have longer tails.
Mayatin did not evolve into their present form naturally. In the distant past, the mysterious race known only as the
Ancients used a small arboreal creature native to Alpha Carnin III as the basis for a genetically manipulated race. The
Ancients developed such races on numerous worlds to work on projects thought to be beneath the Ancients' station, but
were required none-the-less. In the case of the Mayatin, they were designed to be able to survive well in the tropical
environment and act as the maintenance crew of one of the Ancients' outposts. When the Ancients' civilization
collapsed, the artificial Mayatin society rapidly degenerated into the primitive state they are found in today.
Their society is based on primitive tribal associations, with the eldest males forming a ruling council. Females are the
heads of the household and primary educators of the young. They also tend to play an important, but subtle role in
general tribal workings through suggestions and advice given to their mates. Information is passed from generation to
generation through an elaborate set of oral traditions that include songs, plays and dramatic reenactments. Elders play
an important role in society as sources of wisdom and lore. Relationships between tribes vary, but conflict is usually
restricted to ritual combat. Defeated participants of such ritual battles are often treated as honored guests and sent
home with elaborate gifts.
An alert character (a successful Vision roll) may notice a series of engraved metal disks adorned about the bodies of
male Mayatin. The disks are made from a variety of materials, with no two bearing the same engravings. It would
appear, that the number of disks worn by an individual is directly proportional to that individual's status among the
Mayatin. Clan leaders and warriors bear the most disks, but no individual has more than a few.
Any character with Archeology (Ancients) may make a roll to recognize the disks. They are Coyns. A type of rare
artifact recovered from Ancient sites. The Mayatin recognize them as a link to their past and associate them with
prestige and importance. When two males engage in ritual combat, the victor is entitled to exchange his own Coyns for
those of his defeated opponent, so long as they outnumber his own. To do otherwise is seen as an insult and often ends
in actual combat.
Mayatin communicate through a combination of verbal language and pheromones. To others, the odor is an
overpowering dry, musky smell that can cause disorientation. The Mayatin use the pheromones to convey added
description to their verbal language, but it can be used alone to convey simple concepts and emotions. Communication
between Mayatin and other races is extremely difficult, but not impossible. Use of the verbal component of the
language combined with gestures and other body language can convey simple ideas, but without the olfactory
component (and some type of protection from its effects), misunderstandings and delays will plague all attempts to
communicate.
As a race, they have ST -1 (-10 points), DX +2 (20 points) and IQ -1 (-10 points). Their racial advantages are
Brachiator (5 points), Fur (0 points), Secret Communication (Only General Concepts and Emotions with a special
effect on non-Mayatins (see below), 10 points), Claws (15 points), Tail (Manipulator with No Striking Capability,
Extra flexibility and a 2 hex reach, 25 points), Chameleon (Always On, 2 points), Night Vision (10 points) and
Confuse (Power 5, Effects Non-Mayatins only, Untrainable, Always On, Area Effect, 2 levels of Increased Area, 3
Levels of Decreased Range, 8 points). Their racial disadvantages are Nocturnal (-10 points), Semi-Upright (-5 points)
and Primitive (-10 levels, -50 points). They have the racially learned skills of Acrobatics at DX -2 and Climbing at
DX (both free from Brachiator) and Stealth at DX +1 (4 points). It costs 4 points to be a Mayatin.
Their religion is based around their rather accurate creation story involving the Ancients. The story tells of their "birth"
at the hands of the "Sky Gods." They were born to honor their creators and live forever in the jungles near the Holy
Temple of the Sky Gods. It is said that one day, during the "Awakening," the sky gods will return and take the Mayatin
with them back to the heavens.
Cargo/Maintenance Robot (TL9)
Brain: Standard brain with neural net option (20 lbs., .4 cf., $15,000, 70 points), Complexity 4.
Sensors: Basic sensors with thermographic vision, +3 acute hearing and radscanner (3 lbs.,.09 cf., $7,750, 31 points).
Communicator: Basic communicator with bullhorn option (.55 lbs., .011 cf., $275, 15 points).
Arm Motors: Two ST 15 arm motors with cheap option (each is 4.5 lbs., .09 cf., $2,250, .075 kW).
Drivetrain: Leg drivetrain with two legs and .3 kW motive power (12 lbs., .12 cf. per leg motor, $2,400, .3 kW).
Weaponry: One heavy laser pistol (3 lbs., .06 cf., $750, LR 2).
Accessories: Fire Extinguisher (2 lbs., .1 cf., $25, LR 6); spraygun (1 lb., .05 cf., $12.50, LR 6).
Power: Power requirement .45 kW. rE cell (20 lbs., .2 cf., $2,000, 20 points) with 270,000 kWs. Endurance 166 hours,
40 minutes (5 points)
Subassemblies: Two arms (right and left); head; two legs.
Arm Design: Right arm houses ST 15 arm motor, and one heavy laser pistol (.15 cf.). Left arm houses ST 15 arm
motor and .06 cf. Empty space (.15 cf.)
Head Design: Head houses Basic sensors, communicator, spraygun and .249 cf. empty space (.40 cf.).
Body Design: Body houses brain, rE cell, fire extinguisher, waste space for head rotation and .46 cf. empty space (1.2
cf.).
Leg Design: Two legs, each houses leg motor and .24 cf. empty space (.36 cf.).
Surface Area: Right arm 2, left arm 2, head 4, body 7, legs 3 each. Total surface area 21.
Structure: 63 lbs., $2,100.
Hit Points: Each arm 6, head 6, body 11, each leg 5.
Armor: DR 20/PD 4 metal armor (42 lbs., $840, LR 2, 100 points). Sealed ($450, 20 points).
Statistics: 179.55 lbs. (.09 tons), 2.3 cf. (6.09' tall), $32,652.50, Body ST 17, Arm ST 15 each (70 points), DX 10 (0
points), IQ 8 (-15 points), HT 12/11 (15 points). Speed 7.26. Cannot float (-5 points). Legality Rating 2. Point Cost: 50
points.
Endurance-Class 200-Ton Merchant Trader
200-ton SL Hull, DR 100, Basic Bridge, Engineering, 15 Maneuver, 8 Jump, 60 Fuel, 4 Low Berths (capacity 16), 1
Spacedock (holds up to 250 cf of air/raft), 10 staterooms, Utility, 2 Turrets (2 Missile Racks, 1 Sandcaster Rack and 3
360-MJ Turret Lasers), Fuel Processor, 26.5 Cargo.
Statistics: EMass 381.63, LMass 514.13, Cost MCr 49.6392, HP 22500, Crew 8, Hull Size Modifier: +8.
Performance: sAcc 1.167Gs, Jump 3, Air Speed 1,646mph
Computer Programs & Databases: Star Chart Database (200 gigs), Planetary Database (200 gigs), Starship
Recognition (10 gigs), Library, Large (100 gigs), Cartography (TL10, Complx 5), Datalink (TL10), Targeting (TL10,
Complx 5, +5), Transmission Profiling (TL10), Gunner (TL10), Damage Control (TL10), Vehicle Operation (TL10),
Vehicle Operations Database.
Make Dr. Lucky Fall Down
by Ralph Melton
Art by Dan Smith
He checked the aim on the cannon again and lit the fuse as he heard Dr. Lucky's footsteps approaching. This time he'd
kill him, for sure. The door swung open, silhouetting Dr. Lucky for a brief moment before the hissing flame reached the
barrel . . .
BOOM! The cannon slammed backwards, smashing him into the wall, as the cannonball hung motionless in midair.
As Dr. Lucky walked past the wreckage, he commented, "I'll have you know that that cannon is a genuine Civil War
antique. If it is damaged by your horseplay, I shall be most put out."
You're here at the J. Robert Lucky mansion on a stormy evening. You've hated Dr. Lucky for years, and this could be
the perfect opportunity to do the old man in. Two things stand in your way:
* They don't call him "Doctor Lucky" for nothing. The uncanny luck that let him make his millions is legendary, and it
applies just as well to his personal life. Trying to kill him is easy; actually getting Lucky is much harder.
* Not only that, but you're not the only one who wants to kill him tonight. You may have to cajole, flimflam, or
ambush other players in order to make sure that you're the one to off the Lucky bastard.
This is a combination of Kill Doctor Lucky, the board game of murder by

Cheapass Games, and Toon, the cartoon roleplaying game by Steve Jackson
Games. In this game, you'll attack Doctor Lucky, but you'll also throw cream
pies, fire guns, set traps, and bamboozle him -- and you'll do all these things
to other players as well.
Toon is a simple roleplaying game designed to support the full range of

silliness of cartoons. Characters can Fall Down temporarily, but they never
truly die. Tasks are resolved by rolling 2d6 against a skill level.
Kill Dr. Lucky is an abstract board game. Players are trying to find
opportunities to kill Dr. Lucky out of sight of any other players. Move and
Room cards help players move, Weapon cards enhance their attacks, and
Failure cards thwart other players' attacks.
Each of these games has a lot to offer the other game. Kill Dr. Lucky is great
fun -- and one of my favorite aspects is that of describing how murder
attempts fail. Toon provides a roleplaying framework for that sort of failure.
Furthermore, Toon provides a richer variety of possibilities to Kill Dr. Lucky; instead of just attacking Dr. Lucky,
players can set traps for him and try to lure him into danger and so forth. Toon also provides Kill Dr. Lucky a basis for
inter-player violence, which always livens up a game.
Kill Dr. Lucky, on the other hand, provides structure and focus to Toon. One aspect of this is the structure provided by
any Toon adventure. But the Kill Dr. Lucky cards provide an additional structure to the game by providing seeds of
inspiration. My friends and I often find it easier to decide "What can I do with a Big Red Hammer?" than to decide
from the infinite world of possible silly things to do that Toon can sometimes provide.
Make Dr. Lucky Fall Down is for an Animator and two to eight players. You can use preexisting Toon characters if
you like, instead of the ones that I've provided. Use characters that like or dislike each other strongly, as well as being
willing to kill Dr. Lucky; Natural Enemy pairings are good.
You will need a copy of Kill Dr. Lucky in order to play. You will also need the pawns that Kill Dr. Lucky requires,
and two dice. The Animator, at least, should be familiar with both games. It is not as necessary for the players to be
familiar with both, but it helps if they're familiar with one or the other of the games.
The Rules
"Aha!" he said to himself in an unnecessarily melodramatic piece of exposition. "At last, I am alone with Dr. Lucky.
This is a perfect opportunity for me to kill him. Now, what shall I kill him with?"
He rummaged through his possessions, and held up a . . . Monkey Hand. "A monkey hand?" he reflected aloud. "What
makes a monkey hand an effective murder weapon?"
In the next moment, the answer to his question became painfully obvious. "Oh, *bonk*, I see," he explained, as he
bounced off the walls and floor. "This monkey hand *fold* still has *spindle* the monkey attached. *mutilate*"
Set up the Kill Dr. Lucky board. Start all the players in the Drawing Room, and determine the first player and the
beginning location of Dr. Lucky, as in Kill Dr. Lucky. Deal five cards to each player.
Play proceeds in turns until Dr. Lucky is killed. Each turn is made up of two phases: Movement and Doing Something.
Both phases are optional, but the Movement phase must precede the Doing Something phase.
Movement
During the Movement phase of the turn, you can move yourself one room, and you can play zero or more Move and
Room cards to move yourself, Dr. Lucky, and other players. You may take your free move before, after, or during
playing Move and Room cards.
Playing a Move card allows you to move your target (yourself, Dr. Lucky, or another player) the number of rooms
listed on the card, if you make your roll. Playing a Room card allows you to move your target to the room named on
the card if you make your roll.
This much is very similar to Kill Dr. Lucky, with the addition of the ability to allow the Move and Room cards to
move other players. The other addition is the requirement of successful die rolls to use Move and Room cards
successfully:
* To play a Move or Room card on yourself, you must make a successful Run roll.
* To play a Move or Room card on Dr. Lucky, you must make a successful Fast-Talk roll. (Dr. Lucky does not get to
make a Resist Fast-Talk roll). ("Oh, Doctor Lucky? If you would come to the Trophy Room, I have a rare specimen of
the Abyssinian Crested Jackalope to show you . . .")
* To play a Move or Room card to make another player move, you must make a successful Fast-Talk roll. In addition,
the target gets to make a Resist Fast-Talk roll; if they succeed, the card has no effect.
If you fail your roll to use a Move or Room card, the card returns to your hand, and you may play no more Move or
Room cards on that target for the rest of your turn.
Doing Something
After the movement phase, you can do one thing that requires a die roll. (The Animator should not require a roll for
activities that add to the humor of the game but do not affect the course of the game. For example, Mrs. White should
clean up the debris from thrown cream pies, and shouldn't be penalized for doing so.) Some of the possible things that
you might do are these:
* Snoop: If you're in a named room, you may Snoop. If you make your See/Hear/Smell roll, you draw one card. The
card you draw loosely represents something you found while you're snooping. If you make your roll by 5 or more, you
draw two cards. (If you're playing with characters other than the ones provided, the Animator should fiddle with this
rule so that on average, characters can draw about one card every time they snoop.)
* Run: If you make your Run roll, you may move one extra room.
* Fight: You may engage Dr. Lucky or another player in hand-to-hand combat if you are in the same room as your
opponent. To do so, roll against your Fight skill. If you make your Fight roll and the other player fails his Dodge roll,
you inflict damage.
* Throw things: To throw a weapon or a cream pie at someone, you must be in line of sight of them. To do so, make
your Throw roll. If you succeed at your Throw roll, the target must make his Dodge roll or be hit.
* Fire a Gun: To fire a gun at someone, you must be in line of sight of them. Make your Fire Gun roll. If you
succeed, the target must make a Dodge roll to avoid being hit.
As in Kill Dr. Lucky, you may not attempt to kill Dr. Lucky when another player can see you or Dr. Lucky. (There is
no such restriction on attacking other players.)
You may play a Weapon card with your Fight, Throw, or Fire Gun attack to give a bonus to your skill equal to the
point value of the card. If you use a Weapon card against Dr. Lucky, the Weapon card will be discarded after the
attack is over, but if you attack another player, you can keep the weapon.
* Fast-Talk: You use Fast-Talk whenever you want to persuade, bamboozle, or seduce Dr. Lucky or another player.
You must be in line of sight of your victim. To do so, you roll against your Fast-Talk skill, and your victim rolls
against his or her Resist Fast-Talk skill. If you succeed and your victim fails, they must use their next turn to do
whatever you Fast-Talked them to do.
* Set a Trap: To set a trap, roll your Set/Disarm Trap skill. The trap will affect the next character (a player character
or Dr. Lucky) to enter that room, unless they make an Identify Dangerous Thing roll when they enter the room. You
may use a Weapon card to improve your chances of successfully setting the trap, as with fighting.
* Steal Things: To try to steal something from another player (or Dr. Lucky), try your Sleight of Hand roll. If you
succeed, you steal one card from them.
Many of these things (Throwing objects, firing guns, and fast-talking) refer to "line of sight." Line of sight works on
horizontal and vertical lines as in Kill Dr. Lucky.
Players will come up with things to do that are not covered by this list. The Animator will have to decide what sort of
die roll is appropriate, and how this should interact with cards and with line of sight. Some examples of this sort of ad-
hoc decision are given in the sample characters.
Hit Points and Falling Down
Hit Points work as in Toon. Most weapons do 1d6 points of damage. When you lose all your hit points, you Fall Down
and lose three turns. After that, you return to the game in the room where you fell down, with a full complement of hit
points. Attacks on Dr. Lucky may be made in the presence of Fallen Down characters; they don‚t count as witnesses. If
you make another player Fall Down, you get half their cards, chosen at random.
As in Toon, some things may Boggle a character, such as being hit in the face with a cream pie, or having the
character's player collapse helplessly in laughter. The Animator determines when a character is Boggled. When you are
Boggled, you lose one turn, and cannot use Skills or Shticks, or see other Players until you begin a turn.
Odds and Ends
Cream Pies: You may pick up a cream pie whenever you enter the kitchen, the dining hall, or the servants' quarters.
Special weapons: The Civil War Cannon does 2d6 damage instead of 1d6. The Bad Cream may be considered a bad
cream pie; it Boggles as well as doing 1d6 damage. In homage to cartoon traditions, the Loud Noise is considered to
be a stick of Dynamite.
Dr. Lucky
J. Robert Lucky has had a long and glorious career in business, in spite of (or perhaps because of) the fact that he
would sell his own grandmother to be boiled down for glue if he thought he could get away with it. The one invariant
in his career has been sheer, astounding good luck.
His career started when he was a minimum wage employee at a Lucky Dogs fast food restaurant in his teens. The CEO
was retiring, and when he went to name his successor, the particularly strong onions of the hot dog he was eating
blinded him, and he pointed to Lucky by mistake. From that start, he went into one industry after another. The Lucky
Ducks poultry farm got off to a flying start. The Lucky Strikes union-breakers were a success, and their softball and
bowling teams took first place in their leagues. The sky was the limit for the Lucky Stars talent agency. And the Lucky
Brakes auto parts company brought the competition screeching to a halt.
Dr. Lucky isn't a normal character; he's a plot device with a curmudgeonly temper who is perfectly oblivious to
player's attacks on him.
Attacking Dr. Lucky is different from attacking other players in several ways. Any Weapon card used on Dr. Lucky is
discarded when used. Also, instead of using skills like Dodge or Resist Fast-Talk to avoid danger, Dr. Lucky always
defends against danger by using his Incredible Luck shtick. (Dr. Lucky does not attack players directly; he merely goes
on obliviously about his business, while bad things happen to those who try to attack him.)
Furthermore, failure is painful when you attack Dr. Lucky. When you attack Dr. Lucky unsuccessfully, every other
player may immediately play Failure cards on you. You take damage equal to the total value of the failure cards that
are played. After each player's turn, Dr. Lucky moves sequentially along the numbered rooms, as in Kill Dr. Lucky. If
he has been Fast-Talked to do something outside his normal routine, he does that now. If he moves into a room with a
player character on this phase, it becomes that player's turn, as in Kill Dr. Lucky.
Dr. Lucky
Hit Points: 11
Muscle: 2
Break Down Door: 2
Climb: 2
Fight: 3
Pick Up Heavy Thing: 2
Throw: 2
Zip: 3
Dodge: 3
Drive Vehicle: 3
Fire Gun: 3
Jump: 3
Ride: 3
Run: 3
Swim: 3
Smarts: 4
Hide/Spot Hidden: 4
Identify Dangerous Thing: 4
Read: 7
Resist Fast-Talk: 4
See/Hear/Smell: 5
Set/Disarm Trap: 5
Track/Cover Tracks: 4
Chutzpah: 2
Fast-Talk: 4
Pass/Detect Shoddy Goods: 5
Sleight of Hand: 4
Sneak: 4
Shticks:
Incredible Luck: 8
The Big Finish
At last, someone had managed to kill Dr. Lucky. A somber horde of black-suited men filed in to carry off the body. As
the camera irised out, it focused on the label on one man's suit: "Lucky Stiffs Funeral Home."
When someone finally manages to remove Dr. Lucky's last Hit Point, the game ends. When I have the opportunity, I
give two prizes, one for killing Dr. Lucky, and one for earning the most Plot Points. Plot points are awarded as
follows:
* Making Dr. Lucky Fall Down is worth 3 Plot Points (if there's no prize for killing Dr. Lucky).
* Making another character Fall Down is worth 1 Plot Point.
* As usual for Toon, making the Animator burst out laughing is worth 1 Plot Point.
Variant: And Your Little Dog, Too!

Elizabeth Lindsay has proposed a variation on Make Dr. Lucky Fall Down based on the "Kill Dr. Lucky and His Dog"
variant posted at http://www.cheapass.com/luckydog.html.
The dog is an annoying little yip-yip terrier with a Fight of 4 (for 1d of damage), a Dodge of 4, 4 hit points, and no
other interesting statistics. On each turn, after Dr. Lucky moves, the dog moves one room towards Dr. Lucky (on the
shortest route possible). The dog will try to bite one character in the room it moves into if it can. If there are multiple
characters to choose from, choose the one to be bitten the way you choose who goes next when Dr. Lucky enters a
room.
The dog counts as a witness, so you can't attack Dr. Lucky if the dog is around. However, the dog can be attacked just
like any player.
If a player makes the dog Fall Down, the dog returns to the game after that players' third turn. From then on, if Dr.
Lucky is ever in the same room as the player, he will attack the player in revenge for the dog's death. (Dr. Lucky can
attack before moving according to his numbers; he's special that way.) As in the boardgame variant, draw the top card
from the deck to see if Dr. Lucky has a weapon to use in his attack.
Sample Characters
Miss Scarlett O'Hare
Miss Scarlett undulated provocatively across to Dr. Lucky. "Why, J. R., how nice to see you," she purred. "Why don't
you give me a li'l old kiss . . ." Dr. Lucky leered at her. "But of course, my dear . . ." Miss Scarlett turned her face up to
him, pursed her red lips, and thought of the surprise she had in store for him . . .
CLANGGG! The beartrap hidden in her cleavage sprang prematurely, making her shriek from the effects of Cruel and
Unusual Underwire Damage. Dr. Lucky paused. As he turned to leave, he muttered, "I knew that you had some kinky
tastes, but that is not the right kind of lingerie to attract me . . ."
Miss Scarlett is quite beautiful, and knows it. She first met Dr. Lucky when she tried to break into a Hollywood acting
career through the Lucky Stars talent agency, and she quickly succumbed to his Lucky charms. From there, she started
working for Dr. Lucky as his "secretary" -- typing skill not required. She and Mrs. Peahen have become bitter rivals
for Dr. Lucky's affections.
Just recently, she and Mr. Lime have been talking together, and he has proposed marriage to her, and she has accepted,
though more in order to wrap him around her finger than because she truly loves him. She has yet to tell Dr. Lucky
about the marriage, and expects that he will do everything he can to oppose the marriage. But she's getting tired of
being his kept woman -- tired enough to kill him to escape that captivity.
Miss Scarlett wears a slinky red gown with a plunging neckline. She carries a long-handled cigarette holder, a makeup
kit, and a bear trap in her cleavage.
To play Miss Scarlet:
* Wrap any man around your finger by Fast-Talking him to take damage, get out of your way, or do something
damaging to Dr. Lucky -- but don't let the guy know your plans.
* Pull material for a trap from your Cleavage of Many Things and set a trap. (You can pull anything you like from
your Cleavage of Many Things on a successful roll. It'll all be "normal" stuff, though; it won't give the special bonuses
of Weapon cards.)
* Speak in a soft Southern accent.
Hit Points: 8
Muscle: 1
Break Down Door: 1
Climb: 1
Fight: 5
Throw: 4
Zip: 3
Dodge: 4
Drive Vehicle: 3
Fire Gun: 5
Jump: 4
Ride: 3
Run: 6
Swim: 3
Smarts: 4
Hide/Spot Hidden: 4
Read: 4
Resist Fast-Talk: 6
See/Hear/Smell: 9
Set/Disarm Trap: 7
Chutzpah: 6
Fast-Talk: 9
Sleight of Hand: 6
Sneak: 6
Shticks:
Cleavage of Many Things: 7
Colonel Chutney
Colonel Chutney carefully lifted up the edge of the meringue on the pie. He uncorked a small bottle labeled "Dr.
Foster's Special Recipe Wow-Wow Sauce," and added a drop . . . two drops . . . four drops . . . the whole bottle. It
started to bubble and smoke as he carefully replaced the meringue. He went forth to offer Dr. Lucky a piece of pie.
Dr. Lucky, with Southern hospitality, insisted that Colonel Chutney have a piece of pie as well, and of course Colonel
Chutney's British politeness compelled him to accept. As his ears started to blacken, curl and uncurl, and start to give
forth smoke, it became painfully obvious that Colonel Chutney had chosen the wrong pie. His eyes watered and turned
red and green and paisley, and he opened his mouth with a bellow of flame. He dashed for a carafe of water in a
desperate attempt to recover from several points of New "Zesty Napalm" Flavor Damage.
Colonel Chutney is a British-style colonel with war stories from the glory days of the Condiment Rebellion. (And
those were glorious days, such as the time when the Ketchup Cavalry routed a stand of French Fry Fanatics . . .) --
until Dr. Lucky (and his Lucky Dogs fast food chain) betrayed his former business partner and drove Chutney's
Chutneys out of business.
Colonel Chutney and Mrs. Peahen have been having a clandestine affair.
Colonel Chutney, Professor Puce, and Dr. Lucky play poker together regularly, and Colonel Chutney always loses.
Colonel Chutney suspects Professor Puce of cheating, but isn't sure. This, the hope to romance Mrs. Peahen more
openly, and the bitter gall of being driven out of the food business by Dr. Lucky have led Colonel Chutney to get
angry enough to try to kill the Lucky bastard.
Colonel Chutney wears a yellow-brown cavalry uniform. He carries a rifle (1d6 damage), a condiment set (including
his special recipe of Wow-Wow sauce, which causes 1d6 damage to anyone who gets it in their mouth), and a Swiss
Army Knife containing most any attachment that you can think of.
To play Colonel Chutney:
* Bluster. (Think of Yosemite Sam with a British accent.)
* Fire your gun freely and vigorously.
* Be gallant to women. Calling them "honey" and "sweet thing" is entirely appropriate.
Hit Points: 11
Muscle: 4
Break Down Door: 5
Climb: 4
Fight: 6
Throw: 6
Zip: 3
Dodge: 4
Drive Vehicle: 3
Fire Gun: 7
Jump: 3
Ride: 3
Run: 5
Swim: 3
Smarts: 2
Hide/Spot Hidden: 2
Read: 3
Resist Fast-Talk: 3
See/Hear/Smell: 7
Set/Disarm Trap: 5
Chutzpah: 3
Fast-Talk: 5
Sleight of Hand: 3
Sneak: 3
Professor Puce
Boingshnickschnickshnick, boingshnickschnickshnick, boingshnickschnickshnick -- Professor Puce bounced

menacingly across the Dining Room on his Electric Scissor-Bladed Pogo-Stick of Doom (Patent Pending), drawing
closer and closer to Dr. Lucky. He bounced high into the air for his final attack . . .
. . . And caught his suspenders in the chandelier. As he returned to the ground, the suspenders streeeeeeeeetched --
and then, with a mighty TWANG, they snapped him up into the chandelier in a shower of sparking scissorblades,
molten candlewax, and an unhappy amount of Extreme Wedgie Damage.
Professor Puce was a scientist who developed the auto part that made Lucky Brakes a success -- until Dr. Lucky stole
his invention. Now, he makes money as a card sharp. He plays poker regularly with Colonel Chutney and Dr. Lucky.
He cheats outrageously, (such as dealing himself five aces), but Dr. Lucky still wins half the time. And Professor Puce
can't bear to lose . . . so much that he's willing to kill Dr. Lucky to win once and for all.
Inspector Gray has found out a dirty secret of Professor Puce's (the details of what the secret is are left to the players),
and he has been blackmailing Professor Puce over it.
Professor Puce wears a lavender shirt with a purple coat, a purple top hat, and long thin dark mustaches. He carries a
deck of cards and a Gizmo. (A gizmo may be changed to anything you want, once per game; it has a chance of being
shoddy goods, though.)
To play Professor Puce:
* Steal cards from other players.
* Cheat other players through Sneaks and Fast-Talking.
* Twirl your mustaches.
* Use your Gizmo to come up with something scientific.
Hit Points: 9
Muscle: 2
Break Down Door: 3
Climb: 2
Fight: 6
Throw: 5
Zip: 3
Dodge: 5
Drive Vehicle: 3
Fire Gun: 6
Jump: 3
Ride: 3
Run: 3
Swim: 3
Smarts: 3
Hide/Spot Hidden: 3
Read: 5
Resist Fast-Talk: 5
See/Hear/Smell: 8
Set/Disarm Trap: 7
Chutzpah: 6
Fast-Talk: 7
Sleight of Hand: 9
Sneak: 7
Chef Olive
Chef Olive fumed and scowled in his kitchen. "I weel tolerate zees ignorance no longer! To order steak tartare cooked
`well done, eet ees unthinkable! I weel cook heem a very special dinner . . . "
Chef Olive entered the room where Dr. Lucky was standing, carrying a porcelain dish of food. "Doct-air Lucky, I
would like you to try zees. I call it 'Sauteed Eel Surprise.'
"Certainly, old chap," Dr. Lucky replied. "Dish some up for me."
Chef Olive moved to serve him, forgetting in his anticipation that the spoon in the casserole was made of metal.
ZZZZZAP! He jerked and twitched violently as the electric eels released thousands of volts of electricity through his
body. As he tried to recover from the throes of Electric Eel Casserole Damage, Dr. Lucky said, "On second thought,
maybe I'll just have a glass of water."
Chef Olive is Dr. Lucky's cook. He has a volatile French temperament, and if he weren't such a good cook, he would
not be the sort of person you want holding sharp knives. He is married to Mrs. Off-White -- whose embezzlement he
does not know about.
He considers Dr. Lucky insufficiently appreciative of his culinary genius. In fact, he is only employed here because Dr.
Lucky has threatened that harm would come to his beloved Mrs. Off-White if he does not stay. Cooking up something
"special" for Dr. Lucky would be Dr. Lucky's just desserts. But he must not tell Mrs. White about his plan, because it
would upset her sensitive temperament.
Chef Olive wears a white chef's outfit and a tall white hat. He carries a cleaver which he sharpens obsessively (1d6
damage), and a set of cream pies.
To play Chef Olive:
* Speak in an outrageous French accent.
* Make sure that others acknowledge your culinary greatness.
* Cook dangerous food items. (You can cook anything you like in the Kitchen, Dining Room, or Servants' Quarters
with a Set/Disarm Trap roll.)
Hit Points: 10
Muscle: 4
Break Down Door: 4
Climb: 4
Fight: 7
Throw: 6
Zip: 4
Dodge: 4
Drive Vehicle: 4
Fire Gun: 5
Jump: 4
Ride: 4
Run: 7
Swim: 4
Smarts: 3
Hide/Spot Hidden: 4
Read: 3
Resist Fast-Talk: 4
See/Hear/Smell: 8
Set/Disarm Trap: 8
Chutzpah: 3
Fast-Talk: 4
Sleight of Hand: 5
Sneak: 5
Mrs. Peahen
Mrs. Peahen turned from contemplating the paintings in the gallery as Dr. Lucky entered. "Oh, Julius," she pleaded.
"There's been so much bitterness between us. Can't we have an end to this acrimony? You used to be so sweet to me,
when we were courting. Do you remember what you used to call me?"
Dr. Lucky furrowed his brows in thought. "I think I remember. I used to call you . . . I used to call you . . . Ah, yes! I
used to call you collect."
With an indignant squawk, Mrs. Peahen swung at Dr. Lucky with her handbag. Dr. Lucky, though, had wandered out
of range. The force of the blow spun her around like a top until she rammed into one of the portraits, flattening herself
until she neatly fit into the picture frame, and taking an inconvenient amount of I Think It's a Frame-Up damage.
Mrs. Dorothea Peahen married Dr. Lucky after a whirlwind romance in which she succumbed to the magical effects of
his Lucky charms. She used to be an opera star before she married him, and she is still quite vain about her fading
appearance. Now, she and Dr. Lucky have drifted apart, and there is no love between them any more. She is bitterly
jealous of Miss Scarlett for her dalliances with Dr. Lucky. She has herself been dallying with Colonel Chutney. She
hopes to kill Dr. Lucky to get his inheritance and get him out of her life.
Mrs. Peahen wears a long flowing gown and lots of jewelry. She carries a lorgnette (i.e., a set of glasses on a stick)
and a small handbag containing an anvil (1d6 damage).
To play Mrs. Peahen:
* Speak in an overly dramatic voice.
* Hit disrespectful men with your handbag.
Hit Points: 11
Muscle: 4
Break Down Door: 4
Climb: 4
Fight: 7
Throw: 5
Zip: 3
Dodge: 4
Drive Vehicle: 3
Fire Gun: 5
Jump: 3
Ride: 3
Run: 7
Swim: 3
Smarts: 3
Hide/Spot Hidden: 3
Read: 4
Resist Fast-Talk: 7
See/Hear/Smell: 8
Set/Disarm Trap: 5
Chutzpah: 4
Fast-Talk: 7
Sleight of Hand: 6
Sneak: 4
Mr. Lime
As Dr. Lucky entered the Lancaster Room, Mr. Lime started swinging his pocket watch in front of Dr. Lucky's face.
"Looook into my eyes. You are getting veeery sleepy. You feel a strange temptation to hit yourself in the head with this
hammer. Dammit, man, pay attention to me! You are getting sleepy . . ."
Dr. Lucky yawned. "I am feeling a bit tired. I might go have a bit of a lie-down. Do you happen to know what time it
is?"
"Oh, certainly," Mr. Lime replied. "It's --" Mr. Lime stopped and his jaws went slack as he looked at the swinging
watch. He stood up, walked robotically over to the hammer, picked it up, and slammed it into his own forehead. When
he came to, visions of pocket watches circled around his head, and Dr. Lucky had wandered off.
Mr. Lime has recently returned to the area, after discovering that he was an adopted child: in reality, he is the
illegitimate son of Dr. Lucky and Mrs. Off-White (conceived just before the Lucky Bastard sperm bank underwent
serious ethical investigations). Mrs. Off-White received him with affection (and introduced him to Miss Scarlet, whom
he later proposed to); Dr. Lucky, though, sneered at him, but did say that if he really was his son, he would include
Mr. Lime in his will. And since courting Miss Scarlett is a very expensive proposition (as it were . . .), Mr. Lime could
use a bit of money right now -- enough to kill Dr. Lucky to get it.
Mr. Lime is learning Hypnosis, but he isn't very good at it yet. (Hypnosis works as a super Fast-Talk. If you
successfully hypnotize someone, they will stay under your control as long as you stay within one room of them, until
they take damage. Furthermore, if you tell your Hypnotized target that they can do something, they can.)
Mr. Lime wears a dark green suit and tie. He carries a pocket watch (which he uses to hypnotize his victims) and a
knife (1d6 damage).
To play Mr. Lime:
* Speak in a campy hypnotist's voice.
* Try to hypnotize people into killing Dr. Lucky for you. (If this works, you get the points for doing Dr. Lucky in, not
the person who actually did the deed.)
Hit Points: 10
Muscle: 4
Break Down Door: 4
Climb: 4
Fight: 7
Throw: 6
Zip: 3
Dodge: 3
Drive Vehicle: 3
Fire Gun: 6
Jump: 3
Ride: 3
Run: 6
Swim: 3
Smarts: 3
Hide/Spot Hidden: 3
Read: 3
Resist Fast-Talk: 4
See/Hear/Smell: 9
Set/Disarm Trap: 5
Chutzpah: 4
Fast-Talk: 6
Sleight of Hand: 6
Sneak: 5
Shticks:
Hypnosis: 5
Mrs. Off-White
Mrs. Off-White checked that the coils of the vacuum cleaner's hose were loose, turned the vacuum on, and sat down
cross-legged. She pulled out a snake-charmer's flute and began to play a thin, reedy tune. The hose of the vacuum
cleaner rose up and began to sway back and forth sinuously before eeling forth towards Dr. Lucky.
The tinkling notes of a passing ice cream truck entered the room. The change in music caused the serpentine vacuum
cleaner to pause for a moment, shake its nozzle in puzzlement, and turn back towards Mrs. Off-White. As the vacuum
began to suck her inside, she beat at its nozzle frantically, trying to avoid the imminent perils of Snake-Charmed
Vacuum Cleaner Damage.
Mrs. Off-White has been the housekeeper for Dr. Lucky for many years. Long ago, she had an illegitimate son by Dr.
Lucky. The son was given up for adoption, and finally returned to the place as Mr. Lime. Her husband Chef Olive
suspects Mr. Lime of being her lover.
Mrs. Off-White has been embezzling from the household accounts for many years. Dr. Lucky suspects this, and is
about to dismiss her with a poor recommendation. She fears that she would not be able to get another job at this point-
and she's willing to kill him to keep him from firing her.
Mrs. Off-White wears a lace cap and apron. She carries a vacuum cleaner (1d6 damage) and a duster (Boggles the
target).
To play Mrs. Off-White:
* Dust obsessively. Dusting other players will Boggle them.
* Clean obsessively-and you never know what you might find while you're cleaning, so be sure to clean under beds
and couches, and anywhere else something might be hidden.
* Throw a cream pie at something-but clean it up later.
Hit Points: 10
Muscle: 2
Break Down Door: 3
Climb: 2
Fight: 8
Throw: 5
Zip: 5
Dodge: 5
Drive Vehicle: 5
Fire Gun: 7
Jump: 5
Ride: 5
Run: 7
Swim: 5
Smarts: 3
Hide/Spot Hidden: 5
Read: 5
Resist Fast-Talk: 4
See/Hear/Smell: 9
Set/Disarm Trap: 4
Chutzpah: 4
Fast-Talk: 6
Sleight of Hand: 4
Sneak: 4
Inspector Gray
Inspector Gray smoked a moody, film-noirish cigarette as he contemplated the situation. Clearly, he was going to have
to use a clever disguise in order to break this case. He rummaged quickly through his trench coat, and shortly
reappeared with the appearance of J. Edgar Hoover wearing a diaphanous peignoir. He blushed fiercely and returned
to his rummaging, reemerging once more in a lovely sequined jumpsuit as Elvis, the King of Rock and Roll!
He sauntered into the room with Dr. Lucky. "Hellooo, Dr. Lucky," he smiled. "Want my autograph?" Dr. Lucky
eagerly agreed and produced his autograph book. Inspector Gray produced a lit firecracker to use as a pen and
magnanimously signed the book, taking care to let Dr. Lucky keep the pen.
As he handed back the pen, he was overwhelmed by a rampaging horde of teenage girls screaming "Elvis! Elvis!
Elvis!" As he struggled woozily to his feet, Dr. Lucky said, "You forgot your pen, Mr. King of Rock and Roll, sir." He
stared at the millimeters of burning fuse for an instant before the firecracker exploded, sending him through the ceiling
and high into the stratosphere, where he exploded in a shower of Elvis Has Left the Building Damage.
Inspector Gray was raised in poverty. Eventually, he managed to make a living as a private detective. While on a case
for Dr. Lucky, he discovered that he was really Dr. Lucky's twin, the unlucky dark-gray-if-not-black sheep of the
family, who was separated at birth. He's jealous about that, and hoping to kill Dr. Lucky and disguise himself to take
his place.
In the course of his investigations, Inspector Gray found some dirt on Professor Puce, and has been blackmailing
Professor Puce about it. (The details of exactly what Professor Puce's dirty secret is are left to the players.)
Inspector Gray is a Master of Disguise. When he is not in disguise, though, he wears a gray snap-brim fedora and a
gray trench coat. He carries a pistol (1d6 damage) and a bottle of booze. He smokes cigarettes constantly, no matter
how he may be disguised.
To play Inspector Gray:
* Disguise yourself as someone else (possibly another character). (When Inspector Gray is disguised as another
character, he can use the other character's abilities, with an additional free Quick Change/Disguise roll each time he
does so.)
* Suspect everyone. Everyone is guilty of something, and it's up to you to find out what.
Hit Points: 10
Muscle: 4
Break Down Door: 4
Climb: 4
Fight: 7
Throw: 4
Zip: 2
Dodge: 3
Drive Vehicle: 2
Fire Gun: 7
Jump: 2
Ride: 2
Run: 5
Swim: 2
Smarts: 3
Hide/Spot Hidden: 3
Read: 3
Resist Fast-Talk: 4
See/Hear/Smell: 9
Set/Disarm Trap: 3
Chutzpah: 6
Fast-Talk: 7
Sleight of Hand: 9
Sneak: 9
Shticks: Quick Change/Disguise: 8
A (Very) Introductory Guide to Online Gaming
By Emily K. Dresner
Art by andi jones
It's three o'clock in the morning, and you've been sitting in this black, stinking sewer for the last several hours. But
time doesn't hold any meaning for you -- and for that matter, neither does your electric bill, your rent, human contact,
or even direct sunlight. Because it has come down to yourself, your small, mangy, yet proud group of adventurers, and
the red dragon in the next room, which has been giving you fits all night long.
So after due consideration, and another bag of Doritos, you confer with your team, your cohorts in adventure, and
decide that yes, everyone has their hit and magic points up to maximum. Now is the time to strike. Now is the time to
see what you're really made of if you're really that 17th level Elven mage you claim to be or just another wanna-be.
Now is the time to see if you can make that next level.
With sweat beading on your brow, your trembling fingers reach down to touch the hoary keyboard, the slickness
rubbing between the pad of your finger and the plastic casing of the key. Your fireball spell is ready, and hotkeyed.
> e
> You walk east.
> A large cavern. The sides of the cave have been melted by intense
heat. Scattered about the floor are the remains of those foolish enough
to trespass. In the center of a room is an enormous pile of treasure,
the type which can be considered at the outside as "large".
> Exits: w
> You see a large red dragon.
Time to kill, or time to die.
The Online Experience

Welcome to the wild world of online gaming, where elves are elves, dwarves are dwarves, and that cute little
adventuring partner with the big eyes is really a 300-lb. man in Albuquerque. Nothing is quite what it seems, and the
world is definitely in character.
At the most basic, playing online games is about logging into a service or a server somewhere and playing a name in a
computer game. This is reminiscent of the old Infocom games of yore: it is the same text-based game with the same
generic interface, with a few bells and whistles added in for flavor.
But online gaming isn't just about reading text when it scrolls on the computer screen and occasionally responding to it
like a part of a Pavlovian experiment. It's about logging into an entire world that has been constructed for the purpose
of playing a character and being part of the electronic universe. It's about interaction with human beings in a
completely new universe that exists entirely in cyberspace.
In a tabletop, traditional roleplaying game, all of the players physically occupy a room, manhandling their dice and
grinning maniacally. There is plenty of opportunity for talking out of character, interrupting game flow to get a bag of
chips, or stopping a major climactic battle for phone calls from Mom. The game goes away at the end of the night, and
doesn't resume until it's time to play again.
The online world is different; the online world is persistent. The game doesn't go away at the end of the night. When a
player logs onto an online game, he's no longer himself, as he would be in the real world. He no longer has to affect a
funny voice or talk with a strange accent to differentiate the character from the essential human being. The only
information given to the rest of the electronic universe about the player is the character: a name, a set of descriptions,
and any statistics it might be carrying around with it as baggage. The character acts as the player would wish the
character to act, exactly as imagined in the player's head. Except in specific conventions built into the system for out-
of-character reactions, every act, every pose, every bit of speech is in character. There is no perceptible break in the
game when someone needs to get a sandwich, or answer the phone. Even when the player logs off the world to deal
with their real life, the game world continues onward without end.
Immersive Roleplaying
The online world changes constantly. It's an evolving setting peopled with picturesque characters. There is no
perceptible break between the world and the character -- the world is always there, and your character is ready to play.
This lends itself into one of the greatest advantages of online roleplaying games: immersive roleplaying.
A player is immersed in the world when they begin to emotionally identify with the world and the reality the character
inhabits. The difference between a roleplayer and a character who is immersed is like different depths of water. An
immersed character might say:
"I am this character in this world."
While a roleplayer might respond with:
"I am this character who plays in this world -- which is a fantasy/medieval setting."
While there are chances for this in intense tabletop gaming sessions, it isn't as common. There is a difference between
being able to say what your character does and being able to describe ever move, every comment, and every thought,
and this influences play.
The biggest advantage to online gaming is the ability to get into the character's head in a way that is never possible in
normal tabletop. It's taking the reaction to the world and the people that inhabit it to a whole new level of intensity. In
tabletop gaming, it is rare that every move, every thought, every pose, every gesture or comment is played out in full.
On the other hand, this is extremely common in online gaming. And since the responses do not need to be uttered
instantaneously, there is time to sit and really think, "What would my character do?" These poses, especially in intense
situations, are written out in full, with care.
As an example, here is character named Aleister, who is a mage in some unspecified system. He is facing a hostile
mage, who is another player character. In a normal game, the conversation between two players might go something
like this:
Jack, playing Dweezil, says, "Al, I have a personal problem with your inability to dress. What is the deal with the plaid
pants, flower print shirt, and top hat? My god, what lack of taste."
Em replies, "Al takes this as a personal insult which requires retaliation. Aleister raises his hands and casts the spell of
silly string at you." And then she reaches down to roll the dice to see if the spell of silly string does its damage.
The same exchange on an online gaming world would look something like the following:
> Dweezil looks annoyed, and then slightly disgusted. He says to

Aleister as he picks off bits of bright pink silly string from his Oscar
de la Renta designer tweed jacket, "Al, I have a real personal problem
with your inability to dress. Can't you even make an effort?"
> Aleister laughs evilly at Dweezil, and mocks him openly. He prepares
the spell of Raspberry JELL-O. With a wave of a hand and an arcane
incantation of the worst sort, Dweezil is suddenly doused. "Take that,
Bill Cosby boy."
As seen above, there is a definite difference in interaction between the two characters. The ability to truly express each
pose and motion of the hand breathes life into the character in a way no face to face gaming can really simulate. The
player has time to really put life and thought into the character's motions, their feelings, their opinions, and
occasionally in the way they dress.
The player can even react to the world, when something occurs. And instead of simply saying it, they can do it. In
conventional gaming, it might be:
Em says, in response to being told there is a troll in the room, "Al uses his Anti-Troll Device."
On the other hand, the online world is more immersive and colorful. The world might react more like:
> You walk out onto the large bridge. It looks stable enough, except
for the family of trolls which lives beneath it. Goats? Goats? Who
has time to find goats?
> Exits: nw se
> Contents:
> BigTroll
> BigTroll says "Rar. You'll be tasty marinated with a light barbecue."
> Aleister says "Hold on a second, don't eat me." At the same time he
fishes around in his pocket for the Troll Eradicating Twinkie.
Sometimes, this is considered to be cooperative storytelling, and takes the game one step beyond the conventional
sense into really getting into the character's head.
The Other Advantages

Online gaming offers several additional advantages over traditional gaming. First of all, it gives access to those who
would never be caught dead buying a copy of the newest, hottest sourcebook in the local hobby and comic book store.
They come for the roleplay, not the rules or the system.
Another great advantage of playing online games over the traditional tabletop is that the game is available from any
computer that can log into the net. Stuck at Aunt Martha's over Spring Break? Can't find players for your Vampire
campaign? Can't sleep at 3am? No problem.
The game never goes away. Not even the most mundane play-by-post game disappears when there are no players
about or the sun is just about to crest the horizon. Online gaming is a 24-hours-a-day, 7-days-a-week experience.
Since the games are accessible to anyone with a connection, the largest and most active worlds are inhabited by people
from around the world, so there is almost always someone on at all times of the night. It's a blessing for insomniacs.
Another advantage is the countless ways to play. From IRC to playing through
email accounts, it is almost unlimited. It doesn't require any special access
except for specific pay-for-play games; it doesn't require any magical hookup
or any special clients (although in some cases these are recommended.) There
are hundreds of worlds to join, and even more players out there looking for
someone to game with. All it takes is a little bit of effort and voila, in no time a
game is found and gaming commences.
Additionally, there is nothing in the real world to break the flow of roleplaying.
When it's time to cast a spell, there is no scurrying around for dice, or looking
up tables in a book, or trying to find damage charts. In many games, there is no
game master present to maintain the rule set for the world. The programmed
engine takes care of the maintenance of monsters, combat, and miscellaneous
minor world needs. This is not to say there are no Game Masters -- there
certainly are. These take the form of Gods, Bartenders, Wizards, and other
arbitrators to maintain order, pronounce judgments, and keep the story going.
Sometimes the GMs are major plot characters, charged with generating story
line to keep the world moving.
The final big plus to online gaming is the simple fact that it's on a computer
hooked up to the net. One can be, at the same time, reading email or reading
newsgroups, or writing a paper for class. Additionally, the web is one giant
encyclopedia and character details or technical plot points can be worked out
with a few minutes with a search engine. The information needed to enact a
voodoo ritual or figure out when Napoleon invaded Egypt is just a click or two
away.
Disadvantages
Ah, but it's time to talk about the disadvantages. There has to be some sort of down side to all this great roleplaying
and interaction with the fellow gamer. And there is a big one: addiction. This is not the casual everyday addiction to
eating donuts or laying around in bed until the afternoon on a Sunday. This is the drug-like, ignoring-the-real-world,
can't-remember-what-the-sun-is-except-when-it-rises-electronically, not-moving-from-the-computer-for-48-hours-
not-even-to-hit-the-bathroom addiction.
Immersion takes its toll. There is a time when the player is so immersed in the world of his character that the world is
all that matters -- not the computer, or the television, or the fact that someone just crashed through his front picture
window with an SUV. Addiction can get so bad that the player has trouble deciding if he loves the real world better
then the online community in which he has become a part. The player just doesn't want to stop. There's always
someone neat to talk to and interact with, there's a part of the world that is unexplored, there is always another move to
make in the online game, another fidget, another piece of plot. There is always something else, because just like the
real world, the online world doesn't stop for the gamer when it's time to go away.
And frankly, it's much more enjoyable to be an online persona who is a 17th-level Elven Mage who can wipe out red
dragons with the tap of the F9 key then it is to go to another day of work-induced drudgery. When the choices are
between being the head of Clan Talamar on an electronic world or being Joe Schmoe in the medical records
department, the choice is simple: taking on the dragon wins every time.
This becomes even more of a problem when the player carries electronic gaming problems into real world relations. A
story goes a bit like this:
"I came upon this little female elf thing, and I killed her and took all her equipment. Hey, I had just joined the guild of
Really Evil People, and that was what they told me to do. A few days later I was at the local comic store playing
mini's, and this huge guy with an odor comes stalking in demanding to know who played so-and-so. It was me, of
course, but I shook my head no. He figured it out pretty quickly from the guilty look on my face. How was I supposed
to know that he was playing the elf?"
People tend to take what happens to their characters a little far, especially when they can no longer separate reality
from fantasy. All gamers are, to some extent, guilty of carrying over their gaming stories into real life. Who hasn't
heard the story about when your best friend was the dwarf and you were the cleric and you stormed the impenetrable
fortress 15 years ago? But this is beyond all that, this is when the player starts to believe they are the character, and
takes every slight and every gaming reference personally.
What to do when this happens to you? Quit. Go do something else. It's not real.
And All Those Other Problems . . .

There are some other disadvantages which are less problematic than addiction but just as much of an annoyance as
getting a phone call in the middle of a really big, important gaming scene.
For instance: in the middle of a really deep, important scene, the character has just posted a long, elaborate pose, filled
with depth, emotion, and turns of words which would cause Shakespeare to weep. It was beautiful, it was fabulous, and
then your lover replies with:
> Jon says "Kewl."
Talk about a great way to kill a scene. This occurs more time than one can count -- even using all fingers and toes.
Occasionally, just to make things worse, the player has spent a half an hour preparing a long, graphic pose and
something in the scene has killed it in the last second. Nothing kills a mood faster then poor grammar, bad spelling, or
just really bad wording. And unfortunately, it happens all of the time. Sometimes this is merely typos, and a player has
fat-fingered a key:
<< OOC >> Hitherby says, "*Belial*. Not Denial. Darn it."
In some media it is more common than others, but it plagues the online community like a virus with no cure. The only
solution is to bone up on one's English language skills, and apply them. The golden rule applies here -- if the player
wants people to hang around his character, he should learn to communicate in the medium he has selected.
And it isn't just the ability to communicate in a written sense that can be a problem. A game that is freeform, without
any hard and fast rules can bring about its own crop of problems: powermongers and munchkins. For example, many
MUSHes and IRC based games don't have hard coded enforced rules on combat, but will enact it through the use of
poses and biting commentary. But the powermonger might take advantage of this. For example, instead of a pose that
suggests an attack, the character will carry through the attack to the finish. So, using a standard character type, instead
of:
> Dvar the Conqueror wields his axe and BO and grunts.
The character poses, instead:
> Dvar the Conqueror pulls out his axe, cuts through your defenses, and kills you.
Ouch. Now that isn't too enjoyable. But it happens, and it happens all the time. Dvar will argue that he's the most
powerful man on the MUSH because he's, well, Dvar, and you should have known that before you told him that his
mother looked like the bottom of your shoe. (Luckily for the community, there is someone in charge who can boot
someone like this if it happens too frequently.)
This is also called playerkilling, the act where one player character kills another player character without the victim's
consent. In general, this is a very wide and touchy subject in the online gaming community, and every single world
and game has a different set of rules regarding this particular policy. Some worlds endorse it and encourage it through
the use of assassin guilds and point boards to see who has killed the most, and some explicitly forbid it on the game
and will treat all offenders with a permanent ticket right off the game. In general, most games fall in between, where
playerkilling is appropriate if it is in context of the game but wanton playerkilling is frowned upon. The best thing to
do before picking up a sword and cleaving through ever-weak, doe-eyed little elf thing in sight is to read the rules or
ask one of those who are in charge of the game for the game policy.
You're Doing WHAT Online? -- Identity, Gender, and the Unspeakable

Yes, it's true. That girl you fell in love with on your MUD is really a guy. And not a young guy, either. His name is not
Esmeralda, his name is really Harold. You're in shock.
The only thing that the community of players sees when they encounter a character on their online world is the name
and the description of the character being played. Sometimes the character has no interest in revealing true-life details
about the real human at the keyboard. This is not uncommon: The person at the keyboard is playing a character and
they don't want to be bothered with real world detail.
With the ability to mask identity, someone is going to be playing a gender switch. While it is more common for a man
to play a female character, sometimes women get into the act and do a little gender switching themselves. This is not,
in fact, a sudden phenomena associated with the sexual revolution. Playing an online game is a freeing experience,
which allows gamers to try out options that would not normally be available to them in a normal gaming situation. It is
completely natural to try and find out what it is like on the "other side of the fence". Sometimes, the character in
question is either looking for more attention, or wants to make it on their own in the world the hard way. Occasionally,
the revelation that your fellow character is not who she claims to be, comes as a bit of a shock.
Sometimes, the game becomes more intense, real life emotion begins to creep into the environment, and relationships
bloom. First comes the occasional dragon hunt on Friday night, or maybe the looting of a few treasure hordes on
Saturday afternoon. Soon, one thing leads to another, and the characters are hiding behind bushes in the main
downtown area, or are renting out some small, out of the way room in an inn for some activities of the more dubious
sort. The unspeakable happens, and details are, as usual, left up as an exercise for the reader.
This is all part of the online experience: it's gaming taken to a new level. It's an important part of being online, and
being part of the game. But it's neither a surprise, nor a rarity. It all happens, and it's all more common than one would
think.
Options
By this time, those who are still interested in playing and have survived the pitfalls are asking the most important, the
essential question: How the heck do I do this?
Luckily, there are many ways of getting online, and it's all relatively simple. Most of the information is posted on the
web.
PBEM and PBP
Called "Play by Email" and "Play by Post", these the easiest to access. All that is required is either a functioning email
account for PBEM or web/Usenet access for PBP. They work very simply: someone sends out a posting and the
players respond to it, much like a progressive story. For example, the game might be full of gritty cop scenes, and the
sequence of postings might look something like this in email:
John writes:
> > The perp comes running out of the building, armed with a customized,
loaded, fully automatic AK-47. He has the coke shakes going on, and it's
clear that he's loaded down with drugs. He opens fire at the passing
cars.
George writes:
> Greg Stannish whips out his police issue .45 S&W and kneels behind
the brown '88 Oldsmobile with the cracked back window. He yells, "Halt!
Police! Put down the gun and step back!"
PBEM runs anything from online cooperative story writing to large, multi-player Risk-like games to chess. They run
the entire gamut of types of games that are available, and there are mail lists or web pages dedicated to finding players.
IRC
Short for "Internet Relay Chat", this is the replacement for the old CB radio operator networks of the past. Spanning
giant networks with dozens of servers and thousands of users at any one time, IRC is very large -- although there are
much smaller, private IRC networks that run on only or two servers. Access to IRC is almost always through a client, a
small piece of software that accesses the game and formats the text. This might be a text-based client with few features
or a graphical client with user lists and options available on pull-down menus.
IRC is a huge collection of private rooms, called "channels," which are dedicated to various topics, from government
politics to religion to gaming. There are two kinds of gaming on IRC: pub-based gaming and private channels.
Pub-based is a 24-hour, 7-days-a-week game which is run like a normal channel. It has operators who maintain order
and a constant stream of players wandering on and off at all hours of the day. Often, there is a secondary channel for
combat, an automatic dice-roller, and a few other scripted perks via the channel's resident robot. The game is real-time,
and the activity can scroll quickly.
Private channel gaming on IRC is quite a bit like tabletop gaming. Everyone decides on a meeting place and a meeting
time. There is a robot that facilitates dice rolling and character sheets. One person, the operator, is the GM and controls
the game much like a normal game master. With other online gaming, the players have a chance to work out their
poses and put their emotions into the game.
For example, IRC gaming looks quite a bit like this:
* Aleister sits down at the back most table.
Hi.
Hey. I'm looking for some intelligent discourse and
commentary on Hemingway's "The Sun Also Rises".
* LadyVixen gets up and moves to a different table.
Additionally, there are IRC-like chat rooms that are available for both AOL and Compuserve. Both of these provide the
same services as IRC-based gaming.
MUDs
This stands for "Multi-User Dungeon." MUDs have been around for a long time. The first one went live before 1980,
called MUD1, and they've been running strong for over 20 years. From the first MUDs, they've broken off into dozens
of derivations, from LPMud to AberMUD to Diku.
They offer a complete world with themes that vary from MUD to MUD -- everything from fantasy to science fiction
to heroic. These are concentrated on hack-and-slash roleplaying, where the world and the NPCs are all part of the
automated environment. There are literally hundreds of MUDs available for play at any time, of all different sizes,
landscapes, and feel.
While effort has been put into the games in the last years to make them more roleplaying intensive by adding in guilds
and quests, the game still revolves around killing a monster, getting gold and experience, and trying to climb levels to
the point of becoming Immortal. On most MUDs, becoming Immortal allows the player to contribute to the building of
the world.
Gaining access to a MUD requires straight telnet access, or the use of a client. The address of a MUD looks something
like:
telnet lego.mcit.med.umich.edu 4000
The game becomes much like a text-based adventure game, with descriptions scrolling over the screen and the
opportunity to go questing with various different people from all over the world.
> Midgar Town Square

> You are in the middle of a large town square. It is tiled with cobble
stones, and framed with flower beds. All around are shops. Streets
stretch out in all directions.
> Exits: n e s w
> Contents:
> Mara
> George
> Town Guard
> A large lance of DOOM!
> George says "Mara, did you kill the troll under the bridge?"
> Mara says "Not yet."
MUSH/MUCK/MUX/MOO/MU*
From the original MUD base came dozens of derivations, including roleplaying intensive worlds. Based on TinyMUD,
these are called MUSHes, short for "Multi-User Shared Hallucination." Without a combat system or automated NPCs,
these games are based entirely on the setting, with the characters taking a part in the world. The biggest difference
between a MUD and a MU* derivation is the ability for any player to start creating their own homes, artifacts, and
items without having to become a Wizard. Wizards also take on a different role: instead of being administrators who
occasionally deal with troublemakers, hand out starting equipment, and build on areas, they are now Gods, Kings,
rulers, and major characters which drive the plot of the game and keep the MUSH in motion.
These games are the biggest roleplaying bang for the buck and offer dozens of themes: from the land of Pern to Robert
Jordan's Wheel of Time, to Amber Diceless, to various White Wolf based MUSHes. Often, these games require a
character submission before being allowed onto the game.
Access to a MUSH is not much different then accessing a MUD. In this case, because of the nature of the game, a
client is highly recommended. Without a client, one can telnet straight to the game:
telnet hoopy.foo.com 2477
Much like the MUD above, the interface is the same graphical text adventure with the scrolling text. The difference is
in the game engine, which is character based instead of monster and object-based. But the general player mechanics
are very close to those of a MUD.
> Aleister balances his top hat on one hand and his cane in the other.
He grins at Dweezil. "I see you're not looking any better. I hear milk
of magnesia helps."
> Dweezil gives Aleister a withering glare.
There are many derivations of the original TinyMUD engine, and most of these are simply in feel and usability of the
game. A few engines have been tweaked for different purposes -- PernMUSH has been written explicitly for Pern, for
example. Some derivations are:
MOO -- MUD, Object Oriented

MUCK -- Multi-User Chat Kingdom
MUSE -- Multi-User Shared Environment
MUG -- Multi User Game
MUX -- Multi User eXchange
Specialized Services
There are many services out there which host online games, but many of these are "pay for play" services, including
TEN (Total Entertainment Network), and Kali. Included in this catch-all topic are games like Ultima Online from
Origin Games or Meridian 59 from 3DO which require accounts. These bill either by flat rate or by the hour. Also,
there are services, like BattleNet, which require a paid for product, in this case by Blizzard Games, but is free for use.
Not all of these games that fall out of the normal categories are "pay for play." There are many specialized chess
games, new action games like ARC, and dozens of casino games which are free.
Helpful Links
Presented here are a handful of helpful links to get started gaming immediately. WebRPG -- A play by post hosting
service, along with gaming bulletin boards, online community, and basic online eZine. http://www.webrpg.com.
Mud Connector -- The Internet's single best source for MUD based information. Thousands of links, 1000+ MUDs
annotated, FAQs, clients, and mud reviews. http://www.mudconnect.com.
DALnet -- One of the most popular IRC networks, along with EFFnet and UnderNet, which supplies nickname and
channel services. http://www.dal.net.
TUCOWS -- Source to links, with ratings, to all the interactive net software. Includes not only MUD/MU* clients and
IRC clients, but clients for chess games, online war games, and other goodies. http://www.tucows.com.
Emily K. Dresner is a long time online gamer -- 9 years. She has been everything from a plebe on the streets of Midgar
to a MUD Administrator.
Baring Fangs - Weapons Management in Vampire: the Eternal Struggle
by Francis K. Lalumiere
Methuselahs have a wide array of instruments at their disposal. Sitting far VTES: Arms Dealer
above mere mortals, they pull the strings of entire armies of vampires and
wield powers born from Darkness itself. But even for such beings, sometimes
there's just no substitute for the mindless efficiency of a sawed-off shotgun.
Every job requires its tool. So should you decide to walk the weapons way,
there are a few things that need to be considered before jumping into the fray.
Getting 'Em
Stuffing your deck full of weapons will only get you so far. Methuselahs
know of much more subtle ways. In you're playing Brujah, Al's Army
Apparatus is a safe bet, as is Arms Dealer, for both of them will let you go
through your library and quickly obtain a weapon. But other clans still have
options left. The Ravnos, for example, can maximize their savings by using Ravnos Cache, thaumaturgists can use
Magic of the Smith, and Vast Wealth will work for anyone. In times of dire need one may resort to the Terrorists, but
since they're limited to the Assamite and can only fetch you a bomb, I'd throw in one more Vast Wealth instead.
Using 'Em
Ranged weapons must be treated differently than melee weapons. You'll usually want to use melee weapons in
conjunction with aggravated damage, thus increasing your chances of burning a vampire in combat. To that end you
might want to equip such vampires as Basilia (Gangrel), Samantha (Gangrel Antitribu) or Lambach (Tzimisce). Also,
Dawn Operation could come in handy. If you plan on Celerity letting you pile additional strikes up to the ceiling, a
Bastard Sword or Bang Nakh-Tiger Claws will make you happy. Otherwise I'd go for the Gas-Powered Chainsaw. It
helps to always keep one of those move cards close by in case your opponent decides to walk away from a good fight.
If you're playing Nosferatu, Storm Sewers becomes a very interesting asset, despite the stench; for Brujah, Brujah
Debate offers a nice combo in one card (+1 hand damage and an optional maneuver).
Since ranged weapons should ideally be used at long range in order to protect
the weapon-wielder himself, the idea here is to get moving. If you don't
manage to equip vampires like Don Cruez (Brujah), who can move on their
own, Patagia and Shadow of the Beast will nicely complement the standard
move cards. My favorite, ultimate weapon user, is Cailean (Nosferatu
Antitribu) who can set the range at the beginning of each round of combat.
Flash is another favorite of mine -- two cards in one, it lets you choose
between maneuver or press (or possibly both!). Now there's a great variety of
ranged weapons among which to choose, from the Deer Rifle with its 2
maneuvers each combat, to the Assault Rifle with sheer power; combined
with strike-adders, this last one's a real terror. Weapons like the Bomb and the
VTES: Gas-Powered Chainsaw
RPG Launcher aren't bad, but their narrow use makes playing them a delicate
task. Be careful, and count your fingers after each use.
Using 'Em Again

You'll want to get the most out of your weaponry, and some tricks might help you. Since your weapon user will most
likely often be on the front line, cards like Blood Doll or Gird Minions will let you supply him with the blood he
needs; or use Sermon of Caine to have another vampire share the burden. If all else fails, Heidelburg Castle Germany
will allow you to throw your tools of destruction into the hands of a healthier vampire -- and while you're at it, you
could use Black Cat (a Brujah vampire) as an entry point for your weapons, first equipping her at reduced cost, and
then transferring the goods to anyone else via Heidelburg Castle. Your Prey is usually easy to get to; but don't forget
that, no matter how well armed you are, in order to use your Predator as practice target you have to be able to stop him
from going through -- stealth can be an incredibly annoying twitch here. So if your clan is running low on Auspex,
crank up the volume of KRCG News Radio. Since repeated use of weaponry in combat is highly effective, presses are
a must; cards like Mob Connections or Trap will do nicely if you don't use a "built-in press" vampire like Appolonius
(Brujah) or Marty Lechtansi (Nosferatu).
Surprises
A Methuselah's old bag o' tricks is never really empty. Cards like Claws of VTES: Disguised Weapon
the Dead or Body Arsenal allow you to really get down to business with one
of your melee weapons, while the various "rounds" cards (supplying your
guns with different types of ammo) let you push your ranged weapons to their
limits. Psyche! and Akram (a Brujah vampire) start a whole new combat --
which means, in the case of weapons that only inflict damage once per
combat, that your vampire has had time to reload. Backstab offers you a
much welcome first strike, Taste of Vitae is regeneration in a can, and Fame
can wreak havoc -- especially if you place it on your own weapon-heavy
vampire: since he'll be in the line of fire more often than not, your Prey may
start to sweat blood, sometimes going so far as to defend the famous vampire
to avoid his falling into torpor at a bad moment.
A few words of wisdom before we let the lead fly. Disguised Weapon is the card here; beware of the dreaded Peace
Treaty; and please forget Zip Gun.
Art copyright © Wizards of the Coast, Inc. All rights reserved.
Of Course You Realize This Means . . . Wiz War!
by Chad Underkoffler
From far down the long hallway that seemed to run half the length of the complex, the Blue Wizard sneered at the Red
Wizard. "Surprised to see me? Didn't take me as long to break out of that walled passage as you thought it would,
right?"
"Talk is cheap." The Red Wizard hunkered down defensively. "Hit me with your best shot."
"All right." The Blue Wizard threw down his cards, sending a spell howling down the hallway! "Medusa, 5, Add, 4,
Amplify, Amplify!" His laugher rang from the concrete walls. "That's 36 lost turns, sucker!"
The Red Wizard smiled politely. "I think not. Full Reflection." The card lay face up on the table.
The blue Wizard threw his final card down with a flourish. "Anti-Anti! Beat that!"
Gulp! The Red Wizard pawed through his remaining cards . . . Nothing! Nothing at all! With a groan, he asked the
Blue Wizard, "How many turns was that again?"
In college, I loved Wiz War. Some of my friends preferred Illuminati or Cosmic Wimpout if the weekly RPG game
got axed. But for my money, it was always Wiz War . . . even during the non-RPGing weeknights. No fuss, no muss,
no problem. There was no more than a two minute set-up time, and it only took five minutes to teach someone how to
play. It all fit in this little brown box: sectors, counters, cards, and even a pad and pencil I tossed in there. And it was
fun.
Wiz-War is a game for 2 to 4 players (more if multiple game sets are combined) that is played with a gameboard made
up of individual playfield sectors; cardboard counters for wizards, treasures, and objects; a single 8-sided die,numbered
from 1 to 4; and numerous cards that represent spells, counteractions, and tools. The goal of the game is to either be
the first wizard to drop two treasures (other than your own) onto your home square, or be the last wizard standing. In
trying to achieve these goals, you must defend your own treasures while bedeviling your foes. It's an easy game to
learn, and is great fun -- especially figuring out the twisted logic of what happens when a spell is cast and/or
counteracted!
But why was it fun? The nifty counters, the world-wrapping, the funky sectors, the back-stabbing camaraderie in
three-handed or more games . . . all these helped make the game to me, but the kicker was the spell cards. You could
play combinations of cards to whomp on your opponents, help your buddies, change the terrain, and even defend
yourself. Coming up with killer combinations, like the truly scary one in the story above (my friend Mike Hill was the
Blue Wizard in that little fiasco, three guesses who the poor sap playing the Red Wizard was), waiting to draw that
perfect arrangement of cards to coalesce so that you could crush your foe and slap down his attempts to avoid his fate
was lots of fun.
And I have to say, untangling the webs of spells and counteractions was vastly amusing. A particularly skillful play
would be analyzed, debated, and adjudicated in conversations that were utterly perverse in their verb forms. If I
counteract your counteraction, and you play a further counteraction upon my counteraction, which happens first? There
were a slim handful of occasions where my courses in Symbolic Logic came in handy, I must say. How often do you
get to brag about that in the Real World?
Better yet, my friends and I spent fun evenings coming up with new cards of our own and adding them to our games.
Like Gluestone, which allowed you to pick up one object without ending your turn. Or Create Door, which either
created a door in empty space, or replaced a section of wall with a door (which was very handy, especially when your
foe walled you off in a little section of the board: walls had 20 hp, doors only had 15 hp. And if you had the Master
Key, you were home free anyway.) Or even Barf which . . . well, it's better not to go there. We were young, stupid, and
punchy from pulling all-nighters. Or something.
But it was fun, I say again, running all the changes on the available cards that you could, matching wits with your
opponent. In many ways, this sort of card-based spell-weaving was the basis for my initial interest oh-so-long ago in
CCGs. I mean, what is Magic: The Gathering except Wiz War without the board and with more cards? Okay, that
might be stretching it . . . but there are enjoyable similarities between the two games, for those familiar with both.
Of course, the "collectible" aspects of M:tG and other sorts of CCGs is what eventually turned me off to them. There
were too many cards, and it came down to if you were willing to spend the money on boosters or individual cards to
get the good ones. The real fun of Wiz War was working with the limited set of cards. Getting that number 5 or Full
Shield or Power Run was all luck, rather than cold hard cash, and since you knew all the cards, you knew how to deal
with them. Even though we added some new ones, it was the regular group of Wiz War players that determined if a
card was good enough to get into the deck. And believe me, several that we came up with didn't pass muster. And I
think this is a core point.
We were all interested in enhancing the game and the common deck. We weren't building our own individual decks to
beat up on the other guys; we were working together to add enjoyment and interest to our common deck. Heck, at one
point, we had seriously considered collecting some cash and having Kinko's duplicate the sectors and counters we had
onto cardstock so that we could have a larger playing set, not limited to just 4 players. But, as we were poor college
students -- operative word being "poor" -- that never came to pass. But it was all about boosting everybody's
enjoyment of the game.
That's really what I think is at stake with a good "beer & pretzels" game: mutual enjoyment. Caring more about a good
time than about winning. I mean, look at the astounding goodness of all those Cheapass Games out there now; they're
all about fun. And isn't that a lesson we can take with us, from board games back into our CCG groups and our RPG
groups? Fun -- especially the mutual fun of the group -- is king.
I still have the old brown box with my (3rd edition?) rules sitting on my shelf. I've been thinking of taking it to my
gaming group's next session, and playing a game for nostalgia's sake. But I guess I won't, for you see . . .
. . . one of my buddies in my gaming group has the latest edition.
Wiz War Websites

The publisher: Chessex.
The product pages: Tom Jolly's Wiz War Page
The FAQ
A brief review.
Some amusing cards.
Providence . . . Hero Style!
by Joe Kushner
Art by Dan Smith
The Providence roleplaying game is an interesting twist to the standard RPG in many ways. The setting is kept almost
completely separate from the rules system in the core books, and in supplements like The Ecology, the statistics are
moved to an index in the back and don't appear in the main text at all. This means that it's easy to use Providence with
other game systems without losing the flavor of the setting.
For those gamers who are interesting in converting characters from Providence to Hero or Fuzion, the following ideas
will help keep the flavor of the Providence game world while providing system advice to the fans of the other games.
This article assumes that the reader is at least familiar with the Hero system, or Fuzion, and is using the Providence
Main Rule Book for conversion purposes. For those only using the Providence Main World Book, no conversions are
necessary,since that book keeps gaming stats to a minimum, anyway.
Stats
Providence uses 0 as its average stat. Hero uses 10, while Fuzion has a range of 1-4, depending upon the task
involved. This can make things a little difficult when making conversions. A good rule of thumb would be that for
Hero, multiply the number of the stat by 3 and add the base 10.
For instance, a Providence character with a Strength of 3 would have a Hero Strength of 19. GMs should adjust this to
reflect the character's background and personality. For instance, if the character is not a powerhouse, the Strength can
be lowered to 18. If the character is extremely strong however, GMs should raise it to 20. This is because Hero uses
increments of three and five for STR to determine damage, and smart players always maximize their stat levels -- it's
rare to see a Hero character with 21 STR.
For Fuzion, GMs have two options. If running a higher level game, simply multiply the number by three and add one.
This gives someone who has a Strength of 3 in Providence a Strength of 10 in Fuzion. For those who want lower-
level games, multiply the number by two and add one. As a final option, GMs can convert the strength to Hero, and
then depending upon the result, divide that number by three or five. This is the normal conversion process presented in
Champions: the New Millennium.
As a last note, these conversions are only for characters who do not have their stats altered by a super ability. For those
abilities, see the section on converting powers.
Basic Stat Conversion

Providence Hero Fuzion
Strength STR STR
Constitution CON CON
Coordination DEX REF/DEX
Willpower EGO WILL
Psyche PRE PRE
Intelligence INT INT
Appearance COM Not Used
Charisma PRE PRE
Perception Secondary Stat Not Used
Aura Not Used Not Used
Secondary Characteristics
Body Body X 1.5 Secondary Stat

True Body Not Used Not Used
Endurance End End
Wird End End
In Fuzion, GMs may wish to add Perception or Aura to the game. If this is done, don't forget to add more character
points so that the players don't have to sacrifice other stats. Perception in Providence is equal to a standard Intelligence
test in the Hero system, unless the player has increased the character's perception. In this case, for each component of
Perception above zero in Providence, increase the character's Perception roll by +1 in Hero.
For those stats that are secondary, GMs should use the system's rules to decide what the stats are instead of doing a
conversion. In addition, for those GMs wishing to make Wird special, he can require the players buy an END Reserve
that they can only use to fuel Wird spells and powers. As an additional limitation for -1/4, GMs can rule that the END
Reserve cannot make any recovery while being used. The character must stop using the power in question and take an
action to recover. This would include post rec after phase 12.
Providence Traits
Abnormal Appearance: This translates in Distinctive Features in Hero, and Fuzion.
Absolute Sense of Direction: This is the Talent Bump of Direction in Hero, and Direction Sense in Fuzion.
Ambidexterity: This is the term used in both Hero and Fuzion.
Bad Flyer: This would be considered a physical limitation for Champions worth 15 points, Frequently, Greatly. In
Fuzion this would be a physical limitation worth 10 points, Frequently, Strong, and Major.
Behaviour: The list of Behaviours on p. 47 is an excellent resource for new Hero or Fuzion players. They translate
straight into Psychological Limitations and Complications.
Caste Status -- Pure: This would be considered the Perk Member of the Aristocracy in Hero, and Membership (in the
Pure) for Fuzion with a Very High Impact modifier.
Caste Status -- Blessed or Gifted: This would be Member of the Lower Nobility for Hero, and Membership with a
High Impact modifier for Fuzion.
Caste Status -- Fortuned or Redeemed: This is more of a roleplaying element than a cost element. It costs nothing in
Hero or Fuzion.
Caste Status -- Fallen: This is a disadvantage worth 10 Points as a Distinctive Feature, No Wings, Concealable with
Major Effort, is noticed and recognizable. If the game has a Caste War, the value will raise to 15 points, and the GM
should remove "is noticed" and replace it with causes major reaction or prejudice. The Point value and explanations are
the same for Fuzion. (See pg. 119 of CNW under Social Complications.)
Caste Status -- Exiled: This is a disadvantage worth 15 Points as Reputation, Exile, Almost Always, 14 or less. The
same point value for the Fuzion game system.
Combat Reflexes: This can be done a few different ways in Hero. The first is the Talent Fast Draw. The second is
from Dark Champions p. 31, Extra DEX "Only Works to Act First in a Phase" for a -1/2 limitation. In Fuzion, this can
be done as Combat Sense.
Contact: This is a Perk in both Hero and Fuzion, and the cost will depend on how powerful the contact is, how often
the contact can be called up, and the degree of success that such contacts will bring.
Deep Secret: This can be a Psychological Disadvantage/Complication in Hero/Fuzion, or it can be a Mystery

Disadvantage that only the Game Master knows about.
Double Jointed: This goes by the same name in Hero and Fuzion.
Enemy: This is a Hunted in Hero and an Enemy in Fuzion.
Enhanced Sense -- Sight, Hearing or Smell: This is bought as Enhanced Senses in both Hero and Fuzion for the
sense in question. Those with very high Enhanced Senses will have more bonuses to their Perception roll.
Good Flyer: To achieve this effect, consider the individual to have levels with Flight. Most would have at least +2
levels with Flight for doing special moves and outclassing their opponents.
Heavy-Boned: This would be a case of buying up the Body Stat.
High/Low Pain Threshold: In Hero, this can be simulated by buying extra CON, "Only to prevent being stunned" for
a -1/2 limitation. The player may also wish to buy the Resistance Talent. For Low Pain Threshold, this can be a
Vulnerability, x2 from PRE attacks that are based on the threat of pain. For Fuzion, this can be the High Pain
Threshold Talent. Use the Vulnerability in Fuzion as well.
Impaired Sense: This would be a physical limitation whose point total would depend on how serve the limitation is.
Light Boned: In Hero and Fuzion, this would require the individual to sell back some Body.
Light Sleep: This is the Light Sleep advantage in Hero and Fuzion.
Literate/Illiterate: In both Hero and Fuzion this is done through the skill languages. It is not a standard skill in the
Providence campaign and must be purchased as normal.
Military/Police Rank: This is a Fringe Benefit in Hero that will vary depending on the rank the character wants. Most
individuals would have the standard 2-point Local Police Powers, while a few might have three points with
Federal/National Police Powers. For Fuzion, this can be Membership, Military, with the point cost depending on how
high-ranked the character wishes to be, and what role he wishes to play.
Missing Limb: This is the same in both Hero and Fuzion. The point total will vary depending on the limb missing,
and how much the character is affected by the loss. For example, an individual missing both hands in Hero gains 25
points. If he has the ability to summon magical hands however, this would be reduced to 10 or even 5 points
depending on the difficulty in summoning the hands.
One Eye: In Champions, this is worth 5 character points and is a Physical Limitation. This is a Physiological
Limitation in Fuzion worth 15 option points.
Phobia: This is a Psychological Complication in Fuzion whose worth will vary with the intensity of the Phobia. In
Hero, this is a psychological limitation.
Photographic Memory: This can be taken as the Talent Eidetic Memory in Hero or Fuzion.
Poverty: This is the same in Hero and Fuzion. The amount of points depends on the amount of Poverty taken. For
example, in Hero, one can be Destitute for 10 points, or merely poor for 5 points.
Reputation: This is the same title in Hero and Fuzion. The amount of points depends on how often the character is
recognized.
Secret ID: This goes by the same title in Hero and Fuzion.
Social Responsibility: In Hero, this is best if bought as a Hunted who is Watching the character to make sure that he
is doing what he is supposed to. In Fuzion, this is a Responsibility. The DM and player must decide what type of
Responsibility this is and assign the points for it. For those in a military or police force, the Vow responsibility is an
ideal model.
Speech Impediment: In Hero, this would be a Physical Limitation worth 5 to 10 points. This is a Physiological
Limitation in Fuzion worth varying amounts depending on the degree of the Speech Impediment. For example,
someone who only has a stutter gets 5 option points.
Wealthy: This is a benefit that will vary depending on the level of wealth desired. In Hero, this can be one of three
ranges, Well Off, Wealthy, or Filthy Rich. In Fuzion, it's one Point a level.
Wird Sensitive: This is bought as a Detect under the Enhanced Senses power group. The ability of the individual to
detect Wird will determine the final cost. In Hero, for someone who has to focus on the Wird to detect it, the cost
would be a standard 3 points with a normal PER Roll taking half a phase. For another person whose Wird sense was
stronger, it would cost a minimum of 5 points.
Detect Wird as a Sense: For someone whose ability to sense Wird was that of a master, it could cost 20 points.
Detect Wird as a Sense with Discriminatory Sense and 360 Degree Sensing: This individual would be able to sense
Wird all about him and what type of Wird was being used without using an action. In Fuzion, the cost would be 1
Power Point to be Wird Sensitive with a normal PER Roll and 1/per action, or 2 Power Points as a Sense, with the
option to add both Discriminatory Sense and 360 Degree Sensing for an additional 3 points for a total of 4 points. The
standard Wird Sense is Sense Wird, Ranged, 360 Degrees and Discriminatory.
Providence . . . Hero Style!
Providence Skills
Providence Skills are easy to convert to Hero and Fuzion because they so frequently go by the identical name. For
example, Stealth is Stealth in all three systems. To convert the numerical levels, the Providence Main Rule Book p. 65
has a listing of what the numbers mean. That table is repeated here with a comparison to Hero and Fuzion.
Providence Hero Fuzion

1 Amateur 8 Familiarity 1-2 Everyday
2 Journeyman 3-4 Competent
3 Professional 11 Professional 5-6 Heroic
4 Expert 7-8 Incredible
5 Master 9-10 Legendary
6 Grand Master 15 Super Human 9-10 Legendary
The Hero levels are based on the normal 1 point with a professional skill, to the standard 11 for 2 points, and to 15 for
skills that have a Base roll which includes a stat at the normal human maximum that has also been bought up. The
above are rough guidelines only, especially for the Hero system where a high stat may throw off the level of the skill
in question.
Most of the section on Combat Manoeuvres for Providence can handled by the standard combat maneuvers in Hero.
For example, Combat Manoeuvres Dodge would be a normal Dodge in both Hero and Fuzion. For those individuals
who have martial arts with Combat Manoeuvres, these should be bought as Martial Arts maneuvers.
Providence Powers and Spells

For both sections here, the important thing is the Special Effect (SFX) of the powers. Each power is bought on a Tier
level. These levels should correspond to 5-15 active points for Hero, and 1-3 power point for Fuzion. The exact point
levels will vary with what GMs wants from their group. If they are playing a high fantasy, cosmic level game, then 15
points is the way to go. If not, then 10 is a rough average. Deciding what the SFX of the powers is especially easy as
the Providence Power system is Based on Power Groups. For example, for the Sound-Based group, the list of powers
is Sound Armour, Sound Blast, Sound Control, Sound Suppression. In a Hero game, GMs should allow characters to
put most of these effects into an Elemental Control (EC), or a Multi-Power (MP). For Fuzion, the characters lose the
benefit of the EC, but still have the MP option.
In Providence, any power bought outside the Power Group costs more. GMs can simulate this by forbidding the
players to put anything outside the power group into an EC or MP. Some powers may be difficult for new players of
Hero to translate, but the secret is in looking at the game effect of the power and finding the right advantages and
disadvantages to put it into use. For example, Increase Density would be Density Increase, Usable by Others, while
Decrease Density could be a Drain on STR, CON, or BODY. If GMs are feeling particularly evil, they may allow the
players to buy the +2 advantage and have it affect all physical stats. This would limit the character to very low levels
of Drain. On the positive side, some of the powers have great special effects which can add to the depth and feeling
that makes Providence different from the standard superhero settings. For example, Body of Earth would make a
character harder to damage as well as stronger. This could be bought as a small EC as follows:
EC Body of Earth
+6 STR
Armour 2rPD/2rED
For spells, the Distinction is an important part of the SFX. This should be reinforced to get the most from
Providence's tone, and to reflect the different arts of magic. In game terms however, the spells are simply powers with
different names. An important thing to remember is that in Providence, Spells are powered by Wird. To simulate this,
each spell caster must by an END Reserve with the limitation Can Only Receive Rec while resting for -1/4. Two
rarely-used power modifiers in the Hero System are Variable Special Affect, and Variable Advantage. While this is a
bit more difficult to use, it can provide a character with many different spells while allowing them all to have the same
base. To get the feeling of different abilities and different spell levels, GMs can allow the limitation only on a certain
number of dice.
For example, say you want to create characters who can control fire to a fairly decent extent. By buying Variable
Advantage, they can have a blast of flame, or an explosion of flame. This covers the standard spells like Fireball, and
Bolt of Flame. In addition, as they gain in experience, you can buy up their fire attack. While the attack is still the
same, the SFX can change depending upon how many dice they attack with. After all, there is no need to use the most
powerful of fire spells, Immolation, if a simple Bolt of Fire will do the trick. You can keep an index card with the
various names of their spells and how much dice of damage that each attack does at which levels.
In addition, if the same characters have the lesser Variable Special Affect, they can also have this ability with say, two
or three elemental attacks. i.e. fire, ice, and water. If they have the full Variable Special Affect ability, they can have
most of the spells in the category of their power. If they have an Energy Blast or a Killing Attack, they'll have all the
spells such as Acid, Fire, Wind, Water, Sonic, or anything else they can think of.
To simulate some of the Providence feel, GMs should look over the Casting Time, as well as the Range and Duration
of the spells. This would allow the players to customize the spells to the Hero system with a minimum of fuss. Some
commonly used limitations should be Requires Extra Time, Continuing Charges, and Power Must be used at Full
Force. The last limitation is worth -1/4 limitation and must be taken with all spells to reflect the nature of spells on
Providence. To reflect the spell levels of Providence, GMs can add the limitation "Must have at least 20 points worth
of spells" to higher level spells for a -1/4 limitation. This means most spells will have at least a -3/4 modifier to their
final cost.
Another power that may be difficult for GMs to convert are stats that are modified by the power, Modify Characteristic
(p. 119 of Providence Main Rule Book). GMs should treat this like a power. The character will still have normal
characteristics in most areas, but his modified characteristic will be superhuman. Some GMs who wish to prevent
characters from abusing this power, may force the players to take some of the following limitations:
Does Not Affect Secondary Characteristics (-1/2)

For Lifting Purposes Only (-3/4)
Only For CV Value/Dex (-1/2)
Only to Go First/Dex (-1/2)
Only to Prevent Being Stunned (-1/2)
Otherwise treat this as a normal power. i.e. a Tier 1 STR enhancement may raise an individual's STR 5-15 points in
Hero, or 1-3 points in Fuzion.
To round out the information for the Hero system, GMs will find the following Hero books very helpful:
Champions or Hero 4th Edition. Either one of these books is necessary to play Hero using Providence. For those who
want the statistics of medieval weapons and armour, this information can be found on p. 200, 202, 203, and 204. For
those GMs who are using a Hero campaign, the special limitations for weapons are also on this page.
Ultimate Martial Artists. This book has more martial art maneuvers that can be added to the game. In addition, it also
has specialized martial art weapons, as well as advice on how to construct your own martial arts.
Ultimate Super Mage. This book has dozens of spells and can be the ideal companion to a GM running a Super
campaign with magic. For those interested in an older, out of print book that covers this ground, Mystic Masters is
another excellent resource, if you can find it.
Fantasy Hero. For those running a more standard fantasy campaign, this book is a must have. It has more weapons,
armour, package deals, and information that will add depth and options to the standard campaign. The section on spells
is also more in keeping with a heroic campaign over Ultimate Super Mage.
Hero Bestiary. This book is a great source for animals and monsters. It can serve as a book of examples to new GMs
who can change the names of races, and creatures; it can also be used as is.
The War of Dominia - a league variation for Magic: the Gathering
by K. David Ladage
Have you ever noticed that two Hurloon Minotaurs cannot kill each other without magical intervention? Or that two
Stone Throwing Devils will always slaughter each other without either having the chance to get the upper hand? Or
that every plane of Dominia is exactly alike? Have you ever wondered why winning a duel of Magic: The Gathering
has no effect on the next duel?
In this variation, these things might not be true. Things can get a little odd and the "Planes of Dominia" are as varied
as the cards themselves.
These rules are written for small tournaments or leagues, but most of the rules and additions are independent enough
to be used alone. So pick up some cards, build your deck and prepare yourself for war!
Not to Be Taken Lightly

This is not a single evening's entertainment!
Due to the nature of these rules, each round could take several hours to complete. In fact, the rules were originally
designed for each round to take one week. This means that very large groups can be hard to accommodate. It's
recommended that the league have no more than 15 players.
For example: On Saturday everyone gets together, the "challenge cards" are filled out (see below) and the challenges
are announced. The players have until Friday to build their decks, schedule and complete their matches. The following
Saturday everyone gets together to see the results and fill out the "challenge cards" for the next round.
The Guardian of Dominia

First step in holding a "War of Dominia" League is to select the "Guardian of Dominia" (or G.O.D.). The G.O.D. is the
rules judge and arbitrator. He establishes the ground rules, sets up the league and for obvious reasons doesn't
participate.
Some questions the G.O.D. will have to answer before beginning league play are:
* Is the card mix closed ("sealed") or open ("bring-your-own")?

* What cards are restricted? What cards are banned?
* What card sets and expansions are legal?
* Are sideboards legal?
* Are proxies legal?
* Are the ante rules (or any variation on the ante rules) being used?
* What rulings and special "house rules" will be used?
* Is the "Radical Planar Constants" chart (below) being used?
Mapping the Multiverse Rewind
Before play begins, the G.O.D. will need to map out the multi-verse . . . but
don't panic! This is not as difficult as it sounds. The map should be drawn on
hex paper with the hexes large enough to hold several pieces of information.
Step 1: Compare the number of players with the chart below to get the size of
map needed for the league. The chart is based on the fact that there must be at
least seven hexes available for each player.
Players Map Size

2 4x4 (16 hexes)
3 5x5 (25 hexes)
4-5 6x6 (36 hexes)
6-7 7x7 (49 hexes)
8-9 8x8 (64 hexes)
10-11 9x9 (81 hexes)
12-14 10x10 (100 hexes)
15-17 11x11 (121 hexes)
18-20 12x12 (144 hexes)
Step 2: Label the map so that each hex has an "address." For example: a 12x12 map could have the letters A-L along
the side and the numbers 1-12 along the top. The addresses would then run A-1 through L-12.
Step 3: Each hex on the map represents one "plane" in the multi-verse of Dominia. Roll 1d6 on the chart below for
each plane to determine its "terrain." Mark or color-code them with the resulting terrain codes.
Roll Terrain Code Color

[1] Forests (F) Green
[2] Islands (I) Blue
[3] Mountains (M) Red
[4] Plains (P) White
[5] Swamps (S) Black
[6] Special (X) Special
Step 4: In random order, each player chooses a plane. This is the player's "home plane" and counts as the first of his
"controlled planes." These should be marked as such. No two home planes may be adjacent.
Step 5: In random order, each player chooses an additional controlled plane. This plane must be adjacent to one the
player already controls. If no adjacent planes are available, then the player may choose any uncontrolled plane. Repeat
this step until each player has seven controlled planes.
Step 6: Remove the terrain marking from any uncontrolled planes that remain. These planes become Voids (V) and
should be marked as such. A Void may never be controlled.
The "Map of Dominia" is complete!
A couple of suggestions: Glass beads are available in many colors. If each player selects a different color, these can be
used to mark controlled planes. Small personal items (such as lead miniatures) make excellent markers for home
planes. Using these, the only information that needs to be marked on the map are the terrain codes.
Confiscate The War of Dominia
Now that the battle lines have been drawn players can get on with the war.
Rounds begin with the declaration of challenges. Each player fills out a
challenge card with the following information:
* Name
* The name of the player being challenged
* The address of the challenged plane
The G.O.D. gathers and shuffles the challenge cards. The G.O.D. draws them
one at a time and checks to ensure that each challenge is legal. A challenge is
legal if:
* The attacking player controls at least one plane adjacent to the challenged
plane.
* Neither player is involved in another challenge this round.
After every card is drawn and checked, any player not involved in a challenge
fills out another card. Players that cannot make a legal challenge do not have
to fill out a card. The cards are gathered, shuffled and checked as before.
Repeat this process until all players are paired up or no legal challenges remain.
When all legal challenges have been exhausted, "long distance challenges" are made. The players fill out challenge
cards, this time only writing their name. The cards are gathered, shuffled and drawn as before. The player whose card
is drawn first becomes the attacker, challenging the player whose card is drawn second and so on. The defenders of the
long distance challenges choose which of their controlled planes is the challenged plane. They may not choose their
home plane unless it is the only plane they control.
If a single player remains unpaired, he receives a bye for that round.
The Decks of Dominia

Deck construction rules in a "War of Dominia" League are not quite the same as the standard "Tournament Legal"
specifications. The general rules of deck construction are listed below. Any rulings of the G.O.D. supersede these
guidelines.
* The minimum size of a player's deck is 125 cards minus 5 for each plane the player controls. This has a lower limit
of 40 cards. For example: Andy controls 9 planes so his minimum deck size is (125 - 45) 80 cards. Beth controls 18
planes and so her minimum deck size is (125 - 90) 35 cards -- this is below the lower limit so her minimum is
adjusted to 40 cards. There is no maximum deck size. The more planes you control, the smaller (and more powerful, if
you're doing it right) your deck!
* A player may use any color or combination of colors in his deck provided he controls at least one plane of the
associated terrain adjacent to the challenged plane. Additionally, the defending player may use the color associated
with the terrain of the challenged plane. For example: Andy is being challenged in the mountains and controls two
adjacent planes (forests and islands). Andy's deck could be any combination of red, green or blue. Beth challenged
Andy and controls three planes adjacent to Andy's mountains (forests, islands and swamps). Beth's deck could be any
combination of green, blue or black. Beth could not, however, include red in her deck, because Andy still controls the
mountains she is challenging.
* A player may only include artifacts and/or non-basic lands in his deck if he controls at least one plane of the terrain
type Special adjacent to the challenged plane. Additionally, the defending player may include these cards if the
challenged plane is of the terrain type Special.
* A player defending his home plane ignores the above restrictions. He has a minimum deck size of 40 cards and may
use any card not banned by the G.O.D.
* The attacker in a long distance challenge may use any color in his deck, but may not use artifacts or non-basic lands.
Keep in mind that requirements for decks are decided by the challenges they serve. Therefore, decks cannot be
constructed until challenges have been presented.
The Duels of Dominia Archivist
A duel in a "War of Dominia" League is played much the same as a standard

duel of Magic: The Gathering. The steps for completing a challenge are
listed below, but these are only suggestions. Any rulings of the G.O.D.
supersede these guidelines.
[1] Calculate the starting life values for each player.

[2] Generate the Planar Constant for the duel.
[3] Play the duel.
[4] Repeat steps 2 and 3 until the challenge is settled.
[5] Report the results to the G.O.D.
[1] Calculate Starting Life for Each Player
A player starts a duel with 3 life for each plane he controls. A bonus of 5 life
is granted to the player who won the last duel of the current challenge. No
player may start a duel with less than 10 life or more than 50.
A player defending his home plane ignores this rule and starts with 50 life.
[2] Generate the Planar Constant for the Duel
A Planar Constant is a rule that is in effect for the duration of a duel. This rule cannot be ignored, turned off, canceled
or affected in any way.
To apply this rule, each player rolls 1d6. These dice are combined into a d66 with the attacker being the "tens" place
and the defender being the "ones" place. The resulting two-digit number (11-66) is compared with the "Planar
Constant Chart" corresponding to the terrain of the challenged plane.
[3] Play the Duel
Play the duel as normal, taking into account the variable of starting life and any Planar Constants. If sideboards are
allowed, cards may be swapped out after the Planar Constant is set for that duel.
During any given duel, no player may accumulate a life total more than twice his starting life value. A player starting
with 30 life can successfully cast a 90-point monster "Stream of Life," but he will not go over his limit of 60 life.
Optional: Once a player reaches his life limit, each point of excess life will remove one poison counter he has
accumulated. If the player has accumulated no poison counters, then the excess life is lost.
[4] Repeat Steps 2 and 3 Until the Challenge is Settled
The challenge is settled when a player has won two duels. A new Planar Constant is generated for each duel. Do not
forget the bonus of 5 starting life for the player that won the last duel.
[5] Report the Results to the G.O.D.
The results of the challenge are written on the challenge card. Each player signs the card and returns it to the G.O.D.
The winner of the challenge takes control of the challenged plane. The G.O.D. tallies the results and the next round
begins.
When a player loses control of his home plane, he is out of the tournament. All other planes he controlled become
Voids. The tournament ends when only one player remains.
Planar Constant Charts

[F] Forests
11-36 -- No Planar Constant.

41-42 -- All Green creatures gain +1/+1.
43-44 -- All Green creatures gain Protection from Black.
45-46 -- All Green creatures gain Protection from Blue.
51 -- All Green creatures gain Trample.
52 -- All Black creatures lose -2/-0.
53 -- All Blue creatures lose -2/-0.
54 -- All Red creatures lose -1/-0.
55 -- All White creatures lose -1/-0.
56 -- All players may place two lands into play per turn.
61 -- At the beginning of his turn, each player rolls 1d6. On a 1-3, the player gains a second untap phase just before
cleanup. On a 4-6, there is no effect.
62 -- At the beginning of his turn, each player rolls 1d6. On a 1-3, the player gains a second upkeep phase just before
cleanup. On a 4-6, there is no effect.
63 -- At the beginning of his turn, each player rolls 1d6. On a 1-3, the player skips his upkeep phase this turn. On a 4-
6, there is no effect.
64 -- Roll on the Mountains chart.
65 -- Roll on the Plains chart.
66 -- Roll on the Special chart.
[I] Islands

41-42 -- All Blue creatures gain +1/+1.
43-44 -- All Blue creatures gain Protection from Green.
45-46 -- All Blue creatures gain Protection from Red.
51 -- All Blue creatures gain Flying.
52 -- All Green creatures lose -2/-0.
56 -- A player may counter any spell by spending 1 life.
61 -- Any time a player casts an enchantment, roll 1d6. On a 1-3, the spell is countered. On a 4-6, the spell is cast
normally.
62 -- Any time a player casts a sorcery spell, roll 1d6. On a 1-3, the spell is countered. On a 4-6, the spell is cast
normally.
63 -- Any time a player casts a spell, roll 1d6. On a 1-3, the spell is countered. On a 4-6, the spell is cast normally.
64 -- Roll on the Plains chart.
65 -- Roll on the Swamps chart.
[M] Mountains

41-42 -- All Red creatures gain +1/+1.
43-44 -- All Red creatures gain Protection from Blue.
45-46 -- All Red creatures gain Protection from White.
51 -- All Red creatures gain Rampage: 1.
56 -- All lands come into play tapped.
61 -- During the untap phase, roll 1d6 separately for each land. On a 1-3, the land does not untap. On a 4-6, the land
untaps as normal.
62 -- During the untap phase, roll 1d6 separately for each creature. On a 1-3, the creature does not untap. On a 4-6 the
creature untaps as normal.
63 -- At the beginning of his turn, each player rolls 1d6. On a 1-3, the player skips his untap phase. On a 4-6, the turn
proceeds as normal.
64 -- Roll on the Forests chart.
65 -- Roll on the Swamps chart.
[P] Plains
11-36 -- No Planar Constant

41-42 -- All White creatures gain +1/+1.
43-44 -- All White creatures gain Protection from Black.
45-46 -- All White creatures gain Protection from Red.
51 -- All White creatures gain Banding.
56 -- Players may redirect damage done to creatures they control to themselves.
61 -- Players roll 1d6 during their upkeep. On a 1-3, the player gains 1 life. On a 4-6, there is no effect.
62 -- Players roll 1d6 during each player's upkeep. On a 1-3, the player gains 1 life. On a 4-6, there is no effect.
63 -- Players gain 1 life during each player's upkeep.
64 -- Roll on the Forests chart.
65 -- Roll on the Islands chart.
[S] Swamps

41-42 -- All Black creatures gain +1/+1.
43-44 -- All Black creatures gain Protection from Green.
45-46 -- All Black creatures gain Protection from White.
51 -- All Black creatures gain First Strike.
56 -- All players may redirect damage done to themselves to creatures that they control. No creature may be dealt
more damage that it has toughness in this way.
61 -- Players roll 1d6 during their upkeep. On a 1-3, the player loses 1 life. On a 4-6, there is no effect.
62 -- Players roll 1d6 during each player's upkeep. On a 1-3, the player loses 1 life. On a 4-6, there is no effect.
63 -- Players lose 1 life during each player's upkeep.
64 -- Roll on the Islands chart.
65 -- Roll on the Mountains chart.
[X] Special
11-12 -- Change the order of the phases to discard, main, draw, upkeep, untap, cleanup.
13-14 -- Replace the discard phase with a second draw phase.
15 -- During the discard phase players must discard 1 card or lose 1 life.
16 -- At the beginning of the duel, roll 1d6. Players may skip their turn to gain this much life for the remainder of the
duel.
21 -- Players may spend 1 life to regenerate any creature they control.
22 -- Reverse the definitions of First Strike and Trample.
23 -- Reverse the definitions of Rampage and Flanking.
24 -- Reverse the definitions of Flying and Banding.
25 -- Reverse the definitions of Landwalk and Landhome.
26 -- Reverse the definitions of Power and Toughness.
31-33 -- At the beginning of the duel, roll 2d6. Players must discard all cards in excess of this amount during the
discard phase.
34-36 -- Remove from the game all cards discarded from a players hand.
41 -- At the beginning of the duel, roll 1d6. On a 1-3, add 3 generic mana to the cost of all artifacts. On a 4-6, subtract
3 generic mana from the cost of all artifacts. No artifact may cost less than 0 mana.
42 -- At the beginning of the duel, roll 1d6. On a 1-3, add 1 life to the cost of all artifacts. On a 4-6, add 2 life to the
cost of all artifacts.
43 -- At the beginning of the duel, roll 1d6. Players may sacrifice an artifact for this many generic mana for the
remainder of the duel.
44 -- At the beginning of the duel, roll 1d6. Players may sacrifice an artifact for this many life for the remainder of the
duel.
45 -- Artifacts take on the color of all mana used to cast them.
46 -- All creatures in play lose their color and become artifact creatures.
51-52 -- At the beginning of the duel, roll 1d6. Players may sacrifice a land for this many life for the remainder of the
duel.
53-54 -- At the beginning of the duel, roll 1d6. Players may sacrifice a land for this many generic mana for the
remainder of the duel.
55 -- Players must pay 1 life to put a land into play.
56 -- During cleanup, all lands become tapped.
61 -- Whenever damage is dealt (combat, spells, fast effects, etc.) Roll Xd6 where "X" is the number of damage points
that would normally result. Calculate the actual damage from the dice as follows. 1: 0 damage, 2-3: 1 damage, 4-6: 2
damage.
62-64 -- Whenever damage is dealt (combat, spells, fast effects, etc.) Roll Xd6 where "X" is the number of damage
points that would normally result. Calculate the actual damage from the dice as follows. 1-2: 0 damage, 3-4: 1 damage,
5-6: 2 damage.
65 -- Whenever damage is dealt (combat, spells, fast effects, etc.) Roll Xd6 where "X" is the number of damage points
that would normally result. Calculate the actual damage from the dice as follows. 1-3: 0 damage, 4-5: 1 damage, 6: 2
damage.
66 -- Roll on the Radical chart.
Radical
11 -- Whenever a creature enters play, place 1d6-1 -0/-1 counters on it.

14 -- Whenever a creature enters play, place 1d6-1 +0/+1 counters on it.
21 -- During their upkeep, players gain one Node token. Players may sacrifice a Node token to add one generic mana
to their mana pool.
22 -- During their upkeep, players gain one Node token. Players may sacrifice two Node tokens to add one mana of
any color to their mana pool.
23 -- During their upkeep, players gain one Node token. Players may sacrifice a Node token to add one generic mana
to their mana pool or two Node tokens to add one mana of any color to their mana pool.
24 -- During their upkeep, players gain one Heart token. Players may sacrifice a Heart token to prevent one damage to
any creature.
25 -- During their upkeep, players gain one Heart token. Players may sacrifice two Heart tokens to prevent one
damage to any player.
26 -- During their upkeep, players gain one Heart token. A player may sacrifice a Heart token to prevent one damage
to any creature or two Heart tokens to prevent 1 damage to any player.
31 -- The value of X in any X-spell (such as "Fireball") is 0. No mana needs to be spent towards the value of X. No
mana can be spent to alter the value of X.
32 -- At the beginning of the duel, roll 1d6. The value of X in any X-spell (such as "Fireball") cannot be greater than
this amount.
33 -- At the beginning of the duel, roll 2d6. The value of X in any X-spell (such as "Fireball") cannot be greater than
this amount.
34 -- At the beginning of the duel, roll 2d6. The value of X in any X-spell (such as "Fireball") cannot be less than this
amount.
35 -- At the beginning of the duel, roll 3d6. The value of X in any X-spell (such as "Fireball") cannot be less than this
amount.
36 -- The value of X in any X-spell (such as "Fireball") is 6. No mana needs to be spent towards the value of X. No
mana can be spent to alter the value of X.
41 -- Players may cast Sorceries any time they may normally use fast effects.
42 -- Players may cast Enchantments any time they may normally use fast effects.
43 -- Players may cast Summons any time they may normally use fast effects.
44 -- Double the casting cost of all Instants.
45 -- Double the casting cost of all Interrupts.
46 -- Double the casting cost of all Artifacts.
51 -- In addition to being a basic land, all Forests are treated as 2/2 Green creatures that cannot attack. These creatures
are not walls and thus cannot be the target of spells or effects that only target walls.
52 -- In addition to being a basic land, all Islands are treated as 2/2 Blue creatures that cannot attack. These creatures
53 -- In addition to being a basic land, all Mountains are treated as 2/2 Red creatures that cannot attack. These
creatures are not walls and thus cannot be the target of spells or effects that only target walls.
54 -- In addition to being a basic land, all Plains are treated as 2/2 White creatures that cannot attack. These creatures
55 -- In addition to being a basic land, all Swamps are treated as 2/2 Black creatures that cannot attack. These
56 -- In addition to being a basic land, all basic lands are treated as 2/2 Artifact creatures that cannot attack. These
61 -- Roll twice on the Forests chart.
62 -- Roll twice on the Islands chart.
63 -- Roll twice on the Mountains chart.
64 -- Roll twice on the Plains chart.
65 -- Roll twice on the Swamps chart.
66 -- Roll twice on the Special chart.
Art copyright © Wizards of the Coast, Inc. All rights reserved.
Spice up your Robo Rally
by David Morgan-Mar
Art by Dan Smith
Robo Rally (Wizards of the Coast) is a rollicking board game with plenty of player interaction. The simultaneous
movement of each players' robotic representative, governed by five player-programmed movement cards each turn,
often leads to robots pushing each other off their intended courses and careening into the varied board elements. Some
elements, such as conveyer belts, merely pull robots further off course, while others such as lasers and pits can damage
or even instantly kill your poor robot.
With geomorphic boards, some 25 or so different board elements, and a slew of option cards, Robo Rally is already a
varied and somewhat complex game. But one can never have too much of a good thing! The basic robot movement
mechanic can be applied to a variety of other scenarios beyond the standard "flag race" game, board elements can be
modified, and other changes can be made to make the game as enjoyable for 2-3 players as it is for a larger number.
Variant Game Objectives

Double Flag Race
You can use the extra flag markers from the Armed and Dangerous expansion (or simply make your own) to increase
the length of the race. This works especially well with players grouped into teams of robots or either of the team
options for small numbers of players presented below. In such a race, robots must touch both the flags numbered 1
before moving on to the number 2 flags, but the order in which flags of the same number is touched does not matter.
This can result in robots taking extremely varied routes across the boards as they strive for the optimal order in which
to touch the flags.
Another option is to allow robots to touch either of the number 1 flags before moving on to the number 2 flags. Each
robot only has to touch half the flags to win, and different robots may choose different flags, depending on what route
seems best to the player.
Fisticuffs in the Factory
Forget the flags . . . go for the kill! Every robot for itself can degenerate into uneven "gang-up" scenarios, so try this
option, adapted from a popular Magic: the Gathering group variant. Each robot will have a target robot (for
convenience, controlled by the player on its player's left) and be the target of another robot (the player on the right).
Whenever a robot is eliminated, no matter who was responsible, the player targeting that robot is awarded a point. That
player now targets the next robot around the table to the left, and if it is eliminated next, scores another point. This
scoring method ensures players try to kill other robots in a strict sequence, and try to prevent the untimely deaths of
robots targeted by other players. The winner is the player with the most points, not necessarily the last robot left alive.
If a tie-break becomes necessary, the last robot alive can be awarded a half point.
You can play this with either the traditional three lives, which can take some time, or a more cut-throat version in
which there are no archive copies. Since eliminated players are forced to sit out for the remainder of the game, playing
a few cut-throat games is preferable to a single long-winded one.
Scavenger Hunt
Scatter a few tokens around the factory, marked in such a way that you can distinguish relative point values. Poker
chips make good markers. Robots pick up the tokens by entering the same square and score the points by carrying them
to an archive site. If a robot is destroyed or powers down, it drops all the tokens it is currently carrying in the last
square it occupied. Other robots can push a powered-down robot out of the way to pick up dropped tokens. The winner
is the one scoring the most points. This works best with an even spread of point values for the tokens, say from 5 to 10
points, avoiding the possibility that a robot can guarantee a win by picking up the only 100-point token.
RoboBall
Be prepared for a long afternoon's gaming with this one. Assign the robots into two teams, starting at either end of a
rectangular factory set-up (assume an initial archive site of any square on that end of the factory). Place a "ball"
marker in the middle of the factory and let the teams try to pick it up and carry it to the opposite end of the factory.
Assume that once a robot touches a loose ball, it has possession of it until it dies or powers down, at which point the
ball becomes free in the last empty square it occupied. Soccer fans can assume robots push the ball around instead of
picking it up. This works best if you have access to multiple copies of the same boards and can make the factory
symmetrical. Score to 3 points or more, depending how long the pizza money lasts.
Variant Board Elements tik tik tik tik tik tik
Flag Conveyers
Normally flags may not be placed on conveyer belts. The race can be made
considerably trickier by violating this rule. Flags on conveyer belts follow the
normal conveyer belt motion, and can also be pushed by pushers in the
appropriate phases. Flags are not destroyed by crushers or lasers, and if a flag
ever falls off a conveyer belt, it should be replaced at its original starting
position. This is to avoid the flag becoming a static object, potentially with
gouts of flame bathing it every second phase.
If that sort of thing takes your fancy, of course, allow flags to be placed in
flamers, lasers, on opening pits, or anywhere else potentially dangerous and
watch the robots approach them very, very carefully indeed.
Scrambling Radiation
Introduced in the Radioactive expansion, radiation normally damages robots, and radioactive waste damages and
mutates them (represented by the drawing of option cards). Unfortunately, this can encourage martyrdom, so that the
next archive copy of a robot appears loaded with options and becomes virtually unstoppable. For a more subtle effect,
based on the assumption that radiation will scramble circuitry and interfere with a robot's programming, try the
following variant:
Radiation: At the end of each phase, any robot in a radiation square shuffles its program cards down one slot (towards
the phase 1 slot) and places the phase 1 card into the phase 5 slot. This happens whether or not any registers are
locked. (So a clever player can change the contents of locked registers through cunning manipulation.) At the end of
each turn, any robot in a radiation square takes 1 point of damage.
Radioactive Waste: This operates in the same way as radiation, except it causes 2 points of damage at the end of the
turn. Or make it nasty and cause a point of damage every phase.
The effect of this is that a robot spending an entire turn in radiation executes their program in (original) order 1,3,5,2,4.
Any robot which spends some phases in radiation may end up executing the same card in two different phases, and
never executing another. Players can use this to their advantage, executing the same valuable Move-3 card twice, for
example, while avoiding a useless turn. However, when robots got pushed into or out of radiation, their entire phase
sequencing can get messed up, resulting in mayhem the likes of which have never been seen on the factory floor
before!
Laser Lunacy
Turn your factory into a mirror maze by placing matchsticks diagonally across a few selected squares. Robots can see
each other and fire lasers around corners using these mirrors. Trace lines of sight as if both sides of a mirror are
reflective. Assume that squares with mirrors in them cannot be moved into, or make the mirrors mobile and let robots
push them around. Mirrors on conveyer belts and gears can also move around, creating all sorts of havoc.
It is not clear from the official rules whether laser fire is teleported by portals, or simply passes straight through the
portal square. Try it both ways.
Variants for Few Players

Robo Rally works better when more robots are on the board. When you can only muster two or three people, playing
teams of two or even three robots each is a good way to increase the on-board interaction. The team concept can be
applied to any game objective -- the question is how does the team work?
Separate Robots
The simplest choice is to treat each robot as an individual, with robots on the same team merely controlled by the same
player. Deal separate hands of program cards and track damage and options individually. It is usually best to have as
many starting archive locations as there are members of each team, and for one robot of each team to start at each
location. Note that robot team-mates can accidentally shoot each other!
When robots are on the same team, it may be possible for either robot to touch a flag. So you can send one robot to
flag 1, while your other robot heads for flag 2. As soon as the first robot touches flag 1, the second can touch flag 2,
and then they can head off for flags 3 and 4.
Shared Program Hands
More interesting is to program all your robots from a common pool of program cards. A starting hand of 12 cards for
two robots (or 18 for three) works well. With so many cards, it is usually easy to program one of your robots to make
pretty much an ideal move. However, this leaves you with only seven less-than-optimal cards to program your other
robot. Of course you can try to make both of your robots' programs as good as possible, but you often find yourself
wanting to scavenge a card you've already earmarked for your other robot.
Since damage reduces your number of program cards, this variant requires a degree of damage sharing between robots.
Record the damage suffered by each robot separately. A point of damage to either robot results in the loss of a card.
When two points of damage have been taken and you are down to ten cards, the next point of damage -- to either robot
-- will lock a register on that robot. If a robot's archive copy is activated, the copy comes on with two points of
damage, any number of which may lock registers depending on how damaged the other team member is. Powering
down and healing damage at archive sites only affects the damage assigned to the robot involved.
Shared Programs
In this variant you only get a single, normal-sized hand of program cards, and all your robots execute exactly the same
program. This requires some clever manipulation, since often the move that sends one robot towards a goal sends
another into danger. You will find that running into walls becomes a useful tactic. Damage is shared on a global level.
Damage to either robot reduces your hand, and damage beyond four points locks registers that affect all robots.
Bringing an archive copy into play (as will happen frequently) clears the global damage except for the mandatory two
remaining points. Powering down affects all robots at once, so you can't use this as a method to keep one robot safe
while another executes a program.
Other Ideas
Not really in the category of variants, these are just a few tips on increasing the fun in your Robo Rally games. One of
the best things you can do to this end is to paint your miniature robot figures. It's amazing how many people still play
with bare metal gray robots. For about the cost of one of the board-only expansion sets you can buy a beginner's set of
acrylic miniature paints and a brush. Give your robots a thinned down white undercoat and then pick out some of the
features in bright colors and a couple of hours later you will have a much more appealing game. If you are not keen to
try your hand, see if a friend or someone at your local gaming club can do the job for a small fee.
More enthusiastic modelers may relish the idea of enhancing the boards themselves. Start by gluing the boards to half-
inch thick pieces of wood, cut to size. Then drill out the pits and leave gaping holes for your robots to fall into. The
multi-level boards can be cut apart and mounted on different levels. Stick on some vertical walls. This level of detail is
not too hard for an experienced gaming modeler. And if you happen to work for Industrial Light and Magic, please feel
free to install working miniature conveyer belts and lasers, as long as you invite me over for a game when you're
done!
Rogue's Island - An In Nomine Adventure
by Matthew Rossi
Art by Dan Smith
Would you want to be a polar bear in Texas during the summer, free to do nothing but stare with thinly veiled
contempt at the corpulent humans around your tiny wading pool?
Free the bear.
Revelations I: Night Music, p. 104
This is a short adventure for the In Nomine game, intended for use with two to four players, possibly beginning a
campaign. This story ranges from Texas to Rhode Island, and will be easiest to involve players who A) either care
themselves about animals or who play Angels who would, or B) are Servitors of Jordi, who will then ask them to get
involved, in that delightful way Archangels have of asking for things. This game could also be played by Soldiers of
God or Saints with little variation, other than adjusting the level of the opposition.
Background
This all started with the San Antonio Zoo.
Jordi, having had enough of the cruelties inherent in the polar bear exhibit, asked a favored servant of his to free it.
Rior'n Gar, or Ranger nowadays, was more than happy to oblige his Archangel, and within days of the request, he'd
managed to steal a refrigerated truck, kidnap a veterinarian, and talk a group of buddies he'd made from all over the
U.S. into assisting him with the Great Bear Robbery, as he'd begun to refer to it. (Feel free to run this if you'd like. If
not, it will just be assumed that the players met Ranger at that time, and were along for the ride.)
After successfully stealing the bear from the zoo, Ranger then had to run a gauntlet of various police agencies in order
to get the bear to Austin, whereupon he managed to give the bear to Soldiers of God in the direct service of Jordi, who
planned to smuggle it back north in a few days. Feeling rather grateful, he then took the various celestials who'd
helped him with his caper out for a solid three days of partying (those that were up for it) and otherwise expressed his
gratitude. Then he was off, to do Jordi's bidding again.
This time, however, things didn't go nearly as well. Ranger was sent to Rhode Island, a state teeming with far more
celestial activity than it needs, to free a family of wolves from the Roger Williams Park Zoo. Jordi was concerned with
rumors that the local zookeepers were tormenting the animals, and wanted to stop it. Ranger was just up for another
wild ride.
That was the last time anyone heard from him. In the past two weeks, Jordi has tried to find him, but as yet cannot. His
Heart still exists, but has gone cold and unfocused, and the Archangel is angry. Jordi wants his servant back, Jordi
wants those wolves freed, and Jordi wants to know who had the nerve to tamper with either of those orders.
Enter the players again: at this point, they already know and like Ranger, so it shouldn't be that hard to get them
involved. Servitors of Jordi will, of course, be asked to help their Superior out. Servitors of other Archangels will be a
little tricker, of course . . . Yves and Novalis won't have a problem with their servants aiding Jordi, and as almost no
other Archangels are hostile towards the Archangel of Animals, it's not hard to justify almost any Angelic help on the
grounds of "attempting to sway Jordi to my way of thinking."
What Really Happened to Ranger

Ranger made the mistake of waltzing into Rhode Island without scouting out the area first. Currently, the entire state is
in the middle of a Celestial War between three factions. These factions are:
The Children of Narcolepsy. A group of demons who serve Fleurity, the Children are a recent dot on the map. They
hold the west side of Providence, but most of their power comes from the burgeoning drug corridor along Rt. 95,
rolling right through the heart of the state. Central Falls and Falls River, MA are also favorite places to stop and regain
some Essence while also doing some business with their mortal connections.
The Triad. Three Word-Bound angels, working in concert to maintain the status quo. Providence was originally
named for God himself, and various demons would find it an amusing slap in the face to drag the environment down to
their level. The Triad is determined to prevent that. They like to work behind the scenes, controlling the local
politicians, heads of various agencies, and even a few organized crime figures.
Typhonioi. These demons come from various masters, but their current leader is Arandal, a Baron of Dark Humor.
Most of the Typhonioi prefer vessels that are hideously deformed by human standards, and they take their name from
an old, probably dead monster of legend.
Ranger had no way of knowing, when he got to the zoo, that there were so many Celestials in Rhode Island: Neither
the Children of Narcolepsy nor the Typhonioi know anything about the other, and the Triad is only peripherally aware
of either group. Also, none of them are particularly close to Jordi. When Ranger arrived at the zoo, he spotted Mareth,
a Balseraph in service to Valfeor. And unfortunately for him, he got a six on his Check Digit roll, immediately
determining that Mareth was a Balseraph. Ranger attacked, and no doubt would have killed Mareth, had not the zoo's
security staff, recently Oathtaken Soldiers of Hell bound to Vapula, interfered. Confronted with seven Soldiers of Hell
and a Balseraph, Ranger was convinced that the entire zoo was an Infernal Tether (it's not, but you can forgive him for
making the mistake), and he tried to escape without killing the Soldiers, fearing the disturbance that would make in the
Symphony.
He didn't make it. The combined efforts of the Soldiers, Mareth, and his Calabite buddy Harissa, managed to beat
Ranger into unconsciousness. (Harissa was attracted to the fight by the noise just hurting the Soldiers made in the
Symphony.) Then Mareth asked Arandal, an old friend of his, for the Dog Collar, an artifact that the Typhonioi often
used to punish recalcitrant demons by cutting them temporarily off from the Symphony. Arandal liked the joke.
Ranger is currently trapped in the body of a dog, and is only able to access 5 forces (3 Corporeal, 2 Ethereal) but he is
not truly a Remnant. If the players can find him, they can free him from the Collar, allowing him to regain access to
his true, celestial nature. Which will mean that a pissed-off Malakite will be gunning for Mareth and Harissa . . .
The Road to Rhody

Prelude -- The Great Bear Robbery
Several techniques are possible here: recommended is an in media res

approach, basically just slapping the players down inside the cab of the truck
along with Ranger or in back with the bear and Dr. Maria Estancia, the vet
Ranger "persuaded" to come along for the ride.
The truck is ten minutes south of Austin when several Texas Rangers catch up
with them. They'll immediately begin ordering it to pull over, firing warning
shots, and if that doesn't being them results, aiming for the tires. (Use the
Soldier of Hell stats at the end of this adventure, minus their second Celestial
Force.)
Ranger is up for suggestions. His plan is to step on the gas as hard as he can
and hope to out-drive the cops. (Truth be told, he's kind of enjoying this.)
He'll only insist that the players try not to hurt the policemen. ("They're just
doing their jobs as best they can figure out. Not their fault their brains've
been rotted out of their heads by TV.")
Assuming the players come up with a non-lethal way to escape the police, Ranger will eventually stop the truck along
a secluded street in the area of St. Edwards University. Unless the players can somehow help, he'll totally forget to
make sure that Dr. Estancia can't make a commotion, which will summon a security car making its rounds. (One way
to prevent this is to convince Dr. Estancia, who loves animals, that this is best for the bear. Make the players roleplay
that out.) Assuming someone reminds Ranger or takes the initiative, he'll unload the bear and attempt to convince it to
come with him up the sidewalk and into a nearby house. However, the bear is hot, cranky, motion sick and not in the
mood, and will attempt to escape unless (yet again) the players intercede in some way.
Once the bear is convinced to play along, Ranger will lead it up the sidewalk and through the front door of a large gray
house. There's a sign on the wall next to the door that reads "Morrison Animal Shelter." Inside are waiting Evelyn and
Steve Washington, a friendly African-American couple in their sixties. Both of them are Soldiers working directly for
Jordi, with connections to half a dozen animal rights organizations. They'll explain that they have contacts who can
smuggle the bear out of Texas and back to the Arctic. For now, they've got the backyard kennel set up as a makeshift
habitat, cooled to freezing and emptied of all other animal life.
Ranger, exhausted and jubilant, will then offer to take the players out on the town. GM's who own Night Music can
run a series of encounters in Austin, or just skip ahead to Jordi contacting the players after Ranger's disappearance.
When the players arrive in Rhode Island (Since they're probably angels, it is assumed that this isn't that big a problem
for them. If it is, Jordi will get them there somehow.) they'll probably want to go directly to the zoo. Once they get
there, if any Kyriotate attempts to take an animal vessel, inform them that there are no free animals of any kind in the
park . . . a very unnatural state of affairs. The zoo's animals are all terrified of any celestial, as their only experience
with them has been with servants of Kobal or Vapula. In short, the zoo is well on its way to becoming an Infernal
Tether. While this isn't an easy thing for even Celestials to just notice, they will be able to tell how small, shabby and
ill-kept the place is. Also, several of the zoo keepers are armed.
Exploring the zoo will just be more depressing. Each cage is full of animals who look mangy, ill-fed and anxious. Any
Servitor of Jordi will hear horror stories from any animal he is capable of questioning. Eventually, after circling the
zoo once, they'll spot the Wolf Habitat, tucked away in the back of the place behind a large brass statue of a golden
retriever.
The wolves are every bit as ill-fed, tremulous and panicky as the other animals. But, unlike the other animals, the
wolves witnessed the fight between Ranger and the Demons and Soldiers. There are various ways to get this
information from them . . . the Ethereal Song of Tongues, or one of the angels being a Malakite of Jordi, or whatever
else it takes. Also, the handler of these animals, Davis Wilcott, is a Soldier of Hell who took part in that fight. He will
be eying the players, his right arm in a cast and his face beaten up badly, trying to decide who they are and what to do
about them.
If the players just attack Wilcott or use Songs indiscriminately, they have a chance of alerting the other six Soldiers of
Hell who work in the park, as well as Mareth and Harissa. However, if they can pass themselves off as demons, they
can convince him to tell them what happened. (There are a number of other options . . . let them explore them.) If it
turns into a melee, the other Soldiers will be there to back up Wilcott in two minutes -- which might be two minutes
too late to stop the players from learning what happened.
If the players do convince Wilcott that they're new demons from out of town, he'll happily tell them all he knows about
the local celestial scene. He's very aware of the Typhonioi, and has heard a few rumors about the Children of
Narcolepsy. He's completely uninformed of things on the angelic side of the street, other than what every Soldier of
Hell learns about them. He'll also tell them all about Ranger's humiliation at the demons' hands ("I usually don't get
you guys' jokes, but this one . . . it was really funny!") and explain his own role in it.
After learning what happened to Ranger, the players will still have to find him, a task complicated by the fact that
Mareth and Harissa let him loose in the park in order to stalk him at their leisure. Searching the park will lead the
players to one of three possible locations where Ranger could be, at the GM's choice.
The Temple of Music
On the banks of the fake pond that dominates the center of the park, this pseudo-Grecian temple squats surrounded by
a marshy shore. The park was originally designed by Frederick Law Olmstead, and the Temple is just one of many
examples of a deviation from his plans. Made out of whitewashed cement, it is crudely wired for sound and lighting.
However, despite all that, the Temple is one of the most popular sites in the park, and it is fairly close to the zoo's
western entrance. Servitors of Eli might like it, and it is one of the few sites in the park untainted by the Infernal.
Betsy Ross' House
Supposedly connected to the Betsy Ross who sewed the first American flag (The staff of the house itself is fairly
unclear as to just how they are connected), this house is near to the zoo as well, on the eastern side. There are large
bushes and trees surrounding it, making it a good hiding place.
Lafayette's Statue
Commissioned to commemorate the French General's visit to the state during the Revolutionary War, the statue is in
the wildest part of the park, where small animals and the occasional wild cat or dog have been known to make
themselves at home. The statue isn't particularly well kept. The area is also a know make-out spot for local teenagers.
Finding Ranger
It will probably be easier for the players to find either Mareth or Harissa than it will be for them to find Ranger, who
currently is as mundane a dog as ever was. (It is this very problem that has kept Ranger out of the demons' hands these
past few weeks.) Mareth, who had been enjoying his little joke of stealing Ranger's identity, is now frustrated that a
damn dog has been evading him all week, and he's using his Song of Charm on every dog he sees. Harissa, for her part,
has been absolutely useless for finding the Malakite . . . she has the Tracking skill, but even transformed, Ranger
knows it better. The players may stumble upon them beating the bushes in search of Ranger and attack, especially if
they already know their role in his predicament.
However, Ranger hasn't forgotten his objective, either. Despite the haze that's keeping him from using his full abilities,
in the base of his doggie brain he knows that he has to free the wolves. Thus, he's been keeping an eye on them . . .
and so he'll probably be there when the players arrive. At first he'll run off, confused and scared by his inability to
remember exactly who they are, but he'll definitely decide to keep his eyes on them. They may notice him following
them, or perhaps even have gained the information from Wilcott without violence and free him from the Collar then
and there. If they do, he'll want to go find Mareth and Harissa, and then free the wolves as he'd originally intended.
To Be Continued?
Afterwards, the players will have several options. Depending on how they acted in the zoo, they may or may not know
about the situation in Providence. They will definitely have an angry Malakite on their hands, and he'll be agitating to
just set all the zoo animals free and burn the damn thing to the ground. A persuasive PC will probably be able to talk
him out of that . . . but there's no way he'll leave without freeing at least the wolves. The players will definitely have
the gratitude of Jordi if they save Ranger and free the wolves. From there, the players can either depart or decide to
investigate the situation in the city.
NPCS
Davis Wilcott
(Use his stats for the other Soldiers of Hell)
Corporeal Forces -- 2 Strength 3 Agility 5

Ethereal Forces -- 2 Intelligence 6 Precision 2
Celestial Forces -- 2 Will 1 Perception 7
Status -- 1
Skills -- Knowledge (Animal Tending/4, Angels/2), Ranged Weapons/2(.44 Revolver), Small Weapon/3(club)
Weapons -- Club, .44 Revolver (On Belt)
Notes -- Wilcott is a normally pleasant man whose recently had the crap kicked out of him, and who isn't feeling very
well. He'll attempt to be nice to the players unless he suspects what they are or they make it too difficult.
Mareth, Balseraph Knight of Theft

Vessel -- Human/3
Skills -- Emote/4, Fast Talk/6, Move Silently/4, Dodge/3
Songs -- Charm (Corporeal/4, Ethereal/4), Entropy (Ethereal/4, Celestial/4)
Attunements -- Balseraph of Theft, Passage, Knight of Kleptos.
Mareth is one of those people who just can't stop trying to out clever himself. His vessel resembles the actor James
Spader.
Harissa, Calabite Servitor of Dark Humor

Vessel -- Human/2
Skills -- Fighting/6, Small Weapon/2(specialty), Tracking/4
Songs -- Entropy (Celestial/4), Form (Corporeal/4), Motion (Corporeal/5), Thunder/4
Attunements -- Calabite of Dark Humor, Prank
Discord -- Aura/2, Obsessed/2 (Knock Knock Jokes)
Harissa is bubbly, cute, fun, and completely unlike any other Calabite you've ever met. She's also an annoying air head
who just can't stop telling knock knock jokes, and she's a lot stronger than you'd think. Her vessel is five feet tall, with
short blond hair and a love for colorful t-shirts.
Ranger (Rior'n Gar), Malakite Master of Animals

Vessel -- Wolf/5
Skills -- Fighting/6, Large Weapon/5(Sword), Small Weapon/5(Knife), Ranged Weapon/3(Longbow), Tracking/5
Songs -- Attraction (Corporeal/6), Form (Corporeal/5, (Ethereal/4), Harmony (Corporeal/4, Celestial/4), Possession/4,
Shields (Celestial/6), Thunder/5
Artifact -- Fiery Sword (Currently in Harissa's possession)
Malakite Oaths: (i) Never suffer an evil to live if it's his choice. (ii) Never surrender or allow himself to be captured
by the armies of Hell. (iii) Never leave a buddy hanging. (iv) Never leave a job undone. (v) Never forgive an insult.
(vi) Never let himself forget his mistakes.
Normally a fun-loving guy (for a Malakite), he is currently trapped in the body of a dog with Corporeal Forces 3
(Strength 6, Agility 6) and Ethereal Forces 2 (Intelligence 2, Precision 6)
Artifact -- The Dog Collar
Probably created by Kobal itself, the Dog Collar is a celestial artifact which affects the wearer. When placed on
someone, he must roll a Contest of his Celestial Forces versus the Collar's target number of 10) -- If they lose, they are
transformed into a dog, and must use the rules for Remnants, save that their Hearts are not destroyed. (The Heart is
still useless for finding the victim, however.) The Collar uses 5 Essence every time it is used, which must be
resupplied by a willing celestial in order to use it again. If the Collar is removed, the target changes back, but the
victim cannot remove the Collar himself.
Stellar Conquest for Two: The Perseid War
by Steve Jackson
Art by Dan Smith

[Editor's Note: This article originally appeared in issue #36 (April, 1980) of Dragon Magazine. Thanks to T. "Denny"
Graver for locating and retyping the text!. Note that the original editor's notes, for some reason, credited Steve Jackson
as the creator of the game. In fact, Stellar Conquest was designed by Metagaming founder Howard Thompson.]
The classic Stellar Conquest is a great game . . . but it was designed for exactly four players. This scenario is a
playable variant for two which avoids the slow "pre-contact" period that occurs if you just drop two players out of the
original setup.
"Ceti Control to scout Arday. Come in, Arday." The radio operator's voice was weary. He had been repeating that call
since his shift began. "Still nothing, sir. They should be in Pherda system by now, but there's no answer."
"Well, keep trying, lieutenant. Draw on emergency base power and increase your cone a half-minute. They may be
investigating an outer planet." The operator complied and began his chant again, without much hope. There were any
number of things which could keep a spaceship from finishing a hop in the expected time. Most of them were fatal. And
there was no way for the scoutship -- or anything else -- to transmit or receive an n-space message without a mass of
at least planetary size nearby. A Thompson unit that could function in unstressed space was theoretically possible, but
in practice . . . no way. Which meant that a ship between stars was totally out of touch. And it looked as though the
Republic scout Arday, which should have arrived at the blue star Pherda two days ago, would never arrive at all.
"Well, carry on, lieutenant. Call me if you . . . What's that?" But the lieutenant, blessed with quicker reactions and his
own set of earphones, was already in action. A reply was coming in! As the operator adjusted dials, a flickering light
burned steady green, and a thin gabble became a whisper, and abruptly, a voice.
". . . restricted channel. This is a Comarch restricted band. Identify yourself at once." The operator shook his head in
puzzlement and started to reply, but the general behind him had already grabbed the mike. "What do you mean,
restricted band? Cut the clowning, Arday. This is Liparia, commanding Ceti Base, now report."
The answer came back immediately, like all such messages, transmitted through n-space with no detectable lag.
"Bootis Control to unauthorized transmitter. Identify yourself at once. There is . . ." The voice broke, and resumed in a
less formal tone: "Ceti base? Where the hell are you?" The general looked at the operator; the operator looked back.
Then the general spun, shouting an order over his shoulder: "Keep talking! Whatever you do, don't lose that contact
And don't say anything!" The lieutenant was much less disturbed by the contradictory orders than by the fact that, for
the first time in his six years of military life, he had seen a general running.
***
". . . this cluster is ours, and we've got a right to it!" "Thank you, sir. And now back to our studio." The interviewer's
voice vanished from the vision set, to be replaced by that of a commentator: "To recap, then: The seeds of the current
crisis were sown nearly two hundred years ago, when our colony ships took the Big Jump from Alphacent. We may
never know what colossal mistake caused two nearly identical colony expeditions to be sent to the same cluster -- but it
happened. Our own fleet left on March 3, 2606, and we made landfall here on Diphda on July 34, 2788. But a year
after we left, the colonial fleet of the Comarchy project jumped from Terra for this same cluster -- and, because the
ships made a closer breakout, set down two years before we did. They colonized the world of Dubhe IV, and have since
planted thriving colonies around the suns of Scorpii and Bootis -- just as we have colonized Ceti and Canis.
"Now, space is big, and certainly we can work something out in time. But right now, both governments -- and both
peoples -- are up in arms. There seems to be no doubt that the Comarchs honestly believed that they were setting out
for an unclaimed cluster -- and they attach great importance to the fact that they got here first. Of course, our claim
was duly registered with Colony Central on Alphacent . . . but until somebody builds a transmitter that can talk to the
home worlds from here, we have to work it out between us. Or take the next ship home. Ha-ha.
"After all, we speak the same language, and our governments aren't too dissimilar. And naturally the original colony
groups were almost identical. Once all this furor dies down, we should be able to cooperate with the Comarchs in
building up our cluster."
***
Setup
The sides have very similar opening positions. The Republic of Diphda has a TR-80 (80 million people) at Diphda, a
TR-60 (40 million people) at Ceti, and a TR-60 (40 million people) at Canis. No Star Cards are drawn for those stars;
there are no other usable worlds at any of them. In addition, the Diphda player may immediately "scout" -- that is, pull
Star Cards for -- the stars of Ross, Lalande, Mira, Luyten, Kapetyn, Ophiuchi, Rastaban, Indi, Eridani, Sirius, and
Deneb. This information is not given to the Comarchy player. The Republic has already scouted these stars in order to
plan for further colonization, but has no people there yet.
The Dubhe Comarchy has a TR-80 (80 million people) at Dubhe, a TR-60 (40 million people) at Scorpii, and a TR-60
(40 million people) at Bootis. The Dubhe player may immediately pull Star Cards for Barnard, Kruger, Mirach, Wolf,
Arcturus, Hamal, Polaris, Procyon, Wezen, Vega, and Altair. The Diphda player does not receive this information.
Each player starts with ten scoutships (some, no doubt, being quickly converted cargo ships) located anywhere on his
three colonies. Neither player begins the game with Bonus IUs or military force of any kind; they both started with
planned, peaceful economies. But when those worlds start cranking out warships . . . look out.
***
"Although "arbitration" talks continued until 21.79.4 (early AD 2830), both sides had long since begun to gear for
war. The inability of the two governments to agree on either a cooperative arrangement or a simple division of
territory has been laid to many causes, but the most probable explanation is simply the feeling of "manifest destiny"
discussed in earlier chapters. Simply put, neither the Republic nor the Comarchy was willing to cede its "own"
territory -- and most citizen on both sides, from the man-in-the street to Rossaka and the Council, felt that their own
group was the rightful owner of the whole Cluster -- and that the others were interlopers, pure and simple. Conflict
was inevitable.
The first shots of the Perseid War were fired on 1.93.9, when an escort-class Republican ship, the Tara, fired on a
Comarchy scout entering the Sadir system. S-102 (captained by Harv Tel-Masso, who commanded a dreadnought at
the Third Battle of Aurigae (q.v.) and received the Order of Extreme Merit there) aborted its mission and escaped
undamaged. Two months later, a Comarchy attack squadron struck Lyrae, destroying two of a group of ten Republican
CTs orbiting Lyrae II and forcing the rest to flee. Matters went downhill from there . . .
-- Lubayoff, History of the Perseid Cluster, d.13/99
Suggestions For Play
The Perseid War scenario invites -- nay, demands! -- a style of play rarely
seen in standard games of Stellar Conquest -- the "General Motors." Both
players start out with a tremendous amount of production, and the ability to
increase it rapidly. By the second production turn (Year 8) each player should
have mapped most of his side of the board, and discovered and colonized at
least a couple of NM planets. It is not quite possible to build a Dreadnought
on the first production turn; on the second, it's easy. DN fleets will dominate
the game, but players will find Escorts and/or Attacks (depending on personal
preferences) useful also . . . as cheap distractors, occupation forces, behind-
the-lines raiders, and general nuisances.
This is definitely a game of production; you can always roll your enemy back
by sheer force of numbers. Most players dream of building a couple of DN
groups every turn -- of having all the technological developments -- of piling
RIU on RIU. It doesn't happen in regular games. In this one, it can and does.
This also tends to be a positional game. (For a much more positional variant,
try playing without USR development. Forcing ships to stay within 8 hexes of
a friendly colony throughout the game will change things radically.)
In general, grab as much territory as you think you can hold on to; try to keep
your opponent off balance, and force him to use his ships to defend what he
has already. If he beats you to several good worlds and starts building PFSs,
you're in trouble. Unless you've been spending your time building up another
kind of advantage . . .
***
"So we're besieged. So what? The relief force is only a couple of years away, and we can spend the time building up
industry. The Commandant knows what he's doing."
"Well, I still don't like it." A thumb-gesture over the shoulder, jabbing at the strangely glimmering sky. "They tell us
that thing's invulnerable. I don't feel invulnerable. Twelve Archie ships up there, just waiting. What if we get a saboteur
or something?"
"Not twelve, sixteen. Didn't you see the news? They ran in a bunch of new ones, and some of the old batch left. Last
night, it was. Big article in the fax this morning."
"Yeah, I remember reading they'd picked up drive-traces coming this way. More little friends, eh? Great."
"Not so little. A couple of them look like something new. Commandant's office isn't saying anything, but anybody with
a scope can see them. Bigger than colony ships, and kind of egg-shaped."
"Well, that's just great. We may be here a long time. If . . ." A flash and crack interrupted his words. "What's that?
Lightning? We never get storms at this time of year! Will you look at that!"
A massive display lit the sky from horizon to horizon. Lightning danced from cloud to cloud and struck the earth in a
dozen places at once. An aurora appeared, faint at first, then brighter. The watchers gaped in awe.
"Powers above! Come on. Let's get to a shelter."
"Huh? What for? Lightning?"
"Look! The screen's gone. I bet those new Archies did it!"
"But it's theoretically impossible . . ." A fireball loomed on the horizon.
"And we're going to be theoretically dead if we don't find cover. Those ships are bombarding, and our missile bases
are going to be shooting back, and I'm getting out of here. Come on!"
New Technological Developments

None of these devices are necessary to the play of the game, but can add interest to either Perseid War or a standard
Stellar Conquest scenario.
Super Missile Base (SMB)
Weapons Systems Sequence, Level 3

The Super Missile Base is the equivalent of a permanently grounded Dreadnought. Each SMB costs 20 IU after
research cost has been paid. Predecessor: AMB. Development cost with pred 80, without 110.
Screencracker (SKR)

The Screencracker is a warship designed for the single purpose of eliminating Planetary Force Screens. At the
beginning of his attack phase, the attacking player may roll one die for each SKR in the same hex with a PFS. (Each
SKR may only attack one PFS per turn.) On a roll or 1 or 2, the screen goes down, and other ships may attack the
planet that turn. On a 3, 4, 5, or 6, the screen stays up. In either event, the planet's bases may fire on a SKR on any turn
it attacks that planet's PFS. A SKR defends as though it were a Dreadnought, but cannot attack ships or planets; its one
function is to destroy the PFS. Each SKR costs 100 IU to build after the research cost has been paid. Predecessor: PFS.
Development cost with pred 300, without 400.
Sunbeam (SBM)

The Sunbeam (inspired by Doc Smith's Lensman series) is a device for harnessing the energy of an entire star into an
offensive weapon. Only one Sunbeam device may exist at any one star at a time; it must be built on one of the planets.
The Sunbeam is not fired at ships, but at enemy worlds. It may be fired once per turn, at any world.
The beam travels at light speed (1 hex per turn). When the beam is fired , place a counter in a hex adjacent to that star;
this represents a "blip" a year long, heading out. Each turn thereafter, the player owning that sunbeam rolls two dice for
each "blip" counter on the board. On a total of 2 or 4, that segment of beam goes slightly off course (enough to miss its
target) and may be removed from play. On any other total, it moves one hex closer to its target (which must be
announced when the beam is fired). A dust cloud stops Sunbeams; nothing else (including the destruction of the device
that fired it) will halt a Sunbeam once fired. If it stays on course, it will strike its target.
When a Sunbeam strikes a planet, it kills 10 million population and reduces the planet's habitability as described
below. Sunbeams are not affected by a PFS. Sunbeams do not affects ships, which can dodge at greater-than-light
speed. A Sunbeam fired at another world in the same system strikes on the same turn (that is, immediately) and does
double damage. Each Sunbeam device costs 300 IU to build, once the research cost has been paid. The cost of a device
may be spread over 2 or 3 turns ( note that this is an exception to the general rule; all other units must be built at
once). Cost to develop this device is 400 IU; there is no predecessor. If a colony possessing a Sunbeam is captured or
wiped out, the device is destroyed
Terraforming (TRF)
Technical Sequence, Level 4

Terraforming is the art and science of making a world more fit to live on. In order to terraform a world, a colony must
already be present -- thus, an unusable or BR-0 world cannot be terraformed. For each 10 IU spent in terraforming, the
habitability level of a planet is raised by one. Furthermore, for each 15 million added to a planet's habitability level by
terraforming, the planet's type improves by one. For instance, if 140 IU are spent on terraforming, an MT-40 planet, it
becomes an MT-54. If another 10 IU are spent, it becomes an ST-55. The IU spent to terraform a world do not have to
come on the same turn, but they must come in increments of 10.
A planet may not have a type better that TR or a habitability greater than 100.
***
The old man turned away from the fax screen, where headlines blared "New Comarch Atrocity!" He spat on the
sidewalk. Ten million dead. Six million packed into quickly built colony ships and aimed back towards a Republic that
had no room for them. And Comarchy colonists heading for Schedar right now, no doubt.
"Well, at least they let some go. On Wolf we fried the whole damn planet. Killed them all, men, women, and children . .
." He trailed off, suddenly realizing that he had spoken aloud. He glanced about worriedly, but no one was close
enough to have heard.
Pulling his coat tighter around him, the old man leaned into the freezing wind and headed back to work.
***
Killing People and Destroying Worlds

Those still with us after that catchy title may replace Rules 7.2.8 and 7.2.9 with the following:
Each turn, a conqueror may destroy the population of a conquered colony on the following basis; for each ESC at the
planet, 1 million population; for each ATK, 3 million; for each DN, 5 million. SCTs and SKRs cannot attack
population; neither, of course, can CTs.
A Sunbeam destroys 10 million population when it strikes. Each lost million population naturally reduces the
habitability of that planet by 1 million. For instance: a ST-40 with 27 million population is conquered. A single
Dreadnought fires on the population for one turn. The population is reduced to 22. The planet is reduced to an ST-35.
Furthermore, for each 15 million population destroyed (in any fashion) over the course of the game, the type of the
planet is reduced by one level -- that is, a TR is reduced to an ST, an ST to MT, and MT to a BR. If at any time the
habitability of a planet is reduced to zero, its type automatically becomes BR and the planet is useless.
If a colony is wiped out by Sunbeam attack, all human works on the planet (Sunbeam device, IUs, RIUs, or bases) are
considered destroyed as well. It is legal to fire on an empty (or almost empty) world to reduce its habitability. For
instance, a Sunbeam will reduce the habitability of a world by 10 million, even if fewer than 10 million people were
actually present. Even an empty world takes damage.
***
Anya deVries was very close to panic. For all her 17 years (and for some time before that) the Republic had been
fighting the Comarchy. War was the normal order of things. All her life she'd wanted to be a pilot; for nearly all her
life she'd been trained for just that. And now -- Why were those old fools looking so cheerful? Hadn't they heard the
stories? Everyone was saying the war was going to be over soon.
It just wasn't fair!
***
Victory Conditions
This scenario can be played with either of two sets of victory conditions:
(1) To the bitter end. Continue until one side is obviously beaten. This is more likely to happen if you are using
Screencracker ships; two evenly matched players, each with a number of worlds beneath invulnerable PFS shields can
fight for a long time before one gets enough of an upper hand to blockade the other completely.
(2) Time limit. Play either to a given number of years (at least 60) or to a given time of day (3 a.m. is always a good
time). Then figure scores according to formula:
Worlds Controlled: For each TR planet, 100 points. For each ST planet, 50 points. For each MT planet, 20 points --
40 if it is MT-NM. For each BR-NM, 20 point. Other worlds count nothing. It is not necessary to have a colony at the
planet -- a ship at that star establishes control.
Population: For each million population on planets or in CTs, 1 point.
Industrial Capacity: For each IU or RIU under a player's control, 5 points.
Technological Development: For each Development a player has, points equal to the IU cost (without pred) necessary
to research that development.
Military Strength: For each ship, base, PFS, or SBM a player has (except CTS), points equal to half the IU cost
required to build it.
***
"Well, its over. No question about it. And we won. " He looked at the bright young aide who had spoken, and shook his
head. Gazing at the star map -- at the markers that indicated dead or battered worlds where once there had been
green homes for men -- he sighed.
"No, Vlad. I'm afraid not. Nobody won."
Watch Academy VI: Hogswatchnight
A Discworld Adventure for GURPS and Over The Edge

by Michael Cule
Art by Dan Smith

The following five individuals are the first products of the new training system at the Ankh-Morpork Watch. In an
effort to do more than simply showing the new recruits how to put their armor on and where the lavatories are, Captain
Carrot has managed to wangle funding for a whole eight weeks' training.
This consists mostly of being lectured by the Captain himself on The Law, by the Commissioner on Police work and by
Sergeant Colon on paperwork. Oh and marched to and fro a bit by Sergeant Angua. Now, the proud graduates have
been gathered together for their first night's proper patrolling. Naturally, this consists of having to do the one job that
everybody else wants to get out of.
(NOTE: When setting up this adventure I did not tell the players what system we were using nor what the setting was.
I just said, as each one arrived, : "I've got five characters for you to choose from. A wizard. A barbarian. A little girl,
A missionary. And a piper. Which one do you want?" And then watched their reactions as they read the character
sheets.... Heh. Heh.)
You'll find them written out first in Over The Edge terms and then in GURPS.
The Patrol
All the characters have been issued with armour worth a couple of points of protection, swords and Watch badges.
Surety Pospher
"The Little Match Girl"

Snatched from the jaws of Death by Death, one Hogswatchnight, she was raised by the collective charity of the Watch
(a sentimental bunch) and has decided to repay them by joining the force. Some of them wonder if this is actually a
Good Idea. She is almost unbearably cute. She is the epitome of Cute. She has Cute eyes, Cute teeth, even Cute little
toes. She thrives on getting her way by manipulating people.
Since she ought, technically, to be dead, she has one useful ability in addition to her Cuteness. She can see ghosts and
other supernatural entities. What will happen when someone WHO TALKS LIKE THIS notices is anyone's guess.
Cute Little Girl: 4 dice. Blue eyes, blonde curly hair and a sad little smile which says, "Oh dear, how helpless I am
and will all these big strong people help me." She only uses her lisp and tears in dire emergencies. (Cute Little Girl).
Watchman: 2 dice. Just out of Basic Training and sure that she can persuade those nasty little criminals to come
along. (Uniform and weapon both too big for her.)
Fringe Power: Sees the Invisible. Always on. (Stares into space at nothing and listens to people other people cannot
see.)
Hit Points: 14 (Small)
Secret: She really ought to be dead.
Flaw: She is absolutely useless in combat and liable to go "eeeeek" if anything icky happens.
Important Person: Arnold, her teddy bear.
Surety Pospher
ST 9 (-10 points)
DX 12 (20 points)
IQ 12 (20 points)
HT 12 (20 points)
Base Speed 6 Move 5
Basic Damage Thrust 1d-2 Swing 1d-1
Advantages: Appearance: Beautiful (15 points), Charisma +3 (15 points), Literate (10 points), Legal Enforcement
Powers: Local (5 points), Sees the Unseen (10 points).
Disadvantages: Delusion: "No one could possibly want to hurt me. I'm cute!" (-10 points), Cowardice (-10 points),
Squeamishness (-10 points), Youth: 15 years old (-6 points).
Quirks: Always has her teddy bear with her; Twirls her blonde curls while thinking; Doesn't understand what other
girls see in Thrug; Goes "eeekkk!" when alarmed; Practices needlecraft when off duty.
Skills: First Aid (2 points) 13, Broadsword (2 points) 12, Sling (2 points) 11, Needlecraft (2 points) 12, Match-Making
(2 points) 12, Criminology (1 point) 11, Psychology (4 points) 12, Acting (2 points) 12, Area Knowledge (Ankh-
Morpork) (1 point) 12, Diplomacy (4 points) 12, Fast-Talk (2 points) 12, Merchant (1 point) 11, Detect Lies (4 points)
12, Interrogation (1 point) 11, Shadowing (2 points) 12, Stealth (2 points) 12, Streetwise (2 points) 12.
Equipment: (Light Encumbrance) Heavy Leather Armour (PD 2 DR 2) Broadsword (Cutting 1 dice -1 skill due to low
ST) Sling and slingstones. Sewing kit and Teddy bear in shoulder bag.
Thrug the Hublander
Barbarian Hero and Watchman

Thrug is one of the Hub's natural exports: a younger son with ambition and muscles on his muscles. He speaks with an
incomprehensible accent (think of Arnie in Conan) and has a mental prowess that makes Trolls look like intellectuals .
He does not know the meaning of the word fear. Nor "soap," "bath," "tact," or many other, even shorter words.
Why he is in the Watch is a bit of a mystery. It may be a that the Patrician sentenced him to a bit of "Community
Service" or that he thinks he is in the Army and can look forward to loot. No one knows and no one has had the
courage to ask.
He carries around a copy of My Life and Times by Cohen The Barbarian As Told To C.M.O.T. Dibbler and reads bits
from the wisdom of his hero.
Very, very slowly.
Quote: "It is goot to shlay your enemies and listen to the lamen . . . lament . . . vat is dis vord here plis?"
Barbarian Hero: 4 dice. He has muscles on his muscles, a sharp sword and refuses to wear trousers, preferring an
authentic barbarian loincloth at all times. He does not appear to feel the cold nor has he been known to wash once
since he joined the Watch. (Big muscles, strong smell.)
Watchman: 1 die. Has mastered Shouting and Intimidation but has yet to successfully complete a report form legibly
(Wears uniform which is too tight for him, above loincloth and fur boots.)
Babe Magnet: 3 dice. Despite (or perhaps because of) the fact that he never washes, Thrug has only to pause at street
corners for crowds of otherwise rational women to start flocking to him. They need to be pretty blatant about getting
his attention though. Dropping handkerchiefs and fluttering eyelashes aren't going to work with Thrug. (Followed by
crowd of women with their mouths open.)
Hit Points: 42. (Unbelievably tough)
Flaw: Of limited intellect. (Cannot read, or indeed think, without moving his lips.)
Secret: Wears String vests given to him by his Auntie. (A terrifying woman he does not dare offend.)
Important Person: Cohen the Barbarian, his Hero.
Thrug The Hublander
ST 15 (60 points)
DX 12 (20 points)
IQ 8 (-15 points)
HT 12 (20 points)
Base Speed 6.0 Move 7 (incl Running bonus)
Basic Damage Thrust 1d+1 Swing 2d+1
Advantages: Pheromone Control (15 points. Limitations: Always on and only when he doesn't wash.), Legal
Enforcement Powers (Local) 5 points, Semi-Literate (5 points), Toughness 2 (25 points).
Disadvantages: Berserk (-15 points), Odious Personal Habits 2 (-10 points. Never washes. Grunts monosyllabically.),
Social Stigma: Barbarian (-15 points).
Quirks: Ashamed of his string vests, Always reading his Hero's Words, Moves his lips while thinking, Never wears
trousers only loin-clothes, Never seems to feel the cold.
Skills: Acrobatics (1 point) 10, Jumping (1 point) 12, Running (1 point) 10, Broadsword (2 points) 12, Fast Draw
(Broadsword) (1 point) 12, Brawling (2 points) 13, Intimidation (2 points) 8, (But lots and lots of bonuses to this skill .
. .).
Equipment: (No encumbrance) Heavy Leather Armour (PD 2 DR 2), Broadsword (2+2 Cut Damage), Copy of My
Life and Times by Cohen the Barbarian as told to C.M.O.T. Dibbler.
Enlighten the Infidel with Humourous Parables
The Comic Omnian

Enlighten (as he is known for short) is the fruit of the Omnian Church's new missionary style. Once a humble trainee
Fool, his life was changed one night when it was his turn to answer the door at the Guild. His miserable, pitiless and
pointless existence had left him with absolutely no protection against someone (the well-know Watchman and
missionary, Visit-The-Heathen-With-Explanatory -Pamphlets) who could assure him that there was a point to life
(serving Om) and that someone loved him (the aforesaid Om).
Leaving his apprenticeship behind (with only six months to go!) he changed his name to something more Omnian and
followed his mentor into the world and into the Watch. He has maintained the skills he learned from the Guild in the
service of Om. He tells jokes whenever he preaches in the street (atop an overturned banana crate) although sometimes
his memory lets him down as his Guild training was never completed. ("How do we know Om truly exists and loves
us, I hear you ask? Well, that reminds me of a funny story, yes a very funny story. There were these two fellas, no,
hang on a tick, it was a man and a woman, and they were traveling from Quirm to Psuedopolis. Or it may have been
the other way around . . . Anyway . . .")
Fool: 3 dice. He is almost completely trained in jocularity, the proper use of wallpaper paste and custard. (Falls into
funny walks occasionally.)
Missionary: 3 dice. He is pretty good at preaching and has got the Omnian texts (at least those used by his sub-cult,
the Spinward Reformed Chelonians) down pat, aided by his training in memorising things in the Guild. (Starts
conversations with "Hello, did you know Om loves you?")
Watchman: 2 dice. Not too hot on the physical side but again he has learned the Law and Regulations faster than
anyone since Captain Carrot. (Wears uniform. Can tell you which ordinance any deed is against.)
Hit Points: 21. (Dead average.)
Flaw: His Guild training also means his sense of humour has been burned away and he cannot tell what is actually
funny but has to rely on rote learning.
Secret: His Guild name, Joey Baggypants.
Important Person: Om and after that Constable Visit.
Enlighten the Heathen with Humourous Parables
ST 11 (10 points)
DX 14 (45 points)
IQ 13 (30 points)
HT 10 (0 points)
Base Speed 6.0 Move 5
Basic Damage Thrust 1d-1 Swing 1d+1
Advantages: Clerical Investment (5 points), Legal Enforcement Powers (5 points), Literacy (10 points).
Disadvantages: Bad Reputation (-2 Reaction: "Look out! It's a missionary!") (-10 points), Compulsive Behaviour
(Preaching) (-10 points), No Sense of Humor (-10 points), Sense of Duty: To Om and The Church (-10 points).
Quirks: Keeps forgetting the tag line of jokes, Ashamed of his Clown name, Always uses a banana box when
preaching in the streets, Reveres Visit-The-Heathen-With-Explanatory-Leaflets, Starts conversations with, "Hello, do
you know Om loves you?"
Skills: Bard (4 points) 14, Juggling (2 points) 14, Performance (3 points) 14, Broadsword (1 point) 13, Fast Draw:
Sword (1 point) 14, Sling (1 point) 12, Brawling (2 points) 15, First Aid (1 point) 13, Law (8 points) 15, Criminology
(1 point) 12, Acting (4 points) 14, Administration (2 points) 13, Area Knowledge: Ankh-Morpork (2 points) 14,
Diplomacy (1 point) 11, Fast-Talk (1 point) 12, Sleight of Hand (4 points) 14, Ventriloquism (2 points) 12.
Equipment: (Light Encumbrance) Heavy Leather Armour (PD 2 DR 2), Broadsword (Cutting 1+2) Sling and
slingstones, First Aid kit, Wedge of Omnian Leaflets.
Big Malcolm MacDonald
The Gigantic Gnome

Malcolm is something of an outcast among his own people. Being of enormous size (almost six inches tall) and
considerable strength he has difficulty getting into the spaces that other gnomes regard as suitable for making a snug
home. Remarks about "huge greet lummoxes eatin' us oot of hoose and hame" were also made pointedly by his
relatives. So he had to find a new life for himself out in the human world. He now lives in an old doll's house (luxury
accommodations by gnome standards) in the attic of Psuedopolis Yard and is eager to make his way in the world.
Unlike some gnomes (Wee Mad Arthur is a name that comes to mind) he is not mindlessly aggressive: in fact he is a
quiet, studious and easy-going type who has never felt the need among his own people to prove anything about his
ability to knock heads together. Happily for him the reputation of gnomes like Wee Mad Arthur has made his fellow
trainees wary of him. When his temper is aroused, however, he is quite capable of rushing at things and people much
bigger than him and cutting them off at the ankle.
Street Fighter: 4 dice. He can use his size and considerable strength (even compared to much larger humanoids) to
great advantage. ("Noo, laddie, let's settle this peacable-like. Ye'll no be wanting me to be getting angry.")
Watchman: 2 dice. His basic training was the best overall in his group and his superiors have already marked him
down for possible promotion. (Wears uniform and carries gnome sized shillelagh on duty.)
Piper: 3 dice. He is an enthusiast for his people's native instrument and the reason his doll's house is up in the attic is
his enthusiasm for playing the pipes at all hours. It has a thousand and one uses apart from rallying the gnomish clans
and terrifying the enemy. Some even allege it can be used to make music. (Carries his bagpipes at all times).
Hit Points: 28 (Wiry)
Secret: His unrequited love for the chieftain's daughter back home.
Flaw: He is only six inches tall and ignorant persons may not take him seriously.
Important Person: His bagpipes.
Big Malcolm MacDonald
ST 10 (0 points)
DX 12 (20 points)
IQ 12 (20 points)
HT 10 (0 points)
Base Speed 6.5 (Incl running) Move 4
Basic Damage Thrust 1d-2 Swing 1d
Advantages: Racial: +6 Fatigue (+18 points), +2 PD (50 points); Legal Enforcement Powers: Local (5 points),
Literacy (10 points).
Disadvantages: Racial: Inconvenient Size (-15 points), Reduced Move 2 (-10 points), Short Arms (-10 points); Self
Defence Pacifist (-15 points).
Quirks: Mild Paranoia (Racial), Has unrequited love for girl back home, Touchy about his size, Carries his bagpipes at
all times.
Skills: Acrobatics (4 points) 12, Criminology (2 points) 12, Running (1 point) 8, Brawling (4 points) 14, First Aid (2
points) 13, Shortsword (For use with shillelagh) (4 points) 13, Law (4 points) 12, Intimidation (1 point) 11, Bagpipes
(4 points) 12.
Equipment: (Light Encumbrance) Heavy Leather Armour (PD 2 DR 2), Shillelagh (treat as baton) 1d-2 or 1d
crushing, Bagpipes.
Theodore Bigfin B.F., B.M.
The Forensic Wizard

Recently recruited from the graduating classes at U.U., Theodore needs something to keep at bay the collecting agents
("thugs") of the people he unwisely went to in order to finance his time at the University, He did not get good enough
grades to get tenure at U.U. Nor did he have the contacts to get work at some court. Nor (obviously) the money to
struggle through getting his own private practice set up. So the idea of joining the Watch and surrounding himself with
lots of heavily muscled and armoured companions to keep the debt collectors at bay seemed a good one.
Now, after two months of Basic Training and being shouted at by Sergeants (who can Shout even better than the
Archchancellor) he is not so sure. He thought he was going to be stuck in a nice warm lab at the Yard, but Captain
Carrot seems to like even his back-room boys to have some experience with street police-work. If he can survive the
probationary period he may never leave the Yard ever, ever again. Especially in winter.
Wizard: 3 dice. A third rank wizard with a good grasp of basic theory and practice and a long hard slog to make it to
fourth. (Wears pointy hat and robes, carries staff.)
Watchman: 2 dice. He's better at the theoretical stuff and paperwork than any sort of violence. (Wears a copper badge
on his robes.)
Educated: 3 dice. He knows a lot of general Stuff about anything that was written in books. The other recruits call him
"Professor" because he can tell you the exact dates of the Ankh-Morpork Civil War or when Pseudopolis was founded
and by whom. (Says things like: "Actually, it Morg the Lesser who murdered King Buffy. People often make that
mistake.")
Hit Points: 10 (A weed.)
Secret: Owes money to Crysophase the Troll.
Flaw: Has the social graces of . . . well, of a wizard.
Important Person: Himself.
Magic Pool: 3 (and 3 more uses of magic stored in his staff).
Theodore Bigfin
ST 10 (0 points)
DX 12 (20 points)
IQ 13 (30 points)
HT 10 (0 points)
Base Speed 5.0 Move 5
Basic Damage Thrust 1d-2 Swing 1d
Advantages: Legal Enforcement Powers: Local (5 points), Literacy (10 points), Magery 3 (35 points).
Disadvantages: Absent Mindedness (-15 points), Enemy: Crysophase's Thugs on 6-. (-10 points), Odious Personal
Habits (Various Wizardly bits of selfishness and slobbishness worth -3 reaction) (-15 points), Secret: Serious
Embarrassment: His Debt (-5 points).
Quirks: Reads scholarly journals while walking, Eats fruit noisily, Curious about sex while not wanting to get
involved himself, Doesn't plan ahead too well, Proud of having made his own Staff.
Skills: Broadsword (1 point) 11, Spellthrowing: Fireball (1 point) 12, History (1 point) 11, Literature (1 point) 11,
Research (1 point) 12, Thaumatology (1 point) 14.
Spells: (All 1 point except as otherwise shown) Sense Emotion 14, Sense Foes 14, Truthsayer 14, Enchant 13, Staff
14, Create Fire 14, Fireball 14, Ignite Fire 14, Shape Fire 14, Seek Food 14, Lend Health 14, Lend Strength 14, Minor
Healing 14, Major Healing 13, Recover Strength (2 points) 15, Complex Illusion 14, Illusion Disguise 14, Perfect
Illusion 14, Simple Illusion 14, Aura 14, Detect Magic 14, Seeker 14, Trace 14, Continual Light 14, Darkness 14, Flash
14, Light 14, Counterspell 14, Dispel Magic 14, Magic Resistance 14, Scryguard 14,Daze 14, Foolishness 14, Sleep 14,
Mass Sleep 14, Apportation 14, Haste 14, Slow Fall 14, Seek Plant 14, Mystic Mist 14, Shield 14, Sound 14, Seek
Water 14.
Equipment: (No encumbrance) Broadsword (1+1 cutting), Wizard's Staff (16 points of energy), wizard's robes,
dufflecoat, bag full of books.
Sidebar: Adapting Over the Edge to Discworld

You can use OTE (or Over The Elephants as I called this variant) just about straight for Discworld adventures. It needs
almost no adaptation except to say:
1) The maximum number of dice should be 8. Granny Weatherwax is an eight-die witch, Mustrum Ridicully is an
eight-die wizard and Cohen the Barbarian is an eight-die Barbarian Hero.
2) Be fairly generous about allowing people to increase their abilities. It doesn't suit the world to require years of study
to achieve high rank. Allow people to spend experience dice to buy new and improved abilities when it fits the story.
3) There are some things (and even people) on the Discworld who there is no point in giving stats to. CAN YOU
GUESS WHO I MEAN?
4) Oh, and on magic . . . Here's the handout the wizard should get.
So, You're a Discworld Wizard and Want to Cast a Spell . . .
. . . And you expect me to have a complete magic system worked out with spell lists and everything? Get real! Here's
how it is going to work if you want to cast a spell.
1) First Name That Spell!
If you want to cast a spell you had better have a snappy name for it, suitable to the Discworld. Discworld spells go
(mostly) [Inventor's Name] [Adjective] [Effect]. And a bit of alliteration always helps.
Example: The sergeant wants you to cast a spell to see if someone is telling the truth. Thinking you had better do
something to impress her you say "Yes, I think this is the perfect occasion for Verdain's Verdant Veridicator!"
2) Tell Me What You Want to Make the Spell Do
Describe the effect. Don't be too ambitious or you'll get into trouble at the next stage.
Example: You turn to me, your smiling GM and say: "I'd like the spell to make someone glow green if they tell a lie
under its influence."
3) I Decide What Level the Spell Is
There are eight (of course) levels of spells from lighting cigars with flames from your fingertips (Level One) to
painting the sky pink (Level Eight) and the GM will decide what level is appropriate to your spell. To say that the GM
can be influenced by being offered bribes of food or physical affection from beautiful women is merely to state the
obvious.
If the spell is of a level higher than your current wizard level (= number of dice in the Wizard trait) then you suffer a
penalty die for every spell level above your current Wizard level.
4) You Roll the Dice in Total Ignorance Of . . .
. . . what you need to get. Which the GM will have made up when he assigned the level. If you are casting a spell on
someone else then they will resist with some appropriate trait or with 2 dice in any case.
In the case of the Verdant Veridicator, you would definitely have to overcome the target's resistance if they didn't want
to tell you the truth.
As an optional rule to encourage creativity, you can say that any attempt to use the same spell in the same day is at a
penalty die.
5) You Cross Off One of Your Magic Shots for the Day
You can refresh your magic pool by:
Waiting. It will return to full each dawn.
Meditating. This can involve either Yoga or for U.U. grads eating a Big Meal.
Tantric Sex Practices also work. But as a U.U. grad it is far safer to stick to Big Meals.
Watch Academy VI: Hogswatchnight
The Adventure
What Is Really Going On (Part One)
A Fiendish Cult has managed to bind Hideous Creatures from the Dungeon Dimensions into the forms of Burfies
(TM), an annoying but highly desirable soft toy that has won its way into the hearts of the young of Ankh Morpork.
On Hogswatch Eve they are to be distributed to the unsuspecting mothers and fathers of Ankh-Morpork and then wake
at midnight to perform a blood sacrifice which will open the Gate to their Even More Hideous Masters! Unless Fate or
Someone Intervenes . . .
Scene 1) It Was Hogswatch Eve at the Watchhouse . . .
. . . And the cold bare walls were bright, with garlands of paper sausages and the smell of mulled wine and grilling
meat products which drift across the snow covered courtyard to where five figures stand, slowly getting colder as they
wait for the command "At Ease."
Fifteen minutes ago, the Academy graduates were stood to attention by Corporal Nobbs prior to being sent off on
patrol for the first time, which would ensure that everyone else can stay in the Watchhouse for the Hogswatch Eve
Party (or Piss Up, as Nobby habitually refers to it.) They have stood there since, at attention, gradually being covered
with snow.
(A chance here for the players to introduce and establish their characters and perhaps to get themselves into trouble
right at the start.)
They see a figure crossing the courtyard. It strides purposefully in through the gate, across the courtyard towards the
Watchhouse. And stops and strides towards them as it spots them. It is Sergeant Angua. (A person to be polite to. A
were . . . Well, you know what people say . . .)
"What are you doing here? . . . Uh huh. I see. Wait here . . ."
She enters the Watchhouse and a short while later there is a howl of pain that the sharp eared may identify as Corporal
Nobbs in distress. And then the great wobbly figure of Sergeant Fred Colon lurches out of the doorway and comes to
rest a short distance in front of them. He has been drinking deeply of the spiced punch.
"Recrutssshhh, shhtandart TEASE! Stan easy." Blink. Blink. Hiccup. "You are heahby ordered to proceeeed on patrol.
You will take ther widderships patrol route. You are to proceed inna ordly manna out and along ummm . . . Lowa
Brorway. Crossa Brass Bridge. ROUND the Palace. Up Uppa Brorway. Long Street of Cunning Artiti . . . Artifi . . .
Them. Yeah. Goosegate. Five Ways. Treacle Mine Road. Back across Pons Bridge and home. You cry the hours,
right? 'Five o'clock an all's well!' You deal with any breaches ovva laws. You help the populacetion about their lawful
watchumaycallums. And I don't wantchya coming back here for help, cos we're all inna . . . innadisp. Not well. Right!
Patrol SHUN! Patrrollllll (Wait for it, wait for it.) DISSSSS . . . MISS!"
And he turns and lurches back into the Watch-house.
2) 2 Scenes and a Small Red Herring
The first three things they encounter on their patrol are as follows.
Hwll the dwarf, the Discworld's greatest playwright, sitting weeping into his beer at the stage door of the theatre of
Lord Wynkin's Men in Lower Broadway. He is distressed that his latest masterpiece (What You Want, or, Damned If I
Know) has been pirated and reworked into the crass commercial success called Rose Red and the Seven Gnomes,
which is packing in children of all ages at this Hogswatch season. He is particularly distressed by the facts that a comic
wallpapering scene has been added and the male lead taken by a Llamedossian harp-player who is inexplicably
popular among young women. (This is nothing to do with the plot but can be used to include all sorts of pantomime
jokes if the referee knows any.)
At the Brass Bridge they meet Sol Dibbler, nephew and stooge to the more famous Cut Me Own Throat Dibbler who
is out in the snow keeping the family sausage-in-a-bun franchise active. He has four dice of Salesman (C.M.O.T. has
eight, naturally.) and may try to persuade the Watchmen to buy some of his wares. If asked about where his uncle is,
he is unwilling to be too specific. (This is the red herring: Throat Dibbler is busy in a workshop on the Street of The
Cunning Artificers trying to create forged Burfies. Inexperienced Watchmen may jump to the conclusion, later on, that
any sort of suspicious merchandise in Ankh-Morpork must involve the Dibbler clan and spend time trying to chase
him down.)
At the gates of the Palace they may peer in (before being moved along by the snobs of the Palace Guard) and see that
on the portico there is a Hogswatch party for poor children going on. In the rather tall Hogfather they may recognise
their own Captain Carrot. In his elfish assistant, who juggles surprisingly well, the more observant will identify the
Patrician.
2A) A Random Wandering Encounter
At some point around here the Little Match Girl should notice the following scene. Put it in where there is a lull in the
action. It's only here as a set-up for something later.
She sees a couple of people appear in the street. One is dressed like someone playing Hogfather but with a lot more
barechest and charisma than the average anxious parent. He has vine leaves and small sausages wound in his hair and
carries a large torch. Beside him is a miserable looking old git in his night shirt. They do not leave footprints as they go
past.
3) A Cry for Help and a Puzzle
As they are making their way around the Palace they will hear a cry.
"Help! Help! Theft! MURDER!"
It comes from a small, well dressed but slightly hysterical man who is standing outside Grimbly's department store in
the Maul. The Maul is just about the best and most expensive retail location in the city and Grimbly's is the oldest and
most respectable department store. And the man outside is Mr. Grimbly himself. His chief characteristics are 1)
Respectability 2) Wealth and 3) Greed. His current state of mind is somewhat distraught because . . .
Someone Has Just Murdered His Hogfather (Oh, and His Elf)
He sobs as he describes finding the bodies and then trembles as he describes the horde of parents and children who are
waiting and growing increasingly impatient outside the Grotto.
Outside the store workmen are hanging up a large sign. "YEA! WE HAVE BURFIES!" The part of the waiting crowd
that has spilled out into the street cheers as the sign goes up.
Burfies (as everyone in Ankh-Morpork knows) are the heavily advertised children's toy which is supposedly wanted
by every child in the city. A miracle of technology, they are supposed to be incredibly lifelike. Children who aren't
getting a Burfy this year are certain to make their parents' lives a misery. (Permission is hereby given to update the
object of this satire to whatever piece of anthropomorphic merchandising is being hyped at the time this adventure is
actually being run.)
The Watch has two problems. To prevent a riot and to solve the murders.
3A) The Scene of the Crime and a Clue
The store owner leads the Watchmen through the "backstage" bits of the store to the Grotto which stands between the
loading bays at the back of the store and the toy department. Outside can be heard the muttering of the impatient
crowd.
Both the Hogfather and his assistant have been killed at close range by a single shot from a small hand held pistol grip
crossbow. The miniature quarrels are quite distinctive. Both were shot by someone standing at the rear entrance to the
grotto , the one leading to the loading bays. Although the weapon is a typical Assassin's device, the lack of an official
receipt makes it unlikely to be a Guild hit.
Grimbly will grow hysterical and insist that some must take the place of the Hogfather. A look through the drawn
curtains at the crowd outside should convince the Watchmen of the truth of this.
Close examination of the two corpses will reveal one thing they have in common. They both wear dirty purple night-
shirts under their festive garb. This is A Clue.
3B) Preventing the Riot
Above all, the Watchmen want to prevent the situation at the Department store from getting out of hand. This will not
be easy. For when the first child to sit on the Hogfather's lap asks for a Burfy, the store owner will inform whoever is
playing the assistant that they can be found in the third loading bay at the back.
When he gets there, there is no such thing. A riot is almost certain to ensue unless someone does something creative.
The roar of disappointed children and parents shouting "WHAT DO YOU MEAN THERE ARE NO BURFIES?" is
likely to turn into a nasty bit of looting.
(Recruiting Captain Carrot to play the Hogfather is one way of being creative. He makes a terrifying figure, crying
"HO! HO! HO! In the Name of the Law! Happy Hogswatch!")
Three leads can be pursued:
The Hogfather and his assistant were recruited from an organisation called Festive Frolickers at 13 The Scours.
The Burfies were ordered from TeeTeeEm Products at 15 The Scours.
If pressed Mr. Grimbly will admit that there is one other major department store in the city. "The upstart bastard
Drimbel! He'll have stolen my Burfies! Go get him officers! And get my Burfies back!"
4) At The Scours
Both organisations operate from the same rambling warehouse in a broken down part of town. The person who
answers the door is stooped over, short-sighted and dressed in a purple nightshirt. He is the Chief Mad Cultist. With
him are a bunch of lesser Mad Cultists who are waiting for the midnight hour to start their Fiendish Ritual. He will be
most disturbed at any news of stolen Burfies and will demand explanations. He will also consider drugging and
sacrificing any Watchmen who he suspects of being virgins. (True of the Little Match Girl and the Wizard.) Virgins
will do at a pinch to open the cosmic pathways and let his hideous masters into the world.
(TeeTeeEm is naturally a contraction of TTMWNMTK.)
5) At Drimbels (on the Street of Merchants)
Outside a similar sign is going up. A similar crowd waits expectantly. The Watchmen will arrive just in time to hear a
cry of pain from the Grotto. Inside they will see a man in black street clothes (Yes, a Man In Black), carrying a
wizard's staff. He has just shot both the Hogfather and his assistant and will then run back to the loading bays and
jump onto a flying carpet loaded high with crates full of Burfies. He will (if not stopped) fly out of the loading bay
and then off in a Turnwise Hubward direction. (Actually towards Unseen University.)
What is Really Going On (Part Two)
The One who has interfered with the evil plans of the Fiendish Cultists is Mervyn Studley, Reader in Forbidden
Writings at Unseen U. A sixth level wizard, he believes as sole permitted student of certain of the nastier volumes in
the library that it is his duty to protect the Discworld from Things That Man Was Not Meant To Know. He may even
be right. He is killing off the Evil Cultists and plans to return the Burfies to their native plane before midnight. He will
not tolerate any interference.
Mervyn Studley
6th Level Wizard: 6 dice. Mervyn is an expert on transdimensional incantations and casts a mean fireball or sleep
spell as well. (Carries wizard's staff.)
Things That Man Was Not Meant To Know Type Knowledge: 3 dice. He has spent too much time reading books
from the Restricted Section. He knows far too much about stuff even most wizards find disturbing. (Has facial tic and
wide staring eyes.)
Whim of Steel: 3 dice. He has a mind of unusual strength and has proven to be able to maintain his mental stability in
the face of some Very Nasty Things. (Never admits he's wrong.)
Assassins Skills: 3 dice. He has picked up some useful techniques for ending the life of Evil Cultists with the
minimum of fuss from some indiscreet friends in the Assassins' Guild. (Wears black a lot. Carries Pistol crossbow.)
Whim of Steel (Downside): He's quite incapable of admitting that he needs help from other people or even of trusting
them for a minute.
In GURPS Terms
Studley has whatever Assassin skills he needs at 15 (And the appropriate Unusual Background for having both Wizard
and Assassin training. It's a long story, believe me) and whatever spell skills he needs at level 16. His pistol-grip mini-
crossbow does 1d+1 impaling and he has the unpleasant habit of shooting it through the right eye of his victim which
almost does away with the need for the obscure herbal poison he smears on the tips. He has Strong Will which almost
compensates for the mental instability that his high level of TTMWNMTK Type Knowledge is causing. He's not
actually Paranoid but is untrusting, harsh and pig- headed.
If They Try to Stop the Man In Black from Leaving . . .
If they attack the flying carpet there will be a major spillage of Burfies. Studley will fly away and leave them to deal
with it. If they jump aboard the carpet he will use a sleep spell to knock them out and leave their bodies atop a
building.
6) From Here On In . . .
The events are less structured. The Watchmen must discover What Is Really Going On and prevent both major riots
and the destruction of Reality As We Know It.
The Following Scenes may be useful:
Getting the Guilds Involved
Getting the Assassins and Thieves Guilds involved will nicely complicate matters. Major acts of inhumation and
expropriation have happened without their permission. They will have to be kept sweet.
At the Archchancellor's Party
The Hogswatcheve Party at U.U. is full of the Great And Good of Ankh-Morpork society. The Great Hall has a tree
and all the traditional food and festivities. (The Dean is making an ass of himself but there's nothing new in that.) A
properly polite approach to the Archchancellor will recruit a posse of the Disc's most powerful wizards to lead the way
through the peculiar geometry of U.U.'s corridors to the room of the Reader in Forbidden Writings.
At Studley's Rooms
Knocking on the door gets no reply other than a shout of "Go Away!". Knocking it down is a Bad Idea but almost
inevitable under the circumstances. Within you will find a huge pentacle with the Burfies piled high in it. From another
protective circle Studley is busy opening a dimensional gate to return them from whence they came. The floor in the
larger pentacle is already bending downwards as a pit opens up into the Pit. Sensible people will stop moving too
quickly at this moment . . .
The Archchancellor will halt and ask people to step quietly and gently back into the corridor while he has a word with
Reader Studley. He will reemerge to say, in a voice that is almost subdued, that the Reader has been taking necessary
action on behalf of the Lore and to encourage the Watchmen to go and mop up any inconvenient loose ends. (Like
further supplies of Burfies and the Mad Cultists.) He will also go and bribe, intimidate or sweet talk any other Guilds
that are making a fuss.
Sidebar: Burfies
Burfies are cute-looking furry little humanoids who turn out to have lots and lots of teeth and a hungry disposition.
They like to eat warm, fresh flesh . . . From a combat point of view they are swarms of creatures.
OTE: Each swarm has up to eight dice with 5 hit points per dice. Each time you do five points of damage to the swarm
enough Burfies have died to reduce the dice rating by one.
GURPS: See B143. A swarm of Burfies does 1d+2 cutting damage. It takes 10 points to disperse a swarm.
7) One Last Scene After It Is All Over
As (hopefully) they stagger back towards the Watchhouse, completing their patrol in the early hours of Hogswatch Day
they pass by the intersection called Five Ways. A window flies open above a moneylender's shop and the man who the
Little Match Girl saw earlier, wandering about in his night-shirt, sticks his head out of the window. He is still in his
night shirt . . .
"Hey, you there! Can you tell me what day this is? . . . What Hogswatch Day? Oh, the spirits have done it all in one
night! Oh, joy! Tell me is the pig still in the window of the butcher's two streets down? Is it? Hey, hey, no! Come
back here . . ."
Sidebar: Things Players Say: Reports from the Playtest

I ran this twice with two groups of players over Christmas 1998. The best scene from the first run was the wizard using
his staff to spurt magical snow to accompany Captain Carrot's entrance as the Hogfather. ("The sad thing is," said
Daniel who played the wizard, "that he won't see the symbolism of the white stuff spurting from the end of his staff.")
The best bit in the second run was the Little Match Girl's acquiring a Small God to inhabit her teddy bear. Arnold God
Of Teddy Bears Who Looks After Little Girls could well be a highly marketable deity. ("He's only a one dice god. I'm
more powerful than he is . . .")
Grimbly: You're the Watch?

The Barbarian: Jah!
The Wizard: And he's the Grandfather Clock.
About the Gnome at the Archchancellor's Party: He leaps from table to table hunting the wild sausage.
I charge the door.

How much?
A knockdown price.
Enlighten: Do you know Om loves you?

Surety: Yes, but I love Arnold.
Murphy's Rules
by John Kovalic
Murphy's Rules
Murphy's Rules
Bruno! by Dan Smith
Pyramid Interview: Peter Adkison
by Scott D. Haring
Wizards of the Coast had the biggest news story of the GAMA Peter Adkison, CEO of Wizards of the Coast
Trade Show, announcing the formation of a new Miniatures
Division, and the hiring of Bob Watts (formerly FASA/Ral Partha,
and Heartbreaker Hobbies before that) to run the operation. "He
was the best person outside Games Workshop," Wizards CEO
Peter Adkison said. "It was so important to find someone like Bob
Watts . . . the decision to start a miniatures division depended on it.
Adkison said the primary focus of the new division would be to

support the roleplaying line, and that means AD&D miniatures.
"We think the time has come to do it in-house," he said. Stepping
up to Games Workshop-esque high-dollar, big-boxes-of-
miniatures-type games is also a possibility, but one Adkison said
they were not going to jump into right away.
Adkison sat down with Pyramid editor Scott Haring at the GAMA Trade Show in Las Vegas last month. Here's what
else he had to say:
Pyramid: What's new on the card side? Pokemon was a big hit -- are you looking for the next big hit, or are you going
to ride what you have for a while?
Adkison: I think it's important to stay focused. Right now, we're doing very well with our trading card games. Magic:
The Gathering sales are up this year over last, and last year they were up over the previous year, so Magic: The
Gathering is going really, really strong for us, and we're very happy about that. Legend of the Five Rings is doing
extremely well, and Pokemon is, of course, the new big hit. Right now, I think we want to focus on these products,
especially with Pokemon being so overwhelming in terms of its popularity, we want to make sure we do a really,
really good job with it. We are looking down the road, but there are no other trading card game product announcements
that are imminent.
Pyramid: Are you looking at bringing out more Pokemon cards down the line, or are the 120 cards in the original set
going to be it?
Adkison: There will definitely be more Pokemon expansions. We're much more interested in licensing than we used
to be, because we've seen the power of licensing in terms of bringing new people into the trading card games category,
and that ends up building Magic in the long run.
Pyramid: The story about how you guys found Pokemon is that there was a huge spike in your Magic sales in Japan,
and when you investigated, you discovered this other game and saw that it was serving as an introduction to Magic.
Adkison: That's true. We had something like a 45% to 50% transfer rate of Pokemon players to Magic in Japan, and
yeah -- Magic sales just went through the roof in Japan, even though it was a mature market for us. Magic had been
released in Japan in 1994, and here it is four years later and we're seeing this huge spike. It's because of Pokemon.
We're very excited about Pokemon, not just because it's a great property, but also what it's able to do for our Magic
business in the U.S.
Pyramid: And now you're expanding into China.
Adkison: Magic: The Gathering will be launched in China this year, in modern Chinese. We're making a pretty
dramatic change from traditional way we launch Magic in a new country, in that we redesigned the whole game for
China, using the Chinese mythologies and the legend of the Three Kingdoms, which is a very important part of
Chinese history. So instead of having five colors, it's going to have these three kingdoms. We also have a very strong
endorsement from the Chinese government to help us spread Magic through the schools. Whereas some places here in
the States, Magic is occasionally banned from a school or something like that, in China, Magic is recognized by the
government as an official "non-Olympic" sport, a "mental" sport, and that endorsement will allow us to get into the
schools. The government is helping us train Magic teams in 50 universities this year.
Pyramid: How does distribution work? Do you sell to game stores in China? Or do you sell directly to the government
and they distribute it?
Adkison: First off, we set up our own office in Beijing, and we'll be selling through regional distributors. Of course, a
region in China can be very, very large. We'll work through commercial distributors of hobby-type products; they have
hobbies and sports distribution channels where games like mah-jongg are sold. It will look a little bit different, but
every country has their form of hobby distribution. We'll work it out.
Pyramid: Who got to go to China? Did you promote from within? Did you hold a lottery?
Adkison: We got very fortunate early on, in that a lot of our success in Asia is due to a guy named Jackson Tse.
Jackson is Chinese in origin and he also has a very strong entrepreneurial background; he had a tennis racket company
in China. He knows how the system works, he has all the connections, and he has really built our Asian Pacific
business. The person who deserves the credit for this is Jackson, because of his passion for the Chinese market.
Pyramid: In a brief announcement, Wizards canceled Unglued II recently. The announcement said something about a
"decision to reduce the number of Magic products in any given year." Can you elaborate? Was the product not coming
together?
Adkison: Unglued II is there, and I wouldn't say "canceled" as much as "postponed." I'm pretty sure we'll do Unglued
II eventually, just not this year. This is a case where we really listened to a lot of our customer feedback -- one of the
most common complaints about Magic from customers is that we just come out with too many products. It's something
we've known for quite a while, and we've looked for opportunities to do (something about it). I'll be honest, there's
economic reasons to publish lots of expansions; it's more money. But I think you can credit the success of Pokemon
for helping us with this decision. Pokemon is doing really well, we're not going to have trouble beating our (sales
projection) numbers this year, why don't we take this as an opportunity to scale back a little bit on the pressures we're
putting on the Magic brand by having so many cards come out. And that's the real reason for it.
Pyramid: You also recently implemented a new program for the collectors, involving foil premium cards. How is that
going?
Adkison: That has been absolutely wonderful. We have resisted for several years the idea of doing foil cards for
whatever reason, and we hesitated at it, because we were worried that . . . we recognized that the collectors would like
it, but we were worried about offending the players. But we did it in such a way that none of the foil cards are unique
from a design point of view, they're just foil. So the competitive player who is not interested in collecting the cards
feels no need to go out and buy these expensive premium cards, but the collectors love it because they get to collect
them. At first we thought we'd be happy if it was a "win-neutral" -- a win for the collectors and neutral for the
competitive players. It's actually turned out to be a "win-win," because what happens to competitive players when they
happen to stumble across a premium card is, they'll go trade it for three or four non-premium cards. So it turns out to
be a win-win for them, too. We're very happy with the way it turned out.
Pyramid: The first product to feature foil cards is . . .
Adkison: Our most recent expansion, Urza's Legacy.
Pyramid: Will Classic Sixth also have the foil? How about Portal?
Adkison: You know, I'm embarrassed to admit, I just honestly don't know. It's a question that's come up before at this
show, and I need to find out. I don't know which expansions we're doing foil cards in and which ones we're not, and
even if I did, I also don't know which ones we can say.
Pyramid: Any plans yet for Dungeons & Dragons characters in a Magic supplement, or for the seemingly-inevitable
Magic roleplaying game?
Adkison: First of all, I doubt seriously you'll ever find Dungeons & Dragons characters in Magic: The Gathering.
And I doubt seriously you'll ever find Magic: The Gathering characters in the Dungeons & Dragons core property.
Now, you might find a separate property, like a Magic: The Gathering-Dungeons & Dragons crossover property, like
a roleplaying game set in Dominaria. We certainly discuss it a lot, and it will probably happen someday, but it's not a
priority for us right now. It's just a matter of what are our priorities, in what order, and eventually we'll get to it.
Pyramid: There was a lot of speculation that a crossover RPG was going to be the first thing out of the gate you guys
did after the merger.
Adkison: Actually, when I went into it, before I really understood the TSR situation, I thought it would become our
highest priority, but as I worked with the TSR situation, I think there are other priorities (we should be) working on.
We'll get to it. But right now, I think the introductory products are more important, and of course we're looking very
seriously at doing a new edition of the game as well.
Pyramid: Any time frame on AD&D 3rd Edition?
Adkison: No. We haven't committed to it yet.
Pyramid: What's up with SAGA?
Adkison: SAGA is primarily for our superhero setting. Dragonlance is now being supported for both SAGA and
AD&D, so it's a hybrid. We're very comfortable with that approach.
Pyramid: Was the idea behind switching Dragonlance to SAGA that to introduce a new system, you had to tie it to an
extremely well-established game world to get people to give it a look?
Adkison: That was the original strategy. That happened before the acquisition, and I've been a little outspoken, but
I've made it no secret that I think that strategy was flawed. I think it was a mistake to have taken Dragonlance off of
Dungeons & Dragons and put it on SAGA. It alienated a lot of Dragonlance fans. But now that we've done it,
introduced new people to Dragonlance under SAGA, what do we do? I think it's reasonable just to print Dragonlance
material with both D&D and SAGA stats in it. I don't think there's anything wrong with that. We can do that.
Pyramid: How is the initial reaction to the Marvel SAGA material?
Adkison: That actually went over really well. There was a lot of debate about which system to use for that, too. And I
think we picked the right system for that. The SAGA system works great for superheroes. We're pretty happy with it.
Pyramid: Any plans to use SAGA for anything else? Something original, or something new on the licensing horizon?
Adkison: No, nothing we can really announce at this time. We're not going to be very aggressive in doing new
campaign settings for a while. Our focus is to build what we have. A lot of opportunities for TSR right now have to do
with staying focused on a smaller number of brands, as opposed to diluting our energy over a whole bunch of different
lines, and really focusing on making the few lines that we do support as good as possible, and also exploring a lot of
the interactive and electronic options for those products. So you'll see a lot of electronic products coming up for TSR,
through our active licensing partners. Baldur's Gate, for example.
Pyramid: Going back to the cards -- are your other card games (Netrunner, BattleTech, Vampire: The Eternal
Struggle) finished?
Adkison: No, actually no. We have a list of trading card games we call our line of "classic" trading card games, which
are really good games we like and want to support, but they're not big enough to justify doing regular expansions. But
when people talk about supporting trading card games, let's face it, the customer only cares about one kind of support -
- and that's new cards. That's what they really want. What we plan to do is introduce new cards in small numbers -- 40,
50 cards, really mini-expansions, for each of these classic trading card games, and that will include Netrunner,
V:TES, Spellfire, and BattleTech. We're going to be doing new cards for all those games. We're very excited about
that. This is going to be great news for fans of those product lines. Vampire fans won't have seen new V:TES cards for
two or three years.
Pyramid: Let's talk about vertical integration. The rumor is you've bought the southern California Game Keeper retail
chain, in order to turn them into Wizards Game Centers. Is that true?
Adkison: I can't comment on any acquisition rumors.
Pyramid: So it's not a done deal, if it's a deal at all?
Adkison: I can't comment on that.
Pyramid: So there's nothing you can say . . . but the Game Centers in Seattle have been very successful, and you'd
perhaps, like to at some point move the concept across the country.
Adkison: That's true. We opened five stores last year. All of them are profitable, doing really, really well for us, and
we'd like to open more stores. We plan to open more stores. And the focus of these will be to open them in really good
malls, in nice locations in those malls -- 50-yard-line locations -- and the goal of these is primarily recruitment,
bringing new people into gaming. By opening them in high traffic areas, especially in malls where you get the mall rats
. . . we believe there are another 10 million people out there who are gamers, they just don't know it. Our goal is to
open the recruiting centers, pull these kids in off the mall floor, sit their ass down and teach them how to be a gamer.
We're not idiots -- we realize that some retailer somewhere is going to be hurt by this, but for the most part, we think
that this can be a complement to existing retail, because most existing retailers are not in malls. They're in
neighborhood community centers, and they focus primarily on repeat business of gamers who are already in their shop.
Most of them don't do a lot to recruit new players. By being only in malls, in places where retailers aren't typically at,
we can attract a new market. It seems that this is working in the Seattle area. We do not believe that we have
cannibalized Seattle sales to a significant degree by opening five more stores there. We think the biggest opportunity to
grow the adventure gaming industry is to improve the overall retailing of our product, and there's just not enough
stores out there that carry gaming product and highlight them and demo them and run events around them, and that's
what we're doing to try to grow the business.
Pyramid: When you were first opening these Game Centers, you told me that you were going to try a number of
different paradigms, fine-tune the concept and figure out what works best. What is the best combination of store
features?
Adkison: That combination is a store that is about 2,500 square feet, located in a really nice mall, in a nice location in
that mall, a location that combines hobby game retailing, a pretty deep selection with broad market games and
electronic games that help bring people into it, and also have a place to play with a lot of regular events --
tournaments, leagues, demo games, pickup games, plus a Local Area Network (LAN) where people can play LAN
games. What doesn't it include? The future Game Centers will not include arcades, will not include the virtual reality
BattleTech pods, will not include a restaurant . . . we consider the original Game Center to have been a great success
in helping us figure out exactly what works and what doesn't, and the other five stores have all been variations on
what we thought worked, and that's kind of where it's shaken out.
Pyramid: Do you see this as a concept that can be taken national by anybody, or are you specifically looking to take it
national yourselves?
Adkison: We want to do both. We think that this is so critically important that we're not going to sit on our laurels and
hope other people do it. So we plan on opening a lot of stores along this line. But at the same time, we are working
very hard with traditional retailers to help them implement similar types of programs. We're very vocal about
describing just what these programs are that we're doing. There are no secrets to this. We would love it if all
independent retailers adopted as much of this program (as they can) and give us feedback on what works for them and
what doesn't work for them, and together we can all build better stores.
Pyramid: How's Origins and GenCon shaping up this year? Is Andon's move back to Seattle making things easier, now
that they're under the umbrella of the Wizards Special Events department?
Adkison: This has been a great move for us. Andon has an amazingly good staff and is a great convention
management department, but we've always had some difficulties integrating the Andon people into the rest of the
company. Now, with the changes that are going on, under Susan Scheid's leadership, it's going to become more like
one department that does both. And this is going to make GenCon and Origins more efficiently run, and we're
anticipating that both of those shows will improve, like they improved every year previously we were involved.
Pyramid: The only thing we haven't talked about is computer games. Are you guys still content to license out of
house? Are there any plans to maybe someday start your own division for that, too?
Adkison: Actually, we are slowly ramping up an interactive group. We're doing it cautiously, there's a lot of perils in
the interactive category. But Hasbro certainly demonstrated that if you build an interactive group around really strong
brands, that could be a very successful strategy in the interactive market. We're looking very seriously at doing
electronic products based around our brands, like Magic: The Gathering and Dungeons & Dragons. So we recently
recruited Bill Dugan from Interplay to head up this group for us -- he was the producer for the Redneck Rampage
series of products . . . (laughs) not that that says anything about the products we're going to produce, other than they'll
be good, quality productions. The initial focus is going to be more on tool-type products like the AD&D Core Rules
CD-ROM 2.0 that did so well for us last year. I have to admit, I think the most exciting product we're coming out with
this year is the Dragon Magazine product, the first 250 issues of Dragon Magazine on CD-ROM. I mean, that's just
amazing, it's just mega-cool.
Pyramid: Have you settled the rights problems with the writers on that product? Or are there no rights problems, and
the writers are just up in arms over nothing?
Adkison: I knew I shouldn't have said anything about that . . . We believe that the concerns that a small handful of
writers have expressed with us on this issue is completely groundless. And I love the artists and the authors, and I
think I've always had a really good reputation for treating them fairly and we've done a lot of good things for them, but
if somebody comes up and asks you to pay them money for something you don't owe them money for, it kind of grates
against you the wrong way. So I have to say we're not real inclined to just go off and give these fine people some extra
money when we believe we have these rights. We've done a lot of legal research on it, and the law and the case studies
all support our position.
Pyramid: Has SFWA (the Science Fiction Writers of America) gotten involved?
Adkison: I'm not going to comment on whatever negotiation processes are underway to try to work this out.
Pyramid: Lastly would be the Internet and online stuff . . . I did see in the last Dragon an ad for the D&D MUD, and I
typed in the URL and got kicked to your main page. It's not ready yet? When will it be ready?
Adkison: I'm not exactly sure. We did just recently hire Bill Dugan to head up our Interactive Games Group, and I
think right now everything is kind of in a state of flux while he works on a new plan for where we're going in all these
categories, all the different types of electronic products that we do. I can't really comment on any specific one.
Pyramid: Do you sell products direct over the Internet?
Adkison: Oh, absolutely.
Pyramid: So even a company with your kind of distribution, it never hurts to find another way to sell the product?
Adkison: Our long-term vision for distribution is what we call a hybrid distribution system, where we will sell to
distributors and retailers and consumers, all at terms that are appropriate for those tiers of the distribution chain. We
don't see distribution as an absolute -- you have to do it this way or that way. We think that in many places, a
distributor is a really good idea. A huge proportion of our business is done through distributors. But we also love e-
commerce, and we think if there are consumers out there who would rather shop on the net, we should be there for
them. I think the Internet -- and the stock market certainly agrees -- is going to radically change the paradigm for how
products are sold in the world. To sit back and fight against these fundamental economic forces is short-sighted.
Pyramid: How about Internet sites like Amazon.com, Egghead.com, barnesandnoble.com? Do you sell on those?
Adkison: You won't find a full selection of products, anything close to as full a selection of products as you'll find in
our own store. At a lot of the Internet resellers, like Amazon.com, you will find various Wizards of the Coast products,
a lot of the TSR novels, a lot of Dragonlance novels, and so on.
Pyramid: Any changes planned in the book department? What you're doing now seems to be working.
Adkison: It works great. The book department has been one of those real nice gems at TSR, even dating back to before
the acquisition, TSR always got high marks for its book publishing division. It's done well for many, many years, and
it continues to do extremely well for us. We recruited Mary Kirchoff to come back in and lead it -- she was the person
who built the division back in the '80s, and with her back at the helm, it's just done absolutely marvelous for us.
Pyramid: How's Dragon doing? It seems to be down, both in circulation and in advertising.
Adkison: That's kind of old news. Dragon Magazine took a dive many years ago, down to a much lower circulation
rate, and we're slowly rebuilding it. In terms of advertising, we're actually getting more advertising than Dragon was
getting pre-acquisition, because we're able to leverage with all six of our magazines (Dragon, Dungeon, Duelist,
Amazing Stories, Duelist Sideboard, Polyhedron) for some great economies.
Pyramid: One last question: When you guys bought TSR, did you get the Buck Rogers license? Was that part of the
deal?
Adkison: Uh, no.
Pyramid: Was it a dealbreaker that you wouldn't buy the company if it included the Buck Rogers license?
Adkison: Well, you know, we were very disappointed that that was not going to be part of the deal, but we negotiated
a different pricing strategy (that didn't include it).
Death Rally
by Rodney Orpheus
Art by Dan Smith

Death Rally is a Car Wars variant for those who want to see their tournament characters live a little bit longer than one
combat. It is basically a series of linked road battles under various different conditions, inspired by the fact that
European highways have no speed limits -- well, some do, but nobody worries very much about it.
A Death Rally campaign works best with a referee, but if you're playing with a friendly group you can do without --
any player not directly involved in a combat can referee for the duration of that combat. Each team starts with six
characters, with 60 skill points each, no more than 40 points in any one skill. You can assign these characters to
vehicles in any way you like, with non-racing characters forming the support crew -- all repairs and system installation
must be done by your team, so make sure some of your characters have Mechanic skill (Paramedic skill can come in
handy, too). In a multi-rally campaign, between races teams can replace dead or unwanted team members with new
60-point characters up to their maximum allowance of six team members. Characters always start with 0 prestige.
The team's starting budget is a one-time $100,000 loan. This loan will have to be paid back out of sponsorship and
prize money at a rate of $25,000 at the end of each Death Rally. If you can't make the repayments you can try to keep
on driving, but you will get threatening visits from shady men in dark suits with very expensive jewelry and weaponry.
Teams that have defaulted on loan payments tend to find lots of unfortunate accidents befalling their vehicles and crew
members -- destruction of clones is a common warning measure.
The team budget must pay for the team vehicles plus all spares and ammo. Food, lodging, and power plant recharges
are free. If your team runs out of money at any time during the rally, tough luck -- you drive with whatever you have
left. In cases of real hardship, a team can sell something to raise cash -- selling a weapon in order to buy tires has been
known to happen.
Normally each rally team runs two vehicles, each of which can have a maximum of two crew members. The vehicles
you start with are the only ones allowed during the course of the race -- you can't buy another vehicle halfway through,
though you can modify a vehicle's weaponry, accessories, and armor placing between stages. You also can't replace
the team members during the race; if a team member is killed, a clone replacement can be activated for the beginning
of the next stage, or you can bring in one of your support crew. Skill and prestige points are awarded to surviving
participants at the end of each stage.
Since clones take time to grow, they must all be ordered and paid for before the rally begins. Each clone costs the
standard $10,000 to grow. Gold Cross operates special facilities at Death Rallies -- any dead character can have his
memories read into his clone immediately at a cost of $5,000. The clone character keeps all the skill and prestige
points he has earned to date, minus whatever prestige he lost for dying -- teams should encourage their crews to die
bravely!
A Death Rally is run on a time basis. All vehicles start the first stage at the same time. At the beginning of the other
stages, each car starts at a time determined by its time finishing the previous stages. This means that vehicles only
come into contact with each other if one car is about to be overtaken by cars behind it during a stage. A car that leads
the race from start to finish can come through without a scratch, though this does not happen very often, as you can
imagine. Failing to finish a stage for any reason incurs a time penalty. The rally is won by the first car over the finish
line, regardless of kills -- i.e. the car with the lowest total time over all stages added together. The total prize money is
$10,000 times the number of stages, split three ways: 50% of it goes to the winning vehicle, with 30% for second place
and 20% for third place. Yes, that's right, it's almost impossible to actually earn money even by winning a Death Rally,
which makes corporate sponsorship a necessity. In a long-running multi-rally campaign, keeping money flowing from
the sponsors will be a primary cause of worry for team managers -- remember, sponsors like to see their cars in action,
and flamboyant drivers can pull in big bucks in corporate investment. Cautious driving does not get nearly as much
exposure, and consequently less advertising revenue. If you want your team to survive and thrive, you will have to
drive offensively!
Running the Game

A Death Rally can be run with or without a referee. If you are playing without a referee, any player not participating in
the current combat can act as temporary referee.
Choose the rally scenario: normal highway, desert, arctic, etc. Then decide how many stages the race will be run over -
- if in doubt, roll 2d6. Several of the most popular European Death Rallies are described at the end of this article. Each
player then allocates skill points to his characters and chooses his vehicles and accessories, not forgetting to leave
some money in his budget for new tires, ammo, and armor (and maybe weapons and power plants as well).
At the start of each stage, the teams are informed of the length and conditions of the stage. Length can be decided
randomly -- 2d6 x 10 miles is good; conditions are chosen using the Death Rally tables below. Roll 1d6 on the Road
Condition Table, and 1d6 on the appropriate Weather Table. Modifiers may be added to these rolls for particular
events; if you are running a desert rally, for example, the Road Condition roll will have a modifier of at least +1 (no
autobahns in the Sahara!), and you should roll on the Desert Weather Table. Note that the conditions of the road and
weather also affect the Driving Hazard roll each driver will make later.
Now that they know the driving conditions they're going to be racing under, each player writes down (secretly) the
speed that his vehicles will drive at during the stage. When all players have done this, reveal all the speeds and work
out the Estimated Time of Arrival of each car, assuming that all will finish without problems. ETA is the number of
miles in the stage divided by the speed the car is traveling at. Also calculate the "non-finisher" time for the stage by
adding up the ETAs of all vehicles and dividing it by the number of vehicles (to get the average ETA), then double
this. In other words, if a car doesn't manage to finish a stage, it is assumed to have taken double the average time for
that stage.
Each player now rolls once on the Driving Hazard Table for each car in his team. This table is similar to the one in
Convoy; unlike Convoy, drivers roll only at the beginning of each stage of the rally, regardless of what length the stage
is. For each vehicle, roll 2d6, modified as follows: subtract the HC of the vehicle, then -1 for each level of driving
skill the driver has, -1 if the vehicle is carrying a navigator (can be a gunner or passenger) or Portable Earth Station,
+1 for every 5 mph over 55 that the vehicle will travel at, plus whatever modifiers apply from road and weather
conditions.
If a car is immobilized as a result of a Driving Hazard roll, it cannot enter combat during this stage -- count it as a
non-finisher and set its time for the stage accordingly. After all rolls have been made, calculate which cars will meet
during the course of this stage.
In the first stage, the only cars involved in combat will be those who pick the same starting speed. At the end of each
stage, make a note of the position of each car: who's leading, who's running second, etc. In succeeding stages, you can
determine combats from looking at the positions and ETAs. Add each car's total time from all the stages so far to their
ETA for this stage and see if anyone will be attempting to overtake anyone else. For example, if one car was running
3rd at the end of the previous stage, and his new ETA will put him up to 2nd place at the end of this stage, he will
obviously have to attempt to overtake the car currently holding 2nd place. These two cars must then enter combat
during the stage. If more than one car is challenging for the same position, assume that they all attempt to overtake
simultaneously; in other words if the ETA of the car in fourth position shows it also moving up to overtake the current
number 2, run the combat with 4 attempting to overtake 3 attempting to overtake 2. This is not quite realistic, but
makes for more exciting gameplay, so what the hey . . .
Now lay out your road sections, or whatever you're using -- the type of road section you choose depends on the Road
Condition roll made earlier; the Ozark Arena map can be fun if you're running a back road or off-road stage.
Otherwise lay out two straight road sections, and for each succeeding road section roll 1D6: on a 1-5 it's a straight, 6
it's a curve. The cars involved in the combat begin with 20" between them, traveling at the speed they chose at the
beginning of the stage. Cars that survive the combat and are still (reasonably) drivable finish with the ETA calculated
earlier. Cars that are not drivable at the end of combat are considered non-finishers (they get towed in) and take the
corresponding penalty time. If the leading car manages to put 24" between it and the car following, assume that he's
accelerated away. The player in the following car now has a choice: he can either choose to run another combat from
scratch (he's caught up again down the road) or he can choose to slow down and finish the stage one minute later than
the car in front. Any crew accelerating away from combat while their weapons can still fire will lose a point of
prestige each (cowards!)
Death Rally
Special Rules and Tactics

Autobahns are well-maintained European super-highways designed for extremely fast driving conditions. To keep
them that way, all dropped weapons are illegal on autobahns. Anti-pollution laws also mean that gas-burning autos are
illegal on European roads (though this is frequently violated in unofficial competitions organized by the rebel British
AutoDuelling Association -- BADASS).
Death Rally vehicles tend to be designed for speed and flexibility: speed, because getting over the finish line first is
what it's all about, and flexibility, since most races are run over greatly varying terrain. Try to design a vehicle that can
be reconfigured quickly and easily. Keep in mind the type of conditions that you're likely to encounter -- most races
have both highway and off-road sections, so bring tires for both. Spoilers and airdams are vital, and the choice
between fitting a front airdam or off-road suspension can be the difference between winning or losing. Since all cars
will be traveling fast, accurate weaponry is a must -- hi-res computers, cyberlinks and laser guidance are the order of
the day (though dust clouds and sandstorms can make lasers next to useless in desert stages) The restriction on dropped
weapons on autobahns means many teams switch rear weapons between stages on the continent.
Don't forget the more exotic accessories either. Supercharger capacitors are useful for overtaking on the autobahn.
Radar is essential for low-visibility conditions. If a rally has night stages, think seriously about Light Intensifier
Goggles or Infrared. And an Ejector Seat can literally be a lifesaver.
Ammo loading, weapon, armor, and accessory repair and replacement must be done between stages by your team,
using the standard mechanic rules. You can buy new parts if you have enough cash, but you still have to install them
yourself. Remember that this takes time: assume normally each character has about 12 hours work time between stages
-- characters not assigned to vehicles can work 16 hours.
Tactically, there's one main rule -- drive fast! If you get left behind early in the race, it can be hard to catch up with the
field without doing serious damage to your car. Teams running two cars in a race often designate one car as a "leader"
and the other as an "enforcer." The leader is designed to get to the front of the pack and stay there, while the enforcer
is a heavily armed car whose job is to hang back and take out possible challengers.
Skill and Prestige Points

All combats during a Death Rally will be filmed and broadcast throughout Europe, and via satellite relay around the
world -- recently Death Rallies have become very popular in South America, and we have even begun to see Brazilian
and Argentinean teams entering European races. At the end of each stage prestige points are awarded as in the normal
rules, as are skill points. Additionally, the driver leading the rally at the end of the stage gets an extra point of prestige
and an extra point of driving skill (or cycling skill if it's a cycle stage etc.). Note that it's quite possible for a crew to
finish a stage behind the leader, but with much higher prestige if they've done well in a firefight -- the crowd loves to
see blood!
Given the popularity of Death Rallying, and the huge amount of sustained coverage it gets, it's a magnet for big
corporate sponsorship; and of course sponsorship is directly related to fame. Unlike the US, where prestige is clearly
associated with individual drivers, in Death Rallies team names (such as Volkspanzer for example) are often as well-
known as driver names, and can earn sponsorship accordingly. At the end of any Death Rally count up the total
number of prestige points of the surviving characters in each team and multiply it by $5,000 -- that's the team's earning
from sponsorship associated with the race -- yes, this is where the real money is. It's quite possible for a team never to
win a race yet still earn lots of cash by capturing the public's imagination with daring driving and shooting.
Death Rally Tables

Note: DH=Driving Hazard Table modifier.
If you're playing with a referee, he may set the length and condition of stages in any way he desires, and is not bound
by the tables. He can also bring in outside hazards, such as local autoduellists attempting to gain some prestige for
themselves by gatecrashing the race (especially common in the Italian section of the Trans-Europe Excess), or fans on
foot attempting to slow down an unpopular driver -- make up your own encounters or use the optional Random
Encounter Table.
Road Condition Table (1d6)
2 or less: Autobahn 3 lanes DH-1

3: Good Road 3 lanes DH+0
4: Bad Road 3 lanes + debris DH+1
5: Back Road 2 lanes + debris DH+2
6 or more: Off-Road +D1 hazard DH+3
Temperate Weather Table (1d6)
3 or less: Good DH+0

4: Light Rain +D1, Visibility -2 DH+1
5: Heavy Rain +D2, Visibility -3 DH+2
6: Fog +D2, Visibility -3 DH+3
Arctic Weather Table (1d6)
3: Light Snow +D2, Visibility -2 DH+2
4: Heavy Snow +D3, Visibility -3 DH+3
5: Ice +D4 DH+4
6: Blizzard +D4, Visibility -4 DH+5
(Note: Snow tires are available in all types and sizes, and reduce Arctic modifiers by 2. Vehicle HC drops by one. Cost
is 150% more than a standard tire of same type)
Desert Weather Table (1d6)

4: Heat Haze Visibility -2 DH+1
5: Dust Cloud +D1, Visibility -3 DH+2
6: Sandstorm +D3, Visibility -4 DH+4
Driving Hazard Table (2d6)

Modifiers: subtract the HC of the vehicle, then -1 for each level of driving skill the driver has, -1 if the vehicle is
carrying a navigator (can be a gunner or passenger), +1 for every 5 mph over 55 that the vehicle will travel at, plus
whatever DH modifiers apply from road and weather conditions.
0-9: No problems
10-11: Struck small obstacle. 1D6 damage to one randomly chosen tire.
12-13: Struck obstacle. Choose two tires randomly, take 1D6 damage to each.
14-15: Made "panic stop" to avoid large obstacle. 1D6 damage to each tire.
16-17: Ran over large obstacle. 1D6 damage to each tire and 1D6 damage to underbody armor.
18: Vehicle skidded off road and struck tree of 20DP. Take full ram damage to front. Add 15 minutes to ETA.
19: Vehicle left road and rolled. Take full damage. If car is still drivable, add 30 minutes to ETA.
20 or more: Vehicle left road, rolled and burned. Take full damage. If car is still drivable, add 30 minutes to ETA.
European Death Rally Events

Paris-Dakar: The original Death Rally. Route varies depending on the progress of the Oil War, but usually runs
through European Union "protectorate" states Algeria, Libya, Chad, Niger, Mali, and Senegal. Grueling, with the
added spice of frequent terrorist and guerrilla attacks. 10 stages minimum, road condition roll +2, desert weather.
Teams may choose to enter two cars, or one car and two cycles.
Munich-Stockholm: A real test of driving ability. Four stages of superb quality German autobahn (no road condition
roll needed, weather temperate), one intermediate stage in Denmark (normal road condition roll, temperate), then three
Swedish stages under arctic weather conditions (road condition roll +1). The German stages rarely see speeds of below
100 mph, but don't forget to bring tire chains for later! This event sponsored by Thundercat (one free T-Cat power
plant for each team entering the race).
Dublin-Athens: Popularly known as the Trans-Europe Excess -- if you like blood, you'll like this one. Fifteen very
assorted stages (normal road condition roll, temperate), one in each of the member states of the European Union.
Teams may enter as many cars and cycles as they wish, as long they have people to crew them. Unlike other Death
Rallies, salvaging is allowed, and many low-budget teams finance their entries in this manner, lending the race a
somewhat "Amateur Night" atmosphere. (Stopping to salvage a wreck adds a minimum 15 minutes to your ETA -- see
standard Car Wars Mechanic repair rules for exact salvage times.) Patriotic fervor runs high in the TEE, and it is not
unknown for enthusiastic fans to join in to help their heroes in the middle of a combat. So don't try to overtake the
British Champion until you're well across the English Channel.
Bombard RAC Death Rally: Organized by the Royal Autoduelling Club of Great Britain, this small but varied
competition attracts many first-time drivers as well as the big boys. Run across the North of England from Harrogate
to Carlisle, its five short stages usually see some excellent combats. Sponsored by Bombard Life Assurance, so each
team member is given one free clone and free programming. (Road condition roll +2, temperate weather. Each stage is
only 1D6 miles in length, fourth stage takes place at night.)
Death de France: The major cycle competition of the season, this runs clockwise around France via Paris, Cambrai,
Reims, Strasbourg, Lyon, Nice, Marseilles, Narbonne, Toulouse, Bordeaux, Rennes, Rouen, Paris. The famous Yellow
Jersey is awarded to the leader of each stage, giving him an extra prestige point and a new set of Improved Body
Armor each time. Twelve stages, each normal road condition roll, temperate weather; except for stages 4 and 5, which
are back roads, arctic weather (the French Alps); and stages 6 and 7, which are off-road, desert weather, 1d6 miles
long (they're held on the beach in the Riviera). Bring lots of clones.
Random Encounters
Should you want to spice up a Death Rally campaign, you can add random encounters. To see if vehicle will be
involved in one of these, roll 2d6 at every stage and add 1 for every full 5 points of prestige the crew of the vehicle
have, plus another 1 if they are currently leading the race. On a total of 13 or more, they will encounter something
unexpected (roll another 2d6 on the Random Encounter Table). If the random encounter involves combat, run the
encounter at the same time as any other combat that should occur during the stage -- which can make for some fast
and furious multi-way duels!
Death Rally Random Encounter Table (2d6)

2: A local bandit gang decide to earn some money from the Rally. Six bikers (each is Cyclist +1, Gunner +1,
Handgunner +1, wearing Improved Body Armor and carrying a LAW, an SMG and a tear gas grenade each -- these
guys are pros). They are riding $40,000 worth of bikes and come up behind your vehicle -- entering combat 20"
behind you, initially going 20 mph faster. They will try to immobilize the vehicle but allow the racers to live if they
surrender. Should they win the combat they will kidnap the racers (regardless of whether they are alive or dead). They
will offer to ransom them back to the team -- a live character is worth $1,000 x his number of prestige points. A dead
body is worth half that -- you may need it for programming a clone. A live character not ransomed becomes a dead
character -- the team can activate a clone if they have it already programmed. Any clone activated because a character
was not ransomed loses 5 prestige points -- the team's lack of commitment reflects badly on the character.
3: A local ace autoduellist decides to get some press by taking you on. He's a Driver +2, Gunner +1, wearing body
armor and driving a Division 30 duelling car with a ram plate. He enters the combat 24" ahead of the leading vehicle,
going the wrong way! He starts at 55 mph and will accelerate 5 mph per turn and try to ram any car in front of him,
firing as he comes. He'll keep firing until one of the vehicles in the combat is immobilized, then he'll stop and strut
around for the cameras (if he's still alive). Oh, did I mention that each side of the road is lined with 200 DP concrete
barriers and there's no way off the road?
4: Ten opposing fans decide you're doing too well. They set up a barricade (2d6 random barrier counters -- chains, oil
drums, obstacles, whatever) and hide behind it armed with a random assortment of hand weapons (4d6 grenades, 1d6
LAWs, 2d6 VLAWs, and 1d6 SMGs -- these are serious fans!) All have basic Handgunner skill and are wearing body
armor. They will start firing when the vehicle is within 8". The side of the road is completely littered with debris, and
is a +D1 hazard. Should the vehicle turn around and go back, consider it a non-finisher for this stage and deduct 5
prestige points from each racer (you ran away from pedestrians?!?!).
5: A bunch of punk kid autoduellists decide you're not so hot after all and enter combat to prove it. They are each
Driver, Gunner, Handgunner, have a shotgun and 4 grenades each, and have 3 Division 10 vehicles between them (use
as many punks as can fit in the cars). They enter combat in a line abreast 20" behind you, going at 20 mph faster than
your current speed. They are pumped up on various illegal pharmaceuticals and will fight to the death.
6: An unknown saboteur has placed a limpet mine under your vehicle! If you're in a combat during this stage it goes
off at the beginning of combat. Otherwise just calculate 1D6+1 damage to your underbody armor at the end of the
stage.
7: A TV station does a special report on your team -- give each character on your team an extra point of prestige.
8: One of the celebrity actresses from "Roadwatch" takes a shine to your driver -- gossip shows add 5 prestige points
to his rating.
9: A sponsor offers the team a bonus if they can generate some excitement to go with their big advertising slot -- any
character finishing this stage with more prestige points than he started it with earns the team $10,000 cash.
10: One of your sponsors is very pleased with the coverage your team is getting and awards you an instant bonus of
$1,000 x the total prestige earned by the team in this race so far.
11: 20 drunken fans invade the road. They are unarmed and spread out across the road blocking it completely. The
road is in a narrow cleft, so you can't go around them. You can choose to stop or shoot. If you stop, they will mob the
car, rip off souvenirs, and ask for autographs -- making you a non-finisher for this stage, but gaining you a point of
prestige. Should you start shooting they will panic and run around in random directions at 12.5 mph, changing
direction every turn. When they run off the road they disappear into the hills. If you get through the fans by shooting,
add one point of driving skill to the driver, one point of gunnery skill for each character manning a vehicular weapon,
and one point of Handgunner skill for each character using hand weapons; however for every fan you kill, lose one
point of prestige (your fan club won't be happy).
12: A terrorist assault team have decided to use the Death Rally as a way of getting some free publicity for their cause.
The assault team is well-trained and equipped -- all are Handgunner +1, wearing body armor and carrying an SMG, 2
VLAWs, and 2 grenades each. They have set up an ambush at a gully -- there's no way to go off the road. Three are on
each side of the gully, one group manning a tripod MG and the other a tripod RR; they are 12" in front of the leading
car (the ambush is well-hidden), and will open fire immediately. The assault team is well dug in and camouflaged, -3
to hit on top of the usual modifiers. They are a suicide squad and will fight to the death. For each terrorist you kill gain
an extra prestige point -- everyone likes to see the bad guys get it.
Pyramid Interview: Scott Palter
by Scott D. Haring
Feared dead and buried by its many fans, West End Games has Pyramid Interview: Scott Palter
made quite a comeback the last few months, culminating with their
announcement the last day of the GAMA Trade Show that they
had sealed the deal to do an all-new DC Universe roleplaying
game.
The new West End is affiliated with a French company called Yeti.
A recent press release explains, "WEG / Yeti is a brand new
corporation which will produce new fun stuff. WEG / Creative
Design Group is a bankrupt corporation liquidating inventory to
pay off its debts under court supervision. Separate assets, separate
check books, separate bank accounts. Continuity from a creative
standpoint." Yeti is described as a company that "has produced
over 50 choose-your-own-ending books published in France by
Hachette. Originally a graphic design house that still works on
books, cartoons, and multimedia, their decision to become a game publisher last year led them invariably to the doors
of West End Games."
We caught up with West End Games President Scott Palter at the GAMA Trade Show (the day before the DC
Universe announcement), and this is what he had to say.
Pyramid: Let's talk about the new West End Games. You have a partner, a French company?
Palter: Yes, the exact legalities are still being worked out, but basically we are in a partnership with Yeti, which is a
French company that does roleplaying and cards.
Pyramid: Are any of their products currently available in America, or are they strictly French-language, in France?
Palter: French language, in France. They haven't even (tried to crack the American market) in a proper way yet. That's
part of what they're looking to us for.
Pyramid: Are you going to be bringing their products over to America in addition to creating new games?
Palter: Yes. Not every product of theirs will come here, not every product of ours will go there. Part of what we're
trying to do is, to pick what will work in what are two different but still similar gaming cultures.
Pyramid: Your first new product is a card game?
Palter: It's a card game called Zoon. It's a very simple strategy card game. You get a 33-card deck: two 16-card
armies and one card of rules. You line them up in two rows of eight, you play them against each other until one side or
the other is eliminated. Each army has their own cute little special features, and we're coming out with four armies at a
time, roughly quarterly.
Pyramid:So the cards don't mix and match?
Palter: You can create multi-race armies if you want. But if you're buying Deck A, it is these 33 cards. If you buy
Deck B, it has these (other) 33 cards in it. We are not touching the collectible market.
Pyramid: So there is some strategy in deck building and deck tuning, but it's not a collectible game.
Palter: Think Cosmic Encounter and the expansion sets. Each expansion had different things, but if you bought
Expansion #6, every Expansion #6 is the same.
Pyramid: And that's the first product from the "new West End" . . .
Palter: Yes, that will come out roughly the fourth week of May.
Pyramid: And what else is on the drawing board?
Palter: For late June or early July, you'll have Paranoia, Third Edition, followed roughly eight weeks later by a new
Paranoia book, Bug Sector. There's also going to be another major roleplaying line, but we can't announce it yet. (This
turned out to be the aforementioned DC Universe game.)
Pyramid: Paranoia was the property of the old West End, right? How did you free it up?
Palter: We have purchased, through the bankruptcy court, the intellectual property, certain specific license contracts,
and the trademark.
Pyramid: So it's all been signed off on by the courts.
Palter: Again, it's still within a certain appeals period, but so far the secured creditor, who's the only one paying any
attention, has signed off on the deal.
Pyramid: I heard that there were some glitches in the bankruptcy proceedings because of some confusion over
financial transactions between West End and its parent company (shoe importer Bucci Retail Group). Anything to
that?
Palter: It's a completely correct misreading of what happened. First, the Chapter 7 rumor was not a rumor. We had
one attorney for the shoe bankruptcy and the game bankruptcy. The U.S. Trustee, after six months, changed her mind
and decided that there was a conflict of interest. So we acquired a second attorney. The second attorney got into what
amounted to a spitting contest with the U.S. Trustee's Office, they threw us into Chapter 7 for a week, and at the
request of our attorney and the only secured creditor, we were taken out. Part of the reasoning of the Trustee's Office
for why there should be separate attorneys was that there were multiple, very large dollar transactions between the shoe
company and the game company which we disclosed to the court. Our argument for why it wasn't a problem is that the
vast bulk of the money, for the last year -- which is the contestability period -- went shoes to game. The shoe creditors
have signed off on it, treated it as a zero asset, and dropped all their claims to it. So by our logic, as the game company
would have to refund hundreds of thousands of dollars, and the shoe company's creditors had agreed they didn't have
to, there was no conflict. The court didn't agree, and wants a further review of it. They've appointed a separate set of
accountants that will audit the books. I welcome it; I've got nothing to hide. We're the ones who alerted the courts to it.
I may have done a lot of stupid things; I may have done a lot of foolish things; but I didn't do anything illegal.
Pyramid: Can you describe the relationship between West End and Bucci?
Palter: We had about 11 companies that owned pieces of each other. Trust me, you don't want to know the corporate
structure.
Pyramid: So Paranoia has been rescued from the old West End . . .
Palter: Paranoia has been purchased; the original designers (Greg Costikyan, Dan Gelberg, and Eric Goldberg) are
still contesting that.
Pyramid: But you plan to have it out this summer?
Palter: Let's put it this way: There is yet to be a hearing on their claim. I don't think there's any validity to their claim.
Per the court, we can continue to act on this, subject to further review. The worst that may happen is that if what I
regard as bizarre legal theory holds any water, we may have to give them back further money. But it's all being done
with notice to Eric and Greg and to their attorneys.
Pyramid: You're moving forward with Paranoia. How many of the other old West End properties would you like to
rescue and bring back out?
Palter: We did not move any of what people think of as our licenses. Star Wars, Xena, Indiana Jones, all of that
stays in the old company. The only so-called licensed product (we're bringing over is Paranoia) -- and I think only
industry insiders know that Paranoia was a license from three outside designers, two of whom happened to have been
working for the company at the time, one of whom it also happens was president of the company at the time. We are
pursuing with the new company several brand new licenses. The legal mess of trying to move one of those license
contracts . . . trust me, you don't want to know.
Pyramid: So, going down the list of famous great West End products, from Star Wars to Xena to Shatterzone . . .
Palter: No, Shatterzone moved. It was not a license, it was an internal. Torg moved, it was not a license, it was an
internal.
Pyramid: Ghostbusters.
Palter: Ghostbusters -- we don't own the license, it reverted to Columbia some years ago. Bloodshadows moved.
Everything else in terms of roleplaying stayed put, but the systems -- D6, Masterbook, Torg, etc. -- moved.
Pyramid: Will you be doing new Torg, Bloodshadows, or Shatterzone stuff?
Palter: We have no intention of doing Bloodshadows or Shatterzone. We have spoken to some people about licensing
it out, because there are a few fans out there who want to do it. We will do a Torg Second Edition for GenCon for the
year 2000, a 10th anniversary. The main reason for continuing to do that one and not the other two: When he dived
down a rabbit hole last summer, with our whole 40-some-odd dollars in the bank, we did a frantic Internet sale.
Previous to that sale, our sales were 90% Star Wars and Xena. We were amazed at how much Torg selling there was,
and we discovered that it still had a fan base that we thought was big. We did not find the same for Bloodshadows or
Shatterzone, regardless of how deep we cut (the price). I've been told by several of my ex-employees that I'm living in
a dream world on Torg, that it was the same 300 people filling in their collections. Maybe. I've been wrong before.
However, we own a ton of it, I have a duty to the creditors to try to help sell it off; if you don't freakin' advertise new
(product), there's no way anyone's going to buy it. We've had eight months since there's been a West End ad anywhere;
this is the first convention we've attended since GAMA last year. Without public visibility, without new product,
without Torg demos, without anything, you can basically throw the remaining inventory in a dumpster and the
creditors will get nothing. That might be convenient, but it's not morally correct.
Pyramid: Do you see the new West End as primarily still a roleplaying game? How many different genres are you
going to try to get into?
Palter: We were never a miniatures company. We did Star Wars miniatures because it was something our players
wanted. If we ever had a license of that size, I could see doing miniatures because the players like having little figures.
But if you look at how we handled Star Wars, he never handled it as a true miniatures line; it's not our forte.
Boardgames, we have one project we will probably do, which is Kings & Things. The main reason we're going to be
doing it is because our French -- whether you want to call them affiliate, partner, I don't want to trip over the legalities
until the last comma is in place, but our French associates -- are going to be printing it in French. Given that, with a
few black-plate changes, we can create a few thousand copies in English.
Pyramid: Junta? You guys still own that?
Palter: Yes, we're still selling that.
Pyramid: It's in print?
Palter: It's been in print for two years. Now try to get a distributor to take it. We currently have about 1,500 copies;
we currently sell about five a month. The only reason we hold on to the license is that the foreign language editions
pay the minimum.
Pyramid: Have you had any trouble convincing the distributors and retailers to come back to you?
Palter: Actually, they've been very supportive. Far more than we probably deserve. And all I can say is, "thank you
thank you thank you."
Pyramid: Maybe they will start buying some Junta.
Palter: The problem with Junta is that the whole industry is so against backlist that they don't understand it anymore.
This is an industry geared to a comic book mentality of clear the shelves out every month. And that works if you're
trying to sell a certain sort of popular, of-the-moment stuff. No one in the industry -- I shouldn't say no one, (but) very
few left -- seem to remember how to sell perennials.
Pyramid: What's the solution to that? Can individual manufacturers take on the mission of education? Is that
something GAMA needs to do more of?
Palter: I don't think the solution is either one. I think the solution is selling directly to those retailers who've been told
it's out of print, which back us into a corner we'll do, and selling over the web, which is where four out of the five go.
It's unfortunate, but it's a fact. Magic has done wonderful things for our industry, but it's very much increased the
whole frontlist emphasis. And it's not just in terms of mentalities, it's in terms of the capital it absorbs. It's a cycle -- a
Magic, one of the Decipher space games releases a new thing -- it soaks up so much of the retail and the distributor
dollars, there just isn't an energy focused there for the rest of it. And to be blunt, if it was my money on the line, I
wouldn't do anything differently than they would. We have to find ways to work around their economic realities,
because the reality is that the cash term runs the other way.
Pyramid: Despite those realities, obviously you're still optimistic about a future in the adventure game business. You
could have run off and gotten a day job somewhere, but you stuck around and are doing some very difficult things to
get back into the business.
Palter: I believe the consumer's still there. I believe that the Internet sales we've had these last eight months prove it.
We did nothing for advertising, we have a website that isn't on any search engine and you have to work hard to find,
and on top of that, some place in Florida has westendgames.com, so we're .net. Despite it, we're still alive, more than
half due to web sales. So there is a way around it. And it's not to denigrate what the distributors do, I'd rather go back
to the way it was four years ago, but none of us have that option.
Quick and Dirty Background Investigation Reports
by Shane Ivey
Art by Dan Smith

It is a staple of modern investigative roleplaying, and the bane of overtaxed gamemasters everywhere: the spontaneous
request for a background report. (I will pause here for the GMs out there to utter a reflexive groan of irritation.) It
sounds so easy as a player: "Hmmm, this guy is acting suspicious. Let's run a background report on him." The
gamemaster, of course, is then stuck with the challenge of faking a complete history for a character who may have
been invented not 30 seconds before.
If you have prepared the character ahead of time, no doubt you will be ready for such impertinence with a handout
detailing what the authorities know about the individual, crafted so as to offer hints and possible false leads for the
players to reason through. And for important characters this is a necessity: even a minor detail can be turned by crafty
players into a completely new plotline. But relatively minor characters rarely get this kind of attention from the Game
Master. And players can usually tell. If you deliver a complete background report handout for Villainous Victor, and
you answer the same question with monosyllabic muttering about Nobody Ned, the sense of mystery will be
diminished by that slight degree.
If, as is often the case, you have been caught with a background investigation request from out of left field, this is a
tool to make your life a little easier. Get your dice, get a pencil, and prepare to spend the next 90 seconds preparing an
answer to those pesky players' demands!
Preliminary Reports and Full Reports

A background investigation will delve into a variety of facets of a subject's life. Some of those facets are more easily
explored and reported than others. Legal records, criminal records, and credit ratings are all routinely recorded in local
or national computer databases, easily accessible with the proper clearance or contacts. Other facets of a subject's
background, such as personal behavior, work history, and medical history, can often only be obtained by conducting
careful interviews of people known to the subject and following the "trail" that is developed from each new set of
facts. For convenience, these different levels of investigation are categorized here as preliminary reports and full
background reports.
Preliminary reports typically require only a search of computer databases or a few minor phone calls to compile, and
may be completed in 1d6 hours -- or in a manner of minutes if the player characters have solid investigative resources
and access to the right databases. Preliminary reports include:
* Criminal Background
* Civil Legal Background
* Credit Rating
Full background reports require more in-depth investigation, often requiring detailed reviews of records or interviews
of individuals who know the subject. Note that some information may not be available to a standard background
investigation: most background investigations will not have the authority to request medical records, for instance. Full
reports take at least 2d3 days to obtain, and sometimes more. Full reports include:
* Tax Records
* Medical Records
* Professional Standing
* Academic Standing
* Personal Background
Form and Scope

Start each background investigation report with the "basics" of the character: include the character's full name, date of
birth, and place of birth. (There are no charts for the basics -- you're on your own here.) If the character's place of birth
is unusual, add a sentence clarifying the character's situation. Then write the "meat" of the report, the items described
below. Where it is feasible, each "item" of the background investigation report should be written as one sentence. This
will enable you to compile a complete report in a single clear paragraph for the players to review.
It will quickly become apparent that these tables are somewhat cursory. This is intentional. They reflect American
terminology and characters, primarily because the author is American and is much less familiar with the various trends
and legal patterns of other countries. International game masters will hopefully be able to adapt the information easily
to their own settings. These tables also do not reflect the wide demographic variety of even the United States, but
instead offer a single simple chart to use for any character. It should not be difficult to alter the results slightly if you
are hurriedly developing characters whose background ought to include more or less likelihood of a particular incident
or circumstance.
Finally, note that a background investigation can leave a lot of holes and unanswered questions. Particularly if the
players leave it to non-player characters to conduct the BI for them, it is entirely possible that a fact was misinterpreted
or even missed altogether, leading to a dangerously inaccurate report. Use this fact to allow yourself some flexibility
as the gamemaster. If you roll an item here which later contradicts what you need to do with the character, go ahead
and allow the contradiction. When the players conduct a more thorough investigation of the facts you can allow them
to "figure out" exactly what they got wrong, and blame it on the NPCs they enlisted to do the grunt work for them.
After all, the rules are for the little guys -- er, the players.
Criminal Background
Past Convictions (1d100)
01-50 None
51-85 1d3 minor violations
86-90 1d8 minor violations
91-94 1d3 misdemeanors
95-97 1d8 violations + 1d3 misdemeanors
98-99 1 felony + 2d4-2 misdemeanors
00 1d6 felonies + 2d4-2 misdemeanors
For felonies, roll 1d100:

01-90 indicates a local felony;
91-00 indicates a federal felony.
Sample Violations (1d4)
1 Speeding
2 Parking
3 Loitering
4 Disorderly Conduct
Sample Misdemeanors (1d6)
1 Vandalism
2 Petty Theft
3 Disturbing the Peace
4 Drug Possession (marijuana)
5 Driving While Intoxicated
6 Trespassing
Sample Local Felonies (1d12)
1 Conspiracy (with others to commit a felony)

2 Drug Possession (cocaine, heroin, PCP, LSD, or methamphetamines)
3 Drug Distribution
4 Fraud
5 Burglary
6 Grand Larceny
7 Armed Robbery
8 Extortion
9 Assault
10 Kidnapping
11 Manslaughter
12 Murder
Sample Federal Felonies (1d10)
1 Tax Fraud
2 Smuggling
3 Transportation of a Fugitive
4 Transportation of Drugs
5 Transportation of Firearms
6 Transportation of Stolen Property
7 Bank Robbery
8 Assault on a Federal Officer
9 Interference with the Mail
10 Misrepresentation as a Federal Officer
Civil Legal Background (1d100)

Roll 1d3 times per ten years. For each incident roll 1d100: 01-50 indicates the character was plaintiff; 51-00 indicates
the character was defendant.
01-50 None
51-75 Divorce
76-88 Divorce + Custody Dispute
89-93 Contract Violation
94 Civil Rights Violation
95 Assault
96 Battery
97 Fraud
98 Trespass
99 False Imprisonment
00 Wrongful Death
Credit Rating (1d100)

01-25 Perfect.
26-75 Good: moderate debts, no more than minor problems in the past.
76-90 Poor: high debts, multiple delinquencies or defaults.
91-00 Bankrupt: 1d6 years ago.
Tax Record (1d100)

01-75 Clean Record: payments have been timely and accurate.
76-95 Fair: 1d3 minor incidents (serious delay or discrepancies).
96-00 Poor: Suspicion or conviction of tax fraud, possibly resulting in fines and/or jail time.
Medical Record (1d100)

01-50 No major injuries.
51-00 1d4 major temporary conditions or injuries.
Constitution (3d6)
03-06 Major chronic health problems.

07-09 Minor chronic health problems (asthma, heavy smoking, Gulf War Syndrome, etc.).
10-18 No significant health problems.
Sample Major Chronic Problems (1d8)
1 Diabetes
2 Substance Abuse
3 Nerve damage
4 Sexually Transmitted Disease
5 Severe allergies or asthma
6 Spine damage or deformity
7 Hemophilia
8 Cancer or leukemia
Professional Record (1d100)

Roll once per ten years or fraction thereof:
01-30 Excellent: one job, excellent performance.

31-80 Good: adequate performance at one job or excellent performance at 1d3+1 jobs.
81-90 Poor: problematic performance at 1d4 jobs.
91-00 Very poor: problematic performance at 1d3+3 jobs.
Educational Record
Each game system has a different method to determine a character's education. This chart will allow some rough
fleshing-out of the numbers generated by your game.
Formal problems (1d100)
01-70 None
71-90 Academic probation
91-95 Disciplinary problems
96-00 Suspension: Academic probation and/or disciplinary problems
Personal Background
For each ten years roll 1d3 locations of past residence according to the character's role and background.
Location (1d100)
01-90 United States

91-95 A Territory of the United States
96-00 Another nation
Personality (1d100)
01-35 Friendly and well-liked

36-70 Moderately Friendly
71-85 Quiet and distant
86-95 Sullen
96-99 Belligerent
00 Frightening
Dependability (1d100)
01-40 Very dependable

41-90 Usually dependable
91-00 Not dependable
Ethics (1d100)
01-30 Scrupulous
31-90 Average
91-00 Always breaks the rules
Conclusion
Player 1 (the Professor): "He says his name is Ned, does he? I don't like him."
Player 2 (the Cop): "Let's run a background check on him. Just to be sure." (Both players eye the gamemaster smugly.)
Gamemaster (after 60 seconds of furious dice-rolling and note-taking): "You get a preliminary report back in a few
minutes from your friend in the Company. Ned Nobody, age 45, businessman. His record is pretty clean; he had a
couple of loitering tickets in college and a parking ticket four years ago, then a drunk-and-disorderly violation right
after that. He's been in court a few times: plaintiff in a contract dispute eleven years ago; defendant in an assault
lawsuit (no criminal charges were pressed) two years ago, then his wife divorced him. Fair credit rating, but he's been
listed delinquent on his mortgage payments twice, and his credit cards are charged up pretty high. Your friend wants to
know if you need a full background or not."
Player 1 (writing furiously): "Wait! How do you spell 'loitering'?"
Player 2: "Sheesh. With that much background, this guy must be somebody important. Better run that full check."
Gamemaster (smugly): "No problem."
Meetings With Remarkable People
by Phil Masters
Art by andi jones, Scott Reeves and Dan Smith

GURPS Who's Who is a slightly unusual project. It will consist of (at least) two volumes (with volume 2 due out later
this year), each detailing 52 historical characters in GURPS terms. Each individual figure gets two pages, with a
description in game terms, biographical notes, and ideas for using them in play. These characters can be used as NPCs
(or even PCs) in historical, semi-historical, and time travel games, or as models for fictional game characters. The
book contains lots of material on possible alternate histories, along with weird and illuminated stuff, but it's still at
heart a historical sourcebook; each character has been intensively researched, and only individuals who were
reasonably well-documented -- who could be handled as much more fact than fiction -- were selected for inclusion.
The How of It
Given that the book ranges across history, from Akhenaten, the heretic pharaoh of
ancient Egypt, to H.P. Lovecraft, the twentieth-century dreamer of weird dreams,
there's an extremely large amount of research implied here. A single author could
have written this book, given plenty of time and patience, but this wasn't really
practical. Instead, Steve Jackson Games took a different approach; they appointed
me as editor/compiler, and issued an invitation to potentially interested parties to
create entries. This was a kind of competition, a way for new writers to show what
they could do and old GURPS hands to amuse themselves by exercising their
historical interests, and a nice way of putting the energy and knowledge of
GURPS fans across the globe to good use. (I received -- and used -- submissions
from North and South America, more than one European country, Australia, and
New Zealand.) The Internet enabled us to run this reasonably smoothly and to a
tight schedule.
The results were interesting, and rather impressive. I must admit that I assumed
that I'd end up using one submission from each of 52 different people, covering
some pet historical interest -- maybe two or three from some real fanatics. Indeed,
some excellent submissions were on these lines, and given more time, I probably
could have assembled a book with 52 authors. However, we didn't need to wait as
long as that would have taken for volume 1, as some insanely energetic
contributors came through with multiple submissions. GURPS fans, it turns out,
include some people who must really enjoy reading biographies . . .
For the record, the first submission came in a couple of weeks after the first announcements went out; the character in
question was Renaissance astronomer Tycho Brahe, complete with pet elk and prosthetic silver nose. This,
incidentally, gave us our first example of one of the project's recurrent minor themes; how to fit GURPS game
mechanics to the stuff that comes out of the history books. How do you handle a silver prosthetic nose? We found
solutions to these questions, sometimes after some debate in the playtest groups. (Never mind the silver nose, the issue
of Queen Elizabeth I's IQ stat saw some fascinating, and fortunately not excessively heated, quotation and counter-
quotation from sources.)
Putting Stuff (and People) Together

As editor-compiler, my job was of course to assemble the book, tidy up the submissions (cutting some of them to
length sometimes involved having to hack away some details that I'd love to have left), write the introduction, first
"overview" chapter, and appendices, and generally give it some unity. As I worked on this, one minor point about the
format of the book became more obvious.
As I said, it mostly consists of 52 two-page spreads from a number of people. That's 52 separate entries -- and yet,
some of these people will have known each other -- or could have met, anyway. While I'm sure that GURPS GMs are
smart enough to spot these potential interactions, the format of the book -- which generally works very well -- didn't
permit them to be emphasized. Well, this article is an overview of the project, so perhaps it's the best place to point out
a few interesting options.
Alexander's Tuition
The first possibility for meetings between characters from the book -- and one of the most obvious -- takes place in
Ancient Greece. It's unlikely that either Alexander the Great or the philosopher Aristotle met the rather older cavalry
officer and author, Xenophon, although it wouldn't be very hard to imagine him and Aristotle colliding, especially as
Xenophon did have a passing interest in philosophy -- and his stories of Persia could in turn have been passed on to
the younger man. Because Alexander and Aristotle knew each other well, with Aristotle being employed as
Alexander's tutor. Indeed, the boyhood of the future conqueror would be a fascinating topic for time travelers to study,
and they could take in some meetings with the founder of Western thought.
Then, leaving aside the married life of the Byzantine rulers Justinian and Theodora -- who were included in the book
as a matched pair -- the next potential cross-links come in the Middle Ages.
Too Many Olafs?
One possible confusion that may be worth a warning; Leif Eriksson, discoverer of Vinland, met King Olaf Tryggvason
of Norway, who was endeavoring to convert his lands to Christianity. This was not the same Olaf in whose court
Harald Hardradi was raised; rather, they were cousins. They both worked to spread the religion; Norway evidently took
a fair amount of converting.
Although Leif and Harald only overlap by five years, a long-running GURPS Vikings campaign could certainly take in
meetings with both. For a bonus, after Harald's death in 1066, younger PCs could even travel east to emulate his career
in Byzantium's Varangian Guard -- in the service of Emperor Alexius I, who also appears in this book. This could
make these Last Vikings (or Saxon refugees) witnesses to the First Crusade.
Other medieval characters appearing in this book would be unlikely to collide, although really determined travelers
could run into Ibn Battuta and Geoffrey Chaucer, somewhere around the Mediterranean, or could witness the roles
played by both Chaucer and Joan of Arc in England's interventions in European politics. (Though that would require a
campaign covering 20 or 30 years.) Still, things get more complicated with the Renaissance.
Paracelsus the Plot Device
Several of the book's 15th- and 16th-century European characters have overlapping lifespans and lived within a few
hundred miles of each other (or less), but few provide such an easy mechanism for making connections as Paracelsus,
whose early travels are not all known -- but who certainly went a long way in the search for knowledge. A particularly
obvious plot would involve the young student of alchemy and medicine seeking out the aging genius Leonardo da
Vinci in Italy or France. PCs could become involved if the old man asked the youth for some service in exchange for
tuition in anatomy -- or if the cocky young Paracelsus gave Leonardo some information that demanded investigation.
Later, Paracelsus could become involved in, say, the more secret machinations of the young Catherine di Medici, who
might have found herself in a tricky enough position at the French court to need the aid of an expert in outre arts.
Meetings With Remarkable People
The Court of Gloriana
One of the running jokes between some of us who worked on this book was that it could easily have turned into
GURPS Court of Queen Elizabeth I. In the end, only three characters from that setting appear in the book, but there
could easily have been many more (and there'll probably be some in volume 2). As her biography notes, Elizabeth had
a knack for picking good advisors, and also a taste for the arts. She sometimes employed the services of both John Dee
and William Shakespeare, directly or indirectly, and doubtless exchanged at least passing conversation with both; it
would be no great stretch to have both somewhere around the court on the same day (and some of Dee's ideas and
reputation apparently influenced Shakespeare's work). Though Shakespeare's fortunes rose as Dee's fell, a tongue-in-
cheek swashbuckling game could feature both the scholar-cryptographer and the enigmatic playwright -- and if, to
borrow an idea from one of Ken Hite's past columns, some of Shakespeare's plays encode arcane information in their
plot or language, Dee would likely be the best person in all London to explain it -- or to blame for it.
Dee definitely traveled around Europe; Shakespeare may also have done so, especially if one accepts some of the more
romantic theories about his activities shortly before entering the theater. Thus, either could conceivably have
encountered Tycho Brahe in Denmark (or elsewhere, if Brahe took a short study trip); Dee and Brahe are certainly two
essential characters to appear in a secret magic or "weird alchemy" game set in this period, and as a crankish scholar
living on an island, Brahe could be set up as the model for Shakespeare's character Prospero -- although he was, really,
a much more earthy figure.
Moving on, one may note any number of leaders and rulers who must have known of each other, even if they never
actually met -- Cardinal Richelieu and Oliver Cromwell, for example. (Those two would likely have hated each other,
actually; the subtle Catholic eminence was almost the antithesis of the blunt Puritan revolutionary. Both could feature
in a "Three Musketeers" based GURPS Swashbucklers game, anyway.) But as world travel became easier, the chances
for glancing collisions grows ever greater.
Masonic Mysteries?
One pair of characters in the book with odd links are Benjamin Franklin and
Wolfgang Amadeus Mozart. One of Franklin's lesser inventions was an improved
form of the "glass harmonica" -- a musical instrument consisting of a set of
revolving glass disks, moistened with water and played by a touch of the fingers --
for which Mozart composed a piece. This curiosity aside, both were Freemasons --
members of what was, at the time, an international society of generally
independent-minded men. They do not seem ever to have met -- by the time
Franklin was in Paris, Mozart was mostly based in Austria -- but both were
travelers to some extent, and conspiracy-oriented games set in the 18th century
could involve encounters with both. (The other noted Freemason in the book,
incidentally, is the rather later "Emperor" Norton.)
North, South, East, West . . .
By the end of the 19th century, even those characters who were not noted as travelers could well visit several
continents; Norton, born in London and brought up in South Africa, would probably be in San Francisco if Lola
Montez' speaking tours ever took her to that city, and Montez could have crossed paths with Sir Richard Burton or
even Charles Darwin with little difficulty. The question becomes more whether two characters would have anything
much to talk to each other about, rather than whether they could have met at all. Even those who shared interests might
suffer clashes of temperament; for example, Rudyard Kipling, a poet with an interest in technology, could easily have
been introduced to Alberto Santos Dumont while the latter was visiting Britain, and they would probably have chatted
enthusiastically about experimental aviation -- but what if Dumont had made his strong pacifist beliefs clear to the
supreme poet of British imperialism? Likewise, Kipling might have met Nikola Tesla on a visit to the USA -- only to
be annoyed by Tesla's bizarre personal foibles.
Still, interesting alternate histories could be spun off from meetings that might have been. Imagine a collaboration
between Tesla and Dumont, for example (each noted in their time as clever fellows who moved in high social circles);
how might the eccentric prophet of electricity have applied his intellect to questions of flight, aided by Dumont's
practical talents and experimental bent?
Anyway, I hope that other people have as much fun using the characters in GURPS Who's Who 1, individually or
variously, as a lot of us did preparing the book. Right now, I've got to get on with volume 2 . . .
Dork Tower Cardboard Heroes
by John Kovalic
Dork Tower is . . . well, you know what Dork Tower is, don't you? It's this really funny comic strip about gaming, and
it runs right here in Pyramid, and . . . you know.
And Cardboard Heroes are . . . well, you know what they are, too. Or at least you should. Great little 25mm cardboard
figures, full-color and perfect for all kinds of gaming, and at a great price.
Put 'em together, and you get . . . Dork Tower Cardboard Heroes! Just download this handy PDF file, (you'll need the
Adobe Acrobat Reader to open the file, and you can download it for free HERE) print it out and mount them on any
suitable cardboard-like surface.
It's a free gift to Pyramid subscribers, from John Kovalic and the staff at Pyramid. Thanks for your support!
(This is a low-res JPEG; click on the image to get the printable 300dpi PDF)
Marxists and Magic
by James L. Cambias
Art by Dan Smith

Editor's Note: This article originally appeared in The Familiar, Issue #9.
The Gelbkopf Experiment

In the year 1945, as Allied armies crushed the remains of Hitler's Reich, an experiment took place in a secret
laboratory in the Bavarian Alps. Doctor Heinz Gelbkopf, using a bizarre combination of advanced quantum physics
and insane Nazi mysticism, created a portal to another universe, with physical laws very different from our own.
Gelbkopf had hoped the other universe could serve as a base and fortress for the dying Reich, but his success came too
late. Germany surrendered, and the scientists and equipment from the Gelbkopf project were seized by the victorious
Allies. Doctor Gelbkopf himself disappeared.
It was the Russians, working under orders from Stalin, who first duplicated the Gelbkopf experiment in 1947. They
created a portal from the October Revolution Science Laboratory in Kazan to the other universe. News of their success
spurred the American effort, and the Army's Project Wonderland, directed by Robert Oppenheimer, generated its first
portal in 1948.
A crack team of explorers led by Major William Armstrong went through the gateway and discovered a fantastic
world of magic, called Zoor by its inhabitants. Zoor resembled the settings of fantasy fiction, and was populated by
Elves, Dwarves and other creatures of myth.
For the next three years, expeditions from Earth entered Zoor to study the strange new world and its people. Parties of
scientists travelled under the United Nations flag, and for a time it seemed that all contact between Earth and Zoor
would be conducted under UN auspices.
That changed in 1952, when the Soviet Union began arming and training rebels in one of the kingdoms of Zoor. The
United States responded by furnishing weapons and advisors to the kingdom's ruler. Worried that the Communists
might spread their influence thoughout Zoor, President Eisenhower authorized the construction of several new portals.
The Cold War had come to Zoor.
It is now 1958. For six years now, Earth's superpowers have been expanding their spheres of influence in Zoor,
conducting wars by proxy and teaching the folk of Zoor about Communism and Democracy. Nearly 10,000 people
have passed through the Gelbkopf portals into Zoor, to serve their countries, to do business, or to seek adventure.
The World of Zoor

The universe which lies on the other side of the Gelbkopf portals is called Zoor. It is vastly different from our own
world. The universe of Zoor is an infinite flat plane of land and sea, with an infinite expanse of air above. There are
no stars in the sky. Most of the world of Zoor exists in eternal night and cold, just as the greater part of Earth's
universe is empty space.
But some regions of Zoor have suns, which rise from a certain place each day, travel through the sky, and set in a
certain place in the evening. These regions are habitable, and have life and civilizations. The Gelbkopf portals open
into one such region.
The Sun of Zoor is not a star like Earth's Sun. It is much smaller -- only about 35 miles in diameter. Zoor's Sun rises
from a hole in the ground and ascends on an elliptical path to a height of 2,000 miles. It moves at about Mach 3.5,
trailing a sonic boom which is faintly audible from the ground. How the Sun is propelled is still unknown.
In the evening, the Sun sets into another giant cavern at the opposite end of the known world. The Sun is very hot, so
the areas where it rises and sets are baked into deserts. The parts of Zoor directly beneath the Sun's path have a warm,
tropical climate. Further away from the Sun's course, the land is cooler, until one reaches the edge of the great icecap
which stretches away millions of miles into the dark.
The habitable area of Zoor is a long oval, about 29,000 miles long by 7000 miles wide. Two-thirds of this area is
covered by ocean, so Zoor has about as much landsurface as the planet Earth. Zoor's land is concentrated in the belt
beneath the path of the Sun, so the climate of Zoor is generally warmer than Earth's.
The Inhabitants of Zoor Marxists and Magic
The first Russian and American explorers were amazed to discover that Zoor
is inhabited, with a number of very different sentient races. The biggest
surprise was that Zoor has a population of humans, indistinguishable from the
people of Earth.
Humans of Zoor: Humans arose in Zoor relatively recently, but make up

close to half of that world's intelligent population. It is unclear if they evolved
in Zoor or somehow crossed the dimensions from Earth in the distant past.
Biologists prefer the migration hypothesis, as the idea of human beings
evolving in such a completely alien enviroment makes a hash of Darwinian
evolution. Physicists insist that there is no way to duplicate the Gelbkopf
effect without advanced technology.
The passage of time and some magical meddling has divided the humans in
Zoor into four subspecies. A few scientists believe that the races correspond
to the ancient hominid groups. The human subspecies of Zoor can interbreed
to a limited extent, although cultural barriers have made such mixing rare.
The dominant group of humans on Zoor are the True Men, who are very
similar to the people of Earth. Zoorian Men have light brown skin and
almond eyes. Hair color varies through all shades. They are very numerous --
the most numerous single species on Zoor. True Men can be found all over Zoor, but are typically farmers or city-
dwellers.
Elves are smaller than normal humans, standing about five feet tall. They have light complexions and dark hair. Elves
generally live in wilderness areas and forests, as hunter-gatherers or orchard-farmers. They have a sophisticated culture
but are few in number. They are semi-nocturnal, and have superb night vision.Of the human races of Zoor the Elves
are the most skilled at magic.
Dwarves are the smallest humans, never more than four feet tall, but wide and strongly-built. Their skin and hair
colors range from deep black to pale white. Dwarves live in mountain regions as farmers and herders; they also are
great miners and depend on trade with other races for food. They are fairly adept magicians, specializing in the creation
of magical devices.
Ogres are larger than terran humans, with abundant reddish hair and pale skin. They are big, often as much as eight
feet in height. Ogres are immensely strong, but not at all stupid. They are typically hunter-gatherers or nomadic
herders.
Skamneen: The oldest intelligent species of Zoor are the Skamneen. They are a reptilian species, who dwell in the hot
lands of the tropics. Their rate of reproduction is slow, so they make up only about a quarter of the population of Zoor.
But their ancient and wealthy civilization is very powerful. Skamneen are individually very imposing. They are
stronger and quicker than humans. A female Skamne generally stands about seven feet tall, with thick scales and a
long heavy tail. A Skamne's forearms are not as strong as a human's, but her legs are incredibly powerful. Skamneen
fight by kicking and swinging their tails, often attaching barbs to the tip. Skamneen think slowly, but are not stupid by
any means. A Skamne may take hours to puzzle out a problem, but her solution will almost certainly be the right one.
The Skamneen lay eggs, and the sex of their offspring is determined by the mother's nutrition level. A poorly-
nourished female lays more male eggs, while a well-fed Skamne lays more female eggs. Nearly all Skamneen are
female, since their advanced civilization makes it possible for all to have enough to eat. Males are rare, and live apart
from the females in a simple nomadic existence. Skamneen are carnivores, and raise animals on large ranches.
Dragons: The Dragons are huge winged reptiles, capable of breathing fire. They are highly intelligent, and are a force
to be reckoned with in Zoor. The Dragons claim to be rebellious demigods transformed into their present form as a
punishment by the gods, but records kept by the Skamneen tell that the Dragons were created magically by ancient
Skamneen wizards. Dragons do not reproduce well -- their offspring are stunted and of animal intelligence. These
"dragon children" are also mighty and dangerous, but lack the vast cunning and magical ability of their parents. So
while Dragons rule mighty empires, the dragon children are merely dangerous beasts. The chief disadvantage which
the Dragons suffer is that they have no hands, and so cannot make or build anything themselves. They are thus
dependent on human or Skamneen slaves.
Hushanku: The Hushanku are small, ratlike beings who claim that one of the gods created them from rodents before
the arrival of humans in Zoor. They are furtive and sly, nocturnal creatures, dwelling underground. Hushanku are
common in cities, often living in secret tunnel complexes beneath the streets. Hushanku are not politically powerful,
and do not control any large kingdoms, but they are astonishingly well-informed. Nothing happens in Zoor that
escapes their notice. Hushanku are sought after as spies by all the rulers of Zoor.
Tripeds: The Avry (or Tripeds) are the newest major race; they appeared only a few thousand years ago and claim to
have arrived in Zoor from another place (the possibility that they came through a Gelbkopf portal is being
investigated). The Tripeds were accompanied by several related species of animals, and are still trying to make a place
for themselves. As the name suggests, the Tripeds have three legs. Their bodies are bottle-shaped, with a long flexible
neck. Tripeds stand five feet tall with the neck fully stretched. They have no hands, but instead have three tentacles
spaced around the sides of their heads. Tripeds are physically frail, but are all formidably intelligent.
Minor Races: In addition to those described, there are numerous small groups of intelligent beings. Many survive in
only a single location, and appear to be the result of magical transformations of humans, animals, or one of the other
major races. Some minor races include:
Byoush -- midget sorcerers who ride the shoulders of Ogres and Men.
Centaurs -- wild nomadic hunters, shaped much like their mythological namesakes.
Drushvliand -- sentient fungi resembling man-sized mushrooms, that have an intricate and advanced civilization
located far underground in giant caverns.
Etandri -- a tribe of humans shrunk by magic to only an inch in height. They dwell in termite mounds on the
savannahs of the Noon continent, and have domesticated many insects.
Giants -- once thought to be another race of humans in Zoor, the Giants were recently shown by French scientists to be
a tribe of Ogres magically increased to a height of 30 feet.
Krakens -- the oceans are ruled by the Krakens, giant intelligent squids who dwell in vast dark cities on the sea floor.
Unseen Ones -- the Unseen Ones are a mysterious race of invisible beings which seem to resemble Skamneen.
Kingdoms and Politics of Zoor

Most of Zoor is ruled either by powerful magicians, cults, dragons, or supernatural beings. When the Earthmen arrived
with their technology, the age-old pattern of Zoorian life was shattered. The competing ideologies of Marxism and
Capitalist Democracy have each attracted followers; in addition a group of Nazis escaped into Zoor before the collapse
of Germany and have gained a few converts of their own. The following list of political entities only describes the
major powers or states important to Earth.
The Sishtaash Empire: The Sishtaash Empire is the largest Skamneen kingdom, and the most powerful single state in
Zoor. It dominates the Noon Continent, and controls much of the seaborne trade across the Southern Ocean. The
Americans and Russians are competing to gain the Empire as an ally. But for now the aged and cautious Empress
Shkaath prefers to remain strictly neutral in the battles of the aliens.
Drakensreich: This powerful and evil state is an empire ruled by dragons. It was the site of Doctor Gelbkopf's first
portal, and a number of fanatical Nazis escaped through the gate to the Dragon realm. The Dragons liked the Nazi
ideology, and adopted much of the methods and symbols of Hitler's Germany. Dragons are now the "Master Race,"
and all other races in the Reich are their slaves. Dwarves are especially hated, and the Dragons have embarked on a
vast program of extermination. A cabal of German Nazis advise the Dragon leaders. There is a resistance movement
struggling to overthrow the government. The Drakensreich has annexed its weaker neighbors to the north, and now has
begun expanding eastward into Hyqlahm, through the mountainous ithsmus of Kesfir. The ruler of the Reich is
Drakenfuhrer Gegros, an ancient lizard with gold scales. Martin Bormann is the leader of the Nazi advisers, and serves
as Minister of Propaganda for the Dragons.
The Dwarven Clans: The high plateau of southern Hyqlahm is home to a strong confederation of Dwarves. The Clans
are quite powerful, but weak leadership and internal fighting has kept them from being a major force. A recent influx
of refugees from the Drakensreich has encouraged the clans to end their quarrels and arm for war. For generations the
Clans have been feuding with the nearby Elves in the lowland forests. Leadership of the Dwarven Clans is contested
between Baron Darol of the Iron Hills, and Lord Vorak of the Jade Caverns.
Empire of Noon: The most powerful state controlled by Men, this empire borders Sishtaash on the central continent. It
is ruled by a vigorous dynasty led by the beautiful virgin Empress Thice. The Empire has aims at expansion to the
west, into the metal-rich mountains populated by Ogres and Dwarves. The Empire of Noon, like its neighbor
Sishtaash, is sufficiently secure and powerful that its rulers have kept the Russians and Americans at arm's length.
Ogre People's Republic: This land was the site of the first Soviet portal into Zoor, and is still the main Communist
sphere of influence. It occupies a chilly mountainous section of the continent Verthegsor. When the Russians arrived,
they found a kingdom of Ogres ruled by an Elven aristocracy. The Communists organized a revolution and supplied
the Ogres with weapons. Despite some American assistance to the Elves, the Ogres prevailed. Today the OPR is a
strong and willing tool of the Russians. The Ogres have already expanded and annexed several smaller realms. Some
rebel Elves still hold out in remote regions. The Premier of the OPR is Comrade Grashkor, although he has a serious
rival for power in the person of Comrade Argnab, the head of the Ogre State Security Bureau.
Kingdom of the Fair Folk: The tranquil forest-covered realm of King Udisur is the largest predominantly Elvish
kingdom, with a substantial minority of Men. It lies in western Verthegsor, and borders the Ogre People's Republic.
King Udisur fears the Communist Ogres to the east, but many Elf intellectuals have become enamored of Socialist
ideology and oppose an alliance with the Americans. The unofficial leader of the socialist Elves is the bard Aelwyn.
The Wizard Cities: On the northern coast of the central continent is a league of small city-states ruled by magicians.
Though individually the cities are relatively weak, the sorcerer-princes of the Wizard Cities are quite powerful when
they join forces. The leaders of the Wizard Cities are extremely suspicious of the new arrivals from Earth, and refer to
them as "Demonworlders." They oppose both Communism and Democracy, preferring to have things as they were
before the Gelbkopf portals. The most powerful wizard (and the most reactionary) is the weather-sorcerer Naash,
Prince of the port city Usmepir.
The Avry Eutocracy: Once the only state ruled by Tripeds, the Eutocracy must now share that honor with a
Communist puppet state to the south. The Eutocracy's government is a vast bureaucracy, with advancement determined
by competitive examinations and progress reports. Faced with Communist neighbors on two sides, the Eutocracy has
become a close ally ofthe democratic powers of Earth. The nearest friendly Gelbkopf portal is to the east in the land of
the Centaur Tribes, and the Eutocracy has recently entered into an alliance with the horse-men. The Eutocracy is led by
the Chief Director Ytpu.
United Elven States: The Elven States are the strongest and most loyal American ally in Zoor. When Project
Wonderland's second portal opened here, the land was ruled by the evil wizard Kandareth. The CIA arranged a coup
which deposed the sorcerer, and American advisors helped the Elves create a democratic constitution on the U.S.
model. Kandareth still plots in hiding to regain power. Elven troops join American advisors in neighboring lands to
fight Communism. The current President of the UES is Farandir of the Golden Eyes.
The Twilit Empire: At the western edge of Zoor lies a sprawling empire with enclaves of all the major races, ruled by
the doddering immortal Emperor Domen-Kar from his palace of gilded bronze. The nationalist aspirations of Dwarves,
Ogres and Skamneen within the Empire have been fed by Communist propaganda, and the land is rife with intrigue
and rumors of revolt.
Jardeen: South of the realm of the Dwarven Clans is a bleak mountain kingdom of Ogres, ruled by an aristocracy of
Giants under King Vorven. Jardeen is notorious for being the home of a group of vicious pirates that plague the waters
of the Sunset Sea and waylay ships passing through the stormy Straits of Jardeen. The pirates of Jardeen also venture
eastward to raid the coasts of Sishtaash. Chief among the pirates is the swashbuckling Ogre captain Nagromm.
The Empire of the Great Stone Head: On the northern coast of the Dawn Continent is a large but thinly-populated
realm inhabited by True Men, Tripeds and Centaurs. It is called the Empire of the Great Stone Head, because its ruler
is an enormous marble sculpture of a human head 30 feet across. The Head is intelligent, and can float about in the air
to survey its domain. It has vast magical abilities. The Great Stone Head is a fairly effective ruler, although it does
have the regrettable habit of demanding an annual sacrifice of a dozen virgins. The Head is moderately pro-American,
as the nearby Dawnlands People's Republic has made it afraid of revolution. Unlike most other rulers of Zoor, the
Head is very interested in bringing modern technology to its kingdom.
Fair Folk Democratic Socialist Republic: The second Russian gate opened on the continent of Hyqlahm, in a realm
of Elves beset by raiding Ogres and Dragons. The Russians have helped the Fair Folk fend off their enemies, but in the
process have made the land a virtual colony. While American agents from the United Elven States to the east have
tried to encourage democratic resistance in the Republic, the menace of the nearby Drakensreich has kept the
Communist regime in power. The FFDSR is governed by Russian "Advisors of the Revolution" and a powerless Elven
President, Holmir Silkentongue.
The Kingdoms of the Tanshadrin Mountains: Occupying the connection between the continent of Verthegsor and
the Dawn Continent is the great Tanshadrin mountain range. The fertile valleys of the Tanshadrin Mountains are
populated by Men and Dwarves. Each valley is a separate kingdom, but they all are united under a Dwarf High King,
Ionar of the Granite Cliffs. The Kingdoms border on the Avry Eutocracy and the Tripedal Democratic Republic.
Communist guerrillas from the TDR have begun using the eastern valleys of the Tanshadrin Mountains as a route into
the Eutocracy, prompting cries of outrage from the Avry and their British and American allies. King Ionar is still
undecided about the proper course: should he seal his border, or make common cause with the TDR against his old
enemy the Eutocracy?
Rimland Confederation: North of the Drakensreich is a union of several small states at the edge of the vast ice-sheet
that surrounds Zoor. The people of the Rimland are Men, Ogres, Giants, Hushanku, and Unseen Ones. Many have fled
to the Rimlands to escape the advancing armies of the Drakensreich. The Confederation is governed by a High Council
of tribal chiefs and kings. The Rimland is the site of the French portal into Zoor, and France has been a great help to
the Confederation in keeping the Reich at bay. A brigade of the Foreign Legion is stationed in the Rimlands to help
repel raiders, and the Legion has recently started accepting Ogre recruits. The main drawback is that the French have
begun to treat the Confederation almost as a colony, demanding the removal of certain Council members who oppose
French policies, and exerting an increasing amount of control over the Rimlands army.
Dawnlands People's Republic: Far to the east, just beyond the Avry Eutocracy, is the main Chinese client-state in
Zoor. Once a theocratic empire ruled by a Sun-worshipping cult, the Dawnlands are now controlled by fanatical Maoist
Communists. The people of the Dawnlands are mostly Men. China's Gelbkopf portal opens into the Dawnlands, and
there are now several thousand Chinese "Revolutionary Volunteers" in Zoor. Remnants of the old Sun cult survive in
the desert around the Sun's Gate cave, and British agents have tried to make a formal alliance with them.
Archipelago League: The site of Project Wonderland's first Gelbkopf portal into Zoor was the Hymeg Archipelago, in
the great Northern Ocean. The Archipelago is populated by Men, Krakens and Skamneen, and is made up of a league
of city-states which cooperate for defense. The rulers of the League have not allowed the U.S. to build any military
bases in the Archipelago, and so this Gelbkopf portal is now used for commercial transport between Earth and Zoor.
The Archipelago sees an increasing number of American tourists.
Tripedal Democratic Republic: The first fruit of the Russian program of subversion and destabilization in Zoor came
in the southern provinces of the Avry Eutocracy. Some ambitious local officials fell victim to Communist agitation,
and mounted a successful rebellion with the help of a Russian paratroop regiment. Today the TDR is a perfect
Communist puppet, combining the worst of Soviet methods and the traditional bureaucracy of the Tripeds. Acting in
coordination with the Chinese-supported Dawnlands People's Republic, the Tripedal Democratic Republic is in a good
position to spread Communist influence through the entire Dawn continent.
Centaur Tribes: The British operate one Gelbkopf portal, which opened into the arid plains in the heart of the Dawn
continent of Zoor. The land is inhabited by warlike and primitive bands of Centaurs. British diplomats and agents,
armed with centuries of experience from India and Africa, were able to form an alliance with the weaker tribes, then
armed and trained them to overcome the stronger ones. Today the Centaur Tribes are England's main ally in Zoor, and
the region serves as the conduit for British and American aid to the Avry Eutocracy. But the Communists on either side
of the Centaur plains have not been idle. Their agents have been hard at work stirring up nationalist sentiment among
the Centaurs, painting the British as "imperialists" and "neo-colonialist aggressors."
Marxists and Magic
Languages
Each race of Zoor has many languages, and communication with the natives was a serious problem for the first
Russian and American expeditions. Scientists have identified some similarities between the languages of Zoor's human
races (Elves, Dwarves, Men and Ogres) and Sanskrit, the "mother tongue" of the Indo-European language group.
The tripedal Avry all speak the same language, as they all still live in the same region and until recently were ruled by
a single government. Similarly most Skamneen speak dialects of an ancient language called Skaneesh. The Dragons
also use a form of Skaneesh.
Traders and travellers in eastern Zoor often rely on a crude pidgin called Monok, which is spoken, or at least
understood, in port cities and caravanseries in the eastern part of the world. In the Noon continent and nearby
Hyqlahm the lingua franca is Skaneesh. To the west, the Twilit Empire has a dozen different languages within its
borders, but uses a human tongue called Duskish as the official language of government and commerce.
The arrival of visitors from Earth has caused a great many Zoorians to learn Earthly languages. German is now widely
spoken in Drakensreich, and English has made inroads in the American and British client states. The Chinese have
made a great effort to prevent their allies from learning Chinese, perhaps in order to keep them from gaining technical
knowledge.
Magic in Zoor
Magic is an important force in Zoor, but it is not very common. Magic means power, and those who have access to it
are careful to preserve their monopoly. Most Zoorians can live out their lives without ever seein magic used. But it is
there, and can create incredible effects when put to use.
Spells
Most magic in Zoor takes the form of magic spells which are spoken to cause things to happen. Anyone can learn and
use a magic spell -- no innate ability is required. But spells are tricky and complex, and even a slight error in
recitation can have disastrous results. Magic spells range from simple chants to bring luck or ward off disease, to
exhausting day-long rituals that can destroy whole kingdoms or bind powerful beings.
There is no "science" of magic. Spells are learned by rote and jealously kept secret by mages. New ones are found by
accident, or else are rediscovered in lost scrolls. (This may change now that both Russia and the United States have
acquired some spellbooks and have put teams of researchers and powerful electronic computers to work in an effort to
discover the underlying rules of magic.)
Magic Items
Less powerful than spells are magical items. These are objects which have been enchanted to produce magical effects.
In general a magic item can embody only a single spell. An example would be a magic sword that had a spell of
Invincibility cast on it: anyone holding the sword would be immune to harm, but in combat the sword is no better than
any mundane blade. Most rulers have a whole collection of enchanted objects -- weapons and armor, devices to reveal
assassins and poison, ways to spy on rivals, and so forth.
Creating magic items is time-consuming and difficult. Only the Dwarves seem to prefer making objects to other forms
of magic. A great drawback to most magic items is that they have no allegiance. The enchanted sword which helps a
king slay his foes will just as easily slay the king if a rival picks it up.
Potions
Potions are sort of an intermediate stage between spells and items. The potion takes effect when swallowed, just as if a
spell had been cast on the subject. But potions can be stored for long periods, and do not require the magician's
presence to work. From a magician's perspective, potions are the ideal way to work magic: the sorcerer can make them
in the safety of his laboratory, but the customers have to keep coming back for refills.
Religions of Zoor
Zoor has generated no end of theological controversy among Earth's religions, because it is home to a large number of
gods, most of which are demonstrably real and active. The gods of Zoor are not omnipotent, and are generally far
from being perfectly good or all-knowing. This has led the Catholic Church and most Islamic mullahs to class all of
Zoor's gods as either angels or devils. Atheistic Communist philosophers and Western rationalists prefer to think of
Zoor's gods as just extremely powerful alien beings. The truth may never be known.
In general, each of Zoor's races has its own tutelary god or gods. Some deities are common to related races -- both
Men and Elves worship Rantel, the Lord of the Hunt, for example. There are hundreds of gods and demigods in the
mythologies of Zoor. The most important are listed below.
Berekel: The chief goddess of the Elves, Berekel is the protector of forests and the Queen of the night. She appears as
a tall Elf maiden garlanded with leaves. Berekel is the consort of Rantel. Her worshippers must swear to never fell a
living tree.
The Cylinder: All Tripeds worship The Cylinder, which is kept in a great domed temple in the capital of the
Eutocracy. The Cylinder is a large cylinder of some greenish-gold metal, which hovers in the air within the temple and
spins constantly. The priests of the Cylinder say that if it ever ceases to spin, the world will end.
Glute: The Trickster-god of the Hushanku, Glute is the only one of Zoor's gods to have openly embraced
Communism. Glute has commanded his followers to worship him as "Comrade Deity" and is an active co-conspirator
with KGB plots throughout Zoor.
The Great Stone Head: This giant living marble head is the ruler of the Empire of the Great Stone Head, where it is
worshipped as a god with virgin sacrifices. The Great Stone Head allows no other religions in its domain, and denies
kinship with any other god.
Nestamon: Nestamon is the god of earthquakes, volcanoes and the underworld. He is the chief god of the Dwarves.
Nestamon appears in the form of a Dwarf, but with skin of stone, hair of metal, and eyes of molten lava. Nestamon is
very active on behalf of the Dwarves, and armies attacking their mountain kingdoms are frequently beset by tremors.
Rantel: The Lord of the Hunt is worshipped by both Elves and men in Zoor, and is the chief god of the Centaurs. He
appears as a mounted man with antlers, leading his pack of hounds in pursuit of game. Rantel is a frightening deity,
who often hunts those who have committed crimes against his followers. Nobody can escape the Lord of the Hunt.
Skenskina: Skenskina is the goddess of the land and fertility, and is honored above all others by the Skamneen. She
appears as a giant Skamne, and her followers claim that all living things hatched from an egg of Skenskina.
The Sun God: The only god with worshippers among all the races, the Sun God is simply the Sun of Zoor. Records
tell of the Sun actively intervening in Zoorian affairs, but no evidence of this has been seen by visitors from Earth. The
Sun's cult is strongest in the Dawn Continent, where nearly all the Men are members.
Meanwhile, Back on Earth . . .

Earth's history has progressed much as it did in the real 1950s, but with some minor changes that are likely to have
important effects later on.
Research into space exploration has almost completely halted. Only a small band of enthusiasts with private funds are
still interested in building space rockets. Ballistic missile development has been put on the back burner, as
governments work to develop better Gelbkopf portals. Any nation which can learn to select where in Zoor a Gelbkopf
portal will open could soon dominate that entire world. Another massively-funded area of inquiry is the possibility of
opening Gelbkopf portals between locations on Earth. The commercial and military applications of such a gateway
would be enormous.
The Cold War between America and the Communists is still going on, but Zoor is the primary theater of operations.
When the French were forced to evacuate their colonial possessions in Indochina in the face of a Communist
insurrection, the United States declined to get involved in Vietnam. As President Eisenhower summed it up, "Why
should we worry about a small country in Asia when an entire dimension is at risk?"
A Brief Chronology
1945: Heinz Gelbkopf generates the first portal into Zoor. Truman becomes President of the U.S. after Roosevelt dies.
1947: Russians duplicate the Gelbkopf Effect.
1948: Project Wonderland opens portal into Zoor. After the Russians block land transport into West Berlin, the U.S.
supplies the city by air for nearly a year. State of Israel established.
1949: Mao Tse-Tung establishes Communist government in China. NATO organized to protect Europe from the
Russians. Project Wonderland creates a second Gelbkopf portal.
1950: North Korea invades South Korea. Investigations of Communists in the U.S. Government begin.
1951: Truman fires General MacArthur as commander of U.S. forces in Korea. British establish a portal into Zoor.
1952: Eisenhower elected President of the U.S. Russians begin supporting the Ogres of Zoor in their revolt against
Elven rule.
1953: Cease-fire in Korea. Stalin dies and is succeeded by Khrushchev as leader of the Soviet Union. Ogre People's
Republic established. Russians open second Gelbkopf portal.
1954: French withdraw from Indochina, leaving a Communist regime in control of Vietnam. CIA agents overthrow the
wizard Kandareth. Chinese create their first Gelbkopf portal.
1955: United Elven States formed. French portal into Zoor opens.
1956: Soviet forces enter Hungary to suppress a revolution.
1959: Fidel Castro deposes Batista in Cuba and subsequently forms close ties with Russia.
1960: Kennedy elected President of the U.S. 1961: Bay of Pigs invasion of Cuba ends in disaster. Berlin Wall built to
keep East Germans from fleeing to the West via Berlin.
A Cold War Glossary
Aggression -- Used by both sides to describe any activity by the opposition. American tourism in the Archipelago is
denounced as "capitalist economic aggression" by the Russians.
Communist -- An adherent of the theories of Karl Marx. By the 1950s, nearly all Communists are under the direction
of the Russian Politburo, and Communist ideology is subservient to Russian foreign policy. Americans tend to use the
term to denounce anything they dislike.
Democratic -- This term is used by both sides in the Cold War. Americans and their allies use it in the sense most
readers understand -- having to do with governments elected by those governed. Communists use the term pretty much
arbitrarily, often two or three times in the name of the same country ("Democratic People's Socialist Democracy").
Destabilization -- A polite term for encouraging rebellion in a country, with the goal of bringing down the present
government.
Domino Theory -- The strategic theory that a Communist regime in one country encourages the growth of Communist
parties in neighboring lands, eventually bringing an entire region under Communist influence. (The name derives from
the analogy of a row of dominoes toppling.) Denounced by liberal intellectuals in the West as a false doctrine, despite
numerous examples.
Fascist -- This term has two meanings. In its original sense, it refers to the militaristic, hyper-nationalist ideologies, of
which Nazi Germany is the best-known example. It is also used by Communists and other leftists to describe anyone
who disagrees with them.
Imperialism -- According to the Communists, all activity by the Western powers is a form of "imperialism," intended
to extend their rule to other lands. Soviet domination of other nations is referred to as "assistance to the Revolution."
Intervention -- The use of military force. If a superpower sends troops into a country to install a friendly government,
it's not an invasion, it's an intervention.
Oligarchy -- Rule by a small group or a limited class of citizens.
Reactionary -- Used by Communists to describe anyone who opposes them. "We must destroy the reactionary
elements that endanger the people's revolution."
Revolution -- To the Communists, the Revolution is the final overthrow of capitalism, which will bring about a perfect
society. The Revolution is always just around the corner.
Socialist -- Often just a euphemism for communist, but also applied to states which have a high level of government
control of the economy, but with a democratic political system. The Americans view all Socialists as dupes or tools of
the Reds.
Totalitarian -- American term for all non-democratic systems, especially those hostile to the U.S. Friendly
dictatorships are merely "authoritarian."
The Cold War in Zoor

It is now 1956; the Cold War is reaching its peak. Atomic weapons have created a stalemate on Earth, but the struggle
for preeminence in Zoor is still very active.
Just as Earthly technology works in a limited fashion in Zoor, Zoorian magic does work to some degree on Earth. The
two Superpowers are frantically trying to stockpile magical artifacts and sorcerous knowledge. The fear of a "magic
gap" is very real. The Americans are particularly alarmed by the recent success of a KGB quest to recover the lost
Sword of Thagara, which is said to make its bearer invincible in battle. NATO generals are appalled by the thought of
Soviet Shock Armies carrying mystical swords of power.
American Influence:
The American presence in Zoor has three main goals. In order, they are to stop the spread of Communist subversion, to
maintain trade and peaceful contact with the Zoorians, and to conduct scientific study of Zoorian magic. So far the first
goal has taken up the bulk of American efforts in Zoor.
American influence is strongest in the United Elven States and the surrounding kingdoms. The UES and some lands
threatened by the Communists have formed ZATO -- the Zoor Alliance Treaty Organization. The Elven armies are
backed up by an American presence of three divisions (two infantry, one armored), and six jet fighter squadrons.
Zoor's bizarre natural laws mean these unit are not as overwhelmingly powerful as they would be on Earth, but the
U.S. Inter-Dimensional Command is still a formidable force.
The CIA has an undisclosed number of operatives in Zoor, including a great many Elves. Agents are active throughout
the continents of Hyqlahm, Verthegor and the Dawn Continent. Undercover agents often masquerade as wandering
warriors or itinerant singers.
Communist Influence
The Communist program of world conquest has made great strides in Zoor. The Russian and Chinese puppet states
serve as bases for the subversion and destabilization of nearby lands. Russia's chief client is the Ogre People's
Republic, while the main Chinese pawn is the Dawnlands People's Republic. The Russian pawns are organized into the
Kazan Pact.
Russia currently has brigades in the Fair Folk Democratic Socialist Republic, The Ogre People's Republic, and the
Tripedal Democratic Republic. The Chinese have approximately a regiment's worth of "Revolutionary Volunteers" in
the Dawnlands People's Republic. Recently American agents in the OPR have detected signs of construction that could
only be for missile silos. If the Russians do attempt to place missiles in Zoor, a grave crisis could ensue.
Finally, the Reds have a vast web of agents and agitators spread throughout Zoor. The extent of their influence is
unknown, but it is clear they have total world domination as their goal.
Other Countries
The British and French each have a working Gelbkopf portal. The British cooperate with the Americans in opposing
Soviet policies in Zoor. The French have tried to remain neutral, but still tend to side with the Americans. The British
have mostly stuck to trade, but the French seem determined to replace their lost colonial empire on Earth with a new
one in Zoor. Doctor Gelbkopf and the other Nazis in the Drakensreich dream of conquering all of Zoor and returning
to Earth to fulfill Hitler's evil dreams.
Science and Magic

Gelbkopf Effect Portals
Doctor Gelbkopf's invention has shaken the very foundations of physics. Even today there is still debate over the
theoretical basis for the Gelbkopf Effect.
Portals are very expensive, requiring extremely advanced machinery and components made of rare elements. Only the
wealthiest states on Earth can afford to build them. Activating a Gelbkopf portal requires vast amounts of electrical
power -- the Project Wonderland facility in New Mexico now consumes the entire output of Hoover Dam's
hydroelectric generators. As yet there is no way to "aim" a portal; when activated they link to random places in Zoor.
This means it is simpler to maintain an existing link than establish new ones.
The largest portals are barely big enough to pass a truck or a medium tank. Most are only man-sized. Sending anything
through a portal temporarily increases its power consumption by a factor of ten. So even the two Superpowers have
only limited resources in Zoor, and must do as much as possible using locally-available equipment.
The Russians and Americans each have two Gelbkopf portals. The Chinese, British and French each have one. The
Japanese have begun constructing their own Gelbkopf Effect facility. All portals are government-operated. The only
ones open to private travelers are the American portal to the Hymeg Archipelago, and the British portal which is open
to scientists and researchers.
Technology Limits
Zoor's natural laws are very different from those of Earth, and they affect the workings of technological devices.
Certain types of technology do not function at all in Zoor; others do but in ways different from Earth. The Project
Wonderland scientists group technologies into four classes, based on how they are affected by Zoor.
Class I items become utterly functionless in Zoor. They operate on principles completely foreign to the Zoorian
environment and become so much inert junk in the other world. Radioactive materials and semiconductors are Class I
devices. So atomic weapons, transistor radios and the latest electronic computers do not work in Zoor.
Class II items have their efficiency drastically reduced. Most work at about a tenth of their usual level, or else require
ten times the power for normal operation. Nearly all electrical and electronic devices are Class II items.
Class III items work at about half normal effectiveness. Nearly everything based on chemical energy is a Class III
item -- firearms, rockets, motor vehicles, pharmaceuticals, steam engines and explosives. So guns in Zoor reduce range
and damage by half, vehicles double their fuel consumption, and drugs require double doses.
Class IV items are unaffected by being in Zoor. Every machine that works by means of simple mechanics or which is
powered by basic physical forces like gravity or wind operates normally. Swords, bows, waterwheels, sailing ships and
catapults all work as well in Zoor as on Earth.
Scientists have noticed a strange paradox: technological devices which depend on chemical reactions work at half
efficiency, but living organisms (which rely entirely on chemical reactions) appear to be unaffected by Zoor's
environment. Dr. Linus Pauling has speculated that even Earthly organisms have some innate ability to drawn on
magical power in Zoor, and that the reduced efficiency of chemical reactions is compensated by the use of magic.
Magic Limits
Just as Earthly machinery is affected by being in Zoor, so Zoorian magic works differently on Earth. Again, the
Project Wonderland researchers have come up with four categories of magic based on how well it functions on Earth.
Class I magic is utterly functionless on Earth. Class I spells become nothing but bad poetry, and Class I magical items
lose all special powers. Class I magics include wishes, spells to raise the dead, spells of creation or destruction, spells
to tell the future, and any spell which the Gamemaster doesn't want in 1950s Earth. Very powerful magic items,
particularly those associated with gods or demons, are Class I.
Class II magic works, but is only at about 10% effectiveness. Class II magics include elemental magics, necromantic
spells, summonings, spells of movement and communication, and protective spells. Magic wands and rings are Class
II.
Class III magic works at about half normal strength on Earth, and includes most illusions, spells of light and dark,
healing spells, and spells that control animals. Most magic swords and enchanted weapons are Class III items.
Class IV magic works as well on Earth as in Zoor, and in many cases is simply the application of natural substances
or processes. Poison and neutralization spells are Class IV, as are spells of curing and causing disease, spells of
controlling the body, and spells of charming and affecting emotions. Potions are usually Class IV.
Important People in Zoor

Aelwyn: This Elf bard is the leader of the pro-Socialist Elves in the Kingdom of the Fair Folk. Aelwyn is a typical
Communist tool, who sincerely believes the Marxist ideology and is blind to the failings of the Communist system. He
is probably the most talented bard in the Kingdom of the Fair Folk, and his haunting folk songs have been a big hit
among leftists in America and Britain.
Captain DeCamp: When Zoor's strange resemblance to the worlds of fantasy fiction was discovered, the United
States government turned to fantasy writers for advice. The Navy scored a coup by reactivating the commissions of
two top authors, Robert Heinlein and L. Sprague DeCamp. Captain DeCamp is now the chief American liason officer
to the United Elven States. He spends much of his time working with Elven craftsmen and engineers to improve the
weapons and tactics of the UES's army. Player-characters active in the UES are almost certain to encounter Captain
DeCamp, and military characters may wind up under his command. Captain DeCamp is incredibly knowledgeable
about Earth's history, and has learned as much as he can about Zoor's past as well. He probably knows more than any
other American about the history and legends of Zoor.
Doctor Heinz Gelbkopf: Creator of the portals which allow contact between Earth and Zoor, Doctor Gelbkopf is now
head of the Drakensreich scientific research program. He and other Nazi scientists are struggling to develop
superweapons that will work in Zoor's strange environment. Gelbkopf is also very interested in seeing if it is possible
to generate a Gelbkopf portal from Zoor to Earth -- if successful, it would allow the Drakensreich to extend its evil
influence across the dimensions.
Kandareth: This evil sorcerer once ruled the elves of Hyqlahm, but was overthrown by a CIA-backed coup. Now he
lives in exile in the Wizard Cities, plotting revenge on the Americans. Kandareth is a supremely powerful wizard,
although he lost many of his best magic items and books of lore when he was deposed. Kandareth is suspicious of all
intruders from Earth, and so far has avoided dealing with the Communists. He has begun negotiating with the Dragons
of Drakensreich, promising to help them if they supply an army to recover his kingdom. The Dragons have not yet
responded.
Nagromm: The most successful of the pirates of Jardeen is the Ogre Nagromm. Unusually agile and quick-witted for
one of his race, Nagromm commands the pirate galley Sunracer, with a mixed crew of Men, Sishtaash and Ogres.
Nagromm has an honorable streak, and treats the captives he hold for ransom well. The rise of the Drakensreich has
disturbed Nagromm, and he might be persuaded to help fight the Nazi Dragons.
Professor Tolkein: An early difficulty faced by the explorers of Zoor was the totally unfamiliar nature of Zoor's
languages. Linguists and philologists from all of Earth's universities studied the tongues of Zoor and eventually made
communication possible. One of the leaders of the effort was Professor J.R.R. Tolkein of Oxford. Professor Tolkein
has remained in Zoor, among the Centaur Tribes of the Dawn Continent. Tolkein is an expert on the languages and
literature of Zoor, and has recorded thousands of Dictaphone cylinders of Zoorian songs and poetry. Tolkein also
advises British Intelligence, and occasionally his poetry-gathering expeditions include a few secret agents with their
own missions.
Campaigns and Adventures in Zoor

Zoor's combination of Cold War conflict and high fantasy adventure means there is a wide variety of potential
campaigns and adventures.
Battling the Reds: The players can take the roles of American military personnel in Zoor, struggling against their
Soviet opposite numbers to prevent the spread of Communism in Zoor. While soldiers are unlikely to battle the
Russians directly, "advisors" can see plenty of action helping put down local rebellions and protecting American allies
from native Zoorian perils. Troops of the USIDC may also be called upon to slay monsters. Americans in the UES can
see action against the Nazi Dragons of Drakensreich and their unstoppable Ogre stormtroopers.
The Shadow War: Spies or diplomats will find plenty of opportunity for intrigue and adventure in Zoor. They can spy
on Soviet operations, uncover Red spy rings in the court of the Elven King, go on quests to recover magical treasures,
and destabilize unfriendly regimes.
Making a Buck: The Gelbkopf portal to the Archipelago League is open to anyone who can cover the cost of its
operation. A few entrepreneurs and corporations have sent people through in search of opportunities to make money.
For an interesting change of pace, consider a campaign following the adventures of a crack team of salesmen in Zoor,
braving dragons, wizards and other perils to meet their monthly sales target.
Interdimensional Tours: So far the only business which has been able to make a profit in Zoor is the tourist business.
People from Earth will gladly pay big money for a holiday in the magical world of Zoor. Most tourists remain in the
Archipelago League, but recently some travel agents have begun booking cruises to the Kingdom of the Fair Folk or
the Empire of Noon. Players can take the roles of tourists (doing their best to fit the classic "Ugly American"
stereotype of 1950s tourism), or else can play the long-suffering tour guides charged with shepherding groups of idiots
through Zoor's assorted dangers.
Pulp Fiction: Along with the various legitimate businesses looking for profit in Zoor there are some representatives of
the Mob. Gangsters have begun moving in on the local Thieves' Guilds in several Zoorian cities. Since none of Zoor's
kingdoms have extradition treaties with countries back home, it is a great place to go on the lam. Player-character
gangsters in Zoor might even find themselves becoming heroes as they put the hit on dragons and evil wizards.
Crossovers: Gamemasters who don't want to tackle a long-running Zoor campaign can still use it as the setting for
adventures in another campaign genre. Characters in modern-day, "Atomic Horror," comic-book superhero or 1930s
"Pulp" campaigns can go through Gelbkopf portals into Zoor. Characters from before the Second World War will be
battling the spread of Fascism rather than Communism, but otherwise the world will be very much the same. (It isn't
even necessary to change much of the Earthly setting -- Project Wonderland and Zoor could be kept Top Secret,
completely unknown to the general public.)
Gamemasters with an ongoing time-travel or cross-dimensional campaign can insert Zoor as just another alternate
universe. Replace the Gelbkopf portals with whatever mechanism is already used in the campaign to enter different
dimensions.
Characters in a fantasy campaign could find themselves on the receiving end of a Gelbkopf portal, and must cope with
the strange aliens and their mysterious weapons. They might even be summoned to Zoor by a magician to help deal
with the problem. Or else their home setting can be another patch of warmth amid the endless ice surrounding Zoor,
and the player-characters have crossed the ice as part of some great quest.
Tone and Style
The flavor of a Zoorian campaign can range from campy humor to gritty realism, depending on how the Gamemaster
wants to run things. In a broadly comic campaign, all the Americans are crewcut, gung-ho types straight out of an old
B-movie, the Communists all speak with Boris-and-Natasha accents, and the natives of Zoor embody all the clichés of
fantasy roleplaying games.
More realistic campaigns might touch on some of the moral questions involved -- do the Earthmen have the right to
inflict their quarrels on the Zoorians? In such a campaign there will be heroes and villains on both sides, and both the
Russians and Americans will sincerely believe that what they are doing is for the best. The Zoorians will be more
alien, especially the nonhumans. Magic will be a powerful and occasionally terrifying force.
Finally, it is possible to run a grimly realistic campaign in Zoor. American grunts are fighting a war that has become a
Vietnamesque quagmire. Elven villages are destroyed in order to save them from Communism, while Marxist fanatics
do the same in the name of ideological purity. CIA agents and diplomats have become so caught up in power struggles
that the original ideals that motivated American involvement in Zoor have been lost. In such a campaign the
Gamemaster can also emphasize the brutality and squalor of life in Zoor's feudal, preindustrial society.
Adventure Hooks
The Lady Fair -- A beautiful princess has been taken captive by Communist agents. Can a group of brave knights and
U.S. Marines rescue her before she is permanently indoctrinated with Marxist propaganda?
Dragonslayers -- The small mountain kingdom of Wormgate has long been ruled by the dragon Ironworm. Lately the
State Department has become concerned that Ironworm is aligning himself and his realm with the Soviets. Can a team
of CIA agents slay the dragon and keep his land safe for Democracy?
The Heist of the Ring -- The Dark Lord of Argoth is known to possess a magical Ring of great power. A group of
gangsters have plotted to steal the Ring from the Dark Lord. The FBI and the KGB will both try to stop the gangsters,
or get the ring.
Maquis -- The Nazi regime of Drakensreich is opposed by a daring band of rebels who hide out in the great
Shadowleaf forest. A team of Israeli and American agents are dropped by parachute into the forest to make contact
with the resistance and help them fight the Nazi dragons that rule the land.
Across the Ice -- The cold, dark plains of ice surrounding Zoor stretch off to infinity in all directions. The closest land
of warmth and light is some 300,000 miles away. A well-financed British expedition has set out to cross the ice, using
surplus Liberator airplanes to establish a series of bases.
Seven Circles -- The Olympic Games of 1958 will have a surprising new group of entries -- the first teams from Zoor
will compete. The IOC has ruled that Elves, Ogres, Dwarves and Tripeds can participate in all events (the status of
other races is still being decided). The various national Olympic teams of Earth have jumped at the chance to recruit
athletes in Zoor.
The Road to Zoor -- The troops of the USIDC are in for a treat: the USO is bringing a group of top entertainers to
help with morale. Marilyn Monroe is the headliner, along with Bing Crosby and (inevitably) Bob Hope. But when an
evil wizard tries to make Marilyn his bride, the PCs must help Hope and Crosby get her back. (Gamemasters should
feel free to substitute Abbot and Costello, Martin and Lewis, or even the Three Stooges.)
The Deathtrap Construction Kit
"Do you expect me to talk?"

"No, Mr. Bond, I expect you to die."
-- Goldfinger
One of the staples of certain genres -- especially those of pulp, superhero, and espionage -- is the Deathtrap. The
archvillain always seems to drop the stalwart hero into some dangerous area, strap the heroine into some infernal
device, or pit them together against a giant robot in an underground arena, or something along those lines. Why do
archvillains do this? Why not just shoot the heroes and be done with it?
"If you want to finish the Atom off, why not use a gun?"
"You see how your petty mind works, Kale! If you were running this show, you'd use the methods of a mere thug, I am
Degaton -- and I prefer to do things my way."
-- Per Degaton, "The Day That Dropped Out of Time," All-Star Comics #35
Half of the answers to this question come simply from the expectations of the genre. Escaping Deathtraps is one of the
things that makes a hero heroic. Deathtraps are de rigeur. The rest of the reason sits squarely on the personality of the
archvillain: you don't get the label of "archvillain" without having a certain criminal je ne sais quoi. Specific elements
of a Deathtrap building personality include:
1. The enjoyment of games and puzzles.

2. The wishes to impress or frighten an enemy with one's intelligence.
3. A twisted sense of fair play.
4. Delayed Gratification: saving the enemy for later torture, imprisonment, or disposal.
5. Diversion and Distraction: the wish to slow down one's enemy, buying time in an escape.
6. Any combination of the above.
"His life is mine . . . I can crush the breath out of him effortlessly! I can, at last, triumph! But such a hollow victory --!
It was mere luck that caused my attack on him to succeed! I'd always envisioned my winning as a result of cunning . . .
at the end of a bitter struggle between the Batman and myself -- him using his detective skills and me employing the
divine gift men call madness. No, without the game that the Batman and I have played for so many years, winning is
nothing! He shall live until I can destroy him properly."
-- the Joker, "The Joker's Five-Way Revenge," Batman #251
However, the constant cycle of design and construction of the damned things can be hard on the poor archvillains (and
the GM!), taking up time, effort and resources better used in the formulation of nefarious plots... but one still wants to
satisfy the one or more of the personality traits listed above. What to do? The Deathtrap Construction Kit is your
inspirational tool for those times when you absolutely, positively need an idea for a deathtrap yesterday.
Here's how it works: Roll on the Restrained By table, then the On-Near-In-Over table. Certain results on each table
may lead to one of the supplemental tables (Infernal Devices, End-of-the-Line Threats, Giant Objects, Fearsome
Beasts, and Out-of-Control Vehicles). Multiple rolls may be indicated. Feel free to discard incongruous results, add
additional rolls, or ignore the randomness of dice entirely and select individual elements. The endpoint of this process
remains the same: the archvillain now has a focused selection of elements to choose from to build his Deathtrap.
Examples The Deathtrap Construction Kit
Professor Verbrecherisch wants to design a Deathtrap to delay his nemesis,

Doctor Omega, in the event that Doc Omega bursts into his hideout
unannounced. The troublesome "hero" always seemed to show up at the most
inopportune times . . .
Example 1: The GM rolls on the Restrained By table, with a result of

"Handcuffed to." Then, a roll on the On-Near-In-Over table gives a result of
"Trapped in (roll on Out-of-Control Vehicles)." A roll on that table produces
"Airplane." Professor V will have the annoying Doctor handcuffed to the tail-
fin of a plane, have one of his thugs fly the plane out over the ocean, and
have the thug parachute to safety, leaving Doc Omega to crash into the sea.
Bwa-ha-ha!
Example 2: The GM rolls on the Restrained By table, with a result of "Threat

Against Loved One." Then, a roll on the On-Near-In-Over table gives a result
of "Piranha Tank." As Doc Omega bursts into Professor V's secret lab, the
evil Professor need only say, "Hold it, right there, Omega, or your girl, Tess
Truebleu, will be thrown to these ravenous piranhas!"
Example 3: The GM rolls on the Restrained By table, with a result of

"Inside/Buried Up to Neck/Encased In." Then, a roll on the On-Near-In-Over
table gives a result of "Acid/Threat of Acid." Professor V begins his
Soliloquy: "If you value your life, Omega, don't move. And listen very carefully, I shall say this only once. You are
encased in a thin coating of wax, covering your body all over up to your neck. You stand in a vat of sulfuric acid that
can melt the flesh from your bones in seconds. All that is saving your life is that thin layer of wax. If you move, the
coating may tear open, letting the acid in, and ending your life in searing agony. That should keep you out of my way
for awhile. Good day."
Deathtrap construction-- no fuss, no muss!
Restrained By (roll 2d6)
2 -- Bars/Grating/Mesh/Net
3 -- Drugged/Hypnotized
4 -- Tied to/Chained to/Strapped to
5 -- Suspended Over
6 -- Inside/Buried Up to Neck/Encased In
7 -- Threat Against Loved One
8 -- Handcuffed to
9 -- Force Field(s)
10 -- Oddly Unrestrained
11 -- Motion Detectors/Pressure Plates
12 -- Roll twice on this table.
On-Near-In-Over (roll 1d6 for A,B,C,D,E,F; roll 1d6)
A1 -- Infernal Device (roll on Infernal Devices)

A2 -- Snake Pit
A3 -- Train Tracks
A4 -- Boiling Oil
A5 -- Automatic Ranged Weapons (darts, guns, lasers)
A6 -- In the Path of a Stampede
B1 -- Conveyor Belt to (roll on End-of-the-Line Threats)

B2 -- Crocodile Pit
B3 -- Quicksand
B4 -- Hot Coals
B5 -- Acid/Threat of Acid
B6 -- Blank Room/Psychological Torture
C1 -- Inside or On (roll on Giant Objects)

C2 -- Maze
C3 -- Hot Wax
C4 -- Spiders
C5 -- Fire/Threat of Fire
C6 -- Anthill
D1 -- Trapped in (roll on Out-of-Control Vehicles)

D2 -- Shark Tank
D3 -- Bomb/Time-bomb
D4 -- Area with a Descending Ceiling
D5 -- Poison Gas
D6 -- Rusty Iron Spikes
E1 -- Combat with (roll on Fearsome Beasts)

E2 -- Rats
E3 -- Unstable Floor
E4 -- Electricity/Electrified Object
E5 -- Piranha Tank
E6 -- Area with a Sliding Walls
F1 -- Heavy Weight
F2 -- Killer Bees
F3 -- Red-Hot Objects
F4 -- Open Sewer
F5 -- Bottomless Pit/Volcano Crater
F6 -- Hallucinatory Fog
Infernal Devices (roll 2d6)
2-3 -- If manipulated, secondary device is triggered (electrocutes hostage, sets off bomb, unleashes the hounds, etc.)
4-5 -- Drains traits (vitality, strength, powers, memories, intelligence, youth, beauty, etc.) from victim.
6-7 -- Mind-switches the victim.
8 -- Changes the victim's gender.
9 -- Drives the victim mad.
10 -- Roll on Giant Objects and Out-of Control Vehicles.
11 -- Roll on Fearsome Beasts and Out-of Control Vehicles.
12 -- Roll on Giant Objects and Fearsome Beasts.
End-of-the-Line Threats (roll 1d6)
1 -- Furnace
2 -- Reactor
3 -- Sawmill
4 -- Rotating Knives
5 -- Long Drop
6 -- Giant Press/Punch
Giant Objects (roll 2d6)
2 -- Centrifuge
3 -- Bell
4 -- Magnifying Glass
5 -- Hourglass
6 -- Scales/Balance
7 -- Typewriter
8 -- Spider Web
9 -- Venus Flytrap
10 -- Jukebox
11 -- Slot Machine
12 -- Catapult
Fearsome Beasts (roll 2d6)
2 -- Gorilla
3 -- Lions/Wolves
4 -- Killer Whale
5 -- Bear
6 -- Dinosaur
7 -- Robot/Golem/Demon/Monster
8 -- Human (Roman Gladiator, Great White Hunter, random thug)
9 -- Giant Insect(s)
10 -- Eagle(s)
11 -- Great White Shark
12 -- Augmented Animal (radio-controlled lemurs, sharks with lasers in their heads, mind-switched hawks, etc.)
Out-of-Control Vehicles (roll 2d6)
2 -- Wheelchair
3 -- Hospital/Ambulance Gurney
4 -- Balloon/Zeppelin
5 -- Sedan
6 -- Sports car
7 -- Speedboat
8 -- Public Transit (City Bus, Subway)
9 -- Airplane
10 -- Train/El
11 -- Rollercoaster car
12 -- Steamroller/Construction Equipment
The Graveknight
by Matthew John Shields
Art by andi jones

Author's Note: This fascinating new character arose from a heated debate with a stubborn Marshall over how many
points I got for an oath Hindrance I gave to one of my characters. Guess I showed him.
The undead. They inhabit the post-apocalyptic world of Deadlands: Hell on Earth just like the rest of the normal
folks, muties, Sykers, Law Dogs, Templars and all of the other nasty creatures. The undead are merely an empty
human 'shell' inhabited by a devious manitous. There is only one way to kill them forever: destroy the brain of the
walking corpse.
A great many of the citizens of the Wasted West don't have the sand to do this.
A few Heroes do.
One group of obsessive vigilantes has made it their sacred mission. They are the Graveknights, the self-proclaimed
destroyers of all things that come back in the flesh.
The Day the Bombs Fell

It was an otherwise normal day for a rather out-of-the-ordinary group of people. A group of state morticians were at a
routine training convention in a large medical facility in New Mexico when reality as they knew it suddenly came to a
rather ugly stop. A bomb had been dropped smack in the middle of Albuquerque and the shockwaves from the
explosion rocked the convention hall.
The Aftermath
Those who hadn't been crushed by debris picked themselves up and sadly buried the survivors. The bulk of the group
wandered north, towards their respective homes, but a few stayed behind. Those that did were mighty shocked when
their buddies that they had so carefully and respectfully placed in the Earth got up and started walking around. There
were a few grizzled old toe-taggers who had heard stories about the undead and what to do about them. Their
companions were sickened to learn just what was involved: delivering a blow to the head. Not an appealing prospect to
anyone, but they felt they had to do it.
Forging the Order of the Graveknights

The one whom it most affected was a young intern named Steven Thomas McAllister, although he preferred to be call
Tom. He saw the murders of his resurrected comrades as an act of defending the "sanctity of the grave." Right then
and there, he swore that he would spend the rest of his life using his knowledge to rid the world of the undead.
Eventually, the initial jolt of the ghost rock bomb holocaust began to wear off the people of the Wasted West, and
McAllister's cause began to gain recognition. He realized, after he had acquired an entourage of about 15 people who
shared his same zealous goal, that he could start something bigger than himself, something that could, potentially,
eliminate the undead curse (he called it a curse) of the Wasted West. And so the Order of the Graveknights was
formed.
The Oath
As it is with most other Deadlands secret societies, Graveknights must take a pretty grim oath before they can be
inducted into the ranks. First and foremost, they have to agree to do their very best to take out anyone, friend or foe,
who is undead. The second, and much more grisly part, is that when they feel that they are about to kick the final
bucket, they've got to ruin the chances of any anxious manitous of making use of their corpse. Without going into too
much detail, let's just say they've got to save their final bullet for themselves. When playing a Graveknight, you must
take the oath -5 Hindrance because of this.
The Graveknight The Upside

Playing a Graveknight isn't all macabre oaths and violent lifestyles.
After founding the Order, McAllister and a few of his most loyal
followers began to study the manitous. They collected twisted relics,
ancient texts and studied up on all of the spiritual hullabaloo that had
gripped the world. Because of this, Graveknights get some dandy
abilities to go with their quest.
Night Vision
'tis now the very witching time of night,

when churchyards yawn and Hell itself breathes
out contagion to this world.
-- William Shakespeare, Hamlet
Much of the wicked business of the undead takes place between the
uncertain hours between dusk and dawn. The absence of the sun just
seems to make it more fun to take the lives of the living. Anyone
with arcane background: Graveknights can see better at night than
most folks. When making a trackin' roll, darkness only acts as a -1
modifier. Also, when making an onerous (7) roll or above for
detecting something at night, the TN is modified by -2.
Seein' Dead
While it's true that the Hallowed can disguise their death wound, Graveknights have had practice telling who isn't
playing on their first quarter, so to speak. Anyone with arcane background: Graveknights must only meet a TN of
foolproof (3) to detect a Harrowed. (How you play the eight of clubs mutation is up to the Marshall.)
Instinct
There's only one way to make sure you put someone down forever in the Wasted West: split open their head like a ripe
casaba melon. Graveknights are trained (and survive because of their ability) to get the undead right between the eyes.
Anyone with arcane background: Graveknight only suffers a -4 modifier when calling a shot to the noggin', provided
they are aiming at an undead; it won't work for living things.
Playing a Graveknight
Players should go for high shootin', trackin', quick draw, speed load, and search scores. There are several Hindrances
and Edges the character must take. The Hindrances are: oath -5: Graveknight's Oath, self-righteous -3, enemy -5: All
Manitous, and night terrors -5. As for the last two, they are there because the manitous are determined to destroy the
Graveknight threat, once and for all. The Edges the character must have are: arcane background: Graveknight +3, and
friends in high places +3, because any time a Graveknight needs backup disposing of a nest of zombies, he need look
no further than his comrades. Under normal circumstances, 1d4 buddies may show up in about 1d8 days to help finish
to job.
A Graveknight Archetype
Deftness 4d10
Shootin': pistol 3
Speed load: pistol 3
Nimbleness 1d8
Climbin' 1
Dodge 3
Fightin': brawlin', ax 2
Sneakin' 3
Quickness 3d10
Quick draw: pistol 3
Strength 2d12
Vigor 2d8
Cognition 3d8
Search 3
Trackin' 3
Knowledge 3d6
Language: native 2
Area knowledge: home county 2
Mien 3d6
Smarts 2d10
Spirit 2d8
Wind 16
Pace 8
Edges:
Arcane background: Graveknight +3
Brave +2
Eagle-eyes +1
Friends in high places +5
Keen +3
Level-headed +5
"The Stare" +1
Hindrances:
Enemy -5: all Manitous
Night terrors -5
Oath -5: Graveknight's Oath
Self-righteous -3
Gear: Police Hellfire, 15 10mm rounds, and a hand ax.
Universality
The Graveknight is just too cool for all of us Hell on Earth players to keep it all ourselves, so here are some tips for
transplanting them into other universes. First of all, the story only works well in this universe, so you might want to
make a few changes. You can keep good old Tommy McAllister, just change him from a deranged mortician to a
deranged something else. Second, and this is very important. Make sure there are undead in your campaign that can be
killed by bullets. Ghosts don't work. Zombies, mummies, ghouls...they work. Also, many of the Edges and Hindrances
translate almost perfectly over to GURPS Advantages and Disadvantages. The only one that might be hard to copy
over is night terrors. For the non-Deadlands enthusiasts among us, this means they are tortured while they sleep by
evil spirits, and thus have very realistic nightmares. However, this is easily fixed by creating your very own
Disadvantage. Finally, The biggest problem is that Hell on Earth's universe is unique because some kinds of undead
characters (Hallowed) can disguise themselves to fit in with other people. If this isn't the case in your universe, no
problem. Scrap Seein' Dead and just redistribute the points: make your character ambidextrous or something.
A Final Note
Playing a Graveknight is not exactly for novices. The main problem is that darned oath, which covers all undead,
including automatons and dogs 'o War. The second part is usually bad for the posse because it ruins their chances of
playing a Harrowed character. You should first check with your Marshall and all of your posse buddies to see if they'll
go along with your character.
The Quick Fix
by Vernon (Rade) Bender
Art by andi jones

It was raining in Night City. Hell, it was always raining in Night City. Never a good, clean downpour, either,
something that would wash the filth and soot away, something that would sweeten the air in it's passing. No, this rain
was a cold, gray drizzle, serving only to move a little more acid from the clouds back down to the city that spawned it.
The man in the trenchcoat paid the rain little mind. Georg knew it was just another facet of doing business on the
Street. Which was, incidentally, exactly what he was doing at the moment. His team was planning a run later this
evening, and it was his task to scare up the extra munitions they would need. He smiled thinly, thinking that if he could
slip a few euro in his pocket along the way, so much the better.
Georg moved cautiously towards the streetcorner that his usual munitions supplier had staked out as a storefront. Not
that he was afraid, but it never hurts to be careful. Phreez was on-station as usual, his long coat not quite hiding
several large bulges beneath it.
"Hey there, choom. Lovely weather we're havin', neh?" the oily-looking fellow said as Georg approached.
"Eh. Could be worse." Georg replied, his Russian accent all-but-vanished from his speech. Only the occasional rolled
"r" gave away his heritage. Not that trivial things like nationality mattered much in that universal melting pot that was
the Street.
"You shoppin' `r sellin'?"
"Shopping."
Phreez grinned widely. "Dat's wat I likes ta hear, choom. Whatchya inna market for?"
Georg knew that Phreez liked to do business bluntly and quickly, so he wasted no time with niceties. "Satchel charges.
Time-det, if you have 'em. And AP rounds, 7.62 mike."
Again that crap-eating grin. "Yer in luck, choom. I gots just th' toys yer lookin' for." Phreez glanced around, then
gestured for Georg to follow him down a nearby alley. George paced behind the little man, sticking his hands in his
pockets as if to warm them. Actually he was reaching through the lining in his modified armortrench, his hand coming
to rest on the worn butt of his Colt 2000. He needn't have bothered, though. Phreez was usually a good contact, and
today was no exception. Some haggling, ending with the obligatory complaints by both parties that the other fellow
was a thief who would pimp his own sister for a fast buck; and Georg had secured a pair of 10 kilo satchel charges, as
well as a case of armor-piercing rounds for the team's rifles. Georg had also managed to shave enough off the price
that he could pocket a few hundred euro of the team's cash, with no one being the wiser. He walked away chuckling,
noticing the rain even less. Not a bad day's work.
Unbeknownst to either Fixer, the time-delay fuses on one of the satchel charges was defective . . .
Handling a good Fixer can be as rewarding as handling a good The Quick Fix
netrunner. Unfortunately for your party, it can also be as time
consuming. Spending a few hours or more "making the deal" is
very rewarding for the fellow playing the fixer, but the Solos in
your group will be ready to bust caps on both him and you by
then. Is there a way around this? Yes! The Quick Fix will not only
let you spend more time playing and less time shopping, but it
might even bring those twitchy Solos' blood pressure down a
notch or two. Note that the rules presented here are in no way an
attempt to stifle roleplaying by distilling it down to a few
flavorless dice rolls. A good GM should always strike a balance
between in-depth roleplaying and "moving the story along.". The
Quick Fix sets out to do a little of both.
A Fixer has two primary duties as a party member. The first, of

course, is cruisin' the Street, feelin' the pulse, and "acquiring"
whatever the party needs. The second, and often overlooked use of
a Fixer, is the generation of quick cash, through wheelin' and
dealin', networking, and the like. To this end I've come up with a
few tables that should make "quick and dirty" Fixer work a little
easier.
Streetdeal Rolls
For a Fixer to make a bit of fast euro, he first needs some capital.
In this case, a standard streetdeal roll represents time spent on the
Street making connections, jobbing out third-party goods, and
some petty black marketeering. Of course, to a really good Fixer,
time is of no consequence. Remember, the more cash you want to make, the tougher it is to make it quickly. And ya
gotta risk big to score big!
Capital Target Number

1-1000eb 10
1001-2000eb 12
2001-3000eb 14
3001-4000eb 16
4001-5000eb 18
5001-6000eb 20
6001-7000eb 22
7001-8000eb 24
8001-9000eb 26
9001-10000eb 28
10001 + 30
For each point the target number is exceeded by, add +10% to the investment.
For each point under, -10%.
Each attempted streetdeal roll takes 2 hours, no more then 6 attempts per day. Guy's gotta sleep sometime!
Streetdeal Fumble Table

1-50 investment lost
51-70 investment lost, angry customer. 50% takes offense / 50% stomps off.
71-80 investment lost, 1-3 angry customers attempt to roll the Fixer
81-90 investment lost, The Law shows up, and questions the Fixer. Stuff is confiscated.
91-00 investment lost, Johnny Law attempts to arrest Fixer for black marketeering
Fixers also excel at locating certain "items" that the party might need. Since these toys are often firearms, that's what I
based the following series of tables on. Use the fumble table as normal.
Finding Stuff (50% base price / 50% modified price)

Common 15 / 10-60 % cheaper
Uncommon 20 / 10-30% cheaper
Rare 25 / 10-30% more
Very rare 30 / 10-60% more
Accessories and add-ons such as magazines, weapon-specific scopes and such are as rare ( and as costly ) as the
parent item. Note that common items can be purchased over the counter, uncommons have a 50% chance of being
available, rare has a 15% chance, and very rare must (in most cases) be bought on the street. Anything bought in the
store is at base price. Rare items may be ordered from a store at a 10% markup, and take 1-6 weeks to be delivered.
Very rare items may be ordered at a 50% markup. Assuming that most guns function better with ammo then without,
use the next table to find if that streetcorner arms dealer has any rounds available for the particular toy your Fixer is
interested in. Ammo, in most cases, should be purchased at base price.
Ammo / magazines (50% available, 1-33%=ammo, 34-66%=mags, 67-00%=both)

1-50% 1-100 loose rnds / 1-3 mags
51-90% 1-6 boxes / 2-12 mags
91-00% 1-3 cases (24 boxes per case, 20% off for wholesale) / 1-3 cases (12 clips per case, 20% off for wholesale as
well)
Condition of Item
1-20% new in the box
21-55% slightly used
56-70% slightly damaged, 15 to repair (-15% to cost) (use whatever tech roll appropriate)
71-90% badly damaged, 20 to repair (-30% to cost)
91-00% trashed, 30 to repair, basically spare parts (-50% to cost) (10% chance of appearing new, but actually
defective. Will catastrophically malfunction after 1-6 uses)
Please feel free to modify any of this data in any way you choose. It's your campaign, after all, choomba!
Too Much Money
Advice for AD&D Players Overburdened by Wealth

by Lloyd Brown III
Art by andi jones

Players beware! There is a conspiracy afoot. Dungeon Masters everywhere are doing everything they can in a
concerted effort to separate you from your gold pieces. Act now! Beat your DM to the punch, and spend that money
on something worthwhile before it gets stolen, falls off a boat, or the illusion wears off and it turns back into iron.
But seriously, your DM is urged to do this thing called "monitoring," which means that if your character gets too much
money, he has to lose it. The reason is simple and understandable: a character who can hire somebody to do his
adventuring has no reason to adventure. There is also the consideration that too much money -- for your character's
level -- can provide that character with better equipment and more power than he should have, making it hard to
estimate an adventure's fairness, which in turn means adventures that are too easy or too hard. If you want the baby
bear's adventures ("juuuust right!"), work with the DM in keeping your treasure in line with your character's level,
social status and aims. Naturally, you want something for your willingness to cooperate, and so these ideas will take
money away from you but provide you with something of value. In some cases, it may be only a good feeling, but
that's better than being robbed.
Material Things
A holy water font is a heavy initial investment, and hard to maintain, since it can be defiled so easily. Once established
and protected, however, it fulfills a constant need of player characters. When not used by the characters, the holy water
provided by the font can be sold to lower-level priests of your character's faith, thus recouping some of the original
investment.
Horses are a good way to get from place to place, and they are good to have in a combat as well. A warhorse can
provide a great boost to the combat ability of a weak thief or wizard, or provide the mobility to win a battle with
enemies on foot, or enable your character to escape larger creatures. Steeds can be expensive to maintain for beginning
characters, but they are generally worth the expense if they can be kept alive in a dangerous campaign. Part of keeping
them alive is providing whatever protection can be afforded, which means barding.
A ship can be a good purchase for a party of adventurers. It is a good place to store treasures, can be operated by a
large party and one or two trusted henchmen, and holds its value as long as you keep it off of reefs and away from
monsters.
Also, life aboard a ship can be a source of adventures, making the DM's job easier. Many adventures begin by
assuming that the characters are aboard a ship or in a port town. If your party owns the boat, you don't have to sign on
with untrustworthy knaves and risk getting left at the nearest island, or worse -- in the middle of the ocean!
There are many things out there that your character will need in small quantities for the rest of his life. Material
components, ammunition for missile weapons, Greek fire, lamp oil, torches, rope, clothes, and even food and water.
Stock up when you can. If your character has money, he should purchase these things in bulk. It is doubtful that a thief
will sneak into your home and steal 2,500 torches, but he might very well roll you for the same value in coin in your
purse. At some point, however, it is likely that your character will be short of cash and be unable to purchase some
ordinary equipment that might make life easier. A little foresight can prevent this from becoming a major problem.
Services Too Much Money
Wizard characters, or possibly bards or other magic-using

characters, at the DM's option, may be able to hire an
alchemist to create a homunculus. This magical companion
can be a great help to an adventuring party and a roleplaying
treat. They are valuable scouts, guards, and spies, and their
sleep-inducing bite can be a great aid in combat. When
dressed to mimic their owner, they can also provide great
amusement for the rest of the party, since they adopt his
personality as well.
Characters who wish to experiment or have an actual need

for a spell can gather materials and begin spell research.
This is money well spent. Your character will have a useful
spell that he can add to his spellbook, will gain value
experience, and will have an investment in the form of
books added to his library.
If your character can find a high-level mage willing to do so, he may commission the creation of a magical item.
Finding a wizard to create a potion or write a scroll may give a low-level adventurer firepower he could not otherwise
acquire, or free up time for a high-level wizard to do something else. Advertising that you have a large sum of gold
and need a pair of magical bracers to defend yourself with is not exactly a wise move, so the character should start by
asking friends or allies if they have the time and ability to perform this favor -- in return for gold or jewelry, of course.
Be careful with who you trust with this: the wizard may take the money and run, hold the magic item and demand
more money, leave it out to be stolen before handing it over, or die before finishing it.
If the DM allows, your character may be able to hire a spy to keep tabs on an NPC. Since this takes away from
roleplaying, it should be done carefully. The best way to use this tool is to hire the spy before beginning an adventure.
The spy should check out loose ends from another adventure, or be used to dig up more information from rumors or
adventure hooks, and when the party return from the current endeavor, you can use the spy's information to begin
another adventure.
This might also include routine spying on one's neighbors, if your PC owns property and wishes to keep it from those
who would take it by force. A half-orc might report on the state of the humanoid tribes in the area, a dwarf might be
willing to provide regular notice of the goings-on in the Underdark, and a druid would certainly accept a donation to
the faith in return for news of evil creatures moving through the wilderness.
If your group's style leans toward heavy roleplaying, or the particulars of the game world demand it (like an Oriental
or Al-Qadim campaign) your character may wish to make an impression on society or improve his own quality of life
by commissioning the creation of a visual work of art -- a painting, statue, or mural. For a low-level character, this
artist may be an eager student who needs only enough to survive and purchase his supplies. For a powerful and
influential character, this might be a renowned master of his art, bid for by kings and high priests. In addition to
gaining an attractive piece of art for the home, the character may improve his prestige in the community, establish his
reputation as a well-rounded individual, and gain the respect of his peers.
Your character might also sponsor a talented musician, composer, or songwriter. In this way, the character may wish to
immortalize his brave deeds in song, or tell the tale of a fallen companion. He may wish to dedicate a tribute to a
valuable ally -- the unknown spy who set up the fall of the Pirate Kingdom, the elven tribe who sheltered the party
from the Rain of Chaos, or the cloud giant whose sense of humor outweighed his desire for privacy.
If your character has a permanent home, you may wish to make some changes to the property in order to make it safer
for people and property. An escape tunnel can be dug, a false treasure room set up, traps can be installed. You may
wish your valuables to be hidden behind a secret door.
You may also wish to make your character's home more enjoyable. A garden, aviary, or fountain can liven up a home
and make it look less like a lifeless dungeon. Pets, common or exotic, can warm the place up even more.
Business Ventures
Your character will do business with many different merchants during his career. Many of these will short-change him,
sell him poor equipment, or just not respect him. On the other hand, some rare merchants will impress your character
with their honesty, skill, and tact. The latter deserve to be rewarded. If you buy them a shop and ask for some small
share of the profits and free goods or services, you both win. Characters who can count on an honest jeweler can save
themselves thousands of gold pieces in potential loss to fraud. Those with an inn will always find careful grooms to
take good care of their mounts, polite servers who understand discretion, and good cooks whose food they can eat
without subjecting it to an array of divination spells.
This arrangement can work in two ways. Your character can offer to purchase the establishment from the merchant,
and then pay the merchant (and other employees) a salary. This means that the merchant has to give up his chance of
riches and autonomy. But he has a large amount of gold in his hand. Or, your character can give a smithy (or inn, or
mill) to a prospective owner who has demonstrated skill and honesty and is willing to pay your character back, in gold
and services. Any such contract may be verbal with the rules being made up as the situations occur, or carefully drawn
up and supervised by the appropriate legal clerks, in accordance with your character's alignment and relationship with
the merchant in question.
Powerful PCs with rooms full of gold may wish to buy a large merchant company, trading coster, or shipping business.
These enterprises are easy to run once they get established because they often control all aspects of their business. A
shipping company, for example, may have its own woodcutters cut wood for its own porters to take to its own yards,
for its own shipwrights to make into ships. Goods then go to warehouses in one city to a carefully-routed triangle,
trading goods for goods more valuable at each stop. These will cost huge amounts of money, but give your character
prestige, power, and influence.
Activities
Your character or group may wish to sponsor some sort of competition. It can be to gather together the finest
competitors in order to recruit new party members, seek out a particular NPC of known skill, or just for fun.
Wresting matches and foot races are two almost universally popular forms of competition. Wresting (or boxing, or
martial arts) competitions normally use a single-elimination system which results in a dramatic final match between
the two best undefeated fighters. Foot races can be part of a larger "track and field" meet, or a single long-distance
race. In either case, betting (whether legal or not) is often a large part of the fun for many participants and spectators.
An archery tournament can be set up at little cost -- a few straw targets and some open land is all that is needed. Of
course, a cash prize is important. This can be a set prize (monetary or an appropriate magic item), or it can be a purse,
which is a percentage of the entry fees. Some things can make the tournament flow more smoothly (a spyglass or two
for spotting, for example), but the basic needs can be met by a few low-level characters acting in concert.
A joust caters to the nobility, and if the characters sponsor a joust, at least one of them should be a noble of some
reputation, or nobody will show up! They must have extra lances, clerics on hand to heal those accidentally injured,
and be able to provide meals for a large group of extravagant diners. For rules, DMs can use standard combat rules or
adopt the D&D rules from the old Companion Rules book if that source is available.
A specialized tournament of a different form, such as a treasure hunt for thieves, or mage-fair for wizards could also
be set up. The players may have to offer some sort of amnesty if they wish thieves to come out and identify
themselves. They must also be very careful with security if they wish to have score or two wizards running around on
their property: damage to persons or property is possible in the event of a miscast spells, accidentally-triggered
protection magic, or a short temper.
Lastly, characters may well want to have a plain old party. Holidays, marriages, or success in an adventure may make
them wish to invite their friends and neighbors over for eating, drinking, dancing, playing games, and general
merriment.
Gifts
A gift can often sway the opinions of NPCs that may be unmoved by actions, words, or vulgar offers of cash. The PC
may wish to seek out a special gift or choose something from an unspecified stash of gems and jewelry. This can be a
gift given to a romantic interest for no occasion, an expected gift due to a feudal lord, or a pacifistic tribute to a
neighboring landowner with whom the PC has had border disputes. It will usually cause the NPC to favor the PC, but
can not always be counted upon.
Gifts can also be made of minor magical items the character no longer need. These should be given to adventurers or
authorities with similar interests. Thus, a paladin may give his shield+1 to his church or a squire of another paladin
when he gets a better one. A ranger may leave a dagger+1 with a dryad he meets in the wilderness. A mage may give
his guild a copy of a new spell he has created or found.
Gifts don't need to be carefully thought out, nor do they need to be insignificant magic items. An impromptu gift made
to an NPC or friendly monster is sometimes in order. How often has your character had his bacon saved by a treant,
shedu, or good dragon who gave him arrows of slaying just what you needed that were lying haphazardly around the
lair? These items come from somewhere, and it would be an interesting turnaround if your character gave one to them
in return for valuable information or pulling your character from a waterfall just in time.
Donations or Endowments
Donating to a temple can be mandatory for some classes. Paladins and some priests must pay a tithe, or sometimes
more, to a temple. If your character is a member of a faith that requires a tithe, he should pay it. Otherwise, followers
of nearly any faith are asked to make donations, and player characters should at least give something to these temples
in order to stay on their good side, if nothing else. If they do, they may find that the cost of services (that is, curing and
restorative spells) and goods (holy water) will be reduced. If they do not regularly make donations, they may not be
able to purchase anything at all from the temples.
Of course, from a roleplaying perspective, those who make noticeable donations to their respective faith will gain the
notice of the priests, who may refer adventures their way. Perhaps a fellow member of the faith is a merchant whose
ships have been falling prey to pirates or a monster. Perhaps the merchant has a thief in the company who makes his
presence known in the usual manner. Maybe the merchant himself has no need for adventurers, but an old friend, an
advisor to the duke, is worried about the rebellion festering in the south and wishes some brave people would round up
a few of the agitators for questioning.
Generous player character might wish to give their money to a cause that will provide their character with no chance of
monetary return or give them no immediate material benefit at all. A hospital, orphanage, or school could be
established and would then need money on a regular basis. Providing an establishment like this with a large initial
grant would be a logical move for any good character. Ideally, your character will be able to find somebody skillful at
procuring donations from the community to help with the maintenance, but the organization may still have to be bailed
out in bad times.
Paladins and lawful good priests who spend money and large amounts of time organizing an affair like this may earn
an experience point award, for "furthering the cause of the ethos." This is a strongly lawful act, as the character is
uniting the services of many people in a common goal for the good of a larger group of people. This experience point
award will not be given for simply deducting a number of gold pieces from the character sheet, but for contacting the
NPCs involved in running the organization, buying or clearing land, overseeing construction, notifying the people who
will need its services, etc. This could take up to a year of game time and provide numerous encounters with members
of the community.
Good PCs in an oppressive environment may wish to set up a "safe house" for others of like mind. This can be a stop
for escaped slaves, rebels planning a coup, or preserver wizards in a Dark Sun campaign. The safe house should
ideally be a normal-looking home or business, and have an escape route, and possibly hidden weapon or treasure
stores. Each situation will also have its own concerns and may need special equipment (clothes for slaves, material
components for preservers, etc.).
Miscellaneous
Just as many people do in the real world, your character may wish to further his education. Learning a trade is a matter
of finding the right master willing to pass on his secret knowledge, but an academic education can be obtained by
enrolling in a university. If your character meets the university's requirements (enough gold meets nearly all of them),
your character can learn such proficiencies as reading/writing, a new language, a musical instrument, singing, alchemy,
astrology, local or ancient history, religion, navigation, or engineering. Depending on the campaign, there may also be
trade schools or guilds where other proficiencies may be learned.
A well-played character may have a collection that he is constantly adding to. Collectibles common to adventurers
include knives, swords, or armor and shields. Coins, autographs, holy symbols, or even pottery can be interesting to
someone who has a genuine attraction to that field. DM's love to use this type of game interest to motivate adventures
or to reward players with something more interesting than "d6 gp for each orc." While the other party members are
searching the goblins for silver, your priest character might find, used as a booster seat at a dining table, a rare original
of the famous autobiography Journeys Across the Planes by the patron saint of your character's faith.
This is just a beginning. Like in real life, there are more things to do than can be done by any one person. Especially in
a fantasy world. Undoubtedly, you're motivated to go beyond this list and spend more gold than your character will
ever have. That's a good thing, because your character will always have the drive to go on "one more" quest. Good
luck, and good spending.
No More Cannon Fodder
by Daniel Howard
Art by Dan Smith

"Orcs are the commonest `cannon fodder' of fantasy worlds. They are generally considered to be stupid, dirty and
aggressive . . .' So begins the orc's somewhat derogatory racial description in GURPS Fantasy. Here we will explore
the viability of the orc as a more serious opponent or, even, a desirable player character. Are orcs stupid, clumsy and
senselessly violent? Perhaps they are merely misunderstood.
Society
Any being is a product of its environment. To understand the orc one has to No More Cannon Fodder
understand the society which produces it. The orc is the ultimate warrior. His
whole life is concerned with little else. From his first days squalling in the
nursery he learns what it takes to survive. Either he fights or he dies. Through
physical abuse, he soon learns that the strong have all the privileges and the
weak suffer and have nothing. In order to get anywhere in this society an orc
must be brutal, ruthless, treacherous, and devious.
In a culture with no word for "friend" but over a dozen words for "kill"; in a
society with little regard for life, that respects strength and power above
everything else; a society where an orc over the age of 50 is considered
ancient even though their natural lifespans may stretch to hundreds of years;
the orc has to be as tough as a dwarf and as crafty as an elf in order to
prosper. Respect and fear are interchangeable for the orc. To inspire terror is
to command respect. Authority is determined by the size and strength of a
given individual. Ascension to a position of leadership always involves a
struggle between several candidates, with the focus centered on some symbol
of power -- such as a weapon or crown. The strong rule over the weak, with
more powerful orcs bullying their weaker brethren. The smallest orc finds
small rodents or slaves to abuse. An orc will also use any available
opportunity to exploit an unsuspecting victim.
If an orc wants something that he couldn't make himself then he would take it
from someone who could. If an individual loses something, then he didn't
deserve to have it in the first place. If he is stronger than you, then you may have to gang up with several buddies (or
wait until he goes to sleep).
Other races are scorned by the orcs as cowardly and weak with no purpose but servitude. An orc might give grudging
respect to a warrior with superior skills, but would look for a method to defeat him to prove orcish superiority (poison
works well).
Food
Orcs have a reputation for cannibalism. Considering the inhospitable places they live and the nature of their appetites,
this is understandable. Why leave a body lying around when there is good meat on it? Why leave evidence of a murder
you just committed when the means to dispose of the body is so obvious? The orcish diet consists of anything that
hasn't completely decomposed. Their lairs are virtual cesspools with furniture consisting mainly of piled refuse and
garbage. The occasional bench or table is luxurious in comparison. In these conditions, diseases run rampant and any
orc without a cast iron constitution soon succumbs and dies.
Slavery
In most orc societies, slaves would normally only be made out of captives from other tribes and races -- those they
don't eat first. Some orc bullies may take delight in making slaves out of their smaller brethren. In either case, whether
they are slaves or not, smaller orcs do what they're told or they get beaten up (or worse).
Breeding
Females are treated no better than slaves. Only exceptionally large and powerful females gain any measure of respect
at all. Their primary function is to produce baby orc-imps. Only the strongest males have the right to mate and are
permitted into the breeding chambers. Mating consists of brutal breeding techniques. Females have little choice with
whom they mate. Newly born orc-imps spend their first few years in communal nurseries tended by the females.
Cannibalism is common and the females frequently feed upon the weak and deformed of their offspring and encourage
larger orc-imps to do the same. This is the beginning of the "culling" process which ensures that only the strongest
survive to adulthood.
Religion
In every orc culture, the primary god of worship is the god of war. They would obviously see this god in their own
image -- a huge orc in battle gear bearing frightening weapons of carnage. This god is the orcish ideal -- the
consummate warrior with unsurpassed strength and capacity to inspire terror in the weak. Blood sacrifices to him
would be common, as they help to inspire fear as well as provide an outlet to the primal blood lusts of the orc.
The orcs' religion is difficult to analyze. There seems to be only two ways in which an organized religion would
develop within orcish society. The first would be if the god takes an active role in the world and chooses his own
priests. He would then need to give them terrible powers to be able to maintain control over the others -- especially the
strongest who are not used to taking orders. The second would be an artificial religion created by an outside
intelligence in order to exert some sort of control over the tribe. Again, the priests would need to wield significant
power in order to sufficiently impress their "flocks."
Warfare
Orcs have a reputation for being clumsy. Their weapons and armor are considered ugly and awkward by other
standards. In reality, orcs simply don't care how an item looks as long as it functions properly. Their long arms and
great strength allow them to easily use weapons that weaker folk might consider unwieldy. When not pushed into
battle by a stronger individual, an orc is very careful when entering combat. He has spent his whole life learning to
survive in the most treacherous and deadly of environments, why would he throw it away in a senseless charge?
Unless the orc has a clear advantage he will almost certainly flee. Some would call this cowardly (so would the orc
while in the company of his brethren) but don't worry, he will return soon enough -- with reinforcements. An orcish
ambush can be particularly devastating -- as long as they can keep from squabbling amongst one another long enough
to remain undetected.
Orcish ingenuity is directed solely towards war and the infliction of pain. Weapons are designed to maximize "splatter
and splash." Morning stars and flails are almost status symbols, for they require a high level of skill while providing
an unparalleled exhibition of blood and gore. Apart from war, their fascination with torture seems to be their only
form of entertainment and serves to exercise their devious minds. Torture devices are designed to keep the victim
squealing as long as possible whilst giving a fine spectacle of blood. A good trap will do the same.
Orcs as Player Characters

The orc as defined above would make a very poor player character, unless the entire party consists of orcs. Even this
would be difficult for a GM to control and direct. Imagine a party of thieves, assassins and cutthroats -- every GM's
nightmare. In order to successfully play an orc character, the orc has to be revised somewhat. Consider the orc as a
mighty warrior rather than a bloodthirsty savage. They are proud of their heritage as a warring people and adhere to
their own code of honor. This code of honor could include tenets such as: "never refuse the opportunity to fight,"
"never surrender," "never show fear nor cowardice," and "never let an enemy see your back." An orc would be doubly
careful to follow this ideology if in the company of "lesser" races (anyone who is not an orc) in order to impress upon
them the notion of orcish superiority.
GURPS Advantages could include: Alertness; Combat Reflexes; Danger Sense; High Pain Threshold; Night Vision;
Peripheral Vision; Rapid Healing; Strong Will; and Toughness. GURPS Disadvantages could include: Bad Temper;
Bloodlust; Berserk; Bully; Code of Honor; Impulsiveness; Intolerance; and Overconfidence. An orc would very rarely
have any physical disadvantages (deformed imps are killed at birth) unless they were gained during battle: One Eye;
One Arm; etc. These sorts of wounds are considered badges of honor and an orc who survives such a serious wound is
greatly respected -- as long as the injury is not debilitating and he can still fight alongside his brethren.
The fighting style of the orc emphasizes the individuality of the warrior rather than cooperation within a disciplined
unit. Each orc strives to outdo the others in fighting prowess, and the more carnage he can reap, and the more blood he
splatters during a battle, the more respect he will earn within the tribe. In a one-on-one confrontation, an orc will
nearly always win. This is due to their ruthlessness and singlemindedness -- an orc lives to fight and is not afraid to
die as long as he can kill his enemy first. The best way for an orc to die is to take as many of the enemy with him as
possible before he goes. Suicide, while not desirable, is preferable to surrender and disgrace.
Conclusion
After taking all the facts into account it is surprising that any orcs survive to adulthood at all. Those that do are
fearsome creatures indeed. An orc is a being of absolute ruthlessness, of awesome strength and tremendous
constitution, with a taste for blood and the desire to inflict pain. He has a mind that is devious, treacherous, deceitful
and ingenious.
A product of countless generations of selective breeding, the orc is a powerful warrior well capable of taking care of
himself. The unprepared adventurer would be well-advised to reconsider facing one in single combat -- and a horde of
orcs charging down upon him should leave him quivering in terror or whimpering for his mommy . . .
Long Night on Dashgad
by M.J. Dougherty
Art by andi jones
Introduction
This adventure is set in the Mileu 0 Traveller setting, in year 8 after the founding of the Third Imperium. It can easily
be transplanted to a different setting -- anywhere that there is a little colonial expansion going, where small settlements
like Dashgad can exist.
The storyline follows on directly from Cold Night On Dashgad, a summary of which follows:
The characters' situation is not looking particularly hopeful. Having arrived on Dashgad, a frontier world of little
importance except as a trade link to the Apge Consortium, the characters were able to find only one cargo worth
shipping. Worse, they had to pick it up from one of the outlying farms themselves using a grav truck. Worse yet, a
"Cold Night" was descending, as Dashgad moved into the shadow of the gas giant it orbits. Temperatures plummeted
as the characters left Smit Town, the only settlement larger than a farm on the entire planet, and headed for the
Parnaby ranch to collect their cargo; several tons of Dashgoat eggs, an excellent oxidizing agent and Dashgad's only
export.
Greeted warmly by the isolated ranchers, the characters set to work and were in the process of transporting the cargo,
requiring several runs to Smit Town by grav truck, when the Cold Night took a turn for the worse.
Scientists had long wondered how the numbers of giant insect-like Dashgoats were controlled before humans came to
Dashgad. With no predators, the Dashgoats' numbers should have increased until the planet was completely covered in
them. Yet even before the ranchers began to control their numbers by harvesting the eggs, the Dashgoats' population
was controlled by . . . something.
During that cold night, the riddle was solved. The Dashgoats' natural enemy emerged from its long underground
slumber in the form of a 1-2 meter-long armored caterpillar-like creature. In previous cycles, the predators fed
voraciously on the immense Dashgoat herds, laid their eggs deep in the ground, then curled around them to die, leaving
the Dashgoats to rebuild their numbers over the years. 99% of the Dashgoat population were slaughtered in this
manner each cycle.
But tonight is different. The vast herds are gone, their numbers drastically reduced by human ranchers. With no ready
source of food, the predators are starving. Biological imperative forces them to seek new sources of food so that the
cycle can continue. Fortunately for the predators, there is another source of food on Dashgad.
Humans.
It's going to be a long night on Dashgad.
Referee's Notes
Most of the data required to run this adventure was presented in the preceding Cold Night on Dashgad scenario. The
referee is urged to refer to this data, though the following overview lists the most important points as well as
presenting some new information.
World Data
Starport: C. Standard but for a lack of orbital facilities.
Size: 1. 2360 km diameter, with surface gravity of 0.37g.
Population: 2. 632 people, of whom 596 live in the main settlement, Smit Town. The other 36 run Dashgoat ranches.
Government: 2. Participating Democracy. Every citizen aged 16 or over is entitled to vote via a computer network on
all major policy decisions while the day-to-day running of the world is carried out by officers of the Imperial Colonial
Office.
Law Level: 4. Dashgad is a young colony and its laws are few, leaving most legal decisions in the hands of the
Imperial Ministry of Justice Marshal and his three deputies. Weapons which are neither military nor fully-automatic in
nature are available at the world's "INSTORE". A wait of three days is mandatory while the IMJ computers run a
check of your permit and any criminal status.
Tech Level: B. The average Imperial tech level reflects the investment in facilities by the ICO to create a port near the
Apge Consortium. The world's citizens enjoy a high standard of living.
Flora and Fauna
The world has only two major forms of plant life: Stiltgrass and Green Weed. Green Weed is a ground-hugging
creeper with sharp thorn-like leaves which grows in tangles between the rocks and hills of the uplands. As a plant,
Green Weed has no value other than providing a little oxygen by photosynthesis.
Stiltgrass, however, stands 2 to 2.5 meters in height, with a typical stalk having a diameter of 30mm. Stiltgrass covers
about 60% of the world's surface in gently-waving forests. Stiltgrass has little value except as food for the world's
population of bizarre creatures named Dashgoats.
Physically, the Dashgoat resembles a six-legged insect-like creature 3m or so in height. They lead a simple life
roaming the Stiltgrass forests in herds of several hundred, pausing to eat the Stiltgrass, then plodding mindlessly
onwards. Dashgoats have no eyes, steering their sedate progress by means of sensitive pads on the leading pair of feet
and legs. This lack of senses does not pose much of a problem to a creature which frequently moves as little as a few
hundred meters in a day even when on the move. Dashgoat stampedes are not to be feared.
Human Habitation
Smit Town
Home to all of 596 people, or 94% of the world population, the town is centered around the world's small Starport.
The Downport is a collection of 15 launch/landing pads each capable of handling a 400dt vessel. One pad however is
very large and can handle 1000 dt. This pad is never used in practice, since large vessels tend to remain in orbit.
The pads are simple plasticrete structures with landing lights and connection points for auxiliary power, life support
and drinking water.
Fuel is supplied on request by a grav-tanker, which is in turn supplied by a fuel shuttle, a custom-built vessel which is
little more than a huge scoop which makes constant runs to and from the gas giant, delivering its skimmed fuel to the
two underground holding tanks built some 60km from the Starport for safety reasons.
The last structure on each landing pad is a small bunker which in fact houses a grav-lift, taking the visitor from the pad
to Smit Town deep below the surface of the planet. A second large grav-lift is to be found in the bunker, along with
grav pallets, allowing cargo transfer to take place.
The town is built entirely within custom-drilled caverns to protect the citizens from outside conditions, and allowing
internal grav fields to provide a constant 0.7g, oxygen-enriched air and a day-night cycle of 12 hours each. A
holographic sky-scape projected onto the cavern ceiling gives the impression of dawn, daylight, dusk, and full night.
The caverns themselves are quite tall, most being around 15m high. Buildings are cut into rock faces, though these are
decoratively faced leaving no bare rock to be seen. Most buildings are 2 stories high.
The main caverns feature guided walkways and small parks filled with native Sylean plants. Grav lifts hover at about
6m above the floor and grav-stairs consist of a small staircase leading to a platform where a grav-lift can be caught
for journeys to various areas of the town. To operate, a verbal instruction is issued and the lift will then proceed
directly to the destination.
The town itself is divided into three main sectors, all of which are linked via the main cavern.
The Residential Area has space for far more then the existing homes of the 596 inhabitants, ready for the expansion of
the colony over the next few years. There is also a school and a small medical center, and the Democratic Hall. This
acts as a museum and library as well as a meeting hall, as most votes are cast via the computer network. The CPU
which handles the votes is kept here, as are public records and such like.
The Shopping Mall is quite small, and is dominated by INSTORE, a department store which sells a limited selection of
most goods from weapons to data pads.
Other stores include an Astroburger franchise, a cinema, and the Emperor's Head, an expensive restaurant. There are
no bars except those within the cinema and restaurant.
The third sector is the Port Sector, and contains the Colonial Broker Office, warehouses, a small ship's outfitters and
the Dashgoat-egg packaging facilities.
The largest trading firm in the port is Pharmacologique Fabrique LIC, which has recently expanded its operation to
gain a 38% holding in the Dashgoat-egg industry. Some 34 people are employed here (5% of the population). The only
other large company is Smit Holdings LIC, a family firm owned by a very minor noble house. Sir Hercule Smit now
leaves most of the corporation's day to day running to Sara Smit, his daughter and heir. She has already invested
heavily from company profits into local businesses, and Smit Holdings now own or have shares in virtually every
enterprise on planet.
The Port sector also houses the town's powerplant, which provides power for grav plates, oxygen compressors and
other energy needs. This installation still belongs to the Colonial Office, and is guarded by a squad of ICO troopers.
The Farms
The Dashgoat ranches are scattered about the equatorial region of Dashgad. They are all built on low mounds of rocky
earth -- either artificial or natural. Buildings are blocky and low, built of plasticrete. All the farms have their own grav
and environment controls, a couple of grav vehicles and a processing unit for the Dashgoat eggs. They are generally
family businesses operated by an extended family or an owner plus a few hired hands.
The farmers are competent and hardworking individuals, but with plenty of land and Dashgoats they are not especially
competitive or aggressive.
Weapons and Military Capability
ICO Troops
The main offensive capability on planet exists in the form of a sergeant and six troopers from the Imperial Colonial
Office. These are not regular soldiers but security personnel whose job is to guard the powerplant. As such they are
armed with sub-machine guns only, and have a limited supply of ammunition. They also have light body armor and
helmets. Their presence shows how important the powerplant and environmental control unit are, and they will not
allow these to be left unguarded.
Imperial Marshal
A Marshal and three Deputies are the only representatives of the law on this peaceful world. All have a Diplo armor
vest, a sidearm and a baton, plus a teargas spray. For emergencies they have two autorifles and two shotguns in a
cabinet in the office.
The Characters
The characters have whatever they arrived with, bought, stole, picked up, made, converted or filed down from a girder
in their spare time . . .
The Colonists
In Smit Town, about 10% of the residents own guns. This includes colonial officials with an issue handgun in a
drawer somewhere, ex-service personnel, sporting shooters and colonists who thought that a pistol or shotgun might be
useful someday. Thus there are about 50-60 firearms in civilian hands in Smit Town. The vast majority are cheap
small-caliber pistols of no great lethality. There are about 30-40 pistols and revolvers, 10 shotguns, 10 semi-automatic
rifles and carbines, plus a couple of "specials" in the hands of detailed NPCs. The referee should decide precisely who
is armed with what, but remember that this is a peaceful colony with no real need for heavy firepower.
The INSTORE has a small gun rack, selling only weapons legal on Dashgad, and just a few of those. There are no
automatics or explosives, just eight various pistols, three shotguns, five carbines and a powerful hunting rifle. The
owners will not relinquish their property readily, and may need to be persuaded.
The Farmers
Most of the farmers have a gun or two; mainly a shotgun or small-caliber rifle for dealing with the smaller animals of
Dashgad.
The Opposition
"Dash-Hunter"
100Kg, A2 F8. Speed: Double.

Armor (see note) 20/6
Weapon: Claw (Contact/Very short 2D)
Teeth (Contact 2D)
Long Night on Dashgad
Note: These centipede-like creatures move very quickly

above or below ground. They cannot dig in the stony ground
of the uplands, however.
Physical Appearance: They have a large head with a thick

rigid shield of bone-like armor, together with two 2m long
claws which grab prey and hold them for eating. These arms
are adapted for grabbing feeding Dashgoats, which stand 2-3
m high. The head shield provides 3 rigid armor while the
leathery hide of the body counts as 2-points of flexible
armor.
The Adventure
During the long and eventful night ahead, there are several
scenes which may be played out. The order in which the referee stages them will depend upon the actions of the
players. Some scenes may not be used, or may be heard about from NPCs later on, while the characters may find
themselves in new situations not listed here. The referee should play for tension, interspersing dramatic action scenes
with personal interaction as the colonists try to decide what to do, or take stock, mourning relatives or friends killed by
the predators. The colonists as a whole will be very frightened and will look to others for leadership. Without firm, and
charismatic -- and successful -- leadership, the colonists will be as much use as a herd of sheep, more of a problem
than an asset. Many will simply demand that "something be done," while others will engage in desperate and possibly
ill-conceived rescues, stage futile defenses of their property, and otherwise complicate an already appalling situation.
Properly led, however, the colonists can do a lot to help themselves. Gaining control of the colony and directing the
efforts of the population might be an important step in surviving the events ahead.
Scene 1: The Town Meeting
The characters have brought the news of the predators to the colony, and the colonists will try to decide what to do. To
this end, a general meeting is called. About a hundred colonists will pack into the chosen building, shouting and
demanding their opinions be heard. The characters and the leaders of the colony will be buttonholed and shouted at,
bombarded by demands that they "do something," or stop telling tales and frightening decent folks. The leaders will
react according to their nature: the Marshal will try to keep order, the ICO troops under Greener will continue to guard
the environment plant, Fergy will try to form a committee to decide what to do, with representatives from all the
interest groups there to have their say. The director will become flustered, say something about needing more
information and retreat to his office. The meeting is unlikely to achieve much without the characters; intervention.
Eventually, several points will emerge from the babble:
1. More information is needed about the predators.
2. If there really are that many, they'll eat all the Dashgoats and wreck the economy.
3. The predators do not seem to have come anywhere near Smit Town yet, but some of the farms are out of contact.
Someone will have to try to reach the farms and see what can be done.
4. Some sort of plan or organization is going to be needed. Evacuation is not an option, since the PCs ship is the only
one in port. Even the fuel shuttle is half a day away on a run to the gas giant..
The characters' suggestions will be important in shaping how this scene is played out. The referee should roleplay the
support and opposition to any suggestions like forming a militia or mounting an expedition to destroy the predators.
The most likely solution will be for most of the colonists to remain where they are, protected by a militia armed with
pistols, shotguns etc. A couple of groups constructed around more powerful weapons used by the ICO troops or the
marshal's men will form a reaction force, while the characters undertake an expedition to gather more information,
round up a few Dashgoats, rescue the farmers, or whatever the colonists decide is the most urgent task.
This is an interaction/roleplaying scene, and should be used to introduce the characters to the colonists' leaders, plus
force the players to make some decisions.
Scene 2: The Last Roundup
It is obvious that if the predators are allowed to slaughter all the Dashgoats, the economy of Dashgad is finished, since
Dashgoat eggs are the only export. The colonists decide to mount an expedition to round up a small herd of Dashgoats,
move it to a safe location, and defend it against all comers. The characters may join this expedition or hear about it
later.
The problems inherent in this undertaking are not few. First, a suitable group of Dashgoats must be located. Second,
this group will of course attract the attention of the predators, which must be kept at bay. Third, herding Dashgoats is
not as easy as it sounds. They are 2-3 meters tall, blind, and slow moving. Dashgoats respond best to vibrations
through the ground, and can be induced to move by causing vibrations "behind" them. If sufficiently vigorous, these
vibrations will become unpleasant for the beasts, which will amble slowly away from the noise. It might be possible to
herd the Dashgoats onto the landing pad (which the predators cannot break through), or even down the cargo lift into
the colony. Whatever the characters do, they must later live with. Dashgoats wandering the colony's corridors dripping
acidic enzymes everywhere will cause a set of problems all their own.
The challenges in this scene are to decide where to find the Dashgoats -- and what to do with them. Then to get them
to go where the characters want. The occasional predator attack will not help matters, and a minor crisis like a grav-
vehicle failing due to the cold should keep the players thinking.
Scene 3: Breakthrough
Returning to the colony, the characters are invited to another meeting of the Provisional Defense Council (Fergy will
come up with grand titles like this for everything). Matters are still deteriorating. The predators are swarming out of
the ground in seemingly endless numbers, and a few seem to have managed to get into Smit Town by some means. A
discussion takes place, where information can be shared and collated. It seems that the predators cannot burrow
through rocky soil very well, and not at all through solid rock. The few that have managed to get in can be dealt with
by reaction patrols, but already the defenders are stretched thin. It is not known how these few have managed to
infiltrate the town. The meeting will throw up a couple more "must be done" jobs for the colonists or the characters.
A couple of families have managed to escape in their grav harvesters or trucks and reach the town, but others are still
trapped on their farms. A rescue attempt must be mounted. The points of entry for the predators must be found and
sealed or at least guarded. Colonists must be moved from their homes in the most threatened areas of the town.
Before a plan can be properly formulated, news arrives that a dozen or so predators have somehow managed to get
into the town and are rampaging about the residential district. The patrol assigned to defend the area has taken several
casualties trying to contain the situation, and their injured personnel are threatened, along with several civilians in a
temporary aid post set up nearby.
A response will have to be mounted immediately, or the wounded will be slaughtered.
This scene allows the characters a chance to interact with the colonists before being plunged back into the fray.
Scene 4: Stocktaking
Back at Smit Town, the characters will be briefed on the current situation. The incidence of predators getting into the
town is on the increase. The defenders are doing their best but the entry point is going to have to be found and blocked
or the colonists will be overwhelmed.
Other problems to be dealt with include rising panic among the colonists and a feeling of mistrust towards the
characters (who could escape in their ship if things become too desperate) showed by some of the colonists. Others will
try to bribe or beg for a berth aboard the ship to escape.
Clearly the colonists need to be given something constructive to do rather than wait and hope. Characters who form
teams of medics, set colonists to building barricades or jury-rigging explosives, or otherwise "manage" the colonists
should be rewarded, while those who simply ignore them are going to have a problem -- maybe even a riot -- on their
hands. Some of the colony's leaders might actively support such a revolution among the colonists if it places them in a
better political position or furthers their aims.
By this scene, the colony is under pressure from within as well as without. How the characters handle the interactions
here could prove the turning point in the scenario. A colony divided, with different groups scrambling for power, will
surely fall. The referee should play out several scenes of discontent, fear and vicious selfishness as the characters try to
rest and take stock.
Scene 5: The Battle Of Duct 39 Alpha
The worms' entry point has been discovered. They have managed to get into the ventilation ducts above the artificial
caverns of Smit Town, squeezing or forcing their way through the grilles and fans of the ventilation and condensing
system. From here, they are able to get into the colony itself, and a small number are already roaming the town. This
number will increase rapidly as more find their way through the ducts, widening the gaps forced by earlier arrivals.
In fact the situation is much worse than that. Some of the predators have managed to get into the machinery and been
chopped to bits by the fan blades. Their armor plating has jammed some of the fans, causing the rest to become
overloaded. If the ventilation system is not cleared then within 6 hours the colony's air will become unbreathable.
Volunteers are sought for an expedition into the ventilation system, to climb up the service tunnels and clear the fans,
then drive the worms out of the system and shore up the grilles -- or if that is not possible then to station guards on the
entry points to defend them.
The volunteers will be required to negotiate narrow access shafts, most of which are unlit. The environmental system
is built more in the vertical than the horizontal plane, meaning that at least some of the fighting will have to be done
while hanging from ladders or balanced on inspection ledges.
This scene should be reminiscent of the "Alien" films, with combat taking place in awkward places, in the dark, and
with the very real danger that a ricochet might injure one of the volunteers. There is also damaged machinery to
contend with -- not merely requiring repair or the clearance of minced worms, but posing an active hazard from bare
wiring or whirling damaged fan blades. There is also the possibility that a dead worm might fall upon its killer from
above.
The characters will find themselves having to think as well as fight, to overcome technical problems with the
machinery, to find a way to keep the worms out in future, and also to avoid falling down the shafts or into the fans.
Scene 6: The MacInray Farm
This incident is typical of any of the rescues that might be staged. The MacInray farm is some distance from Smit
Town, and has been out of contact for hours when a weak radio transmission is picked up. The message has been
rebroadcast by the fuel shuttle, which is coming in from the gas giant. The ranchers have sent a brief GK (SOS) signal
to the effect that their ranch house is surrounded by predators, which are crawling up the foundation mound and
seeking a way in. Most of the family have barricaded themselves in, but the doors and windows cannot keep the
predators out for long.
The MacInray farm is home to a family of four, plus three hired hands. Of the seven, five are in the house, with one of
the hands currently on top of the environment hut trying to get an emergency hand radio to work while fending off
predators with a length of pipe. The minced remains of the farm owner are currently being fought over in the yard,
where Douglas MacInray tried to reach the harvester to rescue his family. Once the Dash-hunters have finished eating
him, there is little to stop them bursting into the farmhouse. The rescue party arrives in time to see a predator finally
manage to break a triple-glazed toughened-glass window and slither inside. Others move to follow.
The rescue is complicated. The characters must get the hand off the roof quickly as well as rescuing the family from
inside the building. This presents a challenge of its own, as there are two screaming young children who do not yet
know that their father is already worm food -- ironically the only reason the predators have not broken in earlier -- a
farm hand armed with a large spanner vainly trying to fend off the onslaught in the kitchen, and a very frightened but
nonetheless determined Mrs. Eileen MacInray armed with a double-barreled shotgun, for which there are exactly two
shells left. She is scared enough to shoot at any movement -- this may be the first character into the room. Worse, she
might decide that the kindest thing she can do for her children is to turn the gun on them rather than let the "worms"
get them.
The characters have to somehow get this crowd into their vehicles and away before the worms finish with Douglas and
begin looking for dessert. There are simply too many of them to just shoot them all. A fast rescue is the only answer.
This scene is not a simple firefight. The characters need to move fast, convince the farmers to move and leave Douglas
behind, and keep the terrified children calm. The latter may have the team wishing they could just go hand-to-hand
with the predators.
Scene 7: Last Stand On Dashgad
Things are a little better, or so the characters think. The defenses are holding, the farmers and a small herd of
Dashgoats have been saved, the threat to the environmental control units has been dealt with.
The colonists begin to look at what they can do beyond the immediate survival necessities, and ask the characters if it
might be possible to use their ship to go for help. With suitable measures in place, the colonists should be able to hold
out for a couple of weeks, by which time the threat might have passed, or the characters brought back reinforcements.
Reaching the ship would require a sally in force by the defenders to drive the worms away from the vessel long
enough to board safely. A discussion is begun about how to mount this operation when a huge explosion rocks the
cavern. Rock falls from the ceiling, buildings are damaged. Power is lost to some areas. Another explosion follows,
and a third.
After a few frantic minutes trying to find out what is happening and to deal with the immediate crises, the full extent
of the disaster becomes apparent. While the main liquid hydrogen tanks are stored some 60km away from the town,
there is a small reserve in the grav-tankers used to refuel visiting starships. The worms have begun trying to get inside
any vehicle or structure, so desperate they are to find food. Their efforts may have damaged one of the grav-tankers,
or perhaps it just had a leak. The truth will never be known.
One of the worms managed to get into a storage area containing a crate of Dashgoat eggs, ate all it could of the
powdered eggs and went into a frenzy as the oxidizing agent in the eggs began to act. Blundering about covered in egg
powder, the worm came into contact with a little hydrogen from the leaking tanker. The resulting small explosion
ruptured the grav-tanker bringing several tons of liquid hydrogen into contact with air and the super-oxidizing egg
powder.
The resulting explosion has partially destroyed the starport, damaged the characters' ship, and blown open several
entryways to the town. The atmosphere inside will soon become unbreathable as the gases inside mix with the low-
oxygen atmosphere outside, requiring emergency filter masks to be worn. Far more urgently, the worms are entering
the last stages of starvation, and begin to plunge into the town through the grav lift shafts, ventilation ducts and cracks
in the ceiling.
The colonists' last refuge is threatened. The worms are apparently swarming in from all over the planet. There is no
chance for rescue.
Grimly, the colonists construct barricades from whatever is to hand, bar themselves into the most sturdy buildings and
count out the few remaining rounds for their weapons. The defensive ring shrinks as the defenders are forced back.
Finally the remaining colonists are crowded into a small space in the center of town, a ring of barricades manned by
the surviving defenders the only flimsy obstacle between them and a messy death.
As dawn approaches, the colonists prepare to make their last stand.
Scene 8: Deliverance?
The life cycle of the worms is a complex one, and requires certain conditions to be met. One of these is extreme cold.
Only in the very depths of a Cold Night will the worms awaken, to rampage until the temperature rises again. Only
when the alignment of planets is such that the world experiences three nights in a row -- i.e. the time Dashgad spends
in the shadow of the gas giant Masia corresponds to what would normally be a day -- will the temperatures fall low
enough. On this particular Cold Night the timing has been perfect for the worms, causing them to awaken.
Dashgad has been through two natural and one "shadow" nights, and the temperature will begin to rise. Within a
couple of hours of sunrise, the worms will sense the temperature rise and begin seeking a place to burrow and lay their
eggs. Those which have had enough to eat will do so immediately, while the rest become increasingly desperate. They
will hurl themselves at the barricades to try to get at the colonists, but also will try to eat one another, especially the
wounded.
Gradually the tide will ebb, until there are no more worms at the barricades. The colonists emerge into the light of a
new day and begin to repair their shattered lives.
Assuming, of course, that anyone survives at all.
Note: The cavalry does not arrive, just in time or otherwise. The characters and the colonists must weather the storm
and survive by their own efforts. The overall feeling of the scenario should be rising tension, interspersed with
interaction scenes before the next crisis breaks. If the characters do not emerge limp and exhausted, joyful at the new
day's breaking but saddened by the losses they have sustained, then the referee wasn't really trying!
NPCs
The following are a few of the NPCs who might play a prominent role in the events of the night. They are not just
there to bear arms, but will have their say at any meeting, perhaps insisting that their course of action is the only sane
one or demanding that the defenders protect an installation in return for weapons or advice.
The colonists may form several teams of defenders, and some of these NPCs, who may well be known to the PCs by
name, will be on those teams. The news that a friend is on the team that was just reported as surrounded and down to
the last few rounds will make a rescue more dramatic -- or more poignant as the characters arrive just too late. These
NPCs are expendable, but their demise should have some impact upon the PCs. No skills are listed, as their
personalities are more important to the adventure.
Imperial Marshal Yvonne Lavillii. Age 36. Lavillii is an ex-Captain in Ground Force Command (the Imperial
Army), with decorations and a couple of combat ribbons to show for it. She is opposed to the idea of armed civilians
running about the place, and will trust only ex-military personnel. At first she will argue that only the "proper
authorities" should deal with the situation -- the ICO troops and her own deputies, plus any ex-service personnel she
can co-opt. She will quickly agree to the formation of a militia among the more able civilians once the situation begins
to get out of hand, but has a rather utopian view -- she wants this militia to undergo training for a couple of days
before deployment. Lavillii will cling to her illusions rather longer than is sensible.
Sergeant Holden Greener. Age 28. Greener is also an ex-army man, but has no combat experience. He is absolutely
unwilling to leave the life support equipment unguarded, but will allow pistol-armed colonists to replace half his men,
freeing them for mobile duty. Greener will argue for the formation of "fire brigades" of armed colonists, deployed to
respond to any breakthrough by the predators, which will be detected by a screen of lightly armed patrols. This is a
sensible idea, but typical of Greener's NCO mentality -- hang on and wait for the officers to sort the problem out.
Greener also has an inner demon. He has not seen combat, and does not know if he will be able to lead his men in
combat. His doubts may make him cautious or reckless, or both.
John Fergy, Gabatith Shipping. Age 48. Fergy represents the corporate interests on Dashgad, and is the voice of
economics on the emergency council. He will be the one to point out the value of anything destroyed, and the first to
realize the fact that if the predators eat all the Dashgoats, then Dashgad's economy as well as her ecology is finished.
He is middle-aged, overweight and not especially brave. Although he has a pistol in his desk drawer, Fergy will be the
man to organize a defense rather than lead it. He may be invaluable in helping formulate and agree on a plan, though.
Commander Sharrii Attarii, ICO. Age 27. Attarii is a career officer in the Colonial Office. He is young to hold the
post of a colony director, and up until today was proud to be a high-flyer. Right now he's scared of many things --
what might happen to his career, to the colonists and installations under his jurisdiction, and not least being eaten by
the predators. At first he will dither and err on the side of the defensive option when he makes a decision at all -- more
often he will simply rubber-stamp the most conservative plan. As time goes on and casualties mount, Attarii will
gradually lose his authority and begin to despair as the situation slips away from his control. He will still try to take
credit for successes, weaseling frantically to make sure that any blame falls on others -- like the PCs. He would not be
above selling the characters out to save his career. He has a pistol, which will probably remain unfired throughout the
crisis.
Sam Jenkins. Age 52. Sam is an old soldier. His military career was uninspiring -- a series of garrison duties with
little active service. He does, however, have a considerable amount of experience gathered over the years, and an
inexhaustible store of common sense. He also still has his service rifle, kept as a reward for long and dedicated
service. Initially just a gray-haired face in the crowd of colonists, Sam will emerge with a few choice words of advice,
and though not terribly fit will volunteer for duty defending the colony. He advises that the most defensive option is
not always the winning choice, and will bluntly state that there isn't going to be any rescue. The colonists are on their
own. Sam does not want to lead or command, but he will advise someone who does. He will do whatever it takes to
protect his new home, his friends and neighbors, whatever the consequences. He might even shoot a leader who was
leading the colonists to destruction if Sam thought that was the only option.
Petrov Nadile. Age 18. Petrov will not appear until the first incursions into the underground colony. He is a fairly
typical colonist. Or was, until the predators attacked his family. He knows for certain that his parents are dead. He is
searching for his sister, baby brother and his girlfriend, who was babysitting for them. He has no idea if they are alive,
and is becoming increasingly unbalanced. He will volunteer for patrols in order to search a wider area, but gradually
his motive will shift to just killing the predators. He will lead patrols into danger to get them to kill more of his
enemies.
Veronica Margrave. Age 39. Just an ordinary colonist, a computer programmer working on the environment control
staff, Veronica has three children in the colony. She will speak for the "ordinary colonists" at any meeting, demanding
not glib reassurances but hard facts, wanting to know what the colonists can do to help themselves. Unarmed, Veronica
will be seen leading groups of younger men and women she has shamed out of hiding to bring in the wounded, form
medical parties, retrieve stores and generally perform common-sense supportive tasks. She will quickly become the
rallying-point for the non-combatant colonists. Her death would shake them badly, though she takes great risks to do
whatever seems necessary.
Win Your Next Rail Baron Game
by Steve Okonski
Rail Baron is now the oldest, continuously published board game with a railroad theme, and
remains one of the most popular. This Avalon Hill (now Hasbro) game is even the inspiration for
other train games, such as Mayfair's Empire Builder and Eurorails. In Rail Baron, each player
moves his train along railroads to randomly chosen destinations. Upon arrival, the player can
purchase one of the 28 historical railroads on the US map. Players vie to assemble a network that
provides access to most of the important destination cities while preventing opponents from doing
likewise. This article discusses various strategies for winning, and assumes you are familiar with
the game.
Destination Probability
Assembling a good railroad network is essential to winning Rail Baron; many factors must be considered when
purchasing RRs. One of the most important is the probability of the destination cities that are served. For example, due
to the way the destination chart is arranged, New York is much more likely to be a destination than Fargo. Therefore,
it is more important that your RRs serve New York than Fargo. The four most probable destinations are: San
Francisco/Oakland, New York, Los Angeles and Chicago. The four least likely destinations are: Fargo, Chattanooga,
Shreveport and Charlotte. In general, the probability of each city is vaguely proportional to the size of its population.
If you add up the probability of all destinations served by each railroad, you'll find that the Pennsylvania tops the list.
Single handedly, the PA serves over 28% of the destinations. This factor, combined with its moderate price, makes it
the best value on the map. In fact, the owner of the PA wins half the matches! This statistic was determined empirically
with help from the RB Player shareware computer program. RB Player (downloadable from
http://www.insystem.com/rbp/) can not only play the game against you, but also against itself while tallying the results.
The Race to Buy the PA

In a game of experienced Rail Baron players, the start of the game often turns into a contest of who can be the first to
gather enough cash to buy the PA. If you are the lucky person, that's great. However, if you arrive at your first
destination with too little cash for the PA and it looks like none of your opponents will be able to afford the PA, the
strategy I recommend is to purchase the inexpensive NYNH&H. This does three things: 1) it minimizes your
expenditure so that if you happen to get to your next destination very quickly, you might then have enough to buy the
PA, 2) if someone else can afford the PA, it eliminates a very valuable link to Boston for that person, and 3) if the PA
is already taken, the NYC also connects with the NYNH&H and makes a solid alternate choice.
The Northeast is the region with the highest probability, so it is best to concentrate your early purchases in that area.
This fact was well known to the six finalists at the 1998 Rail Baron tournament at Avaloncon (replaced this year by the
World Boardgaming Championships, and now open to non-AH games). By the time the person who went last in that
final game reached his first destination, the PA, NYC, B&O, C&O, NYNH&H, and B&M had all been sold.
Don't Tell the FTC
If the PA and NYNH&H are sold when you first arrive, go for the NYC. It has the fourth highest destination service
probability in the game, plus gets you close to Boston and Portland, ME, both important cities. Next choice, even
though it is substantially weaker, is the B&O. If you can't afford either the NYC or B&O, you have two choices: buy
the B&M or the SAL. If you think you'll be able to get the NYC later, take the B&M, otherwise go for the SAL.
Both the B&M and the SAL are valuable because of another important factor: monopoly power. The B&M is the only
RR that serves Portland, ME and the SAL is the only one that serves Miami, another highly probable destination.
Monopolies can be very important in the game: they force opponents to pay you track use fees. Results from RB
Player indicate monopolies are at their most powerful in 3-player games, and at the weakest in 6-player games. This
makes sense because in a 6- player game if you spend too much time and money locking up destinations, you won't
have enough left over to purchase RRs that get you elsewhere on the map.
Stretch, Rush or Save?

After you have a good RR that serves the Northeast, many different purchase strategies are available: 1) the Southeast
Stretch, 2) the Northwest Rush, or 3) the Southwest Save. The Southeast Stretch is the extension of your network into
the Southeast. The Southeast region has low probability, so usually this is not the best strategy, but might be worth
trying. Basically, it involves extending your Northeastern RRs into the Southeast. The SAL is the best RR in the area,
because it monopolizes Miami, but the ACL is not a bad second choice. One problem is both require another RR to
connect to the main Northeastern lines. To avoid this drawback, choose the L&N which connects with the PA, NYC,
B&O and C&O in Cincinnati, plus monopolizes Nashville. The SOU is rarely the best choice; its good attribute is that
it provides a connection from Washington, DC to New Orleans.
The Northwest Rush gets its name because there are only three moderately priced RRs that serve the region. In a four
(or more) player game, at least one player is not going to have easy access to the Northwest. If you are the first to buy
one of NP, GN and CMStP&P, you immediately put pressure on the other players to expend a purchase acquiring one
of the two remaining. But, which do you buy? To find out, I let RB Player keep the computer busy overnight playing
thousands of games. It's a close race, but the NP is associated with victory more often than the other two. The
drawback to the NP, as well as the GN, is it requires another RR to provide a connection at the eastern terminus.
CMStP&P connects to Chicago, provides direct and fast service to the NW region, but does not serve Portland, OR, an
important destination.
The Southwest Save involves hoarding cash in order to purchase one of the expensive biggies: AT&SF, SP or UP. This
is, perhaps, the toughest strategy, as it can take quite awhile to save the necessary cash. You'll need nerves of steel as
your opponents snap up lots of smaller RRs while you sit pat. Again, to determine which of the three to buy, I enlisted
the help of RB Player. The results are close, but the AT&SF helps to generate victory more often than the UP or SP.
The beauty of the AT&SF is that it serves Chicago where it connects to all the major Northeastern RRs. The UP and
SP force you to purchase additional RRs to connect.
The Southwest Save is probably the best of the three strategies described here. It helps you obtain one of the three big
RRs; you'll need one, or lots of luck, to achieve victory. While saving, if an opponent grabs the big RR you wanted,
consider purchasing the WP. It will only set you back $8,000, but is very important to provide access to San
Francisco/Oakland in the event you wind up with the UP. Many players feel the UP is inferior compared to it
expensive cousins. However, testing with RB Player does not support this. In fact, after thousands of simulated games,
the UP shows a significant advantage over the SP. So, don't shy away from the UP, especially if you already own the
WP.
Complementary Combinations
After you have one of the big three (and a nearly empty bank account) I recommend you look for a RR that
compliments it. The WP and UP is just one example of a pair of RRs that work well together. An attribute of these
"complementary combinations" is that the RRs connect, but do not overlap much. Another such pair is the UP and
CMStP&P; the latter fills in the important Seattle coverage, plus connects to Chicago. I like the SP and D&RGW
combination because the latter provides an important mid-country connection to several other RRs (MP, CRI&P,
CB&Q). The SP and CRI&P also are a good pair: the Tucumcari connection is a valuable one for shortening coast-to-
coast trips. The CRI&P is expensive, but it also provides a handy connection to the NP and GN. Consider pairing the
AT&SF with the CB&Q, especially if you have the NP (for the Billings connection). The AT&SF plus WP is less
costly, and especially good if the GN is one of your holdings.
Derailment!
It is also useful to know which RRs to avoid, or if you somehow wind up with them, which are good auction material.
RB Player tells us that the RR least often associated with victory is the IC; other than a direct Chicago-New Orleans
connection, it doesn't do much. Also associated with losing are the C&O, B&O (these rank low because the PA and
NYC are so much better choices), and MP. Avoid these unless they are the last choice to provide a connection. To
have any serious chance at winning, your network must be fully interconnected by the time all the RRs are sold.
Dream On
In a four player game, you can expect to be able to purchase 7 of the 28 RRs. The seven-RR, fully-connected dream
network (i.e. the one that provides the highest destination service total) is SP, UP, PA, CRI&P, CMStP&P, L&N and
SAL. Unfortunately, this group costs a hefty $191,000, which is rarely affordable in a four-player game. The following
group, at $151,000, is more affordable, and provides only slightly lower destination service: SP, PA, CRI&P, L&N,
SAL, NP and NYNH&H.
Destination service is a very important factor to consider when purchasing RRs, but it is not the only factor. You must
also watch for monopolies, connections with your existing network, access to your home city, distance of typical trips,
where your opponents are currently headed, and more. Simultaneously, you must evaluate these factors for your
opponents as well. For example, if you have a choice of similar RRs, such as the MP or CB&Q, and the CB&Q is the
RR an opponent needs to connect to his NP, you should grab the CB&Q. Cutthroat? Yes, but it's only a game, and
politeness rarely wins in such situations.
Are You a Rail Baron Fanatic?

Many of the statistics used in this article came from the RB Player software that you can download from the Rail
Baron Fanatics web site. At the site you can also request a free improved (easier to read) destination / payoff chart,
join a mailing list, read other articles, and more. If you ever tire of the USA map, you can download alternate game
maps that cover other geographic areas. There are maps for Colorado, the northeastern corner of the USA, the New
York City subway system and others. Armed with the knowledge from this article, combined with practice against the
RB Player computerized opponents, you should be ready to win your next game of Rail Baron.
Dear Game Store Owner
by Christian Walker
Art by andi jones

At one time or another all of us have ventured into a game store only to be sorely dismayed at what we found. Rude or
inattentive employees, poorly displayed stock and lack of support are only a few of the problems that plague many
shops. This is unfortunate because attention to a few basic retail practices can make a world of difference. Dear Mr.
Game Store Owner is a letter to a fictitious shop owner praising him for his excellent business sense. It is meant to
provide owners and customers with a few ideas how to make their business and gaming environment much more
enjoyable.
Dear Game Store Owner,
Yesterday I visited your store and thought that I'd send you a quick note on my impressions of your establishment.
There are many lackluster hobby shops plaguing the market these days and fortunately yours is not among them. What
follows is a short list of all the things you are doing right in your store, just in case you're not getting enough positive
feedback.
When I walked though the door I wasn't sure who or what would Dear Game Store Owner
face me. Much to my relief you stopped what you were doing at the
counter and greeted me with a pleasant, "Hello." This is a nice
change as I have gone into some stores where I was either casually
ignored or actively shunned by the employees. These employees
made me feel that by coming into the store I was interrupting an
important personal call or disrupting someone's reading time. Thank
you for being human. Its nice to know that some game store owners
still consider new customers to be more important than a heated
game of Magic the Gathering.
Its been a while since I've been shopping for games and I had no idea
what had been released in the past few months. I didn't have to
search for long thanks to a sales fixture devoted entirely to new
releases. A sign above the fixture indicated what the new products
were, who published them, price, and release dates. There was even a
list of upcoming releases, which will give me plenty of time to save.
Okay, I really don't need the time to save. What I actually need is the
extra time to convince my wife that I absolutely cannot live without a
new RPG.
After picking up a new supplement for a favorite game I walked around the store to see if there was anything else I
needed. The shelves were neat and orderly, with clear delineation between the various game companies. Even more
helpful was that among all the titles by one publisher there was a separation between rulebooks, scenarios and even the
different editions. This is extremely helpful because on more than one occasion I have purchased scenarios and
supplements that did not match the version of the game I had just bought. Frustrating indeed, but with your
organization a similar mistake is unlikely.
Since I'm new to the area I need to find a group to game with. A quick scan of the store revealed a bulletin board
where gamers were able to post ads looking for GMs and players. All the posts were dated so that I could quickly tell
which ones were a bit out of date. This is a minor detail, but extremely helpful because I can quickly tell which games
have most likely been filled. I jotted down a few numbers and looked to see if there was someplace I could peruse the
products I had selected.
In the back of the store I found a few tables that were perfect for leisurely reading or gaming. They were large enough
to accommodate six players and were spaced far enough apart that the gamers would not drown each other out with
their noise. In store gaming is something I enjoy very much because there are few easier ways to meet other gamers
than to start up a session and see who drops by. In-store gaming also appears to be a good way to generate weekend
sales, so everyone seems to win.
On the topic of in-store gaming I was pleased to see that you support a variety of game related promotions. Near your
miniatures section I saw entries for a painting contest as well as winners of previous events. I also saw a few flyers for
RPGA events, Magic Arena tournaments and Warhammer leagues. It was obvious that there is a devoted community
of gamers active in the store and that I would find someone to role-play with in no time.
I still had a few dollars left, but was having difficulty finding anything new that I could afford. Much to my delight I
found a section that no game store should be without: used games. A few shelves were devoted to RPGs that people
had brought in for store credit and among them I found some real gems. For just a few dollars I picked up a few out-
of-print supplements that I thought I would never be able to find. I decided that on my next visit I'd bring in a few
titles that were collecting dust on my shelves to see if I could trade them for other used games or get store credit. I
never cease to be amazed by the fact that people will spend $30 on used games before putting down $20 on new ones.
From what I remember of my days as a record store employee, the used section provides a nice profit margin and
customers feel that they are getting a good deal. Again, everyone wins.
Having run out of time and money it was time to check out. I was relieved to find that a space was kept open in front
of the cash register, since nothing is more annoying than having to interrupt a CCG to get some attention. You
completed my transaction with a smile, invited me to sign up for the mailing list and gave me a copy of the last
newsletter you sent out.
All in all, I had a great shopping experience. I attribute this to your understanding that even though games are an
informal hobby, running a business is a serious affair and that attention to standard retail practices is vital.
Thank you and good gaming!
Celestial Glory Kung Fu
by Jason Tondro
Art by andi jones

Celestial Glory Kung Fu is the broad term for a number of martial arts styles designed specifically for angels by
Yephiel, Angel of Kung Fu and Seraph of War. There are seven major styles of Celestial Glory, inspired by the
celestial forms of the various Choirs. Although originally intended as a weapon for use in the celestial realm; some of
its applications are nonetheless best suited to corporeal battle. The seven variations of Celestial Glory are: Plumed
Serpent (Seraphim), Furious Guardian (Cherubim), Blazing Wheel (Ofanim), Divine Equilibrium (Elohim), Relentless
Perfection (Malakim), Hundred Eyes (Kyriotates) and Eternal Friendship (Mercurians).
In Nomine Recap: Unarmed Combat

Before proceeding it may be beneficial to repeat the information provided in the In Nomine rules on page 65 under
"Contact Weapons."
Power Accuracy Skill Required

Punch* -3 -- Fighting
Kick* -2 -1 Fighting
* A skill level with Fighting greater than 4 and some kind of protection (steel-tipped boots, heavy gloves) each add 1
point of Power to the kick or punch. A supernatural level of Strength (9 or better) also adds 1 point of Power to the
attack.
Power is added to or subtracted from the check digit to determine the number of hits inflicted on the target.
Accuracy is the bonus or penalty which this type of attack gives to the initial skill roll to hit.
***
This system of martial arts does not replace skills such as Fighting, Dodge, Large/Small Weapon and Acrobatics.
Instead, it grants minor advantages which are combined with those skills during the combat turn. All unarmed Celestial
Glory attacks -- regardless of form (punch, kick, head-butt, etc.) or hand/foot protection -- are delivered at a base +0
Power and +0 Accuracy (instead of the usual punch and kick modifiers, see below). The attacker may describe his
attack any way he likes, the more colorful the better. Additional Power/Accuracy modifiers for the various substyles of
Celestial Glory are listed below. High skill level or Strength does not give any additional bonus; but note that if the
final (skill + characteristic) roll is over 12 the excess is added to the check digit as per the usual rules.
The various styles are purchased as Choir Attunements and cost 5 points each (Yephiel is not an Archangel and does
not give out these attunements herself; they are supported by Michael who considers the whole thing a bit of an
experiment). At the moment Yephiel is the only teacher of Celestial Glory techniques; she runs a dojo in Las Vegas
and her classes are well attended. Although willing to teach dedicated celestials more than one style, she always starts
with the one most suited to the student's Choir. Mortals may also purchase and use Celestial Glory styles; Yephiel
herself maintains a large band of Soldiers who are masters of Plumed Serpent. To date no demon has learned or
demonstrated the techniques, but there is nothing inherent in the art that prevents their use by the Infernal, and it is
probably only a matter of time before a diabolical variation appears, corrupted from the original.
A fighter who knows more than one style of Celestial Glory Kung Fu decides which style he is going to use at the
beginning of each turn, and must use the same style for the rest of the turn. The fighter may not combine the
advantages of two or more styles in a single turn. For example, if an angel knows both Plumed Serpent and Relentless
Perfection style, he may either enjoy a +2 bonus to Power or use the Plumed Serpent combat maneuvers, but not both.
Plumed Serpent Style Celestial Glory Kung Fu
The oldest and most well-known of the Celestial Glory styles,

Plumed Serpent is inspired by the Seraph's celestial form. It can
be used by either Seraphim or Balseraphs in that form, or by
human figures in whatever realm. Certain Cherubim or Djinn with
serpentine celestial forms may also be able to use it. Plumed
Serpent uses a combination of legsweeps and kicks (delivered
with the tail when available), grappling techniques, and a vicious
clawed punch (or bite). Each maneuver is described separately
below. Plumed Serpent can be effectively combined with
Numinous Corpus; use Feet or Tail with The Feathered Lash,
Sweeping the Earth and Wrapping the Coils, and Claws or Fangs
for The Tearing Fangs and The Serpent's Bite.
The Feathered Lash is the standard strike of the Plumed Serpent

fighter; it is a swift spinning kick simulating the whipping motion
of the serpent's tail. The Feathered Lash is -1 Accuracy and +2
Power. The fighter has +1 to Dodge on the same round that the
maneuver is used.
Sweeping the Earth is a maneuver that can only be used in the

corporeal realm; it is a legsweep that throws the enemy to the
ground. The maneuver is +2 Accuracy and does normal damage,
assuming that the target is thrown onto a hard surface, but the
martial artist is -1 to Dodge on the round that the attack is made.
Plumed Serpent fighters learn how to wrap their bodies around an opponent in an elaborate grappling technique called
Wrapping the Coils. To execute this kind of hold, the fighter must hit and do damage. No hits are actually inflicted,
however; the total is used solely to determine if the maneuver is completed. If it is successful (that is, if the check digit
exceeds the opponent's Dodge roll) three of the target's limbs are immobilized (the attacker's choice; note that a head,
tail, or wing counts as a "limb") and the attacker may choose to do damage normally on following rounds. The victim
cannot Dodge these subsequent attacks but he can resist using his Strength (plus Corporeal Forces if a celestial) or Will
(plus Celestial Forces) if in celestial form. The check digit of this resistance is subtracted from the damage; if the
check digit of the resistance roll exceeds the damage inflicted that round the target has broken free and can act
normally in subsequent rounds. Instead of breaking free, the target can attempt to attack his grappler with free limbs,
but he suffers a penalty equal to the grappler's Corporeal (or Celestial) Forces. A fighter using Wrapping the Coils is -1
Accuracy and +2 Power throughout the initial attack and later rounds; he is -1 to Dodge but, if the grapple succeeds
and the attacker is wrapped around his victim, the attacker cannot even try to Dodge anything except an attack from
his own target.
The Tearing Fangs is a clawing hand strike that simulates the fangs of the serpent; it is performed quickly, ripping and
tearing the flesh of the target at +1 Accuracy and -1 Power; the fighter is +1 on Dodge rolls that round. The Tearing
Fangs are particularly nasty when used to claw the eyes, but such a strike is very difficult and is only effective in the
corporeal realm. The attacker must hit with a -4 Accuracy (instead of the usual +1) but, if the strike hits, the target is
blinded for a number of turns equal to the damage done. If the damage is enough to stun the target, he will probably
require medical attention before he can see again.
The Serpent's Bite is the most feared and famous element of Plumed Serpent style; it is also the most difficult to
master. Like The Tearing Fangs it is a hand strike that simulates the fangs of the serpent, but the Bite targets vital areas
and does not let go, destroying nerve clusters and causing paralysis, unconsciousness or even death. A fighter attacking
with The Serpent's Bite can choose to do normal damage or, if in corporeal combat, can attempt to paralyze. Paralysis
attacks can be directed against the arms or legs at -2, or against the head or chest at -4. No hits are actually inflicted by
paralysis attacks; if the amount of damage rolled is higher than the victim's Strength (plus Corporeal Forces for
celestials) he cannot use the limb for a number of turns equal to the damage total. Paralysis of the head causes
unconsciousness while paralysis of the chest leaves the victim awake but completely unable to move. If the damage
number would be enough to stun the target, the duration of the paralysis is measured in minutes, not turns. The
Serpent's Bite is -2 Accuracy and any fighter using it is -2 to Dodge. Once it hits, the fighter may choose to not let go
and continue the effect. He must roll to hit again each round but no Dodge is allowed; if the attack "misses" the fighter
loses his grip. Continued attempts at paralysis are not cumulative; the damage is rerolled each round in a new attempt
to beat the target's Strength.
Sidebar: Celestial Glory and Numinous Corpus
In general, Celestial Glory may be combined with Numinous Corpus. Claws will add to the effectiveness of punches
while Feet add to kicks and Horns make head-butts more powerful. Fangs and Tail are less easily applied; they may
only be combined with certain Plumed Serpent maneuvers and relevant styles of Furious Guardian. Acid, Tongue and
Wings gain no benefit when combined with Celestial Glory techniques.
When combining Numinous Corpus with Celestial Glory, simply add all the relevant Accuracy and Power modifiers
together.
Furious Guardian Style
This is actually a method of adapting "animal styles" of mundane kung fu to the celestial forms of the Cherubim, and
there are a host of minor variations depending on the animal being used. These are referred to as Guardian Lion,
Guardian Bear, Guardian Ape, etc. Furious Guardian forms can be used by nearly anyone, including Seraphim and
Balseraphs (the Guardian Serpent style), Cherubim and Djinn, as well as anything in human shape. Practitioners of
Furious Guardian receive a +1 bonus to both Accuracy and Power, or +2 to each if combined with Numinous Corpus
appropriate to the animal form being used.
Blazing Wheel Style
Inspired by the abstract celestial bodies of the Ofanim, Blazing Wheel practitioners are constantly in motion, often
running or spinning. With this energy they deliver blows of terrific force and power. Attacks are dodged rather than
blocked. Blazing Wheel can be performed by anyone in human shape, or by the Ofanim themselves in celestial form.
Blazing Wheel grants hand to hand attacks a +1 Power and the celestial is also +1 to Dodge; these bonuses are raised
to +2 if the martial artist is in a large space with plenty of room to maneuver (GM's discretion; the celestial realm
almost always counts as a large space). Ofanim can use their resonances to complement rolls when using Blazing
Wheel style.
The Way of Divine Equilibrium
This Celestial Glory style is a balance of active and passive techniques relying on the Elohite's subtle ability to predict
the enemy's actions. It can be used by anyone in human form. If a practitioner of Divine Equilibrium is attacked in
hand to hand combat he may attempt to "turn" the blow. The fighter must Dodge the attack normally. If the check digit
of his Dodge exceeds the check digit of the incoming attack, the target of the Divine Equilibrium takes damage equal
to the check digit of his original attack. No Dodge is allowed. A Divine Equilibrium fighter can "turn" any number of
attacks in a single combat turn but cannot initiate any attacks of his own when using this style. Fighters using Divine
Equilibrium gain a +1 bonus to Dodge rolls. If an Elohite uses his resonance on an enemy when turning a blow, and
his check digit is 5 or 6, he can add +1 or +2 (respectively) to his Dodge roll!
Relentless Perfection Style
The most direct, aggressive and downright brutal of the Celestial Glory styles, Relentless Perfection is a natural art for
Malakim but can be practiced by anyone with a human form. Attacks are usually blocked rather than dodged, and
weapon use is emphasized. Relentless Perfection fighters get a +2 bonus to Power, doubled to +4 if the fighter is using
a weapon of any kind.
Hundred Eyes Style
The most unusual of the Celestial Glory techniques, Hundred Eyes is intended for use by Kyriotates, but can be used
by any other fighter regardless of shape or realm. It emphasizes awareness and multiplicity, combination punches and
cooperation between multiple fighters against a single enemy.
A Hundred Eyes fighter is trained to be aware of his surroundings, and is said to have eyes in all directions (for
Kyriotates and Shedim, of course, this is literally true). Once they enter combat they cannot be surprised by anything
short of an attunement or resonance.
Hundred Eyes fighters also rely heavily on punch combinations, varying the blows in direction and style so that they
cannot be predicted. This grants them a +1 to Accuracy for punching only (including the amorphous and omnipresent
hands of celestial Kyriotates and Shedim); the bonus cannot be used for kicks, head-butts or any other kind of attack
(meaning that certain Choirs -- Seraphim, Cherubim and Ofanim -- cannot gain the bonus when in celestial form).
Finally, practitioners of Hundred Eyes are trained in cooperating with other Hundred Eye fighters to gang up on a
single opponent. Every additional Hundred Eye fighter attacking the same opponent causes that target to suffer a -1
penalty to his Dodge roll (so three Hundred Eye fighters would force a -2 penalty). Obviously, this is particularly
useful to the multiple hosts of the Kyriotates. Note that these advantages can be combined with the combination punch
bonuses mentioned above.
The Art of Eternal Friendship
Mercurians cannot commit violence without generating dissonance; this Celestial Glory style uses passive stances,
blocks and dodges to avoid blows without violating the Mercurian's essential nature. It can, however, be practiced by
any fighter regardless of form or realm. Any Dodge by a practitioner of The Art of Eternal Friendship gets the benefits
of a Full Dodge (+2) and, if they are actually performing a Full Dodge the bonus is doubled (to +4). The Art of Eternal
Friendship allows a Dodge roll against any attack; even those that would otherwise automatically hit or against
grapples that have already succeeded. However, a fighter using Eternal Friendship may not initiate any hand-to-hand
attacks during the combat turn.
Celestial Glory Techniques

Plumed Serpent Style
Power Accuracy Dodge Notes
The Feathered Lash +2 -1 +1 kick
Sweeping the Earth +0 +2 -1 legsweep
Wrapping the Coils +2 -1 -1 grapple 3 limbs
The Tearing Fangs -1 +1 +1 can target eyes at -4
The Serpent's Bite +0 -2 -2 damage or paralysis
Furious Guardian Style

Any hand to hand +1 +1 +0 weapon or unarmed
Numinous Corpus +2 +2 +0 appropriate to animal
Blazing Wheel Style

Room to maneuver +0 +2 +2 GM's discretion
The Way Of Divine Equilibrium

Turning the Blow n/a n/a +1 do attacker's check digit in damage
Relentless Perfection Style

Unarmed attacks +2 +0 +0 without weapons
Armed attacks +4 +0 +0 usually swords
Hundred Eyes Style

Awareness +0 +0 +0 immune to surprise once combat is entered
Combination punch +0 +1 +0 punches only
Coordination +0 +0 +0 -1 to target's Dodge for every additional fighter
The Art Of Eternal Friendship

Dodge +0 +0 +2 Dodge any attack
Full Dodge n/a n/a +4 Dodge any attack
Yephiel
Angel of Kung Fu
Seraph Friend of War

Corporeal Forces -- 5 Strength 10 Agility 10 Body Hits 90
Ethereal Forces -- 4 Intelligence 8 Precision 8 Mind Hits 32
Celestial Forces -- 5 Will 10 Perception 10 Soul Hits 50
Vessel: Human female/4, Charisma +2
Skills: Acrobatics/6, Climbing/2, Dodge/6, Fighting/6, Knowledge (Philosophy/2, Teaching/4), Language/3 (Chinese),
Large Weapon/4 (Axe), Medicine/2, Move Silently/4, Running/3, Tactics/3, Throwing/4
Songs: Dreams (Corporeal/4), Healing (Corporeal/3, Celestial/3), Numinous Corpus (Fangs/3, Wings/4), Projection
(Celestial/4)
Attunements: Seraph of War, Ofanite of War, Howl, One to One (see The Final Trumpet), Proficiency (with kung
fu), Friend of the Fighters and all seven styles of Celestial Glory Kung Fu.
Special Rites: Spend an hour teaching a martial arts class (+1); Win a round in a martial arts tournament (+1 per
round, cumulative).
When first assigned to Earth, Yephiel was the only Servitor of War in a town dominated by Novalis, Yves, Dominic
and lots and lots of demons; because of this, she has a habit of self-reliance and she works hard to be capable of
fighting in all three realms. This led to an emphasis on unarmed fighting techniques instead of weapons (which couldn't
go celestial or ethereal), and this in turn resulted in a mastery of mortal martial arts. Always an active angel working
hard for her Superior, she was awarded with the Word of Kung Fu after developing the Celestial Glory techniques for
which she is most famed.
Yephiel continues to perform occasional strike missions for Michael, often accompanied by the Brilliant Dragons, a
gang of a few dozen martial artists led by a handful of Soldiers. Most of her time is spent teaching, but she competes
in a tournament somewhere in the world at least once a month. She is currently trying to organize the first Heaven &
Hell Kumite, to be held in Las Vegas.
Although she appears all business to her fellow celestials and students, Yephiel has a compassionate streak that can
surface in the face of great distress. She has a habit of ignoring Michael's rivalries with other Archangels unless she
herself is treated poorly. Her greatest emotional attachment is in fact to Blandine -- she makes excuses to visit her
tower every few weeks, and Blandine's power, beauty and determination have taken the young Seraph by storm.
Yephiel is honest with herself -- indeed she can't help it -- and she knows that she is in love with the Archangel of
Dreams.
Her corporeal vessel is an attractive Chinese female going by the name of "Jesse." She dresses casually in loose,
unrestrictive clothing of blues and black, her green eyes hidden by dark sunglasses. She drives a fast-moving Japanese
motorcycle and carries two Chinese fighting axes in a long bag over one shoulder.
Yephiel is a powerful Word-Bound angel most likely to appear in the role of instructor. Alternately, her plans for a
celestial kumite might finally come to fruition, with PC brawlers (and their rivals!) on the invite list.
Age of Ares
by Alexander Shearer
Art by andi jones

Author's Note: Some of the material in this article was presented by the author on the Usenet group rec.games.mecha
in 1994.
Captain Harris maneuvered his Marauder into position, sunlight glinting off its deadly twin PPCs and the newly-
painted sunburst insignia of House Davion as it moved cautiously through the light woods. He was jerked into full
combat-alertness by the hollow sound of small-arms fire rattling off his armor.
"What was that?"
Lieutenant Rio's voice crackled over the comm line. "Looks like a machine gun nest maybe 700 meters ahead." More
bullets spanged off the Marauder's thick plating. Harris checked his targeting system.
"Damn! Out of range."
While it's a bit entertaining and possibly a good Murphy's Rule, the example above is a bit of hyperbole since infantry
weapon ranges are even more dismal than normal weapons in BattleTech. Though the general problem of ridiculously
short weapons ranges doesn't take away from the game of fire-and-maneuver played by gamers everywhere,
sometimes you just need a step towards realism. Sure, mecha are inherently implausible as futuristic war machines.
Yes, there are other problems with the background presented in FASA's BattleTech. All things considered though, the
problem of range is still the most intuitively unsatisfying part of BattleTech.
Rather than whip out the tool kit and turn BattleTech into a painfully-detailed game of futuristic mechanized warfare,
the Age of Ares rules provide a simple fix for those with a hankering for rules that help you suspend your disbelief and
have a good time. Of course, there's a lot more to it than that, since any sweeping change to a wargame, even a single
uncomplicated rules modification, will alter the way the game feels and plays. It may not be for every BattleTech
gamer, but it really does help make the setting more intuitively plausible. This is especially helpful for gamers who
play both BattleTech and its associated roleplaying game, MechWarrior.
Essence of the Age

The core change in Age of Ares BattleTech play is that all ranges are multiplied by ten. This is a simple, clean way to
push weapons past the capabilities of Napoleonic cannon without a horde of special case rules. In Age of Ares, each
range bracket (short, medium, long) now has a maximum hex range equal to its original BattleTech maximum
multiplied by ten. The medium and long rang brackets start at one hex past the next lowest range. Thus, the classic
BattleTech Medium laser changes as follows:
Weapon Short Medium Long
Classic Medium Laser 1-3 4-6 7-9
Age of Ares Medium Laser 1-30 31-60 61-90
A few other changes are also made. Weapon Minimum ranges are only doubled, though the modifier remains +1 per
hex within that minimum range. Weapons gain a new range, termed Point Blank, which extends to twice the original
short range of the weapon. Targets within Point Blank range are at -2 to be hit.
There are a few special cases. Flamers are only treated to doubled ranges, with no Point Blank range. Infantry ranges
are multiplied normally, with each hex of range now equating to a ten-hex range bracket. This extends the influence of
missile-carrying infantry out to a respectable 60 hexes. All armored infantry and other trivia (e.g. protomechs) have
weapon ranges increased like normal combat units. Weapons with adjacent-hex effects (e.g. swarm LRMs, artillery)
maintain their original effect radii.
A few example weapon systems are described below, noting only the changed values for Age of Ares. For all weapons,
tonnage, critical spaces, heat and damage remain the same.
Weapon Minimum Point Blank Short Medium Long

Flamer - - 1-2 3-4 5-6
Small Laser - 2 1-10 11-20 21-30
Medium Laser - 6 1-30 31-60 61-90
Large Laser - 10 1-50 51-100 101-150
Autocannon/5 6 12 1-60 61-120 121-180
LRM-20 12 14 1-70 71-140 141-210
Effect on Play Age of Ares
This basic modification can be played on your normal

BattleTech maps with no other changes. In this case, the
combats represent very close encounters relative to weapon
ranges. Most weapons will be within short range much of the
time; long-ranged weapons with substantial minimums will
suffer. Players experienced with the dueling system found in
the Solaris VII boxed set will be familiar with this style of
play. These BattleTech games will feel much like a modern
tank engagement at very close ranges, with tremendous
amounts of firepower and a real need for maneuver and cover.
Games played like this work especially well in urban

environments, where there is a lot of cover and every unit
(including the newly-supercharged infantry) can play a part.
The Age of Ares rules modifications were first tested in an
urban setting. Combat is somewhat faster and deadlier, but it
definitely replicates that feel of giant mecha going at it up close
and personal.
Other Ways to Play

More can be done under Age of Ares than just playing more explosive games on the same old maps. Some options for
changed play are described below. The really big changes lend themselves more to miniatures than maps and counters.
Most BattleTech players seem especially fond of miniatures anyway, making the conversion pretty easy.
Smaller Hexes
Admittedly, it doesn't seem like much of a change. Moving play onto a tighter hex grid allows large game areas in the
same amount of space. There are a lot of blank maps out there; you can also easily adapt maps from your favorite
wargames. To really have any effect, units should be able to do a substantial amount of maneuvering while remaining
more than 30 hexes apart. This ensures that at least the shorter-ranged weapons (e.g. medium lasers, AC/20s) will deal
with range as a major consideration. Once again, more cover makes for better games of ranged cat-and-mouse. While
this is also true in regular BattleTech, a boring slugging match is somehow more obviously tedious when the units are
20 hexes apart.
Time Scale Changes
This is a bit of a cheat, really. Rather than go the Age of Ares route, you can attempt to salve your suspension of
disbelief by declaring that all hexes are six times wider and all turns six times longer (or ten times, or twenty-three,
etc.). The astute reader has noticed that this isn't a change at all (in fact, really astute readers with a sense of history
will note that the time scale in BattleTech has changed at least once already in its published past). As a result, this is
usually a less than appealing approach, since one now wonders why the mechwarriors can't be bothered to fire more
than once every minute or 100 seconds or whatever.
Ground Scale and Miniature Scale
Miniatures wargaming has a long-standing tradition of having game scales that don't match miniature scales -- simply
put, this means the miniatures aren't to scale with the play area; they're oversized. Ogre Miniatures explains this by
saying that the game area is the holographic representation seen by the commanders, but for decades ancients gamers
have ignored such concerns entirely.
The BattleTech Miniatures rules use a game scale of 1"=10 meters, or an optional compressed scale of 1"=15 meters.
Good ground scales for Age of Ares games include 1"=60 meters and 1"=120 meters. For 1"=60 meters, each
movement point (MP) is worth 1/2" and weapon ranges are equal to half their listed Age of Ares range (e.g. a medium
laser's short range extends to 15"). At 1"=120 meters, each MP yields 1/4" and weapon ranges are a quarter their Age
of Ares values (the same medium laser now has a short range of 7 1/2"). Either variant makes the longer-ranged
weapons more plausible for tabletop play. In the latter case, LRMs are chopped down to an easily-handled 52 1/2",
well within the boundaries of long-ranged weapons in various miniatures wargames.
The only obvious concern with this approach is what happens when the units are close to each other. Since BattleTech
already dealt with this in a somewhat abstract manner using its 30-meter hexes, one can just treat the miniatures and
their bases as "zones of control," and assume that physical combat and rams occur normally when these bases touch.
Obviously, effects from pushing and other physical attacks that cause movement will be lessened, as the units only
move 1/4-1/2". More ambitious players can adapt the overrun system from Ogre Miniatures to deal with base-to-base
contact.
Follow the example of the printed miniatures rules for extrapolating things like artillery blast radii at new ground
scales. As a simple guide, the primary effect usually happens within a 15-meter radius, with the secondary effect
within the next 30 meters out (a 45-meter radius circle). Thus, an Arrow IV system at 1"=60 meters would do 20 points
of damage within a 1/4" radius and 10 points out to an additional 3/4" radius.
It is also possible to use miniatures which more closely match the new game scale. Extremely small mecha figures are
functionally impossible to find, but other units can be adapted with reasonable success. Several companies produce
6mm infantry that can serve as full-sized 'mechs in a pinch. Vehicles and individual infantry are a bit harder at that
size, making this option best for those playing in Battlemech-only games.
Map It!
One other method, popular with some fans of the Harpoon naval combat wargame, is to plot out long-distance
combats on a topographical map. This can be used for both board and miniatures gaming, as a way of handling initial
long-distance approaches (especially handy in miniatures gaming if you want to play the final conflict at a large
ground scale and don't feel like setting up two game tables). When plotting moves in this manner, just take note of the
map scale and remember that one MP equals 30 meters.
The drawback to this approach is that it can take a while for units to properly engage. One way of handling this is the
"traveling/encountering/engaging" (TEE) method. With TEE rules in effect, turn length changes depending on how
close the opposing forces are to each other. As long as no non-artillery units are within range at the beginning of the
turn, each unit moves six times its normal movement; this is "traveling" mode. Though these are one-minute turns,
units eligible to fire, usually only artillery and units that happen to enter long range during that turn, only get one shot.
This assumes that it takes longer to line up shots when units are distant and that artillery needs nearby units to direct
high-speed fire. Once one or more units are within long range at the beginning of a turn, the game moves into
"encountering" mode. Now, turns are 30 seconds long, so each unit receives a triple move and may fire once. If there
are units at medium range at the beginning of a turn, the game is in "engaging" mode, with normal turn lengths (ten
seconds) and firing. Note that if the two sides disengage, as may happen when an advanced scout is eliminated, the
game can revert to one of the "longer" modes of play.
With a little bit of care, the battle can be transferred to a gaming table or a map once the units are close enough to
make it feasible.
Artillery
Artillery is another place where the current BattleTech rules fall down a bit. BattleTech artillery is both short-ranged
and implausibly slow (the average shell travels at about 360 kph, which is roughly the speed of a Formula-1 race car).
For Age of Ares play, the maximum ranges and times in flight have been changed to make the artillery a bit more
reasonable.
Maximum range is still listed in terms of BattleTech maps. When using artillery in miniatures or mapped scenarios,
recall that one map length roughly equals 500 meters range.
Weapon Max Range

Arrow IV System 12
Long Tom 48
Sniper 28
Thumper 34
Distance Time in Flight

1-15 1
16-30 2
31-45 3
46-60 4
Winners and Loser

A final Age of Ares consideration is, "Who comes out on top?" The obvious answer is, "the Clans." The usual several-
hex range advantage of Clan weapons translates to substantially longer ranges and large short range brackets compared
with typical Inner Sphere units. Fortunately, that keeps with the story and feel behind Clan units, and should present
minimal problems for those players who use the Clans.
Even with only standard Succession Wars units, there's a lot of advantage in long-range weaponry. With units no
longer able to quickly close distances and remove the range advantage, those AC/5s no longer seem like such wastes of
space. There's a lot of motivation for constant movement (keeping the movement modifiers high) and sending a fast
scout or two forward to target for indirect LRM barrages. Faster units are relatively better survivors when it comes to
crossing open terrain or sprinting for the best cover. The most disadvantaged units are the classic assault types with
very powerful, shorter-ranged weapons like the AC/20. The Marauder, packing three impressively far-reaching weapon
systems, returns to its rightful position as a heavy command unit for the discriminating company captain.
Try your favorite units in a few different games under the Age of Ares modifications. Play at long ranges and in close-
up brawls. Learn what new strengths and weakness come from the change. Strap into your giant killing machine and
have a good time.
Super Special Dork Tower!
The December 1998 Shadis was to have been the last issue printed
before the magazine's ongoing hiatus. Well, despite rumors to the
contrary, that particular issue was never printed. Shadis may or
may not see light of day again. However, this cartoon was to have
run on the very last page of the last issue.
This cartoon is a bonus to Pyramid readers. It takes the place of

neither your regularly scheduled, monthly Dork Tower, nor of a
Murphy's rules. It's just a little bonus brought to you by Pyramid
magazine.
Even if Shadis does return, this cartoon will never really work
again. But I'm quite happy with it, and how it handled Shadis'
(temporary?) demise, so...here it is! Seeing the light of day at last.
Enough explanation. Hope you enjoy it.
John Kovalic
Dork Tower!
Ogres in Space
By Matt Cairo
Sighing heavily, Commander Desjardins sealed down his oxygen mask Ogres in Space
and opened the hatch on his heavy tank. Climbing out onto the dusty
plain, the Paneuropean Space Corps officer immediately saw what had
stopped the tank minutes before: sulfur flats. They were everywhere on
Io: powdered sulfur deposits left by volcanic eruptions. The powder was
so fine that it caked around treads, seeped into motor axles, and
generally made life miserable for tankers. It would be at least a half-
hour before they could get underway again. Desjardins cursed, kicking
the BPC treads in frustration.
"Ok, boys, we had better get to work on these treads."
His three crewmen popped out of their hatches. There was a long volley
of curses in several languages. With sighs of resignation, all four men
began to scrape the powdery sulfur from the tank's treads.
Suddenly, there was a rumble in the ground.
"Volcano!" Desjardins bellowed. "Run for it!" All four men scattered
desperately. As he dove into a small crevice, Desjardins glanced back
at the disabled tank, only to see it engulfed by a flood of red-hot
magma. On the horizon, he saw the telltale yellow plume of a sulfur-
and-lava eruption spouting several miles high in Io's low gravity.
"I have to get off this planet."
The Last War was fought on all types of terrain. From the shifting sands of the Sahara, to the sticky swamps of the
Amazon, to the frozen tundra of Siberia, Earth offered 21st-century generals numerous tactical dilemmas. But the great
superpowers didn't confine their ambitions to the Earth alone. Beginning in 2019, they engaged in a renewed race to
colonize, exploit, and, of course, fight over, the other planets and moons in the Solar System.
This is a set of variant rules for playing Ogre Miniatures on seven other planets in the Solar System. Included are
basic statistics on these planets and moons, special rules to simulate the effects of these harsh environments, and
suggestions for modeling alien terrain and setting ambiance for an interplanetary game of Ogre Miniatures. (Note:
Unless otherwise stated, militia and archaic units cannot be used on other planets.)
The Moon
Satellite of Earth
Ogres in Space
Atmosphere: None
Atm. Pressure: None
Gravity: 0.167 G
Terrain: Rocky, with flat dust expanses in the Maria.
Colonization Period: 2019-2104
Earth's nearest extraterrestrial companion, the Moon was the starting point for the superpowers' space race. The Moon,
rich in heavy metals, and with the advantage of low gravity, proved most useful to both the Combine and the
Paneuropeans. The Paneuropeans were the first to colonize the Moon, building a base in the Sea of Crisis named
Liberté. The Combine soon followed suit, constructing two military installations, Selene-1 and Selene-2, at Tycho and
Clavius, respectively. The Nihon Empire built a small covert base on the far side of the moon, named Nara, which it
used to launch probes to Mars and Venus. The Chinese Hegemony never built a moon base, and was thus cut out of
the Second Space Race until much later: they had enough trouble dealing with Nihon incursions on Earth.
Obviously, due to the lack of an atmosphere, GEVs, LGEVs, GEV-PCs and Hovertrucks do not work. All other
vehicles can move up to 2" farther each turn, but if they choose to exceed their normal move, they must roll a die: on a
4-6, they are disabled normally. Ogres roll 1-1 versus their treads: an "X" or "XX" result will remove a number of
treads equal to the Ogre's size rating. This represents over-stressed power trains being pushed too far in low gravity.
Infantry may add 2" to their move without penalty. All attack ranges may be extended by 4", but for each additional 2"
over the normal ranges, subtract 1 from the roll on the CRT. This represents targeting difficulties in low gravity. (As
an optional rule, this penalty can be reduced or eliminated for "experienced" crews. Determining just what makes a
crew "experienced" is left as an exercise for the referee.)
Modeling lunar terrain is easy. The ground on the Moon is fairly flat, and can be represented by a flat section of
mottled gray fabric as the base. Use torn chunks of foam rubber, sprayed with appropriate grays and blacks, to
represent the crags and rocks on the moon -- remember that some of them are quite high indeed! Lighting over your
game table should be very strong, so as to cast deep, dark shadows, representing the harsh light and dark on the Moon.
Ogres in Space Mars

Fourth Planet from the Sun
Atmosphere: Carbon Dioxide, Nitrogen

Atm. Pressure: 0.007 atm.
Gravity: 0.377 G
Terrain: Rocky, broken, with high mountainous areas. Icy and flat at the polar icecaps.
Mars had long been a source of fascination for humankind, and it became one of the Last War's most fiercely
contested battlefields. Launching colonizer rockets from the Nara base on the Moon, the Nihon Empire beat their
opponents to Mars by nearly three years, building a huge base at Utopia Planitia, including an Ogre facility. By the
time the Combine and Paneurope arrived, Nihon forces dominated the Southern Hemisphere of Mars, and were in the
process of constructing a set of surface-to-orbit laser cannon on the slopes of Olympus Mons. After two years of
conflict, the Combine managed to gain a foothold on Mars, constructing the base Ares-3 deep beneath the frozen North
Polar Icecap. Paneurope had to settle for scattered secret outposts and minor production facilities, and never managed
to become a dominant presence on Mars.
Mars, in game terms, is similar to the Earth. The gravity is not low enough to significantly affect shell trajectories or
movement. GEVs, LGEVs, GEV-PCs and Hovertrucks will work, but at decreased efficiency due to the thin
atmosphere. All GEVs lose 2" from both movement phases (in some cases, it may be better to use tracked vehicles).
Martian terrain is varied depending on the region of the planet. Equatorial areas can be modeled in the same fashion as
the Moon, but with a dark red as the main color. The more mountainous, the more crags and rocks there will be, and
elevation levels will change more. If combat is occurring in the Polar Regions, the playing surface will be almost
completely flat, with gently rolling hills, modeled in white or light gray colors.
Ogres in Space Venus

Second Planet from the Sun
Atmosphere: Carbon Dioxide, Nitrogen

Atm. Pressure: 92 atm.
Gravity: 0.907 G
Terrain: Broken, rocky. Mountainous in highlands. Frequent sulfuric acid rainstorms, with
heavy electrical activity.
Venus was one of the more difficult planets on which to build military bases, but both the Paneuropean Federation and
the Combine did it quite well. The crushing pressure and extreme heat of the atmosphere, combined with frequent
electrical storms and corrosive rains, made Venus a violent planet equaled only by Io. The Paneuropeans, angered by
their lack of a secure base on Mars, were the first to land on Venus, with Nihon and the Combine close behind. Ogres
proved to be an invaluable resource, as the general bizarreness of the planet degraded the performance of even the
best-trained human crews and their machines. Paneuropean Fencers, built at the Fraternité base near Ishtar Terra,
performed especially well in the harsh conditions, and Paneurope came to dominate Venus, completely beating off
Nihon landing forces. The Combine was not as easily deterred. Operating from bases on Aphrodite Terra, Combine
units engaged the Paneuropeans in a guerrilla war right up to the collapse of the Federation.
Venusian weather is the most violent in the solar system. Huge storms can strike for days at a time, and the unusual
atmosphere of Venus results in powerful lightning and sulfuric acid rain. Before every battle on Venus, roll one die on
the following table to determine if there are any weather conditions at the time:
Roll Weather
1 No Weather
2 No Weather
3 Acid Drizzle
4 Light Rain
5 Heavy Rain
6 Major Electrical Storm
A "no weather" result means that weather will not effect the battle. Acid drizzle will require every armor unit (Ogre
weapons and treads unaffected) to roll a die each turn -- on a roll of 6, the unit is disabled, though already-disabled
units are not affected further. A light rain will cause a unit to be disabled on a roll of 5 or 6 (but already-disabled units
will not be destroyed, as above). A heavy rain will act as a full 1-2 attack every turn (disabled on a 5, destroyed on a 6,
and units already disabled by heavy rain may be destroyed by a second disabled result).
A major electrical storm will have two effects. First, it will act as a full 1-2 attack on every unit every turn, including
Ogre weapons and treads. Second, it will result in lightning strikes. Use the "star" counters from the Ogre Miniatures
manual and drop 1 die's worth of them on the table from at least three feet above it every turn. The final landing place
of each counter represents the location of a lightning strike, with a "single attack" template used to determine spillover
fire. If the counter lands on a unit, that unit is immediately attacked with a strength of 4. If the target is an Ogre, a
random weapon system is attacked in this manner (treads cannot be damaged by lightning).
Due to the high atmospheric pressures on Venus, all armor units except Infantry have movement reduced by 1". GEV-
based vehicles lose 1" from each movement phase (thus, a GEV would move at 7"/5", a GEV/PC would be 5"/3", etc.)
The terrain on Venus is dark yellow-brown, rocky and broken. There should be plenty of crags, channels, canyons and
cliffs. Light cannot get through the heavy atmosphere very well, so lighting in the room should be somewhat dimmer
than usual.
Ogres in Space Io
Satellite of Jupiter
Atmosphere: None
Atm. Pressure: None
Gravity: 0.183 G
Terrain: Sulfur deserts, volcanic highlands with frequent magma eruptions.
The Combine was the first to set foot on Io, and they immediately regretted it. Io was the most volcanically active
moon in the solar system, constantly spewing plumes of sulfur and magma into the sky with a force powerful enough
to destroy an Ogre. But, true to Combine doctrine, Io had to be occupied, because, as a Combine Congressman said,
"If we don't do it, our enemies will." The main problem with Io was that it was naturally indefensible. The frequent
geologic activity made permanent bases difficult to place, and the sulfur in the sky made detecting and destroying
enemy landings virtually impossible. All spacefaring empires, including China, established outposts on Io, and some
heated exchanges were fought on Io's sulfur deserts. But eventually, Io proved to be more trouble than it was worth,
and it was abandoned.
Io has no atmosphere and very low gravity, and so all rules from the Moon apply. In addition, each turn there will be a
one in six chance of a volcanic eruption occurring somewhere on the table (drop a counter from three feet above the
table to determine where). An Ionian volcano has game effects identical to a cruise missile strike, with one exception:
a volcano will last for d6 turns, doing cruise missile explosion damage every turn.
Two new types of terrain appear on Io: Sulfur Flats and Magma. Sulfur Flats represent fast fields of powdered sulfur
ash that has fallen to the surface of Io after a volcanic eruption. They are moved across as clear terrain, but for every
2" of movement, a die must be rolled to see if the sulfur clogs the unit. A roll of 1 to 3 indicates that the unit is
immediately disabled, just as for swamp. Sulfur Flats are generally found in low areas such as valleys and hollows.
Ogres are unaffected by Sulfur Flats. Magma represents pools of molten rock, and will generally be found near recent
volcanoes. No armor unit can cross Magma. Ogres can enter Magma at a cost of 2" of movement for each 1" of terrain
crossed. Every turn an Ogre spends in Magma destroys 5 tread units automatically, and results in a 1-1 attack on each
of its weapon systems.
Terrain on Io is generally black or dark gray, representing basaltic rock. Red magma pools, like water, can form rivers
and streams as well. Sulfur flats are just that: flat yellow expanses.
Titan
Satellite of Saturn
Atmosphere: Nitrogen, Argon, Methane.

Atm. Pressure: 1.5 atm..
Gravity: 0.381 G
Ogres in Space
Terrain: Rocky, broken, methane oceans.

Titan, the mysterious moon of Saturn, was unique in that it possessed an atmosphere. Titan was so far from the sun
that it was quite cold, and so methane in the atmosphere condensed into vast volatile oceans. When the three empires
arrived on Titan, they were quick to realize that combat was a great deal more dangerous than on the other moons of
the Solar System. Ricochets and misfires were often just as dangerous as the explosions themselves, as they could
ignite methane vapor in the atmosphere, or, worse, they could ignite the entire ocean!. This didn't stop combat on
Titan, of course. The three nations merely resolved to work around the problem, and keep their forces more widely
spaced.
Since Titan has an atmosphere, GEVs, LGEVs, GEV-PCs and Hovertrucks can be used. Due to highly flammable
methane vapor in the atmosphere of Titan, all explosions are treated as one step worse when calculating spillover fire.
To determine full strength attacks, use the original template, but to determine spillover fire, a "single attack" will use a
10+ template, the 10+ uses the 15+, the 15+ uses the 20+ and the 20+ should have its diameter extended by 1/2".
Titan has a new type of terrain: Liquid Methane. Expanses of condensed methane from Titan's atmosphere can form
oceans, lakes, rivers or streams. They are treated for all purposes as water, except that any shots fired at units on or in
liquid methane will ignite the entire terrain surface on a roll of 1-3 on one die. In such a case, every unit on or in that
area of liquid methane (Ogres unaffected) will instantly be attacked with a strength of 3. If a continuous path can be
traced to the point of explosion along a methane ocean, lake or river, the unit is attacked. After it is ignited, liquid
methane will revert to its original state at the end of the turn until attacked again - there is not enough oxygen in the
atmosphere to sustain a fire for an extended period.
Ogres in Space Titania

Satellite of Uranus
Atmosphere: None
Atm. Pressure: None
Gravity: 0.122 G
Terrain: Mountainous
Colonization Period: 2089-????
The steep mountains of Titania, Uranus's moon, were perfect for building defensible bases, and the Combine,
Paneurope, and Nihon all took advantage of them fairly rapidly. Combat this far out in the Solar System was
necessarily limited in nature, due to the 21-month delay for resupply. Most battles on Titania were cybertank duels
among the rocky crags. Extensive use of smaller Ogre designs, especially the Mark I and Mark II, allowed the three
empires to field adequate units, but actions were never really anything more than reconnaissance-in-force. Larger Ogre
types were used in small numbers, but these were reserved for special duties and endgame maneuvers (they were
difficult to replace, given the limited facilities available). The colonies on Titania were never officially evacuated.
Contact was lost with the three empires' colonies during a trans-Saturnian meteor shower in 2099, and they were
assumed destroyed. All three outposts were self-sufficient in terms of food, power and oxygen, however, so it is
possible that the colonies are still there.
Titania has low gravity and no atmosphere, so all rules for the Moon apply to Titania. Remember that the crags are
ground, and so they will block line of sight. This alone can make combat on Titania very dangerous. The peaks can be
very high due to Titania's low gravity. Infantry is very powerful in such close terrain. Infantry which initiates an
overrun attack will receive +1 to its die roll in the initial round of combat, and gets to fire first, in exception to the
usual "defender-first" rule for overrun. All units which are firing from two or more levels of elevation higher than their
opponent receive +1 to their attack roll.
Titania's main claim to fame is its mountainous, rugged terrain. When constructing terrain, keep this in mind. A lot of
canyons, steep cliffs, ledges and crags should be placed. Terrain should be very restrictive: this is Titania's advantage
and its danger. Titania is also quite far away from the sun: light is low, so dim the lights in the room to increase
shadows on the cliffs and crags.
Desjardins sighed even more heavily. His tank was no longer disabled by sulfur, but embedded in solid rock, as were
his gunner and his driver. He cursed again, and radioed for a rescue rocket.
"I really have to get off this planet."
World of Obsessive Gloominess
by Jacob Williamson
Art by andi jones

Darkness. Good thing, too -- sunlight doesn't go with my style. What is this; I, ancient of the Bourgeois, being forced
to meet with a Daft Bloke in some grimy alley? Next time, I'll pick the meeting place -- It'll take days to get the
chewing gum off my shoes. And he's late. Ten more minutes and I'm getting back into my Limo.
There it is again -- wet dog. Come on, we have animal shelters for a reason, people!
Ah, yes, here he comes. One cannot sneak up on a predator. Catlike, I turn, facing my prey, my merchant. You know,
for a Daft Bloke, this one looks awfully calm. Heavy boots, scruffy hair, a five-o'clock shadow you could strip paint
with -- looks more like a Marmoseta! But I approach, "unarmed."
"Are you Weird Earl?"
He shakes his head lazily. That was helpful, Blokes never give a straight answer. "Grand. You brought my
merchandise, yes?" I hold out my hand in greeting; he takes it, friendly enough.
"Said I'm not Weird Earl," he growls low in his throat, and gets . . . bigger. Nine feet of black fur and yellow teeth.
And he's still holding my hand.
"Ah, well, perhaps we can cut some sort of deal, then -- I never liked Earl, odd fellow, not all there if you know what I
mean, good doggie, I shall give you a biscuit if you let go of the nice hand."
Again, a lazy shake of the head. Then the werewolf lifts me over his shoulders, begins the wind-up --
"Stop! Why are you doing this?"
"Thought would be fun!"
-- and the pitch.
When I come to, I'm halfway through the wall of the alley, face to face with a cat food cannery. Third time this week. I
swear, I should be getting Frequent Flyer miles.
Toon: World of Obsessive Gloominess

Somewhere between the bright hope of dawn and the darkest midnight, a world hangs in the balance. The fates of men
are in the hands of creatures of shadow, monolithic omnicorporations, and entities which could devour the Elderly
Gods for a midmorning snack. Any hope of finding right and wrong is lost in a flood of grays and inexplicably quoted
material.
Put on your best black, spin your most morbid album, and wear your gloomies and angsties proud, kids -- we're going
to have fun!
Disclaimer: We at Tooniversal Tours are proud of our record of consumer safety and satisfaction. Over the years, we
have sought to give you, the customer, the thrills and excitement you so richly deserve. We have brought you
Dungeonworld, the Way-Out West and many other universes to explore. The recent desire for a world of doom and
uncertainty is a strange and confusing trend, but what the hey, it's your dollar. Welcome to our newest attraction. No
refunds, all damage to property is absolutely not our fault, and if you get bitten by a vampire, tough noogies.
Character Types
Vampires
Plotters and schemers, The Head Honchos. Vampires have had more than a few years to build their webs of power, and
even though they can't have a business lunch at a sidewalk cafe they control everything! More on the vampires later.
Werewolves
Nature's little deli meat slicers, werewolves roam the woods and mop up anybody the vampires left behind. Their basic
philosophy can be summed up in seven simple words: "If you don't like it, maul it." In particular, they don't like
vampires, litterbugs, politicians, journalists, Corporate CEOs, or each other. This policy keeps the werewolves very
busy. Werewolves get their own subsection. They're special.
Wizards
There's magic in the world. It's hard to find under the grime, but it's there. A few lucky weirdness magnets have gotten
hold of the power to mess with reality. There aren't many of them, and for some odd reason the vampires and the
werewolves both hate them. Magic works, but it's fraught with disasters (like falling pianos and the odd nuclear
warhead). Wizards have a difficult road to travel, but they only get three paragraphs and a sentence fragment.
Just Us Mundanes
Normal people, day-to-day types. Police officers, librarians, FBI agents, university professors, and victims of every
shape and species. As surprising as it sounds, Mundanes still outnumber the Forces of Night by a good hundred to one.
Almost all Mundanes have a special Shtick at level 10, Ignore the Blindingly Obvious, an amazing power that saves
them from an inferiority complex. The best Mundanes can completely forget a werewolf attack! A few Mundanes learn
to really see the strange world they live in. A word to the smart vampires: watch out for them. Mundanes don't get
much of anything at all, except the occasional chalk outline . . .
New Rules and Shticks

Vampires
"Immortality. Immortality and the great clothes."

-- Baron Revenagle III, Duke of Miscyllvania, when asked what he liked best about being a vampire.
Vampires have been with us for a very long time, posing as mortals and preying on society since . . . well, for a very
long time. The first recorded vampire, from whom all others trace their descent, was one Bernie Du'Rottwieler, a
vicious dog who forswore his mortality for fangs and a snappy cape. Since his transformation many other vampires
have populated our fair planet, establishing lairs and theme parks from which to work their dark plots. And with all
Time for your agenda, you can work some pretty dark plots!
Vampirism (10 points/level 4, 8 Plot Points for each additional level)
Vampires live a long time. Du'Rottwieler celebrated his 875th birthday last week, and the light from the candles kept
most of the guests at bay. With a possible life span of a millennium or more, the fact that Vampirism is such an
expensive shtick isn't so bad -- most vampire characters will outlive their players. They can afford to take a long-term
view of little things like Plot Points. Luckily, or unluckily for vampire hunters, the shtick package comes with all sorts
of interesting powers.
A vampire lives forever. Really, really forever. They don't breathe, don't drink water and are only uncomfortable if
zapped with a Death Ray. Vampires can be hurt by magic, fire, sunlight and wooden stakes -- most other weapons
won't work. Wooden stakes are available at any fencing store. For magic and enchanted weapons, consult your local
wizard or pawn shop. If a vampire is hit by sunlight, she Falls Down for a very long time and won't be back until next
nightfall.
Besides stakes and fire and such, each vampire has a few special weaknesses. Many become weak or nauseated in the
presence of garlic or tofu. Some can't cross running water. Most are allergic to crosses and churches, although some
religious vampires cannot enter a comic book store. Special weaknesses vary between each vampire, so if you want to
play one . . . be creative.
Yes, vampires drink blood. Unless the players are in a gory mood, the Animator should probably skip over these
scenes.
Four basic types of vampires have cropped up in the tabloids, although others probably exist. Each "family" has its
own special powers, weaknesses and unique character.
The Bourgeois
As the Upper Crust of the vampire class, the Bourgeois maintain appearances. They dress to perfection, have excellent
diction, and decorate with the latest in cobweb motifs. The Bourgeois know they're better than the other vampire
families, and are out to prove it! It is required that a Bourgeois fly into hysterics if she gets dirty.
Power: Modeling themselves after the famous noble, Count Dauntublahstov, the Bourgeois have mastered the art of
mind control. If she makes her Vampirism roll, a Bourgeois may command someone exactly as if she had the
Hypnotism shtick!
Weakness: Appearances are important. A Bourgeois must look nice at all times. Even worse, the Bourgeois's superior
attitude prevents her from saying please. Only in the worst possible situations can she ask for help . . .
Quote: "Now, if we will just put down the gun and forget about our little assassination, we can all get along with our
little lives."
Daft Blokes
Some vampires spend years plotting webs of intrigue, playing enemies like pawns in "wheels within wheels" of
cunning beyond the abilities of short-sighted mortal man to fathom. The Daft Blokes can't, and won't. As a family they
are completely insane, to a member, much more so than an average animated individual. While they are capable of
some engaging conversations, the Daft are out of their element in an ordered world. In the Tooniverse they're masters
of illogic.
Power: As if any given Daft Bloke wasn't already schizophrenic enough for any three Toon characters, their special
power gives them the ability to Read Minds! Use the rules for the Mind Reading shtick (p. TTG166).
Weakness: As we have already established, the Daft Blokes are very, very realistically challenged. If the Animator
catches a Bloke acting in a rational manner he should assign him all sorts of penalties.
Quote: "What's that on your shoulder? Yes! Pink, pink! Woobah! I'm not a vampire, are you a vampire? Alas, poor
Yorick, I knew him, Marvin -- he was a sort of neo-cubist guy, with a foot."
Icky Sewer Dwellers
Nasty, ugly tunnel-haunting monsters. Even other vampires dislike the Icky Sewer Dwellers' company. They are
usually totally disgusting and have very low Chutzpah scores.
Power: Because humans, vampires and most other species avoid them, the Icky Sewer Dwellers have learned to talk to
the animals . . . and control them! By making his Vampirism roll, the Sewer Dweller can control up to his Smarts score
in "normal," non-Player animals. If the Animator thinks its funny, the Icky Sewer Dweller might be able to control a
Player's character, but it's not a nice thing to do.
Weakness: Well, they're ugly!!! The Icky Sewer Dwellers have big, twisty fangs, lumpy foreheads, and generally look
like they've had a rough time of death. An Icky Sewer Dweller can never fool any reasonably intelligent creature into
believing he's not a hideous monster, and will never be invited to a party. Amazingly enough, Mundanes sometimes
miss this.
Quote: "Boo! Hee, hee -- Hans, did I scare you? Hans? Hans?"
Marmoseta
"In a swirl of night-black smoke Nosfuratu, the King of the Undead, turned himself into an aardvark." The best that
could be said of the Marmoseta is they don't decimate small villages. They rarely stay in any one place long enough to
put wrinkles in their pants, let alone terrorize the locals. The worst one might say about them is that they are the most
intense, unsettling and confused of all the vampiric families. The Marmoseta wander like gypsies, stalking through the
night like (or more frequently, as) wolves, and worrying the local vampire hunters. A Marmoseta is more terrifying
still on that rare occasion when he gets all of his tricks working properly.
Power: Like the vampires of literature, the Marmoseta can assume four forms: the shape of a bat, wolf, cloud of mist
and kumquat. This is assuming -- here's the big "but" -- assuming they make their shtick roll. For all practical purposes
this power is identical to the Shape Change shtick.
Weakness: The Marmoseta are understandably muddled about their identities. They are prone to long bouts of
introspection and often "forget" who they really are. It is perfectly appropriate and in character for a Marmoseta to Fall
Down by stepping off a cliff, flapping his arms as he plunges to a violent death or whatever a vampire would plunge
to. The Animator should encourage this sort of behavior.
Quote: "The woods, the wilds -- can you hear them calling? Yes, that's it. No, not the mosquitoes. They're family. The
other voice. The whiny one that keeps saying -- '' scratches at flea " -- your name."
Werewolves
"Well, it's really nice. You get to run around in the woods and no-one tells you to put your laundry in the hamper. Of
course, we don't actually need clothes, but the principle's the same. Honestly, why are you asking me all these
questions?"
-- Lobo Garunoviche, Interview with a Werewolf
Mankind fears that which it does not understand. Early cave-dwellers huddled in the night, telling stories of skin-
changing demons. Wolf howls in the distance brought forth tales of nightmarish creatures, both human and wolf,
monsters from the hidden corners of humanity's subconscious. Of course, modern toaster ovens are deathly terrified of
a creature they hint at in stories of "She who Comes with Sledgehammer and Wire Clippers," but we'll deal with her in
a later Toon article.
Like all special powers, Lycanthropy -- the ability to turn into a wolf -- is a Shtick, but a special one, a package of
powers. There's the basic "Do Werewolf Things" Shtick, but when you create your werewolf character you also get an
amazing Free Bonus Power! (Now how much would you pay?!?) This bonus power should be treated as a separate
shtick in all respects.
Lycanthropy (7 pts.)
Your character may change shape, assuming the form of a true wolf or a "hybrid" form, a big drooling monster with
claws, fur, sharp teeth and opposable thumbs. This hybrid can walk on its hind legs and looks just a bit like the
character in his regular form; if he normally wears a pink shirt and glasses, his half-wolf, mostly humanoid form will
have a pink shirt, glasses and lots of fur. A character's attributes and the Skills under those attributes are modified in
each special form:
-- In "normal" form, the character's attributes are just those listed on the character sheet.
-- In "hybrid" form, the werewolf gets +2 Muscle and -2 Chutzpah (try fast-talking and growling at the same time!)
-- In "wolf" form, the character gets +1 Muscle, +2 Zip, -2 Smarts and can't talk or pick things up (the character's wolf
form is more like a "real" wolf than a "cartoon" wolf -- no thumbs).
-- In both Hybrid and Wolf form, the werewolf gets an extra 8 hit points due to its extra fur and muscle!
Werewolves, Healing and Silver: It has been said that werewolves can be hit only by silver weapons. This is not the
case -- but only silver weapons will do any good! They heal really fast, which is why they can get into as many fights
as they do. Each round, a werewolf has a 50-50 chance to heal one die of damage, unless it was hurt by fire or magic.
The werewolf's well-known weakness -- silver -- provides a hunter all sorts of protection. If a werewolf is hit by a
silver weapon, there is a 50-50 chance he will Fall Down on the spot, with a great deal of drama. For reasons
unknown, silver weapons freshly pulled from a Bag of Many Things have no effect on a werewolf. It's just one of
those things.
Werewolves and the Moon: Under a Full Moon, werewolves do not need to make a Shtick roll to change shape. The
Animator may roll a die any time there is a full moon in the sky and a werewolf gets angry, embarrassed or frustrated.
About half the time, the werewolf gets really angry and goes on a rampage. The rest of the time, he or she takes a deep
breath and counts to ten. It is never a good idea to paint little moon pictures on a werewolf's glasses. Never.
Werewolves and The Blot: The beginning came suddenly. Larry the Armadillo was being exploded by his Arch-
Enemy, Slimy Neil. He Fell Down, which really didn't surprise anybody. The surprise came three minutes later, when
Larry didn't show up at the next scene change. And he didn't come back in the next episode. Or the next season. Or in
the movie spin-off, "Larry Comes Back." He just didn't get back up!
Slimy Neil, in a fit of grief, dropped an anvil on his own head. He was never seen (in three dimensions) again. Since
then, at least 20 incidences of characters not Getting Back Up have been recorded, and the reports come in on a
monthly basis. The werewolves blame this horrid phenomenon on what they call the Blot.
The Blot is a terrible un-creature who exists to make the universe gloomier. It uses its nasty powers to make characters
stay flattened . . . permanently! No-one has seen the Blot, but the werewolves claim the Serious Police, Porcs,
vampires, Mad Scientists, Wizards and street mimes are its minions. But they fight against each other for the same
reason; this opinion is not widely shared by Wizards, vampires and so forth.
For a prime example of the Blot and its effects on an otherwise content universe, see Craig Shaw Gardner's Ciniverse
Cycle.
There are four different types of werewolves (they call themselves "Packs"), each with a different bonus shtick,
appearance and general world view. While each Pack of werewolves loves to fight Vampires, Monsters and Villains,
they seem to prefer fighting each other . . .
The Grass Walkers
Quote: "Like, what's the hurry? There's always time for a run through the trees. Nah -- you don't need your flashlight.
Leave it here. And I'll hold your wallet for you, too."
Appearance: Big gray wolf, like in a nature documentary. In their normal and hybrid forms, Grass Walkers wear tie-
dye clothes, bell-bottom pants and long hair.
Philosophy: "We're all part of a big cosmic cycle, ya' know? Nature's important. We should all get back to our roots."
The Grass Walkers are very fond of the Great Outdoors, more so than the other werewolf Packs. They spend much of
their time in the wilderness, trying to get in touch with their inner selves.
Bonus Power: The Walkers can use their Lycanthropy power on other characters, turning them into wolves! Use the
above modifiers for the wolf form. No, they can't turn them into nine-foot wolf monsters.
Black Furries
Quote: "Grrrr . . . "
Appearance: Big black wolf, like in a horror film. Black Furries like to wear heavy metal T-shirts, torn black pants
and interesting weapons.
Philosophy: "Violence is fun!" Black Furries have given werewolves a bad name. They're the mean ones, the
monsters that go around persecuting innocent campers in cheesy horror films. They always have really high Muscle
scores and do not make nice party guests.
Bonus Power: In their hybrid form, a Black Furry werewolf can use the Incredible Strength shtick. Even worse, they
use it with Break Down Door! (No Virginia, there is no wall . . . )
Tanuki
Quote: "Okay. Now, I think it's 'left foot, left foot, right foot, turn, shake the rattle, bang the drum, spin, right foot
right foot howl, spin, Invocation to the Thunder Spirit, spin, right foot, jump, throw the drum into the fire, step, jump
jump spin, crouch-and-leap, shake the rattle, step and hold.' Yeah, that did it. Now, pick a card."
Appearance: Red wolf, like in the zoo, often splotched with paints. Tanuki wear crystals, copper jewelry, have long
braided hair and carry miscellaneous occult gear in their Back Pockets. They often wear tattoos with Spiritual
Meaning.
Philosophy: "Knowledge is Power." The Tanuki have learned many tricks, and are not afraid to work with strange
entities to learn even more. They almost never tell their secrets. A Tanuki often learns Spells instead of "normal"
shticks, and is fascinated by any sort of magic.
Bonus Power: Tanuki characters have a very dangerous power. The Tanuki may "bind a spirit" into any plant or
inanimate object. This works as the "Animate" powers in Supertoon (p. TTG160), but the animated object is totally
out of the Tanuki's control! (Roll a die: On a 1-2, the "spirit" of the plant or item is friendly toward the Tanuki. On a
5-6 it is totally malignant. Otherwise, the spirit will pay no attention to the werewolf, and may just get up and go for a
brisk walk.) To use this power, the Tanuki must touch any plant or inanimate object smaller than a car and make a
Shtick roll.
Children of Concrete
Quote: "Come on! We're gonna play 'fetch the cop!'"
Appearance: Wolf with matted, scruffy fur, somewhere between a hunter in darkness and a junkyard mongrel. The
Children wear trendy clothes and are addicted to electronic toys and digital watches.
Philosophy: "Embrace the City." The Children of Concrete lived in the cities when cities first crawled out of the sea.
They feel that the city is an ideal environment for every creature's physical and spiritual growth, and rally behind the
cry of "Progress" as if it were the true purpose of existence. If it ain't digital, electric or made of cinder blocks, it
probably isn't worth keeping (except in an appropriate theme museum!)
Bonus Power: The Children of Concrete may use Stunt Driving (p. TTG32). The Children claim that they are in touch
with the Urban Spirits when they use this power. In truth, they all share a really good driving instructor.
What do they want? What are the werewolves' goals? First and foremost, they fight against the Blot, forever questing
to save the Tooniverse from its black tendrils. Secondly, each Pack wages a continual war with the vampires. Neither
group is quite sure why the vampires and werewolves battle, but their war occupies a large chunk of time. The
werewolves' last great passion is to fight each other. The Tanuki wage a holy war with the Furries, and the Children of
Concrete are invariably at odds with the Grass Walkers. The rest of creation is content to sit and watch the fun --
whichever side wins, at least the other teams won't be around!
Wizards and Magic
"Sufficiently advanced magic is indistinguishable from a biology lab with a 700-foot blast radius."
-- Macphearson's Guidebook to the Hermetic Paths
The more or less complete rules for Magic and spells can be found in the Dungeons and Toons universe (p.TTG77,
92). However . . .
It's a mean world out there. Unless a wizard is completely alone, there's a fair chance that something nasty will happen
whenever she casts a spell. If her spell roll was an 11 or 12, use the Random Trap Table (TOON, p. 201) or favorite
Random Disaster chart to figure out exactly what kind of spectacular failure occurs. If she tries to cast a spell around a
Mundane, there's a fifty-fifty chance the spell won't work at all, and the wizard will get a random disaster instead of
the spell she was trying to cast!
World of Gloominess wizards come in all sorts of clothes. Wise men, old priests, alchemists and even hackers could be
spell-casters! It's still magic, no matter what the packaging looks like.
Stuff
Any Boy Scout can be prepared. It's much more important to be stylish . . .
Guns, Flamethrowers, Hand Grenades, Instruments of Ranged Destruction
Guns are very stylish, but not particularly useful against werewolves and vampires. Hand grenades and flamethrowers
can actually hurt the creatures of the night, but don't look good with tight jeans.
Longbows, Crossbows, Arrows, Archaic Instruments of Ranged Destruction
Extremely stylish, but inconvenient. The Grass Walkers in particular love bows and arrows, while any vampire who
has survived the Middle Ages will be a fair hand at archery. The Tanuki often turn up with magic bows . . .
Big Knives, Big Swords, Instruments of Up Close and Personal Destruction
Knives and swords look good. The average werewolf can heft two longswords like pocketknives, most vampires are
pretty quick with a rapier, and even wizards will admit that it's good to have a dagger around when that Guacamoleball
fizzles.
Silver
After hydrogen, silver is the most common element on the planet. It would have to be, to explain all the silver knives,
swords and sledgehammers the werewolves keep around as "collector's items." Compared to the amount of silver the
Furries alone have in stock, all four vampire families combined couldn't open a small jewelry store. Silver is stylish,
but tarnishes.
Places to Go
Any point of destination in the World of Gloominess is pretty much dangerous as the next one. Have a nice day.
The Woods
The theoretical home of the werewolves, though they appear with alarming frequency in back allies and night clubs.
The darkest forests are also great places to meet Marmoseta and certain hermit-type wizards.
Be careful! The deep, deep forest is really important to werewolves. If they didn't get around to it before, they'll
certainly maim somebody who trespasses on their turf!
Urban Sprawls
A favorite hunting ground for vampires, because nobody notices what goes on in the Urban Sprawls -- somehow, that
Mundane ability to Ignore the Blindingly Obvious kicks in when they go near the lowest-rent districts. Also a favorite
stomping ground for the Children of Concrete. The sewers and water ducts are the exclusive province of the Icky
Sewer Dwellers.
Night Clubs
The epitome of coolness, a good night club has a magnetic attraction for the Bourgeois and Daft Blokes. The noisier
leather and metal clubs attract a double handful of Black Furries. Despite the almost deafening clamor, the city's most
popular night club is the meeting place for supernaturals of every stripe.
Things to Do
The Velvet Shower Curtain
Remember, kids, don't mess with wizards. One minute, a raiding party of werewolves and a clique of Daft Blokes on a
lark were trying to hide from a sorcerer who just happened to walk into the bathroom at exactly the wrong moment,
the next . . . well, where exactly is here? Now vampires and werewolves must work together to get out of this strange,
horrible world where everything is warped and twisted.
Okay, Animators, this is the perfect opportunity to run your Toony Tyke and Way-Out West crossovers. Star Toon is
probably not a good idea.
Rage over Boise
Some truly demented, Blot-serving vampire with a penchant for magic is working an evil spell over the innocent
potatoes of Boise, Idaho. The dark spuds are attacking in droves, monstrous and fell tubers with huge, glowing eyes.
The time for action is now -- before the yam crop succumbs!
The Blue Tartan Dancers
A new Pack has turned up, threatening to upset the balance of bloodshed. The Tanuki hate the Furries, and the Walkers
abhor the Children -- but who will fight the Blue Tartan Dancers? These bagpipe-wielding werewolves will be the end
of incivility as we know it!
The Lost Supper
It's embarrassing, but it happens. Some vampire gets distracted at a delicate moment, and their dinner makes a break
for freedom. This one was a reporter, though -- not for a Tabloid, but a journalist from the Metropolitan News! We
may need to hire a wizard for this one -- that whistle-blower sure can hide . . .
The Errata of Madness
Where does information go when you press the delete key? Mugwump the Half-blind, professional research wizard,
has compiled the world's expurgated and lost data into his notebook, the Liber XX. The vampiric Secret Masters or the
werewolves' Elders have found out about this reference work to end all reference works, and of course they're going to
send their most disposable stooges -- ah, mightiest warriors -- to find the codex. Nobody told them that the book was
the size of three elephants . . .
Sammy was Here
How were we supposed to know he was a werewolf?
The Bourgeois are all apologies about this one, if only to keep the situation from becoming totally explosive. Sammy
Mud-on-his-Jeans, Child of Concrete, was mistaken for just another teenager, and Henrietta Henrietta of the Daft
Blokes took him home with her. Now, he's an insane vampire -- who can turn into a big, hulking monster! And if that
wasn't bad enough, there's a witch over here who swears Sammy was her apprentice. We're going to have to move
quickly before he blows everybody's cover!
Project Daylight
Here's an odd one; it's time to play the Mundanes. Can you go through a simple day when you can't even see half your
customers, and your son really needs a shave and won't tell you where he goes every night? Try playing an intrepid
government agent, working to undermine an ancient conspiracy of tax evasion. Here's a chance to get into some
serious trouble.
Characters
Bernie Du'Rottwieler
Bernie is a white shaggy dog with sharp fangs. He wears an elegant

black suit with a long cape. Bernie speaks with a Russian accent and
never gets anyone's name right -- he's over 800 years old, after all. He
carries Tabasco sauce, sunblock and Vampire Hunter-B-Gone in a
spray can.
Beliefs and Goals: Survive. Set an example for the other vampires --
you're the first, after all. Make dramatic entrances, dramatic exits, and
avoid wooden stakes like the plague.
World of Obsessive Gloominess
Hit Points: 15 Speed: 8
Muscle: 5
Break Down Door: 6
Climb: 5
Fight: 8
Throw: 7
Zip: 6
Dodge: 8
Drive Vehicle: 3
Fire Gun: 8
Jump: 8
Run: 8
Swim: 3
Smarts: 8
Hide/Spot Hidden: 8 (10 for Dramatic Entrances)
Read: 8
Resist Fast-Talk: 8
See/Hear/Smell: 10
Set/Disarm Trap: 8
Chutzpah: 6
Fast-Talk: 6
Sleight of Hand: 6
Sneak: 8
Shticks:
Vampirism (Bourgeois): 10!
Teleport: 7
Myra Wags-Her-Tail-Alot
Myra Wags-Her-Tail-Alot is usually a pretty young lady who wears tacky pink flamingo jewelry and puppy-dog
sweaters. Occasionally, she's a really nasty Grass Walker, who still wears flamingos. She's cheerful and has a kind
thought in her head, even when snarling. Myra carries breath spray, herbal tea and flowers in her Back Pockets.
Beliefs and Goals: Cheerfulness wins hearts. We werewolves aren't monsters -- just misunderstood. Always apologize
after ripping someone's throat out. Always tell people the wrongs of littering and pollution, and if they don't listen,
well . . . hopefully they'll listen next lifetime.
Hit Points: 8 Speed: 5
Muscle: 4
Break Down Door: 4
Climb: 6
Fight: 6
Throw: 7
Zip: 3
Dodge: 4
Drive Vehicle: 2
Fire Gun: 2
Jump: 5
Run: 8
Swim: 6
Smarts: 2
Hide/Spot Hidden: 7
Read: 2
Resist Fast-Talk: 4
See/Hear/Smell: 9
Set/Disarm Trap: 2
Chutzpah: 3
Fast-Talk: 3
Sleight of Hand: 3
Sneak: 6
Shticks:
Lycanthropy (Grass Walkers): 6
Shape Change Others to Wolves: 5
Come Up with Cheerful Aphorism: 12
Three Ways To Skin A Cat
by Steve Jackson
Art by andi jones

Editor's Note: An earlier version of this article appeared in GDW's Journeys magazine, Issue #1, September, 1992.
As the designer of a multigenre game system, I've given a lot of thought to the theory behind such games. Not just
"What can I add to GURPS?" or even "If we did a Fourth Edition, what would be different?" -- but "If I were starting
over entirely, what might I do differently?"
Now, I admit to bias. But even if GURPS is the True Way, I know there are other True Ways out there too. I see three
valid approaches to a multigenre game system . . . that is, three distinct philosophies for writing basic rules and
supplements. Each one calls for a different presentation and marketing of the system, as well. If they look alike when
they're done . . . well, a shark looks like a dolphin, and they both look like a submarine, but the insides are different.
Common Elements
Any multigenre game system should, by definition, be able to cover a wide variety of backgrounds. Not necessarily
any background -- though that's a worthy goal. The basic idea is to let players (and sometimes more importantly,
Game Masters) learn a single set of rules which they can then apply to any campaign they want to play.
From the player's and GM's point of view, this means they can spend more time gaming, and less time learning to
game. They can also get more for their money; they don't have to buy the basic rules over and over! From the writer's
and publisher's point of view, a multigenre system means they can spend more time writing neat stuff, and less time
reinventing the wheel by creating new rule systems to do the same thing.
Universal Multigenre
The first type of system is the basic multigenre one. My own GURPS is an example here. The rules are designed to
cover all contingencies, from sticks and stones to laser guns and magic.
No particular allowance is made for crossing genres . . . if the system works properly, genre-crossing is supported
automatically. To the extent that the system is not completely integrated, rough edges will be found when a character
switches genres. In GURPS, most of these rough edges are seen in problems with point values for special skills and
abilities. Some of this is unavoidable, and can be rationalized with mechanisms like the Unusual Background cost in
Supers. Other problems can arise from insufficient playtesting when new rules are added -- especially insufficient
cross-genre playtesting. When problems are discovered, the designers must decide whether to revise the system
seriously, paper over the problem, or just ignore it and accept an inconsistency . . . and that decision would make a
whole separate article.
The advantage of a universal system is that, once the players know the basic rules, they can do anything. The game
mechanics, if they're well-written, recede into the background. A related advantage is that any number of supplements
and sourcebooks can be presented . . . between history and fiction, you'll never run out of genres. We've published
over 150 GURPS worldbooks to date, and we're still rolling. Better yet, with a good universal system, players can do
anything they want without a sourcebook.
The disadvantage of a universal system is that it has to cover all contingencies. Otherwise, it's not universal! This
means that there will either be a lot of rules (as in GURPS) or the rules will be incredibly simplified (as in TWERPS,
The World's Easiest Roleplaying System, which does it all in a very few pages and one character stat).
And sometimes that dooms a system, as it did my own miniatures project, the ill-fated Hot Lead. It was intended to be
a multigenre system, and it did take the "universal" approach. If Hot Lead had worked the way I wanted it to, it would
have supported skirmish-scale miniatures combat -- that is, one figure equals one fighter -- for any period from Stone
Age to space fantasy.
The problem came from that basic vulnerability of universal systems . . . the huge number of possible combinations of
abilities, and their interactions. For instance: A hundred Space Knights were worth a lot more points than an army of
Zulus -- but then, they should be! The question was: can a thousand points of Space Knights have a fair battle against
a thousand points of Zulus? If not, the points don't mean much. But arguably, no number of spear-wielding tribesmen
should be able to bring down a man in a battlesuit, even if he doesn't bother to roast them all with his Holy Flame-O-
Matic. And if a battlesuit is fully invulnerable to spears, then, relative to a battlesuit, the point value of a Zulu is 0. But
a battlesuit would not be invulnerable to, say, enough Rangers with modern automatic weapons. Yet those same
Rangers, if outnumbered enough by Zulus, would be in trouble. Interesting problem, no? Yes.
This was one reason, though not the only one, why I eventually put Hot Lead on the shelf. I don't think the problem
was insoluble, but it was insoluble in the time that I had. When you try to create a truly universal game, you're biting
off a lot.
Cross-Genre Three Ways To Skin A Cat
A cross-genre system, by contrast, is designed specifically to support

transfer of characters between specified different backgrounds, or
combinations of different backgrounds to create unique game worlds.
A perfect example was West End's Torg (not to be confused with the
hero of Sluggy Freelance), in which characters spend their time
traveling between the different "cosms." (Come to think of it, the
Torg in Sluggy tends to get lost in alternate dimensions a lot.
Coincidence? Gotta be.)
For a cross-genre system to work, the overall story behind it has to

be interesting. Ideally, the story should enable different types of
roleplaying, rather than tie the players down. I see this as a weakness
in Torg. The background story is interesting, but players who don't
want to become Storm Knights, bravely battling invaders, have few
other options. Nevertheless, the Torg background is interesting and
contains a lot of detail, so players who like the basic idea can keep
busy hopping from cosm to cosm.
The cross-genre system has some of the same advantages that the basic multigenre system does. Players can learn one
rules set and stick with it. If the background is well-chosen, there will be plenty of room for supplements . . . and
players like supplements. Likewise, with the right background, GMs can fit their own scenarios into it. Although Torg
doesn't have an official "French Revolution" cosm, one could exist somewhere, and a GM could easily write it up for a
swashbuckling adventure!
Modular Multigenre
This is the term I use to designate games like Champions and Dangerous Journeys Such a game starts with a core
rules system. Each supported genre adds other rules specialized to fit that genre. This may be a deliberate design
decision, as it was for DJ. It may also arise when a very successful single-genre system is expanded past its original
intent; this is what happened with Champions.
These genre-specific rules are not necessarily mutually compatible, though they all build from the same base. Thus, a
character created for one genre would not necessarily be transportable to a campaign set in another genre . . . at least,
not without some changes. And players would have to learn some new rules for each new background. Now, any
system will have to add new rules whenever a new background is introduced. But in a universal system, the rules are
all -- theoretically -- compatible. In a modular system, they may not be.
Some players will dislike this; others won't. After all, a new background is supposed to present new situations and
challenges. Fully compatible rules are easier to learn . . . but in the process of making rules fully compatible, some
flavor is often lost. This is the strength of single-genre systems, and modular systems can borrow some of that
strength. What would Toon be without Falling Down, or Call of Cthulhu without Sanity Checks? What would
Paranoia be without treason points? (Why do you ask, citizen?) But none of those systems would make any sense in -
- for instance -- a generic fantasy game. And building them into a universal multigenre system would be excess
baggage. Therefore, the advantage of a modular system is that it can introduce customized rules to capture the flavor
of each specific background. This helps in writing and marketing, as well; a system can be released without checking
every possible rules interaction, which can save literally years of playtesting!
Now, learning a few new rules is no great hardship . . . but players must also forget some of the old rules, which can
be confusing and annoying. Additionally, characters may not be freely transportable between campaigns. But it can
work. (It can work for boardgames too. SPI's classic Strategy I was a modular multigenre wargame, with a core rules
set and different add-ons for different periods, and it worked.)
So What's Best?
There is no "best." It depends on the campaign, and the play style of the GM. With a good GM, the players hardly
need to know the rules anyway. After long thought, I still have a personal preference for the universal type of design.
Not that I think it's necessarily "better" . . . as much as anything, it just seems to be a question of personal style. But,
for those who play RPGs as well as those who design them, it's always worthwhile to think about the different ways
that game systems can achieve the same goals . . . and to ask how we can do it better.
Legacy of the Ming
A Feng Shui Adventure

by Chris Pramas
Art by ArtToday
Editor's Note: This article originally ran in Valkyrie issue #17.
The Premise: The PCs find a map in 1850 China that leads to hidden Ming Dynasty treasure.
The Twist: The real map has been replaced by a forgery that leads the PCs and members of the Guiding Hand into an
Ascended trap.
The Climax: The PCs and the Hand clash in the ruins of an ancient pagoda. Then a Manchu army shows up . . .
Backstory
The Manchus invaded China in 1644, and by 1681 had succeeded in completely deposing the Ming Dynasty. Even after
the Manchus were ensconced in power, rebellious groups continued to spring up, many set on reviving the Ming
Dynasty and ousting the foreign Manchus. For the next two centuries, rumors of hidden Ming treasure ran rampant,
but the truth of this rumor always seemed in doubt. Until now.
In China in 1850 a notorious pirate named Big Cannon Kung acquired a map purporting to show the location of
hidden Ming treasure. Unfortunately for Big Cannon, he has a rather large mouth and word spread all over the docks
of Shanghai. Agents of the Prof picked up the rumor, as did members of the Guiding Hand and the Ascended. All
three factions are keen to acquire the treasure, if it really does exist.
The Ascended Plot

The local leadership of the Jade Wheel Society realized that Big Cannon Kung had handed them a golden opportunity
to root out some of their enemies. Rather than simply killing Kung and taking the map, they came up with an
altogether more sinister plan. They had a forgery of the map made and used one of their agents to steal the real map
and plant the fake one aboard Big Cannon's ship. The fake map leads to the ruins of the Pagoda of Six Harmonies in
Hangchow and a large Manchu force awaits there to ambush any Secret Warriors who show up. If all goes to plan, the
Ascended will not only get the treasure, but also eliminate members of the Guiding Hand and/or the Dragons.
Involving the PCs

The easiest way to get the PCs involved is through the Prof. This assumes, of
course, that the PCs have joined the Dragon cause and are working, at least
Legacy of the Ming
occasionally, with the Prof or Kar Fai. If that is the case, the setup is easy
enough. The Prof sends word to the PCs to meet her at the Junkyard ASAP.
When they arrive she gets right to the point.
"Our agents in Shanghai in 1850 have picked up an interesting rumor," she

begins. "Supposedly, the pirate captain Big Cannon Kung has recently acquired
an old map said to lead to hidden treasure of the Ming Dynasty. I don't need to
tell you how much it would help us to get our hands on that treasure. The
money we could generate is potentially staggering. So, I want you to go to
Shanghai, find this Big Cannon Kung, and get the map from him. Follow it if
you can and secure the treasure.
"You should go as soon as possible. And remember, if our agents heard about
it, you can bet that the Jade Wheel Society has heard about it too. Watch your
ass out there."
If the PCs are not involved with the Dragons, then lure them to Canton with a red herring. While they are
investigating, the PCs hear the rumor about Big Cannon Kung and his map. When they realize that their original
mission is pointless, they may decide to follow up on the rumor. Even heroes need money sometimes, right?
The Docks of Shanghai

The Prof gives the PCs directions to a nearby portal that leads to Shanghai in 1850. They emerge into a dark and
narrow alley in the Chinese section of town (sections of the city are controlled by the British and other Europeans in
the wake of the Opium War). The streets here are a maze, and the PCs best bet is to hire a local to guide them to the
docks on the Huangpu River. PCs from the contemporary juncture who make no attempt to disguise themselves are
bound to attract attention. Feel free to sic some constables on those who insist on sticking out in the crowd.
Once at the docks, it is easy enough to find Kung's ship. As mention previously, Big Cannon Kung has a big mouth
and everyone knows where to find him. The PCs locate his ship as the sun goes down. Unbeknownst to them, a Jade
Wheel agent has just switched the maps on Kung's junk.
The ship is a two mast junk with a high stern and Big Cannon's namesake in the prow. When the PCs arrive, only
eight members of the crew are aboard. Big Cannon and his girlfriend "Little Dove" have just returned from carousing
and are relaxing in his cabin. The PCs have a couple of options at this point. They can simply storm the ship with guns
blazing, or they could try the sneaky approach. Since Kung is in his cabin and the map is with him, the sneaky
approach will only take them so far. Also note that Little Dove has Hair-Trigger Neck Hairs. Eventually, it's going to
turn into a big ole fight on the junk.
Big Cannon and Little Dove
Big Cannon is a notorious pirate, but since he bribes the right people he can dock in Shanghai. He is not the savviest
of men, but he more than makes for that with his casual brutality. Due to his successes on the high seas, he has an
unshakable faith in his own prowess. If the PCs whoop his ass, he should either go down fighting or jump into the river
and escape to plot his revenge.
Little Dove is Big Cannon's girlfriend and partner in crime. She acts as his second in command on the ship and her
shooting skills have saved the crew on more than one occasion. She also has smarts and tries to temper Big Cannon's
worst excesses. It is only because of her that they have steered clear of British ships, which has no doubt saved them
from the fate of many other local pirates. Little Dove also knows when to retreat and will do so if the situation onboard
becomes untenable.
Big Cannon Kung
Sample Dialogue: "I will feed your entrails to the sharks!"

Attributes: Bod 7, Chi 0 (Fu 2), Mnd 5 (Cha 7), Ref 6
Skills: Drive/ Junks 13, Guns 12, Info/Pirate Gangs 13, Intimidation 12, Leadership 13, Martial Arts 14
Unique Schtick: Big Cannon suffers no penalties for fighting aboard ships, no matter what the conditions.
Schticks: [Fu Powers]: Prodigious Leap
Weapons: fist (8), kick (9), sword (11), black powder pistol ( 7/3/1)
Little Dove
Sample Dialogue: "Don't let my name deceive you!"

Attributes: Bod 5, Chi 0 (For 2), Mnd 6, Ref 7
Skills: Deceit 14, Guns 14, Info/Shanghai 12, Martial Arts 12
Schticks: [Gun Powers]: Fast Draw (x2), Hair-Trigger Neck Hairs, Signature Weapon (Pepper-Box Pistol with gold-
inlaid lion designs)
Weapons: fist (6), kick (7), knife (7), Pepper-Box Pistol ( 10/3/6)
Pirates
Sample Dialogue: "Kill the dogs!"

Attributes: Bod 5, Chi 0, Mnd 5, Ref 6
Skills: Drive/Junk 10, Martial Arts 8
Weapons: fist (6), kick (7), sword (9)
Cool Things That Could Happen
1) The big cannon is in the prow and it is loaded. Anyone can fire it with an AV equal to their Ref. Characters with
Guns can use that instead, at a -1 penalty. Its damage is 18.
2) There are plenty of ropes for swinging and swashbuckling. They can also be used to string people up.
3) Fighting on the masts is always entertaining. It also allows people to use the sails for cover and transport.
4) Flying kung fu moves are bound to knock people overboard. Fighting in the water can also be fun.
5) For added mayhem, a group of constables could show up in mid-fight.
Aftermath
Once Big Cannon and his crew have been dealt with, the PCs can raid his cabin. Here they find a chest with a some
silver coins, some objects d'art, and a tube with the map. The value of all this is up to the GM. For our purposes only
the map is important.
The map indicates that the treasure is in the "capital of the Southern Sung." An Int or appropriate Info roll of 8+
reveals that this is the city of Hangchow in the Chekiang Province. The map itself shows the ruins of a large pagoda,
identified as the Pagoda of Six Harmonies. Characters from the contemporary juncture might be familiar with the
Pagoda, since it is a major tourist attraction in Hangchow, but the modern version was only rebuilt in 1899.
The PCs now need to get to Hangchow. It's about 135 miles from Shanghai and it will take the PCs between three to
five days to get there depending on how they travel. If any of them can sail, they could simply commandeer Big
Cannon's junk (assuming it's still afloat). Otherwise, they'll have to purchase horses or walk. What the PCs do not
know is that three agents of the Guiding Hand watched the fight on the junk and will follow them however they travel.
Road and sea traffic is busy enough that a few monks traveling in the same direction should not arouse suspicion.
The journey itself is uneventful, at least in relation to this story. If you have continuing plot threads playing out in your
campaign, this would be a good time to work something in. It's never a bad time to have an old nemesis show up,
especially when the PCs are on an important mission.
The Pagoda of Six Harmonies

The pagoda was originally built in 970 AD and soared to a height of 500 feet. Sadly, a foreign army burned it down in
1121 and it has been in ruins ever since. Now only the interior walls of brick are standing, and then only to 75 feet.
Sections of the second floor are still standing, though there is no way up there except climbing or leaping. The rest of
the bricks have fallen around the pagoda, or been carried off by local builders. The ruins are on a heavily wooded hill
that overlooks the beautiful Quintang River and are about five miles from the city proper.
According to the map, there is a hidden trapdoor under a pile of masonry along the Northeast wall of the pagoda,
which is octagonal in shape. The map also details three traps which guard the secret basement and shows how to
disarm them. These traps include a hidden pit, moving walls that crush would-be robbers, and spring-loaded swords
that come up from the floor.
Shaolin Surprise
The agents of the Guiding Hand make their move soon after the PCs arrive at the Pagoda of Six Harmonies. The forest
makes it easy for them to evade detection until they leap out of the trees and attack.
The group is lead by a young Shaolin Master named Li Chung So. He is acting on orders from Quan Lo himself. Due
to his youth and desire to prove himself, Li has a tendency to act recklessly. He is accompanied by Bolo Hung, a
hulking student of the Resistance Principle, and Yen Su, a crack archer.
On their arrival in Hangchow, Li sent Yen Su to find the local cell of the Golden Candle Society. He did so
successfully and the cell members went out to recruit some local help in the form of the Young Cows, a secret society
that resists local tax collectors and bureaucrats. The Young Cow Society will become important shortly.
Li Chung So
Sample Dialogue: "This treasure belongs to China!"

Attributes: Bod 6, Chi 6 (For 3), Mnd 5 (Cha 6), Ref 7
Skills: Info/Neo-Confucianism 15, Leadership 12, Medicine 12, Martial Arts 15
Schticks: [Fu Powers]: Armored in Life, Clothed in Life, Dim Mak, Hands Without Shadow, Lightning Fist, Natural
Order, Walk of a Thousand Steps, Willow Step
Weapons: fist (7), kick (8), staff (9)
Bolo Hung
Sample Dialogue: "Your guns are useless against me."

Attributes: Bod 9 (Tgh 12), Chi 2 (Fu 6), Mnd 5, Ref 6
Skills: Info/Neo-Confucianism 13, Medicine 13, Martial Arts 13
Unique Schtick: Immobility of the Turtle (see Back for Seconds, p. 35)
Schticks: [Fu Powers]: Backlash of the Turtle, Bite of the Dragon, Creative Thunder, Mirror of the Turtle, Natural
Order
Weapons: fist (10), kick (11), iron shod club (12)
Yen Su
Sample Dialogue: "I will send you to hell!"

Attributes: Bod 6, Chi 4 (Fu 7), Mnd 5, Ref 8
Skills: Deceit 10, Guns 14, Info/Neo-Confucianism 14, Leadership 11, Medicine 11, Martial Arts 12
Unique Schtick: Like many Guiding Hand archers, Yen So has learned how to project his chi energy through his
arrows. He can use the following fu schticks with his bow, using Guns instead of Martial Arts for all relevant checks.
Chi is paid as normal. Permitted fu powers include: Bite of the Dragon, Breath of the Dragon, Dark's Soft Whisper,
Fire Strike.
Schticks: [Fu Powers]: Bite of the Dragon, Breath of the Dragon, Dark's Soft Whisper, Fire Strike, Friend of
Darkness, the Fox's Retreat, Prodigious Leap [Gun Powers]: Fast Draw, Signature Weapon (bow), Versatile Ammo
Weapons: fist (7), kick (8), bow (10/5/1)
Pagoda Stand-Off
Soon after the PCs arrive, Li Chung So leads his men to the attack. This should happen before the PCs finish clearing
away the masonry above the supposed trapdoor. Li and Bolo jump into the pagoda, while Yen Su prodigious leaps on
top of one of the crumbling walls. Li Chung So says, "You have no right to this treasure. It belongs to the true
Chinese, not a gaggle of ne'er- do-wells from the future. Hand over the map and we will show you mercy."
The PCs will no doubt have a different view. Li Chung So will not back down and a fight is sure to ensue. Let this
fight go on for one or two sequences. The idea here is to show the Guiding Hand monks are tough, skillful, and
honorable opponents, but not to cause too much damage to either side. The PCs will need their strength soon enough,
so try to ensure that they don't get beat on too badly in this fight.
A Bigger Problem
Once the Guiding Hand monks are inside and the fighting starts, the Ascended are ready to spring their trap. Lin Baio,
a Transformed Fox and the Lodge mastermind behind this plan, is hidden in the forest with a small army. Once he gets
the signal from his scouts, the army surrounds the pagoda. The PCs, who are most likely busy fighting the Guiding
Hand, will probably not realize what is going on until the noose is firmly around their necks.
When the army has taken its positions, Lin Baio signals his drummers to announce their presence. The rolling beats of
a half dozen kettle drums are the first sign that something else is going on here. When they hear this, the Guiding Hand
monks will back away from the PCs and try to see what's going on outside. Wise PCs will do the same.
Outside are about 100 soldiers, a mix of infantry and cavalry. Matchlockmen, swordsmen, Manchu cavalry, and
Mongol horse archers are all in view. Riding in front of the cavalry is a Manchu man in general's armor. He addresses
the occupants of the pagoda.
"Enemies of the Qing Dynasty, the Emperor demands your surrender. Come out peacefully or be destroyed!"
Li Chung So says, "That's Lin Baio out there." If asked just who Lin Baio is, Li confirms the PCs worst suspicions by
answering, "A high ranking member of the Jade Wheel Society."
Comrades in Arms?
The PCs now have some important decisions to make. With the odds against them and the Ascended after everyone in
the pagoda, some kind of alliance with the Guiding Hand is the best option. Li Chung So is impetuous, but he's no
fool. He will agree to an alliance, but insist on an even split of the treasure if they are successful. The PCs may now
doubt that such a treasure really exists, but Li Chung So is clinging to his hopes.
At this point, give the PCs some time to discuss tactics. Trying to break out is certainly an option, but would mean
leaving the pagoda behind and never finding out if there is treasure or not. If asked, Li Chung So suggests fighting in
areas where only a few opponents can get at them. If not asked, he and Bolo simply pick a doorway to defend and wait
for the attack. Yen leaps up to the ruins of the second floor and readies his arrows.
PC Advantages
Things may look grim for the PCs but they do have certain advantages. Namely:
1) Morale: Most of the opposing army has extremely poor morale. Only the cavalry has any esprit de corps. If faced
with blatant shows of powerful magic or strange technology, the infantry may well flee. The Difficulty of Intimidation
checks versus the infantry is only 3.
2) Position: The PCs and their allies have the advantage of position. The ruins of the pagoda ensure that the full
numbers of the Manchus cannot be brought to bear at once.
3) Allies: As the PCs should know, the Guiding Hand monks are no slouches. Each is a Shaolin Master and can kick
some serious ass. As a bonus, they really hate the Manchus.
4) Sorcery: Lin Baio did not investigate his ambush site very thoroughly and chose it mainly due to the availability of
a local garrison. The ruins of the pagoda predate the rise of the Ascended and retain a bit of their former magic. The
Sorcery Juncture Modifier here is 0, similar to Hong Kong in the modern juncture.
The Name Custer Springs to Mind . . .
This is an enormous battle by Feng Shui standards and requires special handling to ensure that it is dramatic and fun
for the players. For sake of ease, it is broken up into three phases: the infantry attack, the cavalry attack, and the
Young Cow counter-attack. You never can tell just what your players will do, so be ready to improvise if they get
wacky. And don't feel you need to stick too closely to the script if a dramatic opportunity presents itself. The idea here
is simulate an epic battle, not to bore your players with hours and hours of dice rolling.
Special care should be taken with the Guiding Hand monks. They should not upstage the PCs under any circumstances.
It's best to describe their actions in general, but not to actual roll dice for them. Tell the players how Yen Su is pouring
arrows into the oncoming soldiers and how Li Chung So is fighting off six men with his twirling staff. You can also set
up situations where one of the monks is about to be overwhelmed and let one of the PCs bail him out. If one of the
PCs is really in trouble, you can also have Bolo or Li show up to help out before leaping back into the fray elsewhere.
Cool Things That Could Happen
1) The remaining walls of the pagoda are old and shaky. Knocking over these walls onto attacking troops is an
excellent way to kill multiple mooks at once. The top most parts of the walls, on the ruins of the second floor, are the
easiest to push over. When rocks fall on your head, there isn't much you can do about it, so PCs who chose this method
of attack can take out one mook for each three points of strength brought to bear on a section of tottering wall. Bolo
Hung can be of great help here. If this tactic is used versus a named character, treat it as a stunt and give the bricks a
damage of 15.
2) Ropes can be used to trip up charging horses.
3) The trees sheltering the Manchu missile troops can be set alight with sorcery or technology. While this isn't exactly
eco-friendly, it would drive the missile troops back and remove the danger of sniping, at least partially.
4) Flying kicks are great for dismounting riders. Riderless horses running amuck are also a must.
5) When the press gets really tight, PCs can cross the room quickly by running on top of their enemies' heads.
The Manchu Army
Lin Baio did the best he could under short notice. His own Manchu cavalry are crack troops, as are the Mongols, but
the infantry comes from the local garrison and they are poorly trained and led. Lin hopes that his numbers will prove
sufficient to complete his plan. The army consists of 55 swordsmen, 20 Matchlockmen, 10 Manchu Banner cavalry,
and 12 Mongol cavalry. Lin Baio leads the Manchu cavalry and Prince Berke the Mongol.
Lin Baio is a cunning man. He did not become a general just because he was a Lodge member. His clever strategies
have won more than one battle, and he has been equally successful in the field of politics. With so many troops, he
feels he has little to fear. Normally he wouldn't expose himself in such a way, but what are the odds that a small band
could resist his army?
Prince Berke is a loyal soldier, and has a very personal code of honor. He is not Pledged, he is just a soldier doing his
job. He curbs the brutality of his men, and PCs may find him an opponent worthy of respect.
Lin Baio
Sample Dialogue: "I will crush you like insects."

Attributes: Bod 5 (Str 6), Chi 6 (For 9), Mnd 8, Ref 7
Skills: Deceit 15, Driving/horse 12, Gambling 13, Info/Secret War 13, Leadership 12, Martial Arts 14
Schticks: [Fu Powers]: The Fox's Retreat, Prodigious Leap [Transformed Animal Powers]: Borrow, Embezzle,
Mockery, Swindle (fu and creature powers)
Weapons: fist (7), kick (8), sword (10)
Manchu Banner Cavalry
Sample Dialogue: "Death to the rebels!"

Skills: Drive/horse 9, Intimidation 8, Martial Arts 8
Weapons: spear (9), sword (10)
Prince Berke
Sample Dialogue: "My honor is my life."

Skills: Drive/horse 15, Guns 14, Martial Arts 13
Unique Schtick: Prince Berke was born in the saddle. He suffers no penalties when attempting stunts related to
horsemanship.
Schticks: [Gun Powers]: Both Guns Blazing, Fast Draw, Signature Weapon (bow), Versatile Ammo
Weapons: bow (10/5/1), fist (8), sword (11)
Mongol Cavalry
Sample Dialogue: "For Prince Berke!"

Skills: Drive/horse 10, Guns 9, Martial Arts 7
Weapons: bow (7/5/1), sword (9)
Swordsmen
Sample Dialogue: "Attack!"

Skills: Martial Arts 6
Weapons: sword (10)
Matchlockmen
Sample Dialogue: "Steady, steady . . . fire."

Skills: Guns 8, Martial Arts 6
Weapons: Chinese matchlock musket (7/5/1, and takes 6 shots to reload), sword (10)
The Infantry Attack
Once the PCs have defied Lin Baio, the Manchu commander yells, "So be it. Prepare to be destroyed!" With that, he
points at the pagoda and shouts, "Attack!"
The swordsmen leap to the attack, while the matchlockmen snipe at any available targets. It takes them one sequence
to reach the pagoda, and they present easy targets to PCs with missile weapons or sorcery. The cavalry stay in reserve.
Lin Baio is planning on using them for a crushing blow once the infantry has worn down the defenders.
This combat should be run for two sequences (one for approach and one for assault), or three if your players are really
enjoying themselves. The only advantage the mooks have is numbers, so your PCs should be able to rip into them.
Even mooks land a couple of lucky blows, however, so feel free to slap your players if they get too cocky. After two
sequences, chances are the PCs and their allies will have taken down a large number of the attackers, likely with
sorcery and modern weapons. At this point, the attack falters and the mooks retreat in disorder, despite Lin Baio's
shouted orders to the contrary. PCs who follow them outside the pagoda will be the targets of missile fire.
Cavalry Attack
Once the retreating infantry have streamed by him, Lin Baio orders the cavalry to attack. The Mongols fan out in front,
firing their bows as they charge forward (they do this at no penalty because hey, they're Mongols). The Manchu
Bannermen lead by Lin Baio himself follow closely behind. Just before they hit the pagoda, the Mongols break off and
circle around the back, firing at available targets. Meanwhile, the Bannermen charge inside. Again, the approach to the
pagoda takes one sequence.
With Lin Baio and Prince Berke on the scene, things get serious. The Mongols will try to flank the PCs while they are
busy beating off the Bannermen and flood in from the rear. The whole pagoda will become a churning sea of horses
and men, screaming and dying amongst the casualties of the infantry attack. Play this combat out for at least once
sequence. At this point, the PCs hear dozens of voices shouting "attack." Those who spare a look outside see that the
swordsmen have reformed and they and the matchlockmen are advancing up the hill.
Young Cow Counter Attack
Let the sheer size of the army sink in at this point. Let a few shots go by as the infantry march up the hill. At this point,
cries of "Death to the Manchus" erupt from the woods. Charging out from the trees are masked peasants and
townspeople armed with spears and other makeshift weapons. Li Chung So jumps on to a wall and shouts, "Young
Cows, smite down the enemies of China!"
The rest of the fight is best described in cinematic terms. The Young Cows charge into the rear of the advancing
infantry, taking them by surprise. The already disheartened infantry fall before the roused peasantry and the Young
Cows stream into the pagoda. Lin Baio will curse the PCs and attempt to escape. The PCs can concentrate on taking
him down and it is in their best interest to do so. By the time the battle is finished, the pagoda is awash in blood and
the dead and dying are strewn everywhere. This war wasn't so secret.
Treasure? What Treasure?
Sooner or later, the minds of the PCs will turn to the treasure. It doesn't take long to figure out that the map they have
is a fake. Removing the masonry from the Northeast corner reveals only dirt. The Pagoda of Six Harmonies was
nothing but a death trap.
Those who search the body of Lin Baio, however, will find a tube tucked into his belt. Inside is the real map, lifted
from Big Cannon's junk days before. If the PCs are going to let Lin Baio escape, you might want to call for Perception
checks to notice the tube sticking out of his belt. Depending on how the PCs handle this, they can include the Guiding
Hand monks or not. It wouldn't be all that difficult to conceal the discovery from them, though honorable PCs might
object. If the discovery is made public, Li Chung So wants to leave immediately and follow the map. Details of this
uneasy alliance are up the PCs, though they may be feeling well-disposed towards the Guiding Hand after their heroic
stand together. If the PCs handled themselves well and treated the monks honorably, they will have friends amongst
the Guiding Hand.
Legacy of the Ming

The real map shows a hidden underground complex near the city of Amoy in the Fukien Province. Amoy was the
home base for Cheng Ch'eng-kung, known as Koxinga to Europeans, in the 17th century. Cheng was a Ming loyalist
who resisted the Manchus with his sizable fleet long after the rest of the country had been conquered. He eventually
drove the Dutch off Taiwan and established himself there, where his family ruled until 1683 when the Qing finally
conquered this last bit of free territory.
Even after hundreds of years, the map is easy enough to follow. The complex is built into a low hillock and the
entrance marked by a jagged boulder. Inside is a large complex, with dozens of interconnected rooms. And filling all
these rooms are thousands upon thousands of books, lying in precise order on floor to ceiling shelves. PCs may be
disappointed that there is no gold or even Ming vases. However, if they investigate their find they will realize they
have unearthed something far more valuable.
In 1403 the Emperor ordered the compilation of an encyclopedia of all knowledge. Over 2000 scholars worked on this
epic for five years and the result was known as the Yung-lo ta-tien. The finish product consisted of 11,095 volumes
and due to its sheer size only three copies were ever made. Two disappeared during the Manchu conquest and the third
will be almost entirely destroyed in a fire in 1900 during the Boxer Rebellion. What the PCs have found is one of the
two missing copies, long thought destroyed. It is a priceless cultural treasure, especially if the PCs can get it back to the
contemporary juncture.
How the PCs proceed from here is up to them. Hauling nearly 12,000 fragile books out of a country firmly in the
Ascended's grip will not be easy and should be an adventure in itself, as will finding buyers for the collection who will
not screw the PCs over. Another option is to go to the contemporary juncture and try to excavate the complex there. Of
course, then they'd have to deal with the Communist government of China, but it's a possibility. And naturally, the
Guiding Hand would love to get their hands on this product of Chinese genius, so they are not to be discounted. By the
time they are through, the PCs may wish they never found the lost treasure of the Ming Dynasty.
Further Adventures
1) Li Chung So finds the PCs and says he's quit the Guiding Hand and wants to join the Dragons. Is he sincere or is
this a ruse?
2) Prince Berke feels dishonored by his defeat. He concocts a scheme to take vengeance on the PCs.
3) The encyclopedia is the sum knowledge of the Ming. It could contain clues that lead to many adventures. PCs could
find out about feng shui sites, forbidden magics, or further hidden sites.
4) If the PCs hoodwinked the Guiding Hand, they would be most displeased if the truth came to light. For more info
on the Guiding Hand, see Blood of the Valiant, a sourcebook on the Hand by Ronin Publishing.
Machine Magic
by Brian Reeves
Art by Keith Johnson
Introduction
Allow me to introduce myself. My name is Arcadius Maximus, Professor Emeritus at the University for Advanced
Machinist Study, in Grefton City. The subject of my lecture tonight will be the often misunderstood and maligned
practice of Machine Magic, which, as some of you may know, has rapidly grown and added new believers over the last
few years, thanks in part to the completion of the giant perpetual clock in the courtyard of our college. I don't know if
any of you have had an opportunity to visit the college over in Grefton, but it far outstrips the earlier school that
originated to the south. We can, in part, thank the recent conversion of the King over to the truer faith. Getting him to
see the light was not easy.
But I know at least all of you have had some introduction to the idea of machine magic, if not studied it on your own.
As you probably know, Machine Magic is not magic at all, but the careful application of real-world machinery to
manipulate the matter controlling our universe. Matter? Controlling out universe? Of course! I'm referring to
Netherworld gears when I speak of matter, but of course the extent to which they are real matter is still hotly debated
even within our own halls. But I'll get to theory later.
The rudiments work like this: a Machinist (or anyone else, for that matter, who has the knowledge and a working
apparati) can, through careful positioning and logical reasoning, connect specially designed machines in our own
reality to the multitudinous and timeless gears in a parallel plane. This plane, and the gears, exist solely to power the
mundane physicality of our own universe. It controls us, so we use a little know-how to control even a little bit of it.
Simple as that.
And yet, those Elementalists, among others, would have you believe the Netherworld, and especially the Netherworld
gears, do not exist. They like to pull out fancy element wheels and point to fire faeries to explain their superstitious
nonsense. They are rightly afraid, because Machine magic can easily disprove their ramblings, and show the average
man or woman that the unexplainable universe we think we know is really very basic.
The History
But first, a little history. What we know of Machine magic originated with two major events, both of which took place
quite some time ago. The first was the accidental discovery of a Netherworld gear by Tantalivus, about one thousand
years ago. Tantalivus was a weapon smith, but a certified genius. He felt there had to be a way of marking how much
time elapsed, and hoped to invent some sort of machine, principally for sale to mariners and merchants. He constructed
the first basic clock, and I know most of you have seen a drawing of it somewhere. It had a row of gears around a
central core, and required winding for power. However, after losing one of the gears over and over again to metal
fatigue, he decided to strengthen it with an iron alloy he made. The exact composition of this alloy is a secret, but in
some of your later classes it will be revealed to you.
Tantalivus activated the clock and suddenly the newly coated gear ground to a stop, shuddered, then started the other
way, moving faster and faster. The machine began to heat up, and Tantalivus began to see the ghosts of gears of every
shape and size materializing out of the empty air. After a minute of this, he looked down at his hands and found his
skin was wrinkled and sagging. He was aging! He stumbled away from there, but not until he had managed to lose
nearly 20 years off his life. That old clock would still be whirring away somewhere today, but it created such a rapidly
advancing field of time around it that it ended up corroding in about two weeks as if it had sat in a field for a hundred
years. The Connector gear finally sprung, and that was that.
The second important event was the voyage of Urian, the ship wright. I'm sure some of you have heard that story, but
the popular version isn't quite accurate. The way it really went was this:
Urian had a successful business for quite some time, but most of his sales went to private traders. When the wars
started up in the islands, trading by sea fell off drastically. Urian was completely out of business. He had been reading
quite a bit of theory from the early masters of logic, and had once seen a map on a bit of parchment left over from an
early civilization (which, incidentally, occupied an area just a few hundred miles south of here.) This civilization -- the
name escapes me at the moment -- had been founded upon the religious principal that their world was an experiment,
performed by a . . . god, I suppose. Although the name doesn't translate directly, it came out to roughly mean "pupil."
Anyway, Urian gradually had developed theories that these ancient philosophers had been on to something, so he
decided to construct a boat that, with the help of some mundane magic, would be able to fly higher than the clouds or
birds. He wanted to get a look at the world from the eyes of a god.
So, having constructed the ship, he paid his last savings to the dean of a local sorcery college to enchant the ship with
the ability to fly. He took off, and the ship worked better than he could have imagined. As he rose higher, the features
of the world began to look smaller and smaller, until even the mountains to the east, which had always been too large
for him to consider crossing, now looked like lumps on the ground. He could even see to the opposite end of the
desert. As he rose higher, he noticed the apparent roundness of the earth began to decrease, and he could see farther
and farther. Eventually, after a few hours of flight, he could see a straight edge at the far end of the oceans in all
directions. The world was flat! Nobody had ever taught him this! With a combined state of awe struck terror and
childlike wonder, he continued rising, until he began to make out a most unusual feature of our world: The stars above
were affixed to large arcing bands of metal, and as he grew closer, he could see numbers along them, marking degrees
and minutes, just like an astrolabe.
Finally, just before he touched ground -- yes, touched ground -- he realized he had not been getting farther away from
the ground, but actually growing larger, causing the perspective to change. The earth was now just a flat plane
balanced upon a great pillar. The base of the pillar rose from a pool of water which was constantly refilled from the
draining of the oceans over the edge. The world was actually nothing more than a colorful diorama.
Then what was behind him? Well, he found he had left the confines of the metal bands arching over the world. The
sun was ticking along a track, as was the moon, which was below the little flat planet on the day leg of its journey.
And behind him was a bare, marble chamber draped with ornate cloth. And there was an archway. He got out of his
ship, followed the hall, and found himself in a chamber filled with paintings. The paintings depicted the gods of our
world, and somehow he instinctively knew that what they had always been was nothing more than paintings. Rumors.
Gods designed to give the populace something to keep them in line.
But it was his final finding that made this the single most important discovery in our world's long history: on a
pedestal rested a book, in which was inscribed, in a language we have dated back several hundred years, the details of
an experiment in world building. His suspicions were true: we were a long-abandoned experiment, left to its own
devices in an empty room in the infinite hall of the gods.
Needless to say, the Elementalists have never again agreed to help build a flying ship.
The Theory
Machine Magic is based upon the idea of Netherworld gears. Nobody has ever seen the Netherworld in its true form;
only every once in a long while has a machinist even managed to see vague outlines or shadows of the gears
themselves. The general theory is that the Netherworld is a lightless place, full of abstract matter. Machinist professors
and practitioners believe the matter makes up the gears, forming an infinite clockwork which runs parallel to the space
and time of our own world. If you can master the gears, you can master anything: there are gears to regulate the
functioning of light, heat, sound, time, waves, solidity, magnets, ad infinitum. Anything you can think of, and maybe
even some you can't. Netherworld gears come in every size, from the infinitely small up to the mountain-sized
mammoths. Up until now, we have only found a handful we could practically manipulate. It's a difficult task, but with
the proper training, anyone should eventually be able to master it.
As you can see, the Theory is actually quite simple, despite there being several dozen scholarly texts written about it.
Quite lengthy ones, I might add. The simple fact is that nobody knows truly how it works, other than what we can
perceive. We are still waiting for someone to perfect an apparatus which would allow us to see the Netherworld and
ascertain its mysteries. Until then, all we have is:
The Practice
Machinism made simple -- the Machinist has an apparati. The apparati has, among other things, a Connector gear. The
Machinist calibrates the apparati, making sure it is balanced and tuned, then fiddles with the Connector gear until he
feels it catch. It will start spinning. The apparati will modify the rotation of the Netherworld gear. The Netherworld
gear is now being manipulated as per the construction of the apparati, and any number of effects might arise. The thing
to remember is that Connector gears can only hook into some types of Netherworld gears, and that it depends on size
and orientation of the Connector gear. Is that clear?
A Machinist's most important tools -- in fact, pretty much his only tools -- are the apparati. Most can reasonably be
carried around with the Machinist wherever he goes, but there are some that simply have to be far larger, like our
perpetual clock, for instance. These apparati usually look like little metal boxes, about the size of a lantern.
The Machinist, when he wishes to use an apparati, simply takes it out and unlatches the doors. Almost all apparati
swing open on two hinges to allow easier access to all the gears, springs, and chains. The Machinist then, assuming he
or she has kept the apparati oiled and repaired, must calibrate it. This means he must readjust balances and weights
thrown off by having the delicate piece of machinery carted around everywhere; although most machines will
eventually be thrown out of order even if left still on a shelf. It is a simple fact that there are gears for entropy in the
Netherworld, and they play havoc on our lives every day.
Once calibrated, which takes anywhere from a second to minute, depending on the state of the apparatus, the
Machinist then holds the Connector gear in place, and manipulates it with his fingers for a space of several seconds. It
should, assuming he has calculated his positioning, calibrated his apparati, and tweaked the gear enough, catch onto its
component Netherworld gear, and be off on its own.
The effects will always be unbelievable, sometimes be difficult to predict, and never simply magic, which the
Elementalists would have you believe.
If an apparatus is moved -- even nudged -- during this time, the Connector gear will slip off, and the effects will cease
instantly. Anyone who wants to be a true Machinist needs to have steady hands and a lot of patience. And don't be too
surprised to find yourself carrying around 20 or so of these apparati, with them swinging from every part of your body
like ghost hunter's spirit wards. That is the mark of a true Machinist.
The Apparati
The Light Flower
The first of these apparati is one we call the Light Flower, because it contains a fist-sized piece of blown glass
designed to look like a flower. The glass is sealed and filled with sand. Upon opening the apparatus doors, the flower
will rise out on a telescoping arm to be held a foot or so above the apparatus. At this point, when the Connector gear
makes the connection, the sand inside the glass flower will begin to glow, which usually illuminates a 30 foot radius.
The Portable Door
While not a real door, the Portable Door certainly acts as one. This apparatus is wide, but not very tall, and very
heavy. Only the top opens on a hinge. Inside is a mess of gears and bars confusing even to a classically trained
Machinist. The Connector gear is hard to catch, but when it finally does, it will cause all matter to convert to oxygen in
a tunnel -- a 20 foot long, 10 foot wide cylinder -- directly in front of the apparatus (the front is carefully marked to
prevent gruesome accidents, like the famous occurrence marking the initial discovery of this gear.)
The Sound Resistor
As its name might imply, this apparatus connects to the Netherworld gear in charge of sound amplitude. Put into
layman's terms, it stops sound in a certain radius. This one is usually a cube about the size of a fist, and connects
relatively easy. The net effect is that sound waves cease moving within a 30 foot radius, more for larger apparati.
However, the user should be warned that upon disconnection of the gear, all the sound waves originally stopped will be
able once more to move, but now they will be joined by all the sounds generated in the meantime, to form quite a
cacophony.
The Seeing Eye
This one was invented by a rather paranoid Machinist, who believed a secret society of Elementalists were infiltrating
the ranks of the Dermagor University for Machine Magic. The apparatus is composed of two disks of blown glass,
arranged like a pair of spectacles. However, they look down into the apparatus itself. The Connector gear in this one is
often quite feisty, but once it catches, the two glass lenses will allow the Machinist to see another place as if his or her
eyes were actually there. A trio of dials on the front of the apparatus allow one to move the Netherworld Eye up or
down, side to side, or forward and back. To focus on one certain place requires the Machinist to physically manipulate
the dials to slowly pan over (at a rate of about 10 feet per second.) The view is usually from above, although
positioning the apparatus in another direction (for instance, with the Machinist below to look up) would be possible.
Prototypes of Seeing Eyes affixed to the face always end up in failure due to the restriction that the Connector gear
must remain motionless at all times to remain connected.
The Sound Channeler
This apparatus is normal size, that is, about the size of a lantern. When it is opened, one will see a cone or funnel
pointing forward, seemingly into nothing. However, once the Connector gear hits its mark, any and all noise audible to
the Machinist will also be funneled through the cone and sent to a receiver funnel, which is sometimes about ten or 20
times as large to amplify the sound. The receiver funnel must also be connected to a gear to work. Note: sound is not
picky, and if the Machinist does not position his or her Sound Channeler correctly, it may be picked up by parties other
than to which the sound was intended.
The Liquidator
About the size of a helmet, this perfect cube is designed to do one thing: turn matter
into water. This is quite a trick, and requires nearly quadruple the time (about two
minutes) that the typical mobile apparatus takes to operate. This one has three
Connector gears, and all must be working at the same time for the effect to occur
(tough, considering they have a frustrating tendency to slip out.) The apparatus must
be set near the object to be turned to water, and a slide inside the machine allows
the Machinist to inform the apparatus of the three-foot-square space which is to be
liquidated. The water is almost always pure, but for some reason, this apparatus is
incapable of turning lead and, strangely, iron, so impurities will likely exist in the
water.
The Aerator
Companion to the Liquidator, the Aerator is designed to make air seemingly from nothing. It is a fortunate
circumstance that the resultant mixture is a breathable oxygen/carbon dioxide/hydrogen mix -- however, careless
calibration of the instrument can result in greater or lesser quantities of any of these three gasses, perhaps with
explosive results! There are three Connector gears again, but these usually do not slip. The application of this
apparatus can put out one cubic foot of air every five seconds. It has been lauded in certain Machinist circles as a
lifesaver.
The Negator
Oddly named, and often mispronounced, this apparatus results in the negation of gravity. The apparatus is taller than it
is wide, with such a confusion of gears as to make it twice as hard to fix when broken, and it takes over a minute to
calibrate. When the Connector gear clicks into place, a 20-foot-radius sphere will appear in which gravity is null. The
sphere will never appear in an area occupied by the apparatus itself (a fail-safe device inside the apparatus does not
permit this,) as this would result in the automatic disconnection of the Netherworld gear. The sphere will become
attached to a certain object and move with that object for some time. This aspect is capricious and unpredictable, and
sometimes results in no little humor for those not directly involved. However, it can also prove to be most effective --
in addition, Machinists of great skill can tweak the gears inside the apparatus to reverse gravity, sending an object
skyward.
The Thermometer
The final apparatus discussed here, but by no means the last one in existence, is another poorly-named one called the
Thermometer. True, it does contain an actual quicksilver thermometer, but its effect is far more decisive: upon
connecting the gear, the Machinist can, through the use of a weight/slide measure, raise or lower the temperature of
the environs dramatically and almost instantly. The change occurs at about one degree per second, and has a range of
about 200 degrees in either direction. There are a couple of drawbacks to this apparatus: for one, it is fragile, and often
needs repairs or replacements. It will affect an area in a ten-foot radius at full power. Attempting to use this device on
an area larger than this (or especially one outside) will drastically reduce the effects.
In Closing
Apparati are expensive and very, very tough to make. On top of this, it takes quite a bit of schooling in both theory and
practice to be able to work apparati to any ability. Those interested in Machine magic have quite a trial ahead of them:
on top of having to spend at least a couple of years in a school, they will forever be carrying around a number of large
and unwieldy machines, and taking the time, under perhaps dangerous circumstances, to calibrate them. However, the
theory of Machine Magic is a new one, and an intelligent Machinist might be able to make great strides in the field,
shrinking the size necessary, as well as improving the reliability and effect of the gears. Perhaps they might, after years
of field research, accidentally stumble upon the secret to the Netherworld gears or even see the Netherworld in person.
It might even be possible to partially manifest some of the gears into our reality, making them far easier to manipulate,
but at the same time running the risk of being overwhelmed or killed by their unstoppable power.
I wish all of you much success in pursuing your Machinist schooling, and watch for my further lectures on the
Netherworld and the emerging theory of corpuscles. Thank you, and good night.
-- lecture from Arcadius Maximus, speaking at the University of Advanced Machinist Study, transcribed year 450.
Note to the Gamemaster:

Machine Magic fits perfectly into a fantasy campaign based upon esoteric learning and minimal magic: by forcing the
characters to master these machines, the gamemaster can keep a firm grip on how much or how little magic the
characters can wield. It prevents fireball-slingers from wading into a crowd of enemies and reducing them to ashes
before the hapless gamemasters very eyes. At the same time, the power available through the Netherworld is
theoretically infinite, assuming the characters can master the skills. In addition, exploring how the Netherworld fits into
the religions and other types of magic within the game world can lead to some interesting discoveries on the part of the
characters. For example, why is there another dimension full of nothing but gears, huge and infinitesimal, that controls
the physical aspects of the fantasy world? How does this affect other types of magic, like Elementalism? Where does
life fit into this? Who is making sure the Netherworld gears function properly? Where are the gods in all this? What
are the gears made of? What happens when a Netherworld gear snaps or grinds to a halt?
Corporeal Player's Guide Designer's Notes
by David Edelstein
Cover Art by Steve Gardner

When I first started writing for In Nomine, it was in the middle of finishing my Master's thesis project, while teaching
high school full time. As I finished the Corporeal Player's Guide, it was in the middle of getting married, while
teaching at a university full time. Certainly, writing for In Nomine has been a lot more fun than those other things.
(Don't misunderstand -- being married is absolutely wonderful. I could have done without all the photo shoots and
tuxedo-fittings and the like, though . . .) But it's a hobby, something I do for fun, and which happens to provide me
with a supplement to my income. I'm not sure how much this sets me apart from professional game writers, who do
this for a living. But I did feel a bit intimidated, at first, being asked to write an entire book for In Nomine line, the
first book to be written by a single author since Derek Pearcy wrote the original rulebook. It's a large chunk of the In
Nomine universe I'm writing . . . and my first-draft deadline was exactly one week before my wedding.
The purpose of the Corporeal Player's Guide is to make human characters viable and interesting in In Nomine,
something that's not that easy in a game where most PCs are angels and demons with vast supernatural abilities. In
order to do this, I took the position that while individual humans may not be very powerful, humanity as a whole is.
One of my clearest mandates was that In Nomine shall not become a game of human puppets manipulated by powerful
unseen forces. So while a celestial can usually push around a single human with ease, Heaven and Hell find it
surprisingly difficult to push large groups of people anywhere.
One thing that I hate, when I buy an RPG supplement, is to find that it's full
of the author's musings on how to play the game, and maybe some sample
characters and new artifacts which I could probably write myself. I like
supplements that are packed full of stuff; new rules, new character types, new
resources and plot seeds, things I can use right "out of the box." I tried to do
that with the CPG; I wanted it to be a book players and GMs would both
consider a must-have.
Discords, Attunements, and character types from several books are now
collected in one place (and I got to fix the drug rules so that six cups of
coffee will no longer turn you into Spider Man). Soldiers and undead, touched
upon in the basic rulebook and expanded somewhat in Night Music, are
described in great detail now, as are Saints (from Night Music), and sorcerers
(from The Marches). The Sorcery rules from The Marches, which were
frankly a bit incoherent and formulaic, have been greatly revised. Sorcery is
now distinct from Enchantment, which is the art of imbuing corporeal objects
with Symphonic powers. This includes alchemy, necromancy (now you don't
have to be a Servitor of Saminga to make Zombis), and making artifacts and
golems.
You will also find rules for human souls in Heaven and Hell, ghosts, Dream Shades (ghosts bound to the ethereal
rather than the corporeal plane), Dream Soldiers, Pagan Soldiers (who serve ethereal deities), "rogues" (exceptional
humans who haven't joined any side), prophets, mortal offspring of ethereals and celestials, and Remnants. One thing I
wanted to present in detail was the Children of the Grigori and the Nephilim, but unfortunately Higher Powers ruled
that they are to be reserved for a future supplement, and so you will find only a few tantalizing hints about them here.
The chapters on human agencies and humans in the War will be of the most use to GMs. How do celestials infiltrate
an organization, and what organizations do they find worthwhile? How can humans credibly threaten celestials? And
how can you run a humans-only or mixed humans-and-celestials campaign? Naturally, there are some sample
organizations included, ranging from groups of Soldiers to sorcerous cabals.
I learned a lot in the playtesting of this book. The playtest discussions were often a bit heated, particularly over the
sections on religion. (Surprise!) Religion, of course, couldn't possibly be done full justice in one chapter. The
interesting thing about In Nomine is that there are so many different ways to play it . . . and so many people feel
neglected if published materials don't cater sufficiently to their vision of the game. Striking a balance between trying
to be all things to all people (and thus becoming hopelessly bland and generic), and pursuing one person's
interpretation so narrowly that the setting becomes useless to anyone else, is not always easy. Some people want things
explicitly stated about the nature of souls and the role and history of religion in In Nomine . . . others want these
things to go untouched, so that individual GMs are free to develop their own ideas.
Of course, not all debates were about metaphysics . . . there were also disagreements between people who thought
equipment lists, including high-tech gadgets, are a vital resource, and those who thought they're a waste of space. The
equipment chapter ended up being fairly small, but you will find a few more weapons, including heavy weapons and
explosives, security systems, and of course, revised rules for disease, poison, and drugs. What you will not find is a big
list of guns. Nor will you find mundane hazards such as falling, freezing, vehicular collisions, starvation, and the like .
. . threats to human characters, but too mundane for a game like In Nomine to make the final cut.
Finally, I'd like to note here that Kris Overstreet wrote a yet-unpublished article for Pyramid magazine that was the
basis of the rules for ghosts in the CPG. Unfortunately, his name was left out of the credits in the first printing of the
book, for which I would like to apologize.
The Book of Charms
New Spells for AD&D

by Lloyd Brown III
Art by andi jones

The Book of Charms is a pair of spellbooks in the care of the elves of the Ulek states on Oerth. They seem to be freely
traded among the elves and have been seen among no less than a dozen clans in the past 20 years. Apparently each
clan adds one or more unique spells to the collection, copies those that they find valuable, and passes the book on to
another friendly clan.
Each is a massive tome, at least 24" tall by 14" wide, and no less than six inches thick. The covers are made out of a
smooth unidentified wood the color of mahogany with a sweet, natural odor, despite their obvious age. The covers
bear mithral elven runes naming the title of the book, the binder, the pagemaker, and the original enchanter who owned
them. The style of writing dates the tomes at something over 300 years old. The tomes' pages are buttery yellow, the
color of falling leaves. The writing inside is delicate and flowing, inscribed mostly in jet inks. Some pages display a
deep violet script which contrasts richly with the golden pages. One or two spells are written in a vibrant cerulean that
virtually stand out from the page, capitalizing on graphic illustrations and glyphs to present a bold appearance. Each
spell is signed by the wizard who added it to the tome, as well as the creator (when known), if different from the
contributor. Since the Book of Charms has been in the custody of the elves, no spells of the highest levels are
included, and only rarely are spells of 7th level added, since elves don't often become powerful enough to use them.
The Book is replete with lower level spells, however, and contains all enchantment/charm spells of 1st, 2nd and 3rd
level, as well as charm monster, enchanted weapon, domination, feeblemind, hold monster, enchant an item, geas, and
mass suggestion from among the higher levels.
The Book's spells are exclusively from the schools of enchantment/charm for good reason: the book itself is enchanted
so that only these spells can be written on its pages. An introduction inside the first of the two tomes alludes to a set of
nine similar books, one for each school of magic, but no trace has been discovered of the others. Whether they were
unfinished projects of the same creator, lost on different worlds, or destroyed is unknown.
New Spells in the Book of Charms

Level One
Awaken (Enchantment/Charm)
Range: 60 yards +10 yards/level

Components: V, S, M
Duration: Instantaneous
The Book of Charms
Casting Time: 3
Area of Effect: Special
Saving Throw: Special
Awaken alerts sleeping creatures within the area of affect, waking

them from normal or even magical sleep. If the caster makes a
saving throw vs. spells, the magic can also be used to awaken a
single creature under the influence of feign death or under a
normal or magical coma. The creatures are fully alert and ready to
engage in combat or cast spells at the beginning of the next round.
The spell affects one person per level if the people are normally
sleeping, half that number if they are magically sleeping, or only
one target under a feign death or coma.
The spell has no effect on the ninth-level spell temporal stasis.
The material component is a small copper bell, which can be reused.
Dizzy (Enchantment/Charm)
Range: 120 yards

Components: V, S
Duration: 1 turn + 1 round/level
Casting Time: 1
Area of Effect: 20' cube
Saving Throw: Neg. (-2 on roll)
Targets of this charm spell become dizzy and disoriented. They cannot use spells like dimension door and teleport
because they cannot properly target the "exit" end of the spell. All creatures affected lose two points of Dexterity (if
characters) or suffer a -1 AC penalty (if monsters).
Jumpdart (Enchantment)
Range: Touch
Components: S
Duration: 1 round/level, one use only
Casting Time: 1
Area of Effect: 1 dart/level
Saving Throw: None
Jumpdart allows the caster to enchant one or more darts with the ability to leap forward and attack an enemy without
being thrown by the caster. The dart leaves the caster's hand and flies toward the target specified by the caster, causing
maximum damage to the target. The dart automatically hits at short range, hits any AC 90% of the time at medium
range, and 75% of the time at long range. Only one dart per round may be fired by this spell, and the caster has no
time left over for throwing other missiles. The jumpdart uses the dart's statistics, except for rate of fire.
Magical darts cannot be affected by this spell.
Level Two
Channel (Enchantment/Charm)
Range: Touch
Components: S, M
Duration: 1 spell/3 levels or 1 turn/level
Casting Time: 2
Area of Effect: 1 item
Saving Throw: None
Channel allows the caster to cast spells through an item held, rather than causing the spell to emanate from the caster's
hand. Only ranged spells can be channeled; spells that require a touch still require the caster to physically touch the
target (or use spectral hand). The spell confers no permanent abilities and does not change the magic of the
subsequent spells. For example, if a 9th level caster channels a fireball through a non-magical wand, the fireball is
cast at 9th level, not the normal 6th level for a wand.
The item must be no longer than a staff (6'), weigh no more than five pounds, and cannot be magical, although it can
bear a Nystul's magic aura. Only one item is enchanted to channel the spells, and only the caster can use it. Note that
the channeled spells are not cast all at once into the item; it cannot be picked up and used by another creature. The
spells are cast by the caster normally, and all of the possible spells might not be used.
The material component is a wooden, silver-chased wand, value 25 gp.
Charm Mammal (Enchantment/Charm)
Range: 120 yards

Components: V, S
Duration: Special
Casting Time: 2
Area of Effect: 1 mammal
Saving Throw: Neg.
With charm mammal, the wizard can charm a single real-world animal with up to twice the caster's own HD. The spell
can also be used to charm a human or demihuman, as the first level spell charm person. The chance of breaking the
spell depends on the mammal's hit dice, as indicated below.
Mammal HD % chance/week of breaking spell

up to 2 5%
up to 3+2 10%
up to 4+4 15%
up to 6 25%
up to 7+2 35%
up to 8+4 45%
up to 10 60%
up to 12 75%
over 12 90%
Leadership (Enchantment/Charm)
Range: Touch
Components: V, S, M
Duration: 1 hour/level
Casting Time: 2
Area of Effect: Person touched
Saving Throw: None
Leadership is akin to the alteration spell strength. It adds temporary ability points to the target's Charisma score,
dependent on class. Priests gain 1d8 points of Charisma, rogues and warriors gain 1d6, and wizards gain 1d4.
Creatures without a Charisma score have their Reaction Adjustment improved by +1.
The material component is a lock of hair from any of the nymphs -- nymph, dryad, sylph, or nereid.
Level Three
Charm Animal (Enchantment/Charm)
Range: 180 yards

Components: V, S
Duration: Special
Casting Time: 3
Area of Effect: 1 animal
Saving Throw: Neg.
Charm animal is a more potent form of charm mammal that allows the caster to charm all natural animals. Reptiles,
amphibians, fish, and other animals can be charmed, including mammals and persons, as defined under charm person.
If animals other than mammals are charmed, the spell affects 2 HD per level of the caster. Any hit dice of mammals
may be charmed, as long as only a single mammal is targeted.
The duration of the spell depends on the subject. If the spell is used to charm a person, then the duration depends on
the creature's Intelligence, as with charm person. If the spell is used to charm an animal (including mammal), then the
table under charm mammal is used to determine the weekly chance that the creature resists the spell (the chances are
the same as for charm monster).
Forget Spells (Enchantment/Charm)
Range: 10 yards/level
Components: V, S, M
Duration: Special
Casting Time: 3
Area of Effect: 1 spellcaster
Saving Throw: Neg.
Forget spells has no effect on non-spellcasters, but it can cause severe distress to those who rely on magic. The target
forgets which spells he has prayed for or memorized. Remembering which spells are available requires 1d4 rounds
each, and the spells return to memory in order of level, starting with the lowest. All spells of the same level have an
equal chance of being remembered first, so a target cannot try to remember "an attack spell" before a miscellaneous
spell. Even if a comrade tells the target which spells are available, or the target reads the spells from a list, the words
mean nothing until he remembers the spell on his own.
The material component is a set of at least three keys of any kind.
Rebellious Weapon (Enchantment)
Components: V, S, M
Duration: 2d4 rounds
Casting Time: 3
Area of Effect: 1 weapon/4 caster levels
Saving Throw: Neg.
This spell causes one or more creatures' hand-held weapons under 10 pounds to fly into the air and attack their owner.
All weapons attack as a 3rd level warrior (THAC0 18) once per round for normal damage, plus magic bonuses, if any.
Someone attempting to retrieve the weapon must make both a Strength check and a Dexterity check. If the Dexterity
check fails, the creature is automatically hit by the weapon. If the Strength check fails, the creature grabs the weapon
but cannot hold on; the weapon loses one attack.
If characters or monsters attack the weapons in an attempt to destroy them, consider all wooden weapons to have an
AC of 4, metal weapons have AC 2. Each non-magical weapon can take damage equal to twice its weight in hp before
being destroyed. Magic weapons should be unharmed by most attacks, but might be forced to save vs. blows if the
attacker has ogre strength (18/00) or greater.
The material component is a fang from any snake or dragon.
Semi-Magic (Enchantment/Charm)
Range: 10 yards
Components: V, S, M
Duration: 3 rounds/level
Casting Time: 1 round
Area of Effect: 1 or more weapons
Saving Throw: None
Semi-magic allows a weapon to strike creatures that can only by harmed by magic weapons, although no bonus to
attack or damage rolls is bestowed on the weapon. The spell only bestows the equivalent of a +1 for purposes of which
creatures can be hit, so that an elemental (which requires a +2 weapon to attack) can not be struck.
If missile weapons are targeted by the spell, one missile for every level of the caster over four is enchanted. Thus, a
9th level caster can affect five arrows or sling bullets.
The material component is a fine or exceptional quality dagger, dirk, or knife.
Torpor (Enchantment/Charm)
Range: 60 yards
Components: V, S, M
Duration: 1 turn + 2 rounds/level
Casting Time: 3
Area of Effect: 30' radius
Saving Throw: None
Torpor causes all cold-blooded creatures in the area of effect to become dormant, lying still unless attacked. If
attacked, the attackers gain one free round of attacks, then the creatures fight normally. Creatures with more than 4 HD
or Int Very (13) or better are not affected. No more than a total 2 HD/level of the caster may be affected.
The material component is a simple wooden flute with exactly seven stops.
Level Four
Charm Trigger (Enchantment/Charm)
Range: Touch
Components: V, S
Duration: Special
Casting Time: 4
Area of Effect: 1 item
Saving Throw: Neg.
Charm trigger prepares an item for a contingency, much like magic mouth in which creatures or conditions trigger it.
When the intended victim touches the item, however, it is charmed by the caster unless it make a saving throw vs.
spells. The trigger lasts up to one day/level or until triggered. The charm person effect lasts the full normal duration
according to the target's Intelligence. The caster knows when the spell takes effect if he is on the same plane at the
time. Otherwise, he knows as soon as he returns to that plane.
Only one charm trigger can be set for any one creature, although any number can be set for different creatures (one
can be set for an orc, one for a one-eyed goblin with leather armor, and one for a female halfling with a certain holy
symbol, for example).
Coma (Enchantment/Charm)
Range: 60 yards
Components: V, S, M
Duration: Special
Casting Time: 4
Area of Effect: 1 creature
Saving Throw: Neg.
This insidious spell has no immediate effect. When the target next goes to sleep, however, it does not awaken. The
coma can be lifted by the first-level spell awaken, limited wish, wish, or by the priest spell heal.
The material component is a slice of pomegranate.
Enchanted Armor (Enchantment/Charm)
Range: Touch
Components: V, S, M
Casting Time: 1 turn
Area of Effect: 1 suit of armor
Saving Throw: None
This enchantment allows a suit of non-magical armor or a shield to act as a +1 magic item for the spell's duration. It
can also increase the protective value of a +1 or +2 armor or shield by +1. Even normal clothing can be magicked to
provide +1 protection. The armor is treated as magic for purposes of compatibility with rings, cloaks, etc. and might
not function if other items are worn.
The material component is a link from a suit of chain mail.
Hunger (Enchantment/Charm)
Range: 40 yards + 10 yards/level

Components: V, S, M
Duration: Special
Casting Time: 4
Area of Effect: 30' radius circle
Any creature targeted by hunger is immediately overwhelmed by a desire to eat. Characters tear into backpacks for
rations, horses wander in search of good grass, unintelligent monsters may turn on their comrades, lizard men may fall
on dead bodies, etc.
No saving throw is allowed for one round, then each creature is allowed a saving throw each round to see if its hunger
is sated. Once a creature saves, the spell is broken for that particular creature.
The material component is a piece of candy.
Level Five
Animate Carpet (Enchantment/Charm)
Range: 10 yards
Components: V, S, M
Duration: 1 turn/level
Casting Time: 5
Area of Effect: 1 carpet
Saving Throw: None
Any rug, carpet, tapestry, blanket, or other rectangular piece of cloth can be affected by this spell, as long as it
approximates the standard size (6' x 9'). Excess material is not magicked to become rigid and support weight; slightly
smaller (5' x 8') pieces of cloth or canvas are enlarged. The carpet supports up to 50 pounds per caster level in living
or unliving material and has a maximum speed in the air of 24.
At the time of casting, the caster can also choose to create a floating carpet which travels over water as a raft and can
carry double the listed weight, or a swimming carpet which travels underwater at half normal speed.
The material components are a spool of thread and a feather.
Level Six
Command Word (Enchantment/Charm)
Range: Touch
Components: V, S, M
Duration: Permanent
Casting Time: 6
Area of Effect: One item
Saving Throw: None
When a character finds, purchases, or otherwise acquires a magic item, learning the command word is often necessary
to use the item. Finding the command word might involve a physical search, an additional fee, or divination magic.
Prudent characters change the command word most often to keep prior owners or strangers from being able to use the
item. Sometimes the new owner wishes to use a command word that is easier to remember or pronounce or has special
meaning in the character's faith, clan, or society.
Command word allows the caster to change the command word of an item that relies on one. If the previous command
word is known, the change is automatic. If it is not known, the spell has a 25% chance of failing, causing the
command word to change to a random word or phrase that must be discovered anew. If this spell is used to change the
command word of an item in another's possession, the creature holding the item gains a saving throw to resist the
spell's effects.
The material component is a carefully prepared piece of parchment or paper with no less than 2,000 words,
alphabetically listed, and all unknown to the caster.
Tenser's Barge (Enchantment)
Range: 30 yards
Components: V, S, M
Casting Time: 6
Saving Throw: None
Tenser's Barge enables the caster to provide motive force for a small transportation device. It can be a raft, sled, cart,
wagon, chariot, etc., as long as the device is not longer than 12' long or more than 6' high. The device obeys spoken
commands from the caster, including "faster/slower", "forward/backward", "left/right", "start/stop". The caster can
command the device as long as he is within 30 feet.
Movement rate is a maximum of 6, and carrying capacity is normal for the device enchanted. Other factors, including
movement over obstacles and stability are not improved by the enchantment.
The material component is a bone from a common draft animal, such as a horse or ox.
Level Seven
Enchanted Tools (Enchantment/Charm)
Range: Touch
Components: V, S, M
Duration: 7 days
Area of Effect: 1 set of tools
Saving Throw: None
The layman's variation of enchanted weapon is important in delicate crafts and dangerous works. A single tool or a set
of tools can be enchanted to provide a bonus of +1 to proficiency checks or +5 percent chance of success. The bonus
applies to any user, not just a single character. A thief's lockpicks, a blacksmith's hammers and anvil, or a weaver's
loom can be enchanted to help aid the tradesman in his craft.
The material component is a tiny gold hammer and anvil, worth 250 gp.
GURPS Technomancer Designer's Notes
by David L. Pulver
Cover art by Alan Rabinowitz

If the radiance of a thousand suns would burst at once into the sky, that would be the splendor of the mighty one. I am
become death, the shatterer of worlds.
-- Bhagavad-Gita, as quoted by Dr. Robert Oppenheimer upon witnessing Gadget, the first atom bomb, in 1945
The genesis of Technomancer was "Soulburner," a scenario that appeared in GURPS Time Travel Adventures (1992).
"Soulburner" was set in an alternative Earth in which the first test detonation of the first atomic bomb in New Mexico
caused a fundamental change in basic reality: magic worked. "Soulburner" sketched the outlines of the technomagical
civilization that evolved from the 1950s to the present.
"Soulburner's" vision of fox girls with walkmages, magical defense contractors, Dupont Kevlar flying carpets,
necronium bombs and undead snuff films seemed to hit a nerve, and over the years it remained one of the adventures
that people meeting me at conventions liked to mention favorably. So, naturally, I thought of doing a sequel . . . an
entire worldbook in that setting.
Do not meddle in the affairs of wizards for they are soggy and hard to light.
-- P.E.I. Bonewits, Real Magic
Technomancer is the old sf writer's game of alternate history. Change one

thing, then follow the rules and see what happens. In this setting, the "rules"
were GURPS Magic. Unlike many other roleplaying settings that mix magic
and technology, I postulated magic would not remain an arcane force outside
of the mainstream, but would rather be embraced by it. By treating magic as a
new branch of physics, I may have lost some of the mystery, but I have
always felt that this is an element that some game designers place too much
attention on. In many real-world occult systems, magic follows well defined
(if fictional) laws -- so why not make it that way in a game? In this particular
respect, the mechanistic systems in GURPS Magic worked better than
something like GURPS Voodoo would have, much as I admire that system.
Another issue I spent a lot of time on was the chronology. When I'm doing
historicals, I tend to over-research, and get obsessive about details and
interconnections. This is especially true with alternative history; many of the
incidents in the timeline actually happened, but just in a different way. I can't
really help it -- I went to graduate school to study military and medieval
history before deciding to become a game designer. I tried to match
technomagical progress with actual scientific discoveries (especially in
particle physics and nuclear energy). Many of the unusual events are also parallels of real life occurrences, such as the
fate of John Wayne . . . in both realities, he may have died fighting nuclear-spawned demons. Its just that in
Technomancer, things are a lot more literal.
Technomancer Out-Takes
For once, I didn't end up chopping large chunks out of the finished draft at the last minute -- the manuscript that saw
press is the book I wanted to write. I did come up with a few ideas that never made it into the first draft, though. Most
of these were frenzied gun-bunny stuff that I decided was way too self-indulgent, such as extensive GURPS Vehicles
statistics for the U.S. Army, Argentina and Russia's combat vehicles. (For example, I originally intended to drop a
note that the USAF in this reality would use the B-70 Valkyrie.) There was also a lengthy write-up of the Seelie, until
Sean Punch convinced me that it would be better to leave them a mystery. A few bits that I did regret dropping are
described below, though.
Pet Warehouses
Many humane societies now place unwanted pets in suspended animation, stacking them in rented warehouses. This
provides a low maintenance, low cost solution to the problem; if anyone wants them, they can be awakened. These are
very creepy places to visit. In 1994, a New Jersey "pet freezer" was the scene of a tragedy when an unknown vandal
cast an area-effect Drain Mana, awakening the animals within. Stacked six deep inside the warehouse, the seething
mass of 2,000 cats and dogs died in agony. Due to the no mana area, the tragedy was not sensed by local diviners.
Emergency teams were late in responding, and only two animals survived. In New Jersey, pet warehouses are now
required to install sensors that alert the maintainers if the animals inadvertently awaken.
Necrotech Spirit Evacuator
This "spirit vacuum" is a powerful industrial-strength vacuum cleaner whose hose and bag are lined with ectoweave.
The device is intended for use against skull-spirits and similar vaporous undead. The device is used as a ranged
weapon. It has SS 4, Acc 1, 1/2D --, Max 2, RoF 1. If a skull-spirit is hit and fails to Dodge, it will be sucked into the
device's bag and trapped.
Elemental Propellant Slugthrowers
These weapons resemble conventional pistols, rifles and machine guns. However, they use a binary elemental fusion
action. Developed by Guy Gavriel Fawkes for Colt Firearms and later copied worldwide, these weapons imprison
doped fire and water elementals within an ectite combustion chamber similar to that used in elemental engine power
plants. Pulling the trigger allows the elementals to partially combine, resulting in a brief but powerful steam explosion
that smoothly propels the bullet.
The primary advantage of elemental propulsion slugthrower (EPS) is reduced ammunition weight and volume as
bullets do not require cartridges, allowing many more rounds to be packed into a magazine. Eventually the elementals
will tire out and be unable to fire other bullets, but if the weapon is unused they will recover at a rate of one shot every
10 minutes.
Elemental slugthrowers have a few minor disadvantages. First, they are somewhat expensive. Second, they do not
function in no-mana areas. Third, on any "firearm breaks" or "explodes" result on the Firearm Critical Miss table (3-4
and 16-18) the containment chamber fails, releasing a pair of angry elementals with ST = dice of damage weapon
inflicts, HT 12 and DX and IQ 1.
Manufacture of elemental slugthrowers requires a wizard using Create Elemental to build the elementals within the
ectite chamber, which is immediately sealed, imprisoning them. Two wizards will work on a production line, one
creating fire and one water elementals; the chambers are joined together when the rest of the weapon is assembled.
Colt M-66, 5.56 X 25mm
The M66 was the first production EPS to be developed. It was designed in the early 1960s as a replacement for the M-
14 rifle, after the DoD rejected the earlier AR-15. A revolutionary design using spell-age light alloys and
manaplastics, the M-66's 125-round magazine and full automatic fire capability gave each soldier the firepower of a
squad machine gun. The weapon can fire two magazines before the elementals are exhausted, but regains the ability to
fire 25 shots for every 10 minutes that the weapon is unused. The EC chamber can be recharged more rapidly by using
a Lend ST spell: each point of ST transferred to the weapon counts as ten minutes of recharging. Early M-66s gained a
bad reputation due to problems with barrel overheating and cracks in the ectite chamber leading to hostile elemental
escape but this was fixed in the A1 version. In 1970 the design had matured into a weapon that was very popular with
the troops. (Some original M-66s can still be found, especially in markets in S.E. Asia. These have Malf 16.)
S&W M-7 9X9mm
The United States Army stuck with the venerable and reliable Colt M1911 through the Vietnam war, but in the 1980s
embarked on a leisurely search for a replacement. Eventually they accepted the Smith & Wesson M-7, an elemental-
powered version of an Austrian handgun, with a high-capacity 30-shot magazine. The M-7 has since been adopted by
many North American police departments. The weapon can fire 420 rounds (14 magazines) before the elementals are
exhausted, but regains the ability to fire 42 shots for every 10 minutes that the weapon is unused. The EC chamber can
be recharged more rapidly by using a Lend ST spell: each point of ST transferred to the weapon counts as ten minutes
of recharging.
Weapon Malf Type Damage SS Acc 1/2D Max Wt RoF Shots ST Rcl Cost Hld TL
Colt M-66 crit 5d 12 11 500 3,800 9 12* 125 9 -1 1,500 -6 7
S&W M-7 9X9mm crit 2d+2 10 3 150 1,900 2.5 3~ 30 9 -1 1,000 0 7
M2-A3 Westmoreland
Entering U.S. service in 1982, the M2A3 was the first Magical Infantry Fighting Vehicle (MIFV) to be adopted by the
U.S. Army replacing the earlier M-113 APC. It is designed to carry a squad of infantry into combat on the magical
battlefield and support them with cannon and missile fire.
The Westy has an armored tracked body and a small weapons turret. Access is provided by two top hatches and a large
rear ramp. The MIFV has a crew of three (commander/gunner, driver and wizzo) and carries a squad of eight infantry
soldiers.
An M2A3 is armed with two turret-mounted weapons: a Manadynamics M456 "Godsfire" shaped-charge homing
fireball wand and a more mundane Hughes 25mm "Bushmaster" automatic cannon (as 25mm chaingun, 400 rounds)
with a mix of H.E. and spell-piercing depleted necronium warheads.
Electronics include a radio (30 mile range, scrambled) and GPS receiver. No night vision systems are provided, as it is
assumed to be incorporated into crew helmets and goggles.
The most revolutionary aspect of the M2 is its 300-kW harmonic convertor mana-engine, which frees the vehicle from
dependence on fuel. This vastly simplifies the logistics of supporting a mechanized infantry advance, as proven in the
Desert Saber campaign where M2 battalions were able to advance nearly non-stop to Baghdad. An advanced battery
stores 7,200 kWS (2 kWH) for use by mages.
The M2 has spawned a number of variants including ambulance, anti-aircraft, electronic warfare and command
vehicles. Two of the most important of the many M2 variants are described below.
Cost: $460,000. Loaded Weight: 22 tons. Size Modifier: +4. Health: 12. PD/DR: 5/75 on front, 4/20 elsewhere. HP:
Body 2,400, turret 150, tracks 750 each. Performance: Top Speed 45 mph. Acc: 3 mph/s. Dec: 20 mph/s. MR 0.25. SR:
6. End: unlimited.
M13 Gandalf
The M13 Gandalf is a Wizardly Combat Vehicle designed to provide mobility, protection and for five U.S. Army
wizards in battlefield conditions. WCVs are designed to enable a circle of mages to coordinate their efforts. In the U.S.
Army combat battalions one WCV is usually assigned to each tank or mechanized infantry company, with specialized
all-WCV companies serving as brigade assets. WCVs are also used by wizards in Combat Engineering, Infowar and
Meterological Warfare units.
An M13 uses the M2 chassis with these modifications:
1. The 12 cramped passenger seats are replaced by five standard crew stations arranged in a rough circle around 80 cf
(about 1 hex) empty space.
2. A pentagram (1 hex, power 15) is inscribed there.
3. Infantry weapons lockers are replaced with cabinets for holding elixirs, spell components and personal magic items.
4. An A/SZ-84 Crystal Ball Display is installed so as to be accessible to the wizard crew stations.
5. An IBM-Manastar mini-computer (complexity 2, high- capacity, hardened, awakened).
6. Six computer terminals and five Virtual Reality helmets.
Statistics are broadly similar to the M2A3, but it costs about $720,000.
M777 Zeus OTAS
The M777 Zeus OTAS (Ordinance Teleportation Artillery System) is the US Army's primary magical bombardment
system. It was adopted by the U.S. army in 1984 and is also used by several allied nations. The Zeus uses the M2
chassis with these modifications:
1. 11 of the 12 passenger seats are removed, replaced by a 220 cf cubic feet ammunition magazine.
2. The M456 Godsfire is removed, replaced with a Sephiroth M-101 EATR (Energy-Augmented Teleportation Rod).
This consists of a wand connected by a heavy cable to the vehicle's auxiliary battery pack and turbine engine. The
wand is enchanted with Teleport Other-18 and Draw Power-15 spells. Army doctrine treats the system as reliable out
to about 99.99 miles, but it can reach more distant places at increased energy cost. This has led the Russians to try and
categorize the OTAS as both a "strategic bombardment" and "ASAT" system and demand it be counted as such in
SALT negotiations.
3. The commander's crystal ball also enchanted with Seek Machine, Seek Power, Seek Fuel and Seek Metal spells.
4. The vehicle is issued an M497 camouflage net (a camouflage net enchanted with Teleport Shield).
The Zeus is crewed by four people: a commander (who also operates the sensors), a driver, a 'porter and a loader. The
gunner must be a mage, but no particular spells are needed. The loader's job is to locate the correct ordnance for the
gunner and ensure it is properly fused prior to its teleportation.
The 'porter will usually teleport ordnance carried within the vehicle, locating a destination point with the aid of a
forward observer or space platform transmitting a real-time TV or telepathic image to the gunner (for a -2 skill
penalty). Of course, it can teleport munitions to points actually in line of sight with much greater accuracy, even
teleporting ordnance inside an enemy vehicle or structure, but due to the expense of the system, doctrine is to fire from
miles away if possible.
A very wide variety of ordnance can be delivered by the M101 since basically anything the gunner can point the wand
at can be teleported, including objects outside the vehicle. (This can include hostiles if necessary). However, Zeus
units normally rely on a mix of artillery bombs carried within the vehicle, including high explosive, cluster bombs,
mines and skull-spirit warheads. Unlike a conventional artillery vehicle various bomb sizes are carried to trade power
for range allowing servicing of a target with anything from a 10-pound explosive charge to a 500-lb. bomb.
Statistics of the Zeus are similar to the M2A3, but usual loaded weight is closer to 24 tons, and cost about $890,000.
Rules of Warfare
by Mark Slattery
Art by ArtToday
"It is the spring of 1942. The world is at war. Five world powers are struggling for supremacy. You and your
opponents control the military and economical destiny of one or more of these countries. The Axis powers are
Germany and Japan. Challenging their expansionism are the Allied powers of the United Kingdom, the USSR and the
United States."
-- Axis & Allies game play manual
Axis & Allies is a brilliant and very strategic board game, but all games need a little change from time-to-time; Just to
keep things interesting. This article presents seven new rules and four additional units to spice-up your battle-plans.
All of these rules may be used separately or together if you really like your war unpredictable.
New Units
The object of war is not to die for your country but to make the other bastard die for his."
-- General G. C. Patton (1885-1945)
Artillery Batteries
The military has used artillery in warfare since the discovery of Rules of Warfare
gunpowder, from the early cast-iron cannons to the giant guns that fired
hundred-pound shells during WWII. Artillery batteries are purchased for
8 IPCs during the Purchase New Units/Develop New Weapons phase
and are deployed in the same way as standard land units. Artillery
batteries may only move one territory per turn and may only move
during the Non-Combat Movement phase. They are also subject to the
same transport restrictions as antiaircraft guns. Like antiaircraft guns,
there may only be one artillery battery per territory, but there may be an
artillery battery and an antiaircraft gun in the same territory.
The long range of artillery batteries is represented by the unit's ability to

participate in battles in adjacent land territories or sea zones. Artillery batteries may fire once into battles you initiate,
in an adjacent zone or territory, hitting on a roll of a 3 or less. Any units hit by artillery fire are sill eligible to
counterattack during defensive fire. Artillery batteries can not be forfeited during a battle in an adjacent territory or
zone. After the artillery battery has fired in this manner, it is no longer considered to be participating in the battle. If
involved in a battle in its own territory, it attacks on a 3 and defends on a 1.
An artillery battery may perform a form of Strategic Bombing Raid on industrial complexes in adjacent territories,
instead of participating in a battle that turn. Roll a die for each artillery battery performing a raid -- the controller of
the industrial unit must lose IPCs equal to the sum of the dice. Use anti-aircraft gun figures to represent an artillery
battery, marking them in some way to distinguish them from actual anti-aircraft gun units.
Destroyers
Destroyers were used as escorts for convoys and support for battleships during WWII and, while much smaller than
battleships, they where instrumental in winning many naval battles. Destroyers are purchased for 15 IPCs during the
Purchase New Units/Develop New Weapons phase and are deployed in the same manner as standard naval units.
Destroyers can move two sea zones and are subject to the same movement restrictions as battleships.
Destroyers have an attack and defensive value of 3. Due to the shorter range of their weapons, destroyers can not
participate in Amphibious Assaults. At the beginning of the game, a player may exchange a battleship for two
destroyers; these units must be placed into the same zone as the replaced battleship. Use transport figures to represent
destroyers, marking them in some way to distinguish them from actual transport units.
Resistance Cells
During WWII, patriotic citizens in occupied territories formed resistance cells to supply allied troops with information
and to sabotage enemy supplies. Resistance cells are purchased for 5 IPCs during the Purchase New Units/Develop
New Weapons phase and are deployed during the Place New Units phase. Resistance cells may only be placed in
territories that were under your control at the beginning of the game and have been captured by enemy powers. (For
example: If Germany captures India, this becomes legal territory for the UK to place a resistance cell, since the UK
controlled India at the start of the game) Cells do not have to be deployed in to the same territory as an industrial
complex and may not move by any means.
To represent the resistance members sabotaging equipment and relaying vital information, roll a die for each resistance
cell during the Combat Movement phase. On a roll of a 1, the occupying enemy force takes must discard a unit in that
territory; if the territory contains no enemy units, it is liberated and returns to its original controller at the end of the
Combat phase. If a 6 is rolled, the resistance cell has been discovered and captured. Discard the cell immediately.
Resistance cells may not participate in battles in any way. If a territory containing a resistance cell ever returns to its
original owner's control the resistance cell is discarded. Use one of your own control markers to represent your
resistance cells in enemy territories.
Sea Mines
During WWII naval units laid sea mines to block enemy routes and to protect their own naval yards from enemy
attacks. To represent this you may use your transports to lay sea mines in sea zones. Sea mines are purchased for 5
IPCs during the Purchase New Units/Develop New Weapons phase and may be loaded onto a transport adjacent to one
of your industrial complexes, during the Place New Units phase. A transport may carry up to two sea mines at a time.
Transports may deposit one sea mine into a friendly sea zone, one that contains no enemy units, during the Non-
Combat Movement phase. Place one of your control markers on the sea zone to represent the sea mine; a sea zone may
only contain one sea mine at a time. Laying sea mines takes the remainder of the transport's movement. Therefore, a
transport laying sea mines may either: move one sea zone and lay one sea mine; move two sea zones and lay one sea
mine; but can not move one sea zone, lay a mine and then move another sea zone.
If an enemy naval unit, including submarines, passes through or stops in a sea zone containing one of your sea mines,
roll a die for each enemy unit. On a roll of 1 the enemy unit is hit and that unit is discarded; the sea mine is also
discarded after all rolls have been resolved. Otherwise, the vessels evade the sea mine and may continue their
movement as normal. Naval units are immune to the effects of their own and their allies' sea mines.
Table of New Units
Type of Unit Cost Movement Attack Defense
Artillery Battery 8 1 3 1
Destroyer 15 2 3 3
Resistance Cell 5 -- 1 --
Sea Mine 5 -- 1 --
New Rules
"To secure peace is to prepare for war."
-- Carl Von Clausewitz
Battleships
At a cost of 24 IPCs, battleships are very expensive. To compensate for this expense and to reflect the sturdiness of
their design battleships, can now take two hits. When a battleship is hit for the first time it becomes severely damaged.
Instead of discarding it, place the unit place it on its side. Its attack and defensive capabilities are reduced to 2 and its
movement is reduced to 1. If a damaged battleship is in a friendly sea zone, one that contains no enemy naval vessels,
and adjacent to one of your industrial complexes at the beginning of your turn, it may be repaired. To repair a
battleship you must pay 8 IPCs during your Purchase New Units/Develop New Weapons phase; the battleship's attack,
defensive and movement values are reduced to zero for the remainder of this turn. The repairs are completed during the
Place New Units phase; turn the unit upright to represent this. Its attack, defensive and movement values return to
normal. If a battleship is hit again while severely damaged, it is discarded.
Elite Units Rules of Warfare
During every war there are heroes, those who accomplish amazing feats for
king and country. Each player may choose one of their starting units to be an
elite unit; this unit should be marked in some manner to distinguish it from its
comrades. Once during each battle an elite unit participates in, it may reroll
one of its attack or defensive dice. If a player's elite unit is lost in battle, he
may send out a new one during his next Deploy New Unit phase, for the
same price a standard unit of its type.
Kamikaze Pilots
Japanese Kamikaze pilots would fly into battles with no hope of returning,
deliberately crashing their aircraft into enemy vessels when their fuel was
spent. To represent this, Japanese fighter planes may now move during the
Combat Movement phase without allowing for a possible return to friendly
territory or an aircraft carrier. Planes taking advantage of this special
movement are discarded at the end of the Combat phase, whether they are hit or not.
Lost Transports
During the war, transport ships were used to carry much needed supplies and equipment to allied countries and forces
abroad, and not as simple cannon fodder for naval battles. Therefore, whenever a transport not carrying another
military unit is lost during a battle, the owning player's income is reduced by 1 IPC for each transport lost, during his
next Collect Income phase only. This represents the loss of the supplies the ship was carrying.
Monetary Aid
Friendly countries may now loan or give IPCs to each other using the following rules. The player donating the IPCs
must allocate them during the Purchase/Develop New Weapons phase; these IPCs may not be used to purchase
anything else. One player on the opposing side rolls one die -- on a roll of 1, that player receives the IPCs instead,
during their next Collect Income phase. The funds were captured in transit! How the opponents determine who gets to
make the roll is entirely up to them. If the funds are not captured, the receiving player gets the IPCs during the Collect
Income phase of his next turn, after which they may be spent as usual.
Paratroopers
During WWII, soldiers would parachute into enemy territory to form beachheads for advancing troops and to perform
strategic strikes. To represent this, bombers may transport infantry units. Each bomber can carry one infantry unit,
which may be loaded at the beginning of either the Combat Movement or the Non-Combat Movement phase. The
bomber may then move, following its normal movement rules, and deposit the infantry unit into any territory it passes
over. If the bomber lands in a friendly territory the infantry unit must be unloaded. Being transported by a bomber
constitutes the infantry unit's entire move for this turn.
If the infantry unit is unloaded into enemy territory that is controlled but not occupied the territory is automatically
captured at the end of the Combat phase. If the territory is occupied, the unit must fight the enemy units as normal.
Both of these maneuvers may only be performed during the Combat Movement phase. If an anti-aircraft gun hits the
bomber, the infantry unit aboard is also lost. A bomber can not attack or perform a Strategic Bombing Raid during the
same turn it transports an infantry unit.
Warehouses
Units no longer have to be deployed on the turn they are purchased. Instead, they may be stored in warehouses, which
are considered to be within your industrial complexes. Naval vessels and anti-aircraft guns that cannot be placed, due
to enemy units or an existing anti-aircraft gun present in the adjacent sea zone or territory, are automatically placed
into a warehouse instead of being discarded. These units may not move or participate in battles in any way. The units
may be deployed during subsequent Deploy Units phases as normal, from any eligible industrial complex. If an
industrial complex is targeted by a Strategic Bombing Raid a stored unit must be discarded (owner's choice) for each 5
or 6 rolled on the raid dice.
Liber Castellorum Designer's Notes
by Elizabeth McCoy, editor
Cover Design by Jack Elmy

"He's ever so nice, that Mr. March." The cleaner leaned on her mop, sloshing the soapy water round in the bucket.
Her blonde hair hung in a loose bell round her face, and her flowered nylon dress flapped round her legs in the breeze
as the door shut.
"I don't know." The young man with the pile of letters stacked in his arms chuckled, and kept on stacking them into
mail slots. "Johnson, Jones, Jother . . . no, he looks nice enough, but have you seen the way he acts at meetings?"
"And how likely am I to get invited to meetings?" the cleaner snorted.
Outside, the policemen were climbing into their car. The street lights glittered in the growing dusk of evening. One
policeman snapped at his colleague as he slammed the car door. None of them looked happy.
"Okay, okay." The mail-sorter shrugged. "Matthews, Merton, I think that's Mittons -- did they spot anything?"
The cleaner's voice didn't change tone. "I don't think so. They just spent a while poking around, requisitioned some of
the sets of files that dealt with the arson cases, and said they'd be back tomorrow."
There was a clattering sound from the stairs, and the cleaner lifted her mop out of the bucket and began scrubbing at
the floor as a young woman in a crisp business suit turned the corner of the landing, and came running down the last
flight. She nodded absently to the cleaner and the mail-sorter as she walked past them, and the door clicked shut as
she stepped out onto the street.
"Is that the last?" the mail-sorter asked.
The cleaner nodded. "It'll be two hours now before the night-watchman comes to sign us out."
"Good." He slid the last few letters into their slots. "All right, you take the upper room, I'll take the lower room, and
we'll see if we can work out what the Tether-potential here is that Bridget was going on about. We've got all night to
work, and the Game won't be back till morning . . ."
-- Vignette by Genevieve Cogman
"We want a book of Tethers."
That's how the Liber Castellorum started. I admit, my first reaction was, "A whole book? Isn't that overkill?" But I got
to work, preparing an outline that would satisfy people. First, we needed the rules of Tethers -- that was clear enough,
since there were a lot of questions raised in the short section on them, in the main In Nomine book. As the book was
pulled into shape, though, I became a convert. Even the sample Tethers, which I'd previously been a bit dubious about
-- for couldn't a GM just come up with his or her own? -- became valuable, since they weren't just places, they were
examples of how to interpret a Superior's Word and personality.
Unusual Tethers, such as Michael's The Burning Grounds (Liber Castellorum, p. 86), were the most helpful -- while a
Major Tether was obvious, the Unusual ones often cast light on the edges of a Word. The Burning Grounds didn't have
much to do with actual combat, but the humans whose deaths created it never yielded or broke.
It wasn't always easy to keep a dozen authors consistent. For instance, I got Jo Hart to give me a Tether for the
"Castella Mundi" chapter (and somehow she got left off the Table of Contents list!), and then made her rewrite it --
twice, which she put up with, with good grace. Here's one of the original versions . . .
Major Tether Liber Castellorum Designer's Notes
Center for Disease Control and Prevention (CDC),

Atlanta, GA
Originally attached to the U.S. Public Health Service, this
laboratory in downtown Atlanta struck a natural resonance with
Hell in 1932, when researchers based there signed the first
releases for what was to become known as the Tuskegee study.
This research marked a shameful milestone in the history of
human experimentation, and involved doctors deliberately lying
to patients and withholding treatments which were known to
relieve syphilis, to better study the effects of the disease.
After stabilizing the Tether, Vapula professed his personal

approval of its ambiance, and has taken close interest in the
studies and methods pioneered within. Generations of
researchers have felt an uncomfortable change in the emotional
atmosphere when one particular professor enters the lab, despite
never exchanging more than a couple of words with him.
Erg, the Shedite Seneschal, constantly strives to insert

Technology's infernal influence into the mundane functions of
the CDC. This major Tether is also responsible for facilitating
the provision of human test-subjects to properly authorized demons worldwide.
***
As the material was written, it became clear that a single page was too short for the sample Tethers. I expanded this to
750 words as the ideal, and blessed anyone who came in under that. This did, however, eat pages, which were
primarily stolen from the Adventure Seeds chapter. So, partly to trim down there (and partly because it fit better in the
Castella Mundi chapter), James Cambias' evocative House of the Morning Star was moved (to p. 113), and lost a
paragraph of adventure seeds . . .
(For those who don't know, the House of the Morning Star is a Tether -- to Lucifer directly. Within it, is a woman who
. . . loves him. But no one knows she's there, not even the Tether's Seneschal, a Habbalite named Ramilo, who has
been forbidden to ever enter the building that is a part of him.)
There are several ways a group of angels or demons could learn about the house.
* They might come across a reference to the old legend in a tour guide or book of folklore, and decide to follow it up;
alternatively a Superior might order them to investigate the matter. Given that success is likely to be more dangerous
than failure, this simple mission can easily become very complicated.
* Celestials in New Orleans might come across Ramilo and his "Satanist" servants in the course of some other
operation. They're obviously guarding something pretty important, but what is it?
* A group of Infernals might be drafted for emergency service by Ramilo, especially if a powerful bunch of angels are
in town and are getting too close. Ramilo won't want to tell them what it is they're guarding, only that it's important to
someone very powerful.
* If another Prince is getting close to learning about the house, Lucifer might take some unusual steps to preserve his
secret. He might even approach some Outcasts or Renegades with an offer: stop the Infernal agents and gain a really
powerful ally. Of course, they don't call him the Father of Lies for nothing.
***
Alain Dawson (now Managing Editor) informed me that they'd like to use more "pull-quotes," such as debuted in The
Final Trumpet. I suggested "letters" to or from various Seneschals and solicited some from the various authors. I
think the one for Jordi is most entertaining, on p. 82. (When I saw these later, I was vastly impressed by what Alain
did. I'd been thinking "suitable borders" but she made some really neat designs.) Genevieve Cogman was especially
helpful with providing entertaining letters. Of course, we gathered enough that not all of them could be used . . .
For Jean's Tethers
Files on testing of 01-5777-TH3 attached. Please read and comment; Ithuriel believes we may have exceeded our
safety margin on coolant front. Ithuriel also notes that we had three attempts by hypothesized Vapulans to access our
server. Therefore request highest priority of security. Note that War requisitioned newest taser design for defense
during recent attempt by Servitors of Fleurity on town water supply. Weapons testing notes should be included in next
report. Please clarify last report of yours on discovery of empty box bearing Makatiel sigil.
-- Hadad@Lab16634
For Yves' Tethers
. . . yes, I would be delighted to get my hands on the sixteenth century Olaus Wormius translation. Thank you for
looking out for it. I enclose the latest microfiches of children's fiction, and will be glad to supply whatever you think
will be useful for your library. How are you doing with that policeman you mentioned? It has struck me that somebody
with the destiny you saw is quite likely to have demonic interference -- especially considering the tenement fire you
talked about -- so please don't hesitate to call in help if you need it. A last note; Sithriel has Fallen to Kronos. Grieve
for her, and make sure that any of your operations she knew about are changed or guarded.
In faith and hope -- Besodaiah, at the Bodleian
For Andrealphus' Tethers
. . . the bearer of this letter has been trained, and should be ready to serve you in any way you want. Let me know how
she behaves. Otherwise, I've been told there are a couple of Mercurians of Creation coming your way as part of a
traveling sculpture exhibition -- lecturers or whatever, both male vessels. If you could get hold of them or corrupt
them, I'm sure our Master would be pleased. Oh, and let me know if that preacher you complained about is still making
trouble. I may be able to pull a string or two with one of the people funding him.
Till we touch again -- Berothai, Seneschal of Esseintes
For Kronos' Tethers
Yes, I have seen that the senator's wife is due to come in shortly for an eye operation -- we'll see to it that she comes
out again adjusted as you've requested. If in return you can swing the medical funding for the area, it'll allow us to
expand our range. We've been considering linking up with a couple of Servitors of Beleth who approached us, to allow
for more effect on the patients -- have you any comment on this as a strategy? Oh, and I've directed an Impudite of
Belial your way, one Semiramis; she's interested in something largescale, and I remembered what you were saying
about that annoying local charity. Let me know how it goes.
Watching -- Mibzar, at the Hospital
***
The table of contents was easy (though Jo Hart somehow slipped through a crack, drat it), but the index was a royal
pain. Armed with the resources of the World Wide Web, I dug up the country or state of each listed Tether -- whether
that data was in the Tether-description or not -- and put an index-entry in for that country or state, so that GMs could
find all the listed Tethers for an area easily. Need to know how many Tethers are in London? Look in the index, under
England. How many in California? It's in the index, under C. This is where the Nutshell gets many of its playtest
credits for, as I talked online with friends, augmenting my braindead geographical knowledge. (And while writing this
article, I discovered non-harmful errata in the index, at Jean's entry -- hurrah for the errata coordinator!)
Once everything is done, I sat back and pant, thinking that the whole process was kind of exhilarating. When I held
my "first-born" in my hands, a few weeks later, I was even more giddy -- the cover looks great, the interior art is
overall lovely. Oh, yeah, there's text in there -- though by that time, I could have recited half of it by memory.
Maybe I'll do it again sometime . . .
A Handcrafted Conspiracy, Part I
by Glen Barnett
Art by Marc Sherman and Keith Johnson

Players of card games have always had great ideas for cards. Quite a few
have gone the next step and made them. Ever since the original Illuminati
card game came out way back in 1982, people have been snorting the paper
megabucks all over the table and making up their own cards. Then Deluxe
Illuminati came to the party with three blank group cards and a blank
Illuminati (and megabucks that wouldn't snort everywhere -- some people
have no sense of tradition). INWO makes it much easier by having packs of
blank cards (plot and group backs) available. Thousands of homemade cards
can be found on the Internet. Almost everyone has at least one good card they
have thought about and perhaps made, and some people have come up with
several cards on a single theme -- their own mini-expansion.
This article describes how to design INWO cards you and your friends will
want to play with, how to make INWO and Deluxe Illuminati cards look
reasonably attractive, and finally, suggests ways to introduce your own cards
into INWO games.
What Makes a Good Card, Anyway?

The perfect homemade card would have a funny spin on a real-world concept, and a special ability that simultaneously
plays well, is balanced compared to other cards in the game, yet relates thematically to the card's concept.
A card ought to have an interesting subject -- and for INWO, that's something strange, topical or funny. Coming up
with the subject is often the starting point for a card. One great source for ideas is the Daily Illuminator's Illuminated
Site of the Week. On February 26, 1999, it featured the Institute of Noetic Sciences. They say of themselves: "We are a
nonprofit membership organization that both conducts and sponsors research into the workings and powers of the
mind, including perceptions, beliefs, attention, intention, and intuition. We are bold enough to inquire about
phenomena that don't fit into the conventional scientific model."
They sound like great fodder for a bit of Illuminated conspiracy. If you made a card out of them, you'd make them a
Group, right? Let's look at it more closely.
INWO cards come in several varieties: Groups can be Personalities, Organizations, Places or Illuminati; Plots can have
one-time or continuing effects. In a way Resources span the gap between the Groups and Plots. Groups represent
individual people, places and organizations -- they "do things," Plots are generally "stuff that happens," and Resources
are often objects, creatures or special places -- things you use. Something that seems like a Resource may be better as
a Plot, or a Plot could be reworked into a Group . . . O.J.'s gloves, for example, could become a Resource ("O.J.'s
Gloves"), or they could be turned into a Plot; that gives you a lot more flexibility with how much they cost to play.
Similarly a card based on the Institute of Noetic Sciences could be a Group, but it could also lead to a Plot -- perhaps
one called "Ultimate Human Potential," or it could be a Resource -- a book, for example, or perhaps a device of some
kind.
A Handcrafted Conspiracy, Part I "Bigger than Ben Hur's Mom's Underpants"
Choosing a card's name and what category it fits into are only the start.
Writing the card's text can be trickier than it looks. A card needs to be short
and clear. A long, rambling description of five different things the card does
would need a card bigger than Ben Hur's Mom's underpants. If you want
everyone to appreciate your brilliant card and remember what it does while
they play with it, make sure they can read it in a few seconds, not minutes.
Pick one essential thing about what your card represents and do that.
Make sure your card text makes sense. You might know what you want a
card to do but other people can't read your mind, so it's important to spell it
out. Use short sentences where possible. Good grammar and spelling help
avoid confusion. It's good to have a friend who plays INWO look over your
card and see if it makes sense to them. If you have to explain it, it needs
rewriting.
Try to anticipate what can happen in play. For example, if you have a
Resource that makes a linked Group immune to attacks to destroy, does that
include Assassinations and Disasters? What about other Instant attacks?
Consider the implications for the rest of the game when you design your card.
Make your card balanced relative to other cards in the game, and make sure its cost is reasonable. Super-powerful
cards are not actually fun. Any decent system for getting homemade cards into play will cull game-wreckers at the
outset, but there's always a temptation to try to beat the system. There are a few milestone cards you can compare with
your card for balance. If you give a group Power above three, ask yourself if your group is really more powerful than
France. You can use Meteor Strike for Disasters, and Sniper for Assassinations. Remember that INWO is a game of
subtlety and trickery, and that brute force is a less satisfying way to win. Your friends will appreciate a clever trick
more than a fast stomping.
On the other hand, balanced doesn't mean weak. More powerful abilities are less of a problem if they affect everyone
or are easily removed. Imagine "The Magic Goes Away" (a red New World Order card which disables Magic
Resources, reduces the power of Magic Groups, and removes Automatic Takeovers) as a Plot that only affected one
person! It would need to have a very large cost, but as a New World Order it is free. By comparison, "Fickle Finger of
Fate" removes Automatic Takeovers from one victim, but it costs a valuable Illuminati action, gives its victim +10 for
an attack in compensation, and is restricted -- it can't be used in a two-player game. If you do make something nasty
into a New World Order that you'll be playing yourself, you just have to design your deck around not being too badly
hurt by it, just as people who play "The Magic Goes Away" avoid having Magic Groups and Resources, and find ways
to make up for the loss of their Automatic Takeover.
As much as possible, there should be a thematic connection between the card concept and the ability. The Recycling
Centres card from the Assassins expansion, with its ability to "recycle" discards is a case in point. Some years ago I
designed a card called "Jesuits," concentrating on one thing associated with the Jesuits -- casuistry. Attempting to
implement that lead to an ability to temporarily reverse up to two alignments on a Personality. See Sam Kington's
"Evil Jesuits for a Better Tomorrow" on the homebrew cards site (http://www.illuminated.co.uk/inwo) for an even
better version of this kind of ability.
Notice how the various basic mechanics in INWO -- alignment and attribute changes, card draws, exposure, fiddling
with rivals' hands or decks, spying, and so on -- relate to the corresponding real life concepts. For example, making
others forget things is variously implemented as removal of tokens ('Frop Farm), loss of an alignment (Drug
Companies), and hiding of exposed plots (Fast Food Chains).
When there's a good connection between the thing the card represents and the way the card works in terms of game
mechanics, the card becomes much more interesting. It is not so easy to explain how to do this well, but you know it
when you see it. I would heartily recommend many cards from the homebrew site on this score. Here's a few you
might like to take a look at:
Scott McNair's "Dyslexia Cannot Remove the Terror of the Dogs!" has a neat game mechanic representing dyslexia;
David Schwartz' "James Cameron", an epic which tells us just what can happen when a film is too big for its plot;
Robert Dubisch's "April Fools Day" is a time when hoaxes abound; and lastly there's Carter Cliff's "Shibboleth" which
shows how tricky things can become if you're not "one of us".
Your card ability should be novel. The "Gives +4 on any attack to control Violent groups"-style ability has been done
to death. Do something different! Card abilities that depend on die rolls are a temptation best avoided. It works okay
on Bill Clinton, but generally random abilities make for dull cards. In any case, with the limited size of INWO decks,
putting cards in your deck that only work part of the time can hurt you more than it helps.
The official cards implement a great variety of card abilities, and yet there are hundreds of different possible game
mechanics they don't cover. Sometimes finding an ability that is both new and balanced is hard. If you can't come up
with an entirely new mechanic, try a twist on an old one. For example, while there are cards that increase the
maximum size of your plot hand, I don't think I've seen a card that reduced it! If it reduced the maximum size of a
rival's plot hand by one, that would be a relatively weakish plot, depending on how easy it was to remove. If it reduced
the hand size to one, that would be nasty enough to work as a Zap. How would it be as a New World Order? I think it
would work very nicely for an endgame coup-de-grace!
If you're going to make a card of a specific type, make it fit the pattern for that kind of card -- it helps to have a couple
handy. Zaps have continuous single-player effects with fixed ways to remove them, New World Orders have no cost to
play, Disasters give a roll to devastate and a margin of victory for destruction, and so on.
New World Order Cards
New World Order cards must also have a color. There's no trick to choosing the color of a New World Order -- find a
card that does something similar to, or opposite to your card, and make yours the same color -- there are really no
other requirements. If two New World Order cards shouldn't both be in effect at the same time, they should be the
same color.
Here is a brief list of the various major themes that current New World Order cards cover:
Red New World Orders affect attack conditions -- they make attacks harder, easier or more worthwhile. They
mainly affect the Criminal, Violent, Liberal, and Peaceful alignments. They also affect the Magic attribute and
Resource cards.
Yellow New World Orders affect rules governing Corporate groups. They mainly affect the Conservative,
Straight, Corporate, Government and Fanatic alignments, and the Church and Nation attributes.
Blue New World Orders change the effects of alignments on attacks. They affect Goals. They mainly affect
Corporate aligned groups, Places, and the Green, Bank, Coastal, and Communist attributes.
There are some relationships between those themes as well.
A NWO card that gave two automatic takeovers per turn would be Red, because The Magic Goes Away is Red, and
affects automatic takeovers. If you make a batch of New World Order cards, the other thing you should do is try to
balance the numbers of each color.
Resources
How do I decide if something should be a gadget? I ask myself "Can Deasil Engine make it run backwards and thus
destroy it?" If the Resource is a clock, say, then clearly the answer is "yes." If it is a cauldron, you'd have to say it was
highly unlikely at best, unless it was an electronic cauldron! It is a pretty simple criterion to apply. Things which are
vaguely sort of gadgety, but which fail this test (possibly a cauldron fits here) should usually be artifacts. In fact an
artifact is pretty much anything which is a product of artifice -- something that's "made," though the INWO meaning
seems a little more restricted than this. The Magic and Unique Resource attributes are easier -- you can probably
figure those out for yourself.
Consider how your card would work in a One Big Deck (OBD) or SubGenius game. OBD games are one of the best
ways to introduce homemade cards into play, especially a set of cards with a theme. If everyone has a chance to use a
card, not only will it be fairer, but your friends can more readily help you work the bugs out of the card text.
Lastly, take a look at the Card of the Week Contest Guidelines (

http://www.pharmacy.umab.edu/~terram/staff/cohen/contest.html). These are the guidelines for cards posted to the
inwo-cards mailing list (a mailing list for discussing homemade card ideas -- see the Steve Jackson Games INWO web
pages for information on subscribing). Cards posted to the list that follow the guidelines are considered for the Card of
the Week award. You may find the guidelines helpful in writing your own cards.

A Little of This, A Little of That . . .
Let's see some of these ideas in action. I recently designed a Plot card based
on Magnetic Resonance Imaging (MRI). MRI gives an idea of "spying" on
people -- perhaps looking at a rival's group deck. But that can be done
already with X-Ray Specs and The Prescriptures -- both Resource cards.
What if MRI also scrambled as it examined you? Now we have a more
interesting possibility. So the MRI card lets you rearrange the cards you
examine. MRI is a Plot, so it should generally be weaker than a similar
Resource. X-Ray Specs lets you examine the top three cards from any deck,
either Plot or Group (more if it is linked to a Weird Science group), at the cost
of the action of the linked group. So MRI only lets you examine the top two
cards, and only of a rival's Group deck; but it lets you reorder the two cards
before you replace them, at the cost of a Science Action. This seems perhaps
a little weak, so that ability needs to be improved just a little more -- if it
finds a Resource, MRI makes it public knowledge, by turning it face up. So,
with the addition of a picture and a funny bit of color text, we have:
Type: Plot
Name: MRI
Graphic: A swirly multicolored picture of a person's body.
Various Eye-in-the-Pyramids, alien visages, bits of suspect
technology, barcodes and so forth can be discerned.
Quote: It used to be called NMR but they changed it.
Try saying "I'm supposed to have an NMR" next time you're
in hospital, and you'll see why . . .
Card Text: Choose one rival. You may look at the top two
cards of their Group deck, and replace them in any order.
If the top returned card is a Resource, you may replace it
face up. You must spend an action from a Science group.
Requirements: Requires Science Action
Here's a great card by Marc Sherman -- Power Behind The Throne. This is the best implementation of the "build a new
Illuminati" type of card I've seen, and illustrates well the point about having a good thematic connection between the
card concept and the actual ability.
The Daily Illuminator recently had the website of the Voluntary Human Extinction Movement as its Illuminated Site of
the Week. I just can't resist doing a complete card on them, so here's my take on them. Their alignments and attributes
are reasonably straightforward, but the ability is the tricky part. I took their central philosophy (nobody should have
more children) as my starting point. In the game, the nearest thing I could think of to children were puppets . . . and
"bing!" I saw the light. I'll let the card speak for itself.
Type: Group (Organization)

Name: Voluntary Human Extinction Movement
Graphic: The VHEMT logo -- an "upside-down" earth over the top of
a huge V, with "VHEMT" in a curved banner across it. However,
the tip of the V (the part below the North Pole) has an eye
in it ... looking "up" at the earth.
Quote: "May we live long and die out"
Card Text: While individual membership doesn't tend to run in families,
enough people join the Movement to keep it viable.
The VHEMT may attack to permanently remove an outgoing control arrow
from any non-Illuminati group. Roll exactly as for an Attack to Destroy
or Control (your choice), with a bonus of +7 to the roll. If it succeeds,
the only result is the loss of whichever unoccupied arrow the attacker
chooses. Place something (such as a sticky note or small object) over
the lost arrow.
Power: 1 Resistance: 3
Alignments: Fanatic, Liberal, Peaceful
Attributes: Green
Control Arrows: In: B Out: none
Thanks to Seth Cohen, Marc Sherman, and Sam Kington for their advice and assistance.
A Hot Time in the City
by Andrew J. Lucas
Running the Adventure

This Marvel Super Heroes adventure is best suited for beginning players and lower powered heroes, especially crime
fighters and champions of the common man like Daredevil or Spider-Man. The scenario can be played with a
gamemaster and a single player/hero or with a team of players each with their own character. When playing with
multiple heroes it may be necessary to adjust the scenario so that the heroes don't completely overwhelm their
opposition. If there are five or more heroes or the heroes are experienced (have an edge over 2) adjust the adventure to
balance the odds. For each hero with an edge of 3 or more add either the Rhino (Roster Book #0, pg. 47) or Electro
(Roster Book #0, pg. 39) these villains have worked together in the past and it is not inconceivable that Doc Ock
would invite them to share in his master plan. If there are more than five heroes in any one scene, double the number
of New Order and Mafia thugs in the scene to increase the challenge.
The Nefarious Plot

Doctor Octopus has broken out of jail and organized a crime syndicate called the New Order. The New Order consists
of young street wise punks who are being controlled by a shadowy crime lord, whom only their leader, Johnny Payne,
has met. Doc Ock has outfitted the gang with the very latest in energy weapons and is using them to finance his master
plan -- the destruction of the Kingpin. Simply outfitting his gang with superior weaponry has proven inadequate to the
task, so the Doc Ock plans to deal with the Kingpin by stealing a shipment of tactical missiles and simply nuking him
out of the picture. Of course the heroes fall hip-deep into this mess, and what starts as a simple if violent gang war
escalates into a city-wide threat.
Scene One: Block Party!

In Scene One, the heroes stumble across a jewelry heist by this new gang. During the heist the heroes are surprised by
a second group of criminals who try to attack the first group. The second group are controlled by the Kingpin who is
trying to discover the identity of the person running the New Order. The Kingpin's men are more traditional mob
enforcers who take their job very, very seriously.
As the heroes are patrolling the city, taking in the night air or simply relaxing at home, they will hear the distinctive
sound of glass breaking and an alarm sounding. If they move fast they will be able to beat the cops to the scene of the
crime, they will find a gang of five teens breaking the glass display cases, stuffing expensive jewelry into sacks which
they then throw into a minivan parked behind the store. The youths are obviously rushing to make a quick getaway
and unless the heroes are blatantly obvious their arrival will go unnoticed. At this point the players have a couple of
options, rush in to break up the burglary or let them succeed and follow the gang to their home turf.
If the players decide to break up the heist, play out the battle, emphasizing the fact that the punks are packing serious
and sophisticated firepower. During the fight the gang's blasters will melt streetlamps, concrete sidewalks and punch
fist sized holes in parked cars. The players should be wondering where punks like the New Order got major league
energy weapons. After the battle, any heroes with the appropriate intellect skills such as Scientific Genius, Radiology
or Weapons Systems may make a Challenging Intellect test to determine the origin of these weapons. The action will
fail to reveal the maker of the weapons but will reveal that they were made by a Scientific Genius (gifted in
Electronics and Radiology).
If the heroes decide to let them get away and follow the gang to their hideout, let them make an Average test to
discover that they are not the only ones watching the heist from the shadows. In the shelter of a nearby alley is a black
sedan holding four of the Kingpin's Mafioso thugs. The quartet of enforcers have orders to stop the New Order from
encroaching on their territory by any means. If the heroes go after the enforcers first, there is a chance that the New
Order get away. If they go after the New Order, the enforcers will simply watch the action and report their findings to
the Kingpin. If the players fail to detect the Kingpin's men and decide to follow the New Order thugs, they will be
surprised as the enforcer's sedan rams into the New Order's van and a running gun battle through the streets of
Manhattan ensues.
In any battle, the enforcers and New Order will see each other as their primary threat and if left to their own devices,
will spray lead and energy bolts at each other with little regard for bystanders or the heroes. Only when the heroes
become involved will they attack them. It's obvious that the two groups have an intense hatred for each other.
After the battle the heroes may be allowed to interrogate the New Order and the Enforcers. Vigilante groups may have
difficulty accomplishing this, while official law enforcement agents like the Avengers will easily be able to take a
suspect aside for a little impromptu "debriefing." Heroes with high Intimidation, Law Enforcement, Leadership or
Manipulation skills should be allowed to take the initiative here, perhaps indulging in a session of "good cop, bad cop"
with their hapless captives. In the course of the interrogation the following facts are revealed:
* The New Order street gang have been around for a number of years, but have always been small fish.
* Recently, the New Order has been outfitted with high tech weaponry by the new crimelord who has taken control of
their gang.
* Only the leader of the gang, Johnny Payne, has met the new crimelord, who calls himself The Overlord of Crime,
apparently as a direct affront to the Kingpin who rules the New York criminal underworld.
* Johnny occasionally calls the Overlord "Stretch," and he is the only one of the gang who has met the Overlord.
Heroes with police contacts can discover the following information:
* Police reports indicate that the New Order gang first started burglarizing electronic supply houses about two months
ago. Before then they were a small time street gang that ran numbers for the Kingpin and occasionally extorted the
residents of their turf.
* A week after that first break in, the gang appeared on the street with laser pistol-type weapons. The gang then
proceeded to attack high profile-targets outside of their area. Word on the street is the Kingpin of crime sent men to
bring them under control and the New Order stopped, but not before their clubhouse was burned to the ground.
* Three weeks ago, a titanium supply house and a high density battery manufacturer were hit. Two weeks ago, the
New Order resurfaced, sporting high yield energy weapons and began attacking shops and buildings suspected of
paying extortion money to the kingpin. Since then all hell has broken loose and the New Order and Kingpin enforcers
are engaged in a bloody gang war.
* The New Order have much better weaponry, but the Kingpin's men have far more experience it's only a matter of
time before the New Order surrender or are destroyed.
* Last week the New Order raided a train depot and stole a shipment of precious jewels being shipped by a local
importer, Fisk's Import/Export. They also stole the month's schedule from the station master, and security has been
tightened up around the station.
Discussing the situation with the Mafia enforcers reveals little:
* The Mafia enforcers have been sent by the Kingpin of crime to ferret out his new rival and "deal" with him --
permanent-like.
* The Kingpin knows his rival and isn't scared of him, but no one else in the organization does.
* One of the New Order punks is an informant for the Kingpin and he says something big is about to go down
something to do with a hit they made last week.
New Order punk
Strength 4x, Agility 4d, Intellect 2c, Willpower 3d, Health 20

Typical skills:
Marksmanship, Martial arts Weapons
Equipment:
Energy blaster + 3
Energy sword + 3
Mafia thug
Strength 5d, Agility 3d, Intellect 2c, Willpower 3d, Health 30

Typical skills:
Marksmanship, Boxing, Intimidation
Equipment: Uzi + 2
Scene Two: Boxcar Blues

Johnny Payne leads the New Order gang in an attack on a military train to steal a shipment of nuclear weapons for the
Overlord. In the aftermath of Scene One, the heroes should have been able to realize that the New Order have taken an
interest in the New Jersey train yards. In fact, they have a complete rail schedule for the next month. They should be
able to put two and two together and decide to stake out or at least patrol the New Jersey yards. If they don't get this
information from Scene One or they decide not to act on it, then simply proceed to Scene Three. No blood, no foul,
right? . . .
If, on the other hand, they do stake out the train yard, describe the following:
It's cold and boring and dark and cold. You wish you'd taken that cop up on his offer of a nice cup of Java down at the
station, but in your profession it doesn't pay to get too chummy with the boys in blue. Just as you see the yard boss
completing what had to be his millionth tour of the yard, you see something that piques your interest. Over on one of
the unused rail spurs is a dark green and brown rail car, surrounded by three, no ten men in khaki parkas. You bet
those are warm, warmer than the union suit you're wearing. Wait a moment! That's not green and brown, that's
camouflage! You check the rail schedule again. That car's supposed to be carrying a shipment of condensed milk to
Stark industries. Condensed milk your frozen superpowered butt. Just as you begin heading that way you see the
headlights of four mini vans turn the corner into the yard. Here we go again!
Four vans arrive carrying five New Order thugs in each. That's 20 people, folks. Two for each soldier (use the stats
from Roster Book #0, pg. 54) guarding the train. Each of the thugs is seriously kitted out for this raid with one energy
blaster and energy sword each. In addition one gangster in each van (4 total) has an energy cannon (+ 5, fired every
other round). Most of the gang attack the soldiers, while five bolt into the train and busy themselves preparing to move
their cargo. During the fight it is obvious that one member of the gang is the leader (Johnny Payne). After issuing
orders to attack the soldiers, he bolts into the rail car to oversee the preparations.
If the heroes break through the New Order punks protecting their leader, they will see that the train is filled with
pallets of missiles, each holding four missiles. It is an Easy Intellect test to realize that these are nuclear warheads and
that any discharge of energy weapons or powers could detonate them (opposed challenge using the intensity of energy
verses the missile's fire control system: 10). During the battle a large helicopter will be heard approaching (seen if any
heroes are outside the rail car). The players may presume this is the police, military or media, when in fact it is
actually Doc Ock. At a dramatic moment during the battle, perhaps just as Johnny Payne surrenders or is knocked
unconscious, a quartet of metal tentacles rip apart the roof of the rail car. Two tentacles pick up the nearest pallet of
missiles. One snakes around Payne's waist, lifting him to safety, while the fourth will viciously strike at any hero
within the rail car.
The helicopter will then attempt to escape with it's cargo. At this point, the heroes may try to pursue or attack the
helicopter. Persuade them that shooting at the craft and its load of missiles may detonate them, perhaps a critically
injured soldier could gasp this out as he faints, obviously in need of immediate medical attention. If the heroes pursue,
Doc Ock will try to evade them, using as many doom cards you've accumulated so far to do so. If worse come to
worst, Doc Ock will fire an energy blast at the rail car, causing it to burst into flames, he will then gloat that the heroes
can either capture him or watch their city go up on a radioactive cloud. Drat!
Johnny Payne, gang leader
Strength 4x, Agility 4d, Intellect 3b, Willpower 3c, Health 25

Typical skills:
Leadership, Marksmanship, Martial Arts Weapons
Equipment:
Energy blaster + 3
Energy sword + 3
If the heroes have any way of tracking the missiles, perhaps with some sort of tracing device used during the fight, or
mutant senses, then proceed to Scene Four. If not, proceed to Scene Three.
Scene Three: Strange Bedfellows?

The Kingpin sets up a meeting. After the events of the past few days, especially the raid on the military train, it is
understandable if the heroes are a little frustrated, perhaps even jumpy. The next evening, they will hear a burglar
alarm rip through the night, much like their first meeting with the New Order a few days ago. This time however, it's
different. When they arrive on the scene they will not find a robbery in progress, but a huge limousine parked outside
a small retail store. The door of the limousine is open and a huge man in a white suit is standing beside it, obviously
waiting for something. When the Heroes arrive he will beckon them to join him and send the chauffeur into the store
to shut off the alarm. As the heroes get closer to the limousine, they will notice that the store's sign reads "Fisk's
Uptown Spices." The man introduces himself as Wilson Fisk, a humble purveyor of spices and asks if he might have a
moment of their time. When the players have all piled into the limousine, he will offer them refreshments, then
announce the following.
"I am the chairman of a local . . . consortium of sorts. A group of businesses with similar concerns . . . an unofficial
chamber of commerce for New York, if you will, with an exclusive membership to say the least. We have been
approached by the madman Dr. Octavius. He demands that we pay him five million dollars by the end of the day or he
will, quote, "Destroy all that is precious to us," unquote. While I myself have little in the way of influence amongst
defenders of the city such as yourselves, I and my . . . associates believe it is our civic duty to stop that madman. I . . .
we believe that we can help you find Octavius, though stopping him will be up to you.
If the players accept Fisk's help he will give them an experimental radiation detector which should indicate where the
missiles have been taken. When the heroes turn the device on, they will see that the device is registering five separate
sources of radiation. (It's never easy, is it?) If the players use the experimental Geiger counter, go to Scene Four.
If the players ask how the ransom is to be delivered or how the message from Doc Ock was sent, Fisk will produce a
small tape recorder, which has been crushed somehow. An Easy test is required to get the device operating again. A
Challenging test is required to notice that the device is manufactured by Triton Electronics. If the players decide to
check out the Triton Electronics angle, proceed to Scene Six. Playing the tape reveals that the five million is to be
delivered in the form of bearer's bonds, in a yellow suitcase, placed in the Sheep Meadow of Central Park. Fisk will
refuse to pay the ransom. If the heroes decide to fake paying the ransom, go to Scene Five.
Scene Four: Release the Hounds! A Hot Time in the City
The heroes' device gives them five locations where the radiation is strongest.
The first leads to the Fantastic Four headquarters, where it is discovered that the
device is picking up on the famous quartets technological marvels. Foolish
players that attempt to break into the FF's home will be rewarded with Amazing
strength stun blasts, titanium tentacles, and a severe chastisement from a small
robot that tells them to make an appointment. Prudent heroes that make an
appointment will be given one next month when the Fantastic Four are scheduled
to return from their visit to Atlantis.
The second leads them to Empire University's particle accelerator, where a

physics class is conducting an experiment.
The third is the rail car where a very serious U.S. army brigade is conducting a
thorough if futile investigation.
The fourth is an abandoned tenement house near a subway track. Here, two of the four missiles have been prepared
with timed detonators (not yet activated), as well as four New Order punks. The detonators are constructed from Triton
Electronics components; a Moderate challenge at this point determines the significance of this, and an Easy Research
task allows the heroes to proceed to Scene Six. The heroes will learn from one of the New Order punks, eager to avoid
a beating or strike a plea bargain, that one of the missiles warheads has been stripped down and is being carried on the
subway by Johnny Payne to the Fisk building. He doesn't know where the final missile is.
The fifth location is a backpack worn by Johnny Payne as he carries the stripped down warhead to the Fisk Building,
the seat of the Kingpin's power. Payne believes he is carrying the warhead to Wilson Fisk (whom he knows is the
Kingpin, as he has been secretly working for him since the beginning) to emphasize the fact to Fisk that Octavius does
have the power to back up his threats. Doc Ock has told the gang leader to take the warhead to Fisk and leave it simply
to demonstrate that if he has one warhead, he surely has the other three. Payne is to call Doc Ock once he gets there,
using a Triton electronics cell phone no less. Little does he know Doctor Octopus knows he is a spy for the Kingpin,
and the phone is really a detonator which will initiate a 5 minute countdown in the warhead.
Doc Ock has no intention of collecting the ransom; he does intend to nuke the Fisk building and the Kingpin, though.
If the players stop Payne and demonstrate that the cell phone is really a detonator, and that Doc Ock is using him as a
two legged guided missile, Payne will spill the beans. He won't tell them about being a spy for the Kingpin (he knows
better than that), but he will tell everything he knows about Doctor Octopus, which unfortunately doesn't include his
present whereabouts, as all his meetings have been arranged by Octavius on his terms and never at the same place
twice.
Scene Five: Payday!

Doctor Octopus does not believe that the Kingpin (Fisk) will pay him five million dollars. On the other hand, he won't
turn it down if the fool decides to pay him, and better that the money be his than incinerated in the fireball that will
soon be the Fisk building. Doc Ock has dispatched a trio of punks in a minivan to pick up the neon yellow case. They
are then to report in, using the Triton Electronics cell phone he gave them. By now, the heroes should have clued into
the Triton Electronics angle and researched the company. If they do this, take them to Scene Six already. If the punks
are deceived/tricked/threatened into calling Octopus and reporting that they have the suitcase of bearer bonds, Doc Ock
will ecstatically direct them to the old Triton Electronics warehouse in Queens. He will then giggle slightly and tell
them to hurry, as they might be able to get out of the blast radius by then. Laughing maniacally, he hangs up. If the
players haven't dealt with Johnny Payne on the subway yet, they should do so quickly. The punks will tell the heroes
of Johnny and his backpack nuke and urge them to stop him (go to Scene Four).
Scene Six: To Arms!
Examining the bomb, or the tape recorder the Kingpin has, or the third location in Scene Four, reveals that the
triggering mechanism were constructed utilizing parts manufactured by Triton Electronics. Triton Electronics has been
out of business for five years now, until Doc Ock set up shop in their abandoned manufacturing plant in Queens. The
building is quite warm for a deserted warehouse. Space heaters are clustered around the work benches, and it appears
that only one person has been living here. There is a small assembly line producing energy weapons, and crates of loot
that the New Order have recently moved her are strewn about the warehouse. There is a barrel filled with lead and a
huge kiln to melt it with. During the combat, the players should notice New Order punks using the barrel for cover, or
they may use it to attack the punks or Doctor Octopus. In either instance, emphasize that the barrel is incredible heavy,
as if it was filled with lead. The warehouse consists of one floor and a basement/boiler room. There are three minivans
and ten New Order punks inside the warehouse, unloading crates of loot into the warehouse. Doc Ock is in the
basement, putting the finishing touches on the fourth and final warhead, but is inside the lead-lined boiler, unaware of
the combat above.
In the basement is a huge steel boiler used to heat the pipes and the air of the warehouse, though for some reason the
boiler is not being used. Doc Ock has coated the inside of the boiler with lead to stop the military from detecting his
stockpile of nukes before he is ready, but has only moved one of the warheads here so far. The players will notice that
the door of the boiler has lead drippings around it. Opening the boiler reveals the final warhead, with Doc Ock leaning
over it. As Doc Ock turns, the heroes can see a small electronic device strapped to his chest. Doc Ock tells the heroes
that the bio-monitor will automatically detonate the warhead if he is killed, or even loses consciousness. Doc Ock then
picks up his nuclear bomb, saying, "You can't stop me, so you fools better just move out of my way!" The heroes aren't
going to take that, are they?
Dr. Octopus' main motivation here, as with all super-villains, is to run away to live to fight another day. If backed into
a corner, he will leave the warhead behind to cover his escape. Perhaps he could start a fire or otherwise put the
warhead in danger of detonation, forcing the heroes to deal with that crisis while he makes his getaway. If the heroes
just let him walk away with the warhead . . . make sure it comes back to haunt them, and soon.
Epilogue
If the heroes are not radioactive ashes drifting across the city by this time, they should be given their just rewards. In
addition to the + 1 response for completing the adventure, give them one street contact within the underworld. This
may be a mob enforcer or New Order punk that they consistently shake down for information or a sympathetic DA or
street cop in the know. If somehow they find out that the Kingpin is really Wilson Fisk, make them regret it, as he
takes an interest in the heroes. And remember that Doc Ock rarely stays in prison for long and now he knows the
heroes, and he'll have plenty of time to plan for the next reunion. "You've done a good job, and Doc Ock knows it as
well as you do. Sleep tight, heroes."
Dr. Octopus is a trademark of Marvel Characters, Inc.
Contact: The Hlanssai
by Phil Masters
Art by andi jones

Editor's Note: A large part of this article originally appeared in issue 22 of The Journal of the Travellers' Aid Society,
in 1985. The GURPS stats, of course, are new.)
The Hlanssai are a humanoid minor race, originating in the Vargr Extents but now to be encountered throughout much
of the Imperium and other areas. They are widely admired for their artistic talents, grace, and dexterity, but many
members of other races distrust the Hlanssai because of their justified reputation for emotional instability. Nonetheless,
sheer wanderlust and versatility has carried the species far.
Background
The Hlanssai evolved on Vrirhlanz, in the Vargr Extents, a planet not totally unlike Terra. Their ancestors were
intermittent/gatherer types, adapted for a semi-nocturnal existence in moderately forested areas. This species already
possessed a fair level of intelligence when tectonic shifts created a "land bridge" between two continents, allowing a
large number of different -- and frequently dangerous -- species to invade the proto-Hlanssai's home environment. The
resulting evolutionary pressure encouraged flexible, intelligent behavior, but this was only part of the result. The new
dangers confronting the Hlanssai demanded the ability to perceive situations quickly and in detail, and an awareness of
all possible subtleties in a given situation. The race already possessed the acute senses of the sometime night-dweller;
evolution now enhanced these to exceptional levels. Hlanssai intelligence was the product of the need to analyze and
comprehend these sensory inputs; Hlanssai psychology is therefore oriented overwhelmingly towards immediate
sensual awareness and possible responses, and the species' philosophies are generally sensualistic, frequently
dismissive of the long term, and notoriously sybaritic and hedonistic. A Hlanssai will usually respond to each situation
as it occurs, with little regard to long-term consequences, and often, therefore, dramatically.
This is not to say that Hlanssai are psychopathic or vicious; they are capable of personal loyalty and affection, and
their capacity for empathy is quite phenomenal, but enduring trust is alien to them.
Physically, Hlanssai are tall, but very light and slender of build. The race is homeothermic, bisexual, and viviparous,
producing one or two young after an eight month gestation period. Hlanssai bodies are about 50% covered with a silky,
glossy yellow fur, and the race seldom bothers with clothing; the most striking visual feature is the head, with its two
large eyes and two even larger ears. The former are sensitive to a range of frequencies extending into the ultra-violet;
the external flaps of the latter serve to detect thermal radiation and air currents with considerable efficiency, as well as
focusing sound into a highly sensitive inner ear. The race's hands have three three-jointed fingers and a stubby, un-
jointed "thumb" each; their feet are similar, and can provide some limited grip, especially when climbing.
Society
Hlanssai culture had achieved a kind of static equilibrium (and a kind of elegant Bronze Age technology) when the
race was first contacted by the Vargr, and the systems then used have changed only slightly since. Hlanssai psychology
dictates that complex, rigid social systems and long-range planning are impossible, and even familial or tribal bonds
are weak; balancing this, the species' drive to co-operation in the face of immediate danger is fairly powerful. The
result is a system of administration by a system of self-interested cliques and participant democracy, anarchic to most
non-human eyes but acceptable to most Hlanssai. (A Hlanssai who finds it unacceptable usually either forms his own
clique or takes to demagogic politics.)
Personal violence and theft are quite common, but can represent a sufficient immediate personal danger to Hlanssai in
general to trigger the co-operation instinct. Larger-scale organization for long-term aims is rare, generally only
occurring when an unusually capable and charismatic Hlanssai perceives a particularly strong racial need, and
persuades his people to work together to meet it.
Normally, the Vargr have poor relations with minor races within their territory unless they are strong enough to stand
up for themselves, but the Hlanssai are an exception to this rule. The species' immense versatility, subtlety, and talent
for empathy enable them to persuade most other races of their usefulness, and Hlanssai social scientists, servants,
traders and spies have traveled virtually everywhere that the Vargr have gone (and sometimes beyond). The Vargr
generally regard the Hlanssai as useful, dangerous, and fortunately weak; the Hlanssai regard the Vargr as graceless
and unsubtle, but interesting and useful. Beyond the Vargr Extents, Hlanssai are widely seen as enigmatic, unstable,
intelligent and interesting; Hlanssai attitudes toward other races vary, but generally involve curiosity mixed with ironic
humor.
Incidentally, when humans hear Vargr describe the Hlanssai as "unpredictable" or "unstable," they often react with
surprise or hilarity; the Vargr are themselves, after all, a by-word for instability among Humaniti. This is, of course, a
foolish error. Vargr behavior is strongly based on the race's perceptions of charisma, status, and ambition; on its own
terms, it is consistent and even logical. The Hlanssai, on the other hand, react in complex and rather less predictable
ways to their perceptions of everything around them, including stimuli that seem trivial to other races. A few humans
have come to understand and empathize with Vargr; it is probably physically impossible to achieve the same
relationship with Hlanssai.
In fact, even a Hlanssai cannot necessarily predict another Hlanssai's actions more than a few minutes ahead;
seemingly trivial stimuli can cause accelerating changes in responses over even this short a time. Human psychologists
describe Hlanssai behavior as "chaotic" in a mathematical sense. Hlanssai must be continually cajoled, rewarded, or
threatened to keep them on a particular course of action.
A final important concept to note when dealing with Hlanssai is that of "N'tarronth," and its converse, "N'tarronchii'a"
-- a further consequence of Hlanssai sensualism. "N'tarronth" is usually translated as "shaping" or "manufacturing,"
but it can best be expressed in human terms as "imposing arbitrary form upon the universe." Hlanssai are acutely
aware of the distinction between the natural and the artificial, and regard one of the most important aspects of
individual behavior to be the extent to which a being accepts external reality and acts within existing limitations. A
being who rejects things-as-they-are and seeks to shape reality to his or her will is N'tarronth and displays N'tarronth;
a being who takes a passive, accepting view is N'tarronchii'a. Despite the fact that other races view them as mercurial
and unstable, Hlanssai tend -- by their own terms -- to be highly consistent in being either N'tarronchii'a or N'tarronth,
and regard an inability to choose between the two modes of behavior as decidedly odd, perhaps comparable with a
refusal to eat or drink. This does not imply any question of good or evil in Hlanssai terms; simply a matter of normal
sentient behavior. (So this is the one aspect in which well-trained xeno-psychologists can predict Hlanssai behavior.)
In general, music, applied science, law, manufacturing industry and exploration are classed as N'tarronth, whereas
mathematics, figurative art and hedonism are N'tarronchii'a. To the Hlanssai, therefore, most other races tend to
N'tarronth -- which is, the Hlanssai would say, their business -- but display an odd tendency to mix in elements of
N'tarronchii'a. In other words, Hlanssai understand other species almost as little as other races understand Hlanssai.
Hlanssai in Play
Contact: The Hlanssai
Hlanssai characters may be encountered throughout the Traveller

universe, particularly in Spinward and Coreward regions, and in a
wide variety of circumstances. Many of the race, afflicted with
wanderlust, become roving artists, entertainers, animal-handlers or
adventurers, and a strong disinclination to settle anywhere for long
-- and a matching inability to remain on perfect terms with one
employer for extended periods -- generally keeps these beings on
the move. Some Hlanssai become "liaison specialists" in the
employ of organizations of merchant starships engaged in
exploratory work, in which role their immense capacity for
analyzing others' behavior is extremely useful, but Hlanssai cannot
accept discipline, and so rarely find work in large, formal
organizations, and never in military service. Referees should find it
possible to operate Hlanssai, once their racial peculiarities are
understood, and adventurous players might consider using such as
player-characters, although if Hlanssai are being properly
roleplayed, no other PC will trust them, and no long term aims will
be pursued, which might prove an intolerable limitation.
In GURPS terms, a Hlanssai character has the following racial package: -2 ST [-15], +2 DX [20], +1 Fatigue [3], +2
to Artistic skills [12], +1 to Climbing skill (strictly speaking only when barefoot, but Hlanssai don't often go in for
shoes) [1], +4 Alertness [20], Ambidexterity [10], one level of Less Sleep [3], Night Vision [10], Ultrahearing [5],
Odious Personal Habits (whimsical and unpredictable behavior) [-5], Absent-Mindedness [-15], Broad-Minded [-1],
Dreamer [-1], Imaginative [-1], and the racial quirk of Co-Operative Under Heavy Stress [-1]. They also have a mixed
racial reputation; almost all Vargr regard them as erratic, and react at -1 [-2], while almost anyone may see them as
crazy, or Vargr minions, or both, reacting -2 on 10 or less [-5]; however, there is a small class of devotees of the arts
who have a high appreciation of the race's work, reacting to them at +2 [3]. The base cost to play a Hlanssai is
therefore 41 points.
(This package assumes that the character will be operating in human society, not too far from the Vargr Extents; for a
campaign based in other regions, the Reputations may be modified, and the Odious Personal Habit may also have a
different value. Note also that a Hlanssai's sensitivities to heat and air currents, while useful, are by no means
equivalent to Infravision or Faz Sense, and are treated for game purposes as "special effect" aspects of its Night Vision
and Alertness.)
Having created a Hlanssai character, calculate height and weight as for a human of equivalent ST, then add 1' to the
height and subtract 15 lbs. from the weight. Hlanssai are rarely Overweight, and almost never Fat; they enjoy food, but
prefer variety to quantity, and usually seem to burn any excess off by becoming even more energetic than usual. (This
is probably an evolved biological response; in the unpredictable environment of ancient Vrirhlanz, a presentient
Hlanssai which found a large supply of food was better off using the extra energy straight away than storing it against
an uncertain future. Anyway, a Hlanssai who doesn't like what it sees in the mirror tends to become morose and go off
its food.) Hlanssai cannot take better-than-average Appearance; among themselves, aesthetics are vastly complex and
personal, while they all look rather similar to members of other races (and are easy enough for non-xenophobic
humans and Vargr to tolerate). Unattractive or worse Appearance is rare, usually being the result of disfiguring injury
or disease.
The first concern when designing a Hlanssai is whether it is N'tarronth or N'tarronchii'a. NPC Hlanssai are equally
likely to be either, although some jobs are more likely to be taken up by adherents of one attitude than those of the
other; if players are operating Hlanssai, they have free choice, but must always act in accordance with their choice.
(In fact, any Hlanssai character acting in a fashion contrary to his or her choice for any significant period is probably
in the process of going insane; if players refuse to work within the chosen mind-set, GMs are fully entitled, after
issuing fair warnings, to take over the mad Hlanssai, operating such characters as totally unstable paranoids,
psychopaths, schizophrenics, or suchlike.)
Other advantages, disadvantages, quirks, and skills must be determined on an individual basis, with reference to the
character's chosen mind-set; Hlanssai usually have plenty of each. However, anything requiring extended, concentrated
effort or consistency -- whether a high level in a Hard skill or a disadvantage such as Megalomania or Truthfulness --
is highly unlikely. On the other hand, a Hlanssai without at least -20 points of extra Mental Disadvantages, from Bad
Temper through Compulsive Behavior to Kleptomania, will be regarded as horribly dull by others of the race.
Optionally, the GM may even permit Hlanssai characters to shift mental disadvantage assignments around over time --
by, say, 5 points per game month -- to represent long-term changes in the overall pattern of the character's behavior.
Optionally, non-military packages from GURPS Traveller may possibly be applied to Hlanssai, but a semi-random
mix of abilities is more appropriate; few Hlanssai have careers as such. Combat skills are possible, though rarely high;
some of the race indulge in an amount of rough-and-tumble Brawling, or learn enough about guns to protect
themselves in their wanderings.
As a guideline rather than a firm rule, N'tarronth Hlanssai often have Greed, Craft skills, Architecture, Chemistry,
Scrounging, and Vehicle skills, while their N'tarronchii'a relatives may display Laziness, knowledge of several
languages, Astronomy, History, Mathematics, and so on. Combat Reflexes, Empathy, Curious, Impulsiveness, Nosy,
Short Attention Span, Artistic skills, Intelligence Analysis (intuitive rather than trained), Savoir Faire and Survival are
common among both groups (but by no means universal).
Ancient and Fantasy Armor Revisited
by Dave Steele
Art by Art Today

Many fantasy game systems fall victim to the myth that medieval armor is both heavy and cumbersome. While
GURPS made the leap that armor is not particularly cumbersome, the myth of its excessive weight continues to exist.
Some study will reveal, however, that the weight of medieval armor has been badly blown out of proportion. Also, a
couple of armor types that were common in the medieval period have been ignored.
Ancient and Fantasy Armor Revisited While in some cases estimates had to be made, the chart below provides
a reasonably accurate system for gaming. The GM could alter some
things, depending on the "true" tech level of his world. For instance, in
our modern society leather is relatively expensive (several dollars a
square foot for armor-weight leather), whereas steel can be purchased at
a scrap yard for pennies per pound. The expensive part of producing
body armor with these two materials in a modern setting is the labor. In
a medieval or equivalent setting, labor was cheap and plentiful. Leather
was used more extensively, and was much cheaper as well. Iron or steel,
on the other hand, could be very expensive, depending on the time period in question. In early medieval times, iron
was scarce and hard to come by, and was very expensive. It's also difficult to work; there were no handy steel mills to
produce a sheet of 16 gauge to use for armor. Instead, a smith was needed to beat the steel into a sheet by hand.
The same was true of mail (often mislabeled "chainmail"). The wire drawing machine hadn't been invented, and a
smith or his apprentice had to beat pieces of iron into wire, then wrap, cut and assemble the rings. So the price of mail
could vary widely, depending on whether wire-drawing technology was available or not. It's also possible that some
areas of a world would have the technology and others would not.
Some of the armor types in the table may be unfamiliar. Please see the descriptions below the table for more detail.
Item TL PD DR Cost Weight (lbs.)

Clothing any 0 0 ~$20 2+
Winter clothing any 0 1 ~$60 7+
Padded cloth armor 1-4 1 1 ~$100 14
Light leather 1-4 1 1 ~$150 10
Heavy leather 1-4 2 2 ~$200 25
Jack (see notes) 3 2 3 ~$375 17
Light Mail 3-4 2 3 ~$1750 18
Med. Mail 3-4 3 4 ~$1100 30
Heavy Mail 2-4 3 4 ~$550 45
Medium Banded Mail 3 3 4 ~$1650 35
Heavy Banded Mail 3 3 4 ~$825 50
Scale armor 2-3 3 4 ~$750 40
Brigantine 3-4 3 4 $1250+ 35
Half plate 3-4 4 5 $2000+ 40
Light plate 3-4 4 6 $4000+ 35
Heavy plate 3-4 4 7 $6000+ 55
Jousting plate 3-4 4 8 $10000+ 110+
Armor pieces: Use the following formula to get the price & weight Ancient and Fantasy Armor Revisited
of individual pieces of armor: Torso 42%, Legs 38%, Arms 20%. In
reality, these pieces tend to vary widely, depending on armor type and
period (a late medieval plate torso might be cheaper than mail, for
instance), but this provides a reasonably quick and dirty system.
Armor prices are estimates. If an area of a world was iron-ore poor,
the price for iron and steel should go up. Japan is a good example of a
culture that used other materials, like hardened leather, for a majority
of their armor, because iron was in very short supply and swords can't
be made from anything else.
Mail: Mail comes in three "weights": light, medium and heavy.

PD/DR shown is versus a cut; vs. an impaling attack, subtract 1 from
PD and DR. Against a crushing attack, subtract 2 from PD and DR.
All suits are assumed to have a layer of light padding, weighing
approximately 5 lb.. underneath the mail. Sans padding, subtract 5 lbs.
and 1 from DR, before any other adjustments.
Banded Mail: This is mail reinforced by leather thongs run through

every other row of rings to stiffen and reinforce the mail. PD/DR
shown is vs. a cut; vs. an impaling or crushing attack, subtract 1 from
PD and DR. All banded mail is assumed to have a layer of light
padding, weighing approximately 5 lbs. underneath the mail. As with
regular mail, subtract 5 lbs. and 1 from DR, before any other adjustments, for no padding.
Some other mail notes: Why the cost difference? Also, shouldn't "Heavy" mail be more protective and cost more?
No, the difference lies in the weight, the quality of the wire used, and most importantly, the size of ring used. Heavy
mail is made of large, cheap iron rings, which are butted together. It could be produced anywhere, by most any smith.
Medium mail is made of slightly smaller rings, made from better wire, requiring a wire-drawing machine of some
type. Medium mail rings are typically riveted as well. Light mail is made from fine steel rings, that are very tiny. It
would take at least four times as many rings for a suit of Light mail than for Heavy, and maybe more! Only a few
shops could, or would, produce Light mail. The only "period" examples surviving come from Japanese suits of armor.
Jack: Jack is a form of Brigantine (see below), using horn instead of steel plates, with a cord passing through a hole in
each plate that replaces the rivets of brigantine. It is more commonly available than brigantine. It may be ordered with
more expensive outer cloth, though this appears to have been rare in period. Base price assumes standard canvas or
other sturdy, cheap material.
Brigantine: This is essentially a development of scale armor, consisting of hundreds of small plates (one surviving
example has 1,650 plates!). It is one of the more flexible and comfortable types of armor to wear for extended periods
of time. The plates are enclosed in a cloth garment and riveted into place, with padding built in or worn underneath. It
would be found in the armor shops of cities or large towns. The price given would be for a "bare-bones" suit; however
this armor normally is covered in velvet, silk, etc. Increase the price appropriately, using Upper class or Noble class
clothes as a guideline. (Brigantine $1,250 + Upper class clothes $200 = $1,450). A brigantine jacket is what you'd find
the understandably paranoid nobles in a treacherous court wearing . . .
Jousting Armor: It's just that -- jousting armor. It is designed for that sole purpose, and is not good for adventuring!
Many of the misconceptions about field armor come from this heavy, highly specialized form of armor, which was
developed very late in the medieval period or slightly after. It is heavy, it is cumbersome, and a rider "unseated" from
a mount would take several rounds to get up. It wouldn't be unfair to disallow the use of hand weapons with this armor
-- it was designed to carry a lance, and nothing else. It does, however, help the owner use the lance, providing a place
for the end of the lance to rest against the breastplate. Giving a +1 (or even more) to lance skill when jousting armor is
used by an experienced character would be entirely appropriate.
Final Notes
It should be noted that the weight of some armor, and of plate in particular, has dropped to a fraction of that given in
the GURPS Basic Set or AD&D (at least the old AD&D books that I have). These weights are consistent with actual
medieval pieces still in existence, or extrapolated from these pieces.
The GM should feel free to disallow characters from buying any kind of armor if doing so would unbalance the game.
The GM can simply make the armor unavailable, or perhaps impose extreme taxes for buyers who have not sworn
fealty to the local ruler -- and did we mention that if you're not one of the king's vassals, wearing such armor is illegal
on his lands?
Bibliography
Arms and Armor of the Medieval Knight, David Edge, 1993.
The Armourer and his Craft : From the XI'th to the XV'th Century, Charles Foulkes, 1989
Top 25 Magic Combos of All Time
by Will McDermott and The Duelist Staff
[Editor's Note: This article originally appeared in The Duelist magazine, Issue #34, February 1999.]
At its heart, Magic is about money...no...card combinations, and discovering combos is both the thrill and
the agony of the game (depending on which side of the table you're on when the combo goes off). So,
feeling a little nostalgic after our "Five Year Anniversary" issue, we decided to take another trip down
Magic memory lane. Herein, you'll find the most powerful or influential combos the game has ever seen
(except for that upstart Tolarian Blue; it needs to prove itself yet).
This list is the result of minutes...no, hours...er...days of research and the best statistical analysis we could
afford (Microsoft Excel - it came bundled with our machines). We even asked top men (really, top men)
for their input; actually, I'm not joking about this. Our panel included Mark Rosewater and the Duelist
editorial staff, Pro Tour judge Jeff Donais, Pro Tour player Alan Comer, and Wizards' AOL netrep (and
creator of "The Mage's Workshop" database program) Edward Fewell.
25. Land Tax & Library of Alexandria

You can't discuss card advantage without talking about Land Tax and Library of
Alexandria. Land Tax may well be the best combo card ever created since it helps
fuel so many other combos. It lets you dig land out of your library, thinning your
deck and giving you ammo for effects that trigger off cards (or lands) in hand. Combined with Library of
Alexandria, the top card-drawing card in the game, Land Tax nets you up to four cards per turn by using
the lands drawn to ensure you can activate the Library.
24. Lure & Thicket Basilisk

In the old days (before R&D started hating green), green decks were extremely powerful. However, they
still had trouble getting rid of creatures. White had Wrath of God. Red had Fireball. Black had Pestilence.
But green only had Hurricane, which didn't take out ground-pounders. Green did have Lure and Thicket
Basilisk, which could clear away your opponent's defenders, open a path for your horde, and leave the
bulk of your creatures in good health to attack again next turn.
23. Stampeding Wildebeests & Wall of Blossoms

Stampeding Wildebeests was on the verge of fading away as a fun theme-deck card you could combine
with Pyknite or Striped Bears to draw a card every turn. But these two creatures were expensive and too
easily destroyed. Then came Wall of Blossoms and the Stupid Green deck. Stampeding Wildebeests
instantly became a viable tournament card, mostly because Wall of Blossoms stood on its own as a great
early defensive card that, when combined with Wildebeests, provided huge card advantage as well as
beatdown.
22. Fallen Angel & Living Death
Fallen Angel has been used in a variety of decks because it combines so well with other cards (like
Enduring Renewal). The Fallen Angel-Living Death combo works like this: Attack, and sacrifice any
blocked creatures to Fallen Angel. After combat, sacrifice the rest of your creatures to the Angel and then
sacrifice the Angel to itself. With all your creatures in the graveyard, cast Living Death to bring them all
back out and destroy all of your opponent'screatures on the table.
21. Living Plane & The Tabernacle at Pendrell Vale

This nasty combo provided mass land destruction to green (until Type II banished
the Legends card set from the tournament scene). Living Plane turns all lands into
1/1 creatures that still count as lands. The Tabernacle at Pendrell Vale then forces
your opponent to tap all these newly created creatures or sacrifice them on his or her next upkeep. With all
your opponent's creatures either tapped or destroyed, you can sacrifice the Tabernacle (instead of paying
its upkeep) on your turn, thus saving the rest of your land/creatures to attack.
20. Animate Artifact, Instill Energy, & Time Vault

The combo that got Time Vault banned weighs in at number 20. When it was originally printed, you could
tap Time Vault to gain an extra turn, but had to skip a turn to untap it. Some ingenious player figured out
you could animate Time Vault and then enchant it with Instill Energy to untap it every turn (and thus keep
taking turns until your opponent started screaming). Time Vault was banned, and later reinstated with
errata that nullified this combo. (You now add a counter to Time Vault when you skip that turn. Hmm,
how about Giant Fan?)
19. Awakening & Tradewind Rider

You don't often see two-color, eight-mana combos, but the power of this one made it work despite the
double-green mana requirement in Awakening. Tradewind Rider had already made its presence known as
a supreme control card by the time Stronghold brought Awakening to the scene. What Awakening added
was the ability to use the Rider's bounce effect twice as often, which could wreak havoc on any deck that
relied on permanents to win. And it's hard to win with nothing on the table.
18. Necropotence & Drain Life

Necropotence so dominated Magic that the 1996 summer tournament season was dubbed "Necro
Summer." This card is so powerful it appears twice on this list, since the Necro deck contained multiple
parts. Another premier card-drawing card, Necropotence lets you trade life for cards. Drain Life serves two
purposes here: it's the kill-card for this deck, and it helps recoup life lost to cards drawn via Necropotence.
Drain Life would reappear the next Spring as the kill-card of choice in the quick and deadly ProsBloom
deck.
17. Black Vise & Winter Orb

Black Vise has been called "three free Lightning Bolts" because you can cast it on
turn one and deal up to nine damage over the next three turns. Backed up by land
destruction or other control elements, Black Vise is a sure killer. The classic
resource denial card is, of course, Winter Orb. After a Power Sink or Mana Short, Winter Orb and an Icy
Manipulator (see below) can keep your opponent in Black Vise range for the rest of his or her (very short)
life. Because of its power, Black Vise went the way of Channel (and the Dodo) getting banned in Standard
and Extended.
16. Bottle Gnomes & Corpse Dance
This combo was so good, the deck built around it bore the name "Dancing Gnomes." This recursion deck
that appeared at Pro Tour-Los Angeles in 1997 used Corpse Dance with buyback to bring Bottle Gnomes
(and other creatures you could sacrifice for an effect) back into play. The toughness of the 1/3 Gnomes
made them great blockers. Plus you could sacrifice the Gnomes to gain 3 life and avoid having it removed
from the game...and then do it all over again next turn, dancing them into and out of play as needed.
15. Necropotence & Ivory Tower

The second Necro combo to make the list, this was truly the cornerstone of the original Necro deck. You
pay life to keep your hand-size as large as possible every turn, and then Ivory Tower rewards you with life
for every card in your hand over four - effectively giving you back the life you paid the previous turn.
Once you got the restricted Tower in your hand (perhaps via a Demonic Tutor or Vampiric Tutor), you
were set. You could just keep drawing cards until you were ready to kill your opponent.
14. Icy Manipulator & Royal Assassin

Often dubbed the Royal "Pain in the" Assassin, this black creature could kill any creature your opponent
was stupid enough to attack with, since you can tap it to destroy a tapped creature. But how do you get rid
of Walls and Serra Angels? Why, with Icy Manipulator, of course. This extremely powerful artifact can
tap any creature, land, or artifact. This two-card combo can destroy about 99 percent of the creatures in
the game (only creatures with protection from black or that can't be targeted are immune).
13. Berserk & Fork & Giant Growth

Probably the most damage you can deal for four mana (excluding mana generators
like Cadaverous Bloom and Channel), this combo was a mainstay of the first
generation of speed decks - the red/green monsters with eight Bolt spells, Blood
Lusts, and the long-forgotten Kird Ape. With a Kird Ape and a forest in play (or better, a Taiga because it
provided both mana colors you needed and counted as a forest), you could Giant Growth the now 2/3 Ape
to make it a 5-power creature. Then just Berserk the Ape to 10 and Fork the Berserk to make your Kird
Ape a 20-power mage killer. I loved that deck!
12. Armageddon & Erhnam Djinn

Shortly after "Ernie" was reprinted in Chronicles, Magic saw the rise of the "ErhnaGeddon" deck, named
for the combo. These fast-mana decks could devastate most opponents by easily dropping the 4/5 monster
Djinn on turn three and destroying all lands on turn four. By the time opponents recovered enough to
handle the Djinn, it was too late. A nice byproduct was that Armageddon basically nullified Erhnam
Djinn's drawback, since you no longer had any forests in play. Another trick to play with Ernie was to wait
until your opponent attacked with his Forestwalker, and then sacrifice your forests to Zuran Orb and block
the now forestless attacker.
11. Fastbond & Storm Cauldron

Another combo that got a card banned, Fastbond and Storm Cauldron almost cracks the top 10 with its
Channel-esque mana generator. Fastbond, banned after this combo became popular, is an enchantment that
lets you pay 1 life each to put extra lands into play. Storm Cauldron bounces land back to your hand after
you tap them. Used together, you can play and tap the same lands over and over until you run out of life.
You can use that mana to pump up the heat on a Fireball or suck your opponent's life away with a Drain
Life. What keeps this combo out of the Top 10 is the cost of Storm Cauldron. At , you need to stay alive
too long to make this trick pay off very often.
10. Enduring Renewal, Goblin Bombardment, & Shield Sphere

Dubbed "Fruity Pebbles," the five-color Extended deck that surrounds this combo blasted onto the
tournament scene at Pro Tour Qualifiers in late 1997 and early 1998. Tempest brought players Goblin
Bombardment, which allows you to sacrifice creatures to deal 1 damage to a target creature or player.
Bombardment appeared just as Enduring Renewal left the Standard environment. But in Extended, this
powerful damage engine still shines. The zero-cost Shield Sphere provides early defense and then drives
the engine as you sacrifice it to Bombardment and recast it for free over and over until your opponent is
dead.
9. Ivory Tower & Library of Alexandria

The second appearance for both of these cards, this combo does it all for you (as
long as you remain at or near seven cards in hand), and was perfectly suited for
control decks that held cards and tended to run low on life before gaining control.
Ivory Tower provides 3 life per turn while Library of Alexandria gives you an extra draw every turn (to
help you find more countermagic or that critical Wrath of God). With life and cards to spare, players using
this combo usually had no trouble controlling and then dispatching opponents (sometimes with a single
Serra Angel, as in Weismann's "The Deck"). It's no wonder both of these cards were restricted.
8. Stasis & Kismet

Stasis-Kismet was the cornerstone lock of the original Prison-style deck. Both Stasis decks and Turbo
Stasis decks used Stasis to lock tapped cards into a perpetual tapped state, while Kismet forced opponents
to put all permanents into play tapped. With all land, artifacts, and creatures tapped, opponents were
helpless unless they could break the lock. But keeping the lock in play was also tough. Different versions
of Stasis decks used Birds of Paradise and Instill Energy to pay the upkeep every turn; Time Elemental to
bounce Stasis back to your hand so you could recast it, and Squandered Resources to find more land to
help pay the upkeep cost once your lands were tapped.
7. Icy Manipulator & Winter Orb

Other Prison decks preferred our number seven combo to Stasis because it was easier to keep the lock in
place. Winter Orb locked down most of your opponent's land because players can only untap one land per
turn. You could then tap one land (or a Mox or a Diamond) and the Icy Manipulator during your
opponent's upkeep phase to tap the one land he or she untapped that turn. A second Icy could then take
care of any land your opponent played that turn. About the only key to this lock was Crumble. At least one
very cruel player added Vodalian Mage to this mix to make sure opponents couldn't even cast crumble or
other one-mana spells.
6. Land Tax & Sylvan Library

The most combo-able card on the list, Land Tax makes its second appearance along with the best green
deck-manipulation card of all time, Sylvan Library. When ErhnaGeddon decks made green/white the
colors to beat, this combo forged its way to the top. The Library lets you look at three cards per turn, while
Land Tax allows you to pull lands from your deck and, more importantly, shuffle your deck every turn, so
you see three new cards each turn with the Library. This combo probably accounted for Land Tax
becoming restricted - and then banned - in both Standard and Extended play.
Sylvan Library is still around and finding new partners, like Abundance from Urza's Saga.
5. Humility & Orim's Prayer

Our number-five combo is another control combo, this one geared toward shutting
down creature damage. Tempest, the same set that gave us Tradewind Rider and
Bottle Gnomes, provides both halves of this all-white combo. Humility turns all
creatures into 1/1 creatures with no special abilities, while Orim's Prayer gains its controller 1 life for
every attacking creature (thus totally negating all creature damage). After creature damage has been shut
down with only two cards, the rest of the deck could focus on protecting the combo and beating the
opponent. Humility proved so powerful (and confusing) it spawned pages of errata.
4. Prosperity & Cadaverous Bloom

Although the deck Mike Long used to win Pro Tour-Paris (and which almost
brought him a National Championship in 1998 before it slipped from his grasp)
actually consisted of multiple card combos, ProsBloom always hinges on these two
cards. With enough mana from sources such as Squandered Resources and Natural Balance, the
ProsBloom player casts a large Prosperity and then sacrifices those cards to Cadaverous Bloom to power
up a death-dealing Drain Life. The power of ProsBloom was its ability to consistently complete the combo
and win on turn four, by using card-drawing cards such as Prosperity, Vampiric Tutor, Impulse, and
Meditate.
3. Recurring Nightmare & Survival of the Fittest

The number-three slot contains the most recent combo on the list. Nightmare
Survival, a new breed of control deck, stormed into the 1998 World Championships.
Survival of the Fittest searches your library for key creatures and fills up your
graveyard with other key creatures. Recurring Nightmare then brings any creature you need directly into
play from the graveyard. The creatures have "comes into play" effects that help control the board
(Nekrataal and Uktabi Orangutan) or effects that reset when they reenter play (Spike Weaver and Spike
Feeder). Nightmare Survival wins by using Survival to put a huge creature into the graveyard, followed by
Recurring Nightmare to bring it into play.
2. Balance & Zuran Orb

Balance was a "sleeper" card (an R&D term used to describe a power card players
don't notice right away) that avoided players' notice for a while and then burst onto
the tournament scene with a vengeance. Eventually restricted and then pulled from
Fifth Edition, the true power of Balance was realized when Ice Age brought us Zuran Orb. With Zuran Orb
in play, you could cast Balance and then sacrifice all your lands to the Orb, forcing your opponent to
discard all of his or her lands. This effectively gave white an extra Armageddon and a super Stream of
Life.
The trick was best performed with no cards in hand and only one creature (Serra Angel, natch) on the
board.
Total control.
1. Channel & Fireball

Probably the first combo ever discovered, this original first-turn kill combo produced
the very first non-ante card ever banned - Channel. Is it any wonder it's the number-
one Magic combo of all time? Its simplicity and its deadly nature made it the perfect
combo. All you need is 19 life and four mana - two green mana to cast Channel, one red mana to cast
Fireball, and one more mana to cap it off - to deal 20 damage on turn one. Of course in the "good ol'
days," finding this mana was easy: One mountain and a Black Lotus fit the bill perfectly. In fact, one
urban legend claims the finals of an early tournament came down to a long, drawn-out contest to see
which finalist couldn't pull off the combo on turn one. Supposedly both decks contained 20 Black Lotuses,
20 Channels, and 20 Fireballs. Best of all, this two-card combo will defeat your opponent any time your
life total plus your available mana exceeds your opponent's life by four. The first, the best, the only:
Channel-Fireball.
GURPS Traveller: First In Designer's Notes
by Jon F. Zeigler
Art by Glenn Grant, John Grigni and Ted Lindsey

For many years (most of my life, in fact) I've been working GURPS Traveller: First In Designer's Notes
on ways to do better worldbuilding for science-fiction RPGs.
Some Traveller players roll up characters, plan mercenary
tactics, or design starships. I build solar systems.
Traveller was one of the first RPGs I ever played, and it's
always been one of my favorites. Even so, one of the things
that bothers me about it is the simplification that it applies to
star mapping. The two-dimensional hex grid is easy to work
with and fits the game's flavor well enough, but it's not very
realistic. The real universe has depth.
One aspect of my study of astronomy has been the structure of the "solar neighborhood," the tiny corner of the galaxy
surrounding Earth itself. This three-dimensional space strikes me as an ideal stage for adventure, a backdrop for
humanity's first steps out into the universe. Unfortunately, the RPG industry doesn't seem to agree with me. The last
RPG to use the solar neighborhood for a setting was 2300 AD, once published by GDW along with Traveller, but
presently long out of print.
Still, let's see if it can be done. Let's think about how to design a campaign with Traveller flavor, presumably using
GURPS rules, but set among the nearby stars of the real universe.
First, we need to consider all the implications of a three-dimensional geometry. The Third Imperium of GURPS
Traveller owns 11,000 star systems, spread through an irregular two-dimensional region about 200 parsecs long and
140 parsecs wide. In three-dimensional space, assuming about one star system per 11.5 cubic parsecs, the same
number of systems would fill a sphere about 62 parsecs across. In the Third Imperium, a ship with jump-6 capacity
takes at least fifteen jumps to make it from Capital to Deneb or Terra. A similar 6-parsec-range ship in our three-
dimensional Imperium would take only about five jumps to go from core to frontiers. A 3-D empire is more compact.
Related to this is the increased versatility of faster ships in 3-D space. In the Third Imperium, assuming about a 50%
chance of a star system in any given hex, a jump-1 ship is likely to be able to reach three or four star systems, while a
jump-6 ship can reach more than 60. That's a big difference, but it pales when compared to the 3-D situation. A ship
with 1-parsec range in our 3-D universe is unlikely to find even one star within its range, but a ship with 6-parsec
range can reach almost 80.
It appears that in order to get the same "feel" as in Traveller, we'll want to somehow limit the range of starships. One
approach might be to make the jump ranges non-linear, so that the difference in range between a jump-2 and a jump-3
starship is actually less than that between a jump-1 and jump-2 starship. That has all kind of implications for the flavor
of the game, though. Best not to try anything that radical.
Another option would be to cap the jump numbers. Suppose our campaign setting is only at early TL 10. Then
(assuming the same technological progression as in standard GURPS Traveller) the most we can hope for is jump-2.
That suggests an "open frontiers" campaign, set in the early days of starflight while humans first expand out from
Earth.
GURPS Traveller: First In Designer's Notes Now, if we assume that jump-1 means a 1-parsec range, as in
standard Traveller, we're likely to be disappointed in the results.
Jump-1 starships in the Third Imperium are limited, but useful.
Many worlds fall in the great "mains," chains of star systems that
are all reachable by jump-1. Even a jump-1 ship can slowly
leapfrog its way across most of the Imperium. In the 3-D
universe, however, it's rare for two star systems to be within 1
parsec of each other, and there are no equivalents to the "mains."
We will more than likely need to define a "jump-1" as covering
some distance greater than one parsec. Exactly what that distance
is should depend on the structure of nearby space. What distance
is likely to give us the best potential plots? Perhaps we can find
inspiration by looking at a map of nearby space. . .
The first survey of the solar neighborhood was compiled in the Gliese Catalog of Nearby Stars, the first edition being
published in 1957. In the last few years, the European space probe HIPPARCOS was flown to compile an extensive
catalog of stars, with distances measured to a higher degree of accuracy than was ever possible for Earth-based
observatories. These catalogs are not entirely accurate or complete for even the close solar neighborhood, since very
dim stars may be overlooked even when they are close by. Still, they should be sufficient for gaming purposes. Using
the figures in the Gliese or Hipparcos catalogs, it's possible to apply the First In rules to do complete worldbuilding.
All of these data are available on the Web. By far, the best site to begin researching nearby stars belongs to Winchell
Chung. He has a superb collection of resources for star mapping, world-building, science-fiction RPGs, and so on. His
site is at http://www.clark.net/pub/nyrath/starmap.html. Another good resource is RECONS, a group of astronomers
who study nearby stars. Their URL is http://cfa-www.harvard.edu/~thenry/RECONS.html. Finally, the best computer
utility available for 3-D starmapping is probably the CHview program, designed by several fans of C. J. Cherryh's
Alliance/Union stories. CHview comes with data files based on the Hipparcos data, and has a wide variety of options:
the solar neighborhood can be viewed from any angle, "jump lines" of any specified length can be planned, and so on.
It and its supporting data files can be downloaded from the Sol Station website: http://members.nova.org/~sol.
For this article, I used the CHview program and began investigating how nearby stars could be reached, assuming
jump drives of varying range. I further assumed that the "jump drive" of our setting would only move starships
between the gravity wells of stars, so that there would be no jumps to "deep space." Although such deep-space hops
are possible in standard Traveller, the setting seems to imply that they don't happen often. In any case, if starships can
only move from one star to another, that means that certain star systems will be "choke points" or "crossroads" of great
strategic value. Such situations naturally give rise to conflict (and plot hooks).
As the range of our putative jump drive increases, stars begin to fall into chains and networks of accessible routes.
When the range passes about 2 parsecs, several long chains of accessible stars appear, reaching out from Sol. In fact,
the 2300 AD game assumed a normal "jump range" of about 7.7 light-years or 2.4 parsecs. This assumption is a trifle
unsatisfactory, because there are a number of stars close to Sol that can't be reached by any combination of such short
jumps. Also, when the jump range is this short, the accessible stars fall into narrow "arms" which connect only at Sol
and tend to taper off into dead ends. If we increase the range to about 9 light-years, however, most of the previously-
inaccessible stars link into the network. The network forms "trunks" and "webs" which connect to each other at several
points, and extend indefinitely into deep space. This will help if we want the dynamic of the campaign to involve
interactions between colony and colony, not just between colony and homeworld.
Setting the standard jump range to 9 light-years has another useful implication. If we assume that 9 light-years is a
standard range for jump-2 ships, then a jump-1 ship can reach 4.5 light-years. This means that a jump-1 ship can
safely travel from Sol to Alpha Centauri (4.4 light-years away) but could reach no other star system. That implies that
Alpha Centauri would be colonized soon after the development of the jump drive, but the real burst of expansion
would only occur some time later, after jump-2 engines were developed. Alpha Centauri would therefore be an
interesting mix of frontier and civilized core, a place from which adventures could begin.
Now that we've decided how to implement our campaign's version of jump drive, we can start looking at nearby stars
and deciding where to place important worlds. Let's take a quick tour of the 25 or so nearest star systems. We'll look at
every star within 9 light-years (one jump-2 radius), and the most interesting ones out to about 12 light-years.
Nearest to Sol is Alpha Centauri, a famous trinary star system. The primary star is very similar to Sol, slightly larger
and brighter. The largest companion is a smaller K0 V star. The system appears to be somewhat older than Sol,
perhaps 6 billion years old. Most astronomers doubt that a double star like this one can have planets, but the First In
rules allow for the possibility. In fact, the companion's orbit is fairly wide and has only moderate eccentricity, so even
the minimum separation between the components is wide enough to allow both stars to have planets in the life zone. If
Alpha Centauri hosts one (or even two) habitable worlds, then it's certain to be an early target for interstellar
colonization.
The third component of the Alpha Centauri system is a tiny red dwarf star of spectral class M5 V. It's not clear
whether this star is actually physically associated with Alpha Centauri, as the separation is extreme (over 10,000 AU).
It is slightly closer to Sol than the bright pair, so by some reckoning it is the star closest to us. It is therefore often
named "Proxima" Centauri. Aside from its small size, Proxima is unusual for the amount of its flare activity. It is one
of the most active flare stars known.
The next-nearest star system is Barnard's Star, a lone M4 V red dwarf. Barnard's Star is believed to have at least one
planet of about 500 Earth masses, somewhat larger than Jupiter. This star was once quite famous for the speed with
which it shifts position in the sky, and was called "Barnard's Runaway Star." In fact, it is probably a very old member
of the galactic halo, currently cutting across the galactic disk against the motion of most other stars in our
neighborhood.
As we might expect, most stars in our neighborhood are ordinary, even rather dull, red dwarfs. The next two systems
on our list are perfect examples: Wolf 359 and Lalande 21185. Oddly, these two stars are not only close to Sol, they
are also quite close to each other, so they form a matched pair of "stepping stones" leading outward from Sol toward
galactic north. Lalande 21185 is believed to have an unseen companion of about 0.01 solar masses, a super-Jovian
planet or "brown dwarf" star. Wolf 359 is one of the least luminous stars known, only about 1/63,000 as bright as Sol.
Both stars are significantly older than Sol.
The next star on the list is also the brightest star in Earth's sky: Sirius. The primary, Sirius A, is a brilliant A1 V star
about 23 times as luminous as Sol. Sirius is clearly a young star, since A-class stars don't last very long. It appears to
belong to a group called the "Sirius supercluster," a clan of stars all of which are only a few hundred million years old.
Members of the Sirius group are scattered all over our sky, because Sol is currently moving through the middle of the
cluster. Sirius might be a good place for industrial outposts to be set up, using torrents of free energy from the primary
and mining metal-rich planetoids.
Sirius has a companion, Sirius B, which was one of the first "white dwarf" stars ever discovered. Although the
companion has almost the same mass as Sol, it is only a few thousand miles across and has very low luminosity. A few
astronomers have speculated that Sirius B was still a red giant star quite recently (within the last few thousand years).
Although this would contradict much of what we think we know about the evolution of dying stars, we do know that
Sirius B is unusually bright and hot for a white dwarf, and therefore recently formed. Meanwhile, many ancient
sources (Babylonian, Greek and Roman) all refer to Sirius as reddish in color. . .
Next on the list is a double-star system tagged UV Ceti. The two

components of this system are matched red dwarf stars, both with less than
5% of the Sun's mass. No visible stars are known to have lower mass than
the UV Ceti components. The small component is a wildly-variable flare
star, erupting every few hours. The UV Ceti system is probably of an age
comparable to Sol. While it is very unlikely to host a habitable planet, it is
interesting as a "stepping stone" system. Not only is it the last star system
within a 9-light-year radius from Sol, it is also one of the best jumping-off
points for travel from Sol to systems such as Tau Ceti, Epsilon Eridani or
Epsilon Indi.
From this point on, we won't discuss individual red-dwarf stars. Suffice it
to say that there are many of them. Out of the 25 star systems closest to
Sol, 19 are composed of one or more red dwarf stars. Given our
assumptions regarding the jump drive, these systems are most likely to be
interesting as stepping stones, places where outposts or fuel depots will be
constructed. Under the First In rules, any one red dwarf isn't likely to host an Earthlike world. Still, the sheer number
of such stars means that many habitable planets are likely to circle them. Feel free to design the occasional red-dwarf
system with a freakishly Earthlike world.
Aside from red dwarfs, the next interesting star is Epsilon Eridani, at about 10.5 light-years from Sol. This is a single
K2 V star, somewhat smaller and cooler than our sun. For years, it was considered a good candidate for an Earthlike
planet. However, recent observations make it clear that Epsilon Eridani is quite young, probably about 500 million
years old. It may very well have planets which are still in the process of formation, but none of them will be likely
hosts for life. This system might be a reasonable place for a scientific outpost, studying the process of planetary birth.
It is also likely to be metal-rich, so industrial outposts might be set up there as well.
The 61 Cygni system is next, at about 11.1 light-years. Strangely, although 61 Cygni is fairly close to Sol there is no
direct route there using our assumption of jumps up to 9 light-years. There simply aren't any other stars directly
between Sol and 61 Cygni, so the quickest path is indirect and takes four jumps. 61 Cygni is a double system, with
stars of class K5 V and K7 V. The pair's separation is fairly wide, so both stars may have complete systems of planets.
In fact, it's believed that one or the other (probably the A-component) has a gas giant planet of about 2,500 Earth-
masses. 61 Cygni is a possible location for an Earthlike planet, although each star is fairly small and dim so any planet
in its life zone is likely to be tide-locked. The system is not likely to be much younger or older than Sol.
Epsilon Indi is a single star of class K5 V, similar to either of the components of the 61 Cygni system. It isn't known
to have any planets, although there is no reason to suspect otherwise. Again, it's possible for this star to have an
Earthlike world, although any such world would probably be so close to the star as to be tide-locked. Epsilon Indi is
probably about the same age as Sol.
The last star in our tour is Tau Ceti, probably the most likely candidate (after Alpha Centauri) for human colonization.
At about 11.8 light-years, it's only two jumps from Sol. It's not known to have planets, but it is more than luminous
enough to have Earthlike worlds that are not tide-locked. Its spectrum reveals a somewhat unusual composition,
slightly poorer than Sol in some metals, but much richer in others. If any of its planets are life-bearing, this might lead
to odd local biochemistries (and might also make the planets resource-rich).
If we build a map of these stars, using pencil and paper or a utility like CHview, we'll find that the stars nearest Sol
form three large clusters. The largest of these is reachable through Barnard's Star, UV Ceti or Sirius. It includes
Epsilon Eridani, Epsilon Indi and Tau Ceti. Further out, this cluster links through a swarm of red-dwarf systems to
many more Sol-like stars in several directions from Sol. This is likely to be the primary direction for interstellar
expansion, if humans ever learn how to travel between stars at all. Any major Earth-based cultures of the early
interstellar era will probably rush to stake claims to strategic systems or Earthlike worlds in this direction.
In almost the opposite direction, through Wolf 359 or Lalande 21185, is another large cluster. Aside from Procyon,
most of the nearby members of this cluster are dim red dwarf stars. There are Sol-like stars in this direction too, but
they are more distant and can only be reached through a "star-desert" of red dwarfs. Humans who settle in this
direction are likely to be those who can think in the long term, developing a chain of outposts to reach the more distant
prize worlds. This direction may attract second-rank powers or isolationist groups who wish to avoid the "land rush"
into the first cluster.
The third cluster is smaller and more isolated, and can only be reached by skirting the edges of the first. Eventually,
however, we reach 61 Cygni. Beyond that are several Sol-like stars, any of which might have a new Earth in orbit.
Again, this cluster is likely to attract pioneers, risk-takers and isolationists.
There we have it. Our campaign setting is placed sometime in the next few centuries, after human beings have settled a
few dozen star systems but before they've expanded so far as to lose contact with Earth. We have a civilized Core, and
three frontier "sectors" which might each develop a distinctive flavor. There might be three or four Earthlike worlds, a
dozen marginal planets, and any number of barren rocks with outposts in place. Now to fill in the details -- but that's
your job. Have fun!
A Handcrafted Conspiracy, Part II
by Glen Barnett

Editor's Note: You can read Part I in our archives.

Making your cards
There are a number of ways you can go about making cards. Here are some
suggestions!
The obvious way to start is to write on a blank card. Sounds fast and easy, but
INWO blanks have a shiny surface that's not all that easy to work on. They
are also hard to change -- cards will often go through a couple of revisions
during design, and a couple more after you start playing with them.
It is easier to design the card separately. I like to make them up on the

computer and print them out. I generally use Word, but almost anything that
lets you put text where you want it will work. I have made passable cards in a
pure ASCII text editor.
You can glue the paper cards onto blanks or spare commons. I prefer the glue
that they use on sticky notes, which you can buy in a stick. It lets you chop
and change as much as you like, because the paper peels right off. When you
first stick the card on, you can slide it around until it is just right. Permanent
glues are rarely so forgiving.
One problem is getting the look of the card right -- the size of the card, the fonts and point sizes, etc. INWO cards are
3 1/2 by 2 3/8 inches (about 89 by 60 mm). If you are making lots of cards, make your card image slightly smaller, so
you don't spend all day trimming corners.
I suggest Arial 10pt bold for the title, 8 point italic for the meeble (the italicized quote part between the picture and the
card text) and 8 point regular for the card text. I have these set up as styles in Word. This gives neat, readable cards
that look similar in style to the real cards.
I like to print plots onto pale blue paper, groups onto pale pink paper, and resources onto a purplish-pink paper; it
helps distinguish them at a glance without being too dark a background for reading black text.
One way to sidestep the formatting problems is to use Sam Kington's homebrew site
(http://www.illuminated.co.uk/inwo). The "Printer Ready" cards under Netscape 4 or Internet Explorer 4 look great.
Another problem with glued-on cards is shuffling them. The cards can also be a little thicker than normal cards, and
sometimes you can spot this in the deck. Using soft plastic card sleeves easily solves both problems -- ordinary cheap
ones work fine. This has the added advantage that you don't have to glue the paper cards on right away; if you insert
them in the sleeves carefully, they'll work just fine on a temporary basis. This is especially handy if you make revisions
after play.
What about Deluxe Illuminati?
The new Deluxe cards are the same size as INWO cards, and the font on the new Deluxe cards looks similar to
Eurostile. The old Deluxe Illuminati cards are 3 1/2 by 2 1/4 inches. It came with three blank group cards. If you use
all of these up and want to make a lot of cards, note that this is a standard playing-card size. You should be able to
pick up a pack of cards of the right size cheaply. Ones with a simple back design in red and white (which are pretty
standard) work quite well, though if you use sleeves with opaque backs it won't matter. Here I use Lucida Sans (12
point bold for the card title, 10.5 point for the rest), but the fonts probably aren't all that crucial -- in fact if you look
closely, you can see that the font on some of the original cards is slightly different from the others.
Introducing Homemade Cards into play
Everyone in your play group has designed some cards and you want to play with them. How do you make sure that
someone doesn't just put an "I win" card into their deck? This is probably the biggest single problem with homemade
cards. The most obvious solution is to have an impartial judge decide if the cards are okay. This works really well,
unless everyone qualified to judge also want to play!
One idea my play group had a couple of years ago was to restrict ourselves to cards that won a "Card of the Week"
award on the inwo-cards mailing list (see the Steve Jackson Games INWO web pages at http://www.sjgames.com/inwo
to find out how to subscribe to the various INWO mailing lists). Cards that are too powerful, too weak, don't quite
work, or are just plain dull don't survive through the judging process. I highly recommend submitting your own cards
there -- the feedback from the list members definitely helps you make better cards. If your brilliance goes
unrecognized by an award, or you just don't want to share your genius with the rest of the world, here are a few other
techniques you could try.
The One Big Deck Approach
Take the new cards that you and your friends have made up, as well as
regular INWO cards, and play a One Big Deck game. That way everyone has
a fair chance to get any card. Another idea is all the newly made groups start
the game in the uncontrolled area. This serves the double purpose of giving
everyone time to read them and think about what they do, and gives more
opportunity for other players to stop the nastiest cards getting into play. If you
are playing under SubGenius rules, you may want to make homemade cards
in the uncontrolled area not count against the total.
Note that with SubGenius cards and rules you can play a game closer in style
to the original Illuminati. If you liked the original game, and you have INWO
cards, get your hands on SubGenius. If your store doesn't carry it, ask them to
get it in. Most stores are very happy to do that. If they are a little hesitant,
consider putting a deposit on it -- that convinces most retailers. If they still
won't get it in (believe it or not, some retailers refuse to take a guaranteed
profit), you can order it directly from Steve Jackson Games, who are happy to
take your Megabucks.
Playing One Big Deck style gives you the chance to design the whole deck --
you can pick cards that work well in One Big Deck games and avoid those that don't work so well. You can make
themed decks. Aaron Curtis ran a competition for designed One Big Decks on the inwo-list. You can find a link to the
entries to the competition on the Steve Jackson Games INWO web pages. If you play OBD, they are well worth a look.
Some of these decks would be a great place to showcase your best homemade cards
The Card Lottery
All the designed cards are put into a single pile, shuffled and dealt to each player. The players then make the rest of
their deck around these cards. This encourages interesting, but not powerful cards, since each of your rivals has as
much chance of getting them as you do.
The Card Sale
Each player places their homemade cards face up in front of them. Each player is dealt about 55 cards from a big deck
(or everyone has half a starter). Other players bid with cards from their own decks on each card, and the designing
player chooses the best bid (you may allow several rounds of bidding). Cards that attract no bids go into their
designer's deck. There needs to be a limit on the number of cards designed by each player in the Card Sale; for myself,
I'd suggest around five as a maximum.
The Card Auction
All homemade cards are placed face up on the table, so all players can examine them, before being shuffled together.
Each player has 100 points to spend, and the cards are auctioned one at a time (whole point bids only). If all the points
have been spent, any remaining cards are retained by their designers. (If you wish, you could use small metallic disks
to represent points. Once spent, these could go into a pot, and the winner of the game takes the pot. Of course, we
could never condone gambling.)
The players then design decks using the cards they just bid for and their own "official" cards, with some agreed time
limit -- perhaps twenty minutes. Some limit on the number of cards each person may contribute should probably be
agreed here as well, perhaps no more than six or eight cards (more if there are more points to spend). This differs from
the Card Sale in that designers can bid on their own cards.
The Card Veto
Players make up their own decks, containing no more than, say three homemade cards. Whenever a made up card is
played or used in some way -- except generic effects like being discarded to power a Plot -- other players may choose
to veto the card. Everyone has 10 veto tokens, and five tokens from any combination of players means the card is
discarded.
Spending veto tokens becomes another part of the negotiations in the game. Spent tokens are lost whether or not
enough were spent to veto a card. A player without veto tokens may gain one by spending an Illuminati action. The
tactics of when you spend your veto tokens, and when you play your designed cards add a little spice to the game.
The Baptism of Fire
This works just like a Card Veto, except now every card must make a roll to enter play. Normally a card must roll
under 10 to enter play, but veto tokens may be spent to reduce the roll that must be made by 1, and roll changing cards
(like Murphy's Law) can affect the result. You may like to increase the number of veto tokens per player a little.
Card Attack
This only works with group cards, but most designed cards are groups. Designed groups can only enter play via attacks
to control, never by automatic takeover. This gives other players the opportunity to prevent any card entering play.
These ideas discourage unreasonably powerful cards; quirky and interesting cards are much more likely to get into
play.

A Homebrew Tournament
It seems a pity that all this good card design might only be seen by a few
people, so here's an idea for a tournament that will reward good designs. You
might find tournaments at gaming conventions, perhaps science-fiction
conventions, or even your local game store. Running tournaments is a great
way to meet new players, see new strategies, and infect others with the
INWO meme.
Each player needs a starter and some designed cards. In the first round, the
designed cards and one 55 card starter deck for each player are put into one
big deck. The winner of each game, plus the designer of the best card from
each game (and their homemade cards!) advance to the next round. To save
cards, the decks at the end of each round can be shuffled together and split up
to make new big decks for later rounds. If there are some very good cards, the
concentration of made-up cards can be allowed to increase each round -- you
might have up to 10 or 12 in the deck for the first round, maybe 18-20 in the
second round. You may want to limit the number of homemade cards per
entrant, perhaps to three or so.
A topical theme for the cards can help get people started on designs -- the
best "in theme" cards could win an extra prize. At the end, the regular cards can be used for minor prizes. Minor prizes
could be anything you like -- the funniest card, or the second best card in each game.
There would be separate prizes at the end for best player and best card. If you don't have enough judges, or don't want
to rely on their judgment, the players can vote on the best card -- each player gets three points (for example) to allocate
to the one or two cards that they liked best, apart from their own. The winner is the player with the most votes, over all
their cards. Voting should be by secret ballot. Ties count as shared victories for prizes.
More ideas on using homemade cards in play can be found on the Steve Jackson Games INWO pages
(http://www.sjgames.com/inwo). Happy designing, making, and gaming!
20 New Skills for Unknown Armies Characters
One of the strengths of the Unknown Armies roleplaying game is its

rather abstract skills system. Characters may have nearly any skill
they can imagine (with GM approval) and the game actually
encourages creativity in this regard. A number of GMCs (Game
Moderator Characters, what other games term NPCs) have such
interesting and illuminating skills such as Beat You Senseless,
Distracting Breast Implants, Make Gobs of Money, Weird Sexual
Appeal Based on Being Perceived As A Challenge, Write Stirring
Email Message, and Run in High Heels.
The Free Skills -- the skills that anybody in an average industrialized

nation should have -- cover many of the role-playing basics: fighting,
thinking, interacting, etc. The authors of Unknown Armies also
provide a short list of other sample skills in the Character Creation
chapter. But sometimes a player can get stuck when making up an
Unknown Armies character, and while the examples given are pretty
spiffy, one feels the need to look at more sample skills to help flesh
out the character being detailed.
Below are 20 new skills for Unknown Armies characters, five for
each of the Stats. Enjoy!
New Body Skills

Bounce Back Fast
This skill represents the ability to shake off some of the effects of being beaten silly. After being wounded in a combat,
the character may roll against this skill. If successful, the GM may roll one die and add the amount to the PC's hidden
Wound Point total. This skill only works once for each combat the character participates in, and is cumulative with
First Aid attempts and other convalescence.
Crushing Blow
This skill represents getting in an exceptional hit in combat. If the attack roll is under the Crushing Blow level, add an
additional die of damage. This is the same effect as the Hand-to-Hand Cherry of More Hurt. This skill is suited for big
bruiser-types, and may not be higher than the level of the character's Struggle skill.
Charge!
This skill represents being able to physically plow through a knot of thugs in your way, a locked door, department
store windows, a plasterboard wall, etc. The GM will adjudicate or veto all Charging attempts, and may choose to
assess damage, if he feels it's warranted. This skill is suitable for running backs.
My Body is a Lethal Weapon
This skill represents hard fists, specialized martial arts strikes, or a dollop of just plain mean. If the character rolls an
attack under his My Body is a Lethal Weapon level, he does an additional +3 damage. On a matched success, he does
+6 damage. This skill is suited for martial artist-types, and may not be higher than the level of the character's Struggle
skill.
My Grandma Hits Harder Than That!
This skill is for the real tough guys out there. If an opponent's successful attack roll is lower than the character's My
Grandma Hits Harder Than That! skill, the GM may eliminate the higher of the two dice, so that the damage done is
merely the lesser die roll, not the sum of the dice. This skill only affects hand-to-hand damage. Example: Juan the
GMC punches Vinny PC in the forehead, rolling a 25. This would normally be 7 points of damage (2 + 5 =7).
However, Juan's roll of 25 is under Vinny's My Grandma Hits Harder Than That! skill of 35%, so the 5 gets dropped,
leaving only 2 points of damage for Vinny to take. He laughs in Juan's face! Next turn, Juan hits Jimmy, rolling a 40
against his Knuckle-Sandwich skill of 45. This is not below Vinny's MGHHTT! skill, and thus does it's full damage of
14 points. Who's laughing now, Vinny?
New Speed Skills

Evade Pursuit
This skill allows the character to lose pursuers through quick lane changes, ducking down alleys, making switchbacks,
and general luck. It can be used for running on foot or driving a car.
Follow That Car!
This skill is used to follow another car, either surreptitiously or through twisty streets and massive traffic.
I'm There!
This skill allows a character to appear anyplace he could normally reach, only with style. This skill is favored by
action heroes using air ducts to escape, grim vigilantes who disappear into the shadows, and those villains who tend to
appear right behind the heroes while they're talking. The skill roll represents how "cool" the appearance is. Example:
Ed sees two of Vance Dugan's enforcers on lookout duty. Ed wants to use his I'm There! skill of 40% to pop out of the
shadows behind and right between them so that he can bash their heads together and knock them out. He rolls a 46%,
and fails: one of the thugs hears him sneaking up behind him and evades Ed's grab!
It's All in the Reflexes
If something happens that requires an immediate reaction (like a stumble on the edge of a precipice, a ladder tipping
over, an object hurled at the character, etc.), a successful roll against It's All in the Reflexes allows the character to
take an immediate action (grab the edge of the chasm, jump from the ladder, catch the knife in midair and throw it
back). If the character has a lower initiative than the event, this immediate action takes the place of his normal action.
If the player has already acted before the event, he gets to react, but the IAitR roll does not take up his next action. It's
a freebie.
Example 1: Some thugs are chasing Henry and Nancy through the streets of Macon; as their tires squeal, the
passengers of the two cars exchange shots. Henry is due to go fourth during a round of combat. Unfortunately, the
convertible that he's riding in just took a bullet to the gas tank and is about to explode. Henry rolls against his It's All
in the Reflexes skill to react somehow. He rolls and succeeds, and the two troubleshooters dive out of the Caddy just
as it explodes into a blossom of fire.
Example 2: Jack is facing a powerful adept named Lo Pan. He throws his knife at Lo Pan, who uses his magick to
snatch it right out of the air. "Good knife. Goodbye, Mr. Burton." The villain throws the knife back at Jack. Jack rolls
against his IAitR skill, succeeds, grabs the knife out of the air and wings it back at Lo Pan. He rolls for his attack, gets
an 01 (!) and buries his knife up to the hilt in the adept's forehead.
Take A Bullet
This is the skill that a bodyguard uses to interpose himself between a shooter and his target. If successful, the
bodyguard takes the damage intended for the target. If failed, the target still takes the hit.
New Mind Skills

Connect the Dots
This skill allows the character to put many pieces of information together to get a possible solution to a puzzle or
crime. It is especially useful for police, detectives, private eyes, and snoopy reporters.
Debunk
This is the skill of explaining away weird stuff into mundane stuff. "Of course that man didn't levitate that bar-stool! It
was all done with mirrors and string, and, er, magnets!"
Been There, Done That
This skill is for those characters who know it all, have globetrotted for years, and have allies and foes all over the
place. This is not the same as a high-level of General Education, however. Where General Education is very much
"book-learning," Been There, Done That represents a more hands-on experience. While BT, DT couldn't directly help
you with an Archeology exam on ancient Egypt, it could help you find a decent guide to the Valley of Kings on the
streets of Cairo.
I Know This City Like the Back of My Hand
This skill represents knowledge of all the streets, alleyways, walkways, avenues, boulevards, lanes, sewer systems, and
so forth in a major metropolitan city, as well as shortcuts, usual traffic flow, right-of-ways, current construction
projects, and the best place to get a Belgian Waffle at 3 am.
Research
This is the skill of knowing how to find out where information is collected. A character could use their Research skill
to locate a copy of a medieval treatise on astronomy, an adept's personal webpage, any publicly available information
on a person, even how to do a background check. This skill is useful for scientists, detectives, and librarians.
New Soul Skills

Conversation
This skill reflects the dying art of having a reasonable discussion about art, politics, world events, religion, or anything
else. A successful roll against this skill could serve in the place of a Charm or Lie roll; one skillful in conversation
may also be able to get people to volunteer thoughts, ideas, or information they wouldn't normally.
Danger Sense
The character has a "sixth sense" that can warn him of danger. Every so often, he gets a weird tingling at the back of
his neck . . . This is a type of danger sense, that can warn someone of sneak attacks, make him realize he's in the
crosshairs of a gun, tell him to jump back instead of forward, etc. The information provided is always vague and
usually expresses itself in the split-second immediately before the danger appears.
Favors
This skill represents the chance that someone owes the character a favor. This skill only effects people that the PC
could reasonably know, and doesn't necessarily mean that they must do a favor for him. However, most average people
wouldn't think twice about paying back a favor, so long as it didn't inconvenience them too terribly.
Balance of Luck
This skill is much like Hunches, only it works after the fact. If the character flubs a roll against a skill, he can roll
against Luck as a "second chance" to replace the failed roll. If successful, he will succeed at the formerly failed roll;
however, he will then lose his next combat action or automatically fail his next non-combat roll in order to balance the
karmic scales.
Example 1: Bob shoots (Guns 45%) at a tenebrae, and misses. He decides to use his Balance of Luck of 25% to try
and hit it anyway, figuring that one good shot will kill it. He rolls against his Luck and gets a 23, which acts as if he
rolled a 23 on his Guns skill, doing 23 points of damage. The bullet must have ricocheted off of one of the walls to hit
the monster! This isn't enough to take it down, however, and it charges at Bob as he fumbles with his gun, which
seems to have gotten jammed . . .
Example 2: Bob, having survived his encounter with the tenebrae, needs to break into an adept's sanctum. He rolls vs.
his Breaking and Entering skill of 15%, and fails. He uses his Balanced of Luck again, and succeeds! The door opens
with a low squeak, and Bob tiptoes in. Unfortunately, he's already failed his next roll: a Notice to hear the distant
screams of his backup being atomized by the adept! Poor Bob!
Machines Like Me
The character has an uncanny knack for finding and fixing problems with any sort of machine. He can use this skill to
find that elusive knock in an engine, cajole a dead battery into life, hot-wire a toaster oven, or figure out how to
program a VCR correctly on the first try.
The Cult of Apophis
A Sinister Opponent for GURPS and Other Roleplaying Games

by Montejon Smith
Art by andi jones

Apophis, the Eye of Night, is also known to Humans as Apep, Eater of Stars and The Formless Shadow. He is a dark
god of the maw-and-tentacle variety. His totem is the Kraken, his color is black, and his symbol is the Eightfold Eye.
The essence of Apophis is darkness and cold, and he prefers to operate by stealth and treachery rather than through
direct assault. His worship is popular with Fishmen (GURPS Fantasy Folk, p. 70), and it may be that Apophis is also
The Lord Beneath the Ice (GURPS Horror, p. 69). The multi-tentacled horror in GURPS Supers Adventures is
probably one of his vessels.
Servants
Even the rankest initiate of the Cult of Apophis, called Spawn, The Cult of Apophis
must wear black at all times and attend weekly services. These
services, while eerie, do not involve anything considered really
illegal. In fantasy worlds and unfree nations, of course, the Cult of
Apophis may be outlawed directly. Initiates of the cult are also
expected to attend as many monthly sacrifices as they can and
avoid sunlight and open flame as much as possible. These
requirements amount to no more than a Quirk in GURPS terms,
unless Apophianism is outlawed. Being a known servant of
Apophis may bear with it a social stigma or bad reputation,
depending on how much of the true nature of the cult is known.
The lesser leaders of the faith are called Deacons in regions with a
strong Christian or Satanist influence, and Greater Spawn
elsewhere. These leaders, who have advanced in the Cult but who
have not yet achieved the notice of their dark god, have all the
same requirements as the initiates plus a few more. In addition to
the requirement that they wear black and attend monthly sacrifice,
they must attend all weekly gatherings, where they have a
leadership role. They may not start fires. In modern campaigns
they are forbidden to turn on a light switch. In GURPS terms
these proscription and requirements amount to Disciplines of Faith
at the -5 point level. Lesser Spawn eager for advancement may, of
course, undertake to observe these disciplines.
The middle managers of the faith, called Archdeacons or
Spawnmasters, have even more requirements. They lead the weekly gatherings, and assist the local priest in monthly
sacrifice. Like the deacons, they are forbidden to start a fire or turn on a light. Nor may they use artifacts of refined
metal. In the modern world, and some fantasy worlds, archdeacons are also forbidden to fly. In GURPS, this amounts
to Disciplines of Faith at the -10 point level. Archdeacons have a few benefits to balance their limitations, however.
See the section on Characters, below.
Priests and High Priests have no more behavioral requirements than do the archdeacons, but do have different roles.
Priests are the ones who actually behead the monthly sacrifices, and only High Priests may perform human sacrifice. It
is, of course, not common knowledge that the Cult of Apophis undertakes human sacrifice at all. There is no inherent
sexual bias in the cult, and there are may be more priestesses than priests, depending on how the GM views the effects
of the Yin-Yang Imbalance.
There will be one priest for every few hundred initiates, and one high priest for every 20 or so priests. If you need a
total number of high priests, 1d6+3 should do nicely. You can extrapolate backwards from there to determine about
how many cultists there are worldwide.
Characters
What follows is a synopsis of cultists in GURPS terms. It ranges from the Archdeacons to the High Priests. They are
not presented as complete templates, because it is expected that these traits will be grafted onto characters with other
professions. Being a cultists is not a particularly profitable venture, even for the priesthood. The cult does not collect a
tithe in the manner of Christian churches, and the selfish nature of the faith prevents much in the way of voluntary
offerings. Where the cult is strong they may support a priest in the tradition of your classic evil fantasy priest, but in
most places the priest will have a day job.
Archdeacon
Attributes: ST 10 [0], DX 10 [0], IQ 12 [20], HT 10 [0].

Advantages: Clerical Investment (Rank 1) [5], Literacy [10], Night Vision [10], Power Investiture 1 [10].
Disadvantages: Disciplines of Faith (Apophianism) [-10], Duty (Cult of Apophis, 12 or less) [-5].
Skills: Performance/Ritual (Apophianism) IQ [2], Theology (Apophianism) IQ [4], Fast Talk IQ [2], Sacrifice IQ-2 [1],
Dancing DX -1 [1].
0-Point Trait: The character's "zone of comfort" is shifted downwards 10 degrees.
Priest
Attributes: ST 10 [0], DX 10 [0], IQ 13 [30], HT 10 [0].

Advantages: Clerical Investment (Rank 2) [10], Dark Vision [25], Literacy [10], Power Investiture 2 [20].
Disadvantages: Color Blindness [-10], Disciplines of Faith (Apophianism) [-10], Duty (Cult of Apophis, 15 or less) [-
10], Secret (Attends human sacrifices) [-20], Yin-Yang Imbalance (Yin) [-5 or -10].
Skills: Performance/Ritual (Apophianism) IQ+1 [4], Theology (Apophianism) IQ+1 [6], Fast Talk IQ+1 [4], Sacrifice
IQ [4], Dancing DX +1 [4].
High Priest
Attributes: ST 10 [0], DX 10 [0], IQ 14 [45], HT 10 [0]

Advantages: Clerical Investment (Rank 3) [15], Dark Vision [25], Literacy [10], Power Investiture 3 [30].
Disadvantages: Color Blindness [-10], Disciplines of Faith (Apophianism) [-10], Extremely Hazardous Duty (Cult of
Apophis) [-20], Secret (Performs human sacrifice) [-30], Yin-Yang Imbalance (Yin) [-5 or -10].
Skills: Performance/Ritual (Apophianism) IQ+2 [6], Theology (Apophianism) IQ+2 [8], Fast Talk IQ+1 [4], Sacrifice
IQ+1 [6], Dancing DX +1 [4].
Services, Holy and Unholy Days

Weekly services are simple. A dozen to two dozen cultists will gather someplace dark, damp and chilly. There they
chant and perform ritual dances. The archdeacon will spend some time ranting about why the worship of Apophis is so
important and special. Then everyone will chant, perform a final dance, and go home. Worshipers will find themselves
strangely exhausted, but slightly euphoric. In GURPS, those leaving a weekly service will be at one half Fatigue. They
will also have a penalty to DX and IQ equal to half the number of Fatigue points lost (round up), to a maximum of -3.
This penalty is removed at the rate of 1 point recovered per hour, but Fatigue loss can only be recovered through sleep.
Occasionally a weekly service will involve the sacrifice of a cold-blooded animal. Usually the skull of the sacrifice is
ritually crushed with a large wooden mallet, but small creatures will be smashed between two flat stones inscribed with
the Eightfold Eye.
Monthly services are more complex, and always take place on the night of the new moon (or one particular moon if on
a world with multiple moons). Several groups of cultists with gather in some ritual space or hidden temple. The size of
the congregation may range from a few dozen to a few hundred. They will sing and chant, the archdeacons will rant in
unison, and the priest will behead the sacrifice, which will always be a warm-blooded creature. Most beheadings are
performed with an obsidian or glass dagger. The body of the sacrifice is then thrown into a sacred pool, and the
officiating priest reads the pattern of blood and water for omens. The head of the sacrifice is then smashed (whether
with the mallet or the stones). What is done with the resultant mess is up to the priest. The service wraps up with more
chanting and dancing, and everyone goes home. Attendees will suffer the same weakness and euphoria as they would
after a weekly service.
Apophis has no fixed holy days. However, a partial solar eclipse or any lunar eclipse counts as a Holy Day for its
duration (see GURPS Religion, p. 103). During a full solar eclipse clerics of Apophis function as during a High Holy
Day. During the hours before and after high noon Apophis' clerics suffer as during a Day of Weakness. On the day of
the summer solstice Apophis is especially weak.
Special services are performed during a full solar eclipse. Such services always include sacrifice, and are the only
services performed above the ground. Usually they do not include human sacrifice, however, because solar eclipses
don't last long enough to do such a gory ritual justice.
Although the cult dabbles in human sacrifice, it does not dabble in that other practice of the stereotypical evil cult --
the orgy. Such passion clearly goes against the chilly and withdrawn worldview of the cult. While there is no moral
injunction against such a practice, neither is there any encouragement. Apophis himself, although referred to using
male pronouns, is considered to be hermaphroditic and mateless.
Goals and Motivations

The cult teaches that the world is a cold and unfriendly place, and that in order to survive the cultists must adapt to its
chilling realities. It promotes a sort of communal solitude, in which the worshipers gather together, but share no real
friendship or relationship. They are simply bound together by a common need for survival. Although those who
advance in the cult of Apophis are clearly fanatics dedicated to the cult as an organization, they have no interest in the
well-being of their fellow cultists as people. Betrayal and mistrust are not simply accepted, they are expected.
Apophis' personal goals are held to be freezing the world and devouring the sun. In the frozen world which follows his
victory, he and his chill servants will sweep over the earth, ruling it for their own benefit.
The primary motivation for worshipers of Apophis is personal power. There is also a subtext of justice for the
underdog, and for this reason it is very popular with adolescents and young adults who feel alienated from their peers.
Magic of the Cult
Priests cast spells much as wizards do. They should use the UMana rules even if the wizards in your campaign world
don't, and can be considered to have the normal Recovery of 8 and Threshold of 30. Recovery occurs at dusk rather
than dawn, of course.
Calamities use the following table:
3, 4: Nothing bad happens, and Apophis mysteriously shows mercy to his servant. The priest gets (1d×5) points of
free, instant Recovery.
5-9: Nothing bad happens . . . Yet.
10: Gloom surrounds the priest, as if two levels of the Gloom spell had been cast upon him. These levels of Gloom
darken the priest's own vision as well! They are not affected by his Night or Dark Vision. This effect lasts for 3d
minutes.
11: The priest is struck with an awesome chill, and shivers so much he can undertake no new action for 3d turns (3d
minutes if a HT roll is failed). Treat the priest as physically stunned while he is shivering. The effects of 10 are also
applied.
12: The priest is stricken by his dark god. He is reduced to one half his current Fatigue and has a -4 penalty to his DX
and IQ. The priest may make a HT roll every hour. Each successful HT roll reduces the penalties to DX and IQ by one
level, but the Fatigue loss must be recovered normally.
13: The priest's god comes to visit his dreams for 4d days. After the first visitation the priest is at -2 to DX, IQ and
related Skills. These penalties last until the priest gets a night's sleep without a visit.
14: Any failed spellcasting roll counts as a critical failure. This effect lasts for 1d+1 weeks.
15: The priest's mind is twisted in retribution for exceeding his authority. The GM should assign the character one
debilitating Mental Disadvantage with a value of 1-5 points. This takes effect immediately and lasts for 24 hours. Each
day thereafter the priest may make a Will roll to shake off the effect.
16: The priest has angered Apophis and reduced his god's favor. His Threshold for the next 1d weeks is reduced by
2d+5. The priest is aware of a drop, but not of it's severity! Result 10 also applies any time the priest casts any spell,
successful or not, for the duration of effect 16.
17: The caster gains a 5-point disadvantage. After 3d days have passed, the priest has the option of buying it off (it
will simply fade away). If the priest does not wish to, or doesn't have the points, then it becomes permanent. Any
disadvantage is legal; the priest can get ugly, go insane, and so on.
18: The priest's Threshold is reduced by 4d+10; the change lasts 1d months! In addition, the priest's spellcasting will
be at a -3 penalty for 2d weeks. Result 10 also applies any time the priest casts any spell, successful or not, for the
duration of effect 18.
19: As per 17, but the disad is worth either 10 or 15 points (50/50 chance of either).
20: The priest is aged 2d+13 years, or a number of years equal to the energy cost of the spell that caused the calamity,
whichever is worse!
21: Roll again (same modifier) but the result affects a companion of the priest (chosen randomly).
22: The priest gains multiple disads worth a total of (2dx5) points. These are permanent.
23: The priest loses permanently the ability to cast a single spell. The skill is still known, but it cannot be cast. The
priest must make a (Will-6) roll. If it is successful, he chooses which spell "dies." If not, the spell is chosen at random.
On a critical failure, the GM chooses the priest's most useful or favorite spell!
24: The priest loses 1d x 5 points of advantages (or has an attribute lowered). Choose randomly.
25: The priest becomes a wandering Low Sanctity zone. Spells cost double within a 10-mile radius of the priest, and
Recovery is halted in the same area. Obviously these limits only affect priests of Apophis. The duration, in days, of
this effect is equal to the cost of the errant spell, plus one. Result 10 also applies for the duration of effect 25 and is
always on.
26: The priest's skill at spells is reduced by 3d+5. The priest must make a Will roll. If it is successful, the penalty will
heal at a rate of one per day. If not, the healing rate is one per week!
27: A plague or curse (e.g. constant rain, regional impotence) descends on the region, lasting for 3d+ weeks. No one
will be able to trace this to the priest (-20 to divination attempts on the subject). In secret magic or modern-day
investigative campaigns, replace this effect with effect 29.
28: The spell propagates out of control. Harmful Regular or Area spells will affect everybody and every thing nearby,
allies and enemies alike. Information magic will overload the priest's mind (Fright Check at -20); Missile Spells will
seem normal to the caster, but have so much punch that they drill through their target and through everything else for
miles beyond, etc. In secret magic or modern-day investigative campaigns, replace this effect with effect 29.
29: The priest permanently loses the ability to cast spells, but not the skills. At this level and above, the spell that
causes the roll fails unless a Will roll is made by the priest. The roll is at a penalty equal to the current "excess bonus"
(Excess/5 for most priests), and at a bonus equal to triple the priest's level of Power Investiture.
30-39: As per 29, and something happens to the region the priest is in -- the weather, birth rate, crops, or something
else will be affected. It will be a subtle change, but the priest will know what is going on. The change is good on an
even roll, and bad on an odd roll. The duration is equal to the cost of the spell, in days.
40+: As per 30-39, but a global change occurs. In addition, the priest must make a HT roll at -6. If this roll is failed,
the priest is consumed in a backlash of deific rage, and shatters in a shower of frozen shards. The explosion does
concussion/freezing damage. It does the priest's (Will+Power Investiture) dice of damage as if a fragmentation grenade
had gone off in the priest's hex. If the HT-6 roll is made, the backlash is less dramatic; the priest takes 1d×2d of
internal freezing damage, and doesn't shatter.
Spells of the Cult

Priests buy spells as skills, just as wizards do. However, they have a special approach to prerequisites. Certain spells
are only available to certain levels of the priesthood. Also, if the spell has prerequisites and those prerequisites are on
the list of spells available to all cultists, the cultist must take the prerequisite spell.
The following spells are available to all cultists with Power Investiture: Hide Thoughts, Hide Emotion, Shape Water,
Swim, Walk Through Water, Darkness, Night Vision, Gloom, Seek Water, Foul Water, Resist Water, Cold, Resist
Cold, Freeze, Frost, , Frostbite (Touch only), Coolness, Steal Health (Special), Desecrate, Ice Slick, Snow Shoes.
The following spells are only available to Priests: Insignificance, Create Water, Breathe Air, Breathe Water, Water
Vision, Body of Water, Water Jet, Fog,, Icy Weapon, Ice Sphere, Ice Dagger, Frostbite, Create Ice, Snow Jet, Icy
Touch, Icy Breath, Icy Missiles, Blur, Hide, Dark Vision, Shape Darkness, Curse (Maximum level 2), Fear, Panic,
Terror, Nightmare, Mystic Mist.
The following spells are only available to High Priests: Presence, Whirlpool, Waves, Tide, Snow, Hail, Flesh to Ice,
Body of Ice, Rain of Ice Daggers, Body of Shadow, Fascinate, Death Vision, Animate Shadow, Curse.
Note that it is possible to be both a priest of Apophis and a mage.
The Steal Health spell of the Cult is special:
Steal Health (Apophis) Regular; Resisted by HT
Lets the caster take Hit Points from the subject to reduce his own Threshold penalty. The caster must touch the
subject. The spell stops when the caster's Threshold is fully restored, when the subject breaks away, when the caster
decides to stop, or when the subject's Hits reaches -HT. Hits cannot be drained from a subject at -HT, but the subject
must still roll versus HT to stay alive. Hits may be drained at the rate of 1 per second. If the subject breaks away,
untallied Hit Points fade at the rate of one per minute and the spell can be begun again from where the caster left off.
Duration: Permanent.
Cost: None to the caster. For every 3 full Hits drained, the caster regains 1 THRESH.
Time to Cast: 3 seconds.
Prerequisite: Frostbite and Desecrate.
Final Words
The Cult of Apophis is designed to serve as a long-term enemy for a long-term campaign. It is, in fact, designed for
my own homegrown dark fantasy world. It doesn't take much to tweak it into the world of GURPS Black Ops,
GURPS Technomancer, or the like. Dumping it into a GURPS Traveller campaign might prove to be a little more
difficult, but if you don't mind mixing your sci-fi with the occult, have at it! The Cult's modular design should make it
easy to use for any GM.
Pushing Buttons
Converting RPG Characters to Button Men

by Darrin Bright

Are you tired of card games? Did you get burned on pogs? Maybe you're still Pushing Buttons
scratching your head over collectable candy? Wait until you see the next craze . . .
the Button Men are coming.
Button Men is another brilliant Cheapass game designed by James Ernest, who has
been turning heads in the game industry with hits like Kill Dr. Lucky and Give Me
The Brain. (Editor's Note: click here to read the Pyramid Pick review.) Button Men
pits two fighters, five dice apiece, against one another in a fast and furious one-on-
one duel. The rules are amazingly simple, the gameplay is quick, and the strategy can
get very complex. If you haven't run across this game yet, you might want to stop by
the Cheapass Games Secret Web Site and check out the different fighters, the rules,
and even some in-depth articles on strategy, as well as all the other incredibly clever
and highly addictive games in their lineup.
Cheapass has rewritten the rules and has introduced two new characters, Hannah and Kublai. Cheapass junkies will
recognize the latter from the Lord of the Fries game. With twelve Button Fighters to choose from, teasers about more
crossovers, license deals, and new expansions, what more could you possibly want?
Conversion rules, of course! Maybe Avis just isn't getting things done for you, or you just can't find a fighter you can
stick with. Maybe you've just lost to Hammer the sixth time in a row, and you know your 20th-level fire-breathing
anti-paladin can kick his caboose any day of the week, right? Time to find out!
Pushing Buttons The Basics

To convert your favorite RPG characters into Button Fighters, we just need to pick a
few stats and divide them up into six basic categories. The first three numbers we
need to determine will be the character's Speed, his physical Strength, and his Skill
with his primary weapon. The fourth die is determined by how high the other dice are
to help even things out.
As you'll probably notice, the following system doesn't go out of its way to be
terribly complex or even-handed. Combat-intensive characters will tend to get higher
dice than social- or academic-oriented characters. You'll just have to take your lumps
and live with it, though . . . the Button Men live in a gritty, harsh world where the
strong survive and the weak get smushed on a regular basis. Besides, having bigger dice means you have more to lose,
so in this devilishly-balanced game big dice are no guarantee of victory . . .
If you don't get the dice you want, remember that your fifth die is always a Swing Die. Since you can pick whatever
you want as your Swing Die, you can compensate if you get a set of numbers you don't like.
Step 1 -- Determine Speed and Strength
For GURPS, AD&D, Call of Cthulhu, and other game systems based on a 3d6 (3-18) system for character generation,
use the following table to determine the first two Button Fighter numbers. The first number roughly reflects how fast
the character is or how often the character wins initiative, so the higher your dexterity (or equivalent stat) the lower the
number. Use Column A for Speed. Strength is just the opposite. The higher your physical strength, the higher the
number. Use Column B for Strength.
Stat A(Speed) B(Strength)

1-4 20 4
5-7 12 6
8-10 10 8
11-13 8 10
14-16 6 12
17+ 4 20
Example: Lurch the Half-Ogre has a Strength of 18/00 and a Dexterity of 6. OK, so he's not much of a dancer. His
first two Button Fighter numbers are 12 and 20.
For Storyteller systems like Vampire: the Masquerade and Werewolf: the Apocalypse, we have to add things a little
differently. If the character has different stats in different forms (like Garou), use whatever form the character usually
fights in. Determine your Speed by adding Wits+Alertness or Dexterity+Dodge, whichever is higher, and use Column
A in the chart below. Vampires can add points for Celerity to either total.
Strength is a little trickier. For Werewolves, add Strength+Rage. For Vampires, add Strength+Courage+Potence. For
humans and mages, add only Strength+Courage. Then consult Column B on the chart below.
Total A(Speed) B(Strength)

1-2 20 4
3-4 12 6
5-6 10 8
7-8 8 10
9-10 6 12
11+ 4 20
Example: Runs-With-Scissors is a werewolf who likes to hit people with trees. He's not the sharpest crayon in the
box, so he adds his 6 Dexterity in his Crinos form to his Dodge of 4. His Strength in Crinos is 6 and his Rage is 3, so
his first two Button Fighter numbers are a pair of 12s.
For Deadlands characters, use the Quickness Trait for Speed (Column A) and the Strength Trait for Strength (Column
B) on the chart below.
Trait A(Speed) B(Strength)

1d4-3d4 20 4
4d4, 1d6-2d6 12 6
3d6-4d6, 1d8-2d8 10 8
3d8-4d8, 1d10-2d10 8 10
3d10-4d10, 1d12 6 12
2d12+ 4 20
Example: A reformed gunslinger turned preacher, Zachariah Queeg has a Quickness of 3d10 and a Strength of 3d6.
His first two Button Fighter numbers are 6 and 8.
Step 2 -- Determining the Third Die Pushing Buttons
Your third Button Fighter number is roughly how good you are with your primary
weapon. At this point we won't worry too much about what type of weapon it is or
how much damage it does. A sword is as good as a gun if your character knows how
to use it well enough.
For GURPS characters, use the skill value for the character's best combat skill and
determine it just as if you would determine Strength, by consulting Column B on the
appropriate chart above. Thus, if Tommy the Pizza Delivery Boy's skill with a pizza
cutter is a 14, his third Button Fighter number is a 12.
For AD&D, use the character's THAC0 and consult the following chart.
THAC0 Skill
18-20 4
15-17 6
12-14 8
9-11 10
6-8 12
0-5 20
Example: Remember Lurch? He's a 1st level fighter, so his THAC0 is just a 20. His third Button Fighter number is a
4, which balances nicely with the 12 and 20 he has already.
Call of Cthulhu and some other game systems use percentile-based skills. To determine the third number for a game
that uses a percentile system, take the character's highest combat skill and use the chart below.
Percentile Skill
01-15 4
16-30 6
31-45 8
46-60 10
61-80 12
81+ 20
Example: Freelance investigator "Pinky" Boyd plays baseball when he's not getting eaten by Deep Ones. His Club
skill is 75%, so his third Button Fighter number is a 12.
For Storyteller characters, add Dexterity to either Brawl, Melee, or Firearms, depending on which is higher or which
skill the character uses most often. Then consult Column B on the chart above like you did with Strength. Example:
Runs-With-Scissors has 3 points in Firearms and Brawl, but 5 points in Melee, so he uses that. Added to his Dexterity
of 6, he winds up with a 20 for his third Button Fighter number.
For Deadlands characters, use the highest combat aptitude and consult Column B on chart above like you did with
Strength. For most characters, this is either a shootin' or fightin' skill, but hucksters could use their best direct-damage
hex. Sykers and Doomsayers from Hell On Earth might want to use their Blastin' aptitudes. Example: Kevin Gable, a
shyster of a huckster who likes crooked card games, has no shooting skills and a pitiful 1d6 in fightin'. His Soulblast is
a more useful 4d8, however, so his third Button Fighter number is a 10.
Step 3 -- Determining the Fourth Die
The last step is to add up the first three numbers and consult the chart below. The chart is set up so that lower totals get
a high die, and higher totals get a low die. This is a more or less crude attempt to even things out and prevent uber-
characters from winding up with nothing but 12- and 20-siders, but it's not perfect. Even so, it should even things out
enough to give one Button Fighter a decent chance against any other.
Total Die
60 *(see below)
38-52 4
32-36 6
26-30 8
22-24 10
18-20 12
12-16 20
Pushing Buttons * Did you actually get three 20-siders? Geez, is your GM a pushover! Well, that's just
plain ugly and not very fair. If you want, you can keep three of them and play with
only four dice, just as if you were playing Iago. Or you can drop one or more of them
to 12 and go from there. Your fourth number will most likely be a 4, but at least
you're back in the neighborhood of playing fair.
Example: Lurch the Half-Ogre got 12, 20, and 6 for his first three numbers. These
add up to 38, so his fourth die is a 4. This is how he looks as a Button Fighter
(numbers listed lowest to highest).
Lurch: 4 6 12 20 X
Remember, X is the Swing Die, so his player can pick a 4 or a 6 for more speed or
bring out the heavy artillery with a 12 or 20.
Looks like Lurch is all set to start punching people's buttons!
Pyramid Interview: Stephen V. Cole
by Scott D. Haring
Stephen V. Cole is practically synonymous with Star Fleet Battles. As co-designer of the original game (with Steve
Petrick) and main driving force behind its early growth, Petrick and Cole's Amarillo Design Bureau was the source for
all things SFB. Now, after several years out of the picture, Cole, Petrick, and ADB are back. We chatted with Stephen
Cole recently via e-mail.
Pyramid: So, you're back in the saddle with Star Fleet Battles. How did that happen?
Cole: After nearly two years of protracted negotiations and several dead-end deals that never quite happened, we were
able to buy the license, inventory, and rights from TFG (Task Force Games) and became our own publisher.
Pyramid: What are your plans for the SFB line?

Cole: To get it back where it was in the market, and then take it where it should have been. Broader product lines,
more creativity, more adventure.
Pyramid: How much of the out-of-print material will you bring back, and how quickly?
Cole: We plan to bring back everything that would have been kept in the line if there had been no interruption or
change of publishers. For example, the P Modules were playtest products designed for a very short life cycle and will
not come back. Captain's Log was always designed as a one-print-run product that sells through and then disappears
forever (with some of the playtest stuff in it moving on to regular products). Beyond that, we plan to bring back most
everything else within a year, probably finishing up with the new Tournament Module along about spring 2000. We
have already brought back Basic Set and Modules R2 and R4. We will shortly bring back Federation & Empire and
SFB Advanced Missions. I would expect the other modules (C1, C2, K, and R3) to come back this fall.
Pyramid: How much stuff will be new?

Cole: Lots! We have all of the SFB products that were planned before the interruption, and more we have thought of
since then. Beyond that, we will be bringing in at least three outside design shops to produce their own products, and
our new Stellar Shadows line will allow anyone with an idea and the money to print it to bring their product to market
through us. Even someone with one ship and a hundred bucks can get printed and make a profit on his investment.
Pyramid: What is your overall goal?

Cole: Make money, have fun, and entertain our customers.
Pyramid: How many products a year?

Cole: I never counted "products per year," and was always kind of surprised at the end of any given year to see how
many we had done. Given the Stellar Shadows line, we could easily hit a product a month after the first year, but if we
don't, I'm really not going to cry about it. Number of products isn't the point. If we serve our customers, we'll make
enough to stay in business, which is the ultimate service to the customers.
Pyramid: Is there a limit due to the size of the market?

Cole: Could be, but we haven't found it yet.
Pyramid: Just how many Star Fleet Battles fanatics are left out there? Enough to support a company?
Cole: I have no idea, but as our plans develop, we hope to bring back many of the previous players, recruit a lot of
new ones, and keep the ones we still have as happy as we can. From what we have seen, there are certainly more than
enough to support ADB, Inc.
Pyramid: What kind of response have you gotten from the fans so far?
Cole: Very gratifying. Mail order is running hot, and the wholesalers are already turning in follow-up orders because
the stores are selling out of the first shipments. We produced an "information for retailers" sheet, put it on the web site,
and asked players to print it out and give it to their store managers. That has produced a lot of demand hitting the
wholesalers.
Pyramid: Do you plan to do other games? If so, what?

Cole: We have no plans to do anything other than SFB-related games. Given how many of them there are on the ideas
list, there doesn't seem to be any shortage of things to do. While I have always wanted to publish a series of World
War II games that I half-designed a decade ago, the bottom line is that Star Fleet Battles outsells them. As an
engineer, I have to build what people want to buy, not what I want to build. If there came a time that we had totally
satisfied all of our SFB players and had a really good game in hand, we might print it, but I would strongly advise
freelance designers not to waste the postage sending us their non-SFB designs.
Pyramid: There is practically an entire generation of gamers out there who only know of Star Fleet Battles as a game
the old-timers played in the good old days. How do you plan to reach them?
Cole: Three or four years is an entire generation now? Gee, I knew the world was speeding up! Seriously, we'll reach
new customers the old fashioned way -- we'll produce good products and show people that we have them.
Pyramid: Will you be hitting the big summer conventions?

Cole: We will be at Origins because we have a long-term commitment to host the annual "Gold Hat" tournament there,
and it's always been the best sales convention for the line. However, we don't really plan to attend other conventions as
it just takes too much time away from the office for the core designers. We are arranging to sponsor tournaments and
have our products taken there by some of our dealers. Now, I might mention that we rarely get talked into sending
Steve Petrick to a convention that pays for his expenses.
Pyramid: What other marketing plans do you have?

Cole: We're going to enhance our support of tournaments and conventions, and do some advertising in various places.
But the first phase has to be restoring our active playing base and our store shelf space. We have to rebuild the hotel
before we go beating the bushes for more guests.
Pyramid: Is getting back into SFB as much fun as you thought it would be?
Cole: As much fun as I thought it would be, and as much pure nightmare as I feared it would be. Everything took
longer and cost more to get going. The phone company took a month to get our phones working, and it's been a three-
month struggle to get directory assistance to give out the right number. We found a great warehouse that we really
love, but had to spend hundreds of bucks replacing a lot of the wiring. Reprinting Basic Set was a nightmare because
about 90% of the parts were out of stock, and F&E is little better. But there were good points, too. Wholesalers were
calling with orders before we even knew when we'd have product to sell. The printers who produced SFB are all very
enthusiastic about working with us. And hundreds of players have take the time to send us letters (mostly e-mail)
thanking us for seeing the deal through and bringing SFB back.
Pyramid: Any hopes of getting together with Last Unicorn and doing SFB-type games for Next Generation, Deep
Space 9 and Voyager?
Cole: We have all we can handle for right now, but if they have ideas for ways we can work together, I'll give them a
listen.
Pyramid: And what happened to Task Force Games, anyway?

Cole: So far as I know, it still exists, although I don't think they're actually publishing anything. The people who
worked there all seem to work for Harlequin now, but the last time I called TFG, the phone was answered.
Pyramid: After all these years, is it still fun?
Cole: If it wasn't, I'd be doing something else.
Liber Servitorum Designer's Notes
by Elizabeth McCoy
The Liber Servitorum was nowhere as easy a compilation-and-edit job as the Liber Castellorum. Among other
reasons, instead of only a dozen authors, I had potentially two or three dozen, since we threw the doors open to have a
contest! (I wound up with 27 authors in the book.) Also, I quickly discovered that some types of characters were more
popular than others. Perhaps due to my initial warnings, Servitors of Creation were light on the ground, and I only got
two Bright Lilim (and no Lilim of the Sword or Judgment!).
Habbalah, however, were plentiful, and I had nearly half-a-dozen of them in Stygia alone! It was hard to choose, and
Genevieve Cogman's Idalah was one runner up to Ishmah (p. 62 of the Liber Servitorum) -- you see, evil doesn't have
to be huge. It can be as simple and close-to-home as your own office . . .
Idalah
Habbalite of Factions
"Well, I wouldn't treat a dog the way she treats you, Mary." The Liber Servitorum Designer's Notes
blonde woman twitched her head, making her short-cut hair bounce.
"I call it downright unreasonable."
The dark-haired woman at the desk sniffed into her hanky. "It
wouldn't matter so much if she weren't so vicious about it. I'm not
some kind of moron."
"Of course you aren't." The blonde woman patted her on the shoulder
encouragingly, and the glint of pure contempt in her eyes was gone
before anyone could see it. "You don't deserve to have her looking
down on you like that. And I know the others feel just the same way
about it."
"You think so?" Mary looked up. "You think it's worth telling her
where to get off?"
"I'm sure of it." The other smiled, and reached out with her mind, and
pushed, feeling the confidence flood into Mary. "You just need to
stand up to her, just once, in public, and tell her what you think of her
behavior. It'll work. I've seen it before."
Indeed I have, she thought, and I've seen the entire office come
apart because of it, and all it proves is what weaklings you all are.
Corporeal Forces - 2 Strength 4 Agility 4
Ethereal Forces - 4 Intelligence 8 Precision 8
Celestial Forces - 3 Will 7 Perception 5
Vessel: Human/2 (blonde female in 30s), Charisma +1

Role: "Ida Lathen," Office Temp/3, Status/2
Skills: Computer Operation/3, Detect Lies/2, Driving/1, Fast-Talk/2, Knowledge/2 (Office Bureaucracy), Ranged
Weapon/2 (Revolver)
Songs: Tongues (Corporeal/3)
Attunements: Habbalite of Factions, Imbroglio
Idalah is a young Servitor of Factions whose particular expertise is destroying harmony among office-workers and
clerical staff. Her vessel is female, blonde, mid-twenties and unremarkable, dressed to fit in with whatever firm she is
currently working for. When assigned as a temporary assistant to some office, she spends the first week identifying
those people in the office who are most important as peacemakers, organizers, and experts. She then sets about
isolating them from the rest of the office, arranging arguments and exacerbating quarrels, and generally throwing the
place into turmoil.
This does not necessarily mean that the quality of work from the office will suffer -- at least, not immediately. Idalah
is a very efficient typist, and up-to-date with office procedures and computer usage. She often finds herself propping
the office up while everyone else neglects their work to feud with their coworkers and develop their grudges -- thus
confirming her opinion of humanity. Of course, when she leaves, the office then falls apart . . .
Idalah is definitely not combat-oriented, and does her best work when never suspected. She has on several occasions
been hired into offices where known Soldiers of God worked, with particular instructions to cause them as much
trouble as possible. She has also caused trouble in businesses owned by angelic roles, or their servants. However, if an
angel enters the office or discovers her identity, her tactics -- short of direct orders to the contrary -- are to develop a
sudden illness and let another temp take over the office work. She has a healthy sense of self-preservation.
Idalah is not, as yet, particularly ambitious, and is happy to keep working on low-risk jobs while she strengthens her
techniques and builds up a good reputation in the eyes of her superiors. Of course, they steal most of her credit, but
she reasons that eventually someone will have to notice what a good job she's doing. Lately she has begun growing
interested in the scope open to computer sysops and network moderators, and is considering making overtures to
Servitors of Vapula.
***
In the middle of playtest, it was discovered that the Word-bound, almost uniformly, didn't have enough space to
actually shine -- especially if they had a lot of skills and Songs! One page can be a very tight fit, if your character has
any history, and we discovered that one thing a Word-bound needed to have was history. Finally, it was decided to cut
all Word-bound from the book, and save them in the hopes of some future book dedicated to immediate superiors and
contenders for Superior-hood -- or ones who almost made it, such as Marou, the true mistress of Hani Basyah (Liber
Servitorum, p. 105) who nearly held the Word of Seduction, but wasn't quite skilled enough for Lucifer to agree.
One minor Word-bound who was cut was near and dear to my heart -- but really, the following didn't half describe all
the history and quirkiness that would have made her come alive . . . (And look at all those blessed skills!!)
Kathriel
Malakite of Creation
Angel of Sculpting
"Inside that block of marble, that board of wood, there's something beautiful. It's the same with souls -- you see a
demon, but I see the unrealized angel inside. You see a punk human headed for Hell, but I can see a Saint. You just
have to show them the glory inside, and they'll shape themselves."
Corporeal Forces - 4 Strength 8 Agility 8

Ethereal Forces - 6 Intelligence 12 Precision 12
Celestial Forces - 5 Will 10 Perception 10
Vessels: Human Male/1, Charisma +3; Human Female/4, Charisma +3.

Skills: Acrobatics/1, Artistry (Carving/1, Drawing/1, Painting/1, Sculpting/6), Detect Lies/1, Dodge/3, Driving/3,
Emote/1, Escape/1, Fighting/4, Knowledge/3 (Psychology), Languages (English/1, French/3*, German/1, Japanese/1,
Spanish/1), Large Weapon/2 (Sword), Move Silently/1, Savoir-Faire/1, Singing/2, Small Weapon/1 (Knife), Ranged
Weapon (Pistol/1, Sling/1), Seduction/1, Throwing/1.
Songs: Form (All/3), Healing (All/2), Motion (All/3), Shields (Ethereal/2, Celestial/3), Tongues (All/1), Wings/3.
Attunements: Ofanite of Creation, Elohite of Creation, Malakite of Creation, Mercurian of Creation, Abracadabra,
Transubstantiation.
Malakite Oaths: (i) never suffer evil to live by her choice; (ii) never surrender or allow herself to be captured by
Lucifer's armies; (iii) never make a snap judgment about someone; (iv) never hurt an innocent.
Special Ability: Kathriel can mold anything, with the power of her will and a bit of Essence. A cubic yard (or less) of
something light and easily sculpted is 1 Essence; hard materials, such as marble, require 4 per cubic yard; diamond
would take 6. An Artistry (Sculpting) roll is required to determine how aesthetic (or useful) the result is.
Special Rite: Spend 3 hours creating sculpture.
Kathriel is one of Eli's few "unattached" Servitors. Instead of being in service to anyone, Kath takes her orders from
Eli -- when he chooses to give any. The rest of the time, she's either riding with some of her Choirmates of the Wind,
or avoiding everyone, dodging Judgment triads who want to ask her questions about her Archangel. Kathriel doesn't
understand her occasional enigmatic orders, or know why her boss is AWOL, but she figures that if Eli wanted
Judgment to know what he was up to, he'd have told Dominic himself. So, since Seraphim of Judgment are very
perceptive, she doesn't want to talk to them at all. (Admittedly, it's always difficult for even a Seraph to get
information about a Superior who doesn't want that to happen, but Kath doesn't like taking chances.)
When Eli was still in Heaven, Kath was one of his "Redemption Squad" -- angels who had the talent and training to
find demons who held the potential for good, and then manipulate them into seeking redemption. There, she learned
the tricks of sculpting souls until they could realize they wanted to be redeemed.
Though Kath was comparatively young to hold such power, Eli used his then-considerable influence to get her the
Word of Sculpting, shortly before he left Heaven. She does her best to use it wisely and well.
Kathriel's third oath means she never assumes "demon = evil." With a complete reading of someone's honor (check
digit 6), she'll act -- but that's enough information that it's not a snap judgment. She'd rather take the time to get
Infernals redeemed (or humans saved) instead of just killing them. However, this does not mean she's adverse to
terrifying those who deserve it; it takes her a little while, but she can entomb someone in earth or stone, and then
discuss how much she'd like to carve them -- unless they do as she's asking. And if they're really irredeemable . . .
she'll kill them. Malakim are like that.
Kath travels all over, dodging Judgment or on Eli's enigmatic orders. She'll recruit help when she needs it, lend Good a
hand or try to foil demonic plots -- a powerful enemy or ally, but she doesn't stick around long. She's got her own
missions.
***
It wasn't easy to choose -- there are a lot of good submissions which weren't used, and I've still got them all. I hope
that the first book is popular enough for a sequel someday, because with all these random angels and demons on my
hard-drive, there's no telling what mischief they'll get up to . . .
Yrth2k
by T. Carter Ross
Art by andi jones

Across Ytarria, people have grown nervous. A thousand years ago, the Banestorm whisked people from their homes to
Yrth, and now the third millennium is dawning. None know if the year A.D. 2000 will mean a return to Earth, bodily
assumption to the bosom of the Lord, or absolutely nothing at all.
While most in the Church remain skeptical of anything apocalyptic happening in the days, weeks, or month
surrounding the year 2000, the Curia is having trouble keeping some of the Christians of Yrth calm. From across
Christendom, the Templars, Hospitallers and Michaelites bring reports of priests, mages and others proclaiming the
imminent end of the world. Last October, four heretics claiming to be the returned Christ had to be cleansed in a grand
auto-da-fe in Serrun.
Now, in the city of Sho'joor, a charismatic wandering preacher called Aloo'rilaam, apparently an albino Hobgoblin, has
been drawing large crowds among the traditionally faithful Goblins, wooing them with a mixture of end-times
theology and Goblin chauvinism.
At last report, some 300 Goblins in Southern Megalos were proclaiming at least tacit acceptance of the Lurite heresy,
and the Curia is concerned that its acceptance is spreading.
The Michaelites have come close to capturing the heretic twice, but each time he managed to elude the holy brothers.
Now, Aloo'rilaam has gone into hiding. The Michaelites believe he is in one of the Goblin villages that dot the
southern countryside, but he may have fled to Araterre, Cardiel or the Muslim lands.
According to Michaelite reports, Aloo'rilaam preaches that Goblins are the original Israelites, delivered long ago to
Gabrook. Over the centuries, some gave in to their bestial nature, degenerating into Hobgoblins; others became swollen
with self-importance and pride. All forgot their special relationship with God. For that He sent forth the Banestorm to
punish them. Those who were irredeemable were killed on Gabrook, just as God killed all but those saved by Noah in
the flood. The elect were brought to Yrth and given a second chance. Now, the period of exile is almost over,
according to Aloo'rilaam, and the righteous will soon return to Gabrook and God's favor.
The Lurite heresy views humans and other races as tools of God. They exist to both tempt Goblins away from and
prompt them back toward the path of righteousness. However, while non-Goblins may be learned beings, they are not
the chosen ones. When God brings forth the Banestorm again, only Goblins will return to paradise. Oddly, Aloo'rilaam
has not said what role Reptile Men and Kobolds -- both of which came with Goblins from Gabrook to Yrth -- play in
God's grand plan.
Aloo'rilaam
A short man (5'6", 140 pounds) with a distinctive voice wearing a
Yrth2K
long, cowled robe that hides his features and body completely.
Age: 33.
Attributes: ST 9 [20]; DX 14 [20]; IQ 14 [45]; HT 12 [10].

Advantages: Ally Group (Lurite followers, 9 or less) [20];
Charisma +3 [15]; Language Talent +2 [4]; Literacy [10];
Reputation +1 (among Goblins, 10 or less) [1]; Sparrial [8].
Disadvantages: Albinism [-10]; Amnesia [0]; Appearance (Ugly)
[-10]; Delusion (Messenger of God) [-10]; Enemy (Michaelites, 9
or less) [-30]; Excommunicated [-5]; Sense of Duty (to followers)
[-10].
Quirks: Always wears a cowl to hide appearance; Mutters in
Sparrial; Never lets others see him eat [-3].
Skills: Area Knowledge (Southern Megalos)-14 [1]; Augury-11
[1]; Bard-16 [6]; Brawling-14 [1]; Cooking-14 [1]; Cyphering-14
[1]; Dreaming-13 [4]; Fast-Talk-15 [4]; History (Goblins of
Yrth)-14 [4]; Knife-14 [1]; Lucid Dreaming-13 [1/2]; Savoir-
Faire-15 [2]; Singing-12 [1]; Staff-13 [2]; Streetwise-13 [1];
Teaching-13 [1]; Theology (Christianity)-14 [4].
Languages (includes +2 for language talent): Anglish-14 [1/2]; Goblin-16 [2]; Sparrial (Native)-16 [--]; Latin-15 [1].
Aloo'rilaam's earliest memories are of a small hut in the countryside outside of Ekhans. He had been found, burned
and mutilated, in a nearby field by a kindly old Goblin woman. As the woman nursed him back to health, she tried to
learn from Aloo'rilaam who and what he was. All he could do was to feebly state his name, which left the woman to
weave her own version of his story.
The woman decided that Aloo'rilaam was a deformed hobgoblin who'd been tortured and cast out from his tribe.
Because his eyes -- as odd as they were -- had a light of kindness and intelligence behind them, she worked hard to
educate Aloo'rilaam. Enlisted into this effort was the village priest who found Aloo'rilaam to be an eager student.
A total amnesiac, Aloo'rilaam believed the story the woman developed for him. His same thirst for self-knowledge led
him to grasp at the message of salvation offered by the priest. So as to not frighten others, Aloo'rilaam began to wear a
cowled robe to hide both his burns and his deformed features. As he healed and learned, Aloo'rilaam began to have
increasingly vivid dreams.
At first, the priest was excited by Aloo'rilaam's dreams, many of which involved communication with Goblin-like
images of the divine, but soon Aloo'rilaam's visions left the priest more and more worried. He called in an exorcist to
see if the young man was possessed by demons, but to no avail. Although Aloo'rilaam had little inkling as to what was
going on, he could smell (literally) that the priest's attitude toward him had changed.
When the old woman learned that Michaelites were being sent to question "her boy," she sent Aloo'rilaam off to
Sho'joor. There his true role as the chosen messenger to the Goblin race was revealed to him in a dream.
At first Aloo'rilaam was scorned. What could such a grotesque figure (and a Hobgoblin at that!) know about God? And
if he were really the messenger of God, why could he work no magic? But gradually his stories of the paradise of
Gabrook and God's true message for Goblins drew an audience. And as his flock grew, the interest and ire of the Curia
were raised, culminating in his excommunication and the condemnation of the so-called "Lurite heresy."
Now Aloo'rilaam wanders from Goblin village to Goblin village charming audiences with his promise of glory soon to
come.
Aloo'rilaam is a 110 point NPC.
GM's information
Although he believes he is a deformed hobgoblin, Aloo'rilaam is actually a Sparrial (see GURPS Space, pp. S41-42
(note the most recent errata), or GURPS Aliens, pp. A84-87), although this fact is unknown to both him and his
followers. Because of his amnesia, how Aloo'rilaam arrived on Yrth is up to the GM: He could have arrived on Yrth as
the result of a hyperdrive malfunction, or the Banestorm could have plucked him from the Sparrial homeworld long
before the Sparrials developed even rudimentary space travel, just as it has plucked thousands from Yrth, Gabrook and
Loren'dil. Perhaps his amnesia is courtesy of the Ministry of Serendipity.
It has been seven years since Aloo'rilaam arrived on Yrth, and for the past year he has been on the run from the Curia
and its agents. He is completely sincere in his teachings, and believes the Yrthian church is made up of Pharisees out
to prevent him from delivering God's message to the Goblins of Yrth. (Because he has no recollection of his life before
Yrth, but does have access to everything he's learned since arriving on Yrth, Amnesia is treated as a zero-point special
effect. Also while he retains his Sparrial language skill, he cannot remember how to speak it. Occasionally, he will
mutter, talk in his sleep or otherwise slip into Sparrial; at these times his followers believe Aloo'rilaam is "speaking in
tongues.")
Despite his amnesia, Aloo'rilaam remains subject to his Sparrial instincts, such as Kleptomania an Stubbornness, which
upon occasion get him into trouble, but he also can take full advantage of his inborn Detect Lies skill, which has
helped keep him stay one step ahead of the Michaelites.
For those without Space or Aliens, the Sparrial racial package is reproduced below:
Sparrial (8 points)
Attributes: ST -3 [-20]; DX +2 [20]; HT +1 [10].

Advantages: Acute Taste & Smell +2 [4]; Night Vision [10]; Super Jump [10]; Thin Fur [0].
Disadvantages: Gluttony [-5]; Kleptomania [-15]; Short Lifespan [-10]; Stubbornness [-5].
Skills: Climbing @DX-1 [1]; Detect Lies @IQ+3 (limitation: Scent-Based, -20%) [8].
Sparrials appear vaguely feline. They have long, pointed ears that stick out parallel to the top of the head, and large,
deep-set eyes, slitted vertically like a cat's. Their oddest feature is a triangular mouth with three lips; instead of teeth, a
Sparrial's mouth has a serrated bony ridge. They are covered with sleek fur, usually in varying patterns of brown or
rust, although albinism is common. Their height and weight are average for their strength.
Adventure Seeds
* If any of the PCs are Goblins, a friend, dependent or family member becomes a follower of Aloo'rilaam. Not only
are the PCs being pressured to join the sect, but the Michaelites have learned of the PCs and think that they might be
able to lead the Curia to Aloo'rilaam.
* On a trip to Sho'joor, the PCs are asked by a Goblin acquaintance to help bring a poor cousin of his to Yibyorak. The
poor cousin is Aloo'rilaam. As they travel, the PCs must avoid the Michaelites and curious Goblins who have heard
that Aloo'rilaam is passing through their area.
* In a Michaelite campaign (see the article by Sean Nicolson in Roleplayer #19), the players have to find Aloo'rilaam
and deal with his heretical followers. Of course, it is rumored that Aloo'rilaam is a demon, which could complicate
things.
* It's all a great con. Aloo'rilaam is faking the amnesia and having the time of his life leading a life of luxury at the
expense of his Goblin followers. Perhaps the PCs are followers who begin to suspect something, or they are
Michaelites who want to expose the fraud in order to diffuse the power of the sect.
* It's at least partially true. The Sparrial homeworld really is Gabrook, and Sparrials are the next stage of Goblin
evolution . . . and Aloo'rilaam is just the first of what could be the busiest Banestorm resurgence in centuries.
* It's really an illuminated conspiracy. Aloo'rilaam is scouting out Yrth for an alien invasion force, building a cadre of
Goblin collaborators who will help rule the coming order. . . .
Further reading
As the year 2000 draws near, a number of real-life cases of millennial anxiety are arising. The following websites
include more information that could be useful in adding millennial anxiety to almost any type of campaign.
Center for Millennial Studies Check out "The Year 1000" links for medieval reactions to A.D. 1000.
More Adventure Coming, a sermon by Rev. William Tully at St. Bartholomew's in New York City.
Alien Invasion!
by John Tynes
Art by andi jones

Editor's Note: This article originally ran in Arcane issue #19 in May of 1997.
Beings from outer space are coming to take over the world. What do you do? If you're a referee, you should
congratulate yourself: you've picked a campaign-level plotline that is a breeze to plan, exciting to enact, and easy to
relate to. Alien invasions have populated our entertainments for decades, and most everyone has seen a film such as
Aliens or Independence Day, or watched a television show like The X-Files or The Tripods, or (God forbid!) read a
book such as War of the Worlds or Starship Troopers. Players will understand the nature of what is going on -- though
of course the specifics will vary widely -- and will also have a bank of stored experiences to draw on when they have
to figure out how to save the day. (Plus, they'll have a set of expectations that you should delight in confounding.)
"But it's all so trite!" you cry. "It's been done to death! I don't want to just rip off some movie!" Bah. We're going to
rip off a whole bunch of movies. (And TV shows. And books. And comics.) You shouldn't be afraid to mine pop
culture in your pursuit of a fun RPG campaign. The advantage of drawing on such a rich entertainment tradition is that
you can very quickly mix-and-match elements from different sources, keeping the bits you like and discarding the bits
you don't. Besides -- you know that you could have plotted a better story than Independence Day had. You just haven't
bothered to prove it.
Now's the time, chummer. Earth needs you!
Behind the Mask

Every good RPG campaign thrives on conflict. The conflict may be emotional, or political, or just physical, but it's the
fuel that drives the engine of play. Developing an RPG campaign means choosing a source of conflict. Conflict is
about opposition: me against you, us against them, right against wrong. The history of warfare -- the biggest and
loudest form of conflict humanity practices -- has taught us that the best way to fight an enemy is to dehumanize them,
to convince your side that the other side is not worth the breath they draw and therefore to fight all the harder because
we are right.
Right off the bat, we've got the root of our campaign's thematics: our foes are not human. This isn't a dispute over lines
on a map or who controls what oil fields or the fact that some potentate got whacked in the streets of Sarajevo. This is
about being different. And different is bad. Defeating the different and leaving only the familiar is good. This is the
essence of the alien invasion campaign, the sweetmeat at the center of the onion's layers.
In the course of developing your campaign, you'll be tweaking this in all sorts of ways. The aliens may not be so
different after all, and there may be sympathetic factions within the invading force. But the core thematic is what is
going to get under your players' skins and get them up in arms to stop the aliens and save the day. It's the primal itch
that your players will be dying to scratch. Don't be afraid to use kneejerk, reactionary xenophobia to manipulate the
players, to excite their enthusiasm, to push their buttons. Simple ideas are powerful ideas. Different is bad. Destroy the
different. Save the world.
Developing Your Aliens

Aliens come in all shapes and sizes -- except on Star Trek, where they just have weird noses -- as well as a variety of
psychologies and goals. One of the first steps you'll need to take in building an alien-invasion campaign is to design
the alien invaders. Here's a checklist of considerations to work through.
Are they like us? One of the simplest set-ups for an alien race is to just make them pretty much like us, in terms of
psychology and behavior. Sure, they may have some weird customs and social structures and they probably have six
arms and exist in twelve dimensions -- but they think like we do. A given alien might be heroic, or vain, or cruel, or
gentle, just like a given human. If you go with this idea, it suggests a number of possibilities: we can probably figure
out how to communicate with them; there will probably be some among their number who sympathize with our plight;
and they'll make human-like mistakes which we can exploit. Examples of these kinds of aliens include the lizard-
people of the TV series V and the sporting hunters of Predator 2.
Or are they just bizarre? Aliens can be entirely that: alien. They can act in ways we do not understand, they can
communicate in systems that we cannot access, and they can pursue goals that make no real sense. This is tricky to pull
off really credibly, since it's easy for their actions to be just like those of any human aggressor, only they talk with
their nostrils or something. This is because we are humans, and it can be difficult for us to conceptualize a completely
different worldview. If you're going this route, don't try to work out the aliens' plans in great detail -- because if you
can understand their plans then they're not very alien, are they? Instead, work up a set of small, arbitrary goals and sets
of behavior, and just have the aliens pursue those goals and behaviors indefinitely. Examples of well-done, truly alien
behaviors are rare. One example is the short story "Heresies of the Huge God" by Brian Aldiss, about a massive,
uncommunicative alien being that lands on Earth and then just sits there for decades, causing destructive climactic and
sociological changes.
What do they think of us? Given that the aliens want to invade your game world, they must have addressed the issue
of just what all those naked apes are doing down there. They might respect us as a worthy foe. They might consider us
savages ripe for conquest. They might see us as a source of protein. They might not understand us at all, and think that
we are servants to a master race of machines (our cars and computers). Or, they might not even be aware of us; they
might perceive so many facets of the universe that to them, we are nothing more than some sort of natural interference,
like static in a broadcast. Their understanding of humans (or lack thereof) will have a profound impact on play, so
consider it carefully. Are there competing schools of thought within the aliens about the role of humans? Are they
capable of adjusting their opinion over time? Have they been taught falsehoods about humans by superiors who know
better?
What do they want from us? Now that you know who the aliens are and what their understanding of humans is, you
need to decide what they're after. What goal is behind this invasion? (We'll get to the methodology of invasions
shortly; for now, just consider the ultimate goal.) Do the aliens want to conquer Earth and add it to their empire? Do
they want to destroy humanity before we discover starflight and start screwing things up on other planets? Do they
plan on terraforming Earth for their own use? Are they here to liberate the dolphins? Do they need our genetic
material, or our minerals? Once you know their major goal, start scaling down: what are their early goals? Do they
need to evaluate us in some way prior to achieving their goal, perhaps by testing our defenses? Do they need to seize a
chunk of land in a particular climate suited to their physiology to use as a staging ground? Do they have to reduce the
amount of oxygen in the air? Do they need to create a network of human or human-seeming agents? Work up a list of
minor goals, leading up to the major one.
What can stop them? An alien invasion can be defeated in several ways, dependent on how you've answered the
preceding questions: our heroes could stop the invasion by making it too costly in terms of personnel and resources;
they could stop the invasion by convincing the aliens to stop (perhaps by demonstrating sentience in humanity); they
could stop the invasion by manipulating factions within the aliens against each other; they could make the aliens' goals
unobtainable; and so on. Every point of definition is a potential point of vulnerability. This is important, because it
rewards the players for learning about the enemy. The discovery that the aliens don't even perceive humans as living
beings could lead to a plan that demonstrates our sentience in some way. Working with a group of plotters within the
aliens to stage a coup against the invasion's leaders could save the day. Options are plentiful, but the referee should
really try to anticipate these points of vulnerability. If you think the assist-the-coup-plotters method of victory could
work, for example, you need to have some notes on the plotters and how our heroes can meet them.
Do they eat bricks? That is to say, what's their physiology like? I recommend addressing this question after all the
others because I think your campaign will go better if the emphasis is on who the aliens are, rather than what the aliens
are. Once you have the aliens' mindset, perspective, goals, and vulnerabilities mapped out, then you should go ahead
and decide if they're green or have six arms or whatever else comes to mind. Unless you're into science, you don't need
to get heavily into this. Work up a rough physiology that supports the psychological elements you've already got in
place. Don't look at their physiology as science fiction; look at it as a set of referee tools. Create weaknesses and
strengths in their physiology that can be exploited -- for good and ill -- in the course of play. For example: aliens who
can't breathe our atmosphere are unlikely to be fighting us hand-to-hand, unless they have special suits or other
apparati. If they have special suits, does that mean they're very vulnerable to having the suits torn or shattered? Or are
their suits massive sets of body armor impervious to most attacks? Questions like these will have drastic effects on the
nuts and bolts of what actions your players will take and what goals they will set, so think of them in gaming terms --
don't try to be Carl Sagan.
Have you got all that? When you've worked your way through this set of questions, take a minute and write up a
description of a sample alien. What does it look like? Does it have a name? What kind of a personality does it possess,
if any? What is its place in the alien society? Your sample write-up should be a condensation of your thinking
throughout this set of questions, and include a number of asides and touchstones to trigger recollections in your mind
later of minor details you thought of during this process.
Planning The Invasion

Now that you know who your aliens are and what goals they have in mind, you need to plan the invasion. Looking at
the wealth of alien-invasion entertainments, we can break types of invasions down to a handful. Each type is sub-
divided into two chunks: intro and meat. "Intro" is a guide to running the opening stages of the invasion if that's where
you want your campaign to begin. "Meat" is a guide to running the main portion of the invasion if you'll be playing
there instead. (Your campaign might begin with the invasion already well underway, for example.)
All-Out War Alien Invasion!
Intro: Astronomers spot them first. A fleet of

fast-moving craft appears outside of the
Moon's orbit. Within days, the invasion
begins. You'll have to decide if the attack will
be air-based or ground-based -- do they have
lots of swift aircraft, like in Independence
Day, or will this be more like the attack on
Hoth in The Empire Strikes Back? You'll also
need to work out what role the player
characters have. Are they miscellaneous folks
caught on the front lines of the attack? Are
they pursuing their own goals with the alien
invasion simply serving as a backdrop? Are
they in a position to lead Earth's response to
the invasion? With that settled, you'll need to
map out early events and responses. Where do
the aliens strike first? What counter-attacks
are launched? Don't just go for random destruction -- keep the goals you defined earlier in mind and make sure that the
aliens' attacks are helping them to achieve those goals. You might also want to consider whether or not the aliens will
engage in any sort of misdirection in this early stage, to disguise their true agenda.
Meat: The battle rages on. Earth is a flaming ruin, major population centers have been decimated, and the aliens are
everywhere. Organized defense exists solely on the local level -- large-scale terrestrial military structures have been
shattered. But at the scale that the player characters operate on, there's lots to do. Whole towns are in flames, natural
disasters are occurring as a result of the attack, first-aid stations are overwhelmed, and food is in short supply. Where
do the PCs start? They might be fighting guerrilla actions against local installations of the aliens. They might choose a
particular locality to defend, from aliens as well as from looters or opportunistic crime lords. They might be holing up
in a secret hideout, sneaking out only to gather supplies and recruit NPC allies for some future assault. Or, they may be
plotting to end the invasion through unconventional means -- such as a secret weapon, fomenting a coup within the
alien ranks, holding the alien leader hostage, or who knows what else.
Trust No One
Intro: The Invaders asked: can the man sitting next to you bend his little finger? If not, he's an alien infiltrator! This
style of invasion is secretive, and often involves either aliens who look like humans or humans who collaborate -- or
are mind-controlled -- by the aliens. Examples include The X-Files, Invasion of the Body Snatchers, The Thing, and
H.P. Lovecraft's story "The Whisperer in Darkness." The theme of this style is paranoia, since you never can be sure
who is your enemy and who is your friend. Kick off your campaign with isolated peculiar incidents that gradually
point the PCs towards the awful truth; this stage of the Trust No One style is over once the PCs understand the aliens'
methodology and something of their plans.
Meat: In Robert Heinlein's novel The Puppet Masters, people quickly begin going around naked because the aliens
were parasitic critters that clung to your back and plugged into your spine -- "A man wearing a coat is the enemy.
Shoot!" You might not want to get quite that wacky, but this is definitely the us-against-them stage of the Trust No
One style. The important thing is that no one should believe the PCs. No reliable proof can be gathered, authority
figures who believe you are killed or "replaced," and in general, it's up to the PCs to save the world. The PCs will
probably have a quick method of identifying aliens among the populace, setting up numerous scenes of sudden chaos:
even a shopping trip to the mall can turn into a melee when the PCs realize that the department-store Santa Claus has
that peculiar scar on the back of his hand. Plus, the aliens will now be aware of enough of the group's existence and
opposition that the PCs will be hunted or persecuted. The alien infiltrators/collaborators can wipe out their bank
accounts, get false charges filed against them, and generally try to run them to ground.
Crawling Horror
Intro: One lone alien can be all you need at the beginning of the invasion, as the films Alien, The Hidden, and
Predator demonstrated ably. This style of invasion represents the incursion of a lone alien invader, intent on some
particular mission, who comes into conflict with the player characters. While it may seem that this would only be good
for a one-night adventure, that's not the case -- you don't have to make it a resolvable physical conflict, at least not at
first. Your PCs could spend several adventures tangling with a distant, unseen adversary whose machinations have a
ripple effect that brings trouble to the PCs' door. They'd have to track the alien down, learn its plans, and bring it to a
stop.
Meat: You thought one was bad? How about a bunch more? Appropriately enough, the sequels Aliens and Predator 2
handle this topic fairly well. By this point in the campaign, the lone incursion of an alien invader can be placed in
context: sure, it was after one thing, but that was just a sign of things to come. Now there are a bunch of them,
operating openly. This stage of the Crawling Horror style is actually not dissimilar to All-Out War, except that it's only
at the scale of your PCs' operations rather than at a global scale. But the foes here are more likely to be hand-to-hand
opponents with special fighting prowess or peculiar abilities, rather than hordes of troops in warships. This style falls
more on the terror end of the terror/tension axis -- these aliens don't kick down doors with their big jackboots, they
leap out of shadows and get you in a stranglehold when you least expect it.
Wrapping It Up
Sooner or later, the campaign must end. You should plan ahead and anticipate the sorts of endings that are likely, so
that you aren't caught by surprise -- that's the point of the "What can stop them?" portion of the alien-creation process.
The trick here is that you can't just conceptualize what endings are possible; you need to lay the groundwork to support
those endings. The players can always come up with something unexpected, of course, but you should at least be
confident that they won't be floundering about without direction if it's needed.
So: for each point of vulnerability you identified earlier, set up clue paths that the players can follow so as to learn
about those points. (Clue paths consist of incremental advances towards gaining a full understanding of one point of
alien weakness, with each advance carrying an increased level of danger.) Some paths should be action-directed, some
should be investigation-directed, and some should be roleplaying-directed. An action-directed path could be:
destroying the reactor at the aliens' stronghold on Earth will wipe out their invasion fleet if you do it at the right time.
An investigation-directed path could be: a biological weakness of the aliens can be exploited with a new piece of
technology or a type of virus. A roleplaying-directed path could be: convincing an alien commander to overthrow his
superiors and seize the throne back home, rather than screwing around here in the backwaters of the galaxy.
Once you've got these basic clue paths set up -- some action-directed, some investigation-directed, and some
roleplaying-directed -- you need to have two entrances to each clue path. One entrance should be ready and waiting to
reward player initiative; the other should be something you can drop in their laps if they're clueless. Using the
investigation-directed path as an example, the player-initiative entrance would be that if the PCs decide to orchestrate
research into alien biology (stealing equipment, setting up a lab, convincing a scientist to help, etc.), you need to know
what sort of stuff they'll need, what obstacles will be in their way, who they'll need to get on their side, and what
practical results such research will produce. The player-clueless entrance would be to have the scientist come to them
for help and thereby kick them in the pants; perhaps they free him from alien confinement as a by-product of rescuing
someone else.
You don't need to spend a lot of time developing these clue paths. Just set up the entrances and ultimate results of each
one and put them aside; when the time comes and the players get onto one of those paths, that'll be the point at which
you need to flesh out the specific steps.
Conclusion
Alien invasions are an appealing and fun campaign-level plotline. The wealth of entertainments in this sub-genre
means that a wealth of ideas are close at hand, and you don't have to buy a single sourcebook! A few trips to the video
store or a brief ransacking of your friends' libraries is bound to turn up plenty of examples. Make up some cool stuff,
plan it all out, and save the Earth. Don't dawdle, chummer -- there's a war on!
Sidebar: Alien Goals

Just what the heck do these crazed fiends from another world want, anyway? Here are some suggestions . . .
Genetic material. Earthlings have some genetic quirk that makes our double helix the cat's pajamas. Aliens after such
a thing might be harmless collectors of fingernail clippings, but it's more likely that they have to run you through a
meat grinder to get a good sample.
Terraforming. Evincing an uncannily human-like mindset, these aliens have trashed their homeworld's ecosystem and
want to start from scratch on ours. "First, we'll nuke the whales."
Galactic Bureaucracy. Earth poses some sort of perceived threat to a vast alien organization. Perhaps our orbit screws
up some of their jump-drive routes, or perhaps they anticipate us gaining FTL travel and wreaking havoc. Whatever
the case, we've been targeted for extinction, not conquest.
God & Country. The Crusades go galactic: an interstellar army out to convert heathen worlds to the One True Way
and lock up all the mineral rights in the bargain. You get eeriness points if the One True Way resembles an Earth
religion, plus special Von Daniken/Stargate bonus points if the religion is Mesoamerican or Egyptian in aesthetics, if
not in ethos.
The Insurrection. The aliens seem nefarious, sure, but in reality they're just using extreme measures to prepare Earth
for the coming of a much greater threat. They want to use us to oppose the Big Galactic Empire that is en route -- and
they don't care if they break a few eggs along the way.
A Dash of Salt. Psychology? Motivation? Bah! "Humans taste good. We are here to eat you."
Sidebar: Aliens Across Genres

An alien invasion campaign is something that works in every genre. At heart, alien invasion stories are just us vs. them
-- they're about our innate fear of strangers. In literalizing an instinctual fear, alien invasion stories work no matter
what obstacle course you put them through. Here are some genre-specific suggestions.
Contemporary Horror (Call of Cthulhu, Don't Look Back, Conspiracy X, World of Darkness). These games posit a
secret history of humanity, one in which dire forces have conspired to manipulate us all. Emphasize the broad view:
they're been here for millennia, guiding our development. They've created our governments and they run our lives.
Secret signs of their presence are everywhere, if only we know how to see them. Models: The X-Files, Five Million
Years to Earth (a.k.a. Quatermass and the Pit), They Live, Stargate.
Victoriana (Cthulhu by Gaslight, Castle Falkenstein). The Victorian era was defined by the British Empire; therefore,
the natural form for an alien invasion is of a colonial empire that dwarfs that of the Queen. Isolated, secretive colonies
in remote regions -- Antarctica, darkest Africa, Greenland -- with slaves mining obscure minerals prefigure a larger,
public plan of global conquest and assimilation. The issue is debated in parliament as much as on the battlefield.
Models: Well, the British Empire of the Victorian era, of course.
Heroic Fantasy (Advanced Dungeons & Dragons, Warhammer Fantasy Roleplay, Rolemaster). You could go for a
full-on SciFi invasion with giant ships and exploding castles, but a more subtle approach is probably better and more
adaptable to a fantasy scale. Communication in such a genre is often slow, so take advantage of it: entire countries
could be overthrown before anyone nearby knows it. Rather than aliens from space, perhaps beings from other planes
(such as the Mind Flayers of AD&D) or strange magical creatures (such as Dopplegangers) would make a good
choice. Model: The Dominion of Star Trek: Deep Space Nine, invading a thousand years early.
Science Fiction (Traveller, Fading Suns, Space Master). This genre is full of alien invasions anyway, so it's a matter
of picking your approach. You've got your military SF (Aliens, Starship Troopers), your conquest-of-empire SF (the
Borg of Star Trek: The Next Generation), or your subvert-from-within SF (The Puppet Masters, Invasion of the Body
Snatchers).
Superheroics (Champions, HERO, GURPS Supers). DC Comics did this up a few years ago with their Invasion
crossover series. You start out with a few isolated incidents for the supers to take care of, then build up to all-out war -
- in fact, the recent film Mars Attacks! is a perfect model, only with super-heroes kicking alien butt instead of mere
mortals. For added pathos, have the aliens related to one of the major heroes' origins (like Doctor Tachyon's in the
Wild Cards book series) to boost up the angst-o-meter.
Cinematic Action (Feng Shui, Hong Kong Action Theatre). Kick alien butt! Any number of godawful (and some
good) movies have tackled this theme, generally with a modern setting. For best results, have the aliens form an
alliance with the major bad guys of the campaign and kick it off with nefarious arms shipments of alien weapons.
Models: I Come in Peace, V, Predator (1 & 2), Independence Day.
Old West (Boot Hill, Deadlands). "Well goldurnit if that ain't the goldangedest thing I ever saw!" Them's aliens in
them thar hills. Maybe they're after gold, or spiritual energy from massacres or the Civil War. Whatever the case, there
are a bunch of weird guys riding the range with handkerchiefs wrapped around their faces to disguise their true
natures. Aliens in the Old West should be singular, strange wreakers of havoc who ride into town on some weird
mission and die with all three of their boots on.
Quotes
"Within days, we could all be doomed."
-- Lifeforce
"If we killed a warrior -- or a thousand, or ten thousand -- his or their replacements were hatched and on duty almost
before we could get back to base."
-- Robert Heinlein, Starship Troopers
"I wish I could tell you more. But we have a large number of deep-cover operatives involved here . . . you know how it
is. We all have a job to do."
-- Predator 2
"I admire its purity: a survivor, unclouded by conscience, remorse, or delusions of morality."
-- Alien
"It could have imitated a million life-forms on a million planets, could change into any one of them at any time. Now
it wants life-forms on Earth."
-- The Thing (1982)
"It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed
depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm
and splash out of their black lairs to newer and wider conquests."
-- H.P. Lovecraft, At the Mountains of Madness
Get 'Em, Girls!
Variant Rules for Lunch Money

by Owen S. Kerr
Art by andi jones

The combatants face each other in the glaring light of the noonday sun. Light falls harshly on the asphalt, concrete,
and metal of the chosen arena, and glitters on steely eyes.
The gang leaders trade the ritual insults, as their followers finger weapons and carefully assess the enemy. The three
challengers are wound up tight, their motion stiff, pigtails and patent leather shining in the sun. In contrast, their
opponents are casually menacing: cigarettes dangle from pre-pubescent lips, plaid skirts immaculate, Jodie the third-
grade berserk grinning as she shifts a lead pipe from hand to hand.
"You-all sure you be wantin' to take us on?" Missy drawls. "I tell ya, you just opened a big ol' can 'a whup-ass all
ovah yourselves."
The challenger leader bares her teeth in a brace-faced snarl. A barked command, and the pack of young Amazons are
upon their enemy.
This is it, the final showdown. The younger girls fight for their honor and dignity. No more pulled hair. No more
dodge-ball massacres. Never again to have the agony of a mid-morning swirly. One way or another, it all ends here.
And Sister Mary Anthrax's homeroom will never be the same.
Lunch Money, a non-collectible card game by Atlas Games, is one hell of a good time. What other game has as its
main thrust combat between pre-pubescent kung-fu Catholic schoolgirls? If your group has had some fun with the
original rules, try these variants for some pimp-slapping, eye-gouging, throw-her-through-the-tire-swing-and-pants-
her action.
Sticky Fingers
Grab can be a fun card, when used correctly. Using the Sticky Fingers variant, any player may use a Grab card to
retrieve a Weapon card "dropped" after the play of a Disarm card. This can be the player who dropped the Weapon or
any other player.
This move is not without danger, however. All other players may make one free attack on the Grabbing player, using
either Kick or Stomp cards.
This variant also allows the target of a Weapon card to play a Block + Grab + Grab combination to wrest the Weapon
from an attacker. (Stop the attack, grab the opponent, grab the weapon. Simple, no?)
Each of these plays may only be thwarted by the attacker playing a Humiliation card on the person attempting to pick
up the Weapon card. If it is the attacker who is attempting to retain the card, any opponent may play Humiliation to
keep it out of her grasp.
Thumbs of Steel
A player suffering from a Choke card may feel that turn-about is fair play, and rightly so. Using this variant rule, any
player being Choked may, in addition to her other options, play a Choke card against her assailant.
Note that this does not break the original Choke; the players may both choose to throttle each other, or to attempt to
break free, as per the rules.
All other rules apply as normal, including rules-as-written on how to escape the clutches of a Choke card.
Team Rules Get 'Em, Girls!
In any fight, it's nice to have friends, even if they are all
nine-year-olds in blazers and skirts. The Team variant for
Lunch Money makes the game a bit longer, and much more
tactically challenging. Playtesting showed that the players go
through the deck much faster, as well.
Teams may be from two to four players, with each team's

goal being the eradication of the enemy or enemies. (One
deck of Lunch Money cards supports two to four players, so
a three-way fight between teams of four players would need
three decks.)
Standard rules call for each player to have fifteen damage

counters at the start of play. In Team play, add five counters
for every player on the opposing team(s). Yes, this makes for
some tough little squirts, but you'll soon see why you need
the extra hits.
Players may support teammates during play, Blocking

attacks meant for players on the same team, using First Aid
cards to add counters to an injured ally's pile, and playing
Humiliation cards to good effect. Players may also use a new
combination, Grab + Dodge, to pull a teammate out of
harm's way.
The two cards that cannot be stopped with team effort are Uppercut^2 and Hail Mary. These attacks are bold,
cinematic, and too powerful (and fun) to fall prey to anything as mundane as team effort. In both cases, the intended
victim is on her own, free to Dodge, Block, or Humiliate (assuming she has the applicable card(s)). If no defense is
possible, smile and take it on the chin. It's only a game. Besides, you have a long memory, right?
Cards which may carry damage over to another player if Dodged, like Spinning Backfist and Roundhouse, may only do
damage to members of the same team; the card may not carry over to another team.
Big Combo is always a useful card, and in Team play, it becomes even more versatile: the two three-point attacks that
make up Big Combo may be used against two enemies on the same team. As with the original rules, both halves of the
Big Combo have to be Blocked or Dodged in order to avoid damage.
Another aspect of Team play is group combinations. If a teammate plays Block, feel free to play that Grab. When
you're on top of the situation, another trusty comrade whips out a Headlock, immobilizing the erstwhile attacker. Any
cards played in combination by a team are treated as a single action, with the exception of the Grab + Dodge defense
named earlier. (This move must be performed by one player.) Dealing with restrictions on actions, if you played the
card, it's your baby. In the above example, the player who used Headlock is subject to the restrictions surrounding the
card, while her teammates have none. (Missy blocked the punch, then Jodie grabbed the attacker, holding her for
Tanya's headlock.)
Note that Team play does not require teammates to sit next to each other in the circle, and shrewd players will rapidly
discover strategies that depend mainly on player seating arrangements.
Cutthroat
This is a Team variant for three players (or three teams, for that matter). Players start with 20 damage counters each
(this applies to all Cutthroat games, even team Cutthroat). Play proceeds as normal, with the two non-active players
acting as a team against the active player. Mayhem ensues. Remember, however, the pony-tailed little troll you Poke
In The Eye this turn will be your ally (you hope) next time around.
The sun goes down on a scene of Catholic school carnage. Handfuls of ripped-out hair drift aimlessly, pushed by a hot
breeze off the basketball courts. The winners and losers limp home, bloodied but unbowed.
Missy spits out a tooth as she leads her broken pack toward the mall. Next time, she thinks, we'll be ready for them.
My sister has some power tools . . .
The IISS Rangers
A Variant GURPS Traveller Covert-Ops Organization

by Glenn St-Germain
Art by andi jones

[Editor's Note: While the following article is an interesting variant, it is unofficial, and not part of the official GURPS
Traveller universe.]
The IISS Rangers Library Data

Rangers: A covert intelligence unit established by Emperor Paulo
I in 741. Their original mandate was to observe and record
activity in the Imperium which could constitute a threat to
Imperial security. For several years, that was all they did. But as
time went on, the Rangers became more of an intervention force,
answerable to no one but the Emperor himself. Upon the death of
Paulo in 767, the Rangers continued to function, independently,
dealing with threats to the Imperium, both real and imagined.
Excesses on the part of some Ranger operatives, and the
possibility of the Rangers being involved with the untimely death
of Emperor Tomutov I in 768, eventually caused Empress Paula II
to revoke the Rangers' charter in 772, upon which the Rangers
were disbanded.
. . . or so people believe. While the Library Data entry is true, it is

also incomplete. Paula disbanded the Rangers as they were, but
saw a legitimate need for a group such as the one Paulo had
envisaged 31 years earlier. She met secretly with the head of the
Intelligence Branch of the Imperial Interstellar Scout Service
(IISS), proposing that the Branch take over the function of the
Rangers by creating a new sub-unit within its own infrastructure.
Thus, the Rangers as they are today were created.
The Rangers function as a semi-autonomous unit within the IISS' Intelligence Branch. Their mandate is to watch out
for threats to Imperial security from within, and intervene if necessary. They are covert operatives, ones whose
existence is not known to the general public. Even most Scouts are unaware of the existence of such a unit within their
own ranks.
Officially, Ranger operatives are members of IISS Intelligence. As with most covert operatives in the field, they will
have cover identities and assignments, which will vary depending on need. However, many Rangers in the field have
as their cover assignment a placement in the Internal Mapping Branch of the Imperial Grand Survey. This allows
Ranger crews to move from one system to another without arousing suspicion.
A typical Ranger crew will consist of four to six individuals, the crew of a standard Scout/Courier vessel of the type
which are ubiquitous throughout the Imperium. In addition to a pilot and an engineer, there will be a security specialist
and someone well versed with research and intelligence analysis. They will be given an area, generally a sector, to
patrol, moving from place to place as the team leader sees fit. At each new port of call at a scout base or a system on
the X-Boat route, the team leader will scan for coded messages addressed to him/her and his/her crew, which will
contain instructions or assignments from the Ranger sector chief, usually located on the sector capital world. In turn,
the team leader will keep the sector chief apprised of their location.
Assignments can be nearly anything that requires covert intervention. An assignment can be as simple as a trip to a
particular world to observe a situation and report, or it can be a complicated mission which requires extraordinary
intervention. Some of these assignments are less than entirely legal, as they could constitute intervention into a
planetary government in violation of the laws of the Imperium. However, if a government poses a threat to the security
of the Imperium, the Rangers will authorize an intervention. And should any of the Rangers be caught or killed, the
IISS will disavow any knowledge of their activities . . .
Rangers on patrol are also allowed to intervene into situations they happen to come across during their travels without
requiring authorization from above, especially if a rapid response is required.
Rangers as player characters use the same template as for regular Scouts (GURPS Traveller, p. 99), but with the
following additions and changes:
* Mandatory disadvantage: Secret (The Rangers) [-10]

* Skills should include at least one from each list of Primary Skills given for the Undercover Agent template (p.
GT99).
* All Rangers should be skilled with the use of a sidearm of their choice, at (P/E) DX + 1, as well as at least some
familiarity with unarmed combat (Judo or Karate, or arts from GURPS Martial Arts).
A team of Ranger player characters should be a good mix of different types of agents -- stealth / infiltration specialists,
electronics experts, intelligence analysts, and so on. The Rangers pre-screen potential recruits very thoroughly before
contacting them, and only those whose loyalty to the Imperium is beyond reproach are given the chance to join.
Overall, the Rangers are not a large operation. At most, there is one field team operating in a particular sector at any
one time, except for areas with a greater-than-normal chance of security threats (e.g., the Spinward Marches, areas
near the Solomani Rim border). Their number in total is not more than a few hundred agents. They are, simply put, the
best of the best, given the jobs no one else could do, the kind of jobs that need to be done to maintain order in the
11,000 worlds of the Third Imperium.
Tirion's Cove
A Campaign Setting for Changeling: the Dreaming

by C. A. Johnson
Art by andi jones

For over 200 years, Bristol, Rhode Island has been a port. Not the largest, certainly. Most serious commercial ships
would run aground in her harbors. She isn't the most glamorous, either. Still, the maritime tradition runs strong. From
her younger days as a settlement, to the early wars of our nation's history, when her harbor sheltered many a privateer,
to the present, the sea has called to the people of Bristol. Its position on Narragansett Bay gives it the perfect blend of
safe harbor from storms and access to the open seas.
Some say you can still hear the bawdy songs of mariners from those days if the wind is right. In the woods near what
used to be Ferrycliffe Farm, they are right. There, under the watchful gaze of the Bale Point Light, the Eshu privateer
Lord Tirion and his crew lead lives of adventure and mystery.
Theme and Mood

The theme of Tirion's Cove is nobility in the face of adversity. The mood is adventuresome.
Balefire Point
A mortal visitor to Balefire Point would be unimpressed by his surroundings, if he could find the site. It lies nestled in
the deep woods that run along what used to be Ferrycliffe Farm. It is overshadowed by a dense ceiling of trees, which
shield it both from the prying eye of Banality and rain. To mortal eyes, there is nothing here but a simple stone tower,
perhaps 20 feet tall, flat and drab in the way only stone can be. A simple ramshackle structure juts off the platform and
squats gracelessly beneath the trees. Perhaps it was once a moonshiner's hut. More likely it was a rumrunner's hideout.
Either way, anyone foolish enough to enter it risks it collapsing on him.
To fae eyes, Balefire Point appears quite different. A graceful tower stretches upwards into the canopy and beyond,
granting a commanding view of the nearby bay. The battered old structure attains a sturdiness lacking in its mortal
seeming. It is still small and relatively unadorned. Hemp lines hang from the door frame, and something like a net lies
bundled by the corner.
Only passing the threshold gives a fae a true understanding of this place. Nets hang from the ceiling, lending a truly
maritime feel to the close room. They are not merely for decoration, however. Enfolded in their meshes are treasures
both real and chimerical. Intricate swords lay entwined next to decorative shells. Jugs and casks line the walls, some
breached. Others remain untouched, covered by dust and cobwebs. Goblets and plates tend to lie scattered on the only
table in the room, and chairs and hammocks vie for wall space.
The Hearth dominates the room. A circle of stone flows from the wall of the tower, providing a base for the great
fireplace that holds the freehold's Balefire. It is a warrior's hearth, decorated with the trophies and tools of victory.
Arrayed over the fire are several weapons, the greatest of these being a great war axe of dark blue metal. Matching
flintlock pistols flank it artfully. A pair of cutlasses sweeps outwards, framing the Hearth. Decorated as it is, it does not
feel homey, as some freeholds do. This is not a place where childlings play, nor where grumps would rest their
Banality weighted bones. It is a camp . . . sophisticated as camps go, but a camp nonetheless.
Sea Dancer
Back outside, a twisted path wends its way through the underbrush that surrounds the clearing. The bay is invisible
from the building, cut off from view by trees. Rounding the final corner, one sees the true home of the fae of Tirion's
Cove, the great chimerical vessel Sea Dancer. She is a wonder, all delicate curves and flowing angles. Two masts
reach for the sky and her lines and wires seem spider woven for their thickness and their placement. Brightly colored
sails lay carefully furled along the booms, and her fine wooden decks are clean and tightly fitted. Rails of brightly
polished brass line the cabin, and strong, golden rope provides handholds on the outer deck. She is 70 feet from stem to
stern, draws 20 feet beneath the waves, and has 22 feet between her hempen rails on her top deck. She is built for
graceful speed, and it shows in her lines and her bearing.
Under sail, she is an even more impressive sight. Her booms stretch wide to catch the faintest breath of air and turn it
into speed. There has never been a wave the Sea Dancer couldn't crest. She has never run from a fight while Tirion
has been at the helm, and her opposition has so far either surrendered or lies broken on the sea floor. Fifteen cannon
emerge from each flank in battle, and their chimerical roar and thunder are deafening to hear.
Beneath her decks, she is a utilitarian vessel. The only rooms of any note are the common room and Tirion's quarters.
Two things mark the common room; the fine oaken table that graces the center of the room, and the balefire stove that
provides warmth. The table is railed, as almost all seagoing tables are, to keep plates from sliding off in rough weather.
Sitting at it, one feels a sense of camaraderie. It is a setting that encourages the telling of tales. Sometimes, if the
stories are good enough, the table will tell its own. Its grain seems to change over time, showing different scenes from
Sea Dancer's career. Battles and journeys, quests and pursuits all appear in the table's finely polished surface. Behind
the Captain's Chair rests the Balefire stove, vaguely reminiscent of a knight's helmet. The green glow from the balefire
can be seen leaking through the slits in the visor.
Then there are the quarters of Captain Tirion. Nemo himself could not equal the splendor the Master of the Sea Dancer
allows himself. Fine cabinets with brass ornaments, a beautiful chart table made seemingly from the finest mahogany,
and paneling of red oak gives the room a luxurious feel. The bed is carefully made, its silken sheets concealed by a
thick blanket of soft wool, under which another cottony blanket rests. The room is lit with brass lamps securely
fastened to the walls and set in swivels to allow them to sway with the motion of the ship. A small, lockable desk
contains the Captain's Log. An inkpot is securely set into its well, corked carefully. A fine quill bobs over the desk as
the ship rolls in the swells.
As fine as she is, Sea Dancer is almost wholly chimerical. Her mortal seeming is of an old, battered hull drawn ashore
to get it out of the channel. No masts grace the deck, no fine decorations set her apart from any other wreck. When she
sails, it is always upon the Sea of Dreams.
History
During the Revolutionary War, Balefire Point was a watch station
for the colonists, to keep an eye on British ship movements
through Narragansett Bay. Its concealed location made it ideal for
such observation. It could be made into a comfortable camp
without being revealed to the Redcoats. Its small natural harbor
was deep enough to hold skiffs, and concealed enough to render
any such boat anchored there all but invisible from the Bay. The
channel in was a twisted one, navigable only by small craft. As
such, it made a perfect launch point for several sabotage
Tirion's Cove
operations too insignificant to make the passage through history.
During the War of 1812, Bristol became a major privateering port,

and the concealment of Balefire point became irrelevant. The
camp, with its few permanent installations, including the stone
watchtower, was largely forgotten. It became a playhouse, where
great powwows and mighty battles happened before lunch. Its
status remained largely unchanged until Prohibition. All of a
sudden the concealed nature of the Point became much more
important. Access from the Bay allowed raw ingredients to be
brought in in bulk, while the watchtower became the base for a
moonshiner's operation. Rum and other liquors were also brought
in through the Point and ferried out overland to nearby speakeasies. It never became a major site, so it wasn't
discovered before Congress repealed Prohibition. With booze legal to serve again, the Point once more found itself in
use as a secret hideout and play house.
Once again, it began to gather Glamour, with the Commoner Lords of the time all unaware.
The Accordance War

It was during the Accordance War that Balefire Point first came to the attention of the Fae, or more precisely to a Fae.
Lord Tirion was a mighty Eshu captain, and the Interregnum Lord of the Isle of the Lost. His ship, the Sea Dancer,
and her crew created quite a name for themselves on the Sea of Dreams, carving their legends out of the bodies of Sea
Serpents, Krakens and other powerful chimerae. He was a matchless sailor and a brilliant strategist, and his crew was
the bravest afloat. He counted on this reputation and his own daring skills to keep the Isle for himself during the
Accordance War. The naval campaign he waged against the Sidhe was glorious. Unable to match them force for force,
he instead matched them with uncanny guile. The Sidhe Lords sank more of their own ships than Tirion did.
Alas, bravery was not enough. When the dust had settled, Tirion found himself driven from his freehold by the
political manipulations of the Sidhe Duke Vortaylis. Vortaylis seduced Tirion's first officer, a Satyr named Naiad. She
became a key witness in David's Court against her former Captain and lover. Portrayed as a traitor and a villain, Tirion
was banished from the Isle by the High King, and Vortaylis was installed as Regent of the Isle of the Lost, a post he
holds to this day.
Tirion and the crew of Sea Dancer abided by the decision of the High King, albeit with imperfect grace. They set sail
on the tide following the message, vowing revenge on the deceitful Regent of Isle of the Lost. They sailed for a year
and a day, seeking a place they could call home. Many were the adventures they had, and glad were they for a rest
when they came across Balefire Point.
The Present
Tirion and his crew have spent the intervening years waging a private war on the Unseelie Regent of the Isle that was
once their home. Outnumbered and outgunned, they have avoided direct confrontation, instead hitting Vortaylis in his
most vulnerable point, his shipping. The Isle of the Lost is mighty, but it is not self-sufficient. Food and other items
must be imported if the Isle is to prosper, and messages and supplies must be sent ashore. All of these things are
targets to Tirion the Privateer.
The Isle of the Lost
For some reason, no information is available on the Isle of the Lost. Copies of maps made by court scribes are . . . well
. . . lost. Tirion won't speak of his former freehold, thanks to a vow he swore upon his banishment. The Mists obscure
the minds of his crew. Count Vortaylis does not attend Court functions, nor does he send emissaries, a fact that is not
lost on High King David.
The Fae
Tirion, Captain of the Sea Dancer
Born on the Gold Coast of Africa in the late 1800s, Tirion's Chrysalis was heralded by his first sight of the sea. He was
helped through this time by a crew of Arabian Unseelie pirates operating off the Gold Coast, and learned early both the
ways of the sea and the ways of pirate. He began his own career in his early twenties, and quickly made a name for
himself. His ferocity and unpredictability soon won renown up and down the Gold Coast, and earned him the
(formidable) enmity of several naval powers, both mortal and changeling alike. He was finally forced to sail west, to
the New World.
Destination has ever been a fluid concept to the Eshu, however, and rather than his intended port of call, he came
across the Isle of the Lost. His crew were well met and well treated, and after only a short time on the Isle, Tirion felt
the pull of his Seelie nature. He came to be a respected member of the Privy Council of the Island. When the former
Lord was lost to Banality, Tirion was given the realm by popular decree, and with it his great ship, Sea Dancer. Were
the Realm anything but an Isle, Tirion would have been miserable. As it was, he ruled mostly from Sea Dancer, or by
proxy, a fact his subjects did not seem to mind. He fought off the pirates he once sailed with, kept the Isle safe from
Banality and Chimerical terrors. He took his title seriously, wore it well, and earned the respect of his subjects and the
fanatical loyalty of his crew.
Save one.
Naiad had been the best of First Mates. She oversaw the crew with a careful master's touch. She obeyed every order
faithfully. She became in many ways the heart of the Sea Dancer. When she betrayed Tirion to the High King's Court,
that heart was ripped out. Loyalty to their Captain kept the crew together, but life aboard Sea Dancer has never been
quite the same since then.
Tirion is angry at his former first mate, but it is a cold anger. The hatred he knows for Vortaylis knows no bounds. The
Sidhe stole his lands and his people from him, and Tirion means to have them back and Vortaylis' head in the bargain.
Court: Seelie
Legacies: Paladin\Outlaw
Seeming: Wilder
Kith: Eshu
Physical: Strength 3, Dexterity 4 (Catlike), Stamina 2
Social: Charisma 4 (Bold), Manipulation 3, Appearance 2
Mental: Perception 4 (Keen-eyed), Intelligence 3, Wits 4 (Creative)
Talents: Alertness 3, Athletics 3, Dodge 3, Expression 2, Subterfuge 2
Skills: Craft, Shipwright 2, Firearms 4, Leadership 4, Melee 4, Performance 3, Sailing 5
Knowledges: Linguistics 2 (French Swahili), Lore, Sea 3, Heraldry 2
Arts: Chicanery 2, Soothsay 2, Wayfare 5
Realms: Prop 4, Scene 4, Nature 2
Backgrounds: Holdings 2, Retinue 2 Title (Baron) Chimera 4 (Sea Dancer)
Glamour: 6
Banality: 5
Willpower: 7
Image: Swarthy and weathered, Tirion does not cut a handsome figure so much a noble one. His eyes are nearly black,
in both his mortal and his fae seemings, and his wardrobe tends the puffy side, with wide belts and bandoleers over
white tunics. He is just under six feet tall, and well muscled.
Roleplaying hints: Your crew comes first, but adventure comes second. Always be on the lookout for an opportunity
to go to sea. It is only there that you are truly at home, and only there that you can win back your Isle.
Unwyn, First Mate of the Sea Dancer
After the betrayal of Naiad, the gap in the Sea Dancer crew was palpable. Naiad had been well respected, and of the
few who were willing to take her place, only Unwyn was qualified. Where Naiad had served out of loyalty, however,
Unwyn served out of greed. She took the position not out of respect for the crew, but because the First Mate gets a
larger share of the booty. She and Tirion often disagree, mostly on the issue of targets, but so far she has heeded her
captain's orders.
Unwyn is a harsh taskmaster. Her orders are to be followed right now. She is feared, not loved. No one questions her
value to the ship, however. She is a powerful fighter, and the leader when the battle comes deck to deck. She protects
her shipmates, and wreaks havoc upon all that oppose her with her great axe.
Everyone knows her greed will win out over her captain one day. Tirion is aware of her ambitions, and uses them to
keep her in line. She knows she isn't half the sailor he is, or one-third the strategist. If she were to take over by mutiny,
Tirion would have to be either killed or set adrift, and the fortunes of Sea Dancer would take a sharp turn downward.
Still, she is careful to swear her oaths not to her captain, but to her ship.
Court: Unseelie
Legacies: Outlaw\Comrade
Seeming: Wilder
Kith: Troll
Physical: Strength 5, Dexterity 2, Stamina 5
Social: Charisma 2, Manipulation 3, Appearance 1
Mental: Perception 3, Intelligence 2, Wits 3
Talents: Athletics 2, Brawl 3, Carousing 3, Dodge 2, Intimidation 3,
Skills: Firearms 2, Leadership 3, Melee 4, Sailing 3, Swimming 4
Knowledges: History 2, Medicine 2, Poisons 2
Arts: Ledgermain 2, Primal 3
Realms: Fae 3, Prop 3
Backgrounds: Contacts 3, Greymayre 2, Resources 2
Glamour: 5
Banality: 5
Willpower: 6
Image: Unwyn is a thin troll, with a tight, whipcord musculature under her light blue skin. She stands nearly seven
feet tall, and moves with controlled power and confident assurance. Her dark hair is worn long and tied back into a
braid. Her mortal seeming is almost as tall, but more filled out. She wears tight shirts and loose pants, preferring to
keep her arms free for combat. She prefers black or khaki colors.
Roleplaying hints: You're in it for the money. If something threatens to cut into your profits, argue about it. If that
doesn't work, throw it overboard. Unfortunately, Tirion is too good to lose, even though he ignores rich targets for the
symbolic victory. You'll deal with him eventually. For now, he's getting you rich enough.
Other Fae
Cleat and Halyard: Whenever battle has scarred the Sea Dancer's hull, it is the team of Cleat and Halyard that makes
her ship shape again. Cleat is a Boggan, named for his stability under duress. His no-nonsense approach to repairs has
won the respect of the crew and the praise of Sea Dancer's Captain. Halyard is pure Nocker. She's named for her
tendency to snap under stress and flap wildly in the wind, but her chimerical innovations have saved the day on more
than one occasion. (Nobody talks about the Daedalus Oar anymore. At least, not where they can be heard.)
Strange as it may seem, the pair work well together . . . provided you can stand the noise. Their curses are the stuff of
legend aboard ship. Halyard is said to have blistered the deck under Cleat's feet once, so foul was her language.
Limey: When the battle comes deck to deck, Unwyn leads the fight. Amid the smoke and thunder of the cannon deck,
the Redcap, Limey, runs the battle. His voice booms loud over the cannon, bulling his crack teams into action.
Broadsides are his meat and potatoes (literally, since Tirion allows him his pick of enemy cannonballs for his meals.)
Once the guns are of no longer of use, Limey is the first of his crew on deck, and the last to come back aboard.
The Crew: The rest of the crew of the Sea Dancer changes constantly. There is always a free hammock to be had.
Perhaps you, as an enterprising Storyteller, know a few fae who would be daring enough to join such a crew of rogues.
There's adventure enough, and prizes to boot.
Story Ideas
Milk Run
On a routine voyage into the Sea of Dreams, Sea Dancer comes across a foundered vessel waving distress colors. Is it
a trap set by Duke Vortaylis? If not, what caused the ship's distress?
Meet Davy Jones
A hole has appeared in the Sea of Dreams. Tirion sends a skiff down it to investigate. There below the waves is a
community of sailors who have made a Freehold of sorts for themselves among the corals. Beset by Nunnehi, they
implore the characters to help them win their way back to the surface.
Mutiny
Unwyn makes her move, and the Sea Dancer is a ship divided. Which side do the characters stand on?
The High Guild
A Campaign Resource for GURPS Fantasy

by Jeremy Davies
Art by andi jones

"The existence of an all powerful High Guild of magecraft is a pure flight of fancy. It is a myth used to scare young
apprentices and has absolutely no basis in fact . . ."
-- Tiberius Spellweaver, Guildmaster of the Megalan Central Guild of Christian Magic.
"Statum quo conservare ante omnia"

To preserve the status quo above all things
The High Guild, the Grand Guild, Altus Collegium, Murtafi Aahila, there are many legends among the magical
fraternities of the Ytarrian nations regarding a single all powerful Guild of magicians. A High Guild that transcends all
boundaries: religious, cultural, political and geographical. Amongst the few that actually believe in such stories, there
are many theories regarding the agendum of such an organization.
History Files
The High Guild was officially formed on the 1st of

March, 1585, in response to the resurgence in the
Banestorm that started in 1551. Up until that point,
every nation had dealt with small increases in
technology, due to new arrivals and inventions, with
varying degrees of success and zeal. It wasn't until the
major arrivals from areas such as Renaissance France
that it was recognized that a combined and
internationally coordinated effort was required to stamp
out the threat to the status quo of Ytarrian power.
At Keyhole Isle, the Guildmasters of 14 of the most

powerful mages guilds on Yrth got together at the
beginning of 1585 and hammered out a charter that
brought the High Guild into existence. There was to be
no individual leader, but a Masterhood -- four from
Megalos, two from al-Wazif and one each from al-Haz,
Cardiel, Caithness, the Nomad Territories and Sahud. Envoys were sent to Zarak, the Orclands and several kingdoms
of Elves amongst the Great Forest and the Blackwoods, but none of these areas were interested in participating in the
ideals behind the High guild, probably because it represents continued human dominance on the planet.
In December of 1586, representation on the High Guild was also granted to the area of Ytarria known as the Land of
Djinns. The great mage that sits for the Djinns, known only as Master Zeek, remains a member of the Guild to this
day.
Purpose
The High Guild's motto basically reveals its purpose. The Ministry of Serendipity, and groups like it in other nations,
has a remarkably accurate profile of social trends on Earth, so they saw the decline of influence of the traditional
power groups from the beginning of the Renaissance to the current day. It became obvious that with the development
of ideas and the evolution of science came the erosion of autocracy and religious ideals. This trend is unacceptable to
the Ytarrian autocrats and religious officials, not to mention the magical fraternities that have a monopoly on getting
things done that are not otherwise possible.
For these reasons, the High Guild received total and unquestioned cooperation from all the major power groups of
Ytarria. The leaders of these groups are just about the only other people aware of the Guild's existence. The Curia
supports the High Guild philosophy by being as deliberately belligerent to new ideas as their Earthly medieval
equivalent. They spread the message, as much as possible within their area of influence, that new ideas and concepts
are automatically suspect of "satanic inspiration" until proven otherwise.
The symbol of the guild, a plain looking key shape, represents the metaphorical "key" that the Guild has become to
continued feudal/medieval society on Yrth, while Earth continues to develop. It is also symbolic of their place of
meeting. Although most authorities are unaware of the High Guild's existence, they are instructed to assist those
holding "the key" whenever asked, which is very rarely. Any such request is reported up the chain of command to
ensure the key is genuine. If not, the holder may as well climb quickly into the nearest coffin they can find and bury
themselves. They are no longer alive . . .
Organization
The Twelve Masters of the High Guild meet routinely every two years at Keyhole Isle, while they are available for
emergency meetings at a moment's notice to address particularly pressing matters. Each Master is in charge of policing
the status quo in their areas, and in reporting to the other Masters all the major actions taken during the two year
period. The Masters are generally high placed officials in Yrthian society themselves, mostly Guildmasters of normal
Mage's Guilds.
The main purpose of the meetings are to decide whether action should be taken in certain circumstances. Subtle
warnings are generally issued to those in danger of developing ideas that may affect the status quo. If these warnings
go unheeded, a suppression may be required. Any Master has the right to call for a suppression at any time, but if he
has doubts he may decide to refer it to the next meeting, or even call an emergency gathering. In 1775, the Sultan's
second eldest son had secretly developed a crude form of gunpowder to help in the liberation of al-Kard. Warnings
had been ignored -- he was the Sultan's son after all! An emergency meeting was called and a covert suppression
ordered. The Sultan's son and immediate servants died when his Al-Abyad residence burned to the ground one night
from a kitchen fire "mishap" that also destroyed all his research material
A Secretariat exists to be full time servants of the High Guild and are permanently based at the secret underground
meeting site at Keyhole Isle. These are the people charged with calculating all the data received from the many
different sources between meetings. From this intelligence analysis, secretaries of the High Guild are able to call
emergency meetings, but do not have the power to order suppressions. Informants at all levels of society give
information on new creative ideas with absolutely no idea where the information is going and who is paying them for
it.
The Secretaries of the Guild also control a vast network of scrying devices that are distributed around Ytarria.
Information received through these means is closely guarded, and although many illegal activities are discovered, the
charter of the Guild ensures that only information related to the purpose of the Guild is ever acted upon.
Finally, there are the Guardians. These are the hit men, used individually or in small groups as required, who do the
wet work of "idea suppression." They are well trained in covert operations, have physical fighting skills as well as
being fearsome mages in their own right. They are fanatical in their belief in the ultimate good of the Guild's purpose,
so they will show no pity or remorse for even the most questionable violent actions that they may have to perform as a
part of their duties.
The Names of Legend
by Justin Bacon
Art by andi jones

When a character is being created, it is a magical time. The most proficient members of our hobby are able to breathe
so much life into their characters that they seem to actually inhabit the bodies of their players while the game is on.
However, the half-elven archer who is tortured by his heritage, was torn from his mother, and rejected by his father
when the truth was first learned -- while being an exciting and interesting character to play -- is all too easily spoiled
by a name such as: "Ron the Archer". Somehow it just seems to lack an essential ephemeral quality.
An engaging, exciting, entertaining, and original name for characters in a fantasy universe has become essential.
"Gregory" dims in comparison to "Fairyleaf" or "Dewdusk"; "Stewart" becomes shallow when held up to names such
as "Aldervan" or "Floaic".
But there are no sources from which to draw these names and I have, more than once, had the character creation
process halted by the fact that I cannot find an appropriate name for a character. Even fantasy literature does not aptly
serve this purpose, because if you have seen one "Aragorn," you have seen them all.
The task becomes even more daunting for the aspiring Game Master. He must populate his world with literally
thousands of NPCs, and the one bad memory of "Bob the Butcher" will leave a much greater impression upon his
players than a hundred characters with interesting and original names will ever do.
This problem is one unique to the gamers of fantasy. If you are playing a campaign in a modern or futuristic setting,
names such as "Donald" and "Blake" do not appear incongruous with their surroundings, and "Arthur" is a fine name
for a historically-based medieval campaign. Fantasy, on the other hand, is a world of primitive wonders that are
completely unearthly in their scope and nature. This inspires us to come up with equally unnatural and magical names
to the mirror the world in which the individuals who bear these names live their lives. Fantasy worlds are the domains
of Fafhrds and Alustriels . . . somehow it seems the only proper thing to do.
This article strives to alleviate these problems from the backs of fantasy gamers by providing sources you may not
have thought to consult, as well as some basic ways to start the creative process when the block occurs.
Historical Texts
Historical texts are an invaluable source for names. Although many
are cluttered with more common names such as "John" or "Margaret,"
you can often find caches of treatises which deal in totally foreign
names.
J.R.R. Tolkien used historical papers and names extensively. The

names of the thirteen dwarves from The Hobbit are lifted verbatim
and in order from one of the Icelandic sagas.
The Names of Legend
Even the common-sounding names from historical papers can often

be "fancied up" to one degree or another to produce a usable fantasy
name of some sort. For example, while "Thomas" is rather mundane,
you can easily make it of the female persuasion ("Thomasine") and
end up with a name that is not commonly used.
Legends and Fairy Tales

Naturally enough, from this sort of material, you will be able to reap great rewards in terms of names. Although many
of these tales employ common names of the time period, it is not hard to find names (usually in the more mystical
sections of the story) that will spark your creativity.
Often you will find good sorts in foreign tales, as names are not typically translated. Therefore you can draw greatly
from common names, so long as they are not common to the people you are playing with.
It is also advised that you avoid well known material. Having the captain of the Lich's guard named "Neibling" is
probably not the best way to come off as witty and intelligent to your peers; similarly the elven archer who has lost his
royal title and is named "Robin" is not going to instill coos of delight at your originality. Avoiding tales like Robin
Hood or King Arthur is heartily suggested.
Fantasy Fiction
Uncannily enough, if you are looking for fantasy names the best place to look is fantasy fiction. Some science fiction
literature may also be applicable -- although more often it shall be the names of the aliens than the name of the human
characters.
As with fairy tales and legends, I stress that popular works should be avoided. The Foundation Trilogy, Tolkien,
Robert E. Howard, and Fritz Leiber all jump to mind as prime candidates to avoid.
Last Names
Although the last names of your peers may seem boring and commonplace, it is more likely because you have become
overexposed to them. There are many uncommon last names with a feeling of unearthliness attached to them, and even
your phone book can be used in naming your NPCs.
If you have a large library of novels and other works, it is suggested that you look at the last names of some of the
lesser known authors. Names such as "Gillard" and "Amend" strike me as perfect. Even slightly more earthly names
such as "Blish", or names that seem just slightly unusable, can be changed in various manners (see the Syllables
sections below) to suit your purpose.
It is also suggested that you get in the habit of looking at the credit pages of large books. If you look at the front of a
TSR book you will get a listing of everyone from the CEO to the artists to the actual writers of the work. A massive
collection of names, any one of which may work for you.
To stress this point again (and I do not believe it can be understressed): do not use the last names of popular authors. If
you add characters such as a fearsome fighter of unparalleled strength known as "Asimov" or a butcher named
"Gygax," the popularity of your campaign may be drastically reduced. The author of this article takes no responsibility
if this warning is ignored.
Combinations
If you are in a rush, a cut-and-paste method may best fit your tastes. A combination of two different sections of text
from a work (or two different works) may let you come up with something completely original.
For example: Paging through a handy science fiction novel I spot two names I rather like, Bryce and Nicolai. I quickly
paste them together and my character becomes Nicolai Bryce.
Try to make it compositionally sound; "Richard Andrew" just doesn't make the cut.
Do not limit yourself to just fantasy authors. If you employ this method in combination with the Last Name method
above you'll find great success. Modern fictional characters can have exciting last names just as easily as real people.
The only thing to remember is our prime directive: No popular works (and thus, in this case, characters). Therefore
"Gandalf Bilbo" is probably not the wisest thing to attempt.
Gaming Supplements
Gaming supplements may seem unlikely places from which to draw names -- especially if you are playing the game in
question -- but, if done properly, game supplements are invaluable assets.
If you are running the campaign on the fly, either because the PCs have taken off in an unexpected direction or you
simply had nothing prepared, open one of the game worlds you already have on your gaming shelf. This process works
for any locale name, from cities to mountain ranges, so long as you avoid the more popular names which are
immediately recognizable.
Suggested
GM: The dust billows up around you as you walk down the dusty road. A rickety old sign off to the side says
"Sourlode"; some short figures, probably dwarves, are milling about an old mine entrance about a half mile away.
Player: Wow!
Avoid Like Plague
GM: Alright, you're in Waterdeep --

Player: So this campaign is in the Forgotten Realms?
GM: No, I just stole the name.
This method even works effectively for NPCs; as long as you avoid Elminsters and Raistlins you should meet with
successful results.
Baby Name Books

Although the vast majority of the space in these tomes are filled with commonplace names such as "Betsy" and
"Frank"; one of my best characters -- Darwara -- was named from one such book.
It may take a little bit of time to find an appropriate name, but if you are completely out of ideas or simply want to
browse for awhile you may uncover simply wonderful and awe-inspiring names that you never would have considered.
Render all options fully available to yourself; leave no stones unturned and no doors unopened.
Syllables, Method One

The modern world as we know it is a mass of written material. At this very instant there is 100% chance that there is
written material within your line of sight (since you are reading this, I figure this is a pretty safe bet).
Each word in the English language is broken down into syllables -- one or more for each word. This also applies to
names. If you find a string of syllables and arrange them in an audibly appealing fashion, chances are that you will end
up with a name fully usable for a fantasy character.
To demonstrate this procedure: I have an AD&D handbook close at hand. Across the room is a shelf of Star Trek
novels. From those five words (Advanced, Dungeons, Dragons, Star, Trek) I can construct the name of "Adarun." I
drew the syllable "ad" from "Advanced," the syllable "ar" from "Star," and the syllable "un" from "Dungeon."
This procedure can be applied to any written material you may have at hand. The name "Procan" is drawn entirely
from two words in the previous sentence, considering how many words fill up this magazine there are a nearly infinite
number of names you could conceive from the combination of varying syllables throughout.
Considering that there must be some written material at the game table in order for the game to be played, it should not
be too difficult to come up with names on the fly with this method.
Syllables, Method Two

The first step you must take in applying this method is finding a base word; usually this is the sort of thing you can
simply pick out of thin air. From this base word you change syllables incrementally to similar sounds, or delete them
entirely until you come up with a name which you enjoy. It takes me approximately ten seconds to run through the
whole process (on average) in my head. For example:
Ravenloft
Cavenloft
Cavloft
Covloft
Covlaft
And you have a completely original name that is unlikely (if not impossible) for anyone to trace back to its roots in the
word "Ravenloft."
Conclusion
I can only hope that this article finds its way into the hands of at least one Gamemaster who will find some use for it,
who will be able to improve his campaign, reduce the guffaws from his players as NPCs with generic names gain
center stage, and add the essential elements to the atmosphere of his campaign that creative and correct naming
processes can accomplish.
Recycling Paper
by Seth Cohen
Art by andi jones

I don't know about you, but my biggest problem with gamemastering is coming up with a plot. Characters are no
problem . . . people bring them with them, either fully-constructed or as part of an idea they've had. But plots? How do
you make these characters do things that their players will find interesting, session after session? Some might say that
there's only a certain number of plots in the world of fiction . . . and they might be right. However, it's not the basics
of the plot that matter, but the bells and whistles that keep your gamers coming back for more. How do you find those
ideas? Here's a thought -- I'll pull some examples out of the idea box for you.
Recycling Paper 1) The US Government is supplying funding and high-tech weaponry

to a small Middle Eastern country in exchange for oil concessions.
The dictator is reprehensible (murdering the American ambassador
when his demands for more aid aren't met) and is oppressing his own
people. An independent strike force organized to break the dictator's
control over his people has been sent to the Middle East. They are
equipped with high-tech weaponry as well as some specialist heavy-
hitters. However, the real struggle does not take place entirely on the
battlefield; the politics, philosophy, and psychology of all groups in
the conflict are highly analyzed and are vital to the resolution of the
mission.
2) A telephone repairman driving on a snowy Wisconsin road is

flagged down . . . by a man being chased by demons. The telephone
repairman thinks the man mad (and he's not wrong), yet the demons
do exist, manifesting themselves almost immediately. The two of them
retreat to a secure location . . . where it turns out that the telephone
repairman's mundane skills are as important against the demons as
those of their initial target.
3) A group of adventurers is walking along the city streets, observing

the fine stonework and partaking of the quiet village air. One of them
pauses, in reflection . . . and then jumps, as if shocked. The other adventurers gather around her as she unbuckles her
sword and looks at it askance. She then turns to her companions of many years and questions them, "How did this
happen to New York City?" None of her companions have ever heard of such a place, although it seems strangely
familiar, in a deja vu sort of way.
4) The city's protector is shocked to learn of a series of horrific murders. An invisible killer is decapitating men, and
the traces left behind suggest that the killer isn't human. The protector notes that the people being killed are underworld
types, and the killer's pattern suggests that he is following some kind of code-of-honor. The murders are panicking the
city; despite the good that may be done by allowing the killer to operate, harm will soon come to many. How is the
protector to fight an invisible alien?
Would you like a fifth example? Do you have enough information? Or have you figured out where the first four
examples came from? 1) was The Incredible Hulk, #390. 2) was Badger #46. 3) was The Uncanny X-Men #190. And
4) was Batman vs. Predator #1.
When I mentioned "the idea box," I wasn't being metaphorical. I have ten "idea-boxes," which are actually comic book
long-boxes, each containing several hundred comic books. It took me longer to write the above text than it took to pull
the comic books out of the boxes.
I'm not discussing the concept of running a RPG of your favorite comic-book heroes or villains. Far from it, actually.
I'm discussing plots and characters that can fit most campaigns in many different genres -- sword and sorcery, Old
West, modern-day adventuring, or far-future pan-galactic inter-dimensional swashbuckling. It doesn't matter, comics
have it all.
Take Batman, for example. Bruce Wayne is a multimillionaire, martial artist/acrobat detective, with connections to
both his local police department as well as international crime-fighting agencies. Although none of his skills are
supernatural, he is about as highly trained as any man could be in any of these fields. Conceivably, you could break his
various skills and abilities down into several characters if you needed to, and his adventures span from breaking up a
simple mugging to fighting organized crime to defending the earth against invaders from outer space or other
dimensions. A single book can be used as a one-shot with pregenerated characters for a gaming convention, or a
selection of comics from Batman's 50-year history can keep your gamers satisfied for years.
The adventures of the X-Men normally span the world and the galaxy as they fight oppression to their fellow mutants.
But the adventure I mentioned above concerns an instance where a sorcerer's amulet was unearthed, allowing the spirit
of the sorcerer to take control of the man who discovered it. The sorcerer was reincarnated, and turned New York City
into a re-creation of the city he'd lived in several thousand years ago. Despite the changes he'd wrought in the city's
superstructure and populace, he was confronted with resistance from within and without his realm. This could be
easily modified as a transition point to change the scope of an adventure for a set of characters.
I mentioned Badger. Most people reading this article will have no idea who or what Badger is, and that's alright, as
Badger changes from minute to minute. Badger's adventures have spanned the continents, the dimensions, and time
itself. Who is Badger? Norbert Sykes is Badger, although that's subject to some debate, especially from within Norbert
himself. Norbert is a Army veteran who suffers from Multiple Personality Disorder, although he often finds himself in
a Badger state of mind. Badger is a world-class martial artist, can speak to animals, and shares a castle with a 5th
century druid. I'll bet that he qualifies as having an unusual background of some kind or other. Badger adventures tend
towards the ridiculous, but can easily be adapted as above with Batman (splitting Norbert's personalities and skills
among several characters,) or injecting him as an NPC in an ongoing adventure.
And although expecting one character to play the part of Dr. Bruce Banner (nuclear scientist and Incredible Hulk) is
too much to expect for a non-Supers campaign, the conflict in the book is partially drawn from the United States
meddling in Middle-Eastern politics. This adventure discusses the psychology of the oppressed population as well as
addresses the ethics of invading a country to save it from its leader. The ultra-tech elements of the adventure can be
suppressed or expanded as needed by the GM in order to fit his scenarios, and the super-powered characters can be
included or deleted as he sees fit to make the plot of the comic book fit his campaign.
Understand where I'm coming from now? Of course, I wouldn't recommend recycling your old Richie Rich comic
books . . . but I can think of things to do with Spider-Man, The Legion of Super-Heroes, Dr. Strange, Buck Godot, The
Punisher, Conan, The Fantastic Four, Green Lantern, Nexus, and some old geezer called Superman. The well-written
comic book delves both into the depths of the character (and his "secret identity," if he has one) as well as the conflicts
he has to resolve and skills he has to use in order to make it to the next day. It's rare that a skill that can be used in a
roleplaying game isn't represented somewhere across the wide field of the comic-book industry.
Of course, there are many different ways to modify the characters and plots to meet your needs. Certainly you'll have
to be trickier with filing off the serial numbers and switch more elements around if some of your gamers read the same
material you do. But that's no more than you'd expect if you were modifying a preconstructed scenario from AD&D to
Rolemaster or GURPS.
If you haven't been in the comic book store recently, you'll be surprised at where the price of the books has gone. I
picked up nine books today and paid over 20 bucks (but since one of them included Dork Tower #2, the trip was well
worth it!) - but that's no reason that you need to do the same. If you're familiar with your local store or outlet for comic
books, they'll let you browse until you see something you want. Even searching the 50-cent bins can turn up something
useful and interesting; and if spending money isn't the way to go, you can still find a lot of material at your local
library. Yes, your tax dollars are being spent to purchase rebound editions of popular comic series. Isn't it cool that
something useful is done with your money? Go take these out of the library. Even if it turns out that one of the books
you borrowed doesn't have the elements you need to fit your ongoing campaign, you'll have spent a pleasant afternoon
"researching" for your next adventure and spending time with some old friends.
GURPS In Your Pocket
by Bob Portnell

I've been a GURPS fiend for a decade. Growing up playing Steve Jackson's first roleplaying design, The Fantasy Trip,
conditioned me to be well-disposed to anything with few stats and no classes or levels. But lately, I've missed the fast-
flow give-and-take of the old TFT days, not to mention the speedy character creation rules. I've found GURPS' detail
and realism don't bend easily to these desires.
Enter Pocket Fantasy (PF) from Plaid Rabbit Productions. Lo and behold! A system designed to encourage creativity
while retaining simplicity. I was hooked right away. And while the crunchable numbers are of quite different flavors,
the broad outline of PF is very much like GURPS, making conversion easy. Here are guidelines for converting
GURPS characters to Pocket Fantasy or vice-versa.
Note: Pocket Fantasy is based on the PlainLabel Roleplaying System by MC+ Creations. Many of these conversion
principles will apply to future PlainLabel-based games.
Character Concept
It helps to take a few minutes to write down a capsule summary of the character's history and personality. You might
be surprised to discover how much this person has changed since you started play. Remember, too, as you convert that
you're not changing the character; you're just describing him with a different set of game rules.
Core Numbers
Both GURPS and PF use four attributes representing physical strength, agility, health and intelligence; only the names
have been changed to protect copyrights. The scales and die roll conventions are different. Also, we are told (in Pocket
Warrior) that an "average" Stat-5 character "is perfectly capable of handling himself -- better than the common man on
the street" and "a character of stat 8 or above will stand out . . . as especially gifted." Combining the probabilities and
philosophies, we come up with:
PF Stat GURPS Attribute PF Stat GURPS Attribute

2 1 to 4 7 12 or 13
3 5 to 7 8 14 or 15
4 8 or 9 9 16 to 18
5 10 or 11 10 19 or 20
6 11 or 12
Where two values are offered, pick the one that seems appropriate for the character; don't just greedily take the higher
value. Keep proportions in mind, too. If Olaf The Awful Hungry has (ST 12, DX 11) think about converting him to (S
7, C 6) or (S 6, C 5) instead of (S 6, C 6).
Inborn Traits GURPS In Your Pocket
GURPS has Advantages and Disadvantages and Quirks; PF has

Abilities and Disabilities. They're all the same thing: inborn traits
which make the character unusually versatile or unusually limited.
A Rule (or two) of Thumb: Most 5- or 10-point GURPS traits

correspond to 1-Point traits in PF; a 15-point or bigger GURPS trait
will be a 2-Pointer in PF. 3-point PF traits are beyond human ken
and correspond to very high value (or very inhuman) GURPS traits.
Many traits have similar names and roles, so converting is easy.

Literacy Advantage converts to Literacy Ability. Hard of Hearing and
Deafness Disadvantages become Hearing Impairment and Deafness
Disabilities.
A Quirk should convert to a note on a PF character sheet. Play it,

don't Point it! Some Quirks or low-value Advantages or
Disadvantages may become 0-Point PF traits, adding variety without
really affecting point balance. This is fine. But you're allowed only
one each of 0-Point Abilities and Disabilities in Pocket Fantasy.
What if you don't have enough Disabilities to equal -40 points in Disadvantages? Don't worry about it. You may not
need all those extra Disadvantages; if you do, you can add ones that make sense for the character.
Naturally, there are exceptions to these rules:
Just Lucky, I Guess: In PF, Luck is a minor stat, an accumulation of reward points which can be used to modify die
rolls. In GURPS, Luck is an Advantage allowing rerolls on a periodic basis. All PF characters start with 15 Luck
points -- even ones converted from GURPS! Translate each level of Luck Advantage as an extra 15 Luck points.
Going the other way, subtract 15 pts. from the PF character's current Luck points, then give him one level of Luck
Advantage for each full 15 Luck points remaining.
On The Dodge: In GURPS, Dodge is a figured stat. In PF, it's a Skill, and much more generous. Either way, you can't
convert directly between them. You might equate higher-than-default Dodge Skill with Enhanced Dodge, or martial
arts proficiency, or Combat Reflexes.
Combative Nature: In GURPS, Combat Reflexes is an Advantage which adds to Defense rolls. PF has nothing like
this. Pocket Fantasy does have Combat Awareness, a Skill which at high levels gives bonuses to Initiative. The
GURPS equivalent is Tactics Skill. In converting, let one rating level from Combat Awareness equal Tactics Skill; let
two rating levels equal Combat Reflexes. A PF character Familiar with Combat Awareness would have Tactics Skill;
but a Capable character might have improved Tactics Skill or Combat Reflexes.
Senseless: The GURPS Sense Rolls are, in PF, a roll vs. the "Notice/Observe" Personal Skill. Convert the Acute
Vision or Acute Hearing traits as above; if the GURPS character had Alertness, give the Pocket Fantasy version at
least a Capable rating in Notice/Observe (or vice versa). GURPS Danger Sense is worth one level of Notice/Observe
and one level of Combat Awareness. Note there are no "Taste/Smell" features in PF.
Mentally Deficient: Most of the Mental Disadvantages (Delusions, Codes of Honor, Compulsive Behaviors, Vows)
are covered by the Compulsion/Obsession/Mania Disability. Similarly, Mild and Severe Phobias become
Fear/Phobia/Terror (a truly severe form). Use the Rule of Thumb above, plus the game descriptions of the traits, plus
what seems appropriate for the character.
Socially Bankrupt: PF does not (as of Pocket Warrior) have Disability analogs to the Duty, Patron, Enemy, Ally,
Dependent, or Secret Disadvantages. The unreleased Tomorrow's Heroes is a superhero game using the same
PlainLabel mechanics as PF. As of this writing, Tomorrow's Heroes includes the Sponsor Ability (analog of the
Patron Advantage), and the Appearance, Enemy and Secret Disabilities. If you need these now and the GM allows it,
use the Rule of Thumb above to convert costs.
Many of the "self-imposed" Disadvantages have no corresponding Disabilities; ditto for the GURPS derived stat Will
and Reaction modifiers. This is deliberate; the PF designers think such things should just be played; let them be
Disabilities only if the GM can use them to get the characters into serious trouble.
Skills
Skills are just as easy to convert, but take a little more thinking. Instead of working from a table (as for Core
Numbers) or from effect (as for Inborn Traits), to convert Skills we need to take notice of how much effort the
character has invested into the Skill. That is, we convert based on points spent and not on actual Skill level. So:
PF Skill GURPS Skill

Rating (cost) Points Spent
Familiar (1) 1/2 to 2
Capable (2) 1 to 4
Professional (4) 4 to 8
Expert (8) more than 8
So, if Alex the Ranger (GURPS) has DX 13 and Shortsword 16, he's spent 16 points on the skill. DX 13 becomes C 7,
and a Expert Level Sword Skill would take value 19. If the values seem wrong, tweak them a bit. The goal is to get the
character right, not to rigidly follow formulae. In this example, I thought a PF Sword-19 was just too good to be true
for Alex, so I changed it to Professional level, resulting in Sword-15.
The PF Skill list is smaller and more general than in GURPS, so you may find yourself changing skill names. Don't
fret. Remember you're playing the same character, just with a different game.
The Skill Point Pool: In PF, starting characters have a limited allotment of points to spend on Skills. Since this isn't a
starting character, we can safely assume that the character has gained sufficient experience (in a PF framework) to
justify all those Skill points we've converted.
Magic
The Pocket Sorceror, the magical core rules for Pocket Fantasy, is out and available at the Pocket Fantasy web site.
GURPS has Magical Aptitude (aka Magery) Advantage, which costs points depending on the quality of bonus.
GURPS Spells are learned just like Skills, and used just like Skills, too. Each Spell can be learned at a different level,
within rules for prerequisites and the like.
PF has Magic Skill. Your Magic Skill determines: your magical energy reserve, the number and difficulty of spells
you can learn, and your task roll for all spellcasting. PF Spells are purchased with Skill Points, but have no skill level
or rating; Average and easier Spells cost 1 Point; Above Average and more difficult Spells cost 2 Points. All rolls to
cast spells are made against Magic Skill.
To convert Magery to Magic Skill: Let Magery-1 or -2 correspond to a Magic Skill of "Capable"; and Magery-3 to
Magic Skill of "Professional." (There is no "Expert" level in Magic Skill, and "Familiar" is too low to accurately
reflect most GURPS mages.) This may result is a shockingly low value of Skill; a PF character with average I and
Magic Skill at the Capable rating has a skill value of only 9! But he also will only be learning and casting low-
difficulty spells, which include their own bonuses to skill.
Spell Conversion is easy: Convert on Effects, just as you did for Inborn Traits. GURPS Fireball matches up with the
PF Fireshot spell, for example. GURPS magic requires a logical hierarchy of foundation spells be purchased, but
many of the prerequisites will drop out during conversion; or if going from PF to GURPS, you may need to purchase
many minor spells to satisfy the prerequisites. Also, Many GURPS spells will be covered by a single PF spell.
GURPS has Control Mammal, Control Reptile, Control Congressman . . . PF has Control Creature, which works on
any non-sapient.
To create a PF Spell from a GURPS model, set the Difficulty level equal to one-half the number of straight-line
prerequisite spells, rounding up. If a variable point effect exists (like damage), base it on the Difficulty level: Difficulty
1 has a maximum result of 5 points; Difficulty 2 has a 10 maximum; Difficulty 3 a 20 maximum; and Difficulty 4 a 30
maximum. This may vary, of course -- PF Greater Healing is a Difficulty 4 spell, but only has a 20-point maximum
effect. Use existing PF spells as guides for area or range effects.
PF also has a Spell Targeting Skill, the analog of the GURPS Spell Throwing Skills. Convert between these as you
would with any normal skill.
Material Goods
Equipment: Make a list of items from the old character, and "acquire" them in the new game. Use the new game stats:
weight, cost, damages, the lot. If some special equipment must come over (your fighter's elven-mail shirt, for
example), consult with the GM on the best way to handle the situation.
Money: Starting Wealth is an irrelevant concept here, since (say it with me, now) this isn't a starting character! Allow
fair translation of wealth and goods from one game to the other, then use the new game for determining reward values,
monthly cost of living, and so on.
Secondary Figures: Never try to convert secondary stats, like Speed or Hit Points; always calculate these using the
rules of the game to which you are converting.
The Big Picture

Pocket Fantasy characters converted to GURPS may seem sketchy to the experienced GURPS hand. You'll probably
want to add a few Skills, or tweak the Attributes, or add a Disadvantage, etc. Feel free! Going the other way, some of
your GURPS Skills might be jettisoned, unneeded in the minimalist PF format. All of this is just fine! This is your
character and you should do anything reasonable to see that the game correctly represents said character. Remember,
without the character, there is no role, and no roleplay!
Sample Conversions
Here are sample conversions of the "sample" characters used in each game's rules: GURPS rogue Dai Blackthorn as a
Pocket Fantasy character, and PF's Gerald Haldane in GURPS terms
Dai Blackthorn
S4C8H6I6
Abilities:
Acute Hearing (1)
Disabilities:
Enemy (Thieves' Guild) (1)
Financial Restrictions (1)
Skills:
Convince F/7
Notice/Observe F/7
Combat Awareness F/9
Knife C/12
Lockpicking C/12
Pickpocket C/12
Sword C/12
Stealth F/9
Streetwise C/10
Traps F/7
Notes: Dai's only two skill points over the pool he would normally get as a created PF character . . . plus he compares
favorably with sample thievish NPCs, so we feel pretty good about this conversion.
Gerald Haldane
ST 14 DX 9 IQ 11 HT 12
Advantages: Literacy; Comfortable Wealth
Disadvantage: Vow: Harass the Black Baron (-10)
Quirks: Hard-G Gerald; Admires Books and Learning
Skills: Shortsword-10; Blacksmith-12; Armoury-12; Riding (Horse)-9; Research-11; Naturalist-10; Boxing-9; Savoir-
Faire-12.
Total Points: 95
Notes: It would probably be appropriate to fill Gerald out with Social Status-2 (he is a lesser noble, after all) and a
self-imposed disadvantage like Overconfidence. A few other skills and quirks would help round out the character for
GURPS play.
Slow and Steady Experience Spending
by Peter V. Dell'Orto
Art by Sebastien Allard

As a referee, I began to have a problem with how people spent their accumulated character points. My players'
characters had reached around 60 or more points above the campaign base, and I began to fret over the skill levels that
they were flaunting. Weapon skills, especially important in the fantasy campaign I was GMing, had climbed to 17s
and 18s, well ahead of most of the opposition. While I had no problem with the skill levels, I wanted to curb the rate
that they increased while still giving the same number of character points out as awards.
For example, one character had a DX of 17 and DX+1 in his main weapon skills; another had DX 15 and DX+1 or
DX+2 in his main weapon skills. Both were primarily fighting foes in the 14-15 skill range, and it seemed unlikely that
their weapon skills should increase that much from fighting less-skilled opponents. Understanding this, both players
had voluntarily set limits on their own skills, not planning on increasing them until they could find a valid campaign
reason to do so, such as a skilled teacher or practice with a superior warrior. Meanwhile, players saving points to
increase an attribute or purchase an advantage such as Combat Reflexes would do one of two things. Either they would
monomaniacally dedicate all points toward that goal until it was achieved, no matter how much they used other skills
in the adventures they had to earn the points they spent, or they would save the points for a time, then binge-spend the
points on skills that they suddenly wanted to increase and be forced to start all over. Other players, whose newer
characters were less powerful than the older characters, would spend the vast majority of their earned points on one or
two skills to get as capable as the veterans, resulting in lopsided character development.
In the end, I felt that this was unrealistic, frustrating, and made it hard for me to plan ahead -- was the player going to
buy Combat Reflexes or not? The answer could make all the difference when I was planning my adventures, which
were often meant to be a tight squeeze for the players. A point or two difference here or there could spell the
difference between success and death. Voluntary curbs were fine, but ultimately unsatisfactory. After all, maybe the
warrior learned comparatively little today, but after ten solid combats with those same enemies he would have
improved enough to gain a point of skill. But what about after four combats? Eleven? Where was the learning
breakpoint?
What I wanted was a more natural-seeming progression, with character points spread out more evenly among the
character's skills. But I also wanted characters to be able to concentrate on the skills they wished to develop. So my
solution, prompted by a friend, was to force my players to commit all character points as soon as they were given. We
would end a session after some important event or junction in an adventure, and I would give the players slips of
paper listing their XP awards at the beginning of the next session.
Now here is where my experience scheme gets clever: All character

points must be spent immediately. Points cannot be saved in a general
pool to spend later. Instead, the points must be dedicated towards the
eventual (or immediate) increase or purchase of a skill, attribute, or
advantage. A maximum of 1 point can be put into any skill, with the
exception of new skills (bought up from successful default use) or skills
with 1/2 point in them. Those skills are limited to 1/2 point each.
Attributes could have anywhere from 1/2 to 2 points committed towards
Slow and Steady Experience Spending
raising them (since they cost twice base cost to increase during play),
and advantages could have up to 1 point committed. As a result, a PC
with DX+4 in Axe/Mace would need at least eight play sessions
involving successful combat use of Axe/Mace to increase it to DX+5.
Buying Combat Reflexes would take at least 15 sessions involving
combat. Going from HT 13 to 14 would take 15x2 = 30 points, so at
least 15 sessions at 2 points each. Naturally, points do not have to be put
in consecutively in order to increase a skill. If the above Axe/Mace
wielder had 7 points in the skill and did not fight for six play sessions,
he would still only need one more session and 1 more point to increase
the skill. Or perhaps your character, looking to purchase that increase in
HT, is, luckily, not called on to make any HT rolls for a few sessions,
would not be able to dedicate more points toward HT, but the
accumulated points would not be lost.
Only skills and advantages that were used "significantly" in the course
of the adventuring that earned the character experience points could be
improved. "Significant" was defined as using the skill successfully in a
situation were failure was possible and significant. This meant combat
for combat skills, with a successful hit for offensive skills (regardless of
the enemy's success or failure at defense) and successful defense for
shield or buckler, both in serious combat. Serious combat means not
only life-threatening but with some meaning to the success or failure of
the adventure, or a fight against tougher-than-normal opponents.
Multiple combats of any intensity will also qualify, since the skill is
being used repeatedly -- sure, those peasants were no match for your
mercenary, but if you have to carve your way out of a large and
bloodthirsty mob with your trusty blade I cannot see denying you the opportunity to dedicate points to it. A successful
climbing roll up a ladder is not significant, but a successful climbing roll up rusted rungs barely able to hold your
weight is. Successfully resisting a spell, or other Will roll, allows points to be put into HT (if resisted with HT), Strong
Will, but never (at least, in my campaign) IQ. Alertness can be purchased whenever a successful sense check is made
to spot something significant. The aforementioned Combat Reflexes may be acquired as a result of any serious
combat. Hard to Kill can have points dedicated to its purchase for surviving rolls against death (this one can be hard to
increase!) Spells would need to have been successfully cast in an appropriate situation; casting a spell over and over to
get better with it is better covered by time use sheets. Learning new spells is also handled by time use sheets -- just
because you earned 6 points on the last adventure does not mean you can buy six new spells. I require finding a
teacher and spending the hours to do it.
Stats work the same way. IQ can have points dedicated to it if the player can explain why they have gained such a
significant experience that allows their general intelligence and knowledge base to increase rather than just the skills
used -- definitely a GM judgment call. DX is handled the same way; to a lesser extent-it is much easier to justify a
general improvement at agility than a general increase in intelligence. ST and HT and quite easy to justify -- most rolls
against either will be quite significant, and any serious combat is quite an intense workout.
When training up skills with time use sheets, OJT, etc., keep track of any and all extraneous hours until they equal 1/2
point, at which point they are dedicated to the stats or skills in question. Any combination of hours and experience
points can be used to buy up skills, and there is no limit on the speed of training -- it is slow enough.
Naturally, disadvantages can also have points dedicated towards buying them off. Overconfidence will seem much
easier to buy off when you place one point per session to buy it off, one point after each time your character gets an
inkling of his or her real capabilities. Points can be put towards either Strong Will or buying off a Phobia if the
character overcomes the fear in order to accomplish some task, depending on the concept of the character. Some
disadvantages do not lend themselves to being bought off incrementally, such as One Arm, Duty, or Enemies. These
can be handled by either allowing the player to buy it off all at once, then pay back the "debt" on the 1-point-per-
session installment plan, use of the dedicated points method above, or by a combination of the two. For example, you
killed off your 20-point Enemy, and to do so you spend 6 points you had dedicated towards buying it off, owe 4 more,
and take Overconfident (after all, you are walking tall and acting cocky now that you've wiped him out). Justifying
points in these cases may be difficult, so players and referees are encouraged to be creative. Maybe you can dedicate
points towards your enemy after you interrupt its activities (the CIA is still after you, but you got the Congress to start
investigating its activities, thus weakening them), kill his most important henchman (you killed Frank, but the evil Dr.
Forrester is still after you), or perhaps buy down the frequency first (now that Frank is gone, Dr. Forrester has trouble
catching up to you as often). I allow points to be dedicated towards disadvantages that can be bought off but not
"overcome" (such as One Arm) any time the player wishes, so long as when it is fully bought off they make the proper
effort from a roleplaying perspective.
A character with points committed to a skill can never retrieve those points or change his mind. The points committed,
which do not yet affect the character's skills or attributes, are not counted against the character point total. A 150 point
character with 28 points committed (but not yet cashed in) is still only 150, not 178.
There are several advantages in using this method. It forces characters to diversify their points, placing points not only
in the skills they want at very high levels, but also in the stats they are based on, putting points towards the Reputation
they are slowly developing, etc. The system also works well with advantages like Reputation, Contacts, Patrons, etc.
For example, you could put two points into a Reputation after two sessions fighting in the arena with your gladiator-
getting a +1 on a 7-, from a small group (diehard fans). Soon enough it is +1 on a 10-, then a large group. Eventually,
at least 20 sessions later (probably much longer, since not every session is going to be "significant" in enhancing your
formidable rep) you have that +4, everyone, always reputation as the greatest gladiator to ever grace the sport.
The method also means that each session is more important, since a player who wishes to increase in several areas at
once as rapidly as possible must get as many points as he or she can. Naturally, the GURPS method of handing out
experience is very heavily weighted towards points for roleplaying. As a result, the would-be master swordsman must
also be a well-played character before he can become the all-around warrior he wants to be -- just putting points into
broadsword, shield, HT, and ST each session at the maximum rate means the player must earn 6 points per session.
There are drawback as well. If you want a very rapid pace of growth, handing out more experience per session in order
to achieve it, the characters will still grow slowly. Or let's say you want Literacy, Combat Reflexes, or ST to increase
quickly in your particular campaign. In either case, you can loosen, or remove entirely, the limits on the areas you want
emphasized, or simply take the expedient of doubling the limit that can be invested. This system also works best in
long-term campaigns, and campaigns where extreme power levels are not emphasized. I have discarded this system
while playing short campaigns, or in my eventually 1000+ point character Immortality campaign, where this would put
the brakes on the rapid advancement I and my players wish to achieve. The system works well in the face of acquiring
new spells, purchasing advantages, buying up defaults (and reversing them, as per the example in the Basic Set), and
all other situations I have so far come across. It has also meant that I could be more free with points, since I know that
they cannot be abused. I have also found that players are more likely to set aside points for advantages and attributes,
since they cannot put any more points in their weapon skills than they already have.
Fudgers of Catan
A Variant for Settlers of Catan

by J. Hunter Johnson
Required: Klaus Teuber's Settlers of Catan, from Kosmos and Mayfair Games.
Recommended: Steffan O'Sullivan's FUDGE Dice GM's Pack, from Grey Ghost Games.
Optional: Any of the expansions or other variants for Settlers of Catan.
Settlers of Catan is the game the brought German games to more American game tables than ever before. It was
popular enough to sell through three English editions, and the first two expansions have recently been translated as
well. The game, for those who may still not know, centers around resource management -- you need points to win, you
need to build roads, settlements and cities to get points, and you need raw materials to build anything. And those
resources are meted out on the whims of the dice. If only there were a way to gain a little edge over the dice . . .
Which is exactly what FUDGE Dice are good for.
Fudgers of Catan At the beginning of the game, each player is given a single
FUDGE Die. Players may build additional FUDGE Dice at a
cost of 1 wool, 1 timber, and 1 stone each (a little sacrifice to
the Fates of Catan), until the supply (20 dice) is exhausted.
FUDGE Dice may be used as normal: after the regular dice

are cast, the player who rolled may expend any number of
FUDGE Dice by throwing them and modifying the original
roll by +1 for each "+" and -1 for each "-" rolled. The number
of FUDGE Dice to be rolled must be chosen ahead of time --
you can't decide to throw more after seeing the result of the
first set. Once rolled, FUDGE Dice are returned to the supply.
The FUDGE Dice may also be used to modify another

player's roll. In this case, the expended dice are given to that
player.
The number of FUDGE Dice given to each player at start and

the number of FUDGE Dice in the supply may be varied to taste. If you do not have FUDGE Dice, you can use
regular six-sided dice: treat a roll of 1 or 2 as "-", 3 or 4 as "blank", and 5 or 6 as "+".
The game is still one of skillful planning as opposed to luck, but now the players have a bit more control over the
lucky element of the game.
Look It Up!
by Volker Bach
Art by andi jones

How do you spot a tourist in a foreign country? Well, apart from the silly sun hat and the expensive camera, the
pocket dictionary is a dead giveaway. The traveler uses this practical little device filled with phrases like "Could you
direct me to the airport, please?" to boost his effective Language Skill. If this works in the real world it should be
possible in GURPS as well. Thus, I propose the following set of rules:
Dictionaries
Dictionaries increase the user's effective Skill in a given language by an amount that reflects the book's size and
quality. A four-volume translator's dictionary will help more than a 50¢ palmtop dictionary. However, a bad dictionary
(English as She is Spoke, With 15.000 Verbs) may decrease the user's effective language Skill (see below).
At a high enough Skill level, the character will outgrow a dictionary. A professor of English is unlikely to benefit
much from a travelers' pocket dictionary. Thus, every dictionary has not only the bonus to effective Skill, but also a
maximum Skill increase allowed. A palmtop dictionary would raise the user's effective Skill by 1, but only to a
maximum of 8. Anyone with a skill of 8 or higher already knows practically everything this dictionary could tell him.
Thus, it is useful for beginners but not much help to advanced students. The 24-volume Oxford English Dictionary, on
the other hand, increases the user's effective Skill by 4, to a maximum of 16. Every character below level 16 in English
can benefit from using it. By way of a rough guide, the following figures can be used:
Palmtop Dictionary: Skill +1, max. 8 (1/2 lb., $5).

Travel Dictionary: Skill +1 (spoken +2), max. 8 (1-2 lbs., $5-20).
Learner's Dictionary: Skill +2, max. 11 (2-5 lbs., $10-80).
Translator's Dictionary: Skill +3, max. 13 (5-20 lbs, $50-500).
Academic Dictionary: Skill + 4, max. 16 (10-100 lbs, $ 300+).
Note that not all types are available for all languages. Exotic and dead languages are usually found only in scholarly
dictionaries which are often not user-friendly, and sometimes contain pitifully little information.
Example: Milton Gregory, Esq., gentleman of independent means and hobby archaeologist of the occult, is faced with
a puzzling inscription he unearthed on a hill near Fayum. Unfortunately, his Greek is very rusty (Skill 7). Fortunately,
he has his trusted Liddel-Scott Dictionary (+3 to Skill) with him. With its help, he boosts his effective Skill to 10 and,
since time is not a major factor, arrives at a correct translation at 2 a.m., after several abortive attempts and numerous
shots of brandy (successive rolls of 12, 13 and 9).
Optional Rule: Thesauri
A thesaurus is not supposed to help understanding, but expression. Thus, it increases not the Language skill but the
Writing skill. As opposed to dictionaries, thesauri cover only a very small part of successful writing, namely
vocabulary. Therefore even a very good thesaurus will only give +2 to Skill.
Dictionaries give 1/2 their Skill bonus to Writing. Maximum Skill applies by Language, not Writing Skill. Thus, if a
character knew English at 12 and Writing at 7, a +2 dictionary, max. 10, would do no good. He already knows English
above the maximum and therefore is aware of everything the dictionary could tell him.
Handbooks Look It Up!
Handbooks are similar to dictionaries, but apply to Mental Skills other

than languages. A handbook of Chemistry will increase the character's
effective Chemistry Skill. A handbook is different from an instruction
manual. It does not tell a character how to do something, it merely
gives him additional information.
Handbooks, like dictionaries, come in various sizes and qualities

ranging from the small and easily portable high school textbook (+1,
maximum 12) to the extensive and extremely non-portable academic
handbook (+4, maximum 18). As with dictionaries, there are examples
of execrable quality that will result in an effective Skill penalty if
used. "Generic" types are:
High School Textbook: Skill +1, max. 10 (1-4 lbs, $10-40).

College Textbook: Skill +2, max. 12 (2-8 lbs, $30-100).
University Textbook: Skill +3, max. 14 (4-15 lbs, $30-200).
Academic Handbook: Skill +4, max. 16 (6-50 lbs, $300+).
Handbooks should be assumed to exist for all Scientific and many

other Mental Skills. When in doubt, the GM is final arbiter. Use common sense: A handbook on fishing should be
readily available at the corner bookstore. One on Interrogation might exist, but would probably not be for sale and
maybe even illegal. If a handbook on Leadership exists at all, it is unlikely to do much good.
Example: Milton Gregory, Esq., has followed the instructions in the inscription and found a very strange object. The
small golden statuette looks like nothing he remembers on a roll of 10. (Archaeology 13, at a -4 penalty). However,
once back in his library he takes to the trusted tomes of his Realencyclopaedie der Classischen
Alterthumswissenschaften (+4 to Skill). His modified Archaeology Skill of 16 (13 + 4 = 17, which is adjusted
downwards for being above the maximum Skill bonus) is enough to offset the penalty for recognizing the strange little
item on a roll of 12. The dice come out 10. Mr. Gregory pales as he realizes what his curiosity has saddled him with . .
.
Optional Restrictions
As a rough-and-ready system of rules for using dictionaries and manuals, this much is sufficient. However, for the
sake of realism, and to discourage the use of dictionaries and handbooks as cheap skill-boosters, a number of optional
limitations can be applied:
Time
Leafing through a book every time a character is trying to do something is time-consuming and inconvenient. Using a
handbook or dictionary is appropriate only when the PCs are not under pressure. If any agreed-upon durations are
being used, add 50% for each +1 to Skill due to handbook use (as ever, common sense should rule out silly results).
Nothing done with the aid of a dictionary or handbook takes less than one minute. Thus, trying to use one in dialogue
is going to badly hamper communication. However, no handbook or dictionary should ever require a Research roll to
use. A book that complicated (or badly written) is by definition no handbook.
Weight
The idea of characters carrying a large array of dictionaries and handbooks to boost their skills is tempting, but
unrealistic. They are just too heavy for that. While there is no absolute standard for the weight of a handbook or
dictionary, a rough-and-ready guideline can be established according to the Skill bonus. A small, +1 pocket volume
should weigh between 1/2 and 2 lbs. A more extensive +2 book might readily go as high as 8 lbs. The professional +3
tomes easily reach 15 lbs, while for a +4 multiple-volume set the sky is the limit.
These weights apply to TL5+ printed books. For TL3 parchment manuscripts quadruple the listed weight. For TL4
printed works double it. At late TL7, computer-based handbooks and dictionaries become available at the weight and
size of a CD-ROM. By TL9 at the latest, weight and bulk cease to be a consideration as thousands of gigabytes of
information are stored in palmtops.
Availability
Handbooks and dictionaries of any quality should not be available prior to TL3. The early versions are rather basic and
rarely exceed +1 to Skill. Books of the type and quality outlined above are available only from late TL5 onwards. In a
Fantasy campaign, the GM is absolutely justified in allowing only a narrow selection of dictionaries and handbooks, or
none at all.
Even in a modern environment, some dictionaries and handbooks may be impossible to come by. Finding an advanced
textbook on any academic discipline should be worth an Area Knowledge roll (do you know a good bookstore?), and
getting it may be further bedeviled by interminable delivery time. A desperately needed book may only be available in
a foreign language, or even out of print.
Dictionaries for more exotic languages can be equally difficult to come by. Of course anyone can get a French
dictionary, but what about one for Twi or Arapaho? If the players are academically minded, finding a desperately
needed book may even become an adventure in itself (every university student knows what I speak of).
Price
This should not be a problem for the simple +1 handbook or traveler's dictionary, but academic textbooks, particularly
those in more exotic disciplines, tend to go up in price very quickly. While a +1 book on a common subject may cost
as little as $5, a good +2 work will already come at around $50, a +3 volume can easily cost over $200 and a +4 might
go for as much as several thousand dollars. There is a lot of give in these categories with commonplace books
(Cooking, English) being cheaper and exotic ones (Advanced Nuclear Physics, Sumerian) costing a lot more. GMs
should freely vary prices according to either realism or the playing value of a Skill increase in the campaign.
Errata
A good textbook of any kind has no major errors. However, not all the books out there are good. Whenever the
characters go out to buy a handbook or dictionary they run the risk of getting one that is, in some way, flawed. This
can range from minor flaws to true uselessness.
A book with minor flaws usually works normally, but the GM rolls 3d every time it is used. On a 16, it yields no
useful information (no bonus). On a 17 or 18, the information is wrong (GM supplies an appropriately faulty
conclusion on a successful roll). For major flaws, the GM rolls 1d. On a 5 no useful information is obtained. On a 6,
the information is wrong. A truly useless book leaves nothing to chance -- it actually lowers the user's effective Skill
by up to -3 on any use. All this should not be told to the players but worked out behind the GM's screen. It will take
them a while to notice that their books are faulty, and any unpleasantness that results from it in the meantime can be
worked into the storyline.
Any Unlucky, Jinxed or Cursed characters obviate the need for dice rolls. The GM simply assumes that they stumble
over the flaws whenever it is most amusing, embarrassing or dangerous.
Characters can try to make sure their books are not flawed. An appropriate successful Skill roll after superficial
reading will tell them. Minor flaws are at -3 to detect, major ones at Skill, total uselessness at +3. Careful reading will
always reveal the flaws (but is extremely time-consuming and not usually possible before buying).
Some Knowledge Required
Handbooks, except possibly the very simple +1 type, may not be used to increase a default. A minimal knowledge of
the subject -- at least 1/2 character point in the Skill -- is required to use a handbook. This is realistic. Otherwise a
genius of IQ 16 could, with the aid of a +4 handbook on Chemistry, synthesize explosives at Skill 14 (default IQ-6 =
10 + 4 = 14) - a professional chemist's level!. In reality, very few people with no prior experience with a Skill will
even understand an academic textbook on the subject.
Somewhat more realism (and a lot of number-crunching) is added by the rule that only users whose Skill level is no
more than 6 below a book's maximum Skill increase receive full benefit. Every point below that means -1 to the book's
effective Skill increase. Thus, a character with the English Language Skill at 8 could not get full benefit from working
with an academic dictionary with maximum Skill increase 16. Being 8 points under the maximum, he is at +(4-2), +2
to effective Skill. In fact, a translator's dictionary +3 would be more helpful. These narrow windows of maximum
benefit are depressingly realistic but should only be used if the players don't mind a lot of math.
Other Prerequisites
If a GM feels like punishing some players, he may rule that a handbook or, occasionally, a dictionary, has a
prerequisite other than knowledge of the Skill it increases. The most obvious kind would be a book written in a foreign
language. The assumption that everything worth reading has been translated into English can backfire badly, as any
player will realize the first time an urgently needed book turns out to be available in either Dutch or French.
Even nastier, though sadly very realistic, are books that require proficiency in a number of skills to understand them.
That could be a handbook on the archaeological finds of a certain area that increases the Archaeology Skill by +2, but
only for characters with Geology at 12 or higher. Some dictionaries, particularly those written by linguists "in the
field," may also require a minimal proficiency in Linguistics to figure them out. The details are left to the creativity
(and sadistic streak) of the GM, but regularly occurring problems of this kind are appropriate only for campaigns with
a very "academic" feel.
Embarrassment
In many environments, using a textbook openly is considered bad form. Academics will not take too kindly to a
character leafing through a high school textbook at a congress (though more demanding works may be acceptable). An
angler laying out his gear according to a pocketbook will have to take some ribbing from his comrades. And a
captured spy seeing enemy agents consult a handbook on interrogation techniques should immediately get + 2 on any
rolls to resist for sheer contempt of these amateurs. However, in other situations the use of a textbook or dictionary
may even prompt others to assist the character unasked (especially with Traveller's Dictionaries). The details are
entirely up to the GM.
Combining Handbooks
In case players wish to use a +2 handbook and two +1 volumes on the same task to give a +4 bonus, the GM should
rightly disappoint them. Handbooks on the same Skill usually contain the same information. At the very least there
should be a great deal of overlap between their content and, thus, a lot of redundant information. As a rule, only +2 or
better handbooks can be combined. A second and third handbook only yields half the bonus, but give the full time
penalty. No greater bonus than +4 to Skill is possible. More than three handbooks used simultaneously are considered
to be a library and are used according to the rules covering library research.
Specialization
The basic assumption for easy game mechanics is that there is a handbook for every Mental Skill, just as there is a
dictionary for every Language Skill. Realistically, this is nonsense. No Skill more difficult than Mental/Easy could be
contained in a single handbook. In real life, handbooks cover only small parts of a given skill. To simulate this, a
handbook with a bonus of +2 or higher should be a specialized version, covering only a subdivision of a skill. There
would, for example, be History (Roman Empire) or History (World War II) handbooks, but no generic History
handbook. Whether a specialized book's Skill bonus applies to a certain question or not is always up to the GM,
though in most cases there should not be a problem.
While no amount of specialization should allow for more than +4 to Skill, highly specialized handbooks can, at the
GM's discretion, have much higher maximum Skill increases than "generic" ones. A book that increased a character's
overall History skill by +4 to a maximum beyond 16 would have to contain so much detailed information as to become
a library in itself. A volume that did the same for the character's Skill in "History, 7th-century Irish Monastic Literary
Education," could easily encompass all the detail required to boost that particular Skill specialty well beyond 20. The
question of whether a highly specialized handbook for a given specialty exists and is available to the characters rests,
as ever, with the GM.
Dictionaries can also specialize. The main benefit here is that a character can carry a Business French dictionary +3 in
his pocket while a generic French +3 dictionary would require a suitcase. However, it will not help when asking a
passer-by for the way to the train station. Obvious specializations for dictionaries are Business, Law, Sciences, Medical
Terminology and Slang.
Optional Rule: Continuing Bonus

While it technically makes sense that pocket dictionaries are of no use to a highly skilled character, academic fare does
not entirely cease to be useful once you know a certain amount of facts. Nobody has memorized the entire Oxford
English Dictionary. However, most books do grow less useful over time. +1 and +2 dictionaries and handbooks
become useless once the character has exceeded a certain Skill level. From +3 on, the Skill bonus is halved (round
down), but continues to apply indefinitely. Thus, even a character with the History Skill at 21 would be at +2 to
effective Skill when working with the aid of a good, extensive handbook that would give a character with History 12
+4 to Skill.
Instruction Manuals
Instruction manuals are different from handbooks. They tell a character exactly how a certain very specific thing is
done. They are not suitable as Skill-boosters. In game terms, instruction manuals help bring up defaults and offset
familiarity penalties, at the expense of time.
Characters attempting to use some technical device can benefit from an instruction manual if:
a) Using the device does not require rapid sequences of action to work properly and
b) The use of the device has no major physical requirements (like riding a motorbike). Driving a car or piloting an
aircraft by instruction manual is impossible, since both require rapid reactions to changing situations. There will be no
time to consult a manual. Using a communicator, a radar device or even an artillery piece by manual is possible.
Manuals are rated by their quality. The basic assumption is that whatever default the character would roll against is
replaced by a straight IQ roll with a regular manual. Very good manuals may grant a bonus to the IQ roll. Bad
manuals, which are far more common (as anyone who ever tried to program a VCR can testify), impose a penalty on
the IQ roll. Manuals usually range from +2 (very well written) to -3 (probably a bad translation).
Using a manual to help a Skill default is the usual case. To play this out, the GM needs to determine how many pages
of a manual a given action takes to describe. As a rule, a single application of a Mental/Easy Skill takes 1-2 pages, the
same for a Mental/Average Skill already fills 2-4 pages and an application of a Mental/Hard Skill can require up to 6
pages. A "single application" is a very simple action like "hook up a VCR" or "set the frequency on a radio
communicator." At the GM's discretion, longer or more complex actions can be broken down into sub-actions such as
"load the gun," "calculate the Range," "lay the gun," and "fire the gun." Using the manual instead of a Skill default
requires one minute and one successful IQ roll (modified for manual quality) per page in addition to the usual time for
using the Skill. A simple failure on the IQ roll is a mistake that is immediately obvious to everyone. The page can be
reread and the roll repeated at +1. A critical failure will damage some piece of the equipment, usually rendering the
desired task impossible. The procedure must be repeated -- provided a replacement part is at hand . . .
Example: GI Bill and Joe badly need to contact headquarters. Unfortunately, nobody thought to issue them radios or
even teach them how to use one. In an abandoned command post they find a communicator and -- this being their
lucky day -- an instruction manual for it. Bill grabs it and starts flipping through the pages. He quickly finds the
instructions on hooking up the radio -- 4 pages. His IQ is 11 and the manual is very carefully written, giving a +1 for a
final roll of 12. He rolls: 7. The battery is uncrated and tested. The next roll comes out 12: the cables are hooked up the
right way round. The next roll is 5: the morse tapper and headphones are plugged in and the volume set. The final roll
comes out 14: no contact. But wait, that can't be right! Bill rereads the page and plugs the antenna into the right socket.
The radio is up and running in five minutes.
Now Bill seeks out the chapter about broadcasting. It encompasses 3 pages, with the same modifiers. Bill's player rolls
11: a viable frequency is found and set. The next roll comes out 6: very slowly, Bill taps out the message. The final
roll is 17!: as Bill keeps tapping away, he accidentally locks the homing signal switch, crowding out his own message.
Let's hope headquarters can make sense of the part they got.
Instruction manuals also serve to offset familiarity penalties. A regular manual offsets 1 point of familiarity penalties.
A good manual adds its full IQ bonus to this. A bad manual adds its full penalty (yes, using a bad manual to do
something will give a worse Skill total than having none). To get the bonus, a character will have to read through the
manual for every action, directly prior to taking it. Doing this takes half a minute per page. The number of pages is
determined as for use with a Skill default.
Familiarity penalties can be offset permanently by thorough study of the entire manual, accompanied by practice with
the unfamiliar item. This works as per the regular rules.
Manuals occasionally are written in foreign languages. To use them, the character needs to be able to read the language
they are in. If his Language Skill is 10 or higher, a single language roll suffices and he reads the manual at no time
penalty. If the Skill is between 7 and 10, add 50% to the time required. If his Skill is below 7, the time required is
doubled and a language roll is required for every page. A failed roll means that the page is not understood -- try again
at a cumulative -- 1 penalty, or find a dictionary.
Handbooks, Dictionaries, and Manuals in Play

Obviously, handbooks and dictionaries fit in best with a TL5-8 campaign with a more complex plotline and an overall
"academic" bend. The occult, with its emphasis on obscure knowledge and ancient lore, is perhaps the most obvious
area for extensive handbook use (these rules were developed for a GURPS Horror campaign set in 1950s America).
However, any modern background that allows room for academic characters can accommodate handbooks. The town
physician in a cop campaign having to examine the body of a murder victim may well be happy to have brought along
a book on gunshot wounds.
The most obvious characters to use handbooks are academics, both realistic ones and pulp scientists. Given time and
the opportunity to prepare, they may select the appropriate handbooks to take along on any given adventure. Even
Indiana Jones may be happy to have a book on Mayan architecture when adventuring in Yucatan, and any fearless
vampire hunter used to the Transylvanian breed can certainly use a volume on the Chinese kind when setting out to
free Chinatown from a supernatural menace. After a while, academic characters will probably get into the habit of
collecting handbooks. That's perfectly all right, real-life academics do it, too.
Another area in which handbooks could be introduced is fieldcraft, especially in military campaigns of the GURPS
Special Ops type. Modern armed forces were never adverse to liberally supplying their personnel with field manuals
on any conceivable task they might face. While these are difficult to use under battlefield conditions and very
unpopular with infantrymen (who have to carry them on their own backs), one or two may well find their way into the
hands of a platoon of PCs, particularly if they are motorized. Civilian PCs are even more likely to take along
something like a boy scout fieldbook on an outdoor trip. Anything else is up to the imagination of the players and the
patience and tolerance of the GM.
Manuals are useful in settings where the PCs are likely to be confronted with a lot of gear they do not know how to
use, or aren't sufficiently familiar with. Military campaigns come to mind, but a science-fiction setting could also
benefit from these rules. The tension that builds up as completely unskilled PCs scramble to hook up a satellite
communicator, page by page, before the launch window opens and unwitting astronauts are hurled to a fiery doom in a
sabotaged spacecraft, is hard to beat as a plot device.
Thieving in the Sixth World
by Alex van der Kleut
Art by andi jones

In Shadowrun 3rd Edition, adepts are among the most flexible types of characters available. Instead of using their
magical powers to cast spells and summon spirits, they ground their powers through their bodies in order to perform
extraordinary physical feats. Between the new basic book and the sourcebook Magic in the Shadows, there are 38
powers available for a character to learn. The problem lies with the types of powers available. Being part of a game
that can be very combat intensive, powers that help the adept in combat are, of course, common. While Magic in the
Shadows helped by introducing diverse powers, there is still a need for more powers that focus on areas other than
combat.
Most of the powers described here are most useful for characters following the Invisible Way (MITS, p. 25), although
they are suitable for any type of adept. Most of them are made for players who wish to give their characters a subtler
bent, concentrating more on becoming a ghost than a combat monster. A GM may simply insert these new powers into
the campaign and let them be learned by any adept. New advances are being made all the time in the realm of magical
research in the Sixth World.
However, a more realistic (and fun way) to introduce players to these powers would be to make them available only to
a few magic groups made up of adepts specializing in the Invisible Way. Adepts from these groups would be some of
the most sought after thieves in the world, trained to slip in and out of locations that are supposed to be impregnable.
Perhaps the players are hired to try and find one of these thieves, or discover one trying to steal the same prototype
that they are.
The end of this article gives a brief description of such an initiatory group that could be used as a plot device to
introduce players to these new powers, provide a group for an adept to join, or become a recurring enemy.
Except where noted in the text, a character cannot have more levels of a power than his Magic Rating.
Face of the Masses
Cost: 0.5
Using a form of instant hypnosis, the adept blocks people from
consciously remembering what he looks like. All descriptions
will be of someone being there, and maybe a general description
of being "about average." Hypnosis, spells that access the
subconscious and similar methods may be able to help an
individual to remember more details, but all target numbers are
doubled.
This power only has an effect on people that the adept can affect
directly, generally those within (Magic Rating) meters.
Technological devices (security cameras), people using some
Thieving in the Sixth World
means of improving how far they can see (someone at a distant

with binoculars), and non-sentient animals are all unaffected by
this power.
Lock Sense
Cost: .25
While mechanical locks are not as common in 2061 as maglocks,
enough are still used to make having a skill for picking them
worthwhile. A few adepts study these skills to such an extent that they are able to heighten their senses purely for the
task of opening locks. Halve the base target number to pick any mechanical lock, or to open a combination lock.
Luck
Cost: 3
For some adepts, everything just seems to fall into place. The most useful (and perhaps most dangerous) skill he can
possess, Luck effects the OOPS Rule. Anytime that the adept rolls more one's than his skill level, he has a chance of
either a Critical Failure or a Critical Success. Make a Magic Rating (10) test. No successes indicate a Critical Failure.
One success means that there was no effect, so the action will succeed or fail as normal. Two or more grants a Critical
Success.
A critical failure works in the normal manner of rolling all ones, i.e. something bad happens. Examples would be
accidentally shooting a teammate, dropping the detonator down the sewer drain, or accidentally setting off a car alarm
during a B&E. A critical success is something good happening. Missing with a thrown knife, but having it cut down a
sign, which falls and knocks out an opponent, would be a critical success.
Melee Sense
Cost: .5 per level

The adept is particularly skilled at keeping track of and fighting multiple opponents in the same melee. Each level of
this ability can be used to offset the penalties associated with Friends in Combat. Each level eliminates one opponent
for purposes of figuring out the Friends in Combat penalty. Opponents also lose their bonus for each level of Melee
Sense.
Photographic Reflexes
Cost: 2 per level

The adept has amazing reflexive memory, his body "remembers" how to perform physical tasks. This gives the
character a bonus to any Active skill of +1 die per level (see Enhanced Articulation). He may also attempt any
maneuver or skill that he has seen another person perform at a lesser default penalty. Subtract one per level of the
power, up to the base Target Number.
It is also easier for someone with this power to learn Active skills. Add the level of reflexes to the number of dice used
for learning these skills (SR Companion, p. 32). The character will never forget where he left off in training, and can
start right back into a skill after months off.
Sleight of Hand
Cost: .5
Sleight of Hand allows an adept to stealthily move small items; actually making them disappear for a short amount of
time. He may either keep the item on his person or place it within 1 meter of himself. The item must be small, nothing
more than can fit comfortably in a normal human's hand. A credstick, small knife or holdout pistol are all about the
right size.
When making the switch, the adept makes an Open Stealth Test. Anybody with the ability to see the switch must get at
least one success on a Perception test, against the result of the Open Stealth Test. If the adept is actively being
watched, reduce the Target Number by 4.
There/ Not There
Cost: .5 per point

By mystically manipulating the blind spot of an individual, an adept using There/ Not There can appear to disappear
from a person's eyesight. This power works over all forms of sight, including thermographic and lowlight systems.
Non-vision systems are not affected, nor are technological devices such as cameras. Use of the power requires a
Simple Action to activate and deactivate.
Each point purchased adds +1 to Perception tests to notice the adept. Also add this modifier to all attacks against him.
For characters able to see the adept from an oblique angle, or out of the corner of their eye, there are no modifiers, as
the adept cannot place himself in their blind spot.
Spatial Perception
Cost: 2 The adept has the ability to instantly acclimate himself to his surroundings, like he had been born and raised
there. Make a Magic Test (4) as modified below. If the adept gets any successes, the area is treated as his Home
Ground (SR Comp 2, p. 18). If he fails he cannot use the power again until the location has been altered in some
significant way. Each use of this power requires one Combat Turn of concentration.
This power cannot be used for any area larger than a building, or one city block on the streets. The adept may only
Spatially Perceive one location at a time, and loses the bonus if the location is significantly changed between the test
and when he attempts to use the bonus.
Studying a picture: +6
Studying a diagram: +4
Studying a video: +2
In the location: 0
Studying a 3-D model: -1
House size: 0
Small Office Building: +2
Medium Size Office Building: +4
Large Office Building: +6
Skyscraper: +10
Part of building only: reduced by percentage of building studied
The Guild
Type: Conspiratorial
Members: 20
Strictures: Belief (Thievery), Fraternity, Obedience, Secrecy, Limited Membership (Adepts following the Invisible
Way only), Oath.
Resources/Dues: High
Customs: The Guild is a group of Adepts following the Invisible Way who specialize in every sort of thievery
imaginable. For those with connections in underworld circles, they are known as some of the best B&E specialists
around. While this is something of an open, if not well known secret with criminals, admitting to The Guild's existence
or to membership is punished severely. Honor is very highly regarded in the guild, which is known for taking slights
against their members very seriously.
The group maintains a High lifestyle in a medium sized office building located in a suburb of Detroit. Training
facilities are located on the premises, as well as living quarters for members who are in the area. Dues are 500¥ a
month, which can be prepaid from portions of lucrative jobs. The Guild is known to be well connected with multiple
fences and middlemen throughout most of North America. Most members operate throughout the world for various
employers, and only assemble when called together by the guildmaster.
Card: The Game
by Dave Chalker
Card: The Game is a card game that uses cards from every collectible (and non-collectible) card game you may own.
You play against other people with their own collections of cards. The object of the game is to be the last player with
cards in your deck. In the game, you take the role of one of the characters that you have included in your deck. You
travel from place to place, battling other players' characters while recruiting allies, equipping yourself with all manners
of weaponry and items, and by playing other miscellaneous cards.
Before the Game

Make your deck. Your deck can include cards from any collectible card game, any other card game, or even playing
cards. Mix and match. Go nuts. Deck size is very important, however. How big your deck is depends on how long a
game you want. Thirty cards is not that long a game, and is recommended if you have a big group of people. 60 is a
good number of cards for a game with a few people. All players in the game must start off with the same number of
cards in their deck. For composition of your deck, see "Deck Guidelines," below. Also before the game, the players
need to find a referee. The referee's job is to mediate what actually happens in the game. More will be explained in the
Game Rules section.
Card: The Game Deck Guidelines

The following percentages are only intended as rough amounts. It is up to each person
to decide how many of each type of card he puts in his deck, except that there must be
at least one card from each category.
15% Main Characters. Main characters are cards that are big deal figures in games.
They might not necessarily be the only main figure from the game, but are still
important characters. Examples: Hulk from Overpower, The Bavarian Illuminati from
Illuminati: New World Order, Washu from Ani-Mayhem, Agent Mulder from X-
Files, or the Shivan Dragon from Magic: The Gathering.
15% Places. Places are, well, places from the various games. Places will be used to
define the environment where the game is played. Examples: Mars Colony from
Babylon 5, Planet from Galactic Empires, the Ocean Terrain from Wyvern, any Land
from Magic: The Gathering, or virtually any of the missions from Star Trek TNG and X-Files.
20% Equipment. Equipment cards are the cards that you equip your main character with in order to help your fight.
This includes vehicles. Examples: U.S.S. Enterprise from Star Trek TNG, First Battle Fleet (Minbari) from Babylon 5,
Flak Jacket from Rage, Blanket from Dragonstorm, and Jedi Lightsaber from Star Wars.
50% Other Stuff. This is everything else that doesn't fit into other categories. Minor allies, combat maneuvers,
actions, events, playing cards, anything else that doesn't qualify in any of the other categories. Examples: Fnord from
INWO, Conditioning from Ultimate Combat, Poke in the Eye from Three Stooges, Giant Space Hamster from
Spellfire, and Puppy Dog Eyes/Dodge from Ani-Mayhem. And the list could go on and on . . .
Beginning the Game Card: The Game
Once the deck has been assembled, a referee has been found (captured/bribed/etc.),
and everyone is ready to play, each player separates the deck into the different sections
listed above (Main Characters, Places, Equipment, and Other Stuff). The referee
shuffles each player's Main Characters deck, and deals each player two characters
from his or her own deck. Each player chooses one character, which goes into that
player's hand. The character not chosen is shuffled back into the Main Character pile.
Each player is then dealt a Place from his or her own pile, one Equipment card, and
three Other Stuff cards. Each player then puts his Place card in the center of the table,
next to the other player's places. (This can be most easily done by giving the referee
all the places, then having the referee arrange them however he pleases.) Each player
rolls a die, highest goes first, reroll ties. Play proceeds clockwise (or, if the group is
feeling really adventurous, counter-clockwise.) All players shuffle their remaining
cards into one big deck. This becomes the player's draw deck.
Game Rules
Each player's turn is split up into several phases.
1. Draw a card from the top of the deck.

2. Play a card from your hand, either face up or face down.
3. Attack.
At any time it's appropriate: Do something else the referee says is OK.
Phase One: Draw
Draw a card from the top of your deck. If there are no cards to draw, you can't draw any cards. (duh.)
Phase Two: Play
Play one card from your hand either face up or face down.
Playing a card face up:
If the card is played face up, the card immediately goes into effect. If you don't have a Main Character in play to
represent you, then the card played must be a face up Main character. If the card is an Equipment card, it is played on
the character in play, or referee willing, somewhere else. If the card is a Place card, it goes next to the other places in
play, or referee willing, replaces a Place already in play. If you play a character and already have one on the table, the
new card replaces the old, and the old card is discarded. All other cards attached to the old character transfer to the
new one.
Now, playing other stuff is a bit trickier, but is also one of the most important parts of the game. When you play a card
that doesn't fit into one of the other categories, make it up. That's right, make it up. If it's good and plausible and you
don't ask for too much, the referee should allow it. The rationale can be any element of the card -- the picture, the title,
the flavor text, numbers on the card, or (the most preferred method) what the card actually does in its "home game."
Example #1: Josh is playing Washu, the Greatest Scientific Genius in the Universe (from Ani-Mayhem). Josh decides
that he doesn't like the Incredible Hulk, being played by Richie. Josh plays the card Black Hole (from Super Nova) to
destroy the planet that the Hulk is currently on. The referee says that it's OK, especially since the Black Hole card itself
says it destroys a planet. However, since it wouldn't be any fun to have a player wiped out with a single card play, the
referee also rules that the Hulk manages to escape. The Incredible Hulk, however, has lost his base of operations,
something he won't soon forget . . .
Example #2: Andrew, playing Grand Moff Tarkin (from Star Wars) is still a little damaged after having a run in with
a Gladiator Prime Executioner (from BattleTech), being played by Danny. Andrew doesn't want to be attacked until he
recovers a bit more, so Andrew plays Body Odor (from Ultimate Combat!) to stop any would be attackers. The referee
likes this, and tells Andrew to roll a d6 to determine how long his repulsive BO lasts.
Example #3: Chris, playing a Furmling (from Rage), has been wrestling for control of the planet Dorvan V (The
mission Evacuation from Star Trek TNG, treating it as a place) against Mike, currently Agent Fox Mulder (from X-
Files, what else?). Chris recently has been losing this battle, as Mike declared himself Queen of the planet by playing .
. . a Queen of Hearts (from a normal deck of playing cards.) Mike also has been sacrificing Treasure (from Spellfire)
to the Dark Gods of the planet, to further insure his rule. Chris, however, has discovered the 3 diamonds of Citarak
(the 3 of Diamonds, also from a deck of playing cards). The referee has been allowing all this, as he's been rolling on
the ground laughing the entire time. The referee finally comes to his senses, and gives Chris a bonus to attack Mike
this turn, and if Chris wins by enough, Mike's queen days may be over . . .
Playing a card face down:
First of all, one thing to get straight. No cards can be played from your Card: The Game
hand as an "Instant." Hand size is very important to the game, and allowing
card plays at any time would just throw everything into confusion (well,
even more so). However, you may play a card face down on your turn,
holding it "in reserve." Whenever another player does something that you
want to react to, you can flip over a face down card, and it takes effect
right then and there and will have to be explained immediately. Cards
played this way are discarded immediately after use, while cards played
face up remain on the table, and their effects will (obviously) last longer,
Example #1: Eric, playing the Elvish Impersonators (from Magic: The
Gathering Unglued) wants to protect himself from Chris, now having
revealed himself as the insidious Lawyers (from INWO). Eric takes a card from his hand, Dodge (from Rage) and
plays it face down. Not only is Eric protected from one attack in case the Lawyers decide to launch an offensive, he
also has a Rage card sitting in front of him, which is good for sheer intimidation/bluff value (some of those cards are
pretty nasty in combat!)
Example #2: Richie is planning to take his revenge against Josh. Richie starts playing cards face down in front of him
that he can reveal once he finally decides to attack. He plays cards like Dragon Form (from Dragonstorm) and Fireball
(from Wyvern) to make sure when he hits Josh, he hits hard..
Phase Three: Attack!
Attacks are mostly the referee's decision. Usually, attacks can only take place when the attacking character is in the
same Place as the defending character. The referee starts with the attacker's base number. This number is any number
from the character card that seems appropriate. (Some quick examples: Power from Magic: The Gathering, Level
from Spellfire, Power from INWO, Little Energy Icon from Ani-Mayhem, Power from Star Wars -- you get the idea).
The referee then adds any other bonuses that are appropriate for the attack: Equipment that adds a number to an attack,
other cards that give bonuses to attack that have just been played, a particularly clever use of a card, etc. The roll of a
d6 (rolled by the attacker) is then added to this total. This is the attacker's total. The referee then takes the defender's
base number (Some games have different numbers for attack and defense, some don't) The referee then adds any other
bonuses (like above, but for defense) and the defender rolls a d6 and adds this. This creates the defender's total.
Whoever has the higher total wins the combat, and loses cards to the discard pile equal to the difference between the
two totals. Got all that?
Card: The Game Example: Richie (still using the Incredible Hulk) is finally prepared to attack Josh.
Richie has spent several turns stockpiling attack cards by placing them face down in
front of him. He finally moves to where Josh is, and declares an attack. Richie reveals
his Dragonform (from Dragonstorm), and his Fireball (from Wyvern). The Hulk has
Strength 8, which will be used because Richie said he was going to try to smash
Washu. The Dragonform card says it gives +6 STR, which the referee decides he'll
use. The Fireball says Strength Modifier: +4, so the referee will add this in. This gives
Richie a total of 18 (Hulk is 8, Dragonform +6, Fireball +4). Richie also rolls a die
that comes up 4. This gives Richie an attack total of 22. Josh isn't going to take this
sitting down. While Richie was declaring his Dragonform and Fireball, Josh responded
by revealing the deadly Giant Space Hamster (from Spellfire, as well as rather
appropriate for Washu). Josh also reveals his Half-Trolls of Far Harad (from Middle
earth: The Wizards). The trolls have an attack of 10. In addition, Giant Space
Hamster's text says that every friendly ally played after it gains +3 levels. The referee
factors this in. Washu's defense is 4, so the referee calculates the total to be 20
(Washu's 4, plus 3 from the Hamster, plus 10 from the Half-Trolls, plus an extra 3 for
the trolls because of the Hamster's special ability). Josh rolls, and gets a 5 -- making his defense total 25. Richie lost
the combat by 3 (Josh's 25 minus Richie's 22). This means that Richie would have to lose the top 3 cards from his deck
to his discard pile. Richie was prepared for this eventuality, however, as he was already equipped with a Flak Jacket
(from Rage) that he discards to stop the damage. (Flak Jacket states that it can stop up to 4 damage) All the cards
flipped face up at this time are placed in their owner's discard piles. The combat yielded no results this time, but
Richie should watch out for Josh's retaliation on his turn!
But, my card doesn't have any numbers!
Relax. When attacking and using a card without numbers, either make something up, or if you're feeling uncreative, a
card without numbers adds an extra d6 to the attack (roll each time used). Main characters without numbers roll 2d6
when attacking.
At Any Time Appropriate: Other Stuff the Referee Says is OK.
This includes the other stuff that will undoubtedly come up during the games. Movement is easy, if you have a Ship of
some sort (a piece of equipment), the owner can simply declare once a turn that he is moving to another place by using
the ship. The other way to move is . . . to make something up with the cards! The most creative use I saw of a Move
Left card from Ultimate Combat! was to step from one planet to the one on the left. Of course, this is just one
example, and no rules could possibly cover every possibility. This includes seduction attempts, buy outs, inciting
revolutions, subverting allies, firing on other ships, forming a peasant militia, stealing, attacking specific cards, etc. My
advice to any referee trying to handle this: take any numbers that seem appropriate for both sides, and treat it like an
attack. If the attacker wins, he gets what he wants, if not, the defender gets to destroy something used in the attempt.
That's just a rule of thumb, the referee is free to alter this as the situation demands.
Appendix
Hand Size
Hand size is pretty important, so referees and players should always try to make sure that hand size remains constant.
For example, if someone draws an extra card, that player should discard a card from his or her hand in order to make
up for it. Exceptions to this are cards that increase hand size specifically.
A Note on Planetary Bombardment
Nearly every game I've refereed, someone gets a nice, brand new spaceship (or in some cases, a fleet) and decides that
this means air superiority. So he bombards a planet that another player is on, doing damage to the player on the ground
and leaving the character in the ship fully protected (theoretically). My advice to referees that see this? Don't let them.
First of all, the chances of hitting one solitary person from orbit are quite low. Secondly, this kind of ruins the fun of
the game if only one person gets a ship, and just sits in it and blasts the other players from space while the ground-
bound players are helpless to retaliate.
Power Gaming
I already know that some people, somewhere, will make a Card: The Game deck stacked with cards with the biggest
numbers so they do the most damage and have the biggest bonuses. It's no fun to be pounded on by someone who
actually designed a deck to win, but there is a way to counter-act "power-gaming" in Card: The Game. This balancing
mechanism is called the referee. The referee is encouraged to make sure the power gamer doesn't steam-roll over
everyone else. Allow other players more ways to counter-act the huge creatures used by the Power Gamer. Not that I'm
advocating the referee take sides or anything, just noting that the referee's job is to make sure everyone has fun. If you
don't have a referee (see Variants), then everyone should attack that person. As soon as possible. This isn't a rule, just
a suggestion.
A Note on Storyline
I could have come up with a complex story involving Extra-dimensional body inhabiting lifeforms and alternate
dimensions, but why bother? The game when actually played becomes very tongue in cheek very quickly, and will
develop a life of its own anyway. The game is for fun, and although some semblance of a storyline goes on during the
game, that's no reason for me to set anything.
Variants
One Big Deck
This is how Card: The Game was originally played. Me, the guy with all the card games, made a big deck and dealt
everyone cards from the same pile. Then, after the initial hand, the big deck was divvied up evenly among each person
so that each had a deck to play from (for card drawing and life point purposes). If you want to try it this way, be my
guest.
No Referee
I personally would not recommend this variant, but sometimes it is necessary. I know that sometimes it can be tough to
find someone to be referee. The referee isn't a player as such, and can't actually win, and most people would rather
play (who can blame them?). So, when there is a situation that says the referee decides, the decisions are made by all
the players. Majority rules, die rolls settle ties. Simple as that. I don't recommend this variant, as all the parties voting
will have some stake in what happens unlike a third party referee. However, sometimes there is no choice.
Quick Start
Don't like to separate your deck at the beginning of each game? If everyone agrees, all players pick whatever Main
Character, Place, and Equipment cards they want to start with, then shuffle the deck, and deal themselves the top three
cards to complete the hand.
Ante #1
This is for people who want to take a little piece of players they destroy with them. When you defeat a player by
removing the last cards from his deck, you get to keep -- permanently -- a number of cards equal to the "overkill."
That is, if you deal 10 damage to someone with only 6 cards left, you get to keep 4 cards chosen at random from that
player's deck. Add those cards to your own deck, as spoils of victory.
Ante #2
Not for the faint of heart or for those who are planning to stock a Card: The Game deck with rare cards, this Ante
variant allows players even more chances to keep other people's cards. Whenever a player does damage to another
player, instead of placing the cards from his deck into his discard pile, the cards go to whoever dealt the damage. For
example, if you deal 6 damage to another player, the 6 cards from the damaged player go into your discard pile. If
there's a card you absolutely want to keep, well, get it into play as soon as possible!
Credits
Game Design by Dave Chalker
Lead Playtesters: Chris Fike, Eric Frock, Andrew O'Carroll, Mike Roop, Danny Rupp, Josh Sako, Richie Schanberger,
Justin Worrell, All the people who tried it out and loved it at Balticon 33.
Special Thanks: Laura Barkley, of course; The music of They Might Be Giants; Eris.
Art copyright © Atlas Games, NXT Games, HarperPrism, Wizards of the Coast, Inc. All rights reserved.
Shooting From The Hip
by Ben Vandgrift
Art by andi jones
Shooting From The Hip The auburn-haired woman stood on the dock, fidgeting nervously. The
early Massachusetts winter had painted the area with snow, and Jeannie
hugged her coat around her. Her directions led here, and there had
been no mention of a rickety dock at the end of a gravel road. After a
few impatient minutes, she heard the high-pitched whine of a boat
motor drifting across the foggy lake.
A bass boat parted the mist, heading for the dock. Even as it pulled
alongside, Jeannie couldn't make much out of the driver. The hood of his
dark colored parka and stringy hair blurred facial features. He climbed
onto the dock and looked critically at Jeannie.
"Can I help you?" he asked.
"I need to speak with Marus, I have some questions for him."
"Marus?"
"Master of the Shadow Oaks Coven? I was sent by Jessica of the Sacred
Grove."
"Ah," the man nodded, and handed Jeannie a life jacket. "Climb in, then."
*****
Jeannie had followed the man silently. It was warmer than she expected on the island, and the pilot had already taken
off his parka and hung it on a nearby tree. As they reached the first budding saplings along the ever-warming path, he
turned to her and smiled.
"So what did you want to talk to me about?"
It happens to every game master at some time or another. A player drives their character deep into unknown waters,
leaving your carefully constructed plans sitting on the shore. They call up a half-forgotten contact, take an unplanned
trip out of town, or decide to make a deal with your shadowy antagonist, usually the result of a Brilliant Idea. What's
worse, it's a Brilliant Idea that you didn't have, and didn't prepare for.
You are now firing from the hip. You are forced to make up the story as they go along, fleshing out the individuals and
locations even as the protagonists of the story meet them. You are bound by duty to keep the world consistent, and to
adhere to two laws of the theater: never let 'em see you sweat, and the show must go on.
First, let's back up a minute, and talk about how you got yourself into this situation, beginning with the type of story
you're writing. Almost every game can be described as either event-driven, or character-driven. The type of story can
affect your likelihood of getting into a blind spot.
An event-driven game is centered around certain events which drive the story. The referee details these events, who's
present, where they are, and when they occur. The story follows a simple path from A to B to C, based on the
information they have. The referee doesn't have to have much material on the world, or even the actors in the scenario.
In this type of story, the protagonists are faced with a finite, usually small, number of decisions, all of which the game
master has prepared for. If they choose something else, he's in trouble. The more choices he's prepared for, the less
likely the game master will get into hot water.
In contrast, a character-driven game has no finite set of choices on how to proceed. The storyteller must lay out his
world and the people who live within. The game is driven by the actions and motives of the world's inhabitants and the
story develops much more organically.
While this is a much more difficult game to predict and plan, prediction and planning becomes less necessary.
Provided the proper work has been done on the background, history, off-camera action, and people involved, an entire
game can be run off the cuff. Since the storyteller knows most of the world by heart, or at least has notes, it's much
more rare for the players to wander outside of known space.
Jessica looked down the trail at the blooming trees, as the smells of spring drifted through the air. She looked at
Marus again, his features not covered by the parka hood. His cheekbones were high and his face was chiseled. He was
in his late 20's, and needed a shave.
"I'm looking for some information about a group you used to be involved with. Jessica said you could tell me
something about them -- the Order of the Cloven Hoof?"
Marus turned to look Jeannie, as if evaluating her. She noticed his eyes, and shuddered. Where the iris should be,
there was only black. The wind blew aside a few strands of greasy hair, and he looked momentarily thoughtful.
"Did she? What do you want to know?"
"I'm actually trying to find a man named Slaine. The last time anyone heard from him was several weeks ago, when he
destroyed the Order. I need Slaine to tell me what his motives were."
Marus smiled again, further discomfiting Jeannie.
"Well, let's go ask him, then."
Everyone has to run blind sooner or later, but there are a few things you can do before hand to make sure that things
go smoothly. Ideally, you don't want your players to know they've wandered into terra incognita, and a few
preparations can provide a pool of resources you can draw from when things get hairy.
First, be sure you have some skeletal characters around that you can use. As a new person is drawn unexpectedly into
the story, you can flesh them out on the spot. As you see more of them, fill in the details. It's much easier to build an
on-the-spot character when you already have a skeleton. It's a good idea to make a few of the skeletons fit vague
templates, like Policeman, Thug, Punk, DJ, or Student. Your selection becomes even easier with added information.
Buy a book of names. Look in the children's section of your local book store, and you'll find a dozen books on how to
name your kids. This is a indispensable resource for naming characters. Before the game, write a dozen or so names in
the margins of your notes. Fill in last names from the phone book, class list, or baseball roster. When you need a
character name, flip to your name list. In a fantasy or alien setting you'll have to spend a little more time on the names,
but it's well worth the investment.
Have a few extra buildings lying around, unassigned to permanent locations. A trip to a pawn shop, grocery store, or
apartment can easily go foul if unprepared. Once they enter the game, make a note of where they are, and flesh them
out based on their location.
Leave holes in your stories. While this may not be intuitive, leaving small shadowy, undeveloped places in the fabric
of your scenario allows you to pull an instant character into the hole with a loose selection of friends, associations, and
history. Be careful to leave such a position as flexible as possible.
Everything was just a little too surreal. As Marus opened the door to Slaine's cell, she gasped. Slaine was chained and
staked to a cross, hanging limply. Though his hair had since gone white, she realized he'd seen him before, just before
Ray vanished.
Marus pulled the stake from the man's chest and lifted his head up.
"You behave now, I'll be paying attention." Marus waved the stake at Slaine, and left, closing the door behind him.
Slaine's head rolled from side to side, blood dropping from his lip onto his chest. He raised his head and looked at
Jeannie. The fluorescent lights accented the bruises and lack of color in his face. There was a look of recognition, and
a sharpening of his gaze as his mind figured out how to work again.
"What do you want?" Slaine held his head up, grimacing.
"What are you doing here?"
"Suffering."
Now that dark water is looking a little brighter, but preparation is only half of execution. Handling the unexpected can
be stressful for a game master, and it's not always apparent what to do. When the players wander off into the unknown
regions, there are a few simple rules to keep in mind.
Don't Panic!
Write this in big friendly letters in your notes. Remember, your players don't know you're out on that limb, and they
never should. If your heart goes aflutter, flip through your notes, furrow your brow, and chuck some dice, grinning
wickedly at the result. Use that time to collect yourself.
Pay Attention To The Details
If you're introducing someone you've just had to create, focus on the little things. A nervous twitch or peeling
wallpaper add enough depth to satisfy the aesthetic cravings of your players. Simple descriptions work wonders as the
players' imaginations fill in the details. While Marus' description in the above encounter was not explored, his eyes'
unique nature satisfied the players' curiosity about his appearance.
Watch Your Players' Reactions
The bards of old watched the crowd for hints for where to take the story. This is no different -- take note of what your
players are responding well to, and focus on that aspect of the story for a while. Jenn, playing Jeannie, likes slightly
creepy with a generous helping of conspiracy. Because of this, Slaine, who she'd not met, became someone she had
met very briefly, in connection with her boyfriend's disappearance.
Remain Cryptic
When you've just created a person or object, you don't necessarily know how much information they have. This can be
solved by being cryptic. A well-placed word or vague allusion will lend the illusion of knowledge to a character who
may have none. Below, Slaine dances around a question, directing Jeannie's attention to the altered time-stream.
Don't Railroad Your Players
You will be tempted to make every venture into unknown areas unpleasant for the characters, to bring them back to the
planned material. However, if they're taking a reasonable course of action, they should be able to follow it through.
Know When To Quit
Sometimes, that long fly into left field smacks you in the head. It's okay to stop there. Admit you're stumped and take
some time to prepare more material. Spend the ten minutes working it up. You may have to cancel until next time, but
there's a time for that, too.
"You've been here all along?"
"I've been here for a while, yes." Dirty white hair hung long and unkempt in front of his face. His hands clenched
reflexively. "What do you want?"
Jeannie straightened her back and steeled herself, not wanting to be frightened by this man. She looked at his face,
ignoring the chains, the cross, and the disconcerting tear in his chest, slowly reweaving.
"Why did you destroy the Order of the Cloven hoof earlier this month?"
"Earlier this month?" Slaine chuckled. "My dear child, that was almost half a century ago."
No one can anticipate every situation, nor should they try. Play sometimes ranges off the green and into the rough.
Every storyteller must be ready to improvise the edges and corners of his story. It comes with the job and the rulebook.
When a storyteller can play the hole out of the sandtrap, the possibilities for roleplaying become truly endless.
Shooting a pistol from the hip is a skill that can only be developed through experience, and hard work. Likewise,
playing off the cuff, shooting from the figurative hip is just as difficult a skill to develop. Don't be discouraged if you
occasionally get flustered. Just play it by ear and prepare as best you can, your players will understand. It's a game
after all, and should be fun -- for you and your players.
GURPS Traveller Alien Races 2 Designer's Notes
by Andy Slack
Art by Glenn Grant and Jason Walton

Ah, I see you have time on your dewclaws. Come; gather round, and I
will tell you of rulings I have made, and the reasoning of them, that you
may better understand the precedents and the laws by which the fteirle
are governed.
I became an earleatrais 18 ftahea ago, on a planet the hisoli call

"Earth"; the case then was a simple one . . .
In a way, designing the Aslan was like coming home for me; in a
previous life, I was involved in a project to detail the Riftspan Reach for
Classic Traveller; that fell through -- all that remains of it now is the sector name -- but it began my involvement with
the fteirle.
As Mary Norton said, no story ever finishes, it's just that at some point we stop telling it. That point has almost come
for Alien Races 2, but let me tell you just a little more. To help me, joining me tonight are Iroioah of the Yerlyaruiwo
Clan, from my playtest campaign, and Shel Meldol, IISS, who has been in the game -- how long is it now, Shel?
(Heh. Me and Franklyn go back to '78, but we're the only ones left from those days, now.)
Rigidly Defined Areas of Doubt and Uncertainty

The ealeatrais is not moved by his own spirit alone; he must consider all that went before, every similar case
considered by his honored forebears under the laws of his clan . . .
Thank you, Iroioah. In designing the Aslan for GURPS Traveller, I was bound by three main constraints.
The first was the commercial necessity of avoiding anything which had first appeared in a Digest Group Publications
product, for copyright reasons. (And it would have been an action without honor, for which your life would have been
forfeit.)
Thank you for reminding me. This ruled out about half of the published Aslan language -- including the gender-
specific dialects -- and the majority of the high-level descriptions of sectors within the Hierate, but had little impact
elsewhere. Many groups still use these, so I decided that if I couldn't use this stuff, I would at least officially not
invalidate it! For this reason, I avoided making up new canon to replace DGP ideas wherever possible.
The second constraint was my desire to be faithful to all previous incarnations of the Aslan. I wasn't able to achieve
this completely due to discrepancies between the published sources, but I hope I came close. Where conflict was
inevitable, in the spirit of the GURPS Traveller line, I have given Classic Traveller precedence. Sidebars in the Aslan
chapter suggest how to reconcile the remaining discrepancies in your campaign.
Thirdly, I wanted to leave some mysteries unsolved. If I'd answered every question, filled every loophole, it would
have made life harder for future writers, who have to stay consistent with everything previously published; more
importantly, every mystery explained is one less scenario your characters can play. Plus, the publisher has a word
count target, and at the end of playtest I was 17% over it . . .
Loose Canon
When I started researching the Aslan, there were a few apparent inconsistencies from edition to edition.
Assassins in Classic Traveller (CT) were a kind of Aslan Special Forces -- assassin training is exactly parallel in the
character generation sequences to commando training for humans. In MegaTraveller (MT), they became a combination
priest/bounty hunter, tracking down the dishonorable and challenging them to duels. Special Forces seemed more
logical to me, given the number of assassins produced by the character sequence; Marc Miller and Loren Wiseman
agreed that this was a valid interpretation. Not wanting to invalidate the bounty hunter angle for those who prefer it, I
got to wondering: How does an assassin get glory, honor and live fire training in between clan wars? Thus was born
the idea that assassins who are "resting" or invalided out of the service can be hired to right wrongs, either via a
female relative for cash or directly as a "favor" (debt of honor).
Female Aslan are officially noncombatants, yet in CT can learn Field Artillery skill. My thinking here was that males
want to get up close and personal with the enemy, so indirect fire wouldn't appeal to them; therefore they redefine
artillery as technical (women's) work.
Kuzu appears in at least three different places in Traveller canon; the main two are Dark Nebula 1919 and 1225. While
it has little impact on the average game, I wanted to get it right. Hans Rancke-Madsen argued cogently for 1225,
advancing the opinion that at two parsecs from the Solomani border, 1919 was too close to human space for the Aslan
to have stayed independent. My main motivation was simpler; CT said 1225 (or sometimes 1226), and as far as I could
tell Kuzu didn't move to 1919 until MT was published. Again, Marc, Loren and I discussed it, and reached a consensus
on 1225, so Kuzu is back home again. If you think it belongs elsewhere, one of the sidebars in Alien Races 2 offers
you some reasons why it might be.
Ihatei and the Aikoho Earleatrais differ slightly from edition to edition. As far as I know, it isn't until Behind The
Claw that ihatei are known not to be part of their clan until they claim new lands; if they're not part of a clan, why
obey the earleatrais? Anyway, those who are not from Tlaukhu clans aren't bound by his decisions. I concluded that
once settled and part of your clan again, you wouldn't want the earleatrais remembering you as impolite, and he
probably knows local space better than you, so it makes some sense to listen to him. Add that to the fact -- stated in CT
canon -- that disobeying an earleatrais in his jurisdiction is a crime of honor, and he probably has a lot of Aslan being
polite to him, ihatei or not.
Vox Pop
The earleatrais does not make his rulings in a vacuum, for he cannot impose them
by force. Others abide by his decisions by their own consent, and this demands that
their voices be heard before the final ruling is made.
Thank you. The Pyramid playtesters came up with a lot of valuable comments, and
some of them made me think again on key issues. The single most important change
was that cultural Aslan originally had only one option -- to take all 41 points of
"cultural" disadvantages, which counted against the 40-point limit. The playtesters
pointed out that this made them all pretty much identical, so that was rewritten to the
present position.
There were several hundred suggestions to clarify this or that paragraph, either by
rewriting it or moving it elsewhere in the manuscript. Most were adopted.
The Missing Links

There are a few things that didn't make it into the final cut, even though they weren't ruled out on canon grounds. As I
write, the main cuts are expected to be a few starships and the proposed generic landhold description and map, but
since they may appear in Pyramid later, I'll focus on other topics here.
Aslan weapons aren't specified in detail. Most of them are slightly heavier versions of their human equivalents, with
slightly larger magazine capacities; a number are explicitly stated in CT to be copies of Solomani designs. It didn't
seem to me like a good use of a page to fill it with weapon stats that are essentially the same as some you already have
in the Basic Set or GURPS Traveller (GT).
How do Aslan respond to anonymous insults? My personal view is that they ignore them -- anyone so cowardly that he
dare not even identify himself when insulting you is beneath contempt, and his words carry no weight. An alternative
would be for the insulted party to declare that he would be in the debt of whoever can identify the perpetrator.
Bardiche ("legally female" males) were suggested as a counterpoint to the "legally male" females mentioned in a
sidebar. The reciprocity of this has a certain appeal, but personally I think Aslan society has enough females already.
Your mileage may vary.
This is an issue for human clans, as they have a skewed gender distribution by fteirle standards -- too many warriors,
not enough traders. Among the suggestions put forward to handle this on the playtest board and in the test campaign
are infanticide, masses of eunuchs, bardiche status, raids by human clans across the border to steal women, and a
thriving slave trade. Somewhere along the Aslan/human interface, there's a clan that's done whichever you prefer --
and there's a scenario for your campaign in each of them.
The Pathfinder and the story of how the Aslan reverse-engineered jump drive from a human shipwreck were omitted.
The idea was Marc Miller's originally, but first published by DGP; the main reason for leaving it out, though, is that
almost no-one in 1120 knows about it, and those that do aren't telling.
(Fah! You would question our honor? We developed jump drive ourselves! Your words lead to the circle, hisol'i!).
Look, Shel, take this guy outside and cause a diplomatic incident, would you?
(You got it, boss. [Snick.] OK, Sparky, step this way . . .)
Suppressed Transmission
My personal opinion is that the Hierate's multitude of competing states
is a more likely future for humanity than a vast interstellar empire.
Pursuing that thought backwards through canon history led me to note
that the situation on Kuzu as the jump drive was discovered is a close
parallel to Terra in the late 1940s, and you could make an interesting (if
non-canonical) campaign by reversing the human and Aslan roles in
history. Suppose the Roswell Incident in 1947 had resulted in an ihatei
scoutship being dissected by a joint US/Soviet team, with other nations
quickly building ships once the secret leaked out. The PCs are square-
jawed agents of Majestic-12, troubleshooting among the stars using technology they barely understand, while a
desperate UN tries to colonize nearby worlds before the fteirle find us or Earth's ecosystem collapses . . .
(Boss? There are three guys in black suits out here. They say they told you not to discuss this . . .)
Static.
(Ahem. This is the editor. Due to an unforeseen technical problem we will be replacing the rest of this item with some
dance music . . .)
Infinity Ops
by Steve Kenson
Art by andi jones

You're in charge of policing not one, two, but Infinity Ops
hundreds of known parallel timelines. Your job is to
protect the secret of cross-world travel from every
greedy government, corporation, and individual who'd
like to get their hands on it. You also have to deal with
keeping it out of the hands of outtimers, stop
governments from Homeline from abusing it, and
rescue people who get themselves into trouble in some
godforsaken parallel. As if that weren't enough, you
are the best protection Homeline has against another
parallel with cross-world technology, a parallel that
would like to see your world deprived of the ability to
visit other worlds at the least, a conquered
protectorate of their Empire, at most.
For a job like this, you need to be the best there is in a

hundred worlds. Fortunately, you are . . .
The "Infinite Worlds" setting from GURPS Time

Travel posits the existence of numerous parallel
worlds. Two of these worlds, Homeline and Centrum, have the ability to travel from one parallel to another. Homeline
is much like our own world might be in 2015, with the addition of parachronic travel. Centrum is a ruthless,
totalitarian culture that would like nothing more than to deprive Homeline of its ability to visit other worlds, giving
them a monopoly on cross-world travel.
Parachronic technology on Homeline is controlled by an organization called Infinity Unlimited. They license their
technology to various governments and corporations, but generally keep a tight control over it. Their enforcement arm
is the Infinity Patrol, or the "I-Cops." The I-Cops are responsible for policing known timelines to protect them from
exploitation, protecting Homeline from other worlds (especially Centrum), keeping the secret of parachronics in
Infinity's (and Homeline's) hands, and protecting historical "echoes" of Homeline from Centrum agents. All in all, it's a
big job.
The setting in GURPS Time Travel assumes a fairly "realistic" world, apart from the existence of parachronics. I-Cops
are built on 100 points. They have TL8 equipment but, other than that, not a lot of advantages. 100-point agents are
certainly hero material, compared to most normal people, but are they really going to have the skills needed to operate
in virtually any conditions found across hundreds of different parallel worlds?
It's a simple matter to take the "Infinite Worlds" background and add to it the cinematic characters, rules, and material
from GURPS Black Ops to create a truly badass cinematic adventure campaign across an infinity of worlds. In an
Infinity Ops game, the player characters are some of the Best There Is on any world, capable of meeting any challenge
the continuum has to throw at them.
Infinity
In this world, Infinity Unlimited still created and controls parachronic technology. The prime difference is with the
Infinity Patrol itself. The Patrol is organized more like Argus from GURPS Black Ops, and even the governments of
Homeline are kept ignorant of just how capable of the Patrol is. Infinity spares no expense in recruiting and training its
operatives and, as the wealthiest corporation in existence, it has money to spare.
The Academy
Agents are trained at Infinity's secret Academy, which is similar in design and function to the Academy from Black
Ops, with one important difference: instead of being located in an isolated area of Homeline, the Academy is located
in its own parallel! Infinity maintains the Academy in an empty Quantum 3 parallel (simply called Academy), an Earth
where humans never evolved. Additionally, like Coventry (p. TT105) the parallel blocks the abilities of world-jumpers,
the only way to reach it is by projector assisted conveyor from Homeline. Cadets who choose to go AWOL have
literally nowhere to go.
Training is brutal and efficient, designed to take the very best Homeline has to offer and make them even better.
Infinity ops are designed using the same guidelines given in Black Ops with only a few minor differences. Infinity
even uses the same system of departments: Combat, Intelligence, Security, Science, and Technology, with a special Psi
Department, which includes ops with the World Jumper advantage (p. TT32), or any other psionic abilities.
Infinity ops gain all the same advantages and skills, and follow the same departmental requirements, with the following
exceptions:
* Ops learn more language skills. All ops speak English, Latin, Greek, Arabic, French, and Spanish (the most common
languages in all worlds) with at least 1 point in each. Intelligence ops are required to speak at least two other
languages, while others ops have at least one language "elective." Common choices include Chinese (Mandarin or
Cantonese), Japanese, Portuguese, and German.
* All ops must know the skills of Parachronic Electronics, Parachronic Operation, and Parachronic Physics at level 12.
Science and Technology ops must have these skills at level 14 or better, with Parachronic Physics at 16+ for Science
ops and Parachronic Electronics at 16+ for Technology ops.
* Combat ops must have a History skill of at least 14, not 12.
* All ops must know the Beam Weapons (Stunner) skill at the same level as their Guns (Pistol) skill.
* Many ops train to improve their default levels with other Tech Levels (p. B187), allowing them to operate more
efficiently in a variety of different timelines. Of course, most ops are already so skilled only enormous TL penalties
really affect them at all.
Equipment
Homeline is Tech Level 8, so Infinity ops have access to mature TL8 equipment and some cutting-edge TL9 gear as
well. Most of the gear from Black Ops works fine in an Infinity ops game (since the Black Ops are TL8 in many
respects anyway). The GM may wish to include some TL8 gear from GURPS Ultra-Tech or Ultra-Tech 2 for some
additional fun and firepower.
The Infinity Ops use stunners as their prime weapons, since they are under order to avoid needless casualties. They
also use the Eraser drug (p. TT103), which may be a more advanced version of the memory-erasing "cocktail" from
Black Ops.
Historical Ops
Infinity does not generally recruit outtimers for its organization, due to their desire to keep cross-time travel a secret.
Gamemasters looking for a truly unique Infinity Ops campaign, however, may allow recruits from other timelines,
possibly including famous figures from historical echoes, presumably recruited after their death or disappearance and
restored to full health by TL8 Homeline medicine. GURPS Who's Who 1 can provide some ideas only playing famous
figures from history (although most will need to be "beefed up" to meet the requirements for being an Infinity op!)
Centrum
Of course, in an Infinity Ops campaign, player characters' opposition is just as capable as they are, if not more so.
Centrum Interworld Service agents are the Infinity Ops' opposite numbers. Their training is, if possible, even more
brutal, since the Centrum does not accept failure. The GM can build Centrum agents using the same guidelines for
Infinity ops, above.
If desired, the GM can give Centrum agents extensive bionic and cybernetic modifications (concealed beneath
synthflesh) to make the agents of the enemy even more inhuman and unstoppable, giving them a "Terminator" feel.
Perhaps Centrum relies more on technology to turn out capable agents than intensive training. Their agents have the
same high attributes as the ops, but because of artificial enhancements. This provides some distinction between
Centrum agents and the ops, and may give the ops a way of detecting Centrum agents (until they run into one of the
non-cybered ones, at least).
Most of the information on Centrum and its goals from Time Travel remains the same. GMs can consult GURPS
Alternate Earths 2 (still in playtest) for more information and ideas regarding Centrum. In fact, an Infinity Ops
campaign works perfectly well using the pragmatic and somewhat brutal Centrum as a home base for the player
characters!
Other Threats
The GM may choose the use the various adversaries described in GURPS Black Ops or ignore them in the context of
the Infinity Ops campaign. If the GM wants to include them, there's plenty of room among the infinite worlds for
gargoyles, demons, giant bugs, dinosaurs, aliens, and rogue psis.
Aliens
One possibility is to replace Centrum with the Greys, making the Greys into cross-time travelers rather than
extraterrestrials. Perhaps the Greys were stranded on Homeline by the destruction of their parachronic conveyor, or
perhaps they are infiltrating Homeline in preparation for an invasion. Or, like Centrum, the Greys might originate from
a parallel far enough away that they can't reach Homeline, but they have infiltrated dozens of other worlds.
Likewise, the Prima may have been cross-time travelers rather than extraterrestrials. Perhaps their parallel is still out
there, waiting to be found. Whether or not the Prima still live there is in question. They may have abandoned it
because they developed beyond it, or due to a biological experiment (like the brainsuckers) gone terribly wrong.
Monsters
The various monsters from Black Ops can turn up on other parallel worlds as a result of magic, genetic engineering,
variant evolution, or science gone wrong. They might also show up on Homeline. Maybe they were always there, or
perhaps they arrived through some kind of "wormhole" between worlds, which may or may not still be around. Either
way, the Ops have to deal with them.
Ghosts in particular may be beings from other parallels. Some ghosts might be "reflections" or "echoes" of events on
other parallels "leaking" into Homeline.
Rogues
Rogue psis present a number of possibilities. Groups with the power and influence of the Lodge or Mind almost
certainly have access to parachronic technology (through puppets in the government), there may even be world-
jumpers among their number. Their psionic abilities allow them to secretly influence any number of other worlds,
setting themselves up as wizards or even gods on primitive parallels.
Maybe all psis are potential world-jumpers. Perhaps psis aren't even from Homeline in the first place! There may be a
parallel where psis originated, including world-jumpers who spread psionic genes to other worlds, leading to legends
of "witches" and "sorcerers." If the Lodge or Mind spans multiple worlds, they become another adversary for both
Infinity and Centrum. And what happens when a Lodge psi world-jumps to a parallel like Yrth (from GURPS
Fantasy) or Merlin (from GURPS Technomancer) and discovers real magic? (To say nothing about finding out his
formidable psi powers don't work on Merlin at all.)
World-jumping ramblers looking for a good time in any number of parallels and historical echoes can be a headache
for the Infinity Ops sent to track them down and ensure they don't do enough damage to an echo to shift it into another
quantum.
Campaigns
Any of the missions formats from Black Ops or Time Travel adapt easily to an Infinity Ops campaign. The ops police
parachronic technology and timelines to ensure they are not abused by Homeline governments, protect Homeline from
possible outtime threats, maintain Infinity's monopoly on parachronic technology, and protect Homeline and its echo
timelines against the activities of Centrum agents and other threats (like the Greys, Mind, and the Lodge). They can go
on rescue missions into other timelines after lost parties, and scout out newly discovered timelines.
Dimension War
Gamemasters looking for a very lively setting can incorporate J. Hunter Johnson's "Banestorming Infinity Unlimited"
article into an Infinity Ops setting, bringing several other players into the dimension war between Infinity and Centrum.
A fully trained Infinity Op, based on 700 points, can be a match even for a super from the GURPS IST world! The
GM can also allow ops to take Magical Aptitude and learn spells, although they won't work on many parallels.
Alternate Earths
Gamemasters with GURPS Alternate Earths or Alternate Earths 2 can get them in on the game as settings for Infinity
Ops adventures.
Reich-5 cries out for a crack team of ops to ferment rebellion against the Axis regime, keeping the Nazis from
developing parachronic travel and ensuring the safety of Homeline. Shikoku-Mon is a likely world to develop
parachronics on its own, making it a target for an extraction, destroying the technology and kidnapping the scientists
involved to Coventry. It could also become a potential ally of Homeline, if approached properly. Gernsback has
extensive weird science and a pulp-action feel to it well suited to cinematic adventures.
With the addition of psionics, arcane magics, or martial arts, Ming-3 is the perfect location for high-powered action-
adventure stories, as is Midgard (Infinity ops vs. Viking warriors). Ops can help support the republicans on Aeolus and
thwart Centrum schemes on Cornwallis, and how can Homeline resist the lure of Caliph's advanced technology?
The introduction of parachronic travel and parallel worlds can even liven up an ongoing Black Ops game, either as a
short change of pace adventure or by shifting the campaign over to an Infinity Ops format. Imagine the surprise of the
Black Ops who discover there is a whole infinity of Earths out there. That's a whole lot of butts for them to kick.
Andrew Season!
by Loki Carbis
Art by andi jones

Historical Note" "Andrew Season!" was inspired by Steve Jackson's visit to Conquest '99. Steve requested that all
Andrews present stand during a presentation at the award ceremony. They numbered a little under 10% of the
convention's total attendees -- clearly, a plague of Andrews. This scenario for Killer attempts to address this
imbalance.
Andrew Season! The rules of this scenario are very simple: It's open season on
Andrews. All players are divided between Andrews and
Hunters. The Hunters should outnumber the Andrews by
approximately 4 or 5 to 1, to make sure that competition for
kills is sufficiently intense. This is a trophy game, where kills
must be clean enough to leave the body more or less unmarked
for purposes of trophy collecting. Therefore, kills that disfigure
or destroy bodies are frowned upon. The default setting is
modern day -- GM's are free to experiment with fantastic and
futuristic variants if they so desire. This game works equally
well as a convention game or a regular game. It is also
possible to turn it into a campaign, as a series of games, as
detailed below.
Only Class A and B weapons are permitted -- and from these,

only projectile weapons, bombs and various sorts of trap are
permissible. Since Andrews are considered to be small and
more-or-less defenseless animals, all weapons used must be
able to work on animals (ruling out poisoned cigarettes and the
like). Each Andrew killed is worth 10 points. However, if the
weapon used would (in the opinion of the GM) cause the
destruction or disfigurement of the Andrew, the kill is only worth 3 points. The best weapons for such a game are,
therefore, projectile weapons like guns, or traps such as a pit trap, which leave the target undamaged. Bombs and fires
of all sorts (including electrocution) are much worse. Hunters may collaborate, but any points gained from such kills
will be evenly divided amongst the Hunters (rounding down). The only group attack from the rulebook that may be
used is Trapping (although solo attacks made in concert are fine). For obvious reasons, weapons involving the use of
accomplices, animals, or direct physical attacks such as garroting or tripping, are not permitted in this scenario.
The targets, all of whom are hereby designated "Andrew", are poor defenseless animals who are ruthlessly hunted
down by the Hunters. Andrews have no money -- and they may not use weapons, although they are permitted to use
their animal cunning to draw Hunters into their own traps, and even gain points for doing so. An Andrew who leads a
Hunter to his death is awarded 15 points. This award is doubled if the trap the Hunter falls into is his own. GM's option
as to whether a Hunter should also have points deducted from his score in such cases.
There are a number of ways to end the game -- the GM should choose one of the following: when all Andrews have
been killed; when a designated score is reached; or after a certain period of time elapses. Note that for the latter two
variants, it may be necessary to allow players to come back to life after a short period. In most cases, the latter two
variants work better at conventions (since they allow everyone to keep playing).
Variants
Edible Andrews: as above, but poison is now considered to be a disfiguring weapon, since it renders the victim
inedible. To counterbalance this, the GM may rule that the use of fire as a weapon is considered to cook, rather than
burn, the Andrew.
It's Like He Can Understand Every Word I Say: Andrews may not talk to Hunters. Hunters may say what they
wish to Andrews or each other, but Andrews may talk only amongst themselves. Additionally, Andrews may only
speak when there are no hunters in their line of sight.
You Can't Shoot Him Now, You Have To Take Him Home And Shoot Him: as above, but only traps may be used.
All Andrews must be captured alive.
Campaign Rules
This scenario also lends itself well to a campaign. Keep running totals of scores from game to game, so as to increase
the competitiveness of the players. Every player is required to be an Andrew at least once per four games -- the best
way to handle this is with a roster. There are only two exceptions to this rotation: (1) The top-scoring player (and the
top-scoring Hunter, if they are different) may choose whether or not they want to be an Andrew; and (2) any Hunter
that scores less than the lowest scoring Andrew must play an Andrew in the next game.
Lands of the Bedouin
by Phil Masters
Art by andi jones

Editor's Note: Like the article on the Djinn that previously appeared in Pyramid, the following is basically an extract
from the delayed upcoming Castle Falkenstein supplement on the lands of the Ottoman Empire. Not that Arabia is
completely under Ottoman control . . .
Tom Olam Writes: Bayern has troubles enough in Europa, without wanting to worry too much about events out East.
However, the Second Compact has to think about the whole planet, one way or another -- because we know all too
well that our opponents do. And as I've told the others, we have to think in the long term; one day, that area will
become important for its oil -- and we have to assume that the Unseelie know that as well as I do.
So our overworked Secret Service has thrown together at least a few notes on that part of the world, for reference
when the subject arises. Suitably edited and annotated, they should be of use to Hosts when the Great Game takes
their Dramatic Characters off to the lands of burning deserts and hawk-eyed tribesmen.
Editorial Notes: The small package that Tom sent through the Faerie Veil this time does indeed make interesting
reading. The really weird thing is that, when I checked, I found that most of the stories that it tells seem to have
happened exactly the same way in our universe.
-- Philip Masters, Magister Artium Cantabrigiensis
The Politics of Arabia

Notes by the Bayern Diplomatic Service
The Ottoman Empire has nominally controlled Arabia for some few centuries, but in practice, their authority is weak;
the governor of even a large city is regarded as strong if he can exert authority an hour from his gates, and most desert
towns and oases are ruled as independent fiefs by tribal leaders.
The Role of the Sheikhs
Sir Richard Burton comments that, in the East, "there is a Shaykh

for everything down to thieves;" this is, if you like, a hold-over
from the days of unvarying tribalism. The Dervishes have their
Sheikh-teachers; the villages have their Sheikh-headman; indeed,
the city thieves possess ad hoc guilds with Sheikhs in charge; and
the tribes are ruled by Sheikhs.
The word might be translated as "chief" or as "old man;" for the

Arabs, in the way of tribal people, have vast respect for age and
mature judgement. Yet Mr Doughty, who tells us that a great

Sheykh should "bear himself as a nobleman," and with "mild
impartiality," also remarks that "the dignity of a Sheykh in free
Arabia is commonly more than his authority." With the right to rule
given partly by birth, partly by charisma, and partly by ownership of
a strong hand, Arabian politics can be unpredictable and chancy.
Arab leaders range from honourable chieftains, by way of

"Wahhabi" religious fanatics, to fearful Shakespearean schemers,
who live their lives in terror of poison, plotting against their own families. A somewhat typical, if especially powerful,
bizarre, and important, example are the lords of the town of Hayil, or Hail.
The Emirs of Hail
Hail is the capital of the region of Jabal Shammar. The story of its ruling house is, in fact, curious enough to make one
suspect sorcery, and we suggest that agents be employed at some time to investigate the matter.
In 1834, a chief from Hail, Abdallah ibn Rashid, assisted the then-leader of the Wahhabi, Faysal, in his struggles, and
was made Emir of Hail as reward. His son, Talal, obtained more power, becoming overlord of northern Arabia;
European visitors considered him an excellent and admirable ruler. However, he died by his own hand, in 1867,
apparently in the belief that he was becoming mad. His son, Mtab, reigned until 1871, when he was assassinated by his
own nephews, Bandar and Badr. One of the assassins seized the throne for a few months, until another of Talal's
brothers, Muhammad ibn Rashid, slew him and ascended the throne. With the current weakness of the Wahhabi, this
prince may hope to become the dominant power in Arabia.
One may detect magickal involvement in much of this family's history. Legend says that Abdallah was saved, when
left for dead after a battle, by the miraculous intervention of a flock of birds and a swarm of locusts, which tended and
shielded his wounds. Talal's self-murder is certainly curious, and Mtab was allegedly slain with a silver bullet, because
he was thought immune to mere lead. We have heard from Mr Charles Doughty, an eccentric but insightful British
traveller, on the matter of Muhammad ibn Rashid, who the Bedouins told him had "committed crimes which before
were not known in the world," such as personally stabbing his own nephew, and cutting the feet off his cousins before
leaving them to die:
A fearful necessity was laid upon Mohammed: for save by these murders of his own nigh blood, he could not have sat
in any daily assurance . . .
. . . Never prince used his authority, where not resisted, with more stern moderation at home, but he is pitiless in
excision of any unsound parts of the commonwealth . . .
Similarly, we have heard a striking description of the Emir from Lady Anne Blunt, a more conventional English lady
traveler:
His countenance recalled to us the portraits of Richard III, lean, sallow cheeks, much sunken, thin lips, with an
expression of pain except when smiling, a thin black beard, well defined black knitted eyebrows, and remarkable eyes -
- eyes deep sunk and piercing, like the eyes of a hawk, but ever turning restlessly from one of our faces to the other,
and then to those beside him. It was the very type of a conscience-stricken face, or one which fears an assassin. His
hands, too, were long and claw-like and never quiet for an instant.
But the Emir's is a wealthy court; when receiving visitors, he looks a grand king, clad in purple and wearing gold-
hilted daggers and a gold-hilted sword, while his stables are celebrated, his gardens hold gazelles and ibexes, and his
armory holds imported Western weapons. When he dispenses justice in the town square, as is the ancient Arabian
tradition, eight hundred soldiers stand at attention. (Though we must not exaggerate the size of this state; in the event
of a war, he can put perhaps three thousand men in the field, many of them ill-armed Bedouin.) He rules with the
assistance of his cousin, Hamud, who appears to be a more sophisticated and thoughtful character, and his chamberlain
and guard-captain, Imbarak, who Doughty calls "a pleasant but fanatic strong man," risen through the ranks of his
mercenaries.
If we do commission a party of adventurers to determine the true history of the family of Ibn Rashid, we must caution
them not to be distracted by this spectacle. As Lady Anne observes, the city is a lion's den, however polite the lion.
Mecca
Tom Olam Comments: Oh yes, Mecca. Every Europan has heard of it, but very few have ever been there. That, of
course, is because it is the Sacred City of Islam, barred to Unbelievers. On the other hand, every Moslem is required,
as a religious duty, to visit it, during a particular month of the lunar year, at least once in a lifetime. Most also take in
Medina, three hundred miles away, which is almost as sacred. The whole south-western coastal plain of Arabia is
effectively a "Holy Land."
The history is well-known. Mecca has been a centre of worship since ancient times, and it's where the Prophet
Mohammed started out. Medina is where he and his followers settled for a few years. Mecca is also the direction
towards which all Moslems pray. At the heart of Mecca is a huge mosque; in the middle of the mosque is a
rectangular, dark stone building, and inside that is a black stone that is said to have fallen from Heaven. The Hajj
pilgrims visit that, and also do a lot of marching around and listening to sermons in the open. In the Arabian heat,
that's a fair sign of devotion.
One can learn a bit about these places by asking Moslems -- there's few great secrets involved -- and some of the
pilgrims are Europan converts, of varying degrees of sincerity. Even the sincere ones can have problems with
xenophobic locals, and fakes are really living dangerously. Which is where Sir Richard Burton comes in . . .
Of all the Second Compact's allies, I wonder most about Burton. (Second to Auberon, that is.) Not that he's ever been
anything other than a good ally, and his skills, as a sorcerer, swordsman, and explorer, are darned useful. But . . . In
India, when he was starting out, his fellow officers used to call him "Ruffian Dick," and meeting him now, you can
understand why. His trip through Arabia illustrates the point.
What he did was certainly impressive; he passed himself off as a Moslem Arab for several months, in which time he
visited Medina and Mecca. Brave to the point of foolhardiness, that, not just because of what the Moslems would have
done to him if they'd caught him -- but because the more obscure corners of Arabia are full of really strange dangers,
and Burton poked around those, too. But you could hardly call it tactful; yet Burton, who professes respect for all
"natives" and all beliefs, just laughs everything off.
In fact, there's a rumour that one fellow-pilgrim did see through his disguise, and Burton took the only solution
available. It's clear, from his accounts of other adventures, that he has no qualms about killing when he sees the need.
He's also reckless in pursuit of magickal secrets; I don't think his book tells everything about his detours in pursuit of
ancient lore. Somewhere along that coast, there are supposed to be whole ancient cities lost in the sands -- "Ubar," or
"Irem of the Pillars." They were like Sodom and Gomorra -- destroyed by God for their sins. I doubt that the Arabs
would approve of anyone digging around them. I doubt that this would stop Burton.
But anyway, he certainly saw some interesting bits of everyday life along his way . . .
(Note; for more on "Ruffian Dick," see the Castle Falkenstein rulebook, p.41, 169, and 202.)
Arabian Scenes
From Burton's "A Pilgrimage to Al-Madinah and Meccah":
A Caravanserai: The "Wak'lah," as the Caravanserai or Kh'n is called in Egypt, combines the office of hotel, lodging-
house, and store. It is at Cairo, as at Constantinople, a massive pile of buildings surrounding a quadrangular "Hosh" or
court-yard. On the ground-floor are rooms like caverns for merchandise, and shops of different kinds -- tailors,
cobblers, bakers, tobacconists, fruiterers, and others. A roofless gallery or a covered verandah, into which all the
apartments open, runs round the first and sometimes the second story: the latter, however, is usually exposed to the
sun and wind. The accommodations consist of sets of two or three rooms, generally an inner one and an outer; the
latter contains a hearth for cooking, a bathing-place, and similar necessaries... In the court-yard the poorer sorts of
travellers consort with tethered beasts of burden, beggars howl, and slaves lie basking and scratching themselves upon
mountainous heaps of cotton bales and other merchandise.
An Arabian Coffee-House: It was a building of artless construction, consisting of little but a roof supported by wooden
posts, roughly hewn from date trees: round the tamped earth floor ran a raised bench of unbaked brick . . . In the centre
a huge square Mastabah, or platform, answered a similar purpose. Here and there appeared attempts at long and side
walls, but these superfluities had been allowed to admit daylight through large gaps. In one corner stood the apparatus
of the "Kahwahji," an altar-like elevation, also of earthen-work, containing a hole for a charcoal fire, upon which were
three huge coffee-pots dirtily tinned. Near it were ranged the Shishas, or Egyptian hookahs, old, exceedingly unclean,
and worn by age and hard work. A wooden framework, pierced with circular apertures, supported a number of porous
earthenware gullehs (gargoulettes, or monkey jars) full of cold, sweet water . . .
A Cross-Roads Town: The Shaykh or gentleman is over-armed and over-dressed, as Fashion . . . dictates to a person of
his consequence. The civilised traveller from Al-Madinah sticks in his waist-shawl a loaded pistol, garnished with
crimson silk cord, but he partially conceals the butt-end under the flap of his jacket. The Irregular soldier struts down
the street a small armoury of weapons: one look at the man's countenance suffices to tell you what he is. Here and
there stalk grim Badawin, wild as their native wastes, and in all the dignity of pride and dirt; they also are armed to the
teeth, and even the presence of the police-man's quarterstaff cannot keep their swords in their scabbards . . .
After sailing down the Red Sea Coast from Egypt, Burton travelled swiftly overland, and so reached Medina one
morning:
Before us lay a spacious plain, bounded in front by the undulating ground of Nijd: on the left was a grim pile of rocks,
the celebrated Mount Ohod, with a clump of verdure and a white dome or two nestling at its base. Rightwards, broad
streaks of lilac-coloured mists, here thick with gathered dew, there pierced and thinned by the morning rays, stretched
over the date groves and the gardens of Kuba, which stood out in emerald green from the dull tawny surface of the
plain. Below, distant about two miles, lay Al-Madinah . . .
. . . And behind, in the most Easterly part of the city, remarkable from afar, is the gem of Al-Madinah, -- the four tall
substantial towers, and the flashing green dome under which the Apostle's [Mohammed's] remains rest . . .
The Great Mosque at Mecca: There at last it lay, the bourn of my long and weary Pilgrimage . . . The mirage medium
of Fancy invested the huge catafalque and its gloomy pall with peculiar charms... the view was strange, unique -- and
how few have looked upon the celebrated shrine!
The Bedouin
Tom Olam Comments: Even the most observant Europan travellers have mostly told us little about the lives of the
desert tribes; most stick to towns, or, like Burton, tag along with large groups of urbanised travelers.
Doughty has come closer to the real desert-folk than most. He notes that their greatest virtue is "es-subor, a
courageous forbearing and abiding of hunger." They are a poor people who extract a living from an impossible
environment, "an iron desolation . . . a hard-set face of nature without a smile for ever, a wilderness of burning and
rusty horror of unformed matter."
Burton describes Bedouin ways, saying that they "are free and simple . . . Yet their manners are sometimes dashed with
a strange ceremoniousness. When two friends meet, they either embrace or both extend their right hands, clapping
palm to palm; their foreheads are either pressed together, or their heads are moved from side to side whilst for
minutes together mutual inquiries are made and answered . . . Usually they are a mixture of worldly cunning and great
simplicity, sensitive to touchiness, good-tempered souls, solemn and dignified withal, fond of jest, yet of a grave turn of
mind, easily managed by a laugh and a soft word, and placable after passion, though madly revengeful after injury."
He often compares their ways to those of the "Red Indians" of America -- with implicit admiration for both.
Raiding
Although leaders from Mohammed onwards have tried to call a halt to it, the Bedouin regard raids, ghazzu, as a
routine activity and frankly something of a sport, and theft and banditry generally is part of their lifestyle. Doughty
tells tales of wealthy cattle-traders who still ride out on raids -- and sometimes get themselves killed trying to steal a
single camel.
The Bedouin are serious about all this -- they carry real weapons, and are prepared to use them -- but that isn't the
point of the exercise; a clever theft of horses or camels, undetected by the victim until you are miles away, is far more
clever. And the rules of loyalty and hospitality always apply; a traveller who can demonstrate that they are a guest of
some clan-chief can change, in an instant, from robbery victim to guest for coffee.
On the other hand, Burton, in company with a party of Moslems on their holiest pilgrimage, found himself under fire
from Bedouin bandits who took cover on a rocky hillside and merely sniped away for as long as possible, killing
twelve of the travellers to no profit or advantage.
Banditry shades into tribal conflict, which in turn shades into politics; governments are too easily tempted to try
playing one band off against another, which leaves them with a country full of armed, confident brigands. To quote
Burton: "The Sultan pays pensions in corn and cloth to the very chiefs who arm their varlets against him; and the
Pashas, after purloining all they can, hand over to their enemies the means of resistance."
Arab Characters in the Great Game

The Arabs of the Castle Falkenstein world make interesting game characters. They should come across as a little alien
to New Europans but not incomprehensible, honourable but unpredictable, likeable when you get to know them, but
with powerful motivations of their own. Playing them as Dramatic Characters demands that you develop a working
understanding of Arabian culture, and prepare for difficult moments -- especially if and when the campaign moves
away from Arabia -- but you'll be playing as tough and dramatic a hero as you could ever hope for.
Abilities
Athletics: Bedouin tribesmen lead, to say the least, Healthy Outdoor Lives; even among the townsfolk, only the richest
can afford to loll about on cushions getting fat. Furthermore, Arabs are legendary horsemen, and greatly admire the
skill.
Charisma: The stereotyped Arab hero is the strong, silent type, implying Average Charisma or a little better.
However, great leaders and sheikhs have to be able to inspire the tribe.
Connections: For an Arab character, this reflects acquaintance with sheikhs, tribal leaders, wealthy merchants, and
noted religious leaders. As such, it's very useful in a tribal society -- but it should rarely rise above Good, or perhaps
Great at best, unless the character has travelled unusually widely.
Education: Decent formal schooling just isn't available in the desert, but some of the towns have mosque schools
which give solid, rote-based teaching with a local slant (Moslem doctrine, Arabic literature, and so on). Getting more
than an Average Education means spending time in a larger town or city. For an Arab character, "the classics" means
the magnificent Arabic and Persian literary tradition of heroic epics, love poetry, and mysticism.
Fencing: The Bedouin don't have fancy fencing styles, but they still carry swords, and you'd better believe they know
how to use them. Rename this ability "Swordsmanship" for Arab characters to get the feel right.
Marksmanship: The typical Arab raiding-party carries a terribly dated assortment of firearms, including a lot of
smooth-bore matchlock muskets. A lot of Bedouin can't afford any guns, but get by with swords and spears; rich
chiefs may carry Europan rifles. Of course, learning with a handicap means that those matchlock-wielders who persist
can get very good indeed.
Performance: Tribal poets and coffee-house story-tellers can be spellbinding talkers, and Arabs respect talented
singers. However, they have no real theatrical tradition, and dancing is left to harem-women and some Dervishes. This
ability should not be raised above Average without good cause.
Physician: The Medieval Moslem world developed the science of medicine to new heights. Unfortunately, nobody
ever taught it to the desert tribes. Visiting Europans with even the most basic medical training can often make both
money and friends by performing services for the Arabs, who are often downright Poor in this (and who may be
unnervingly quick to apply red-hot irons to every problem).
Social Graces: This is, in effect, replaced by Tribal Etiquette (below). An Arab transplanted to Europan society starts
with Poor Social Graces, although polite Europans will make allowances for ignorance, and the visitor may well be
seen as possessing a certain impressive natural dignity. Hosts should be generous to Arab characters with high Tribal
Etiquette ratings in this situation, as they will probably learn the local rules, and hence improve their Social Graces,
fairly rapidly.
New Abilities
Animal Handling (heart)
This is an optional addition to the Abilities list, but it can be appropriate to characters who spend time among the
Bedouin. Such Arabs are famous for their horses, depend on camels for many essentials of life, and have a great
fondness for falconry.
Poor Animal Handling ability means that animals actively dislike you; horses try to throw you, camels are even more
foul-tempered than usual, and falcons just won't return to your gauntlet. You are automatically Poor at riding, no
matter what your rating in Athletics; you might manage a fancy leap into the saddle, but the horse will then try to get
you off again. Average Animal Handling means that you don't bother animals, and they don't bother you; trained dogs
and horses behave as they are supposed to provided that you keep your cool, and you understand how a falcon should
act, even if you haven't mastered the art of commanding it. With Good ability, you are clearly used to animals, or
unusually empathetic; you can make a horse stay calm under fire, a falcon returns to your fist first time, and camels
only bite you out of habit. At the Great level, you are an expert with all furred and feathered things, capable of giving
exhibitions on the stages of New Europa or working in the stables of the Sultan himself; horses obey your spoken
commands, you could direct a falcon onto one hare in a field of half-a-dozen, and camels become mysteriously half-
hearted about spitting. Excellent ability means that you can direct a horse through fire and storm, falcons actually seem
to like you, and camels surprise themselves with their tolerance. Extraordinary Animal Handling means that you don't
talk to animals, most of the time; they respond to your thoughts, or at least your subtle physical cues. Superstitious
folk treat you like St Francis of Assisi.
Incidentally, the Arabs have no great liking for dogs, regarding them as unclean, but may use them in hunting. Great
Arab rulers very occasionally acquire cheetahs and other large cats for the hunt; these are like falcons -- they can't be
tamed, only trained, and they are usually carried with eye-covering hoods to keep them docile until the prey is in
sight. They are also virtually impossible to breed in captivity. (And they look wonderful in "richly decadent Eastern
court" scenes.)
Note: Arab characters might take this as one of their Poor Abilities, but it will make life in the desert much harder.
Trader (heart):
This is the skill of buying, selling, bargaining, and thus making a more-or-less honest profit. It includes a working
knowledge of the values of goods, but mostly, it's a question of persuading someone to give you the best price for
something, and judging when they'll shift further and when they're really going to stick.
Most people are capable of haggling a little, if only over the price of a horse, but in the East, it's raised to an art form.
The talented Trader is regarded with admiration and caution rather than dislike, unless he or she gets a reputation for
excessive or unfair greed.
If you are a Poor Trader, you are continually being swindled and tricked; you either lose track of true values, or
become too quickly flustered and distracted in the bargaining process. Average ability means that you can get by from
day to day in the bazaar, provided that you remember not to try buying from the most enthusiastic merchants. A Good
Trader could be a merchant, although you'd need other advantages as well; you enjoy a lengthy haggle, and stall-
holders who know you don't try any tricks. Great ability means that you can make a good living as a merchant or
broker, or terrorize minor stall-holders when buying your groceries; you usually pay less than an item's value, while
selling at a premium. Excellent ability means that you are a legend of the trade-routes; if you aren't a wealthy
professional merchant, you've missed your vocation, and you certainly hold a complete set of prices and exchange
rates in your head. An Extraordinary Trader is a wealthy merchant, if only in your spare time; people only haggle with
you so that they can learn technique and for the pleasure of your company, and spend hours afterwards trying to work
out how you convinced them.
Note: With the Host's permission, Europan characters who are going to spend much of their time in an area where
prices aren't generally fixed can take Trader as one of their Poor Abilities. It's a serious disadvantage in such cases, as
the character will find their money swiftly running out, and the bazaar regarding them with a mixture of disdain,
amusement, and avarice.
Tribal Etiquette (heart)
This is Arab society's version of Social Graces. It does apply to town-dwelling Arabs who don't live in explicitly
"tribal" groups; even they tend to be aware of tribal allegiances, and use similar (flowery) greetings and courtesies.
The ability involves knowledge of correct forms of address and the essential rules of hospitality, the precise form of
obeisance, bowing, or hand-kissing appropriate to one of a given social standing, and a working knowledge of family
and tribal relationships and enmities. Newcomers to Arab lands are automatically Poor to begin with, although a little
study and tact will avoid the worst blunders -- after all, a Farangi will not be expected to know everything, and won't
have any specific tribal enemies to avoid, or allies to honour; adaptable Europans with better-than-Average Social
Graces can often progress fairly quickly to an Average rating.
A Poor ability in Tribal Etiquette implies crass ignorance of the most basic rules; you are likely to fail to honour even
the most venerable of sheikhs, will mention an Arab to his enemies with admiration, and probably don't bow to
anyone. Of course, being ignorant of the rules of hospitality and surrender, you are likely to suffer prompt retribution.
Average ability implies a capacity for getting by in the tents or the bazaar, not giving any great offence when a guest,
granting acceptable hospitality when required, and being able to offer surrender when at a disadvantage with the
expectation that it will be accepted. Good ability is that expected of the fortunate, wealthy, or respected figure, offering
hospitality with instinctive grace and accepting it with modesty, while knowing enough of the web of tradition,
obligation, and enmity that you can avoid embarrassment. Great ability is that of the famous sheikh and the wandering
(sane) poet; others will turn to you for guidance in matters of tradition and family relationships, and your salutations
and compliments will be models of finely-judged pleasantry. Excellent Tribal Etiquette means that you seem to know
everything about every tribe and family in Arabia; you can put anyone at their ease while convincing them of your
honour with a bare phrase, or flatter them with a single reference. Extraordinary ability is the outward sign of the
legendary hero or poetic ideal; your very appearance excites respect, you know more about family histories than the
families themselves (and discuss such with perfect tact), and you gain a universal reputation for hospitality without
even owning a tent.
Note: With the Host's permission, Arab characters might take this as one of their Poor Abilities. That, however, is a
risky proposition.
Arab Dramatic Character Roles
Tribal Warrior
You are an Arab born and bred -- a true Arab, a Bedouin of the desert, not a soft town-dweller. You have learned to
ride, to use a sword, and to conduct yourself in peace, on a raid, or at war. You are, most of all a free wanderer; your
allegiance is given for honour and tradition, not because some distant foreigner demands it!
Strong Suits: Athletics, Swordsmanship, Tribal Etiquette.
Possessions: Bedouin Robes; a plain steel sword; an antiquated matchlock musket; a good Arab horse.
In Your Memory: Your family and tribal lineage for a dozen generations; the names of those with whom you have
sworn blood-brotherhood, or on whom you have sworn vengeance.
Why You're Here: Perhaps you are working for your tribe, opposing some villain who threatens them and who has
also made enemies of these Farangi. (They may be infidels, but they seem honest enough, and they have abilities
which will help you.) Or perhaps you have simply fallen in with these strange travellers after working for them as a
guide or guard as they travel round the desert; having eaten their bread and salt, there is a bond between you and they,
and you want to see how matters come out for them.
For that matter, there is no dishonour in working for hire. Your ancestors served the Caliphs (the true Arab Caliphs, not
some Turkish pretender) for fair pay. You know the desert better than anyone, an Arab warrior is as fine a mercenary
as any foreigner could wish, and this could be an interesting adventure.
Arabian Merchant
Let the Farangi think that all Arabs are nomad bandits; your people have been great traders for as long as they have
been soldiers. The Prophet himself, Peace Be Upon Him, was in his time a merchant. Furthermore, trade brings you
into contact with folk from all across the world; you have visited the ports of the Levant and the Red Sea, and talked
with sailors and imams, Farangi explorers and Turkish officials (little as you love the latter, with their accursed taxes).
You probably have a cousin who has sailed to India, and seen the strange ways of the folk there -- and the even
stranger ways of their Inglese overlords. You have read the news-papers of Damascus, as well as listening to bazaar
gossip; you can discuss not only the Mad Sultan of the Turks, but also the wars of the Farangi. For example, you know
of the war between the Vizier Bismarck, with his Efreet allies, and the Sultan Ludwig, whose mechanic-wizards have
forged a fleet of flying ships!
You have not lost the wisdom of the desert; you can ride competently, and shoot if you must, you know a hundred
oases and a thousand paths, and your family is large and loyal. But most of all, you enjoy the trading itself; you can
happily spend hours in the bazaar, sipping mint tea as you shave a few piastres off the price of a fine Persian rug. You
cannot keep all the wondrous goods that pass through your hands, for your livelihood depends on selling as well as
buying, but you would not want to; to have seen and handled such things is reward enough. Provided that the son of a
camel who runs that shop in Damascus doesn't swindle you again, of course.
Strong Suits: Charisma, Perception, Trader.
Possessions: Good-quality robes; a short sword; an out-dated but functional gun of some description; assorted trade
goods.
In Your Diary: Detailed accounts of your trading (in a private shorthand, in case the tax officials get hold of them);
notes on trade possibilities; names of contacts and family connections.
Why You're Here: You are a merchant, and you go where the profit is -- but that doesn't mean you lack honour, or a
sense of adventure. If you face an enemy, you can fight with steel or wits, and you are too sensible a fellow to turn
down allies in such a conflict.
Furthermore, the Farangi seem an interesting band. Some of them may be rich, or they may be traders themselves; they
might appreciate the silks and spices of your land. Their own machines and cheap fabrics are certainly worth trading
for. Or perhaps trade has been poor lately, while these folk need a guide -- and none know the lands and pathways of
Arabia better than a professional traveller like yourself.
Scenario Seed: The Empty Quarter

From the "Scientific Gazetteer and Steam Engineer's Almanac," 1872:
Readers may be aware that at the heart of the southern part of Arabia lies the Rub al-Khali, as the Arabs term the
Empty Quarter, a region of true and ghastly desert greater in expanse than the nation of France, with sand-dunes
towering five hundred feet high. No Europan -- nay, probably, no human being -- has ever crossed this land; even the
few reports that we receive of our brethren in the Explorers' Clubs traversing the Peninsula from Persian Gulf to Red
Sea describe expeditions in more northerly sectors.
And yet now, when even the bold determination of the Travellers quails before this Land of Burning Terror, we learn
that this blot upon the honour of New Europan Science may be about to expunged -- by the Power of Steam!
For it is reported that Doctor Hector Phiblin, formerly of the University of Paris, presently of Independent Means and
dwelling in the great City of Birmingham (where he may converse with a body of Engineers unequalled in any part of
the Globe), has all but completed construction of his great Extended Endurance Desert Traversal Tractor. This vehicle
employs the most advanced principles of Steam Engineering, and has been constructed with Arabian climes ever in
mind. Dr Phiblin asserts that his creation can bear, not merely a small, well-equipped party of Adventurers, but also
sufficient fuel to complete the traversal of the Empty Quarter -- and, indeed, that it has capacity to spare, as it may
haul a full tender of highest-grade coals.
The Tractor employs specially-forged broad-rimmed wheels, enabling its builder to laugh at the suggestion that it
might sink upon the Sands of Araby, and an Ancillary Solar Thermic Energy Conversion system, focusing the rays of
the sun on its own boiler -- hence, it is claimed, the startling endurance of which it is capable. On other matters, Dr
Phiblin remains, as yet, taciturn.
This true Hector of Science now proposes to demonstrate his Tractor's capabilities, by organising an expedition across
the Rub al-Khali. He confesses that some matters remain to be resolved for this plan to come to fruition; he will
require a crew of fellow-scientists, engineers, and guards, while the patronage of some far-sighted Person of Wealth
and Quality may be needed, not least to arrange transport of the vehicle to some appropriate port in Arabia. But there
are, surely, bold Adventurers enough in Europa . . .
Bibliography
Bidwell, Robin. Travellers in Arabia. London: Hamlyn Publishing Group Ltd., 1976.
Blunt, Lady Anne. A Pilgrimage to Nejd. London: Frank Cass & Co., Ltd., 1968. (First pub. 1881.)
Burton, Captain Sir Richard F.. Personal Narrative of a Pilgrimage to Al-Madinah and Meccah. London: Darf
Publishers Ltd., 1986. (First pub. 1855.)
Doughty, Charles M.. Travels in Arabia Deserta. New York: Dover Publications, Inc., 1979. (First pub. 1888.)
Freeth, Zahra, and Winstone, H.V.F.. Travellers in Arabia. London: George Allen & Unwin, 1978.
A Magical Invasion
by Stephen Kenson

Looking to add a little magic to your game world? This article looks at a major event that can radically alter just about
any campaign by adding the magic, mages, fantasy races and creatures from the world of Yrth (described in GURPS
Fantasy). It can be a change-of-pace adventure or series, or a world-changing event that permanently alters the
setting.
Yrth is a world existing in a dimension parallel to Earth, originally inhabited by three races: elves, dwarves and orcs.
The pivotal event in the history of Yrth is the creation of the Banestorm. Nearly a thousand years ago, a cabal of dark
elves decided to cast a powerful spell to bring down a bane upon the orcs and rid Yrth of them forever. In the greatest
single spell failure in history, the dark elves' ritual tore the veil between worlds asunder and created a massive storm
that plucked beings from other worlds and brought them to Yrth. Among these were many humans, taken from the
Middle Ages on Earth, along with races like halflings, lizard men, goblins and others.
Over time, the newcomers to Yrth learned to use magic and set up civilizations of their own. Humans quickly built
their own kingdoms, restricting the elves and dwarves to the forests and mountains. Technological development was
slowed by the existence of magic (and by the wizards of Yrth ruthlessly suppressing any new technology that could
challenge their supremacy). By the 20th century (according to the Christian calendar), Yrth's technology remained at
the late-medieval level, with armored knights on horseback wielding swords. This is the world described in GURPS
Fantasy.
The Second Banestorm

Yrth's history diverges from what is published in GURPS Fantasy when the remaining dark elves formulate a plan to
correct their earlier mistake. Some of the dark elf leaders were alive during the time of the first Banestorm (elves being
nearly immortal), and they believe they've found a way to use that accident to their advantage. In another magical
ritual, the dark elves attempt to reverse the Banestorm to remove the "foreign" races from Yrth and transport them
elsewhere, along with their racial enemies, the orcs, leaving Yrth solely under the control of the elves and dwarves.
Due to the dark elves' own arrogance, or perhaps cursed with the same bad luck they've always had, their ritual doesn't
work in quite the way they planned. It does massively empower the Banestorm and throw open the gates to other
worlds, but instead of leaving the elves and dwarves alone, the Banestorm takes everyone, every living being on Yrth,
and transports them . . . somewhere else. People are taken with only the possessions on their person and nothing else.
What's worse, the spell strips Yrth of all mana, rendering the world magically "dead" and blocking any magical means
of ever returning home.
The Arrival
The people and creatures of Yrth appear on another world, simply A Magical Invasion
materializing out of thin air. Their appearance is preceded by violent storms,
so few natives are going to take the appearance of these strangers as a good
omen. The populace appears in small groups for the most part, scattered
over the surface of a continent or even the entire world. This can cause
problems for people separated from their friends, family and allies and left
in a strange new place. The Yrthlings will tend to seek each other out for
mutual support and protection in the new world, unless they are remarkably
similar to the natives and able to blend in easily. Remember, most of the
human and humanoid inhabitants of Yrth are poorly educated by modern
standards, and Anglish (the common human language on Yrth) defaults to
modern English and German at -6. Yrthlings are likely to be very confused
and frightened by the experience of being torn away from their lives and
left stranded on another world.
How the dark elf ritual affects your game world depends on the original
setting and the time that has passed since the ritual happened. The people of
Yrth might all go to the same place, or they might end up scattered across
many different worlds (perhaps everyone is sent back to their original
home-world, with the elves and dwarves scattered among them). The
different possibilities and permutations are nearly endless, but consider the
following combinations:
Fantasy
There are two main possibilities in this type of setting. The first takes place in a campaign already set in Yrth, in which
case the player characters might learn of the dark elf plot before their ritual happens. The characters try to stop the
ritual but fail, and they and everyone on their world are transported somewhere else. This beginning can be combined
with any of the other possible settings and outcomes and it can be an interesting way to breathe new life into a stale
fantasy campaign. The world where the dark elves perform their ritual doesn't even have to be Yrth, although the
background with the Banestorm is already in place there. It could be any fantasy world of your choosing, and the
perpetrators of the ritual don't have to be dark elves, they could be human wizards, dragons, demi-gods or anyone with
sufficient magical power.
It is possible the population of Yrth could end up on another fantasy world. It may be one quite similar to Yrth's
pseudo-medieval fantasy or quite different (like the Mad Lands of GURPS Fantasy II). The sudden influx of people
and creatures from Yrth will certainly cause all manner of social and economic trouble for the world.
The influx of magic may be even worse, increasing the world's magical level, perhaps resulting in a High Mana or
even Very High Mana world, where everyone can cast spells, but the slightest magical failure can lead to catastrophe.
The magical flux can also lead to any sort of magical change you want, from a conversion to an Unlimited Mana
campaign to a decrease in the new world's mana level, resulting a "low-fantasy" or even non-magical game world. A
low- or no-mana world might result in the extinction of many of Yrth's magical creatures and an "industrial
revolution" as the power of magic wanes.
New Frontier
The second Banestorm might transport the population of Yrth to a very primitive world or unpopulated world, much
like Yrth was before the first Banestorm. In this case, the populace needs to address issues of food and shelter, and a
gradual rebuilding of civilization. New kingdoms and power structures may emerge from the displaced populace.
Certainly the old nobility and the wizards from Yrth will do their best to hold on to their power, but the new frontier
will create many opportunities for would-be warlords and land-barons to carve out kingdoms of their own. Steffan
O'Sullivan's "Yrth: 1100" (in Pyramid #13) article provides ideas about how the first "visitors" settled in on Yrth that
work well with this concept.
The new world might be the same as Yrth or quite different. Consider the effects of climate, period of rotation (day
and night) and revolution (length of year) on the population. The new world might even have fantastic features like a
hollow center (with a livable surface on the inside of the sphere) or a sun that orbits the planet. It could be a structure
like a ringworld or even a Dyson sphere, providing millions of square miles of space and virtually limitless kinds of
terrain. Such a setting could make for an interesting new fantasy campaign.
And, of course, there's always the possibility that the new world is not as uninhabited as it first appears. There might
be ancient ruins and other evidence of a culture that died out long before the Yrthlings arrived, providing places to
explore for treasures and magical (or even technological) secrets. Perhaps the previous culture hasn't entirely died out,
but merely remains hidden from the newcomers, watching and waiting.
Historical
The Yrth exiles could appear on Earth in any period of history (using some of the various GURPS historical
worldbooks). The sudden appearance of so many people, new races and fantastic creatures, along with functional
magic, would change history irrevocably, creating an "alternate history" world diverging from the appearance of the
Yrthlings. How far back in history the exiles appear affects how much history is likely to diverge. Appearing in the
stone-age is little different than the New Frontier setting described above, with Neanderthals and primitive humans to
contend with. The exiles could appear even earlier, and have to survive on a primitive Earth with dinosaurs, new
"dragons" for brave knights to slay (check some of the campaign ideas from GURPS Dinosaurs and GURPS Ice Age).
Later time periods allow you to create a "historical fantasy" world. Perhaps the people of Yrth arrive in ancient Rome
or the Middle Ages. Exiled nobles and wizards from Megalos would find themselves right at home in Rome, and
would no doubt immediately begin scheming to take control of the Empire. Knights from Caithness would fit easily
into Arthurian Britain or the Middle Ages. In a medieval or earlier time period, the Yrthlings have the advantage of
magic over the natives, allowing mages to quickly gain power in the new world. (Unless, of course, Yrth's former
mana level did not come with the inhabitants.) As technology progresses, the advantage evens out. As the wizards of
Yrth already know, gunpowder does a great deal to limit the influence of mages.
Sending the exiles to periods like the American Civil War, the Napoleonic Wars or World War Two can provide a
very different outcome when both sides have to deal with millions of interdimensional refugees, many of whom can
cast spells and are willing to offer their services to the highest bidder.
Modern
What if the exiled populace of Yrth appeared on modern-day Earth, reversing the original Banestorm? The effect
might only send the humans or it might deposit all the inhabitants of Yrth on our world. The impact of millions of
displaced people appearing around the world would be massive, to say nothing of the presence of dragons, or the
sudden existence of magic. The authorities would have to find some means to deal with the newcomers. The
population of the world increases by several million and Yrthlings have to learn to cope with the shock of modern
technology and popular culture, while Earthlings have to contend with magic and fantasy races and creatures. The
Borderlands anthologies, edited by Terri Windling, offer some possible ideas of the kind of world that might result
from the appearance of magic and fantasy creatures in the modern world.
Supers
One modern setting where the people of Yrth might appear is an Earth with super-humans, like the setting of GURPS
IST. A world with supers won't be nearly as shocked by the sudden appearance of people able to use magic or fantasy
creatures. Even the most powerful wizard on Yrth is outclassed by a super capable of punching through tank armor and
invulnerable to artillery.
The appearance of the Yrth exiles could form the basis for a comic-book style "mini-series" where supers work to deal
with the influx of magic, mages and fantasy creatures while searching for a suitable home for the exiles. Perhaps
magical supers can figure out a way to undo the effects of the dark elf ritual, or open a gateway to an empty world
where the exiles can settle (kicking off a New Frontier setting, above).
Or the exiles might be there to stay, forcing the world to deal with magic and monsters on top of the presence of
metahumans. Mages become one more type of metahuman in the world, although their powers may differ from native
mages (depending on the options you choose for magic in the supers setting). Perhaps the sudden influx of mana even
leads to some new origins or even the creation of supers in the first place!
Cyberpunk
Fantasy/Cyberpunk is a popular combo. The Yrthlings could end up on an Earth in the near-future, where
megacorporations rule the streets and various types of mind/body alterations are available, like in GURPS Cyberworld.
The mean streets of the One-and-Twenty would chew up the technologically-backward Yrthlings and spit them out,
but hardy adventurers and powerful wizards will learn to adapt and turn the situation to their advantage. Some of the
locals may learn to use magic, and turn to the exiles to learn more. The people from Yrth who manage to survive may
adopt cyberware, or they may consider it an abomination. Certainly the ProGov, the NERCC, the Korps (and any
similar totalitarian organizations) will be greatly concerned by the existence of millions of people who don't exist in
any of their databases, some of them with the powers of magic at their command.
My own article "Magic on the Edge" provides some ideas for integrating magic and mages into Cyberworld that can
easily be adapted for this scenario.
Space
There are many possibilities for dropping the population of Yrth into a space-faring campaign. First, the exiles may
appear on Earth in the far-future, when humans have developed interplanetary or even interstellar travel. This is quite
similar to the Cyberpunk setting described above, except the future-shock is even greater for the Yrthlings and the
natives may be friendlier, depending on what Earth is like. If humans have made contact with other races, elves,
dwarves and orcs are likely to be looked at as simply other alien races (and ones quite like humans, at that). Some
races might even decide to settle their own colony worlds (dwarves would make excellent "belters" or asteroid miners).
It is also possible for the Yrthlings to end up on a new world somewhere in deep space. It might be a populated colony
world, an alien civilization, or an uninhabited world on the fringes of known space. Presumably, the environment is
one capable of supporting humanoid life, or else it will be a very short visit. Otherwise, it could be any type of world.
The game might start off as a New Frontier, until a starship from Earth arrives and makes contact, at least. GURPS
Unnight provides an example of a scenario somewhat like this.
In a Space setting, the impact of magic is an important question. Is mana a universal or a local force? Does the influx
of magic from Yrth simply raise the mana level of a single planet or does it increase the mana level of the entire solar
system, galaxy or even the whole universe? Can planets have differing mana levels and is mana restricted solely to
planetary surfaces (leaving a no-mana void between the stars)? Depending on the answers, wizards may develop
magical means of space travel, and gate and tech magic (from GURPS Grimoire) is a definite possibility.
Time Travel
In addition to the historical settings mentioned above, the second Banestorm would be an interesting development in
an "Infinite Worlds" campaign for GURPS Time Travel. Yrth is a parallel undiscovered by Infinity Unlimited, until
they detect a strange disturbance between quantum levels. Suddenly, Yrthlings appear on another parallel, perhaps
even Homeline. Or maybe the Banestorm scatters the inhabitants of Yrth across a dozen different parallels. Suddenly
the I-Cops are scrambling to try and clean up the mess.
They're also left with the question of what to do with the exiles. Do they settle them on a colony parallel, try to get
them back home or leave them be? What if some Yrth wizard discovers a magical means of cross-time travel and is
willing to share it? Does Infinity try to recruit him or make him disappear?
Perhaps the Banestorm has caused the Yrthlings to become "unstuck" in time, randomly sending them to one world
after another. Worse yet, what if everyone with Magical Aptitude who passes through the second Banestorm becomes a
World-Jumper, able to travel to other parallels at will? Hundreds of magically capable jumpers wandering through the
multiverse could provide Infinity with no end of headaches. The Banestorm itself is also a serious threat if it doesn't
stop with displacing the Yrthlings. The storm might "wander" through the quantum levels, randomly displacing people
from one parallel to another, creating a massive tangle of timelines for the I-Cops to unravel.
If you're looking for a new and interesting twist for an existing fantasy game, or if you want to add some magic to
another game world, have a group of knights and wizards, leading a rag-tag band of exiles, come riding out of a storm
one dark night and watch what happens.
A Tasteful Interlude
by Rob Wieland

Ya gotta eat sometime. Whether he's coming home from a long cattle drive or a Texas Ranger driftin' from town to
town dispensing justice with his six guns, every hombre in the Weird West appreciates a good home cooked meal after
days of jerky and dried nuts. Most people are too busy worrying more about the walkin' dead than eatin' healthy, and
cholesterol is a word some high-faultin' types have probably just invented back East. With that in mind, the following
is an adventure for Deadlands with a recipe for terror that might have your posse swear off steaks for a while after
playing it. Take a vengeful Indian, mix in some good ol' American greed, add some judicious amounts of ghouls for
spice, cook for one or two game sessions, and serve to the posse on a plate full of hot lead and cold-blooded murder.
The Story So Far

When Raven busted into the Hunting Grounds, he brought with him the meanest bunch of Indians he could find. He
called them the Last Sons. Most of the Last Sons never made it out of the spirit world, and those that did were marked;
their hands were blackened by the spirit blood of the guardians they killed. One of the Indians with the blackest hands
of them all was a Shawano named Angry Hawk. Angry Hawk's tribe had slowly wasted away due to some disease-
infested blankets a sly trader had sold them during the winter of '53. When Raven approached him, he accepted his
offer almost immediately. If it took unleashing Hell on Earth to get the white man back for everything he had done, so
be it.
Once Raven and the remaining Sons returned from their vengeful quest, Angry Hawk quietly headed out West to
watch what he had wrought. He's seen the carnage in the Great Maze, watched the War drag on like an old horse that
just doesn't have enough sense to die, and laughed as the white men killed each other over the small pockets of ghost
rock. But a man with a name like Angry Hawk isn't the kind to just sit back and watch the world go to Hell. He's
returned from his exile with a devilish plan to turn the white man into the fiendish ghouls he sees them as.
The Best Way to Corrupt a Man Is Through His Stomach

Carl Brody was hip-deep in cow wafers. He had sunk all of the money he made from robbing banks into his dream. He
wanted to own his very own roadhouse and hotel. Sadly, his rooms were emptier that Custer's revolver at the end of
Little Big Horn. Even though he had spent most of his life robbing banks and trains, Brody considered himself a God-
fearing man. As such, he would not employ saloon gals at his inn. Most cowpokes coming off a long cattle drive want
some companionship as well as a good steak, so they drove right on past Brody's Bunkhouse into Dodge and to the
warm arms of some soiled doves.
Carl was just about to close up shop when a weathered old Indian showed up in his door. He carried a burlap sack in
his gloved hands and offered his services as a cook. Brody told him to shove off but the Indian convinced him to let
him lay a secret Indian recipe for buffalo meat on him. Buffalo meat was cheaper but not as tasty as cow meat. Most
folks would rather eat their saddle than a buffalo. Brody took a bite and was in heaven. Dollar signs flashed before his
eyes as the Indian grimly smiled. The gloved Indian, known to Brody only as Hawk, was hiding his black-stained
hands from his future employer and pawn. But there was no buffalo in the sack that he carried with him. The
tenderloin that Brody chowed down on belonged to a prospector Angry Hawk bushwhacked a few miles away. Armed
with secret knowledge he had gained from a tribe of wendigo (not to mention seven secret herbs and spices), Angry
Hawk set out to turn every cowboy that ate at Buffalo Brody's Bunkhouse into a ravenous cannibal. Soon he'll have an
army of ghouls at his command, and the Last Son will sweep his lands clean of the white men he still hates after all
these years.
Finger Lickin' Good

Now Buffalo Brody's Bunkhouse is starting to make a name for itself. Most people in Dodge have heard of it and a
growing number have eaten there. Not everyone who eats Hawk's recipe becomes a ghoul; only customers who have
eaten there repeatedly stand any real chance of turning. With the way the meat tastes, though, that isn't that difficult a
proposition. Brody's best customers have dug a tunnel system that reaches all the way into Dodge to quietly procure
supplies without the fuss and the muss of running into a heavily armed outlaw gang. Brody also wants to use the
tunnels to help expand into the city so that they can get new customers from the rails. Buffalo Brody, as he calls
himself now, has become a ghoul king and is obsessed with making sure everyone in the city has had a full meal at his
restaurant and comes back for more. Hawk quietly cooks in the kitchen, watching his plans come together. Nothing
can stop him now.
Course, that's usually when the heroes show up.
The Set-Up
Particularly ghoulish Marshals may have the posse eat at the Bunkhouse on their way into Dodge. If any heroes eat any
meat while at the Bunkhouse, they must make a Foolproof (3) Spirit roll. If they succeed, no problem. Repeated dining
increases the difficulty by one level to Fair (5), and the next time to Onerous (7) and so on. Also, once the second
feeding has passed, the next time the character is offered some "buffalo," they must make a Spirit roll at one difficulty
level lower than the first roll to resist chowing down. If they fail, the character begins the slow, torturous
transformation into a ghoul. The process lasts for two days, and can only be halted if the ghoul king is slain before the
transformation is complete. Until then, the character is plagued with a hankerin' for raw meat every time the dinner bell
rings. Harrowed characters are not immune from this transformation.
The first clue arrives with a confident stride and the name Jack Haughton. He's a big cowpoke from out Arkansas way
and he has just come into town driving a big ol' herd from Little Rock. He will also loudly run his mouth off on the
topic of the fine time he had at Buffalo Brody's Bunkhouse last night. The drinks were strong, the food was great, and
the girls were a sight for sore eyes. (After becoming a flesh-eating ghoul, Brody never quite makes it out to church
anymore) He's heading back there tonight and suggests anyone looking for a great place to dine follow his lead. He'll
be popping up again soon, but a little worse for the wear.
Another helpful hint to get the players involved might be adding a personal stake to the situation. Arrange for an
associate of one of the posse to want a meeting. Maybe a Confederate spy needs to pass something onto the local
Ranger, a huckster needs to collect one of his debts, or a mad scientist's colleague wishes to collaborate on a new
invention. Whatever the case and wherever the meeting place, the hombre doesn't show. He's nowhere to be found.
Poking around pegs the gent as leaving the Crystal Palace hotel last night. Good posse members will decide to give
that place a good once-over.
Chapter 1
Located Just Down the Street From a Mouth of Hell
The Crystal Palace is definitely not a palace and the only Crystal inside it is the girl in room 3. Making their way to
Ernest the bartender, he points the posse to room 5. The associate purchased the room, went out for a walk, and never
came back. He will open the room for the heroes on a successful persuade roll of Fair (5). Failure means the barkeep
asks for a $10 "investigation fee."
The investigators find no hairs out of place inside room 5. Everything is just as if the person had left for a moment or
two. A careful search of Onerous (7) might even turn up the item the associate wished to meet with the players about.
It will definitely allow them to find a bent horseshoe nail on the floor.
Suddenly, a muffled shriek is heard and the heavy sounds of a struggle come from the room next door. A figure bursts
out of the room. If the posse investigates, they find Jack Haughton cornered at the edge of the railing overlooking the
main floor area. Ernest and two surly hombres look ready to pound his head in. A saloon gal clutches to Ernest, her
arm bleeding badly. Jack has a manic look in his eyes and blood dripping from his mouth.
"What . . . is . . . happening . . . to me?" mutters Jack. The two brutes move in and Jack leaps the ten feet to the first
floor, crashing through the table and upsetting a high stakes poker game. Most dudes might take a breather. But Jack
gets right back up without even stopping to brush off the chips from his shoulders. One of the gentlemen at the table
offers his hand to help Jack up, who in gratitude bites off a finger. He recoils is shock, bumping into a raging drunk
named Bull Redman.
Not surprisingly, a barroom brawl results. The heroes will have to make their way past Ernest and his boys to chase
after Jack, who is holding his own in brawling with the four poker players. The brawl continues for five rounds, at
which time Wyatt Earp comes in with some deputies to restore the peace. If Jack hasn't been put down, he has been
sufficiently clobbered to be taken away quietly. Earp asks some questions about the fight and Jack's condition. If the
posse is helpful and forthcoming with their information, Earp will be an ally in the future. If they are surly and
uncooperative, he'll remember that if they want to visit Jack anytime later.
Jack Haughton
Corporeal: D: 4d8, N: 3d10, Q: 3d6, S: 3d8, V: 2d12

Mental: C: 3d8, K: 2d6, M: 4d6, S: 3d4, Sp: 2d4
Edges: Two-Fisted
Hindrances: Big Britches
Aptitudes: Gamblin': 2, Shootin': pistol: 2, Ridicule: 2, Fightin': brawlin': 2, Search: 2, Dodge: 3
Brawlers
Corporeal: All traits 3d6

Mental: All traits 2d8
Bounty
The posse finds the bent horseshoe nail: 1 White Chip

The posse don't get thrown in the clink: 1 White Chip
Chapter 2
If Wishes Were Horses, Ghouls Would Be Fatter
The next morning the posse has two avenues of clues to pursue. They may
want to check up on Jack or get the law involved in the disappearance of their
friend. In this case, they'll want to head to the Dodge City Jail.
A Tasteful Interlude
They will find Earp at the jail questioning Jack about the previous night. Jack
is very confused about a lot of things. He doesn't know why he's in jail, he
doesn't remember much of last night after he entered Crystal's boudoir. He
also feels like he's starving. If they are on cordial terms, Earp will let them sit
in on the interrogation and maybe even let them ask a few of their own
questions. Otherwise he will curtly ask them what their business is and turn
his attention away from Jack.
Earp is not very much help when it comes to the posse's missing friend. He
says he'll keep an eye out for him but that's all he can really do. He does
mention there has been a rash of disappearances lately. Six people have gone
missing and none of them have been found. Earp would be very grateful if
the posse were to find the missing persons and report back to him. He won't
offer monetary compensation but he could prove useful as a friend in high
places.
The horseshoe nail comes from the recently closed Perkins Livery. Poor Ed
Perkins had been plagued by a group of horse thieves that were able to make
it into the stables after dark and get the horses out without anyone noticing. This was, in fact, the work of the ghouls
that built their tunnels underneath Dodge. They were hungry after tunneling all night and decided to snack on the
horses.
The main doors to the Livery are padlocked and knocking on them does no good. However, the door to the office is
curiously unlocked. The office itself is vacant but anyone wandering into the dimly lit stable area can make a Fair (5)
Cognition check. If successful, the hero hears a wet, slurping noise coming from the last stall on the right. When the
heroes investigate, they find the proprietor of the stable. They also find two ghouls picking at him like a buffet table.
They turn, feast their red eyes on the fresh meat, and attack.
Once the ghouls have been dispatched, a search of the stall the ghouls were in turns up nothing else. However,
investigating the stall directly across from that stall finds a hole covered up by a pile of hay. That hole leads straight
down for about ten feet. Ropes and lanterns are handy if the posse scrounges for them but the descent can be made
with a Fair (5) Climbin' roll.
Once inside the tunnels, the heroes scrape along in the darkness for hours. Nothing happens to them, but that doesn't
mean they need to know that. Do your best to creep them out. Split them up. Cover them in rats, bats, and critters. But
nothing really interesting should happen to them until the reach the meat locker.
Ghouls
Corporeal: D: 2d8, N: 3d10, Q: 3d8, S: 4d6, V: 2d10

Aptitudes: Fightin': brawlin': 4
Size: 6
Terror: 9
Special Abilities:
Night Vision
Sensitivity to Bright Light: -4 to all actions when exposed to direct and bright light.
Bite: STR + 1d8 (Note that these ghouls do not have a poison bite or the claws the ghouls detailed in The Quick and
the Dead have. Angry Hawk hasn't perfected his recipe.)
Cold Storage
The posse eventually ends up in a small dark room with a wooden floor. The smell of rotting wood mixed with rotting
flesh hangs in the air. This is the storage area for Brody's supplies. There are at least eight bodies here, most of which
have been expertly butchered. It requires a Fair (5) guts check to view this scene of carnage. Sadly, the body of the
posse's compatriot can be found after a quick search, but only if they state they are looking for him. Hopefully, any
hero that lost her composure will be able to recover when the door on the other side of the room opens and a wrinkled
old Indian enters with three more ghouls. He wears a blood-splattered apron and his hands are black as night. This is
Angry Hawk, getting some meat ready for tonight's customers. He's not expecting anyone else in the locker, so the
difficulty of the sneak roll to avoid being spotted is Foolproof (3). He orders one of the ghouls to drag one of the
bodies upstairs for tonight and tells the other to head into town to see where his two brothers are. Wise posse members
will slip back into the tunnel and hustle back to the Livery to quickly clean up any evidence connecting them to the
deaths of the ghouls. Angry Hawk knows his ghouls won't wander off. If they don't come back, someone must be on to
him.
If the posse tries to attack now, Angry Hawk unsheathes his butcher knife and calls for reinforcements. Ghouls enter
the field once per round. His stats are at the end of the adventure for the climactic battle. The fight continues until the
posse withdraws or until they become the main course.
The posse may go tattle to Earp about what they've found. By the time they return from the tunnels, night has fallen,
and Earp can only be reached at home, a location the players only know if they are on good terms with him. On the
way there, they pass by the jail. A piteous howling bellows from the cell that Jack is in. If the players investigate, they
find him with his face pressed up against the bars and his eyes glow a dull red . . . he is now a ghoul. Players may
insist on shooting him through the bars. He's not human anymore. Let them. Otherwise, the jailer will just find an
empty cell with a hole burrowed in the floor in the morning. Once they reach Earp, he'll ask them why they're keeping
him up at this God-awful hour. He won't go into the tunnel in the Livery and he won't believe any stories about flesh
eating monsters. When they return to the tunnel entrance, they find it sealed off.
Bounty
The posse plays nice with Wyatt Earp: 1 White Chip

Eliminating the ghouls at the Livery: 1 Red Chip
Discovering the tunnels under the Livery: 1 White Chip
Sneaking into and out of the meat locker unnoticed: 1 Red Chip
Discovering the fate of the posse's associate: 1 White Chip
Putting Jack out of his misery: 1 White Chip
Chapter 3
Ghouls Just Want to Have Lunch
The posse should be very suspicious of Buffalo Brody's Bunkhouse by now and should want to take a ride out there to
investigate the self-proclaimed Buffalo King of Kansas. The posse may skip directly ahead to this chapter and that's no
problem; it'll be even more of a surprise when the ghouls start spilling out of the woodwork.
Brody's is located on one of the major cattle trails coming into Dodge about five miles southwest of town. The posse
comes up over a ridge and they can't miss it. Brody has reinvested everything into the place and it shows. It's a big
two-story building out in the middle of nowhere with fancy windows, a fresh coat of paint, and imported lamps
twinkling in the windows.
When the heroes arrive, stable hands come out of the stable on the side of the building to water and freshen up their
horses. This is a free service to all Buffalo Brody provides to get customers to stop in. Award a Fate Chip to the
players that are wary of giving up their horses after what happened in the Livery.
The Bunkhouse is a well-built place and its class and style should impress the posse when they enter. Point out the
Oriental rugs and the crystal chandelier. A grand staircase faces the main doors, leading up to a second level where
private rooms can be rented. The bar slinks along the left and saloon gals weave through the tables set up on the main
floor. Play up the heavy odor of sizzling meat, good booze, and heady perfume. As the heroes walk in, one of the
saloon gals winks at him and sidles on over. "Welcome to Buffalo Brody's," she says in a voice as smooth as whiskey,
"once you eat here, you'll never want to eat anywhere else."
Brody wants to quietly eliminate any curious folks without disturbing the rest of the ten or so customers in the
bunkhouse. He will use a variety of tactics to take out the posse one by one if they start to get curious. Such tactics
include:
1) The saloon gal that greets the posse is a ghoul, as are all the employees of the bunkhouse. They mask their odor by
the very heavy smells of food and drink that hang in the air of the closed up saloon. As long as the ghouls stay within
the confines of the saloon, they look human. She introduces herself as Lola and sits them down at a table. She flirts a
bit and asks if they want any drinks from the bar. She's basically a good little waitress but she's also Brody's first line
of spy defense against the posse. She listens to the conversations the posse members have as she shuttles back and
forth from the bar and the kitchen. If they mention anything about the Livery or Dodge around her, she takes a special
interest in the one doing the talking and offers to take that hombre on a "private tour" of the restaurant. If any heroes
are beguiled enough to take her up on the offer, she escorts him upstairs to a nicely decorated bedroom complete with
a canopied bed, a full-length mirror, and two ghouls waiting to turn the hero into an entrée. Don't forget to make a
surprise roll at the beginning of the combat. If any big ruckus occurs that would be loud enough to be heard over the
general din of the saloon downstairs (such as a gunshot) or if the hero makes it out of the room, skip ahead to "Serving
an All-You-Can-Eat Lead Buffet."
2) A stable hand comes into the saloon looking for one of the posse. He is very excited and says that someone has
stolen his horse. If the posse dashes out as a whole, nothing is amiss and the head stable hand chastises the boy for
playing a prank. If the posse splits up, the doors lock behind them and the posse inside gets attacked. See "Serving an
All-You-Can-Eat Lead Buffet." Meanwhile, the posse on the outside has to deal with ghouls equal to the number of
posse members that went to check out the horse theft. Once they are done with that, the only way back into the
bunkhouse is a pair of Onerous (7) climbin' rolls to an open window on the northern side of the second floor. Failure
of the first roll just means the hero can't shimmy up the side all that well. Failure of the second roll means he takes 1d6
Wind damage as he falls from the ledge.
3) Brody himself comes out to work the room. He's a big man with a broad smile and a firm handshake. The only thing
that's strange about him are his crooked yellow teeth that all seem to come to a point (as a ghoul king, he can't fully
cloak his nature). Noticing this takes a Hard (9) Cognition roll. He claps his customers on their backs and chats them
up a bit. Brody is a friendly, if boisterous, dude. If Lola has tipped him off about the posse, he concentrates most of his
gabbing at their table, offering drinks on the house and free samples of food. Trying to fake eating dinner required a
Fair (5) sleight-of-hand roll. Anyone not taking him up on that offer gets a good-natured ribbing along the lines of
"Why have you come to the finest diner this side of the Rockies and decided not to eat?" He then offers to take anyone
not willing to eat the food on a private tour of the kitchen area. He will take two people at a time into the kitchen
where Angry Hawk awaits. Brody and Hawk lull the characters into a false sense of security and then bushwhack
them. If successful in taking out the posse members, Brody goes back to the table and says that there has been an
accident and the others have fallen down the stairs. If they don't fall for it, the big melee in the main room begins.
4) If he is still around, Jack Haughton makes his way to the saloon and sits down at the posse's table. He jabs a hogleg
into the rib of the nearest player and suggests the rest of the posse eat up otherwise they'll be sharing their friends
lunch splattered all over the table. This is a good one to play on the posse members that don't go on Brody's tour while
the others are on the tour. If they drop Jack, the scent of the fresh blood and meat sends all the ghouls into a feeding
frenzy.
An All-You-Can-Eat Lead Buffet
This is it, the big ol' melee at the end of the adventure that the posse's been saving chips for. The front doors lock and
the ghouls line up for the dinner bell. There are about 20 ghouls in the Bunkhouse as well as ten customers besides the
heroes. After all has been said and done, it should just be the posse and about two ghouls per character as well as
Brody and Angry Hawk. On the way to that number, make sure the customers don't sit idly by and try to hold their
own in the fight as well. You don't have to necessarily do any bookkeeping, just roll dice, scribble notes, cackle
maniacally and describe scenes of ghouls gettin' sent back to Hell and cowboys getting eaten. If the posse is handling
the situation too well, send more ghouls after them and let the customers purchase agricultural property a lot easier.
Allow Brody to get his hands on the double-barreled shotgun under the bar. If the posse is floundering, give some
customers lucky shots. Also keep in mind that it's just around sundown and busting open the shaded and shuttered
windows of the place would put many of the combatants at a serious disadvantage. One of the customers crashing
through a window and the ghouls screeching away from the light might be a good clue in this direction. If all else fails,
and you don't want to have to go through everybody making new characters next session, have Earp arrive as the
proverbial cavalry.
Brody and his ghouls will fight to the death, but Angry Hawk is a little craftier. If he sees the fight isn't going his way,
he makes a fighting retreat to the stairs. He bolts up to the second floor, crashes into one of the rooms and out a
window on the west side of the building. That's the side with the stables, and he proceeds to steal one of the horses and
ride away. Let the posse give chase if they wish, and let them take him out if they can, but you should invest Fate
Chips in keeping Angry Hawk alive. He makes a wonderful recurring villain.
One the smoke clears, they posse may return to Dodge to report to Earp. He will listen to their story, nod his head, and
not ask any questions. After they finish talking, he mutters something like "Damn Rangers were right," and thanks
them for their help. He offers them to replenish their supplies in town and let the Sheriff's Office foot the bill for
compensation. After that, the posse is free to continue West, looking for more adventure and excitement.
"Buffalo" Carl Brody
Corporeal: D: 3d8, N: 3d10, S: 3d10, Q: 3d10, V: 2d10

Aptitudes: Fightin': brawlin': 4, Shootin': shotgun: 3
Ridicule: 3
Size: 7
Terror: 9
Special Abilities:
As ghouls above, plus Claws: STR + 1d10
Gear: Double-barreled shotgun (kept under the bar)
Angry Hawk
Corporeal: D: 3d8, N: 3d10, S: 3d12, Q: 4d8, V: 2d12

Aptitudes: Bow: 3, Shootin': Pistol: 2, Throwin': 3, Fightin': brawlin': 3, Fightin': knives: 6* (Due to Angry Hawk's
Relic, his knife skill is doubled. It normally is 3)
Language: Shawano: 4, English: 2
Leadership: 2
Overawe: 5
Guts: 5
Special Abilities: Last Son: The inky black hands he possesses give him a +2 on all overawe rolls.
Butcher Knife: Angry Hawk's butcher knife has become a Relic. Power: The knife doubles its wielder's skill
Coordination as well as doing STR+2d8 damage. Taint: As long as the knife is in his possession, the wielder gets a -3
Hankerin' for human flesh.
Bounty
A posse member survives an attempt on her life: 1 Red Chip for the player that survived.
The posse kills ghouls: 1 Red Chip for every two ghouls.
The posse kills "Buffalo" Bill Brody: 1 Blue Chip and +1 grit.
The posse kills Angry Hawk: 1 Legend Chip and +1 grit.
Boot Hill
Ghouls
Quickness: 3d8
Attack: Bite: 4d10/3d6+1d8
Defense: Brawlin': 4
Hits: 28
Buffalo Brody
Quickness: 3d10
Attacks: Bite: 4d10/3d10+1d8; Claws: 4d10/3d10+1d10
Hits: 36
Angry Hawk
Quickness: 4d8
Attacks: Knife: 6d10/3d12+2d8
Defense: Knife: 6; Brawlin': 3
Hits: 40
Jack Haughton
Quickness: 3d6
Attack: Pistol: 2d8/3d6
Hits: 30
Crystal Palace Brawlers
Quickness: 3d6
Attack: Brawlin': 3d6/3d6+1d6(club, chair leg, etc.)
Hits: 20
Due Diligence
The deal has potential, but will it end badly?
by John A. Nephew
Most game manufacturers would agree that Alliance Games Distribution, Berkeley-TopLine and Zocchi are the three
largest U.S. game distributors. This past week, the news came that all three are being bought by iEntertainment
Network (NASDAQ: IENT), an Internet company and former CD-ROM game publisher that is largely unknown to our
industry. (See the original Pyramid story and the followup story for more information.) This caught a lot of us by
surprise. Just what the heck is going on here?
I run Atlas Games, a small adventure game publisher. These are three very important customers for my company, so I
figured it would be well worth my while to find out something about the corporation they are merging into. Happily,
the Internet is full of resources to make such research possible. Most important is the Securities and Exchange
Commission's Edgar database (which you can find at www.sec.gov): Since the stock of iEntertainment is traded on the
NASDAQ (under the ticker symbol IENT), they are required to file detailed reports about their business on a regular
basis. The Internet makes such reports available to individual investors and the merely curious. With the SEC site
alone, to say nothing of search engines and news providers, an almost overwhelming amount of information is
available with a few mouse clicks. (If you plan to do your own search, remember that until recently, they went under
the name Interactive Magic and the ticker symbol IMGK.)
Coupling this research with my personal knowledge of the game industry, in which I've been a professional for more
than 13 years, I've put together a theory as to what is going on behind the scenes, and what makes this deal appealing
to its participants. I can understand why such a deal needs to happen; if not this particular deal, then something
similar. Unfortunately, I have also found a number of red flags in the public data on IENT. I'm afraid this deal, as best
as I can understand it within the data available to the public, looks very dangerous for these distributors, their
shareholders, and the game industry. Out of their own self-interest, if not for the good of the industry, I hope that the
deal will at least be structured with care to protect the distribution business from the risks of the Internet business,
while taking advantage of the immense potential that the combination of these four businesses offers.
What Do The Distributors Need?

What are these three distributors looking for, that IENT can provide? I have four ideas as to what may have inspired
their deal making.
Bigger is Better
We know from the press release that the three distributors had already been talking about merging. Bigger is better, the
saying goes. It is particularly true in the business of distribution, where maximum volume and minimum overhead are
the key to profit. Moreover, if you want to have every game in print in stock, it's a lot cheaper to have one central
warehouse for the obscure stuff -- say, with three copies of each obscure item -- rather than trying to stock eight
different locations. Any kind of merger seems appealing to the owners, if it means cutting costs (letting employees go,
closing warehouses) and improving efficiencies.
It's tough to say what this means for the rest of us. The combined entity might finally realize the promise of what the
Chessex-Armory merger, which created Alliance, was meant to do, in terms of better fill rates and so forth. Though
Alliance has clearly made great strides in bringing the two organizations together into one, disappointed retailers have
told me that it often has not worked out well in practice. Atlas Games has found that the combined Alliance does less
in sales with us than the sum of its Chessex and Armory parts did. The industry is constantly evolving, though, so it's
difficult to lay the blame for any changes like this at one specific cause. One can at least assume that servicing the debt
that Chessex brought to Alliance has been a drag on their potential.
The Future is Now
The game industry needs to modernize. Before the Alliance merger, Chessex, the largest distributor at the time, didn't
even have computerized inventory. (Implementing such a system has been one of Alliance's big successes.) E-
commerce is the wave of the future. This means not just companies selling direct to consumers via the web (like Steve
Jackson Games' Warehouse 23), but suppliers and customers all through the chain using the Internet for up-to-the-
second communication. We at Atlas Games are able to use UPS Online to find out where the packages we ship are en
route, for example, or to order supplies.
The distributors have been working to add Internet functionality to their business, but it requires a lot of investment
and expertise. They've watched as e-tailers and manufacturers have enjoyed skyrocketing online sales; at the same
time, their customers are surely demanding faster service, better information, and all that good stuff. When a customer
wants a game not on a store's shelves, wouldn't the store's owner love to click a few buttons and find out which of his
suppliers have it in stock? In the current system, the retailer usually places the order, and then waits to see if it shows
up in the box with the rest of the order. If it doesn't, he goes down the list to his next supplier. The consumer may wait
weeks, and not know if he'll even get his game in the end.
These distributors' competitors are working on e-commerce, too. Diamond Comic Distribution has a website with
growing functionality, and they are using it to expand their selection of backlist games. Other game distributors are
also rumored to be working on Internet systems to deal with their retailers.
By joining with IENT, the distributors plug into an existing Internet infrastructure, with the experienced technical staff
and resources to make it all work. IENT has invested millions into their operations. By joining forces, millions should
be saved by the distributors. In theory, e-commerce should be a boon for everyone, bringing better service and more
sales for manufacturers and retailers. There are risks, however. The IENT press release did not make clear whether
IENT would be using the distributors to fulfill consumer orders. A later press release from Zocchi stated that there is
no plan to bypass retailers and sell direct. However, once the systems are in place, it may be difficult not to take that
logical step to maximize utility (especially when shareholders are demanding profits). Even the mistaken perception
that a distributor is looking to run around the retailer may drive their retailers to other distributors, and inhibit grand
plans for business-to-business e-commerce.
If You Can't Beat 'Em, Buy 'Em
Over the past year or two, we've seen a shake-up in distribution. Perhaps the biggest winner has been Zocchi; earlier
this year, I calculated that our sales to them were up something like 300% over a year earlier. Meanwhile, the other big
boys in this deal du jour -- Alliance and Berkeley-TopLine -- have both turned in far less impressive sales growth. It's
no coincidence that both have been digesting their mergers, trying to combine operations and diverse corporate
cultures. Whatever the reason, Zocchi appears to have been a major beneficiary of the opportunity that arose for an
alternative supplier.
If I were in the shoes of Zocchi's competitors, I'd be wanting to buy them, too. If we were all bought by a third party,
that would serve the same end.
As a manufacturer, I'm not sure I like this marriage, as matter of competitive principle. I worry about having too many
eggs in one basket, and I'm worried that the difficulties that earlier mergers have experienced would only be magnified
by the scale of this one. On the other hand, we have the incredible dynamism of Zocchi, and the resilience of the
Alliance and Berkeley-TopLine organizations, tempered by the mergers they've already forged their way through.
There are a lot of quality people in these organizations, with smarts and experience, and the possibility of uniting them
under one banner is intriguing. Their combined size may enable them to promote the growth of the whole industry in
ways that no existing distributor can.
Liquidity
IENT has something that is almost unheard of in the adventure games industry: stock that is publicly traded.
Atlas Games is privately held, just like the three distributors. If I decide that I need money -- to buy a house, a car, a
college education for my future kids -- it's tough to get it. I might take the money from the cash flow of the company.
Ouch! That would mean cutting back on new releases, or delaying a reprinting of some old favorite, or not being able
to afford to hire a new employee. In short, it's going to affect the business, unless things are going so well that we're
rolling in cash. Alternatively, I might get a loan, if a bank will accept something as collateral. If I'm offering my share
of the business to back the loan, I will have to pay to hire someone qualified to estimate its value. We're talking about
a lot of hassle.
But when a company's stock is traded on the open market, if you are an owner and you decide that you'd like to, you
can sell part of your stake. There's some paperwork to file (since you're an insider), but it's relatively easy, and it's not
going to have an impact on the business itself like the options I described for a private company. Whether you want to
cash out a small part of your hard-earned sweat equity, or if you are retiring and switching all your assets to
government bonds, a publicly traded stock gives you liquidity, the ability to convert one asset (a percentage of a
company) for another (cash).
This is a very big deal to an owner, believe me.
A publicly traded stock makes it easier to award meaningful stock options to your employees. This may help the
company hire and retain better qualified people, and may encourage everyone to be more zealous in making the
company succeed. This should be good for the whole industry.
Publicly traded stock also creates many financing alternatives, when a company needs cash to fund growth or to
survive losses. Sadly, IENT has turned to some less savory financing alternatives. But we'll get to that later.
There is another big advantage for the rest of the industry in the stock issue: Public companies like IENT have to make
regular filings, including quarterly and annual reports, and you can get them through the Internet. This would give
everyone interested a lot more detailed information about what is going on, in terms of sales and profitability --
information that you can only get from a private company if for some reason they consent to give it to you. Besides
letting us all be nosy, this public information may make it easier for game industry entrepreneurs to make business
plans, to attract venture capital financing, to get bank loans, etc.
Add It Up
So let's go over the selling points for the distributors:
1. Economy of Scale -- A larger and more profitable combined operation.
2. Cutting Edge Technology -- Bringing the future to us faster by piggybacking on IENT's Internet know-how.
3. Buying the Competition -- It'll be easier to digest another big merger if Zocchi isn't out there eating market share
while the merger is digesting.
4. Liquidity -- All the advantages of the stock market.
(Another advantage I haven't brought up is that iEntertainment's past losses can be counted against the distributors'
future profits, to reduce their tax burden.)
What does this bode for the rest of the industry? Well, it's tough to say. If things go well, it could all work to
everyone's benefit. Even the combined entity's competitors will be given opportunities as the merger unfolds, and will
be kept on their toes by technology-powered competition. If things don't go well, the new entity will merge badly,
provide lousy fill rates, sell direct to consumers at a discount via the web, and still manage to go out of business
thanks to imprudent financing arrangements, while letting distribution profits be eaten by cash-sucking Internet
projects.
On the whole, the promise of e-commerce to support retailers is so exciting that I would like to see our distributors use
it. Though I don't care for the IENT merger, I do think a partnership with a healthy, Internet-savvy entity would be
great for a distributor, to the benefit of manufacturers, retailers, and consumers.
Why Does iEntertainment Need the Distributors?

When you stop and think about it, there's a lot for distributors to like. But what would possess a slim computer/online
company to buy three hulking, capital-intensive, brick-and-mortar operations? Are they reinventing themselves again,
just months after selling off most of their CD-ROM game business, and hardly a year after their Initial Public
Offering? Does their love of simulation games extend from the T-1 line to the tabletop?
Shotgun Wedding?
A cursory look at recent press releases and filings with the Securities and Exchange Commission provides Reason
Numero Uno for IENT to need to buy (with stock) or merge with someone, and the distributors are just about an exact
fit for what they need.
According to a July 30 press release, iEntertainment was notified by the NASDAQ (the exchange where their stock is
traded) that they do not meet the minimum requirements for listing on the exchange. In particular, IENT fails to meet
the required net tangible assets of $4 million.
The stock exchanges are interested in selling shares of large, legitimate operations, so they have standards that they
expect of any company listed. One of those standards is that when you add up the tangible assets of a company
(inventory, land, machinery, cash in the bank, etc.), and subtract the liabilities (bank loans, accounts payable, and
whatever else you owe people), you must get a positive number of at least $4 million or you don't make the grade.
You're too small to be of interest to this part of Wall Street; you'll be banished to the "over-the-counter bulletin board"
and the "pink sheets" where illiquid penny stocks are traded. All those good things about having a publicly traded
stock are not nearly as good if you're not listed on the respectable big exchanges.
IENT hasn't made the grade. As an Internet company, they don't have a lot of tangible assets. One can debate whether
accounting principles today ought to take better account of assets of the sort that Internet companies create (such as
intellectual property, or the value of a widely recognized brand name), but the bottom line is that these folks need a
bunch of tangible assets ASAP or they'll lose that "traded on the NASDAQ" status which, as we explained, is itself an
important asset, and very expensive to get in the first place. I've been told by folks who were trying to take their
company public that it costs a minimum of about $1 million to make it happen.
Distributors have tangible assets. Lots of them. In fact, it's often a problem that they have too many -- inventory in the
warehouse rather than cash in their pockets to buy something newer and faster-selling. Picture that old peanut butter
cup ad -- "You got your net tangible assets in my NASDAQ listing requirements!" -- and you get the picture. Well,
actually, they may not be two great tastes by themselves, but the quirks of the stock market's requirements make this a
very sensible wedding for IENT. And the sooner the better, because a NASDAQ appeals panel is standing out on the
porch with a shotgun waiting to be convinced that this match will make everything legitimate.
All of this may seem to mean little to the rest of us in the industry. However, as a general rule, delisting or its threat is
not a sign that a company is in healthy condition. And this is only the tip of IENT's financial iceberg.
But Wait! There's More!
Before we get to that iceberg, we should mention that there are other ways that this deal can play to IENT's benefit.
Distributors can be a great source of cash flow -- money is constantly moving through them. If you can get your
customers to pay you COD, while delaying payment to your suppliers as long as you possibly can, it's like a revolving,
interest-free bank loan. Getting your customers and suppliers to go along is a lot easier if you control a lot of market
share, as the three combined distributors do.
Moreover, if there is profit from the distribution business, that would help IENT, which is losing money on its Internet
business just about as fast as it can raise it.
It is also important to IENT to get good press right now, when so much of its recent news has been bad. The news of
the purchase drove its stock up more than 125%. That was a nice one-day return!
Finally, with its online gaming business, IENT is already cultivating an audience of subscribers who are likely
customers for off-line games, like these distributors sell. They call it "synergy."
If everything goes well, IENT will be diversified, strengthened, and will get all the benefits the distributors crave . . .
because now they will be part of it. On the other hand, the rest of the industry may fear tightening credit (if you're a
retailer), slower payment (if you're a manufacturer), and the general fear that rather than reinvesting profit in the
distribution business, IENT will instead lose it on their Internet business. In the worst case scenario, if the Internet stuff
doesn't pan out at all, we could wind up with a bankrupt company even if game sales are booming, going out of
business owing a huge load of money to game manufacturers, who would likely go out of business en masse as a
result. Even if game sales were setting new records. Not pretty.
The Iceberg
It's cliché that Internet companies lose money, and sometimes the more they lose, the more it seems that Wall Street
likes them. I don't buy that cliché. As a private investor, I've made money buying and selling the stock of Internet
companies, like Amazon.com and eBay. These are companies that have articulated a business plan, and have
demonstrated their ability to deliver. Some plans involve losing a lot of money over a period of years (like
Amazon.com); others show profits already, small but growing at a spectacular rate (like eBay). Wall Street rewards
execution, and tries to figure out what something will be worth in the future; past performance is useful insofar as it is
believed to predict future results. Of course, Wall Street makes plenty of mistakes.
I agree with the chairman of the Federal Reserve, Alan Greenspan, who has stated that while some Internet companies
will be wildly successful, many will fail. I've made money, as a private investor, selling some of them short. Short
selling is when you borrow shares of stock and sell them. You expect to buy them back for less in the future, thus
making a profit. Instead of buy low, sell high, you reverse the order -- sell high, buy low.
IENT is a stock that I would sell short, if I could. (Because its price per share is so low, I cannot sell it short as a
private investor of limited means. Some institutions and foreign brokerages aren't subject to the same restrictions.)
Here are six reasons to sell it short.
1. The Delisting. Delisting is prima facie evidence of a troubled company, thus a good short sale prospect. Some folks
pull the trigger on this news alone and don't even look any further.
2. The vision thing. This is a company that went public as a maker of CD-ROM games and online games. It has
already jettisoned the CD-ROM business, ostensibly to focus on the online world; now it's going heavily into bricks-
and-mortar by absorbing three distributors in a parallel, but different, industry. (The IENT press release calls them
"Entertainment Companies" . . . like my local grocer is an Entertainment Company, since he sells the Weekly World
News at the check-out counter.) Maybe now they've found a combination of businesses with genuine synergy and
shared potential; on the other hand, maybe they'll decide in a year to sell off part of their business again and draw up a
new game plan.
3. Accumulated deficit and operating losses. Over its five-odd years of existence, IENT has had losses totaling at
least $25.9 million, according to the latest form SB-2 filed with the SEC (p. 5). The same document (p. 18) reveals
that, since dropping the CD-ROM biz, sales have dropped 75%. You'd expect savings to go with that? Nope. In the
same time frame, first quarter 1999 versus first quarter 1998, expenses have actually increased 37% (p. 20). Rising
expenses added to falling sales spell disaster. Can the profitability of game distributors change this equation?
4. It's not enough. Let's do some math. In 1998 IENT had a net loss of $11.65 million. (That was before that 75%
sales drop and the 37% expense increase occurred.) According to the press release, the distributors are expected to
have combined sales of $50 million this year. In rough numbers, we can suppose that distributors buy from
manufacturers at 60% off retail and sell to retailers at 50% off. (The numbers vary by manufacturer and whatnot, but
let's keep it simple.) That means that on $50 million in sales ($100 million worth at full retail), the distributors'
combined gross margin -- sales minus cost of goods, before any expenses at all -- is about $10 million. So even if the
distributors had no expenses, no salaries, rent, heating, electric, shipping, telephone bills, nothing -- even then, the
combined entity would still show a hefty operating loss. As a supplier who might extend this combined entity credit,
I'm nervous; as a short seller, I rub my hands with glee.
5. The hype. Short sellers love to sell on the hype, when the market thinks a corner has been turned but we think we
know better. Someone who doesn't know the adventure game industry might look at the sales figures and say, "Whoa!
These distributors are growing 25% a year! Lemme get a piece of that!" (Remember, they're looking out to the future;
they want years of that kind of growth, the way companies like Intel or Microsoft have delivered.) We know the
industry better, however, know that 1999 vs. 1998 is like the Renaissance versus the year the Goths sacked Rome.
1998 was a very challenging year, especially in its first quarter; my company's sales are up 37% this year to date, for
example, but a lot of that is just getting back on our feet after a serious kick to the kidneys. We also know that there
are special factors this year, such as Pokémon, which are likely to result in some flat or down years when the fads
peter out. Even with all the good things we know about the three companies IENT is buying, it's just not worth the
125%+ spike that the market is awarded. Selling opportunity.
6. The Toxic Convertible. The number one reason to sell IENT short. This one is going to require some explaining.
The Tip of the Iceberg
A puritan minister once wrote that the road to hell is paved with the skulls of unbaptized children. Well, the portion of
that road labeled Wall Street is actually paved with floorless discounted convertible debentures and preferred stock.
Many a fallen company has walked this painful path.
Suppose your company needs money. You spent a lot last year, and lost millions. You think your business plan is
coming together, but you don't have much tangible to show for it yet. How can you raise funds?
You might go to a bank. They want collateral. If the company had assets to pledge, it could get a loan. Maybe you, as
an individual, pony up your own assets as collateral. If the company fails, you'll lose your house.
IENT has such an arrangement already, according to SEC filings. Its bank line of credit is personally guaranteed by the
company's former CEO. The company pays him 6% per year of the outstanding loan amount in exchange for the
guarantee. That's better than the interest rate you or I get on actual cash in a savings account. It must be risky for him
to demand so much -- and for the company to deem it worth the expense.
But you need more money. Tapping out that line of credit will only keep the doors open another month or two. You
might buy time by selling off part of your business, if there are any divisions or segments that can be easily separated
and sold off as a piece.
Remember that CD-ROM business that IENT divested? While they may have simply wished to reorganize and refocus
their business, I suspect that their reorganization was inspired by their need for cash.
What do you have left to sell?
There is that asset of your stock itself, which that precious NASDAQ listing makes into a liquid commodity. For a
number of reasons it's difficult (and time-consuming) to simply issue stock and sell it as you please on the open
market. Instead, you make a deal with some investment partners who help troubled companies like you . . . for a price.
In iEntertainment's case, the investors are an outfit called Rose Glen Capital Management, running a fund called RGC
International Investors, LDC. They lent IENT $4 million.
Here's the deal. The investors offer you cash. You give them a promissory note. Instead of paying them back in cash
(which you won't have to spare any time soon), you will pay them in company stock. They can sell the stock on the
open market, get back their money (and profit), and voila! It's like free money. You work out a formula, where the
recent stock price is calculated; then you apply a discount, so that the investors are sure to make a profit.
In the IENT-Rose Glen deal, the conversion is set at 85% of the average of the lowest closing bid prices of the stock
on any two trading days during the 22 consecutive trading day period ending on the trading day immediately before the
day the investors pick up their shares to sell. Isn't that a mouthful!
Whatever the details, the general outline is that the investors get shares of stock at a discount to the market price. You,
running the company, exchange tomorrow's stock certificates for today's desperately needed cash; the investors make a
tidy profit with minimal risk. Isn't everyone happy?
Well, no, not quite. Stock prices are determined by supply and demand. By producing more shares, you're increasing
the supply. Unless there is a lot more demand (you'll turn out some optimistic press releases to drum up buyers, but that
can only do so much), the increased supply will drive the price down. Those investors want to sell, get their money,
and do another one of these deals ASAP.
The investors may be so impatient to sell that they'll start doing it even before you've given them their shares! They
can profit two ways: just like regular short sellers (sell high, buy low), but also because they are guaranteed however
many shares it takes to add up to the principal plus that discount cushion. The lower their short selling drives the price,
the more shares they wind up owning, which means they can sell short even more.
The SEC filings indicate, in fact, that Rose Glen is explicitly permitted to sell short, driving the price down as far low
as they please. There is no "floor" or limit to how many shares can be issued to them.
Let me make up some numbers to illustrate how this might work.
Your company has 10 million shares of stock, with a price of $5, when you consummate a financing deal like this. To
keep it simple, suppose there's no discount. I lend you $4 million, and turn around and sell short 800,000 shares. That's
$4 million worth, so if you turn around and hand me my shares from conversion, I come out clean. However, those are
a lot of shares for the open market to absorb. With so much selling, the price is driven down to $2 per share. Now my
800,000 shares short are only worth $1.6 million! So I sell 1.2 million shares more, bringing me back up to $4 million
worth in my short position. Of course, this drives the price down even further, to an even dollar. I sell again, 2 million
shares this time, bringing me again to $4 million short. I then call in your debt to me, demanding my $4 million worth
of shares. At the current price, $1 per share, that's 4 million shares. I add up my winnings: $4 million (800,000 sold at
$5) + $3.4 million (1.6 million sold at $2) + $2 million (2 million sold at $1) = $9.4 million. That's all my investment
back, plus 135% profit, probably in just a few months and with relatively little risk.
You and the other shareholders, meanwhile, are left with a lot more shares in circulation, and a much lower stock
price. Converting the loan to stock added 40% to the number of shares outstanding. That means each share, as a
percentage of the company, is about 30% smaller than it was before.
This hypothetical scenario is relatively benign. In one convertible deal I witnessed (as a shareholder, much to my
chagrin), a mortgage company called Cityscape, I saw the number of shares outstanding multiply several times over as
a result of their convertible. I had bought shares at $18 apiece, and was lucky to receive pennies for them when I sold,
before the stock was declared worthless and the company liquidated.
You can see why some short sellers call this kind of financing arrangement a "toxic convertible"; the feedback loop
driving the price ever farther down is fondly known as the "death spiral."
The SB-2 is the form that iEntertainment files to register the shares that the conversions will create. Since the filing has
not yet been declared effective by the SEC, the new shares haven't yet appeared on the market. The effect of the
convertible has already been felt, as shares have dropped from the $12 range to the $1 range over the past year.
Beneath the Surface
You can see why this kind of financing deal is bad for the shareholders, who see their stock price drop and their
ownership diluted by new shares. But why should the rest of us, who don't own the stock (and know better than to buy
any), care?
This kind of deal, as I've emphasized before, is made by managements that are either a bit clueless (which I assume is
not the case here) or simply have nowhere else to turn. They've exhausted their options, and this is the best they can
do. Like any iceberg tip, what you can see above the surface is only the beginning of the story; more serious problems
probably lurk out of public view. (As detailed as the SEC filings are, they rarely tell the full story.) A toxic convertible
is a visible symptom of deep-seated financial distress, the kind of distress that most companies do not survive.
The greatest danger to the game industry is that our largest distributors are strapping themselves to the Titanic, heading
full steam into an iceberg of financial calamity.
Another danger has to do with ownership. We're all used to dealing with the good folks who own Zocchi, Berkeley-
TopLine and Alliance, and their plan is to be significant owners of the newly combined entity. (The details of stock
and ownership have not been made public, so we can only speculate as to percentages and whatnot.) If a flood of new
shares are issued, IENT may wind up in the control of persons or institutions that know and care little about the game
industry. This means that the good intentions and promises of the distributors (not to sell direct to consumers, for
example) may be overruled by owners who are interested in short-term profits, or who see game distribution merely as
a source of cash for the Internet business.
In other words, as much as we in the industry may have faith in the owners and managers of these distributors, the
toxic convertible increases the odds that they won't be in control of the new entity.
Averting Disaster
I realize this article is somewhat apocalyptic, but now is the time to sound the alarm, when the parties to the deal are
performing their due diligence and working out its final details. There is much good that can come of this merger, but
the worst visible pitfalls must be avoided.
Here are some positive steps that might be taken.
1. Reveal the terms of the deal. Given the risks presented by the toxic convertible, the terms of this deal need to be
made public. Shareholders of IENT and the customers and suppliers of the distributors all need to analyze its details in
the larger context of IENT's finances. Otherwise we have to make assumptions and prepare for the worst. (Based on
my analysis of public information, for example, Atlas Games could not in good conscience extend credit to the merged
corporation.) I hope that the deal already includes provisions that will prevent the worst scenarios I laid out in this
article. We can only know by actually seeing the deal's provisions.
2. Preserve the distributors' ownership stake. The deal should be structured so that the ownership stake of the three
distributors is not adversely affected by the toxic convertible. We in the game industry want to make sure that people
who are knowledgeable, experienced, and trusted remain at the helm when decisions are made about the distribution
business. There are numerous ways this can be achieved. For example, the purchase by IENT might be made with
preferred stock or a new class of common stock with special voting rights. Such special stocks might be convertible
into regular common stock at some point in the future, if the risk of dilution from toxic convertibles is gone.
3. Preserve the autonomy of the distribution business. As far as I know, the distributors are all profitable. If things
don't go well for the combined company, suppliers and customers in the game industry would like to know that the
distribution business is easily severable, either to be spun off as an independent entity again or sold like the CD-ROM
business. That would be better than being pulled underwater by problems in the Internet business, if things there don't
turn around.
Both (2) and (3) might be achieved by structuring the distributors as a subsidiary of IENT, with a large (or even
majority) stake of the subsidiary corporation held by the original distributor owners.
4. Present a credible plan for the long-term health of IENT. It is not enough to promise that profit from distribution
will not be used to cover losses from the Internet business. IENT must set forth and implement a plan for cutting costs
and reducing or eliminating losses, both to assure that distribution will have the ability to reinvest its profits toward
future growth and to assure that no more toxic convertibles will hurt IENT in the future. Even if continued losses are
necessary in the near future, stronger finances from the merger and cost cutting should at least make it possible to
obtain future financing on less draconian terms. Promises are nice, but action is necessary to reassure customers and
suppliers.
5. Articulate a vision for the combined corporation. It's a shame that the original IENT press release seemed
targeted at investors rather than customers and suppliers of the distributors. From conversations with retailers and other
distributors, I gather that many retailers came away from the press release with the impression that IENT was
chomping at the bit to become an online seller of games to consumers, and promptly began seeking new suppliers. This
deal has the potential to transform the game industry for the better, but success will require the support and cooperation
of customers and suppliers. To get that support, IENT must refine and communicate its vision for the future of the
game industry. We can speculate as to why this deal makes sense and might benefit the industry, but guidance from
the actual parties to the merger is needed.
Conclusion
Without these or similar steps, the merger looks very bad for the game industry. Based on the public information, it
appears that the distributors will be bought with the stock of a company that loses more money each year than they can
generate. The value of the stock is about to be slashed by a toxic convertible, meaning the current owners who have
experience and interest in the game industry could be outvoted by shareholders whose interests may lie elsewhere.
Faced with this situation, and without evidence to the contrary, many retailers will look for new distributors, and
suppliers will tighten credit. Such moves may make prophecies of doom self-fulfilling.
The people running Berkeley-TopLine, Zocchi and Alliance are all savvy business people. That's how they reached
their positions of leadership in game distribution. I trust they are studying iEntertainment and planning the merger with
great care. I look forward to seeing them apply their business acumen (and maybe their creative imaginations as
gamers) to the unique problems that this merger presents.
There is a lot to like in the planned merger. All of us in the game industry just need detailed reassurance that the perils
are being avoided.
Star Wars CCG: The Middle-earth Variant
by Greg DeAngelo
Introduction
A long time ago, in a land far, far away, a ring was forged . . .
The concept for Star Wars: the Middle-earth Variant (SW:TMEV) is pretty simple.
Combine the flavor and characters of the Star Wars collectible card game (SW:CCG)
with the roleplaying, storytelling style of the Middle-earth: The Wizards (METW) CCG.
The impetus was one too many late night discussions among our gaming group of pet
peeves with the Star Wars CCG, most notably the inability to build unusual decks or to
do mechanistic things with the game that we wanted to do. Specifically, I wanted to build
a deck made up entirely of dark side Mos Eisley cantina musicians jetting around the
galaxy in stolen X-Wings. The inherent inability to play with light and dark side cards in
the same deck was a major flaw in our minds, as was the limited game mechanics in
terms of how to win.
Since we were big fans of the roleplaying, storytelling style of METW, and since the
SW:CCG cards have so many numbers on them, we came up with the following set of
rules. They worked for us, but that was (as I think I mentioned) fairly late in the evening.
These don't seem to be complete rules for a game.
The rules for SW:TMEV assume that the reader is familiar (although not necessarily fluent) with both the Star Wars
and Middle-earth games. I am by no means an expert on either of these games, but if you understand the basics of the
games then you should be able to follow these rules.
Are there any general or all-purpose rules?
Yes! The following rules apply to this entire variant. This is a conversion of some of the actions from the SW:CCG
and their equivalent under SW:TMEV. Note that you will need some six-sided dice.
(1) There are no "force draws" or "destiny draws."

(2) Whenever you are required to "use force," you must tap a character.
(3) Whenever you are asked to "draw destiny," roll 1d6. (If the ability of the character responsible for drawing destiny
is 3 or more, you can specify +/- 1 to the roll before throwing the die).
(4) A "matching force icon" for a character or other card is light for light side cards, dark for dark side cards.
(5) Whenever you are directed to "lose X force," either discard X cards from your hand, discard X cards from the top
of your deck, or forfeit a total of X points from characters in play.
(6) If you run out of cards in your deck, you do not lose the game. Simply shuffle your discard pile and start over. (To
limit the time of a game, you can specify 1-deck, 2-deck, or 3-deck games.)
(7) If a character or card is specified to be "dead" or "eliminated," then it is removed from the game (not discarded).
Companies & Setup

Starting Company
The starting company typically consists of 3 to 5 characters plus 1 or 2 pilot-equipped starships, light and/or dark. Flip
for who declares their starting company first. Each side plays one character at a time, following the rules of SW:CCG
for character uniqueness.
Your location cards are kept in a separate deck. As in METW, you can look through this deck and select the location
cards representing the site or system to which you want to move (see movement, below).
Characters are brought into play at a site; pilot-equipped starships (those with a permanent pilot on-board) are brought
into play at a system or docking bay. Starting location cards are played at the same time as the starting characters.
Multiple characters can be placed at the same starting site. But, the starting site for a light character must have at least
one light side force bar. Likewise, a dark side character must start at a site with at least one dark side force bar.
The total "free" ability (see next section, below) of your party is limited to a maximum of 10.
Free Ability
Total free ability can never be higher than 10. Your total free ability is the sum of the free ability of each particular
character (including the ability provided by starship permanent pilots). The free ability of a character is the ability on
the card minus the ability taken up by controlling other characters.
This limit on total free ability includes all your characters on the table, not just the characters at a particular location.
(Treat droids as having an ability of 1 for purposes of assessing your total free ability.)
So, to bring out additional characters, you must have some of your characters "controlled."
Controlling Characters
Leaders can control any other character or characters, up to their free ability. Otherwise, a character type can only
control other similar character types. Smugglers can control smugglers, and musicians can control musicians. Any
droid can control any other droid. No character already under control may control another character.
Ability is considered "free" if it is not being used to control another character.
Example:: A leader with 3 ability can control 3 characters with 1 ability each or 1 character with 3 ability.
Example: A player has two diplomats, each with 2 ability. That is a total of 4 free ability for the pair. If she then
reorganizes the company and puts one diplomat under the control of the other, that is a total of 2 free ability for the
pair, freeing up 2 ability with which to deploy additional characters.
In the starting company, characters cannot be played under control of other characters.
Starting Items
Each player can start with up to two items, one of which may be a weapon.
Opening Draw
Each player draws 8 cards to form their opening hand.
Characters & Items

Bringing Characters Into Play
Characters and pilot-equipped starships not in your starting company can only be played at their home site (or in
space) and only if the site has the matching force. To play a character in space, however, you must either have a
spaceship waiting or play one at the same time.
Home Sites
Humans: any exterior site.
Aliens: any docking bay.
Droids: any interior site.
All: any space site.
To attempt to play a character, you must "enter the site" during the site phase (see turn order section, below). You enter
a site by tapping the site; you have to go inside to find the person you're looking for . . .
Once you have tapped the site, you face any "on-guard" hazards keyed to the site (again, see turn order section,
below).
After successfully dealing with any on-guard hazards, then you may tap a character at the site and roll 1d6 (2d6 for
pilot-equipped spaceships and vehicles) with the following modifiers:
+1 if you tap another character at the same site (cumulative).

+1 for each similar force icon at the location.
-1 for each opposing force icon at the location.
For characters, if the total of the die roll plus or minus modifiers is equal to or greater than (deploy + forfeit) of the
character you're trying to play, you get the character! Otherwise, discard the character.
Bringing Items Into Play
Items include spaceships and vehicles without permanent pilots, weapons, devices,
etc., and they can only be played at a site (tapped or untapped) with at least one
matching force icon. You simply tap a character at the site in question to play the
item.
Note that spaceships can only be brought into play at either a system location or a
docking bay. Vehicles can only be brought into play at the appropriate location
indicated by the card in question (i.e., interior versus exterior locations).
Turn Order
Summary
(1) Untap & Healing

(2) Draw
(3) Organization
(4) Movement/Hazard
(5) Site Phase
(6) End of Turn Phase
Untap & Healing
Untap all non-wounded characters. All characters that are not wounded (upside down, see movement/hazard section
below) untap.
Wounded characters that are at a location with at least one matching force icon heal; they go from wounded to tapped
status.
Draw
Draw 1 card for each site you control. (Control here means the same as in SW:CCG -- you have ability at the site and
your opponent does not.)
Organization
Characters and items at the same site can be reorganized however the player sees fit. You can transfer items from one
character to another character at the same site. You can also transfer control of characters among the leaders at the
same site.
Remember that you must have a total free ability (sum of all companies at all sites!) equal to or less than 10 at the end
of the organization phase.
Movement
Movement generally follows the same rules as the SW:CCG, with some modifications.
You do not have to expend force to move. You may only move each character once. You
can tap one character in a company at a docking bay to transfer the company to another
docking bay.
You may search through your location deck and play one location card each turn. The
placement of location cards follows the rules of SW:CCG (for example, the 2nd marker
exterior site of Hoth must be played between the 1st and 3rd markers).
You can split your party (collection of all characters) into as many companies (groups of
characters at different locations) as you wish. However, all characters at the same site are
considered to be in the same company. You can move any number of characters at a site
to another site at the same time; but all the characters you are moving count as a single
company that is moving. Once they safely arrive (if they safely arrive) at the new site,
then all the characters at that site are now in the same company.
Example: You have Luke, C-3P0, and R2-D2 at Lar's Moisture Farm. You want to move Luke and Artoo to an
adjacent site, the Dune Sea, where Lando is waiting with the Falcon. During movement, Luke and Artoo count as a
single company for purposes of facing hazards. Then, following movement, Luke, Artoo, and Lando make up a single
company because they are all at the same site.
When you move a company to a site, you draw a number of cards equal to the number of force icons on your side of
the site card to which you are moving. Your opponent draws cards equal to the number of force icons on his side of the
site card to which you are moving. Note that you draw cards for each separate company that moves, not each separate
character.
Hazards
There is a limit to how many hazards your opponent can play during your movement phase. The maximum number of
hazards is equal to the size of the moving company. The minimum number of hazards that can be played is 2. Your
opponent does not have to play any hazards.
When your company moves to a new site, your opponent can play hazards keyed to the force icons on his side of the
location card. Your opponent is limited to playing one "character hazard" for each force icon on his side of the location
card.
Example: You have 1 red icon on your side of the site card to which a company is moving. The company that is
moving to that site has 3 characters. You can play 3 cards (hazard limit is 3, the number of moving characters),
including 1 character (only one character can be played because you have 1 icon on your side of the card). You decide
to play 1 dark side character, give it a dark side weapon, and play a dark side effect.
If you choose not to move a company, your opponent can play hazards keyed to the site where you stayed. Nobody
gets to draw any cards, and the upper hazard limit is the number of characters in the company.
Your opponent can also place hazards "on-guard." He must still operate under your total number of hazards limit, but
any number of character hazards can be played on-guard. On-guard hazards are placed face-down, and are not
triggered until you enter the site (tap it). On-guard hazards must be keyed to the force icons on your opponents side of
the location card. Your opponent is free to bluff all he wants; a bluffed card (wrong force type, not a hazard, etc.) is
simply discarded when the site is entered.
Site Phase
During the site phase, you can take several actions at each location:
1) Enter the site to attempt to play a character (see characters and items, above);
2) Enter the site to attempt to play a faction (see factions, below); and/or
3) Tap a character to play an item (see characters and items, above).
You do not have to take any actions during this phase.
End of Turn Phase
At the end of your turn, rotate all tapped site cards. The force icons that were on your side of the card at the beginning
of your turn are now on your opponent's side of the card! Essentially, you "untap" the tapped location cards, switching
the force icons with your opponent. Location cards that are not tapped do not rotate.
Also at this point, you may discard a card to draw a new card. Note that you cannot play this new card until the
beginning of your opponent's next turn.
Resources
Characters and items are discussed above. Characters and items are not resources. Resource effects are essentially all
non-character, non-item cards, and they can be played at any time on your turn. They are played on your characters or
on sites you control.
Factions
Kangaroo court is now in session! Hear Ye! Hear Ye!
Factions are cards like "Han's Back" and "Nabron Leeds." They are effects and other non-character cards that represent
a human, alien, droid, or group. If you can convince your opponent that a card should count as a faction, then go for it!
To play a faction, enter a site (tap it) with force icons matching the faction you are trying to play. Do this during your
site phase. Then, once inside the site (and having dealt with any on-guard hazards), tap a character to make an
influence roll (1d6) modified as follows:
+2 if the tapping character is a diplomat.

+1 if the tapping character is a spy.
-2 if the tapping character is of opposing force to the faction card.
If the (influence roll) + (free ability of the tapping character) + (modifiers) is greater than or equal to 7, you get the
faction (put it to the side in a marshaling point pile, it doesn't directly impact play). If the total is less than 7, discard
the faction.
Also, note that the actual card takes precedence. If you are counting "Old Ben" or "Luke's Back" as a faction and an
actual Ben or Luke character comes into play, then you must discard the faction.
Examples: "Takeel" is a burned-out mercenary haunting the cantina at Mos Eisley, but if you can convince him to join
your crusade, he's worth some points. "It Could Be Worse" features a picture of Leia, and as a faction it represents the
support of the Royal Family of Alderaan. "Kintan Strider" is a hologram alien, and yet could be a powerful ally if
turned to the Dark Side. And "Fall Back!" features a great shot of the advancing AT-AT's on Hoth, signifying the
support of the Imperial Machinists Union, Local 1138.
Combat
First things first; fire your weapons.
First, choose targets and fire any weapons (both sides . . . and remember, you tap the
character to "use one force." Use the SW:CCG rules for hits on characters. If a
character is hit, it is wounded and must make a body check.
A body check is a 1d6 roll. If the roll is greater than or equal to the character's forfeit
value, then the character is dead.
Then, fight any hazard characters.
The defender chooses which characters in the company will face the strike from any
hazard characters. All hazard characters are therefore assigned to a defending
character before strike rolls are made.
After everybody is assigned, make a strike roll for each attacker/defender combo. The defender rolls 1d6 + (power of
the defending character) + (the following modifiers):
Defender Strike Roll Modifiers
-3 if untapped character chooses not to tap.

-2 if character is wounded.
-1 if character is tapped.
-3 if facing multiple hazard characters and defender ability is less than 3.
-1 if facing multiple hazard characters and defender ability is 3 or 4.
+0 if facing multiple hazard characters and defender ability is 5 or greater.
+1 if another character at same site taps to help you out (cumulative).
+1 if character is a warrior at a planet site or in an open vehicle.
+1 if character is a pilot at a space site or in a closed vehicle.
The attacker rolls 1d6 + (power of the hazard character) + (the following modifiers):
Defender Strike Roll Modifiers
+1 if character is a warrior at a planet site or in an open vehicle.

+1 if character is a pilot at a space site or in a closed vehicle.
The highest strike roll wins. If the defending character loses the strike roll, it is wounded and must make a body check.
A body check is a 1d6 roll. If the roll is greater than or equal to the character's forfeit value, then the character is dead.
If the hazard character loses the strike roll, it makes a body check (1d6). If the roll is greater than or equal to the
character's forfeit value, then the defending player gets the hazard character and places it in the marshaling point pile. If
the character makes the body check, it is simply discarded.
Things really get interesting when you fight an opponent's company . . .
Inter-company combat can only occur between companies on different sides of the same site. On your turn you can tap
a character to initiate the battle during your movement/hazard phase. You can move then battle, or battle then move.
But, a single character cannot move, then battle, then move again.
All characters at the site (i.e., all members of the company) must join in the attack. The defending player chooses
attacker/defender match-ups as per fighting hazard characters (see above). The only difference is that both sides are
subject to the defender strike roll modifiers. (Note that a tapped or wounded character can attack, it just does so at the
listed penalty.)
After the attacker/defender assignments are made, make strike rolls and check for casualties among the losers (by
making 1d6 body checks) . . .
Winning the Game

You win the game by gathering marshaling points (MP). The MP value of the cards are as follows:
Characters: MP = deploy - destiny.

Factions: worth 1 MP each (2 MP each if opponent does not control any factions).
Hazard Characters: 1 MP each for each hazard character destroyed.
Capital Starships: 1 MP each (3 MP for control of the Death Star).
Complete control of a system (no opposing characters on any of the site cards): 2 MP each.
Items or Weapons: no MP value.
Once one player has reached 20 MP, he calls the Council of Alderaan. After he finishes his turn, his opponent gets one
more turn to play and gather as many MP as possible. At the end of the opponent's turn, the MP totals are calculated
and the winner is heralded!
Or, you win the game by eliminating all of your opponent's characters. "Wipe them out, all of them."
Or, you win if you can manage to either blow up a planet using the Death Star or blow up the Death Star itself. (No
matter who thinks they are in control of the Death Star at the time.)
Art copyright © Decipher, Inc. and Tolkien Enterprises All rights reserved.
Full Immersion
by Ben Vandgrift
Art by andi jones

A gamemaster will use many tricks to communicate tone and feeling, and most of them involve giving players
information. Through intricate description and dialogue, a gamemaster can touch some emotional thread. Here, an
alternate means of evoking certain emotions is presented: giving them no information whatsoever.
Lack of information is as powerful a tool for a gamemaster to use as the information itself, provided the blanks appear
in the right places. It can be used to evoke useful emotions in characters, all of which lend themselves to a more
immersive roleplaying experience.
Roleplaying games are played for the enjoyment of the player, so it's often the player that you want to affect.
Terrifying a character is easy: chuck some dice, and say he's terrified. Terrifying the player is at the same time more
difficult, and satisfying, both for the player and the GM.
Curiosity
A blank door in an otherwise well-labeled hallway is a Full Immersion
plaything for the imagination. Unmarked office buildings,
electronic locks, even a simple "Keep Out" sign compels
nearly everyone to wonder what is within. Whether it is a
door, drawer, locked book, or mysterious newspaper article,
our instinct is to root out this information. It makes us
curious, and in a game situation, curiosity is one of the most
useful tools in the gamemaster's garage.
The wonder evoked by such scenery is compounded when it

doesn't belong. A numberpad on a plain door in an interstate
rest stop is much more interesting than the same door in a
computer lab. A shoddy outbuilding with a dollar store
"Keep Out" sign doesn't pique the imagination as would an
expensive, laser-etched metal plate on the same shoddy
building. Whether you wish to compel the characters to act,
or merely make sure some small fact sticks in their head, the
amount of curiosity evoked can be adjusted to suit the scene.
An adventure often begins with curiosity. Many stories begin

with little more than a small investigation to satisfy a
personal mystery. As more secrets present themselves, the character is drawn more deeply into the story. But this
technique isn't just for the beginnings of stories. It's possible to add wonderment to any scene. Add something as
simple as a few large stainless steel cylinders attached to pipes, all unmarked, in a building where they wouldn't be
expected. Put frosted glass in them and let the players wonder what the light within conceals. Small secrets, even
unrelated to the story, can make for great entertainment for all.
Danger
Facing the unknown is cause for apprehension, even fear. If a party of adventurers find a temple where none should
be, they hesitate, regardless of how benign the temple may seem. Crossing the line from simple curiosity to trepidation
requires two things: personal stake, and possible threat. Being signaled over by an unmarked black sedan is cause for
much more dread than seeing someone else pulled over. The plain, unmarked door looks much more intimidating if you
have to go through it, uncertain of what lies beyond.
When creating scenes designed to provoke this reaction, watch for overkill. A player will enjoy the subtle hint of
danger more than obvious jeopardy. Consider the sedan mentioned before. If five agents armed with MP-5s get out,
players reach for their dice. If it just sits there, waiting, players begin to wonder. Let their imagination do the work.
Again, a hint of hidden danger spices up any scene. A street in broad daylight takes on a dark tone if brick dust sifts
down from the building you're standing under, indicating someone unseen on the roof. From a sudden crackle of static
on a cell phone to the snapping of a distant twig in the forest, little details add dread to an otherwise normal moment.
Terror
Danger and curiosity are subtle feelings. Not all occasions call for such subtlety. Sometimes you want to reach out and
grab your players. (Try it sometime, watch the ensuing mayhem.) Lack of information can also cause alarm, horror,
even panic in a character. To get the proper feeling though, you must not hit hard enough to make the player reach for
his sheet. A few seconds of pure fright first will be much more memorable.
The tools for terror are the same as for danger, only the threat shouldn't be obvious. A known threat is easily dealt
with. A previously unknown threat's sudden appearance can cause a strong, memorable reaction. Displaying events
from another point of view can also be disconcerting and a great source of player dismay.
Consider the following scene:
Eli and Ryan (both PCs) are talking on the phone about some strange and uncomfortable events. Both have seen things
in the past few hours to make them feel unsafe, and more than a little paranoid. Interrupting Ryan midsentence, the GM
describes to Eli's player the sound of a phone being dropped and hitting the floor. He hears nothing. After a few
seconds, the phone is hung up on Ryan's end. Nothing has been said to Ryan's player at this point. Eli listens for a
moment longer, then hangs up, dismayed.
Before this scene, curiosity and suspicion have led to no small amount of paranoia. Neither character can put a face on
the present threat, and have no idea how powerful it is. The seeds of terror have already been sown. When that scene is
executed, the Ryan's player has no information, but knows that his phone has been dropped and hung up. He will start
to feel some panic, then horror. Likewise, Eli's player is shaken, and more paranoid than before. A good gamemaster
would cut away at this point, leaving them to consider the fates of their characters before returning to resolve the
situation. The result? A memorable scene, enjoyable by both player and GM.
Conclusion
The key to pulling off emotional scenes is subtlety, especially when dealing with potentially dangerous situations.
There is a point at which a player will begin to consider the mechanics of his character to resolve the situation. Avoid
pushing the player to this point and maintain the emotive force of the scene. Hold the feelings as long as possible
before rolling the dice. The payoff is big -- watching your players sweat is one of the great rewards a storyteller has.
The Jgd-ll-Jagd
by Phil Masters
Art by andi jones

[Editor's Note: A large part of this article originally appeared in Issue 17 of The Journal of the Travellers' Aid Society
in 1983. The GURPS stats, of course, are new.]
The Jgd-ll-Jagd are a gas-giant dwelling intelligent species originating on a world on the coreward edge of the
Imperium. Although technically a minor race, they possessed very advanced technology even before they were first
contacted by Vilani explorers in about -4200; in the period since, for obscure reasons, they have never employed jump
drives of their own, although their slower-than-light ships have ventured many parsecs from Jagd, and Jgdi colonies
are spread across several subsectors. Jgd have very occasionally traveled further afield than this in heavy life support
units carried by bulk transporters, and Jgd travelers have even collaborated with Humaniti on a few exploration and
resource-exploitation activities.
Biology
Jagd is a gas giant, slightly smaller than Sol's Saturn (110,000 km diameter). As such, its atmosphere is hundreds, if
not thousands, of miles deep, and consists mostly of hydrogen with an admixture of other gases; at the vast pressures
of its depths, the gas becomes liquid, then a metallic solid, but these conditions are too extreme for life.
Generally, gas giants are unsuitable for the evolution or continued existence of life, but in a few cases, organic
molecules have not only formed, but developed into something more. The conditions under which this becomes
possible are not entirely clear, and some scientists insist that the intervention of highly advanced races (perhaps the
Ancients) must have been required, but it appears that a sufficiently high level of heavier gases permits the formation
of complex molecules, a layer or two of dense clouds of various chemicals (such as ammonia) can give them an
environment in which to evolve, and a continuous "rolling boil" of activity in the planetary atmosphere prevents heavy
compounds from sinking into the lethal depths too easily. Multi-cellular gas giant life often develops internal "gas-
bags" of near-pure hydrogen at above ambient temperatures, enabling it to float around like balloons; this is certainly
the pattern on Jagd.
The Jgd have roughly spherical bodies, about nine or ten feet in diameter, dotted with clusters of sensory cells, and
with three long manipulative tendrils distributed regularly round the "equator". The densest mass of sensory organs,
plus a large number of manipulative "feelers" and feeding structures, are sited on the lowest point of the body. The
species' internal structures are based on a number of thin-walled compartments, one of which (near the body center)
houses the brain (or at least the largest neural nexus), but most of which are empty but for hydrogen secreted by the
body chemistry. Control of secretion rates and partially-directed release of gas give the Jgd considerable control over
their atmospheric buoyancy and direction of flight, but these "living balloons" are still rather susceptible to
atmospheric currents; it is generally believed that accidental population redistributions were common in primitive Jgdi
society, leading to loosely-bonded communal organization and exceptional homogeneity in Jgdi culture.
Insofar as such terms have meaning in this context, the Jgd seem to spring from omnivore/intermittent stock. There is
only one sex; genetic interchange is achieved by air-borne spores, and reproduction is achieved by a sophisticated form
of binary fission. Their senses are based on extreme awareness of atmospheric vibration, plus very limited response to
a very wide range of electromagnetic waves. Jgd can communicate limited information over tens of miles, using pitch-
modulated ultrasonic "whistling," but the primary form of "speech" involves electrical impulses transmitted by direct
physical contact. It is thought that this allows the transfer of very large quantities of information at the semi-
subconscious as well as the conscious level, further enhancing the homogeneity of Jgd culture.
The Jgd live extremely long lives; apparently, no condition of "old age" exists, although eventually a fissioning Jgd
undergoes division of the parent brain, rather than generating a new "child" cerebrum. Average life of an identifiable
Jgd individual, barring accident, is approximately 630+ standard Imperial years.
Society
The Jgd-ll-Jagd The Jgd developed their basic form of technology when they
learned to manipulate crystalline matter which they derived
from various communal microscopic life-forms that they
found among the ammonia clouds of their homeworld;
crystallography is as central to their technological history as
metallurgy is to Humaniti's. They developed activities akin
to farming rather late, but their social systems are immensely
refined, and spring from the need to organize for food-
gathering, crystal-seeking, and hunting. The basic social unit
is termed the "hunt" by human xenologists, and consists of a
cooperative body formed for a specific purpose -- not always
anything as short-lived as a hunt for food. Many "hunts" are
millennia old, but even disregarding natural mortality, the
membership is extremely flexible, with individuals leaving
and joining quite frequently in most cases. Hunts to some extent resemble human businesses, trusts, or colleges, or
Hiver nests, but each hunt actually holds a rather deeper role in Jgdi culture than this implies, in a way that only the
Jgd themselves really comprehend. The crew of a short-range spaceship will usually comprise one hunt, while an
interstellar craft will have three or four "active" hunts aboard, plus the social nucleus of several more that become
active as and when the ship establishes a colony or base on a new world. The system is remarkably flexible but robust.
The other key element in Jgdi psychology is what is usually referred to as an obsession with balanced exchanges,
apparently running at least as deep as human curiosity, Aslan land-hunger, or Newt orderliness. A Jgd is almost
physically incapable of "unilateral behavior." For example, the Jgd never initiate exploration for its own sake, but only
send ships where there is a very high probability of finding exploitable resources, or of establishing a colony that
might eventually send vessels back to Jagd. This obsession, apparently linked to the inherently bilateral nature of Jgdi
conversation, has resulted in almost all contact between Jgd and other races taking the form of trade. It also causes the
Jgd to operate a peculiar (and slightly brutal-seeming) legal system; theft is always punished by fines, violence by
violence, and so on (in short, "an eye for an eye"). It is even hypothesized that the Jgd commenced interstellar travel
when and only when they were first contacted by Humaniti because only then was a degree of symmetry implied by
the activity.
The homogeneity of Jgdi culture is a major factor in Jgd society, but it must not be overstated. Jgd are discrete and
independent individuals, with distinct personalities and powerful personal drives; they have an idea of private
property; they have personal violence, if not wars. Nonetheless, it is important to note that education -- in the sense of
a transmission of data -- is extremely easy for them; hence almost any Jgd can employ almost any Jgdi device or
technique with at least minimal competence. This does not imply that the race lacks individuals specializing in
particular fields of competence, merely that total incompetence in any field is rare.
Jgd In Interstellar Society
Jgdi thought is alien to all other races' intelligence; hence, communication is a persistent problem. The obvious
difficulty of simply conversing is generally solved by use of powerful human or Jgdi computer translators, but even
these tend to struggle with many concepts; nor is pronunciation of synthesized phonemes always easy. (The name for
the race used by humans is a human corruption of something produced by an early Jgdi machine.) In general, relations
with Humaniti and other races are restricted to trade and informational exchanges.
The Imperium classifies the Jgd as a friendly associate species with autonomous government; actually, no formal pacts
exist, although relations are in a state of stable equilibrium. Jgd-inhabited systems will always be "patrolled" by a
number of large and powerful vessels (see below); these rarely take much interest in human affairs unless Jgdi interests
are threatened. The chief point to note in such systems is that fuel-skimming a Jgd world is extremely unwise; shock
waves from the pass may cause severe damage to the beings and their environment, and their response is certain to
involve high-energy weapons fire. For this reason, Jgd systems are well-marked with navigational beacons.
Other races get on with the Jgd even less well than does Humaniti (although there are Jgd colonies or outposts in or
near K'Kree space; the K'Kree generally find these beings too alien to contemplate in detail, and hence cannot decide
whether to worry about their diet); mankind at least has long experience with the race, and the Jgdi exchange-
obsession corresponds effectively to the human tradition of mercantile economics. There are no records of the Jgd
hiring alien mercenaries for any but short-term jobs, or of small Jgd groups or individuals settling for long with other
races save out of necessity.
The Jgd failure to construct jump drives is a mystery to most humans; the task could easily be performed by Jgd
technology. The usual explanation is that the race actually refuses to do so because it is impossible to enter into an
"exchange relationship" with hyperspace, making the subject anathema to them. Other popular arguments hold that
jump travel is somehow dangerous to them, which is clearly true in some ways; after all, the Jgd travel units
occasionally loaded onto human jump ships carry extremely heavy insulation (though this is more a matter of
preserving their internal environment in the conditions of a human ship).
A few xenologists have acquired a slightly deeper grasp of Jgdi psychology, and recognize the greater problem here.
What they have come to understand is that Jgdi behavior evolved, from a very early stage, as a set of responses to the
stormy, energetic climate of their homeworld atmosphere. Some scientists say, not entirely as a joke, that the Jgd-ll-
Jagd had developed a detailed understanding of Newtonian dynamics millions of years before they developed
sentience. Thus, Jgdi physics is not so much an advanced study as a refined instinct.
This makes their science very powerful in some ways, but terribly limited in others. Their grasp of action and reaction,
force and flow, is immediate, but any theories that go beyond this -- particularly theories built on asymmetry or
paradox -- offend them at a level below thought. Human minds have enough trouble encompassing quantum physics or
jump-space theory; to the Jgd-ll-Jagd, they are the essence of insanity. Worse, a member of the species cannot feel
safe if it does not have a clear and continuing comprehension of the physics and dynamics of its environment;
anything else is deeply horrifying. And it cannot not think about this.
In other words, to the Jgd-ll-Jagd, jump travel is about as pleasant as a human would find being swung over a pit full
of jagged spikes, on the end of a fraying rope, for several days continuously. The only members of the species to travel
thus are slightly crazy volunteers, and receive the nearest approximation their metabolism permits to anesthesia -- and
they still sometimes suffer something like nervous breakdowns thereafter.
Jgd in Play
Jgd should only be played and handled as NPCs; in the unlikely event of any PC interacting with one on a personal,
violent level, a typical specimen has ST 12, DX 10, IQ 12, and HT 12/25. Their tough outer integument gives them PD
2 and DR 5, and they can have a Move and Dodge of about 4. Their internal gas-bags make them highly vulnerable to
penetrating attacks under some circumstances, but their internal structures are complex and robust; they never simply
"burst."
Jgdi encountered on worlds where they can live unprotected (about 5% of gas giants) or with minimal protection
(another 15%) will generally have only the equipment their current circumstances demand. In other cases, Jgd usually
use small sealed-environment capsules with heavy heat shielding and armor, each holding 3-10 Jgd; less often, they
wear cumbersome personal protection comparable to battle dress, complete with strength augmentation. An armed Jgd
-- a rare sight, which will only appear for a good reason -- usually carries plasma or fusion guns, with a few lasers or
gauss guns when the situation demands something relatively subtle.
Jgdi skills are generally specific to Jgd technology and society; the main points to note here are that all members of the
race have at least basic knowledge of most Jgdi devices, while specialist Jgd tend to be very well-trained; ships and
weapons are seemingly invariably handled at skill levels of 15+. Beyond this, the referee should assign whatever skills
seem appropriate.
Jgdi ships can be treated as TL11 constructions with TL12 power plants and maneuver drives; no jump drives are ever
fitted. Even their smallest in-system shuttles are in the 2,000 ton range, while their interstellar craft range up to
400,000 tons or even more; Jgd like a lot of personal space in their crew quarters, have no equivalent to low berths,
and make shameless use of very large fusion power systems. If fitted, weapons are generally bay-mounted TL12 fusion
guns, along with possibly some TL11 repulsors, nuclear dampers, and some meson screens; missiles and sandcasters
are rare, and limited to TL9 quality.
Refereeing Jgd
Jgd are utterly alien beings, and may be quite tricky to referee. (Jgd player-characters are out of the question). The
main problem is their apparent obsession with balanced exchange in all relationships; practical environmental factors
must also always be borne in mind. Nonetheless, the race is neither irrational nor erratic, and basic impulses such as
self-preservation are common to Humaniti and Jgd alike.
Player-characters may encounter Jgd in a variety of circumstances. Trade is an obvious possibility; Jgd understand the
concept of money, but prefer barter-type systems, and the more symmetrical the exchange the better; a party seeking
low-temperature crystals will probably achieve the most return if they trade with industrial diamonds or refined
titanium. Partnerships in exploration are possible, but harder to negotiate.
Jgd never, ever voluntarily travel by jump ship except in insulated capsules; if asked why not, they will be evasive, and
what they do say will defeat any translator. (They are not lying or prevaricating; they are struggling to express a deep-
seated sense of wrongness.) One kidnapped into such a trip will almost certainly go into a state of neural shock the
instant jump space is entered, rapidly deteriorating into death. (And few hospitals have personnel with the proper
expertise or properly heat-insulated equipment to perform delicate medical work on a Jgd.) Bear in mind that Jgdi
"vengeance" will subsequently be certain and thorough. On the other hand, Jgd slower-than-light ships, taking Jgd
lifetimes to cross the interstellar void, are strange and interesting encounters for players. Jgd colonies and outposts
should be noted as precluding hasty fuel scavenging.
Finally, note that human social skills are of little use when dealing with Jgd, although high levels of Xenology may
help; perhaps the most useful skill when dealing with the species over an extended period are Computer Programming
or Electronic Operations, as translator systems may often need fine-tuning.
Lost Souls
by Kris Overstreet
Art by andi jones

[Editor's Note: The material in this article laid the groundwork for the section on ghosts in the Corporeal Player's
Guide. Where there are conflicts between this article and that book, consider the information in the CPG as official
canon.]
In the universe of In Nomine, mortals often have close brushes with the supernatural, as celestial and ethereal beings
struggle for advantage in the great War. These are often reported as sightings of angels or demons, but also as ghosts
or spirits or elves or haunts of every shape and description. Every once in a while, though, a report of a haunting may
be just that -- a sighting of a soul so troubled, so angry, so stubborn that it resists the pull of Heaven or Hell to remain
in the corporeal realm after its life has ended.
When playing In Nomine, ghosts make interesting NPCs and can provide ways for deceased human PCs or NPCs to
continue on after their death. Ghosts, in general, should not be PCs and should definitely not be used as starting
characters, but there are few adventure seeds more engaging for gamemaster and players alike than a good old
fashioned ghost story.
How Ghosts Are Made

Ghosts are the human souls, or fragments of human souls, which remain when a human feels he or she has left
something unfinished on Earth. This can be due to a sudden or violent death, an obsession, a personal tragedy, or just
dying at an age the deceased considers "too young." In any case, resisting the call to the Great Reward requires a
massive effort of Will and a sacrifice of a bit of themselves . . . maybe more than a bit.
The secret behind a soul remaining on Earth is in anchoring itself to a particular location or object in the corporeal
realm. This may simply be an empty point in space, or a family heirloom, or a tree or a rock or even, in extreme cases,
another person. Once anchored, that soul can remain on Earth, but only within a certain radius of the point or object it
is anchored to.
A human soul must have a minimum of two Celestial Forces to attempt to remain in the corporeal realm. With the
celestial realms pulling on the soul, each attempt results in a Force tearing itself away from the soul and flitting off to
whichever realm the soul was intended to go -- this Force is usually a random Force from any of the three types the
human possesses. If, after the Force is lost, the soul still has two or more Celestial Forces, and succeeds in a Will roll
to bind itself to Earth, that spirit becomes a ghost; if its effort of Will fails, then the soul may try again, losing a Force
in each attempt, until it finally anchors itself or drops to one Celestial Force. At this point, the rest of the soul is
reunited with those Forces previously torn away -- in whichever realm it was destined or fated for.
A ghost usually retains the skills and abilities it had in life; however, if a ghost loses a type of Force entirely, all Skills
it may have had related to that Force are lost forever.
Ghost Mechanics
Ghosts act differently than Celestials in celestial form on Earth. Nobody has explained how or why this is, but the best
guess anyone has is that human spirits have a natural affinity to the corporeal realm which allows them to affect that
realm even after death.
For their ability to linger after death and affect the physical world, ghosts sacrifice their freedom of mobility. Ghosts
can only move (Will x 10) units from their anchors. If they have two Celestial Forces, the distance is measured in
yards; with three Celestial Forces, in acres; with four or more Celestial Forces, in miles.
Ghosts can manifest visibly in the corporeal realm without expending Essence on Songs or other mechanisms.
Depending on their strength, this manifestation may be limited to dark rooms or moonless nights, or they may
manifest even in the brightest sunlight with all the appearance and tangibility of a living being.
Observers can spot ghosts through a handful of clues. Ghosts do not appear in mirrors or cast shadows, and their
luminescent glow does not cast a beam or cause shadows. Recording devices like cameras often show ghosts only as
overexposed patches on the film, if at all. Ghostly speech can be recorded electronically, but except in the case of the
most powerful ghosts such recordings end up with faint, garbled moaning sounds, no matter how clear the speech may
be to eyewitnesses.
Ghosts' appearance depends upon their Ethereal Forces. Only ghosts with Ethereal Forces will manifest in humanoid
form, although ghosts with only a few Ethereal Forces (one or two) may only manifest from the waist up. Ghosts
whose Ethereal Forces have been stripped away no longer remember what they looked like in life, and manifest as
glowing balls of light, if they manifest visibly at all. Many of these types remain invisible to Corporeal senses and can
only be detected by a sensation of cold when standing near -- or even within -- them.
Of course, ghosts may be detected celestially, as with an angel or demon in celestial form.
Only ghosts with Corporeal Forces can affect objects in the corporeal realm, and this power of manipulation is usually
clumsy at best. Any effort to affect corporeal objects must be preceded by a successful Will roll; otherwise, the ghost
is unable to touch that object that round.
Ghosts regenerate Essence at noon as they did in life, under normal circumstances. They have no need of nourishment,
do not grow, do not reproduce, and do not produce waste product. As time goes by, some ghosts may develop a Rite
associated with their anchor to draw more Essence from the Symphony. Ghosts do not cause any Disturbance except
by the purposeful expenditure of Essence.
If a ghost knew a Song in life, and still has the Forces related to that Song after becoming a ghost, it may still use that
Song. It is extremely rare for a ghost to learn Songs after death; few enough ghosts have the six Forces, including at
least one of all types, to learn, and fewer Celestials have the inclination to teach them.
Exorcising A Ghost
Getting rid of a ghost is difficult, but possible, for talented mortals. For Celestials, it can be easy, especially with their
superior Perception and Will. Depending on the situation, exorcists may choose to persuade the spirit to depart of its
own accord or to confront the spirit and drive it away from its anchor.
Ghosts can release their anchorage at any time they choose; when they do this, they are again subject to the pull of the
celestial realms, which they may choose to obey this time or fight by choosing a new place or object to tether to,
losing more Forces in the struggle.
The best way to convince a ghost to end its haunt is to complete the business the ghost did not finish in life.
Sometimes, this will be as easy as the ghost telling someone goodbye; sometimes it will be downright impossible,
although the ghost may not recognize it as such.
Malevolent or stubborn ghosts can be driven away from their anchors by someone with high Perception and Will. First,
the exorcist must track down and confront the ghost through a series of successful Perception rolls. Then, the exorcist
attempts to use his or her Will to force the ghost from its anchor; if the exorcist's Will roll succeeds, the ghost must
make its own Will roll or be banished forever.
A ghost exorcised by persuasion passes on to the celestial realms peacefully; a ghost banished by direct confrontation
does not go to Heaven or Hell, but disperses its Forces back into the Symphony.
Types of Ghosts
Following are a few different types of ghosts, with an example of each. For GMs creating new NPCs, pick one of the
following templates, select Forces and attributes, then assign 4 Character Points (CP) per Force the ghost has. The
ghost may or may not have one Rite (costs 5 CP). Ghosts have no bodies or vessels and may not buy any, but may buy
up to two points of Charisma at two CP per point of Charisma.
Will O' Wisps
No Corporeal Forces, no Ethereal Forces, 2 or more Celestial Forces
Will o' Wisps are the most rudimentary form of ghost, spirits who have sacrificed every part of themselves except the
very Will they needed to remain on Earth in the first place. Aside from manifesting as vague balls of light or cold
pockets of air near their anchor, Will o' Wisps cannot affect the corporeal realm, and don't have the intelligence to
make any major changes if they could.
Will o' Wisps are the most common type of ghost and can be found all over. Many are never even recognized for what
they are by humans who encounter these lonely, wandering spirits who have forgotten why they remained on Earth and
do not know how to let go.
Mr. Bragg
Corporeal Forces -- 0 (Strength 0, Agility 0)

Ethereal Forces -- 0 (Intelligence 0, Precision 0)
Celestial Forces -- 4 (Will 6, Perception 10)
Form: shining ball of light (+2 Charisma (holy))
Skills: Tracking/3, Seduction/2, Dodge/2
Rite: Float past a parked car on Bragg Road (+1)
Before oil came to the dense subtropical forests and swamps of Southeast Texas, the major industry of the region was
logging. One of the sawmill towns born of this industry was named after Confederate general Braxton Bragg, and its
little spur railroad ran north from the main line through a swampy five-mile stretch of woods near a cypress-choked
stream named Bad Luck Creek. The line continued to serve the sparsely populated area until the rails were torn up in
the 1930s, and the sawmill town gradually faded out of existence, leaving only the unpaved Bragg Road on the old
railroad foundation . . . and the Bragg Road Light.
Some people say that there actually was a Mr. Bragg, and the light is his ghost. Others say that the light is the spirit of
a Mexican brakeman on the old rail line who lost his head in a tragic accident, and that he carries his lamp through the
swamp trying to find his head again.
The truth of the matter is more tragic than that. "Mr. Bragg" was a young lover and dreamer whose Northern-born
lover died of malaria in the mosquito-ridden swamps of the Big Thicket. In a fit of despair, the young man threw
himself under the train one day, seeking his lover in the next life. In the struggle to remain where he was, he lost the
very memory of his Earthly lover, and now he wanders within the wide range of his anchor, searching for something
he doesn't remember.
Poltergeists
1 or more Corporeal Forces, no Ethereal Forces, two or more Celestial Forces
Poltergeists, or "house ghosts," can be playful, friendly or malevolent. What they can't be, sadly, is intelligent; in their
struggle to avoid the afterlife, these spirits literally lost their minds. Now, with no more intelligence than an animal,
these spirits guard their anchors and express their pleasure or displeasure by using their limited corporeal powers to
influence objects around them.
Poltergeists usually do not display a corporeally visible manifestation, and their celestial form is hardly more complex
than a will o' wisp's glowing globe. They are usually detected through the cool spots where they manifest . . . or by the
objects flying across the room.
Jimmy
Corporeal Forces -- 2 (Strength 5, Agility 3)

Ethereal Forces -- 0 (Intelligence 0, Precision 0)
Celestial Forces -- 2 (Will 7, Perception 1)
Form: invisible ball of energy, cold areas
Skills: Detect Lies/2, Dodge/3, Emote/4, Fighting/2, Throwing/5
Jimmy has chased away no less then seven families from the Missouri farmhouse he haunts. This malevolent spirit,
slain as a teenager during the neighbor-on-neighbor warfare which infested the region during the Civil War, takes
pleasure in throwing large objects at anyone who tries to set up housekeeping in the home he haunts.
So far, none of the families or realtors who have held the property have considered exorcism; the strongly Protestant
population does not believe in ghosts or the power of men to cast them out. Jimmy may be working towards his own
destruction, however . . . the century-old house is in dire need of renovation, but Jimmy's pranks make any effort to
shore up the rotting timbers and cracking foundations futile.
Apparitions
No Corporeal Forces, 1 or more Ethereal Forces, 2 or more Celestial Forces
Apparitions have lost their ability to affect the corporeal world directly, but still hold the intelligence and memories of
their past existence. Depending on how much of their mind remains, the ghosts may simply replay bits of their old life
over and over, trapped in a loop of fragmented memory, or seek out humans to convey messages to in an effort to
complete the work they left incomplete.
Apparitions manifest as the form they remember themselves as, except without legs; their image fades out below the
waist. Being intelligent, they can be as harmless as a will o' wisp or as hateful as a jealous house ghost, and despite
not being able to move objects or speak aloud, they have their own ways of making an unwanted visitor very
miserable indeed.
Charity Brown
Corporeal -- 0 (Strength 0, Agility 0)

Ethereal -- 1 (Intelligence 2, Precision 2)
Celestial -- 3 (Will 6, Perception 6)
Form: head and torso of young African woman (+1 Charisma (beautiful))
Skills: Fast-Talk/2, Knowledge (plantations)/2, Knowledge (slave lore)/2, Singing/3
Rite: Talk someone into helping Charity cross the river (+1)
Near one bend of the Kentucky bank of the Ohio River a ghost can sometimes be seen at night, looking sadly at the
wide running water with an occasional fearful glance over her shoulder. This spirit in life had been Charity Brown, a
runaway slave who in 1838 had been run down by bounty hunters just before she was to meet with a boat to take her
up the river to Pittsburgh, and then to Canada and freedom. When she resisted their attempts to rape her, the bounty
hunters shot her and buried her near the river, leaving her shade to wander around her final resting place in search of
her freedom.
Occasionally Charity manifests on the deck of a riverboat or barge, at the extreme limit of her anchorage, trying to
convince the captain to take her across to the other side. In recent times, she has approached cars on a nearby highway,
begging for her freedom, looking for someone who can guide her to a place where she can live free at last.
Ghosts
1 or more Corporeal Forces, 1 or more Ethereal Forces, 2 or more Celestial Forces
The classic ghost represents the least fragmented of lost spirits, the shades of powerful mortals who had six or seven
Forces when they died. These spirits usually possess most of their original intelligence, are fully aware of the
circumstances of their existence, and are capable of communicating normally with living mortals or Celestials. Since
this type of ghost is the most likely either to be exorcised or to finish their "unfinished work," they are also the rarest
type of ghost.
In all but the brightest direct sunlight, ghosts appear as real and tangible as living humans. Only their limitation to the
area of their haunting, and their selective tangibility, reveal their true nature. Ghosts usually have morbid senses of
humor, and those ghosts who no longer have any hope of completing their unfinished business tend to laugh at mortal's
worries as inconsequential and self-absorbed. "Life is wasted on the living," they might say, all the time wishing for
another chance to truly live, or to end the hanging-on existence they go through, day after day.
Molly Malone Lost Souls
Corporeal -- 1 (Strength 2, Agility 2)

Ethereal -- 1 (Intelligence 3, Precision 1)
Celestial -- 4 (Will 6, Perception 10)
Form: "Black Irish" maiden (+2 Charisma
(beauty, sex appeal))
Skills: Clamdigging/2, Detect Lies/1, Emote/4,
Singing/4, Knowledge (Ireland)/4
Rite: Spend 8 hours walking the shoreline (+1)
In life and death, Molly Malone is a legend

among Irishmen the world over. In life she was a
poor, unlucky "black Irish" woman, and to this
day she manifests as a raven-haired, pale-faced
beauty, singing a song as she gathers shellfish on
the Irish coast. She had many lovers in life, but
none lived long enough to be her husband, and in
anger at the world which had deprived her of all
hopes of happiness, she threw herself off a cliff
one day and plummeted to her death.
Her life of misery and Christian love, and her charity towards others despite her poverty, would have gained her a spot
in Heaven, but her spirit rejected the call of the Blessed Land. In her sorrow and anger she anchored herself to Ireland
-- all of Ireland -- but particularly the southwestern coasts where she dug shellfish and aided the shipwrecked in her
poor tenant hut.
Observing all of this was one of Saminga's more creative Servitors, a Habbalite named Crenathan. Cren had been
working to create a terror of the dangerous Irish coastline, and he knew Molly's tragic story inside and out -- in fact,
he'd caused the deaths of two of her lovers in his pursuit of the word of Shipwrecks. When he saw Molly's ghost for
the first time, though, he abandoned this goal for a new one -- to make Molly Malone's ghost a terror as great as the
banshee for Death.
From then on, Crenathan kept an evil eye on Molly's wanderings, as her shade searched the Emerald Isle for love.
Whenever a mortal met Molly's shade, Cren would follow him, make sure that mortal told someone else, and then
engineer an unlucky death for the unfortunate mortal. Within a century, Molly became an Irish proverb, and even to
this day anyone unfortunate enough to cross Molly's path is marked for death by Cren (who earned a Knighthood for
his dedicated work).
Molly is unaware of Crenathan's existence, and believes that God has made her an unwilling harbinger of death. She
still longs to help others, and occasionally when nobody is looking, she will do little things to help the oppressed or
poor. She spends most of her time wandering the empty moors and beaches of the land, searching for love and hoping
she doesn't meet anybody, lest she cause yet another untimely death.
Celestials and Ghosts

A celestial's attitude towards ghosts usually varies according to their Superior's attitude towards them. Dominic and
Asmodeus both regard ghosts as deserters and encourage their destruction by exorcism. Novalis and Kobal, each for
totally different reasons, have their Servitors assist any ghosts they might find in achieving their goals. Beleth, Gabriel,
Lilith and Saminga want ghosts left where they are, to live out their existence as they see fit; Yves and Kronos'
Servitors are ordered to urge the ghosts on to their celestial reward, provided that that reward is in favor of the Word
the Servitor serves. A Balseraph of Fate who inadvertently guides a soul on to the Upper Heavens will have a lot of
questions to answer when he next speaks to Kronos.
Most of the rest of the Superiors on both sides don't care one way or the other about ghosts, so long as those ghosts
don't interfere in their plans. In general, both sides regard ghosts as misguided. Angels think of each ghost as a great
tragedy, while demons regard ghosts as damned souls who are only putting off the inevitable.
Adventure Seeds
Haunted House for Rent
A local Servitor of Kobal has bought a haunted house with a very nasty poltergeist inside (it might even be Jimmy's
house) and is renting it out -- cheap. He's wired the house with cameras and microphones, all ready to record the antics
of the terrified renters when the ghost makes itself known to them. A group of angelic PCs may be assigned by David
or another Archangel to "clean house," or at least see to it that the demon's plan to amuse Shal-Mari at innocents'
expense is somehow derailed.
Malone's Curse
Molly Malone has appeared to a large town In central Ireland. Thousands of people have seen the shade, and
Crenathan can't kill them all by himself, so he comes to a group of demonic PCs for help in killing every man, woman
and child in the town. Of course, the angels in town will have something to say about this, too, even if the recruited
demon wouldn't rather sabotage one of Saminga's minor plots . . .
A Wall Sufficient to Defend
by Matt Riggsby
If churches and temples are the architectural manifestation of a society's hopes, fortifications are the manifestation of
its fears. Temples are built in hopes of currying the favor of distant gods, but walls are built with the certain
knowledge of attack by nearby enemies. Castles, city walls, and other fortified positions across the ages have shared a
number of elements: thick walls, heavy doors, ditches, and lookout towers. However, the particular elements used and
the shape they took depended on many factors, not all of which are strictly military. They are shaped as much by their
social and economic climate as much as by purely martial concerns.
Early Fortifications: Basic Elements

Fortified walls are among the first large structures of nascent civilization. The earliest defensive walls, composed of
piled earth, mud brick or stone rubble, enclosed large villages of the late Neolithic (mid-TL1 in GURPS terms) and, in
time, early Bronze Age cities. The early walls were thin and (probably) low by later standards. Ten to 12 feet tall and
four or five feet thick would have been ample protection for most settlements, although thicker walls of piled earth
were easy to make. A "wall" ten or 15 feet thick would not be out of the question for a good-sized city. Low towers
appeared not long after fortification walls. Neolithic Jericho had a narrow stone rubble tower of unknown height.
The basic principles for fortifications used up to the modern era were there from the very beginning: put a barrier
between you and your enemy, the taller and thicker the better, to keep him at a distance while you pelt him with
missiles. Keep openings to a minimum and build extra defenses around the gates, your weakest point. Increase the
effective height of your walls by digging ditches immediately in front of them (the sudden dip in the ground will also
blunt the force of offensive charges). The dirt dug out of the ditch can be used in your wall. Build towers to provide
better visibility for defenders and strong points along the wall.
As unimpressive as those early defenses were, they were up to the task. A Wall Sufficient to Defend
Armies were small for the most part and lightly armed with spears, small
bows, and bronze weapons. Earthen walls could be constructed relatively
quickly and cheaply, and they were good enough to keep out small armies
and casual raiders. They were also relatively resistant to battering rams, the
only siege weapons available until the Iron Age.
Refinements in wall design came rapidly as architecture developed. While

stone and, later, brick were clearly superior materials, building an entire wall
from them was prohibitively expensive. Wall-builders used earth or rubble to
form the bulk of the wall, but faced it with a layer of brick or laid stone. The
thick wall still provided ample protection, but the hard outer layer was far
better protected against attackers with digging tools. Plain earthen
fortifications also can't sustain completely vertical faces; piled earth walls of
any height will show at least a little slope, which makes them easier to scale.
But a pair of brick or stone walls with packed earth sandwiched between
them can be completely vertical (Figure 1).
The Celts pioneered another kind of composite wall. They laid a grid of logs on the ground, covered it with a layer of
rocks and earth, covered with another log grid, and so on until the wall reached the desired height. These wall provided
superior protection against siege engines, since the log "fabric" was very resilient, but the logs were so tightly packed
that no oxygen could get to them, so the wall could not be burned. Byzantine architects later used the same technique
(called cribwork), laying wooden grids inside stone and brick walls.
Another basic development was crenelation, the familiar square-toothed pattern across the top of Medieval castle walls.
A soldier would stand in a gap (crenel) between two teeth (merlons), fire a bow or hurl a spear, then duck behind a
merlon to reload. The merlons provided protection from attacks from the sides as the soldier himself attacked, then
almost complete protection while he was in no position to fight back. In European castles, crenels are typically square
and about as wide as a man's shoulders, giving him a broad field of view, although Indian and other eastern
strongholds have round or pointed crenels only a few inches wide to provide maximum protection.
Towers quickly developed to grow out from the wall as well as up. If a tower extends out from the face of the wall,
defenders in the towers can fire down on the flanks of attackers, subjecting attackers at the wall between two towers to
fire from three sides. Towers might be roofed to protect them missile fire.
As civilization moved beyond the plains of Mesopotamia, another important element in fortification design became
important: elevation. In fact, some pre-civilization tribes built their villages on hilltops, both for defense and to
conserve valuable flat farmland. Placing a fortification on a hill slows charging attackers and reduces the power of
their missile weapons. A number of societies took to building citadels for the final defense of their cities on the highest
point of land within the city walls. While almost all Classical Greek cities had them, Athens's Acropolis is the best-
known example. In general, the best place to build a fortification is on the highest point of land available (for an
independent castle) or the highest point nearest the area it is supposed to defend. For example, a tower meant to
control access through a pass would most likely be placed on a hilltop immediately next to the pass where the
occupants can fire arrows and stones down on attackers accurately, not a higher mountain top farther away. The
mountain top might be a more defensible position, but if the defenders are out of range of the pass, what's the point?
However, fortifications can be vulnerable to enemy fire if attackers can get some elevation of their own. Fort
Ticonderoga in upstate New York controlled passage through Lake Champlain from a small hill by the lake itself,
where its guns could easily cover the adjacent narrows, not from a much taller and steeper-sided hill farther away.
Ironically, the "impregnable" fort fell during the American Revolution when a British force managed to wrestle some
cannon up the nearly sheer slopes of the adjacent hill.
Imperial Fortifications: Controlling Access

As the early city-states grew into early empires, another function of fortifications came to the fore: controlling access.
Instead of fighting off the occasional well-equipped army, strong points had to deal with threats from petty thieves to
rebelling peasants and, on the borders, raids by barbarian neighbors or sorties from the empire next door. Strong points
were also often centers of administration and civil order, so they saw constant non-military traffic.
A Wall Sufficient to Defend Roman forts were paragons of orderly arrangement, but not for purely defensive
reasons. Instead, they were built to balance defensive and administrative
functions. The neat arrangement of perpendicular avenues made navigation and
regular travel through the camp easier for visitors and regularly stationed troops.
A number of permanent Roman military camps had double gates separated by a
set of pillars or a thin wall (Figure 2). Although dual gates are harder to defend
than single gates, they neatly divide traffic into "in" and "out" lanes, an
extremely useful feature for a center of taxation where wagons and individual
taxpayers are constantly coming in and out. In fact, a Roman fort might have several such gates if it stood on a
crossroad, more gates than a purely defensive fortification should have.
A widely misunderstood fortification built by both of the greatest empires of antiquity is the long wall. The Great Wall
of China, consolidated across northern China in the 3rd century B.C., and Hadrian's Wall, built across northern
England at the beginning of the 2nd century A.D., are, close up, unimpressive. Under 30 feet tall and stone-faced with
earthen cores, they would be good protective walls for a city of moderate size. What makes them stand out, though, is
their immense length. Hadrian's Wall stretches across the width of Britain, almost 74 miles, while the Great Wall goes
thousands. At various times, the Roman maintained other, even less elaborate fortifications, most of the ditch-and-
earth-wall type, along the Danube and the Rhine. How, one wonders, could those vast walls have been manned with
enough troops to stop the barbarian armies that inevitably tried to overrun them?
In fact, they weren't, nor were they ever intended to. The purpose of a long wall is quite different from a city wall or a
castle. First, long walls were built to defend against or at least limit the actions of small bodies of raiders, not armies.
A handful of lightly armed men would be unable to attack even a lightly defended section of wall, forcing them to
focus on streams, gates, and other gaps in the wall, which could be more heavily defended by garrisons. Second, the
series of towers with which every long wall is reinforced gives the defenders a complete view of the frontier.
Messengers can make their way between stations along the wall (the parapet provides a nicely paved surface) or to
larger garrisons in rear areas to coordinate a defense against infiltrating forces, or watchmen could communicate with
torches or semaphore flags. If the wall sentries decided to conserve their strength, a strong raiding party might meet no
resistance on their way over the border, but find their escape cut off by a carefully planned defense. Third, they
performed the non-military purpose of preventing casual border crossings. Travelers and merchants crossing the border
could be taxed appropriately, and undesirables could be turned back.
Castles: Point Defense

With the collapse of the Roman Empire, there were no more borders to protect. The "nations" of the Middle Ages were
collections of small territories, each with its own petty warlord, and each warlord had his own stronghold: the castle.
The castle, a fortified residence usually independent of a defensible town, was not completely unprecedented, but it
took the political fragmentation of the Middle Ages to cause their explosive growth. At their best, the castles of the
Middle Ages were the height of the evolution of fortifications, forcing attackers to fight and, usually, pay dearly for
every inch of gained ground. Of course, many fortified buildings were home as well as defensive position. Most
European castles were simply towers or keeps, thick-walled stone buildings two to four stories tall, albeit very tall
stories by modern standards; 12- to 15-foot stories weren't unusual. Each story was often a single large room, although
sections might be enclosed by portable screens (privacy was not a major concern). Typically, a freestanding tower had
one or perhaps two entrances. A particularly well-built tower might have an entrance on the second floor, with
defensible steps leading up to it. Upper stories might have shuttered windows to let in natural light (the well-lit upper
stories were the lord's residence), but lower floors had only loopholes. Loopholes (more prosaically, arrow slits) were
vertical or cross-shaped slits, as little as an inch wide on the outside but two or three feet wide on the inside, which let
defenders fire arrows from relative safety. Archers were protected by the wall itself and the relative dimness of the
inside of the building. Floors were typically connected by removable ladders or staircases which spiraled up in a
clockwise direction. The spiral gave a right-handed defender partial cover behind the staircase's central column. A
right-handed attacker was at a corresponding disadvantage, since the central column blocked his right arm as much as
it covered the defender's left (in GURPS, the GM might assess a -2 penalty for attacking up a spiral staircase with a
weapon in the wrong hand, in addition to any height difference penalties).
However, when the architects were given sufficient funds, European castles were designed to resist massive assaults.
Large castles had multiple layers of defenses, with concentric sets of curtain walls or inner and outer courtyards (called
baileys in English castles) divided by sections of defensive wall, moats (usually just ditches, but occasionally filled
with water), and a strong keep as a last line of defense. The enclosed space gave ample room for barracks, stables,
storehouses, and sometimes siege engines to return fire at the attackers, although siege engines were more often
offensive than defensive weapons.
Towers along the wall were important as watchtowers and fighting platforms. Several ancient authors on the subject
advised strongly that towers along curtain walls be placed within bowshot of each other so that they can catch attackers
in a crossfire, should the intervening section of wall be taken. They also suggested that passages through towers from
one section of wall to another be made of wooden planks. The planks could be quickly removed, keeping attackers
from advancing further along the wall. If towers were provided with their own cisterns and food supplies, they could
bar their doors and continue to fight even if enemies were able to take the walls. Of course, each tower and the main
keep used the same defensive features as a freestanding tower: loopholes, narrow spiral staircases, and so on.
Gates, always the weakest part of a fortification, received lavish A Wall Sufficient to Defend
protection (Figure 3). A very well-protected castle might have
one or perhaps two or three extra gatehouses, small
fortifications guarding a drawbridge or a pathway cut up a steep
hillside leading to the main gate of the castle proper. Gates were
typically at the end of a passage formed by the gatehouse or a
set of towers flanking the gate itself, with loopholes along the
sides and machicolations (also called murder holes) in the
ceiling, through which defenders could drop stones or fire
arrows. The gates themselves were built of hard wood (some as
much as six or eight inches thick) and might be covered with a
thin sheet of metal, hides, or other fire-resistant coverings. In
areas where attacks by elephants were a possibility, gates were
often fitted with thick spikes to keep them from ramming the
gate. As a last resort, a gate might have a portcullis, a heavy
wooden grid with spikes at the bottom, dropped into place when
attackers broke through the main gate. Since the portcullis was
very difficult to lift once dropped, it could isolate advance parties of attackers inside a courtyard still controlled by the
defenders or trap them in the gateway, where they would be finished off from the loopholes and machicolations.
For centuries, an inherent problem with crenelations had been apparent. They provided good protection if attackers
were at a distance, but if they made it to the base of the wall, a defender would have to expose himself by leaning out
over the wall if he wanted to shoot at them or drop something on them. The usual response was to construct hoards,
temporary wooden galleries projecting a few feet out from the wall. Hoards had loopholes for firing at distant attackers
and murder holes for firing at near ones. However, they were relatively vulnerable to siege weapons and fire, and they
had to be built in advance; a castle caught by surprise would have no time to build hoards. The late Medieval response
was to replace wooden hoards with permanent stone machicolations, long galleries with loopholes and murder holes
replacing both hoards and crenelated parapets (Figure 4).
Feudalism in Japan also led to castles across the country, but of a very
different shape. Control of access was the governing principle. The
fortifications of Medieval Japan were not built to stand up to as much
direct punishment as European fortifications, partially a consequence of a
low incidence of siege engines and artillery in Japanese warfare. Rather
than placing massive walls between attackers and defenders and forcing
the attackers to spread out across a broad front, they were built on a
principle of constricted approaches, taking advantage of Japan's extremely
hilly terrain. Approaches to such castles are broad ramps or winding steps
up very sharp slopes. Essentially, rather than attacking directly from
several approaches, an attacker must attack through a long, narrow passage
(up hill, of course) which frequently twists to break the force of a charge
and is open to intense fire from defenders above. The structures of the
castle itself are placed very close together, which forces attackers through
a maze of narrow passages exposed to vicious crossfires even if they can
force entry (Figure 5).
However, constricted approaches are not unique to Japan. The Byzantines

built passages through their walls with a slight bend that would slow
charges. Despite the advantage, the bent-entrance plan makes attacks out the gate equally difficult. Bent-axis entries
and long, easily defended entryways are incorporated into some Western European castles as well.
At times, the construction of defenses went beyond the castles itself. Military architects advised that the space around a
castle should be cleared, so that attackers could not find cover. Sometimes, this proved impossible. When they were
not prevented from doing so by law, residents of cities often built homes and shops directly against the city walls,
despite the fact that attackers could use the rooftops as platforms from which to launch attacks over the walls. Feudal
castles, however, were typically built on land over which the local lord had complete control, so the castle's environs
could be cleared of trees, large stones, and other bits of shelter.
Castles also had the advantage of a broader choice of locations. A citadel had to be placed within an existing city, but
a castle could usually take the best piece of terrain. Fortifications are most efficiently placed complementing natural
features. For example, walls may be placed along river banks, leaving attackers little or no room to land, or just
beyond a particularly steep slope. The most defensible castles, therefore, had irregular ground plans which took
advantage of quirks of terrain. Easily drawn, perfectly square castles with towers at each corner and a detached keep in
the center are extremely rare (Figure 6).
If constructed properly, it was exceedingly difficult for men armed with swords, bows, and pre-gunpowder artillery to
enter a castle in the face of active resistance. Many castles had regular garrisons of as few as 15 or 20 men, including
boys and old men who could be pressed into service (in most castles, the men were predominantly friends and
relatives of the lord, not mercenary troops or other paid employees). A poor rural lord might have even fewer.
Nevertheless, if they had food, water, a little luck, and the good sense to keep their heads down as much as possible,
these small garrisons were capable of holding off attacking forces that outnumbered them by huge margins. Garrisons
of 40 or 50 men have been known to hold off (briefly) armies of hundreds long enough for help to arrive, particularly
if the attackers are poorly equipped for a siege. As long as enough men remain inside the walls to push over ladders,
cut grapnel ropes, and occasionally dump rocks on miners and battering rams, there is little an attacker can do but wait
until the defenders' supplies are exhausted. Such a small force will be incapable of breaking a siege on its own accord,
but it can hold out for a very long time until relief arrives. Barbarian hordes can sweep through an area burning
everything in sight, but fast-moving raiders have a poor history against fortified positions. For example, Viking raids
in northern France declined sharply when the French began to build more castles.
Given the defensibility of a good fortification, it has been observed that a castle is only as well-protected as its water
supply. Indeed, food and water have often been the determining factors for how long a city or castle can hold out
against attack. Different parts of a castle were often provisioned with their own food supplies so that they could fight
independently even if some part of the castle's food supply was damaged or any one tower or building should be
occupied. A good castle had its own well, and every castle had some kind of water reservoir, often supplied by rain.
Gunpowder: All Bets Are Off

When cannon were first introduced, they were just another siege engine, albeit noisy and impressive. But as the
technology of guns developed, they forced fundamental changes in how fortifications were built. Powerful cannon
packed more punch than huge trebuchets in a compact and, soon enough, relatively cheap weapon. Explosive shells
and grapeshot made cannon an effective antipersonnel weapon as well as a weapon to use against fortifications.
Muskets put effective long-range weapons in the hands of every soldier. High stone walls were no longer the perfect
defense.
To protect against cannon, walls quickly became shorter and much thicker. High walls and tall towers were extremely
vulnerable to cannon fire. However, six- to ten-foot parapets, which were perfectly adequate for defenders wielding
nothing larger than a pot of boiling oil or, on rare occasions, oversized mounted crossbows, were completely
unsuitable for mounting cannon. Not only did the gun carriages themselves need room, they needed additional space
for recoil and loading. Requirements for parapets grew so great that they had to extend beyond the thickness of the
wall itself. In some early modern castles, rooms were built against inside of the wall with roofs up to the height of the
wall. The roofs were paved over to extend the width of the parapet. Walls also became thicker at the base than at the
top. The extra thickness made it harder to collapse a section of wall by firing cannon shells at its base.
Lower walls and sloped bases made it easier for infantry to storm gunpowder-era fortifications. Unlike the sheer walls
of the Middle Ages, which might need siege towers or immense ladders to scale, early modern fortifications could be
partially scaled on foot and then with short ladders. On the other hand, direct rushes against the walls were no longer
the main threat to the defenders. Instead, both sides of a siege were well supplied with long-range weapons and battles
were fought at a distance. It was now more important for the walls to protect defenders from enemy fire than it was for
them to physically keep attackers out.
While parapets became wider, loopholes (when they were still used) became smaller. A bowman needed an opening a
few feet tall to fire his bow through to make sure he didn't hit the inside of the slit. A musketeer, however, could stick
the end of his weapon through the loophole and be sure of an unobstructed line of fire, as long as there was still room
to see out the loophole once he had stuck his gun through it. Loopholes shrunk from a long slit to an opening no taller
than it was wide, three or four inches across. Loopholes were predominantly round, but might be cross-shaped, square,
or even triangular.
Materials changed from predominantly stone and brick to some stone but mostly earth. Brick and stone structures are
easily shattered by explosive shells, while piled earth is relatively resistant to bullets and explosives and can be
repaired quickly. In fact, improvised fortifications were made almost entirely of earth. The old ditch-and-earthen-wall
was as common in the American Revolution and the Napoleonic wars as it was on the battlefields of the Greeks and
Romans. Another common technique used from the late Middle Ages through the 19th century was to make gabion, a
loosely woven tube of wicker-like reeds and grasses, three or four feet tall by a foot in diameter, with sharp stakes
protruding from one end. The spiked end was thrust into the ground and the tube filled with earth, providing excellent
cover against bullets (in GURPS terms, a foot-thick tube of packed earth provides a DR of 36, complete protection
against TL3-5 firearms that do, at best, 5 dice of damage). A line of them provided excellent, rapidly built shelter for a
besieging force.
A Wall Sufficient to Defend But the most profound change was the
replacement of tall, narrow towers with low,
broad bastions. Like high walls, tall towers
were vulnerable to cannon, which most towers
in Medieval castles were too narrow to mount
anyway. The defensive emplacements on
gunpowder-era castles were triangle or
diamond-shaped bastions. They were typically
no taller than the adjacent sections of wall, and
their shape made it easier to set up a volley of
fire supporting adjacent bastions and sections
of wall, although they gave castles a peculiar
spiky ground plan (Figure 7).
The First World War, with its extensive trench

networks on both sides, was in some ways the
last hurrah of fortifications. Though shorter than the Great Wall of China, the trenches of WWI were probably the
longest actively defended fortifications in history. In World War Two, aircraft and improved tanks showed the
inadequacy of static fortifications against fast-moving modern war machines; France's Maginot Line, a string of
pillboxes and trenches that would have been impregnable in WWI, collapsed instantly under the German blitzkrieg.
Fortifications have not been rendered completely irrelevant by modern weapons; well-entrenched positions are a tough
nut to crack for conventional forces and foxholes, in many ways the simplest fortification, will continue to be used for
some time to come.
Nevertheless, these small fortifications provide little protection from nuclear weapons, poison gas, and biological
agents. Even the best-protected fortifications of the Cold War, such as ICBM silos and NORAD's facility at Cheyenne
Mountain, may not be able to survive a direct hit from a modern nuclear weapon. As nukes give way to orbital mass-
drivers, nanotech matter disassemblers, and even more powerful ultra-tech weapons, tunnels will provide even less
protection.
Instead, most modern military installations are built according to the same philosophy as ancient long walls. Their
fences and patrolled zones are meant not to protect against direct assault, only to limit access to monitored gates and
prevent casual intrusions. Particularly well-protected facilities have multiple layers of such "defenses," growing more
complex as technology increases. Motion sensors, land mines, cameras, trip wires, electrified fences, infrared sensors,
and barbed wire may not stop determined intruders, but they will slow them down and make them easy for active
defenders to neutralize.
Fantasy Fortifications: Sheer Speculation

Just as fortifications are sensitive to changes in technology, they will be sensitive to the presence of magic. But just
how their design is affected depends on the kind of magical threats a strong point is likely to face. Some magical
effects will have no visible impact on fortification design. For example, many magical attacks will be countered by
resident magicians with counterspells rather than by a change in design. In other cases magic will supplement mundane
resources, not replace them. The presence of spells that create food and water may reduce dependence on wells and
stored food, but no architect would be so foolish as to build a castle that depended on the presence of a magician who
knew the appropriate spells (unless, of course, everybody knows the appropriate spells). But other spells will have an
impact on how buildings look. The use of magic on high fantasy battlefields often falls into one of these categories:
Direct Assault
Fireballs, lightning, and great purple bolts of mystic power are fixtures of magical combat. Generic damage-dealing
spells are often roughly similar in range and the damage they do to bows and early firearms (for example, GURPS
combat spells) or siege engines and early cannon (say, mid-level AD&D fireballs). The architectural response will
most likely be the same as the historical reaction to the growth of firearms. If low-power fireball-hurling mages are
very common (that is, if more than a quarter of troops are able to cast damage-dealing spells or use magical items to
the same effect), fortification walls are likely to be low and thick. Extremely powerful damage-dealing spells (high-
level AD&D spells or high-power vulgar magick in Mage: The Ascension) may push fortification design to the same
point as modern fortifications; strong points will be underground, and defenses will be designed to monitor movement
and control access, perhaps through a series of magical viewing stations, rather than to absorb raw damage. Wood has
been rare in fortifications, but fireballs and other spells that have a specifically incendiary effect will rule out wooden
fortifications altogether.
Structural Assault
Spells in many magic systems can be used to attack a fortification rather than its defenders. For example, earthquake
spells might be used to knock down vulnerable castles. A world where earthquakes can be induced at will may see
more seismically sound buildings than were produced historically: building with more flexible frames, which means
more wood and less brick and stone, deeper foundations, and perhaps short walls and towers. Then again, perhaps not.
Historical buildings around the tectonically active Mediterranean were never particularly resistant to earthquakes, even
though the architects knew that earthquakes were a fact of life.
Spells that turn stone to earth or earth to mud will cause significant problems for the basic materials of fortifications.
That may lead to composite walls, much like Celtic earth-and-wood walls, which cannot be destroyed with a single
spell, as well as the incorporation of less commonly used materials such as metal (probably in the form of thick
chains) and bone. An evil wizard's stronghold covered with grinning skulls may have been built that way for pragmatic
reasons.
Death From Above
Dragons, pegasi, and flying carpets can pose a threat to fantasy fortifications that historical castles never had to face:
airborne assault. To counter that threat, castles may have staging areas for their own air forces. However, given the
relatively short range of low-tech missile weapons and many spells, it might be worth a castle-builder's while to make
a castle more difficult to approach from the air. For example, a Japanese-style castle, with its relatively small ground
plan, might be easily defended from fantasy campaign air attacks. There is less ground area to strafe and the closely-
set towers are more difficult to maneuver between.
A tactic used in ancient naval warfare was to run heavy chains across the entrances to bays and narrow straits to
prevent enemy ships from entering. A fortification could have a similar defense, with a web of chains strung between
towers. This won't make it impossible to fly into the castle, but it will make it much harder for flying infiltrators to
maneuver, particularly in poor visibility. Alternatively, if the defenders can fly and attackers generally can't, strong
points may have no ground-floor entrances.
Finally, the GM may want to consider geomancy. Asia has a long tradition of designing buildings and placing them in
the landscape to take advantage of mystic forces; feng shui are still employed to make sure that new buildings are
placed in harmony with an invisible magical landscape. Geomantic concerns can effect fortifications in any setting, but
may be a particularly important factor in worlds where magic clearly works. This can cause physical defensibility
problems. For example, a geomancer may decide that a low hill is a more auspicious place to put a castle than a taller,
steeper one overlooking it, potentially putting the castle in a place where attackers can rain arrows down into the walls.
Particular shapes may also be imposed on fortifications regardless of the terrain. An evil wizard might build a perfectly
pentagonal castle despite the local terrain, providing attackers with hiding places or easier approaches.
On the other hand, if fantasy architects build awkward fortifications, they may gain mystical advantages. For example,
attackers might suffer small penalties or defenders might get small bonuses on their attacks because the fortification is
in a "lucky" spot. Magic use might be particularly affected; in GURPS, building an appropriately shaped fortification
might be the first step towards creating an area of aspected mana, with different shapes for particular kinds of magic.
Further Reading
Military Architecture, Eugene Emmanuel Viollet-Le-Duc
Trade Castles and Forts of West Africa, A. W. Lawrence
The Strongholds of India, Sidney Toy
History of Fortifications, Sidney Toy
Byzantine Fortifications, Clive Foss and David Winfield
Grand Strategy of the Roman Empire, Edward N. Luttwak
Castles in Japan, Morton S. Schmorleitz
Life in a Medieval Castle, Joseph and Francis Gies
Picture Credits
Figures 1, 3, 4, 6: Military Architecture, Eugene-Emmanuel Viollet-le-Duc, James Parker and Co. (Oxford) 1879.
Figure 2: Original diagram by the author.
Figure 5: Castles In Japan, Morton S. Schmorleitz, Charles E. Tuttle Co. (Rutland, VT) 1974. Used with permission.
Figure 7: Trade Castles & Forts of West Africa, A. W. Lawrence, J. Cape (London) 1963. Used with permission.
The Lima Incident
An Adventure for GURPS Black Ops

by Rik Kershaw-Moore
Art by andi jones

What follows is a short GURPS Black Ops scenario designed for a The Lima Incident
mixed departmental party. It is written to be a one off scenario, but it
is open ended enough to either be added as a little side scenario to
an existing campaign against the Greys, or as the starting point for a
new campaign.
Stop me if you have heard it . . .
A man walks into the Universal Underwriters Office in Lima, Peru.

He introduces himself to the receptionist as John Drake and explains
that he has an appointment with the business manager, Fernando
Chavez. The receptionist directs him to a chair and pages Senor
Chavez. Three minutes later everyone within the Universal
Underwriters Offices is dead, killed by an unknown and highly lethal
Prion.
Twelve hours before, the Agents are assigned to a brief stint in the
Company Offices in Peru for a mountain survival refresher-training
course. They arrive on site about 30 minutes after the last person has
died and are the first people on the scene.
GM Eyes Only: What's Going On

John Drake was an ex-agent, with the emphasis on ex. He and the
rest of his squad were listed KIA after a seek and destroy mission
went sour in Madagascar nine months ago. Since the company could
find no trace of the squad, and no signals were being received from their Omicron implants, it was assumed that the
entire team had been killed.
What actually happened was the Greys they were hunting somehow captured the squad alive. These sinister aliens
spirited the Agents away to an underground base where the Omicron signals could not reach. Once secure, the aliens
went to work. Using their advanced mind control and surgical techniques, they not only managed to disable the
Agent's Omicron devices but also learned the location of the company's front office in Peru. During these
interrogations, all but one the agents were reduced to mindless vegetables. The last agent, John Drake, was
successfully brainwashed by the Greys and became a carrier for a new bio-weapon designed to kill only Company
members.
This weapon is a wonderful example of Grey biotechnology. Using their advanced molecular manipulation technology
they have crafted a Prion that attacks the protein coating of the Omicron poison sacs, causing them to break down and
release the Omicron poison. Because of the Prion's small size, it can easily pass through the HEPA III air filtration
system as used by the Company. Once released the Prion has a life span of only one hour before it is rendered
harmless by UV light, thereby making it nearly untraceable.
[Note: Prions are small protein particles with no nucleic acid genome, which makes them unlike other pathogens such
as viruses and bacteria, which contain nucleic acids. Naturally occurring Prions cause neuro degenerative diseases such
as BSE in cattle and CJD in humans.]
The Grey plan is to use John Drake to sanitize the Lima Operation, thus allowing them access to the Lima BlackNet
Node so that they can discover the locations of the other Company bases. If this plan works, the Greys intend to use
the Prion to eliminate the Company. What the Greys did not factor into their equation was a squad arriving in the brief
window between the neutralization of the Prion and their own arrival.
Character Introduction
This scenario starts with the usual Omicron call to action. Calling in, the agents are ordered to Peru to take part in an
Academy Mountain Survival refresher course. The Agents are to travel by commercial transport, under an assumed
name to Lima where they are to report to the Universal Underwriters Offices in Lima. Once there, they are to ask for
Mr. Fernando Chavez who will brief them further.
The Lima Facility

The trip to Lima can either be mundane or exciting, depending on your own ideas. In the mundane version, the Agents
fly coach, have a nice meal and arrive at the airport refreshed and perfectly relaxed.
In the semi-mundane version, the plane is hijacked in mid-air by your favorite NPC and the Agents can either decide
to wait things out or to take things into their own hands. Bear in mind, as the Agents are flying coach they should not
be carrying any weapons of any kind, so it could be an interesting challenge.
Finally, there is the white-knuckle version, where just as the plane carrying the Agents crosses into Peruvian airspace
it has a close encounter with a Grey Spider craft. The resulting electromagnetic and gravitronic disruption will cause
the plane to almost, but not quite, plummet out of the sky. Time to run your favorite airplane disaster movie cliches
complete with airsickness, hysteria and panic.
Whatever happens, the agents will eventually get into a taxi driving along a wide modern highway that snakes along
next to the ocean towards the Lima Operation.
The Universal Underwriters offices are located on a cliff overlooking the Pacific Ocean in a little district known as
Miraflores. The office is a small two-story red brick building located in a tiny business park, next to a small carpet
manufacturer.
Standing there, in the Universal Underwriters carpark, the world seems to be normal. Birds sing in the early evening
air, cars drive slowly along the cliff top roads and a refreshing sea breeze blows off the ocean while the sun sinks
slowly towards the horizon.
Reception Area
Alas, this impression does not last for long. Opening the door to the office, the agents are confronted by death. There
in the reception area are two bodies. The first is a woman slumped back in her chair behind the reception desk. The
second is the corpse of a man in his early 30s. This man is wearing a visitors badge and has slid forward off the small
sofa in reception and sprawled on the floor. A quick examination of the bodies reveals them warm to the touch, with
no obvious signs of external trauma such as bullet wounds or the like. (This will be true of all the bodies found in the
building.)
The receptionist is wearing a badge that identifies her as Gloria Ordonez, while the man on the floor carries no
identification whatsoever. The visitor's book in reception identifies the man as John Drake. Checking through the
reception desk drawers will turn up a key to the front door. Agents who open the man's briefcase will be surprised to
discover that it is totally empty.
The Ground Floor
Pushing open the door that leads into the back of the building, the agents will find themselves in a short corridor. On
their right are three doors, the first of which has a sign that says Damas (Ladies). The next door carries a sign that
proclaims it to be Hombres (Gents) and the third door has a sign on it marked La Cocina (Kitchen). To the left is a
single doorway that leads into the typing pool.
Inside the typing pool are the bodies of two women in their late 20s. One woman is lying on the floor behind her desk
and her identity card says her name is Leticia Cavazos. The second woman, identified as Monica Quintana, has
collapsed onto the platen of the office photocopier, which is mindlessly making copies of her face.
Both toilets are empty, but behind the third door lies the body of a man, a smashed cup of coffee by his out stretched
fingers. He is lying in a small kitchen area that contains a sink, a fridge and a large double walk in cupboard. Anyone
walking in to this cupboard will find themselves in an elevator. This elevator has three buttons marked 0, 1 and 2. The
man's identity card identifies him as Fernando Chavez, their contact. Anyone searching his body will find in his wallet
a smart card with the company logo printed on it. This card opens the door to the armory on sublevel 2.
The Upper Floor
The upper floor is accessed via an antique looking spiral staircase in the reception area. The front half of the upper
floor is used up with two large meeting rooms, while the back half is divided into three offices and a small file storage
area.
Each office door has a small plastic nameplate attached. One office belongs to Fernando Chavez, while the other two
belong to an Ignacio Suarez and a Teresa Cortes respectively. The last two contain the bodies of their deceased
owners. The file storage room contains row upon row of box files containing records of the firm's transactions, and a
small locked safe. The safe contains $2000 US and a Beretta 92F Automatic Pistol.
Sub Level 1
Sub Level 1 is reached by taking the lift in the Kitchen. When the doors open, the Agents find themselves inside a
standard Company concrete bunker that is the Operation's living quarters. In front of them there is a latrine facility that
has wash basins, toilets and shower stalls, a sleeping area with two sets of three tier bunk beds, and a small canteen
complete with kitchen and food store. On this sublevel, there are the bodies of three men and one woman. The woman
lies curled up on the floor in the canteen, while the men are found lying the bunk beds.
Sub Level 2
This level contains the real heart of the Lima Operation. Here is the small but powerful computer center and
workstations that are used to gather information on the situation in Peru. There is also a compact yet well equipped
medical bay designed to provide front line medical aid to agents wounded in the course of their duties.
Next to the medical center is the armored bunker that contains the facilities armory. Swiping the correct smart card
will open the door. Chavez has this card in his wallet. Inside the 4' x 6' space are the following weapons:
1 x Castor '97 MG
2 x Castor '94 Assault Carbines
4 x Beretta 92F Automatic Pistols
1 x M79 40mm Grenade Launcher
100 rnds 9mm Hollow Points
100 rnds 10.1mm APS for Castor '97 MG
400 rnds APS for Castor '94 Assault Carbine.
2 x Blackout Grenades
2 x Prism Grenades
6 x 40mm Concussion Grenades
1 x Experimental Cistron Fingerprint Interface Unit
Opposite the armory is the small nuclear reactor that powers the facility. The door to the reactor space is marked with
Danger of Death and Radiation Hazard signs. In the reactor space is one of the two bodies on this level. The man is
slumped on the floor next to the computer control console that monitors the reactor functions. A successful
Engineering (Mechanical) or Mechanical (Fuel Cell) roll is needed to detect that the control rods have been partially
withdrawn from the reactor core and the reactor is slowly going critical. It will take another successful roll to correct
this situation. If left alone, the reactor will eventually go critical and explode in 1d days.
The final room on this sublevel is the communications center. This center is linked to all the major telecoms networks
in South America as well as having a direct link to the Company. The second body on this level is here, collapsed over
the main communications console, her fingers millimeters away from the facility's panic button.
What Happens Next

After checking the building over, it should be apparent to even the thickest Combat agent that something serious has
happened here. It therefore follows that they ought to be doing something about it, and probably the smartest thing they
can do is to report the situation to the Company. If they do they will be told to secure the building, leave everything
intact and await reinforcements. If they don't report what they've found then a full assault squad will arrive the next
day to secure the facility, and boy will the SecOps have some very pointed questions for the Agents.
Waiting Around
While they wait for reinforcements, the agents can perform any of the following departmental specific actions:
Science Ops can try to find out what killed the agents inside the facility. Probably the fastest way to do this is to
perform an autopsy on the bodies. Each body will take 1d hours to fully autopsy, and the finding will be identical in
each case. The victim died of heart failure caused by the Omicron toxin. No matter how hard the Science Op looks,
they will not be able to detect what caused the toxin to be released.
If an autopsy is done on the man called John Drake, they will find that he, too, died of heart failure. Another
interesting discovery is the presence of two chips in the man's neck. The first is a standard Omicron device, while the
other is slightly larger and of a design not of this earth.
Intelligence & SecOps can fill in the time by examining the recordings made by the facility's surveillance cameras, or
by trying to work out the identity of John Drake. Examining the security tapes does not really shine any light on what
happened except to give an accurate time of death.
At 15:39 hours Zulu, John Drake walks in through the main door and marches quickly over to the reception desk. Here
he puts down his briefcase before spending a few moments talking to the receptionist. She reaches over and says
something into an intercom before handing him a visitors badge and pointing at the sofa. The man nods to her, picks
up his briefcase and walks over to the sofa, where he puts it down beside him. At 15:43 hours Zulu, he suddenly keels
forward off the sofa and sprawls on the floor. From that point until the time the characters arrive, about an hour or so
later, no one either enters or leaves the building.
The best method of discovering the identity of John Drake is to use the new Cistron Fingerprint Interface Unit. A
successful result will identify the man as one Preston Mentzer, a Black Op who was listed KIA in Madagascar nine
months ago.
Tech Ops can spend their time working on gadgets to help secure the facility such as motion sensors and the like,
while Combat Ops will probably just start patrolling the perimeter or sit there being bored and listless. Don't worry
guys, your time is sure to come.
Cistron Fingerprint Interface Unit
This small wedge-shaped black plastic unit, with a clear glass top, is designed to fit onto a standard issue Cistron.
Once connected, it directly interfaces the Cistron to the BlackNet fingerprint archive. It is simple to use -- take the
finger of the person you want to identify, and press it lightly against the glass panel (Note: the finger does not need to
be attached to the rest of the person). A small LED laser then scans across the finger and the Cistron searches through
the fingerprint archive until it finds a match. Well, that is the theory, it is after all totally experimental.
Every time it is used, the GM should roll a die. If the roll is a 5 or 6, then the device has malfunctioned. In case of this
happening, the GM ought to roll another 1d and consult the table below:
1. The device picks up a latent fingerprint from the last person who used it. Normally this is the agent who fitted the
Interface Unit to the Cistron. This can lead to some very interesting results.
2. The LED laser goes at little awry and does 1d-3 burn damage to the finger of the test subject.
3. The interface unit drops off the Cistron and breaks into three small components. It will take a successful Electronic
Engineering roll to put the thing back together.
4. The interface unit causes the Cistron to crash. The Cistron will take 1d minutes to reboot.
5. Due to a programming error the Interface picks up the closest TV station and the LED displays a red light version
of whatever happens to be on TV at the time.
6. The glass cover over the LED breaks, causing 1d-3 cut damage to the person who is being tested.
In the Middle of the Night

At around 2 am, a Grey flyer gently flits down from the skies and lands in the darkened carpark outside the facility.
The flier disgorges three Greys, two Gammas and a Beta, before it quietly slips into the air once more. In all the flier is
on the ground for less than 30 seconds. The Greys are not expecting any trouble since everyone inside should be dead,
so they are only lightly armed, with only the Beta carrying a ranged weapon.
Their agenda is simple, to locate and hack into the facility's BlackNet link using the knowledge they have gained from
their interrogation of the captured Black Ops.
Assuming no one is there to greet them, the Greys will quickly penetrate the facility, using an Electrolaser to melt the
front door. Once inside the building they will begin to search slowly and methodically through the upper levels,
looking for a way down to the sublevels.
At some point, the Greys will encounter the agents, and then all hell will break loose. It is possible that the Greys could
sneak in without being noticed or by tripping any alarms that the agents have set, in which case the Greys
automatically have the initiative in the first combat round.
If things get too hot for the Greys, they will summon their flier to come and pick them up and then start to work their
way back towards the exit. If all three aliens make it back to their flier successfully, then the saucer will just simply
leave. If the agents have killed one or more Greys, then the saucer will turn its Scorcher ray on the building before it
swoops off into the sky. The Agents do not have anything that is even remotely capable of putting even a dent in the
saucer so there is not much they can do about it.
Grey Beta (Squad Leader)
ST: 25
DX: 15
IQ: 17
HT: 12
Move/Dodge: 7/7
PD/DR: 4/50
Reach: C,1
Size: 1
Weight: 129 lbs.
Weapon(s): Electrolaser, Forcerod
Grey Gamma (Squad Member)
ST: 25
DX: 14
IQ: 14
HT: 12
Move/Dodge: 7/7
PD/DR: 4/50
Reach: C,1
Size: 1
Weight: 132 lbs.
Weapon(s): Forcerod
Note: The terms Beta and Gamma denote intellectual ranking. These are simple names designed to allow GMs to
assign status with a group of identical looking Greys.
Cleaning Up
With the cold light of morning comes help in the form of three large Company helicopters stuffed to the gills with
Combat, SecOps and Science Ops just itching to find out what happened here. These guys will quickly relieve the
Agents and secure the building. The dead bodies will be efficiently loaded onto one of the Choppers, while any alien
bodies and artifacts will be loaded onto another chopper destined for the Lab. Finally the agents will be piled into the
last chopper and there they will be debriefed on route to the Academy where they are to join another refresher course
in the more demanding Sangre de Cristo Mountains.
After this training course, who knows? Perhaps the Company desperately wants to know what happened to the Lima
Personnel and makes it a top priority to locate the source of the infection, and since the Agents have first-hand
experience they get the job. I leave it up to you to decide.
The Only Constant
New Bodychanging Spells for AD&D

by Lloyd Brown III
Art by andi jones

Cornell is a popular wizard who leads a small school of hand-picked apprentices. The group numbers from four to ten,
and spends much time actively casting spells and gaining practical experience under the tutelage of their sagacious
leader. They meet in a large building once used for building ships; it straddles a canal that leads to a nearby river. The
spacious building and available source of protected water allow the students to practice their shape-changing skills
without fear of interference from curious spectators or nervous rivals.
Cornell's students follow their leader's philosophies about spellcasting. His primary rule is that spells are far more
effective when cast upon yourself than upon enemies. Enemies take great precautions to protect themselves from
spells. Magic items, protective spells, and natural resistance (saving throws, in game terms) make enemies poor targets
for spells. Any spell cast on yourself is guaranteed to succeed.
Furthermore, by changing your shape to assume a form better suited for a task, you often gain other benefits as well. If
you need help in combat, you can turn your fist into stone. You can also use the stone fist to smash through windows
or other fragile objects. You can also hammer nails or use the fist to secure a grip on something if you grab it before
you cast the spell.
Cornell and his students are all transmuters, although they

customarily restrict their chosen spells further than most
transmuters. Their primary choices for spells are those that cause a
transformation in the caster's body, with the goal of increasing the
caster's abilities.
Existing spells that fit these requirements (from the Tome of

Magic, Complete Wizard's Handbook, and Players Handbook)
are fist of stone, alter self, Murdock's feathery flyer, stoneskin,
claws of the umber hulk, polymorph self, shape change, dragon
scales, tentacles, wraithform, statue, duo-dimension, heart of
stone, shadowform, and statue.
When these spells are not available, or to further round out their
abilities, Cornell and his students choose spells that bestow
abilities without changing shape. The students consider these
spells helpful, but prefer to test their ingenuity with the spells
named above. These secondary spells are spider climb, feather
fall, strength, jump, strength, infravision, rusting grasp,
The Only Constant
Mordenkainen's celerity, cat's grace, invulnerability to normal

weapons, and Malec-Keth's flame fist.
As Cornell's students develop their skills, he grants them select

spells from his years of searching and experimenting. The students know about Cornell's generosity and show him
great loyalty during their apprenticeship, often staying on until they grow quite formidable themselves (students range
from 4th to 14th level). As for Cornell, he considers his learning days over, and he is content to pass his knowledge on
to others.
Newcomers are warned, however: Cornell is quite selective about his students, taking only human transmuters of good
alignment who demonstrate their perseverance by petitioning him for apprenticeship through at least two rejections.
Even successful applicants might have to wait for two years before seeing any of Cornell's unique spells. Advanced
students learn 1 to 2 spells per year from the master.
Cornell's tomes, described by some of his oldest students, are a series of traveling spellbooks. His spells all fill the
maximum space allowed to write (5 plus level in pages). Cornell's students claim this frustrating idiosyncrasy is meant
to deter surreptitious copying of his spells. The books are a uniform 9" tall by 7" wide, ranging from 2" to 4" in
thickness. The books are covered with a flat gray metal that looks and feels like lead but resists all alteration or
invocation spells. The covers seem to be unfinished; the edges can cut careless hands. They contain all of the spells
above, plus the new spells listed below.
Level One
Flippers (Alteration)
Range: 10 yards
Components: V, S, M
Casting Time: 1
Area of Effect: One target
Saving Throw: None
Cornell's first invention, and somewhat limited in application, flippers causes a target's feet to lengthen and widen,
allowing increased movement through the water. The target's movement rate is improved by 3 in the water, and
reduced by half on land. Wearing shoes prevents the spell from taking effect.
The material component is a bone or scale from any swimming creature.
Horn (Alteration)
Components: V, S
Duration: 2 turns/level
Casting Time: 2
Area of Effect: One creature
Saving Throw: None
Horn causes the target creature to grow a sharp horn on the top of its head. The horn can be used to attack opponents
for 1d4 damage, although it cannot be used in the same round as a weapon. It may be used with other natural attacks.
The creature with the horn may charge (provided it is mobile enough to do so -- snails will never charge), doing
double damage if the horn strikes. A helmet or hood usually cannot be worn if the creature has a horn.
Luminescence (Alteration)
Range: 30 yards
Components: V, S, M
Casting Time: 4
Saving Throw: None
Seemingly a useful adaptation of the dreaded faerie fire, luminescence causes the target creature's body and
surrounding area to glow in the dark, allowing him to see without further aid. The light is softer than a faerie fire,
incurring only a +1 bonus on enemy attacks against the glowing character in darkness and no bonus in twilight or
better, but it allows clear sight within 10'. The glowing character can read and perform most detail work.
The material component is a still-glowing antenna from a fire beetle.
Tail (Alteration)
Range: Touch
Components: V, S, M
Casting Time: 1
Saving Throw: None
Like wings, tail offers the advantage of being able to select an extra appendage to suit the situation. Tail allows for
either a medium-length fluffy tail or a long, wiry tail. The fluffy tail gives the target improved balance, giving a +2 to
AC when parrying, performing tasks like tightrope walking, or avoiding obstacles while moving over hazardous terrain.
The wiry tail allows the character to pick up and carry small objects (10 pounds or less), although they cannot be used
in combat or with a high degree of skill.
The material component is a length of leather cord with a small gem (10 gp) knotted onto the end.
Level Two
Become Familiar (Alteration)
Range: 0
Components: V, S, M
Duration: 3 turns
Casting Time: 2
Area of Effect: The caster only
Saving Throw: None
Become familiar functions only for a caster with a familiar. The caster transforms into an animal exactly like his
familiar, gaining any abilities based on form, intellect, or senses. The familiar does not change shape, and the link
between wizard and familiar is maintained perfectly.
The material component is saliva or blood from the caster's familiar.
Carapace (Alteration)
Range: 0
Components: V, S, M
Casting Time: 2
Saving Throw: None
When a wizard casts carapace, the caster's normally soft and pliable skin is replaced by a hard, chitinous shell. Armor
class improves by 4 points, although Dexterity is reduced by the same amount. Carapace may be combined with any
abjuration magic, shield, armor, or most other spells but cannot be combined with physical armor. When adorned with
a carapace, the caster also receives a +2 modifier vs. all cold attacks.
The material component is a shell from a crab, lobster, or other sea creature. Turtle shells and other bony types do not
work.
Claw (Alteration)
Range: Touch
Components: V, S, M
Casting Time: 3
Saving Throw: None
Claw causes the target to grow long, hair nails capable of rending flesh and scoring hard wood. The target may attack
with these sharp claws for 1d6 points of damage, even making an attack with each claw every round with no penalties.
Any weapons, however, are at -1 on attack rolls, and spellcasting with a somatic component is 25% likely to fail. The
target also suffers -10% (or -2 to proficiency rating) on any skills that require delicate manual dexterity, such as
gemcutting, picking locks, or weaving.
The material component is the claw of a dragon or (more likely) a feline.
Fangs (Alteration)
Range: 0
Components: V, S, M
Casting Time: 2
Saving Throw: None
The first application of fangs allows a caster to effectively bite in combat for 1d4 damage. The spell also helps the
caster effectively impersonate certain creatures, vampires being the most notable. The bite attack can be used in
addition to pummeling or grappling attacks, but not in conjunction with a weapon of any kind.
A second, less common version of fangs allows the caster to grow strong biting teeth, capable of chewing through
leather, wood, or even soft metal. Biting damage is only 1d2 points, but the caster might be able to escape bonds,
destroy armors, or sabotage lines on board a ship with his teeth. The variation desired is chosen when the spell is
memorized.
The material component is a tooth from any creature with an effective bite attack.
Spines (Alteration)
Range: 0
Components: V, S, M
Duration: 1 turn + 1 turn/level
Casting Time: 2
Saving Throw: None
When a caster casts spines, he begins to grow hard, bony spikes all over his body. The spines take 1d6 rounds to
appear, allowing the caster to remove clothing that might be damaged. Any attackers attempting to grapple or overbear,
including animals such as snakes using their natural attacks, take 1d4 damage each round. Biting or clawing attackers
also take damage, but only 1d3.
The material component is a porcupine or hedgehog quill.
Level Three
Animal Form (Alteration)
Range: 0
Components: V, S, M
Casting Time: 3
Saving Throw: None
Animal form is an attempt by wizards to mimic the druidic ability to shape change. The target may assume the form of
any animal, as long as its hit dice are less than the caster's level. The target must have seen the animal and cannot
change form once the shape is selected. Thus, if a person turns into a deer to deliver an important message to a distant
tribe of centaurs, he cannot change into a bear when spotted by hunters.
The material component is a bit of mistletoe.
Natural Form (Alteration)
Range: 0
Components: V
Duration: Permanent
Casting Time: 1
Saving Throw: None
Natural form is used by wizards who have been polymorphed into other shapes unwillingly and find that the new shape
is not as useful as their original. The spell transforms the wizard back into his normal shape. It can be used to counter
an enemy's spell or to cancel the wizard's own spell.
The verbal component is a simple grunt that can be uttered by nearly any mammal form and possibly others. The DM
may decide if the spell can be cast on an individual basis, or allow 90% of all mammal shapes, 60% of all
reptilian/amphibian forms, and 20% of all avian forms to be able to duplicate the verbal component. Monsters use the
animal form they most closely resemble, although some can clearly speak (efreet, gynosphinxes, dragons, and others).
Wizards who are temporarily plants, fish, insects, and slimes may not use this spell.
Six-Limbs (Alteration)
Range: 0
Components: V, S
Duration: 3d4 rounds + 2 rounds/level
Casting Time: 3
Saving Throw: None
Six-limbs is an improved version of alter self that allows the caster to assume the forms of creatures with six
appendages, like centaurs, urds, pegasi, and others. Only forms with six appendages may be assumed by this spell. In
other respects, it conforms to the 2nd level spell, alter self.
Totem Animal (Alteration)
Range: 0
Components: V, S, M
Duration: 1 hour
Casting Time: 3
Saving Throw: None
Totem animal is attuned to one particular animal when the wizard researches or copies the spell, although each caster
may know more than one version of totem animal. This spell allows the caster to assume the animal's form and gains
all abilities based on dexterity, senses, or physical form. Thus, a caster whose totem animal is a shark casts this spell
and turns into a shark, gaining an incredible sense of smell, high swimming speed, and a fearsome bite attack.
The material component is an ivory carving of the caster's totem animal. The ivory costs about 20 gp, and the caster
must carve the figurine himself, taking about a week. The carving may be reused indefinitely.
Trog Stink (Alteration/Evocation)
Range: 30 yards
Components: V, S, M
Casting Time: 3
Saving Throw: None
Trog stink makes the target creature smell like an angry troglodyte, inflicting the normally-associated penalties on
attackers within 10' (saving throw vs. poison or lose 1d6 Strength points for 1 turn). Since the target creature does not
smell the odor, he is not affected. The spell can be used defensively on a lone character or used to embarrass and
annoy an enemy. A bard who has been unknowingly targeted by this spell might chase his audience away faster than a
burning building!
The material component is a troglodyte javelin, preferably one with a strong odor attached.
Wings (Alteration)
Range: Touch
Components: V, S, M
Duration: 1d4 rounds/level
Casting Time: 3
Area of Effect: One man-sized human/humanoid target
Saving Throw: None
Wings can only be cast on a human or humanoid target, allowing the target to grow wings for the duration of the spell.
The caster can choose which type of wings to bestow. Each type offers different performance and appearance.
If wings is cast on a target in leather armor of any kind, the wings tear apart the armor (but not magical armor),
growing in 1d4 rounds and damaging themselves for 2d4 points of damage. Growing wings in any metal armor inflicts
4d4 points of damage on the wings. If the wings survive, the armor is destroyed.
The caster can choose from 1) reptilian, bite-like wings, 2) transparent insectoid wings, or 3) feathery avian wings.
The bat wings allow movement at Fl 24, and MC C. They are destroyed after taking 18 points of damage from direct
attacks (called shots or randomly-determined damage by the DM). The insectoid wings allow Fl 14, but MC A,
including the ability to hover and move backward. The insect wings are the weakest, taking only 12 points of damage
before being destroyed. Feathery wings allow a versatile movement of Fl 18, at MC B, and allow for silent flight (+1
to surprise rolls). They are also the strongest, having 24 hp.
The material component are a feather, a piece of leather, and a piece of silk.
Level Four
Crystal Form (Alteration)
Range: 0
Components: V, S, M
Casting Time: 4
Saving Throw: None
The spellcaster's body becomes hard and crystalline. His AC is reduced by 2 points, he can attack with bare hands or
fists for 1d6 points of damage, and he becomes resistant to many attacks (bleeding, acids, itching, drowning, sleep,
etc.). Armor cannot be worn during the change. Crystal form also triples the caster's weight, which might prevent or
hinder certain actions (swimming, for example).
The material component is a small block of rock crystal, worth 25 gp.
Dragon Breath (Alteration)
Range: 0
Components: V, S
Duration: 1 round/level
Casting Time: 5
Saving Throw: None
When dragon breath is cast, the caster's head grows into a draconian horror, with small horns, scales, and fierce teeth.
Regardless of the color of dragon the caster partially becomes, the caster can bite for 1d8 damage. Damage from the
breath weapon is 3d4, and the breath can be used once every 3 rounds during the spell's effect. The area of effect of the
breath weapon and damage inflicted vary with the type of dragon head.
Head Color Attack Form Shape

White Cold 20' long x 5' wide cone
Black Acid 30' long x 3' wide line
Blue Lightning 30' long x 3' wide line
Green Gas 20' x 20' x 20' cloud
Red Fire 20' long x 5' wide cone
Living Hands (Alteration/Necromancy)
Range: 0
Components: V, S, M
Casting Time: 4
Saving Throw: None
Living hands allows the caster the gruesome but sometimes useful ability to detach his own hands. They become
crawling claws under the caster's command, at any range they can reach before the spell ends. When the spell ends, the
hands, magically disappear from wherever they are and reappear on the end of the caster's arms, fully restored to
health, unless they were completely destroyed. If one of the crawling claws is destroyed completely, it does not
reappear, leaving the caster minus a hand (or both!). The hand can be restored with a regenerate, a heal, or a wish
spell.
The material component is a snakeskin glove.
Totem Hybrid (Alteration)
Range: 0
Components: V, S, M
Duration: 1 hour+1d6 turns
Casting Time: 4
Saving Throw: None
Totem hybrid allows the caster to assume a bipedal form offering most of the benefits of both his human (or elven, or
other) shape and the natural benefits of his totem animal form. If the caster's totem animal has a similar lycanthrope,
the movement rates, attack forms, and AC of the similar lycanthrope may be used. The caster is not immune to normal
weapons, however. If no such lycanthrope exists, the DM and player must establish which movements and natural
attacks are possible based on the totem animal in question.
Generally, the wizard may use the senses of the totem animal, retains the use of his hands, and gains an AC bonus (an
average of his natural AC of 10 and the totem animal's AC).
The material component is a jade carving of the caster's totem animal. The jade costs 100 gp and the carving must be
made by the caster, taking him about 10 days. As with totem animal, this component may be reused.
Zombie Form (Alteration)
Range: 0
Components: V, S, M
Casting Time: 4
Saving Throw: None
The caster's flesh becomes rotted and foul when he casts zombie form, making him appear as a zombie, mummy, or
possibly a lich. He gains standard undead immunities while the spell is in effect (immune to cold, charm, sleep, poison,
paralyzation). He also moves slowly (Mv 3) and attacks last in melee combat, although he uses standard weapon
damage (not the 1d8 regardless of weapon, as a normal zombie). The wizard can still cast spells in zombie form.
The material component is a piece of flesh from a zombie destroyed by a priest's granted power.
Level Five
Beast Form (Alteration)
Range: 0
Components: V, S, M
Casting Time: 5
Saving Throw: None
Beast form turns the caster into a hairy monster that looks like it might be the hybrid form of some lycanthrope. This
spell combines claw and fang, and gives the caster a thick skin and body hair, improving AC by one point. The caster
gains an acute sense of smell (effective to a tracking proficiency rating of 12) and hearing (surprised only on a 1).
Running movement is improved by 3 points.
The material component is a hair from a lycanthrope of any kind.
Elemental Form (Alteration)
Range: 0
Components: V, S
Casting Time: 5
Saving Throw: None
Elemental form allows the caster to become a small creature of one of the four elements, chosen when the spell is
memorized. The caster becomes an elemental with HD equal to the caster. Elementals of less than 8 HD are size M, 9-
12 HD are size L, and 13+ HD elementals are size H. The character gains the abilities and restrictions of elementals,
except that they are not under the control of any other characters. Spells especially designed to control elementals,
however, can affect the caster. The character is not affected by protection from evil. The caster can otherwise, move,
attack, and harm creatures as if he were an elemental of the appropriate form.
[Editor's Note: You can check out Lloyd's latest freelance work -- a real and online game store at www.SgtSniff.com.]
Skull Valley
by Greg DeAngelo
Art by andi jones

[Editor’s Note: The author has a complete set of pregenerated characters, additional historical background, maps, and
pictures at his website.]
At first, the Army tried to hide it! But now, two primeval forces have been unleashed by the power of the Atom Bomb
-- and nothing can stand in their way!!
Introduction Skull Valley
Spring, 1953. Dean Martin and Perry Como are on the

radio while Bill Haley is poised to comet over the
airwaves. Burt Lancaster and Deborah Kerr are on the
silver screen. Eisenhower's in the White House, and
something's on the loose in Utah! At the Dugway Proving
Ground, an experiment has gone horribly wrong, and the
Army's attempts to cover up the failure have proved
disastrous. It's giant, mutated scorpions versus the blob
from the stratosphere in a no-holds-barred fight to the
finish, with the PCs and the 300,000 innocent civilians of
Salt Lake City caught in the middle! And if you're lucky,
some rock and roll on the side!
This is original material developed for GURPS Atomic

Horror. The events and people involved are fictitious, and
any resemblance to actual persons or events is purely
coincidental (well, maybe not purely coincidental . . . they
did kill the sheep).
Setting
In and around Skull Valley, Utah, an area 30 some-odd
miles southwest of Salt Lake City, the city of Clover peacefully resides. It's a dry, rustic place of majestic beauty,
home to sheep and cattle herders, along with some farmers who continually battle the elements to keep their dusty
crops alive. Mountain ranges line the horizons, and in the long, flat valleys some wooded areas thrive. Most of the arid
land supports clumps of tall desert grasses and groundcover, pygmy evergreens, and sparse vegetation with
surprisingly abundant wildlife, including mule deer and pronghorn antelope.
The Skull Valley Indian Reservation is home to a portion of the Goshute tribe of Native Americans, who make their
living raising livestock, burying toxic waste, and leasing Federal land to the Hercules Industries corporation, a
manufacturer of advanced and experimental jet engines.
The toxic waste comes from the Dugway Proving Ground, an Army base established in 1942 by President Roosevelt
that (along with the nearby Deseret Test Center, Hillover Air Force Range, and the Wendover Range installations)
occupies most of the Great Salt Lake Desert, a wasteland of salty sand surrounded by ridges of granite mountains. At
Dugway, Roosevelt and the U.S. Army commenced research into biological and chemical weaponry. In 1946, plans
and samples of experimental biological agents were retrieved from secret Nazi research facilities outside of
Nuremberg; these samples were transported to Dugway, and in the isolated deserts of Utah, the damnable research
continued.
Characters
The Feds
Gordon Douglas and James "Jimmy" Senra are special agents working out of the FBI's Los Angeles Bureau Office.
Their successful and highly publicized involvement in cracking open a ring of corrupt cops struck at the highest levels
of the LAPD and lead to swift promotions from "research and records" to "special field agents." They are now
partners, currently unassigned, but eager to take on the next big case. And if that case generates some additional
publicity because of their reputation, well, so much the better for advancement in the crazy, status-driven worlds of LA
crime and politics.
The Scientist
Dr. Edmund Gwenn served his country in the Great War, and witnessed first-hand the horrible effects of chemical
weaponry on the boys in the trenches. Following the War, Dr. Gwenn became obsessed with the subject, studying
chemistry, biology, zoology, and the application of these sciences to both preserve and destroy human life. He
answered the call again when his country returned to war in Europe, and the military recognized the potential of his
talents and shipped him, not to some island hopping PT boat or rough and ready combat squad, but to Dugway. There,
Gwenn continued his research while learning about nuclear physics, rocketry, and other technical advances brought
about by WWII. If not for the size and magnitude of his blunder (and the skill of the U.S. Army's cover-up specialists)
Dr. Edmund Gwenn's name would now be as familiar as that of Einstein or Oppenheimer.
The Colonel
Veteran of two world wars, Colonel Charles Russel commands Dugway Proving Ground with authority and respect,
always aware of the magnitude of the responsibility apportioned to him. The deadly microbes and lethal chemicals that
are in constant development must be heavily guarded, and Col. Russel is the man for the job -- lean, tough, salt and
pepper short cropped hair, fiercely intelligent bright blue eyes. The Colonel is also the impetus for the Hercules
contract. Dugway supports the Air Force's high-altitude test flights based from the Hill Air Force Range, and Col.
Russel sealed the deal to make Hercules Industries (stationed inside the Skull Valley Reservation) the prime contractor
for the Air Force's experimental jet engines. Hercules Industries is owned indirectly by Antonio Starke, a wealthy
industrialist and former Lieutenant who served under then Captain Russel in the European theater.
The Press
Fess Parker hates LA and hates writing about LA and hates writing about the people in LA, but she's one of the best
there is. Writing in a man's world, she succeeds by being better than the boys, beating them at their own game but
doing it with style, grace, and tenacity. She's brought down football players on the take and cops on the lam, and her
expose of the City of Los Angeles' utter disrespect of earthquake codes netted her a Pulitzer Prize in 1951. Fess wrote
several pieces during the last year concerning corruption in the LAPD, and as a result has been following the careers
of Special Agents Douglas and Senra, half out of respect for their work, half out of hope for good scoops. She notices
that they're suddenly missing from their offices, and when she gets wind of the troubles in Utah, she's on the next plane
for Provo . . .
The Academic
The beautiful prodigy Dr. Irene Yeaworth blossomed into her intellect at a young age, but her drop-dead good looks
developed much later. Somewhat awkward and standoffish around the opposite sex, she is the youngest post-doctorate
research student at UCLA, specializing in chemistry, forensics, botany, and zoology as they relate to the native species
of the southwest United States -- particularly the venomous sorts. Raised by her father after her mother was killed by a
poisonous king snake while camping, Irene is as at home in the lab as she is roughing it in the desert Southwest.
Physically, she represents the 50's ideal, platinum blonde hair with a full figure and a winning smile. Mentally, she's
one of the sharpest minds in the business and provides support to law enforcement throughout Southern California in
suspected poisoning cases and other crimes where her unique blend of talents comes to bear. Not surprisingly, her path
has crossed with Dr. Gwenn's several times during their respective careers, and they have a mutual respect for each
other.
The Heat
Sheriff Steve Whitmore does what he can to keep his 12 deputies busy in Tooele County, Utah, mostly by sponsoring
dinners and other fund-raisers. Not much happens in Tooele, and if it did, it would probably involve the military
anyhow. Steve left his home of Salt Lake City when the Communists invaded Korea, and he fought along the 38th
parallel with the best of 'em. Upon his return, life at his father's appliance sales and repair store didn't seem very
important. He replaced the retiring sheriff and vowed to be vigilant in his duty to protect the American way of life
from the Communists, but lately he despairs that the fight may be a war of attrition, one bake sale at a time.
Plot
A summary of events leading up to the adventure follows:
(1) 1951: The Air Force's test of an experimental, atomic powered jet engine aircraft fails (miserably).
The jet's original high-altitude flight path was from Edwards AFB in California to Hill AFB in Utah. It suffered
intense cosmic radiation, possibly originating from a single point source, such as a ray gun. (GM's should use
discretion on involving aliens or Illuminated plots, there's already a whole lot going on in Skull Valley.) The failure of
the engine, combined with the deadly, unknown radiation mutates the pilot (Col. Steve Dallas). The jet crash lands, not
at the target site, but in the desert three miles from the Skull Valley reservation.
(2) The Army discovers the blob.
A 50 man platoon descends on the crash site, with Gwenn and Russel in attendance. They discover the unmoving,
purplish goo that was Col. Dallas. Gwenn convinces Russel that the blob is dangerous, although inert, and suggests
biological detoxification. The platoon hits it with a 'microbe bomb', which has the unintended affect of animating the
blob. One soldier, who volunteered to try to get a sample of the blob, is sucked in and consumed. The blob begins
growing, and Russel orders an atomic strike.
(3) The Army drops an unplanned bomb.
The soldiers barricade the area, securing it, and Russel announces an unplanned atomic explosion. To the media, the
story is that a new readiness response factor is being tested. Indians from the reservation severely protest, but the bomb
goes off at dusk, six hours after the crash. The Goshute are outraged at the danger of radiation and stage protests.
Army intelligence leaks stories to the press about Communist sympathizers in the Goshute camp. The Hercules
Industries contract suddenly becomes open for re-compete. Goshute protests are stilled, the contract is won, and the
McCarthy witch hunts don't reach into the Utah desert; but John BigTree and Nathan SitsAtDusk do not forget what
happened in Skull Valley . . .
(4) 1952: The fallout.
Although the blast appeared to have destroyed the blob, it did not. Born in the atomic fires of high-altitude cosmic rays
and a malfunctioning atomic reactor, the blob absorbed the impact and the energy from the blast, but was driven deep
underground. As it returns slowly to the surface, the radiation is having strange effects on the native population of
Skull Valley. One of the first affects of radiation exposure is on the ability to reproduce, causing sterility in almost all
cases. A generation of insects, birds, and reptiles have vanished, died off without offspring. Except for one lucky(?)
female whip-tail scorpion (species Mastigoproctus, commonly known as the Vinegaroon) who was in the process of
bearing her young when exposed to intense radiation. Her seven offspring grew at an alarming rate, eating most of the
remaining animals and insects in the area while reaching a length of 10 to 12 feet in just over a year . . . wow!
Meanwhile, by December 1952 every eye witness to the bombing save Dr. Gwenn and Col. Russel has either been
killed in a tragic two-helicopter collision or been transferred to Ice Station Zebra on the warm northern coast of
Antarctica.
(5) 1953: The adventure. With the native fauna drastically reduced, the blob and the scorpions are gonna get hungry.
And they like to eat meat . . .
Now, the cattle and the sheep were gonna get eaten anyhow, and it just might be poetic justice if the sad remains of
Col. Dallas absorb a couple dozen soldiers, but there's a sleepy little town of 8,000 called Clover, Utah, and a lot of
innocent people are going to find themselves served up for lunch unless somebody stops these things. And the greater
Salt Lake City area (population 300,000) is just 30 short miles away . . .
Encounters
The encounters are, of necessity, a little vague, as they depend on which characters your players want to run. Players
will probably find a diverse assortment of characters advantageous, but if numbers are short, the adventure works fine
with just one or two. Any of the archetypes from GURPS Atomic Horror work great, even "the kid." (Unfortunately,
the kid is invariably living with stepparents, and the life span of stepparents can be depressingly short in GURPS
Atomic Horror.)
One possible series of events is outlined below, but feel free to use these as guidelines. Be flexible. Keep things
moving and encourage alternative solutions to saving the populace of Clover, Utah.
Briefing at FBI Headquarters, Los Angeles, California.
Whitaker Jesup, Division Chief, is a hard-ass, and no one much likes him, but he gets the job done and is "in" with J.
Edgar Hoover so there's never any shortage of funds funneled into LA. Whitaker will pull the young, hotshot Feds into
his office, chew then out about being publicity hogs and lecture them about diligence and the routine of life in the
Agency. Then, as if to prove his point, he assigns them the unenviable task of investigating some cattle mutilations in
Utah. "See how ya' fair in the desert heat, Hollywood!"
Alternatively, the press can get word of the mutilations, or the academics can get called in to investigate the strange
manner of death.
The Mutilated Cattle at Jefferson's Ranch.
Old Man Jefferson married a Goshute woman and together they have a marginally prosperous cattle ranch outside of
Clover, Utah. Their ranch backs up on the Skull Valley reservation.
Their cattle have recently been the victim of a most gruesome violation. Upon arrival, the PC's will discover pieces of
cattle, with edges melted, missing, oozing. (Squeamishness checks aplenty! Maybe even a Fright Check or two.) Even
to the untrained, it should be apparent that this is no coyote attack. There are no predator footprints, and the wounds
are not consistent with teeth or claw marks.
Old Man Jefferson and wife will not be able to provide any insight. The incident occurred at night, no one heard a
thing (except, perhaps, for a snoopy player character "kid" . . . but no one's gonna believe the kid until it's too late).
There are two patches of upturned soil, roughly circular in shape, about 20 feet in diameter. Upon very close
examination (lab equipment and some appropriate science skill rolls) the upturned soil in these crop circles is actually
dead. No microbes, no grass, nothing organic remains in the patches.
A Talk With the Elders
While investigating at Old Man Jefferson's ranch, sharp-eyed PCs will notice two figures on horseback watching them
from a distance. If they are noticed and approached, the figures will come to the party.
The two men are John BigTree and Nathan SitsAtDusk, tribal elders of the Goshute. The men will react coldly towards
the party (-2 on reaction rolls) but wish to relay their thoughts on the situation. They will report that the Spirits are
displeased with the white man. It turns out that the site of the Dugway atomic blast was nearly on-top of a tribal burial
mound, and the resultant damage and radiation is a desecration of the highest imaginable magnitude. The elders will
claim that because of the insult, the Spirits have acted, and that is why there are no creatures living on the desert (Area
Knowledge will confirm that there has been a significant drop off in wildlife over the past year and a half). The elders
will claim that the Spirits will continue to plague the white man's cattle and sheep, and maybe the white man himself.
The elders will not volunteer any information on how to stop the attacks of the Spirits, and they have no knowledge of
the crop circles. If asked about the crop circles, they will seem confused and then note that the Spirits work in strange
ways.
Dugway
The PCs credentials, especially if they've joined forces with the local sheriff, will gain them access to Dugway itself.
On the first visit to the base, they will be received by Russel and Gwenn. They will get nothing but the official story
out of them, but they can gain access to a laboratory if desired.
A Night on the Town!
This is very useful if the PCs haven't met up with someone important yet (like another player character such as the kid,
the sheriff, or the press). The Soda Shoppe-and-Go-Go is where all the kids hang out, but it’s got the best food in town
and a really polite wait staff and it's air conditioned (ice-cold, of course). It wouldn't be a 50's adventure without a
little rock-and-roll, maybe a fist-fight, have the sheriff come break it up, go crazy. Other hot spots include the bowling
alley and (obviously) the drive-in theater.
Missing Persons
The next morning, the PCs will be summoned by the local sheriff to Merriweather's Service Station. Just west of town,
the Merriweather family ran a combination auto service station and grocery. The Merriweathers lived upstairs of the
grocery, and the gas pumps and a small garage are located in front and to the side (respectively) of the main building.
A passing motorist notified the police after finding no one in the store and shotgun shell casings littered about. From
the evidence, it appears that some one fired a weapon repeatedly, but no blood stains or other indications of violence
will be apparent. The sheriff can confirm that John Merriweather owned a shotgun, but can offer no other information.
No crop circles will be found, but observant PC's can discover the shotgun slugs themselves. The bullets will all be
found (if someone takes the time to count the shell casings and the recovered bullets) in the same area. Roughly
circular, but the PCs can't tell for sure. They can tell that if it is a circle, it is larger than the ones at Jefferson's ranch
(the bullet circle is roughly 30 feet in diameter).
Some of the bullets will have a sticky, gooey residue on them, slightly purplish and almost pulsing. This is blob
ectoplasm either left behind as the blob traveled through the earth or blown clear of the blob by a close range shotgun
blast to a pseudopod. If examined in a lab, the ectoplasm will be revealed to be highly alkaline (basic). It will actually
move under its own power (albeit slowly); it moves away from light and water. Nothing else of importance will be
learned, but feel free to make up important, science-sounding stuff.
And Then There Are the Sheep . . .
It just keeps getting worse. On the heels of the disappearance of the Merriweathers, another report of mutilation comes
across the sheriff's radio. Johnny and Kenny Bravo, brothers, tend sheep on a ranch between Jefferson's place and
Clover. A third of their sheep were slaughtered in the early morning hours.
Upon examining, it quickly becomes apparent that something strange (?!?) is afoot. No crop circles, no melted flesh,
no purple ooze. These sheep have been hacked asunder, split, torn, raked, and battered. Forensics or zoology (or other
appropriate skill) can be used to determine that the bite marks and other wounds were definitely not coyote or wolf; a
critical success will indicate that the wounds are consistent with crushing and cutting attacks of scorpions or spiders.
A small lake sits peacefully behind the Bravo's, and one of the city's main street water runoff lines empties into it.
From this end, it looks like a tunnel, dark and inviting. A trail of dismembered sheep and parts of sheep leads straight
to it. Of course it's a trap!
As the PC's get close to the tunnel, a whiptail scorpion attacks!
After dispatching the scorpion, investigation will yield the following info: The attacker was a female scorpion, recently
devoid of young; there were probably 6 or 7 scorpions in her "litter"; they almost assuredly destroyed the sheep and
traveled up the sewer to escape the daylight.
The sewer runs right into downtown. For kicks, have a broad opening in the sewer lines right behind the Soda Shoppe-
and-Go-Go.
The Preparation
The characters may attempt to plot the blob attacks. From a map of the town, it should become obvious that the blob is
heading towards the food supply, aka downtown Clover. Ditto the scorpions. Neither entity likes daylight much, so the
characters will have several hours to come up with some kind of plan.
This part of the adventure depends on several factors: how favorably Gwenn and Russel have reacted towards the
group, how involvement with the local law has progressed, and how much scientific evidence the characters have
managed to uncover. There is much that could happen this fateful afternoon. Troops from Dugway could be called in
(40 riflemen and 10 bazooka). Local populace could be warned. Experimental chemicals could be fabricated.
Outside help will not be available. Salt Lake City is indeed only 30 miles away, but (of course) a major route through
the mountains has been closed by a rock slide and is impassable.
The Showdown
This should be fun to roleplay. Two giants of the genre tackling each other on Main Street, confused populace running
around, Army types trying to gather their forces and courage, scientists waiting in the wings with the miracle cure,
Feds trying to make sense of it all and protect the women-folk (remember, this is the 50's).
One possible solution involves getting the blob to attack the scorpions. If it consumes them, within 3d turns the
scorpions exoskeletons will be dissolved. The ensuing acid-base reaction will proceed at a rapid pace, releasing great
quantities of heat and gasses. The blob will begin to visibly swell, and anyone witnessing the expansion can make an
IQ roll to realize what is going on and take cover.
The ensuing explosion, with purple goo falling everywhere within a 500-yard radius of the blob, will effectively
eliminate both threats. But the town's gonna need some serious cleaning. And the PCs would be advised to make sure
that no pieces of the blob are big enough to continue animation on their own.
Epilogue
Be sure to play up the "things man was not meant to know" aspect if some characters died or if the PCs resorted to
calling in an air strike to level the beasts (and the town along with it). But excessive remorse for dead "extras" should
not be shown.
Bonus points for originality in coming up with a plan. Most plans should work -- they almost always did in the movies.
Also, bonus points for getting any romantic interest kindled between the lead characters -- they almost always did in
the movies. And, in wrapping up the adventure, be sure to leave a hint about a possible sequel . . .
Critter Stats
Whiptail Scorpions
aka Vinegaroons
aka Mastigoproctus Gigantus (bitingly ironic, don't ya' think?)
Whiptail scorpions differ from traditional scorpion. For starters, they have no poison glands and no chelated pinchers.
They hunt prey by grabbing the victim between their legs and crushing the poor fellow. They thus get one attack, not
two attacks, with their powerful legs.
But their real front legs are long and thin. They're called antennaeform, and they use them to feel around for vibrations
and objects and such. They have four pair of weak eyes, and they are nocturnal meat eaters; they prefer to kill and
then drag their prey back to their nests or holes.
They get their name from their unusual tail. They do not have a stinger like a "normal" scorpion, but instead have a
caudal appendage, or thin whiplike tail. From this tail, the scorpions can spray a misty cloud of powerful acetic acid!
The following stats are for the giant, mutated scorpions, which are about twice the size of a human, about 6-7 hexes
long.
ST 45
DX 12
IQ 2
HT 15/25
Move 12
Dodge 9
PD 3
DR 5
Attacks: Crush with front legs, 2d+1 crushing damage; successful crush means the victim is stuck between the front
legs. Quick contest of ST on the next turn to get free...if the critter wins than it gets an automatic hit!
Acid Spray has a range of 10 hexes, does 1d-3 damage each turn for 1d turns if hit.
Pierce with pinchers (jaws) does 1D impaling.
The Blob
aka the mutated remains of doomed Colonel Steve Dallas
Like the scorpions, the blob is a nocturnal meat eater. It is nigh-immune to fire, radiation, heat, and gunfire. Shells
bounce off of it. (It is randomly dangerous to fire bazookas at it.) It will react by moving away from concussive
explosions, electricity, or water. It can travel through solid earth by dissolving and excreting the rock. In doing so, it
dissolves any organic material. This leaves circular patches in grass or crops where it enters and exits the underearth. It
can kinda creepily bubble-up all around you if you're not careful.
The blob dissolves meat by engulfing it and allowing its extremely caustic (i.e., alkaline) interior juices to break down
the food. The blob is the size of a small apartment building by the time it attacks Clover. Note that a small slice of the
blob, if obtained, will behave like the larger blob but will become inert after 2d hours unless it is allowed to feed (and
therefore grow). The blob doesn't lose any organic matter it processes; it simply keeps getting bigger.
ST 70
DX 7 (12)
IQ 3
HT 15/90
Move 3
Dodge 0
PD n/a (~0)
DR n/a (~0)
Attacks: Pseudopod punch; the blob can instantly form up to four pseudopod "arms" to swing at anything within 20
yards. This attack (at DX 12) does 2d crushing damage, and if it hits, then the victim is stuck and will be pulled into
the blob. The pseudopod arms have a ST of 12 and victims get one contest of ST to pull free before being sucked in
(anyone nearby can help pull). Once inside the blob, victims get one last chance to win a contest of ST before
becoming one with the blob . . .
Historical References
History of Dugway proving ground (archived information on the Skull Valley Support page):
http://gregdan.com/grotto/sprt_skv.html
The Official homepage for Dugway Proving Ground (be sure to check out the Visitor's Guide and read about the
cosmic ray experiment facility operated in conjunction with the University of Utah -- I'm not making this up!):
http://www.dugway.army.mil/
Information about the Skull Valley reservation:

http://www.alphacdc.com/necona/skull-vy.html
Read about the 6,000 sheep (allegedly) killed by Dugway nerve gas:
http://www.alphacdc.com/necona/skulnews.html
Some pictures and information about whiptail scorpions:

http://www.kingsnake.com/trans_pecos/insects/vinegar.htm
Some good scientific background to give to a character who makes an Entomology or Science! roll:
http://www.Insect-World.com/main/whipscop.html
Riders on the Storm
by Mark Slattery
Luke's landspeeder slid to a halt along the hot Tatooine desert. He stood in the driver's seat and peered across the
seemingly endless dunes. He did not need the electrobinoculars to see the giant sandwhirl he was fleeing, but he was
not looking in that direction. As he adjusted the range finder, and scanned the desert in front of him, he spotted the
dark silhouettes of riders and their mammothian mounts -- Tusken Raiders. The Sand People were waiting for him just
over the next dune, letting the storm force him into their trap.
Forced to choose between the approaching sandwhirl and the Tusken hunting party, Luke dropped back into his seat
and sped towards the waiting ambush. As he readied his blaster, he thought to himself "These Sand People might be
smarter than they look!"
This article contains a Tusken Raider theme deck for the Star Wars CCG. Its main strategy is to recreate the
predicament Luke faced above. The exact details of how this strategy works is explained below, as well as several side
strategies. First, take a look at the cards in the deck below (the cards are separated by type. Their uniqueness is
designated by asterisks, and multiple copies of the same cards are denoted by x#):
Characters (17) Riders on the Storm
Chall Bekan * x1
RR'uruurrr * x1
Skrilling * x2
Taym Dren-garen * x1
Tusken Raider * x10
UroRRoR'R'R * x1
Ur'Ru'r * x1
Creatures (1)
Rancor x1
Effects (9)
Bantha Herd ** x2
Den of Thieves * x1
Expand the Empire * x1
Sandwhirl * x3
Scum and Villainy * x1
Well Guarded * x1
Interrupts (16)
Abyssin Ornament * x1
Bantha Fodder x2
Control x2
Ghhhk x2
Gravel Storm x2
Trap Door * x2
Tusken Scavengers x2
Twi'lek Advisor * x3
Locations (9)
Jabba's Palace: Audience Chamber * x1

Jabba's Palace: Rancor Pit * x1
Tatooine: Desert *** x2
Tatooine: Jabba's Palace * x1
Tatooine: Jundland Wastes * x1
Tatooine: Krayt Dragon Pass * x1
Tatooine: Lars' Moisture Farm * x1
Tatooine: Tusken Canyon * x1
Starships (1)
Bosk In Hound's Tooth * x1
Vehicles (4)
Bantha x3
URoRRuR'R'R's Bantha * x1
Weapons (3)
Gaderffii Stick x3
Starting Location & Starting Effect

There are two main choices for starting location and effect, depending on Riders on the Storm
whether you want to start offensively or defensively. The offensive choice is
more risky, but it does set you up with a greater potential Force drain very
early on. Deploy Tatooine: Tusken Canyon as your starting location and use
a Twi'lek Advisor to deploy Expand the Empire on to it. Expand the Empire
will add the Tusken Canyon's "Force drain bonus" game text to each of the
adjacent locations. If you deploy Lars' Moisture Farm and Jundland Wastes
to either side, it gives you a Force drain of eight. Plus, if you have a
Gaderffii Stick present at each site, Tusken Canyon's game text adds another
+1 to the Force drains; increasing the total Force drain to 11 over only three
sites!
Alternatively, the defensive option provides you with a greater initial Force generation and some protection. Choose
Tatooine: Jabba's Palace as your starting location and deploy either Well Guarded or Den of Thieves with a Twi'lek
Advisor. Jabba's Palace has a Force generation of two, the joint highest of all the locations. Also, Tatooine: Jabba's
Palace allows you to deploy another Jabba's Palace location from your Reserve Deck once per turn. This means that by
the beginning of your third turn you can have deployed the Audience Chamber and the Rancor Pit, giving you a total
Force generation of 5, irrespective of any locations you deploy from your hand. You can choose either Well Guarded,
which prevents the multiple cards in your hand being discarded by an opponent's Grimtaash interrupts, or Den of
Thieves, which allows you to cancel one Force drain each turn by placing a non-unique alien on to it, as your staring
effect.
Teeth of the Wind

"Teeth of the Wind" is the Sand People's name for sandwhirls, giant twisters that plague Tatooine and desert regions of
other planets. The main strategy of this deck revolves around using these storms to railroad your opponent in to either
an ambush or the jaws of the Rancor. First, you must deploy a desert location, as this is the only place a Sandwhirl can
be deployed. Deploy it at the Mos Eisley end of the Tatooine location structure, the opposite end to your Jabba's
Palace locations. This has two advantages, providing a buffer between your exterior locations and any Mos Eisley
locations your opponent might play, and when your opponent's characters flee from the approaching Sandwhirl they
will be forced into your interior Audience Chamber, the only safe area, and into your trap.
Now you have to set up the trap. You can either build up a force of characters in the Audience Chamber to battle those
Rebels seeking shelter, or feed them to the Rancor. You should deploy all of your non-Tusken Raider characters to the
Audience Chamber, as they are not protected from the Sandwhirl like the Sand People. This will save you having to
move them out of the storm's path. If these characters are not powerful enough to defeat the opponent's characters
being forced into the Chamber, move a few Raiders in to bolster their numbers. Alternatively, if you have deployed the
Rancor and his Pit, you can use the Trap Door card to drop a sheltering character into the Pit and retrieve the Force
when the Rancor eats them. Once you are ready to deploy a Sandwhirl, you can use a Twi'lek Advisor to take one into
your hand, and wait for your enemy to come to you. Your opponent must either move his characters out of the path of
the storm and into your trap, or lose them as they go "missing" in the storm. Even if you are unable to defeat any
sheltering characters, your opponent will have been forced to use up valuable Force to move them around, thus
delaying any plans he might have.
Riders on the Storm Deploying the Hunting Parties

The Bantha Fodder interrupt allows you to deploy a Tusken Raiders or Bantha from
your Reserve Deck, allowing you to amass your forces very quickly. If you have the
choice between playing Bantha Fodder or a Tusken Raider, play Bantha Fodder. Not
only does it remove a one-destiny card from and return a four-destiny card to your Life
Force, but allows you to use the other Raider to block a Force drain with Den of
Thieves. Bantha Fodder also allows you to deploy Taym Dren-garen from your Reserve
Deck; this aliens bonus to Tusken Raiders is very useful and should be the first card
you deploy with Bantha Fodder or the Audience Chambers rules text. The ideal
deployment for your characters is 3-4 Tusken Raiders, one of the unique Tusken
Raiders, a Gaderffii Stick and a Bantha at Lars' Moisture Farm, Tusken Canyon and
Jundland Wastes. Once you have 5-6 non-unique Tusken Raiders deployed, use Abyssin
Ornament to retrieve some force, providing you have at least six cards in your Lost Pile.
Tusken Scavengers & Skrillings

Tusken Scavengers represents the Sand People raiding travelers and stealing equipment. The card allows you to search
your opponent's Used Pile and place any devices, weapons and/or vehicles out of play. If used after your opponent has
just spent a lot of Force, at the end of their turn or after a battle, is can cost him enough Force to swing the game. The
scavenging Skrillings enhance this interrupt by placing the scavenged cards into your Used Pile, creating a form of
Force transfer between you and your opponent.
Gravel Storm
Use Gravel Storm to remove any dangerous opponent's characters, particularly the armed ones before they can fire,
during battles at the Jundland Wastes or Lars' Moisture Farm.
Bosk in Hound's Tooth

This deck is very weak in space, with only one starship. You can use Bosk and his ship to block a few drains and
prevent your opponent from using the Tatooine system's "battle bonus" game text. If your opponent is playing a mainly
space deck the best thing you can do is to sit tight, not deploying Bosk and his ship, and try to outdrain him. The loss
of Force from the resulting battle will probably outweigh any advantages gained.
I hope you enjoy playing with this deck. Good luck and may the Force be with you!
Art copyright © Decipher, Inc. All rights reserved.
The Lambton Worm
by Steve Hatherley
Art by andi jones

[Editor's Note: This scenario was originally published in The Unspeakable Oath, Issue #5, in 1992.]
Sometimes it's easy. Sometimes the clock has already been stopped. The Lambton Worm is one such case.
The Lambton Worm is suitable as a quiet introduction to the Cthulhu Mythos for inexperienced Call of Cthulhu
players. Alternatively, experienced investigators might welcome a gentler episode during a campaign all too full of
malevolent horror.
There are no cries of help or other definite hooks to draw investigators to The Lambton Worm. This situation isn't
going anywhere -- they can tackle it at their leisure. Ways in which investigators might be drawn in are included in the
scenario.
Historical Note: This scenario is set in Fictive Burton Green, in County Durham in the north of England. The Legend
of the Lambton Worm is genuine, but has been modified and an alternate ending added.
The handouts are dated with a 1920s setting in mind, but there is nothing to prevent The Lambton Worm from entering
play during a Cthulhu by Gaslight campaign. The only change is that Worm Hill will not be owned by the National
Trust; it will still be owned by the Stantons.
While the National Trust has many fascinating buildings under its protection, it does not (as far as I am aware) have
any which lead directly into the brain of a major alien race.
Worm Papers #1: The Legend of the Worm
The Legend of the Lambton Worm is unusual as it has two separate endings, both tied to the common myth.
A long time ago there was a young man named John Lambton, who liked to fish in the River Wear. One particularly
unsuccessful Sunday morning, when he should have been at church, all he caught was a strange, two-headed worm. He
dropped it into a well on his way home for lunch.
Time passed and Lambton forgot about the odd worm. He became a brave crusader and left to fight in the Middle
East. While he was away, his tiny two-headed worm grew into an enormous serpent that terrorized the local
neighborhood. It fed off the udders of cows, devoured sheep and swallowed little children alive. Then, sated, it would
wrap its tail around Penshaw Hill and sleep.
Brave heroes tried to defeat the worm, but each time it was chopped in two the pieces grew back together again.
Eventually news reached Lambton and, guiltily remembering the creature he had caught that Sunday morning long
ago, he returned to defeat the thing.
Before he set out, he visited an old witch for her advice. She explained that the only way to kill the worm was to stand
in the middle of the River Wear, wearing a suit of armor covered in razor-sharp blades. However, once the worm was
dead he would have to kill the first living thing he set eyes on or suffer a curse that would last for nine generations.
With the advice in his mind, Lambton put on the armor and strode out to the River Wear. Mindful of the curse, he had
instructed his father to send one of the family hounds for him to kill once the worm was dead.
Out in the river, he waited for the worm. It sensed its old adversary and attacked, coiling itself around Lambton and
his suit of armor. As it tightened its coils, the blades on the armor sliced the worm apart, and as each fell away they
were swept downstream by the river. Bit by bit the worm was carried away by the current -- and at last the worm was
dead.
Victorious, he returned home, only to find his father waiting on the river bank. He had forgotten about the hound. And
as Lambton couldn't brink himself to kill his own father, the family was cursed -- none of the next nine generations
would die in bed.
The second version of the legend picks up after Lambton returns from the Crusades having heard about the worm.
Seeking advice from an old witch, she tells him that the worm is heading for Burton Green. The only way to kill the
worm is to put an arrow through its brain. Once the worm was, dead he must kill the first living thing he sees to avoid
the curse.
Lambton set off for Burton Green, to arrive only shortly before the worm. It coiled itself around the village and waited,
heads facing each other. The villagers were afraid, and tried to pacify it with sheep and other meat.
"I want more," it said. Some of the men armed themselves with picks and scythes and tried to hack through the
monster's middle, but to no avail. It simply grew back together. Lambton tried firing an arrow but it just bounced off.
Besides, he was not sure which end had the brain.
"I know," one man said, "If we all run together between the worm's heads it will be so confused it won't know which
way to turn."
It seemed to be a good plan, and all the villagers agreed to try it. In unison they charged for the gap and freedom, but
the worm turned its massive head and opened its massive jaws. The villagers ran straight into its mouth and down into
its stomach.
But the two-headed worm was still hungry. In the village all was silent except for Lambton, who had stayed behind.
He had noticed that only one end of the worm did the talking -- the brain end. Taking his bow he walked steadily
towards the worm. Greedily it opened its talking mouth wide to accept the tasty snack. Lambton let fly. The arrow
entered the worm's mouth and plunged straight through the soft roof and into its brain.
The worm heaved high into the air in agony, and died.
A cheering shook Lambton as a young girl ran out, glad that the monster had finally been laid to rest. Despite the
threat of the curse, he could not kill the little girl. She was the only survivor of the village. And so the Curse of the
Lambtons began.
-- Taken from: Historic County Durham, 1912, Holly.
Historic County Durham can be found in any of the libraries in the area, and is typical of several books published
locally concerning the county's history. Most of them include the Lambton Worm legend, which changes little.
The Lambton Worm is, in fact, a dhole. It has been lying inactive across the countryside for so long that it has become
buried under earth and vegetation and is mistaken for a long, sinuous, hill. Covered with heather and gorse, the dhole
can be found at the center of Worm Hill.
The dhole has been imprisoned by an extremely powerful Elder Sign. Who (or what) trapped it is unknown, but a
serpent people tunnel leads from the surface to the monster's brain. Mention of this construction might be found in
some serpent people texts, perhaps found during the Shadows of Yog-Sothoth or Masks of Nyarlathotep campaigns.
In the 16th century, Hobson discovered the Worm and built his folly, a stone tower, over the serpent people tunnel.
This has sometimes attracted undue attention.
Cuttings
Worm Papers #2: Missing Journalist Found in Devil Marsh
The body of missing freelance journalist Jerry Tanner, 34, was found in Devil Marsh Friday night. Mr. Tanner was in
Burton Green to write an article for the National Trust concerning Hobson's Folly and Worm Hill and had been
reported missing since Tuesday.
Mr. Tanner's body was discovered only partially clothed, the acidic waters of Devil Marsh having eaten through his
jacket and trousers. The body was found by George Forrestal of Carr Gate Farm while driving his cattle for milking.
John Thorne, publican of the Black Bull, had alerted Police Sergeant Markham to Mr. Tanner's disappearance on
Monday. At that time Mr. Tanner had not returned to his room for three days.
Sgt. Markham is conducting an investigation, but preliminary reports indicate that Tanner drowned in the marsh.
Devil Marsh has now claimed three victims in the last ten years, despite notices being posted. The waters of the marsh
are poisonous, caused by the many toadstools growing in the marsh.
-- Burton Green Observer, 4 April 1923
The story about the National Trust was a cover that Tanner used to gain access to documents and records. Like the
investigators, he had been looking into the legend to see if there was more to it than met the eye. He examined the
folly, but did not climb it. Instead, he decided to explore the base of Worm Hill around the marsh. There he found a
small cave into which he crawled, eventually coming to the mouthparts of the dhole. The realization affected his mind
and he died trying to escaping the marsh.
Tanner might have been an acquaintance, perhaps foolish enough to begin an investigation on his own. He might also
have been a friend of Elias Jackson and perhaps this story is one of those in Masks of Nyarlathotep.
Private investigators might be asked to look into Tanner's disappearance, particularly if the body has not yet been
found.
Worm Papers #3: Satan Cult Captured at Folly
Police investigators last night surrounded and captured an entire coven of twenty Devil Worshipers on Worm Hill.
They had been using Hobson's Folly in their primitive black magic ceremonies.
Police had been alerted to the cult by Randolph Miller, an amateur archaeologist. Mr. Miller, interested in the Folly,
had noticed signs of disturbance following cult meetings. Upon witnessing the coven in action through a telescope in
his cottage, he contacted the police.
A police spokesman confirmed that none of those arrested lived locally, all traveling some distance to come to Burton
Green.
Police believe the coven to be part of a bigger organization, or cabal, with a nationwide network of covens. They are
proceeding with their investigations.
The Stanton Estate has not released a statement regarding the use of its property for such practices. It is understood to
be deeply concerned.
Police have not yet released details of those placed in custody.
-- Burton Green Observer, 28 March 1912
Little more can be discovered about this story. One of the prominent members of the coven turned out to be a son of a
prominent high court judge, also a Freemason. All charges were subsequently dropped, and the investigation into
further covens buried. Only a Freemason investigator will be able to discover this, others run into a wall of
impenetrable silence. Trying to probe too deeply will only make the investigators a number of powerful enemies.
The coven themselves have no idea of the true horror at Hobson's Folly. None of them have any awareness of the
Cthulhu Mythos, nor do they practice real magic. Currently they operate elsewhere.
The villagers remember the incident quite well, as it was the topic of conversation for some weeks. However, nobody
recalls the eventual sentencing of the devil worshipers, only that it no-doubt included a lengthy stay at His Majesty's
Pleasure.
Investigators dabbling in the occult may be drawn by this story. Alternatively, an investigation into the coven or other
secret societies may result with Burton Green being placed under the magnifying glass.
Worm Papers #4: Scientists Search for Lambton Worm
Eminent scientists from London College are searching for the legendary Lambton Worm. They have been exploring
the countryside and asking questions throughout the town.
Doctor Charles Winters, a historian, explained his theory that stone circles across Britain are set out to a grand design.
Although Burton Green did not have such a circle, he was sufficiently interested in the legend of the worm to come
looking closer.
To date, Dr. Winters has not found anything in Burton Green to vindicate his theory. He believes the worm was once
an elemental force, and if it existed, faint traces or echoes would be picked up by his instruments.
Dr. Winters and his colleagues are due to stay in Burton Green for another three days.
-- Burton Green Observer, 22 July 1920
This story might strike a chord with survivors of The Mystery of Loch Feinn.
Winters' theories are several years ahead of Alfred Watkins' (the discoverer of ley lines), but Winters is thinking of
some form of power matrix. His instruments are sensitive to the increased magnetic fields along the leys, although he
has no term for them.
Winters and his colleagues are tracking lloigor, believing them to be some form of elemental force that ancient Britons
worshiped. Suspecting that the origins of the Lambton Worm also lie in ancient lloigor worship, they vainly searched
for signs of the magnetic disturbances so common elsewhere: there are few leys in the area and none cross on Worm
Hill. They gave the folly a quick examination but ignored it.
Shortly after his visit to Burton Green and frustrated by the lack of success, Winters abandoned his theories. It is only
in 1925, after reading Watkins' The Old Straight Track, that his interest in lloigor is rekindled.
Everyone in the village remembers the scientists as they generated much gossip in the two weeks they were present.
This is a problem any investigation will face in rural villages.
Burton Green
Ten miles southeast of Durham lies Burton Green, a small village struggling to become a town. It boasts all the
amenities that a town ought to have -- post office, doctor, police station, a cricket team, even its own paper -- but the
population is slowly dwindling, lured away to the factories in the cities. As a result, Burton Green has shrunk in size
and the average age of residents has risen. Its main industry is gossip, and strangers generate plenty of that.
The Burton Green Observer is the local paper, published on Tuesdays. It is totally dedicated to local news. Colorful
investigators can quickly make a name for themselves here, attention they may find unwelcome. Browsing through past
issues, it is obvious that apart from the stories presented above life in Burton Green is quiet.
The Black Bull is the best of the three pubs in town. It is quiet, with two well attended bars. The landlord, John
Thorne, is friendly and pragmatic, rarely surprised at his guests' odd activities. His wife, Jane, is a solid Christian lady
with strong morals; any flirting with their daughter Emily is forbidden. The Black Bull is a good base to operate from,
providing private rooms, hot meals and contact with the locals.
Sergeant Markham is a shrewd policeman with a sharp eye for the unusual. He could have made a good career in one
of the metropolitan forces, but prefers the rural peace of his native Burton Green. Once presented with proper
credentials, Markham will prove a source of useful information about the surrounding area and its inhabitants.
Stanton Hall used to be home to the local nobility. In 1917 Albert Stanton sold Worm Hill and Hobson's Folly to the
National Trust to pay for repairs to the Hall. He died in 1918, leaving the Hall empty. It has remained empty since.
Burton Green has a ghost. More accurately, Worm Hill has a ghost. Back in the mid-1700s, Michael Fortmason used
to take his spaniel, Monty, onto Worm Hill for his evening constitutional. This was a routine they kept up for more
than ten years until one night Monty vanished. Michael, heartbroken, searched Worm Hill in vain. Every evening, until
his death a month later, Michael hunted high and low for his lost dog. Their ghosts now haunt the hill. On quiet
evenings a faint yapping has been reported and, once or twice, Michael has been seen as he searches for Monty.
Michael and Monty's story has never been written down, but most of Burton Green's inhabitants know of it. In
particular, George Forrestal of Carr Gate Farm (nearest to Worm Hill), believes he has heard Monty on several
occasions.
On the whole, the people of Burton Green are friendly and welcoming. They like to hear of other places and the
players will find their tales of distant lands a useful resource. However, the people of Burton Green really have no idea
of the awesome horror that sleeps beneath Worm Hill and can offer little more than a relaxing cup of tea and idle
gossip.
The Watcher of the Hill

Randolph Miller has lived in Burton Green all his life, dedicating himself to his studies and writing. Miller, however,
is more than just another enthusiastic amateur. He knows that at the center of Worm Hill lies an ancient and terrible
creature. If allowed to return to life it would be a threat to the nation's safety. It is Miller's self-imposed duty to watch
over Worm Hill.
It is a task Miller inherited from his father. When Miller dies he will pass the burden to another. However, Miller has
no family and at the sprightly age of 61 is now looking earnestly for someone he can trust.
Any obvious interest in Hobson's Folly will arouse Miller's concern. His study faces the hill, and he has a telescope
trained on the Folly. When he hears of the investigators asking questions and spies their interest in Worm Hill, he will
endeavor to meet them. It will not be hard; they will be staying in the Black Bull. There, Miller will chat amiably to
the investigators, in his favorite role: amateur archaeologist, historian and astronomer. He will not reveal his secret, but
will try to gauge the investigators feelings. Perhaps one of them might be the next Watcher?
If Miller spies them scaling the folly, he will rush to the hill and wait for them beside the base. He has been inside
once, and has no intention of doing so again.
Miller may also send some newspaper cuttings to the investigators. He corresponds irregularly with other mythos
scholars and may hear of the investigators through them. The cuttings will be sent anonymously, as Miller wants to
judge the investigators himself.
Randolph Miller, Watcher of the Hill, Age 61
STR 10
CON 9
SIZ 13
INT 18
POW 15
DEX 12
APP 10
EDU 16
SAN 68
HP 11
Damage Bonus: none

Weapons: none
Skills: Anthropology 30%, Archaeology 60%, Astronomy 55%, Botany 35%, Chuckle Wisely 66%, Cthulhu Mythos
5%, Debate 70%, First Aid 43%, Geology 30%, History (local) 75%, Library Use 40%, Occult 40%, Psychology 60%,
French 30%, Ride 50%, Zoology 30%.
Worm Papers #5: Hobson's Folly and Worm Hill
Hobson's Folly: Hobson's Folly was built in 1765 by George Hobson, an aristocrat living in London. It is a simple
cylindrical tower built of roughly hewn stone from nearby quarries. It has no openings or doors of any kind and is
entirely featureless. Perched at the southern end of Worm Hill, it dominates the skyline.
Worm Hill: This is a long treeless hill fine views of the surrounding area. Gorse and heather grow predominantly on
the hill, giving it a very different feel to the lush woods nearby. The hill is known to be unsafe and is best avoided.
Devil Marsh: According to legend, the Devil is trapped in the marsh causing it to become shunned. The marsh is
dangerous for the unwary -- several people have been trapped in recent years. The marsh is located at the end of Worm
Hill, near Hobson's Folly.
Taken from: Superstitious Britain, 1908, Lee.
A sketch of Hobson's Folly exists showing its construction and the serpent people tunnel it stands above. Currently this
is tucked away in a stately home's massive library, some distance away. If an investigation does not result in the
scaling of the folly, it may be worth bringing this sketch into play at a later date to encourage a return to Burton
Green.
The dhole lies under 30 feet of soil. It has been there for millions of years, lying motionless on the seabed as sediment
built up. Then, as the land rose, it became a hill.
Worm hill is long and sinuous -- tracing the body of the dhole. If quarried extensively, the body of the creature will be
found. Fortunately, now that it is owned by the National Trust, this will never happen. At one end is Hobson's Folly,
and below that there are natural springs. Because of the proximity of the beast's cavernous jaws (and noxious saliva)
the water is undrinkable. A marsh has grown there and the place is dismal indeed.
The poisonous waters of Devil Marsh defy analysis. Dhole-tainted waters behave strangely under laboratory scrutiny.
Worm Hill is known to be treacherous. The ground is uneven and riddled with potholes and burrows that can sprain or
break an ankle. Putrid oils exuding from the dhole's skin twist and warp the gorse and heather -- the only plants hardy
enough to grow on the hill. Contrary to local belief, there are no burrows on the hill -- no animal will live there. The
holes are caused by the ground shifting, caused by slight movements of the dhole's body.
The folly is a simple stone tower standing 50 feet tall on the top of Worm Hill. The National Trust have not conducted
an extensive study of the folly. For now, all they have done is point up the blocks to make it safe. The tower is hollow
and can be entered from the top. Just getting to the top requires three Climb rolls, 1D6 damage if the first is failed,
2D6 for the second, 3D6 for the third. Same again, in reverse, to get back to the ground. Smart investigators bring
ropes.
At the bottom is a heavy (STR 20) stone slab. Prying this away reveals a dark, irregular tunnel. The stench is
appalling. The first 30 feet or so, through the soil, is coarsely lined with soft stone. An Archaeology roll indicates that
this is far older than anything previously discovered in Britain. A Cthulhu Mythos roll reveals that this is of serpent
people construction. This stops where the dhole's skin starts. Two Climb rolls are required to avoid falling for 1D6
damage.
The Lambton Worm The tunnel leads directly into one of the dhole's brain cavities. Seeing
this vast cavernous mass requires a 1D4/1D20 SAN roll. There,
seared into the quivering brain cells is a huge Elder Sign. The
potency of the spell is such that the dhole cannot move -- it is
imprisoned within its own mind. The investigators each receive 1D8
SAN when realizing this fact, such is their relief. (It would be more
had they contributed to the dhole's downfall.)
The folly was constructed by Hobson after he found the Elder Sign
that trapped the dhole. Should the Elder Sign be destroyed, the dhole
will slowly return to life, an event to be avoided at all costs. The
Elder Sign is actually fairly difficult to remove -- the familiar five-
pointed star would have to be cut from the dhole's flesh before its
effects wear off.
Investigators might want to forcibly deal with the dhole. Its brain
cavities connect with other internal chambers and it is technically
feasible to explore the remarkable insides of this ancient beast. There
they could, in theory, plant enough dynamite to blow the entire hill
sky-high.
There are several reasons why this plan is fraught with peril. Firstly,
just staying in the creature's body is a sanity draining experience.
Every ten minutes, each investigator must make a Sanity Roll or lose
0/1D4 SAN. At the same time they must succeed a CONx5% roll to
avoid taking 1 hit from the dhole's acidic internal juices. Investigators reaching its mouthparts or the digestive system
encounter the slimy goo detailed in the rulebook. Then there is the dhole's immune system, detailed below.
Alternatively, foolish investigators might try lobbing dynamite down the folly into the cavity. The explosions will
destroy that particular brain cluster, but no more. And to what end? The cluster grows back, after all. Worse, the
dynamite might disturb the Elder Sign.
Perhaps the most logical reason why the investigators shouldn't try to destroy the dhole is that they needn't do so. It is
helpless -- trying to kill it is much more trouble than it's worth.
The Lambton Worm
Unlikely though it is that the Lambton Worm will return to life, it is nonetheless possible. For details of its attacks see
the Call of Cthulhu rulebook.
STR 720
CON 140
SIZ 801
INT 7
POW 38
DEX 4
Move: 18/10 burrowing (immobile at present)

Damage Bonus: +94D6
Weapons: Engulf, 80% swallow; Spit Goo, 50%, special
Armor/HP: 38/470
Spells: none
SAN: 1D4/1D20
Dholes are blessed with an effective immune system. In addition to attacking foreign matter, it cleans and helps repair
the damage caused by blundering investigators. Unfortunately for the dhole, it cannot repair the damage caused by the
Elder Sign.
A myriad of multi-limbed, multi-colored, multi-everythings writhe and crawl and wriggle throughout the dhole's vast
body. SAN loss for these is covered above (0/1D4 every ten minutes). Then there are the antibodies . . .
If they stay too long the investigators find themselves under attack. Every ten minutes, there is a cumulative 30%
chance that the investigators encounter horrid, writhing antibodies. This rises to 50% if the investigators are causing
damage. Once the first antibody has arrived, an additional 1D3 arrive each minute until the threat has been dealt with.
There is effectively no limit to the number of antibodies that appear -- the investigators cannot carry that much
ammunition.
Antibodies will also attack dynamite wired to a remote detonator along with any other form of foreign matter.
Dhole Antibodies
A chaotic nightmare cross of crab and octopus, antibodies have too many tentacles and too many legs. Encased in a
thick leathery hide, they respond quickly to intruders.
Dhole antibodies attack with two claws. After two rounds, the antibody attempts a grapple. If successful it wraps itself
around its target and exudes slimy caustic goo, doing 1 hit per round. The antibody stays attached to its target until the
foreign matter has completely dissolved away.
If the investigators flee the antibodies follow them as far as the tunnel. They cannot exist outside the dhole's body and
will not leave.
STR 2D6+6
CON 3D6+6
SIZ 2D6
INT 1D3
POW 1D6
DEX 3D6+6
Hit Points: 12
Move: 10
Weapons: 2 claws, 40% 1D6 damage; Grapple, 80% exude goo
Armor: 4
Spells: none
Sanity Loss: 0/1D6
Keeper's Notes
The Lambton Worm lacks the traditional conclusion in which, against overwhelming odds, the investigators go head-
to-head with the minions of the Outer Gods. Unable to do anything more serious to the dhole than has already been
done, players may find situation discomforting. Perhaps unsettling. Good.
Things may change. If investigators can discover the worm's final resting place, so can others -- and perhaps they will
be lacking hearts so pure. If Miller takes a shine to the investigators, perhaps a telegram arrives, urging their return to
Burton Green.
And of course, there's always the dhole. You never know when it might come in handy.
Files
by David Morgan-Mar
Art by andi jones

"So, we leave the airport and drive into the city . . . Anything interesting?"
Visiting foreign countries or alien worlds is a staple pastime for characters in roleplaying games. Often the differences
in location and culture are skipped over unless a particular local object or practice has some importance to the
adventure. This can be a shame, since credible physical and cultural differences between gaming scenes can impart a
good deal of fun to the roleplaying experience, reinforce the suspension of disbelief, and really allow the players to
know they are somewhere different.
The hard part is thinking up the new ideas that will make a place seem different yet realistic. For inspiration, there is
always the old maxim that truth can often be stranger than fiction . . .
(Note: There are a handful of GURPS terms sprinkled through this text, but the information should be easily adaptable
to any other RPG.)
The Little Details

If you have ever traveled to a foreign country, you may have noticed that the place simply "felt" foreign in some
subliminal way which was hard to quantify, even before you interact with anyone. This effect is the sum of miniscule
differences, many too small to notice consciously.
If there are organized road systems, people can drive on the opposite side of the road. A seemingly trivial difference,
the effect of this can be quite disconcerting, especially to pedestrians. Expecting onrushing traffic from the right or left
as you step into a street is an unconscious reaction. Absent-Minded or Impulsive individuals or those with Short
Attention Spans are in particular danger. Driving rolls made under stressful situations from an unfamiliar side of the
vehicle should attract a penalty.
Architectural styles often differ between countries, and either subtle or marked differences can give a game location
interest. The houses are all made of wood, instead of the brick they use back home. Stone is used more than steel. The
churches have a foreboding, gothic look, rather than being homely and inviting. Architecture can be a good mood-
setter, particularly for campaigns with a horror element. Or all the homes may be freshly painted for the current trade
festival, where sly adventurers may try their luck in the auction rings. Alien worlds may have massive, dominating
structures, all gleaming metal and glass as far as the eye can see. Or they may be colonies with most of the buildings
still cobbled together from old cargo containers.
General tidiness of a location is picked up subconsciously by an observer. This includes the obvious trash lying about,
or not lying about, as the case may be. Buildings can also be grimy with smoke or other pollution, or kept clean.
Graffiti, or lack of it, speaks volumes for the care taken by whoever looks after a place. The appearance of modern
cities changes dramatically depending on whether power and phone lines are buried underground or strung from poles
in the air. Local vegetation can be green and healthy, or sickly and dying. Alien vegetation may not even be green.
The weather can also set a location apart. A fantasy city where it rains nearly every day presents novel drainage and
sanitation problems. While driving across a desert in a jeep, any characters who forget their moisturizer and lip balm
will develop cracked skin and painfully chapped lips. Weather can also change rapidly in some places. Harry from
London always carries an umbrella "in case it rains", while Carrie from Los Angeles is surprised to see a sudden snow
flurry on what looked like a nice day.
Even simple every day occurrences like sunset and sunrise can make a place feel foreign. At high latitudes, the sun
approaches the horizon at an oblique angle and twilight can last hours. Characters used to this can be caught by
surprise in the tropics, where full daylight can descend into pitch black night in a matter of minutes.
Sounds and Smells

As any GURPS Discworld adventurer can tell you, the first thing you notice about the city of Ankh-Morpork is the
smell. And as any native of Ankh-Morpork can tell you: "What smell?"
In many fantasy and real world cities there will be street vendors preparing and selling all manner of local delicacies.
This is the ideal time to introduce the characters to the delights of the cuisine. From delicious aromas of cooking meats
to repulsive stenches of the much-loved (by the locals, anyway) native fruits, the smell of a location can be described
to help set the scene, or even to offer adventure clues. Modern cities may smell polluted with smog, while third-world
or fantasy cities will have various animal odors permeating the air. Usually characters will find country air more
appealing, so describe the freshness of the breeze, or the smell of newly cut hay. Remember farms are prime manure
locations too. Emphasize anything different from what the characters are used to.
Moving on to the sense of hearing, the sounds heard by characters can be serious mood-setters. The hustle and bustle
of modern cities is a constant background sound -- traffic, sirens, conversations within earshot at every turn. Buildings
can hum with air conditioning, or power generation. Planes or spaceships taking off nearby and flying overhead add
intermittent engine roars to the cacophony. A good city noise description can really set the scene for unsophisticated
characters.
In the countryside, or lower technology towns, more natural sounds will rule. Animals can be heard. Livestock moo
and bleat, while birds fly by and fill the air with song. Cowbells and church bells ring out. Perhaps the ringing of
hammer on anvil bespeaks the presence of a smithy. Unruly children will shout and squeal as they run at play. Splashes
of water or the gurgling of a stream will be heard. Most gamers live in relatively urban areas, so describing these
sounds helps evoke the feeling of other-worldliness that makes a good gaming session.
More eerily, lack of sound can impress a sense of oppression if described carefully. Usually when Something Horrible
happens, normal sounds cease. Animals sit still and quiet, sensing Something Evil. Conversations die and the piano
player stops when the bad guy walks into the saloon. The city with no sound is a ghost town, with characters' footsteps
echoing spookily off the towering edifices of abandoned buildings. And once the mood is set and the characters are
proceeding carefully, glancing over their shoulders in fearful expectation, the lone wolf howl, or the gunning of a
single engine, or the ring of a shot can cause near panic.
Native Practices
What makes a place feel really foreign, however, is
when the characters start interacting with the locals.
If the local language is one that none or only a few of

the characters speak, that presents a whole slew of
problems and possibilities. The Gesture skill will
come in handy for attempting communication. Signs
become illegible, so it will be harder for characters to
locate the places they need, or to understand warnings
and dangers. Amusing incidents can be had with
There's No Place Like Home
phrase-books, which may or may not be accurately

compiled. And there is always someone who thinks
he can communicate simply by shouting loudly
enough.
Even if the locals speak the same language as the characters, they could have distinctive accents, or expressions which
seem confusing. A GM who puts on even a half-decent accent when speaking as an NPC will make the players aware
they are dealing with a foreigner. If you can't fake an accent, at least describe the thick brogue or "Martian accent"
being used by the hotel check-in clerk.
Crowd behavior is something which can vary markedly between cultures. If a bag is snatched or a fight breaks out on
a modern city street, there is a tendency for onlookers to "not get involved". What if a merchant picks a fight with a
character over a particularly hard-fought bargain and everyone within listening radius joins in the ensuing brawl?
Characters sometimes get into fire-fights in the streets, assuming any passersby will basically ignore them. Maybe
instead they will pull out their own weapons and pick sides.
On a more personal level, people can interact differently. In Japan, the giving of small gifts is a time-honored and
ritualized custom. It must be done for the right reasons, and the value of the gift is of crucial importance. Too little and
the receiver is insulted, too much and it is a rude display of the giver's arrogance. An incorrect display of custom can
easily lead to a poor Reputation.
Perhaps the characters will try something safer, maybe go shopping or dine in a restaurant. How do the shops work?
Most people are used to seeing displays, picking up products, trying on clothes, before buying. What about a place
where all you see is a catalog, and the products are brought out for you once you buy, to avoid other people's germs
getting on them. Or the swordsmith might encourage you to test the quality of his steel by running through a passing
beggar before you decide to part with your gold. (Is that normal? How will the characters know?)
Restaurants naturally bring up eating habits and table manners. Maybe the natives all cut their food daintily before
lifting morsels to their mouths with a selection of appropriate forks. Or they might hack into the roast with their
daggers and smear fat over their faces and tunics with their hands. What do they think of how the characters are
eating? In some human cultures food must only be eaten with a specific hand (usually the right), the other being
reserved for "unclean duties." Elsewhere, putting a fork in your mouth is considered as crude as licking a knife is in
modern Western culture. And at the end of the meal there are limitless ways of showing proper gratitude to the hosts:
Leave a little food on your plate, lick your plate clean, belch loudly, throw your plate into the fireplace, or proclaim
loudly that the hosts are invited to dine with you so that you can show them how a real meal is served.
If in a restaurant, the subject of leaving a tip now arises. The practice of tipping cash for people who perform small
services is seen in some societies (notably the USA) as normal and even expected. In other places, it is unheard of -- a
visiting American can be taken aback by the Australian taxi driver who rounds the fare down and waves away any tip.
Perhaps worse is the character who does not leave a tip when one is expected. The slighted person may merely become
rude, or might turn actively hostile, or even plot a convoluted revenge. A more alien culture may see tipping as an
unpleasant reminder of indentured servitude and an unsuspecting Traveller attempting to tip a local waiter may find
himself being challenged to a duel of honor! Which brings up the next topic . . .
Law and Order

Formally declared dueling may actually be legal in some places (as it was in parts of Renaissance Europe). Getting
characters involved in a duel should be almost trivial for a GM playing up differences in culture -- an unintended
insult is bound to happen at some point. Characters challenged to a duel may have several options, from backing down
with attendant public humiliation (and loss of Reputation), to choosing a champion to fight for them. Or there may be
no way out without a fight.
Legalized dueling may require some form of official presence, from the King himself if duels are rare and highly
ritualized, to a police representative, who may be empowered to shoot any participant breaking the rules. On the other
hand, anything may go as long as the antagonists have reasonable excuses for fighting. The law may not get involved
at all in personal grievances, leaving characters to fend for themselves if someone takes offense to them.
When laws do get broken (as they often seem to around adventurers), the way the legal system works becomes
important. Consider a judicial system in which the accused is not only "innocent until proven guilty", but free until
proven guilty. A character falsely accused of murder is not held in custody until his trial, but released and expected to
turn up for the trial. A no-show is taken as an admission of guilt and turns him into a "kill-on-sight" fugitive. In the
meantime, the character can act to track down the true murderers and prove his innocence, with a strict deadline
looming.
On the other hand, imagine a place where a person accused of a crime is punished for it automatically. Now imagine a
party of adventurers visiting and trying to stay out of trouble.
Legal differences can also be important for people carrying goods across borders. What is legal in one place may not
be elsewhere. A classic roleplaying scenario is to strip characters of their weapons when they enter a new jurisdiction,
to be picked up when they leave. Of course, the inevitable fight breaks out before they do so. But this mechanism can
be used in other, subtler ways.
There are real life cases of travelers carrying over-the-counter medications through a foreign customs inspection and
being arrested for attempting to import "illegal drugs". In a science fiction setting, even bodily implants may be illegal
-- "You have an artificial liver? I'm sorry sir, but we'll have to remove that if you want to leave the spaceport customs
area."
Once inside a new country, characters unaware of peculiarities in the local law could be in danger. The impudence of
a foreigner not dropping to his knees as an official passes in the street could be punished by anything from a fine to a
flogging. For a modern game, subtle differences in road rules can confound drivers. Turning on a red light may be
legal or illegal, for example. Some places have stranger local laws, like Melbourne, Australia, where sometimes right
hand turns are only permitted from the leftmost lane.
That Old Time Religion

In real life, many cultural practices stem from observance of the local religion. Buddhists are strict vegetarians, Jews
must not perform any work on the Sabbath, and Muslims stop everything to pray five times daily.
Religious observances can seem odd or even illogical to outsiders. This is a good excuse for almost any sort of unusual
behavior in a strange location. Perhaps the adventurers have arrived in town on a holy day when no alcohol can be
drunk, thus the hostile reception when they ordered food and wine at the inn. Maybe laser weapons are considered
unholy, so are confiscated, leaving the characters defenseless while everyone else walks around armed with sonic
disruptors.
Buddhists are always careful to pass to left side of "chortens," funerary shrines of lamas, when walking past them. To
pass to the right is to invite bad luck. Any similarly arbitrary restriction or proscription of behavior can be explained as
a similar sort of religious belief.
Religion is also the standard excuse for public holidays or festivals. Characters needing a starport clearance in a hurry
to skip the system and get away from pursuing pirates will be dismayed to see the issuing office closed for three days
because of a local festival. Fantasy characters can always find things to do on a religious holy day, from appeasing the
local gods to getting into trouble with the church. And a parade always provides a good background for a fight or
chase sequence.
If gods are active in the campaign, they may require proper appeasement from visitors to their realm of influence. A
visit to a local shrine may be in order, or else poor luck could dog the footsteps of a heathen foreign visitor. Clerics in
foreign lands may even find that their own gods' power is weakened or unavailable.
Dealing with Cultural Differences

Educated characters may have some idea what they are dealing with when they travel to a foreign destination. In
GURPS, this is represented by the Area Knowledge skill. Rolls against this skill will be required whenever the
character is in a situation where correct behavior is important and that behavior is different from what he is used to. A
failed roll means the character simply doesn't know the local custom and must muddle through.
Other skills which will come in handy when traveling are Savoir-Faire and Diplomacy. Savoir-Faire can be used to
adopt a politely deferential attitude in most cases, although some cultures may look poorly on one who is too
apologetic! Diplomacy can be resorted to once a social gaffe has been made and amends are needed. In the worst
cases, the old standby combat skills might need a workout.
Getting Ideas Together

Suggested reading for cultural ideas can be found in virtually any book store. The travel guide section is brimming
with details of foreign lands. These books usually have introductory sections explaining any peculiarities of local
custom, from tipping expectations to religious mores.
For physical differences, check travel picture books. These often show details of unusual architecture, clothing styles
and landscapes. Free travel brochures have similar pictures. The best resource is possibly National Geographic
magazine. Each issue is crammed with exotic location descriptions and photographs. If you pick up a few old issues
cheap at a garage sale or second hand store, you can even cut out the photos and flash them at your players when
setting the scene for the night's adventuring.
With these resources and a few minutes setting the scene before play begins, you will be able to describe your gaming
locations as the characters see them, breathing life into each new place and making it seem more real and dynamic to
your players. Different places make for varied roleplaying experiences and can even suggest encounter and adventure
scenarios.
"Well, you're not used to driving on this side of the road, so you're having to concentrate a bit. But you notice the air
blowing in the window seems hot and stale, like inside an overcrowded room. Probably pollution from all the cars --
the traffic is a lot heavier than back home. There aren't many trees, and those you do see are scraggly and half dead
looking. You figure this must be a bad neighborhood, because the buildings are grimy and covered in graffiti. You stop
at a red light and can hear kids playing basketball in the park next to a church, which looks like the only well kept
building in town. The guy behind you starts honking but the light is still red. He looks mean and is wearing some sort
of uniform you don't recognize . . ."
Bodyguards in Shadowrun
by Alex van der Kleut and Marc Renouf
Art by andi jones

Whether he's a Secret Service agent protecting Bodyguards in Shadowrun
President Haeffner, or a made man standing watch over
his don, the Sixth World is full of bodyguards. They
are expected to watch out for their client, scanning for
possible threats, keeping clients out of danger, and if
necessary push a client out of the way of an attack or
intercept a bullet meant for another. In some situations,
they are directly opposed to shadowrunners, preventing
them from carrying out their wetwork assignment.
Bodyguards have been a part of the Shadowrun game

since the 1st Edition was published in 1989. However,
while FASA is now publishing the third edition of the
game, there has never been any description of how a
character could work as a bodyguard. This article
attempts to rectify this situation by giving some
guidelines for players wishing to create bodyguard
characters. As one of the most common adventures in
Shadowrun involves kidnapping someone (usually a
researcher), the following guidelines can be used to
improve the caliber of opponents as well.
Unfortunately, the way a bodyguard actually does all of these things is very vague. While the Corporate Security
Handbook describes what kind of services that personal security companies provide to protect their customers, very
little is actually written about the methods that a bodyguard can use to protect his client. The inclusion of a few extra
skills and optional rules will provide some guidelines to GMs and players who want to add depth to bodyguard
characters. While simple and straightforward, they allow careful, quick, or observant characters to undertake
bodyguard missions in a more realistic and entertaining way. They can also provide the opposition more options to
protect those oh-so-important research scientists who are always either getting kidnapped or kacked.
Bodyguard Skill
Default: Intelligence
Specializations: Interception, Perception
Bodyguard is an Active Skill Based on Intelligence, used to protect a client by pushing him out of harms way or
interposing himself between an attack and his client. When allocating Combat Pool Dice to a client, he may not use
more than his skill level. It may also be used as a complementary skill for Perception Tests when the bodyguard is
searching for potential threats to his client.
Professional Bodyguard Background
Default: Intelligence
Specializations: Identify Threats, Reduce Vulnerability, Team Coordination
When doing any sort of investigative work dealing with his duties, the bodyguard can use the bodyguard background
skill. It is mainly used when planning the protection of a client, and the different methods of minimizing his risk.
Identifying threats includes analyzing the client's workplace, residence and private life for potential security holes. It is
also used for identifying potential enemies and attackers and analyzing various forms of attacks that the client may be
vulnerable to. Reducing vulnerability involves planning different egress routes for personal appearances, determining
the best positions for security team placement and other security precautions that the client can take. Team
coordination covers the tactics and maneuvers of a personal security team. This is especially useful when one
bodyguard is protecting a client while other team members run interference.
Adept Powers
In the world of Shadowrun, magically active adept characters are in considerable demand as bodyguards and can
command very high fees for their services. Most of the benefits that an adept can gain through magic are subtler than
the equivalent cybernetic enhancement, an important edge for a bodyguard to have. Combat Sense, Improved Reflexes
and Sixth Sense can all increase the adept's Reaction for Surprise Tests. Empathic Sense can be invaluable for
determining the intentions of potential hostiles. The benefits of Quick Draw and various Improved combat skills are
also easy to see, as are any type of sensory improvement.
Cyberware
Mundane characters tend to look towards several types of body augmentation to enhance their effectiveness as
bodyguards. Reflex enhancement of some sort, usually at least Wired Reflexes I, is almost a given. A smartlink is also
a wise investment. Sense enhancing bodyware is extremely important, such as Low Light, Vision Magnification or
Flare-Comp. Don't overlook the subtler cyberware, such as Hearing Amplifiers and Spatial Augmentation. A cyberarm
with a built-in firearm provides a weapon that cannot be lost, as do razors and spurs.
Edges
Of course there are also several Edges available from the SRComp that are appropriate to bodyguard characters. For
characters that don't have the adept power of Combat Sense, Lightning Reflexes can provide a good way to improve
the odds in Surprise Tests. Bodyguards can always use the bonus that comes from having the Perceptive Edge.
Depending on whether the character wants to blend in or stand out, he may wish to purchase either Blandness or
Friendly Face.
Allocating Combat Pool
A character with the bodyguard skill may allocate some of his Combat Pool dice to protect his client from attackers. In
essence, it allows him to use his Combat Pool to protect other characters from physical attacks the same way a mage
can use Spell Defense dice out of his Magic Pool to protect other characters from magical attacks (see Spell Defense
rules in SR3, p. 183). Typically, the most appropriate use of this skill happens during surprise situations (see SR3, p.
108-109). In order to allocate any combat pool dice, the bodyguard needs to be within arms reach of the client. In the
case of surprise tests, he also must be able to act on the client. Outside of a surprise situation, the bodyguard can
allocate Combat pool dice to the client just like a mage can with Spell Defense.
The maximum number of Combat Pool dice that a bodyguard can allocate to a client is equal to his bodyguard skill.
They must be allocated at the beginning of the Combat Turn, and cannot be used until the beginning of the next
Combat Turn when all the pools refresh. Since the allocation of Combat Pool dice to the client is done in precisely the
same fashion as allocating Spell Defense dice, a character still has time to perform other actions, such as drawing a
gun, aiming for the next combat round or making further Perception Tests. However, Combat Pool allocated in this
way cannot be used for any other purpose; they are effectively used until the next Combat Round.
Example: DeadEye is walking up to Louie the Suit with the intent of doing him great bodily harm with a rather large
semi-automatic pistol, the result of differences in policy in the local organized crime family. Fortunately, Louie has
hired Mr. Bennet as a bodyguard, who spots DeadEye getting out of a parked car with a successful Perception Test.
Since Mr. Bennet realizes that something is about to go down, the GM does not call for a Surprise Test. Mr. Bennet
has a Reaction of 8, Combat Pool of 9 and a Bodyguard skill of 5. After Initiative is rolled, he allocates 5 of his 9
Combat Pool dice to protect Louie, and holds his first action. When it looks like DeadEye is going for his gun, Mr.
Bennet uses his held action to quick draw his own weapon and perforate DeadEye. If DeadEye is still alive on his
action, Louie has an extra 5 Combat Pool dice from Mr. Bennet to use in Dodge Tests.
Surprise Situations
The most appropriate time for a bodyguard to act is in Surprise situations, when the client has no idea that there is any
danger around him. Under normal Surprise Situations, a character with fewer successes cannot act against a character
with more successes, and cannot even dodge. However, when a bodyguard is allocating Combat Pool dice to a client,
the bodyguard only has to be able to act against the client. In this case he warns his client of the danger, pushes him
out of the way, or takes some other action that allows the client to dodge out of danger. If the bodyguard gets fewer
successes than the client does, he cannot allocate any Combat Pool dice to him. If the would-be assassin gets more
successes than the bodyguard does, he gets to stand there and watch while his client goes down and his insurance goes
up.
Example: DeadEye wants to geek Louie the Suit, and instead of just stepping out of a car he decides to lay in ambush.
He leaps out of a shadowed doorway, his gun at the ready. This time the GM decides that a Surprise Test is in order,
and everyone rolls a Reaction test with a base target number of 4. DeadEye, lying in wait with held action gets a -2
modifier, for a final target number of 2. He rolls a number of dice equal to his Reaction (5), and gets 4 successes.
Louie, thinking about his latest quarterly balance sheet, gets a +2 modifier for being distracted. He rolls his Reaction (a
mere 3), and gets no successes. Mr. Bennet, paying attention, rolls his Reaction (an 8) against the base target number
and also gets 4 successes.
With the same number of successes, Mr. Bennet cannot act directly against DeadEye, but he can allocate up to 5 of his
own Combat Pool dice to Louie. Mr. Bennet chooses to allocate all 5. His actions also happen simultaneously to
DeadEye's as they scored the same number of successes on the surprise test. Dead-Eye rolls for his shot as normal,
taking a single simple action to aim, and the other to fire. Counting all of the appropriate modifiers, he comes up with
two successes. Louie gets the chance to roll the 5 Combat Pool dice that Mr. Bennet has given him in an attempt to
dodge. Louie gets three successes, and thus DeadEye's shot is a miss.
Taking the Bullet
There will be a few instances where it may be necessary to "take the bullet." In order to do so, the bodyguard merely
declares his intent to interpose his own body between the shooter and the target. When the shooter fires, the bodyguard
can roll his own Combat Pool dice to dodge into the shooter's line of fire. He can also use any dice that he had
allocated to the client to take the bullet instead of lending it to him to use in his own Dodge test. If the bodyguard gets
more successes than the shooter, he has successfully taken the bullet. The bodyguard must then resist the weapon's
base damage and check for knockdown as normal.
Since this does not require the bodyguard to be able to act on the client directly, it comes in handy on those occasions
where the client gets more successes on the Surprise Test than the bodyguard (though if the shooter goes first, the
bodyguard still can't act in time). "Taking the bullet" however, requires an available simple action (which may have
been held for just such occasions).
Example: While finishing off DeadEye, his partner Dick takes the opportunity to catch up with Louie and take a shot
at him with his Predator. Unfortunately for Mr. Bennet, Dick is firing from the corner of the building and out of the
line of fire. Since he only took one shot at Dead-Eye, he has a simple action left that he uses to dive in front of Louie's
body to shield him with his own. So far in this Combat Turn Mr. Bennet has allocated 5 Combat Pool dice to Louie for
protection and used 3 to shoot Dead-Eye, leaving him with an extra unspent, unallocated Combat Pool die. He now
rolls the 5 dice he had allocated to protect Louie, plus his extra-unspent die, versus a Target Number 4 and gets 4
successes. At this point Dick is getting nervous and only manages 3 successes. Mr. Bennet has successfully intercepted
the bullet and now must resist a 9M wound. His armored vest reduces the power of the attack to 4, and he makes a
body test to reduce the damage.
In Trouble Again
by David P. Summers
Art by andi jones

"The Sword Worlds . . .
You've never liked the Sword Worlds ever since you fought against their forces in the last war. The one time you were
there, you found Hrunting itself to be a tiresome, self-important, place where you always got hassled, maybe because
you are an "Impie" (Imperial citizen). Well, money is money and nobody says you have to live there. At least it gets
you out of the Margesi system before the allergens there make you feel like garbage."
In Trouble Again Setup

The party is on the Margesi Orbital Starport, in the Vilis subsector of
the Spinward Marches. The "upport" isn't much, but it is the place to be
since the taint in the Margesi atmosphere leaves you feeling like you
have the flu. There the party is approached by a man who calls himself
Archibald Inamann. He is a likable, but balding, man who insists that
the party call him "Archie." Archie is a businessman who is in the need
of some discreet shipping to his associates on Hrunting in the Sword
Worlds. The size of the cargo is about what the group is looking for,
and Archie is willing to pay double normal shipping rates, more if the
party bargains well, if the adventurers meet his requirements. The cargo
is needed ASAP, so the PCs are to go to the jump point, wait for the
ship bringing the cargo in, pick up the cargo, and jump right for
Hrunting. When they arrive in the Hrunting system they will go to the
downport, make sure they get a specific customs official by the name of
Tomas Kjold, and then deliver the cargo to a specific spot a few
hundred miles northeast of the port. Nobody is to look at the cargo
before delivery. Payment is half up front and half when the cargo is
delivered. The location of the delivery on Hrunting will be provided when they arrive. Zero-G transfer of cargo will be
handled by the arriving ship (the party will just need to evacuate the hold and open the cargo doors).
What Is Really Going On

Shocking as this may be, there are a number of crucial details that "Archie" hasn't told the party. He is really a Zhodani
agent. His "real" name is "Vienzhprie," though he hasn't been called that in a long time. (His cover is made to stand up
to professional scrutiny and research by the PCs will just find him to be a slightly shady merchant). The ship bringing
the cargo is, in fact, just coming in from the the Sword Worlds (a Zhodani ally). The ship belongs, through a series of
false holding companies, to the Zhodani secret service (see GURPS Traveller: Alien Races 1, pp.31-32), and the cargo
contains triggers for nuclear weapons. Why does Archie want to hire the party to send nuclear triggers right back from
whence they came? So officials on the Sword Worlds can "uncover" a dastardly Imperial plot to smuggle nuclear
weapons to terrorists by "catching" them in the act!
The Zhodani Consulate and the Sword Worlds want to create an apparent incident of Imperial subversion for
propaganda purposes. The plan is for "Imperial agents" (the party) to get caught, in a very public way, supplying
"terrorists" in the Sword Worlds with crucial components for nuclear weapons. At the least, this should rally anti-
Imperial feeling in the Border worlds.
However, Archie is being watched by real Imperial agents, from Imperial Naval Intelligence (INI). They don't know
who he works for or what he is planning. They do know it has something to do with Hrunting and will, when they see
Archie contact the adventurers, arrange to have a ship jump to Hrunting just ahead of the party to warn agents there.
On The Way
The ship arrives 6 hours after the party gets to the meeting point. The ship is a typical 400 hull class (200,000 cf)
merchant (see the Subsidized Merchant in GURPS Traveller). It will establish both that the party knows Archibald
Inamann's name and that he likes to be called Archie. The ship will contact Archibald by radio to double check and
then pull along side. Some of the crew will put on vaccsuits and move the cargo over. It will then pull away so the
PCs' ship can jump.
The cargo has a manifest which appears to be genuine. It represents the cargo as "milling equipment". As Archie
mentioned, the size of the cargo is about 90% of the available cargo capacity of the ship (an exact match might be too
suspicious). However, the triggers, and their packaging, only take up 1,500 cf. The extra cargo is used to hide the
triggers by burying them among legitimate cargo. If the triggers are buried among 5,000 cf, or less, of other cargo, roll
1d6, divide by two (round down) and subtract one to determine how many boxes the party would need to open before
they come across one with triggers in it. If it is buried among 5,000-12,500 cf of other cargo, roll 1d6-1. If it is buried
among more than 12,500 cf of other cargo, roll 2d6-1.
When the PCs have had a chance to look over the cargo, they will notice that it has seals designed to show if it has
been tampered with. If the adventurers wish to open them without regard to the seals, a character needs to make a roll
against the lesser of Lockpicking +2 and Electronics, Security Systems +2. It will take 1 hour to open the box without
damaging the contents and it will be obvious they were opened. A failure means the locks will jam and the boxes will
need to be broken open to get inside. If the character wishes to open the cargo, and then close it with the seals intact,
he will need to make the same roll at a -5 instead of a +2. If he fails, but makes base skill, he opens the box but mars
the seals. If he fails base skill, the locks jam. This attempt will take 1d6 hours for each box. If the characters open a
box with a nuclear trigger, they need to roll against a Mechanic skill to spot that it is not milling equipment. A roll
against Armory, Nuclear Weapons, at a +2, will allow him/her to realize what they really are.
Arrival
When they party arrives in the Hrunting system, they will encounter INI agents in an armed scout ship. Posing as
pirates (the crew is all Vargr to use human prejudice to support their cover) they will will demand that the party allows
their ship to be boarded. They will attack if the PCs refuse, but will not go so far as to destroy the ship. Instead, they
will restrict themselves to attempting to disable the party's ship and board it. (See below for the stats of the agents). If
the boarding action fails, they will retreat and let agents on Hrunting handle things.
If the party escapes the "pirates," things will start going according to the plan given them by Archie. After all, the local
authorities are in on the scheme to set the group up. Hrunting orbits a dim red star and has a standard atmosphere, a
gravity of 0.5 G, fairly normal temperatures, and oceans that cover 30% of the planet. There is a Class B starport and a
Sword Worlds military base there, and it is home to about 30 million people (mostly human). The system is named
after the sword (said to be the best of all swords) that was used by Beowulf to fight Grendel's mother. (See GURPS
Traveller: Behind the Claw for more info on Hrunting, Margesi, and the Spinward Marches.)
The party needs to go to the downport to go through customs. Tomas Kjold usually works 9 to 5. Normally the PCs
would have come up with a plausible way to get Tomas as their inspector without being suspicious about it. The
players should be presented with the problem that there is more than one custom inspector. However, any plan they
come up with will succeed. In fact, if they just go up to customs, they will "just happen" to get Tomas. If he is not on
duty, the office will be closed until the next morning.
Tomas will clear the party through customs. They will find a map to the delivery location mixed in with the papers he
hands them. All landings must be made at the port. The party will need to rent a surface vehicle, or use one from the
ship if it has one, to get to their destination. During this time they will be shadowed by both Imperial and Sword
World agents. Characters need to win a quick contest of shadowing rolls, against a skill of 18, to spot them. If they do,
they will lose sight of whoever is shadowing them and, shortly afterward, gun fire will be heard. If they go back they
will notice that the former shadower is now trading gunfire with a target that can't be seen. He will exchange a few
shots, break off, and slip away. If the characters don't win a shadowing roll, they will simply notice that a firefight
breaks out nearby for unexplained reasons.
If the PCs realize what is going on, or try to leave Hrunting for any reason, anytime after they arrive in system, the
backup plan is to "expose their crime" right away and arrest them where they are. In that case the situation is similar to
the one that occurs after the Sword World and local agents spring the planned trap. The party needs to find a way to
get off system. The local Imperial agents will help if they can. They will approach the group if they have not been
captured. If the party is captured, the Imperial agents will do what they can to free them (probably sometime when
they are being moved). However, this will be difficult.
Delivery In Trouble Again
The delivery point is a clearing just off a dirt road in an

unsettled mountainous area about 2-3 days travel from the
starport. On they way there, the PCs may, or may not, notice
they are being shadowed (the NPCs have a skill of 18, roll once
per day). The party finds the clearing where the map said it
was. It is about 100 yds by 200 yds across. If the adventurers
spy on the clearing before entering, they will notice two or
three people waiting with a truck. As they enter the clearing,
however, 50 Hruntingian soldiers with weapons and two
armored personnel carriers will emerge from the cover of the
woods (see below for stats). A bullhorn will announce that they
are under arrest for "crimes against the people of the Sword
Words Confederation" and demand their surrender. The party is
heavily outgunned and this might be a good idea.
The party is arrested as film crews cover the apprehension of

"Imperial agents trying to destroy the security and way of life
of the Sword Worlds". They are about to be loaded into one of the APCs, with their stuff, when two air rafts carrying
the film crew start to leave. As the air rafts fly out, ground to air missiles from behind a hill destroy them. The troops
then begin taking fire from the woods. The Imperial agents have been busy.
It is probable that the PCs will want to use this opportunity to escape. There will be two people covering them with
weapons, but they are paying more attention to the fact that they are being shot at. The party should be able to get the
drop on them. When the PCs try to overpower the guards, the fact that they are distracted is handled as the party
having won partial surprise (p. 123 of GURPS Basic Set). If they act promptly, they can also sneak in on the gunner of
the APC who is concentrating on returning fire to the woods. This requires a Stealth+4 roll. The gunner cannot fire at
people on the APC's ramp, but he does have a sidearm. If the party takes one APC and uses it to attack the other one
(which has already taken a few light hits from the woods), the Sword Worlders will pull out, abandoning the PCs,
vehicle and the nuclear triggers. If the PCs decide to just leave, the woods are just on the other side of the APC, so
once they have taken it, or snuck around it, they should be able to slip away. If the party captures the APC but just
uses it to escape, the Sword Worlders will manage to fight off the ambushers (there are 12 of them at this point) and
they will keep the triggers.
Escape
Free of the ambush, the party now "just" has to find a way to get off Hrunting and out of the Sword Worlds. After the
fight they will be approached by the Imperial agents (real ones) who attacked the Hruntingian troops (see below for
stats). Their help will be useful and it will be good for the group to convince the agents they are dupes and aren't
smuggling components for nuclear weapons. Of course, smugglers who don't ask what their cargo is aren't really any
less guilty than ones who do, so the agents will still be keen to get them back to the Imperium, if only so they can be
arrested. Extenuating circumstances (such as helping the Imperial agents in the clearing, helping recover the triggers if
the Hruntingians still have them, and otherwise cooperating with them fully) may be of help here.
Whether the agents tell the PCs who they are, or give some cover story, depends what they know and how they react
to the group. If the party has the triggers, the Imperial agents will insist on taking possession of them and they will not
be seen again. Possession of the triggers will also help to verify the PCs' story. If the triggers have not been recovered,
the agents will express, in no uncertain terms, the need to recover them. However, there are still 30 men left and there
are only 12 Imperial agents so this may be difficult. They do have 2 missiles left (see below) and, if they act promptly,
can get ahead to set up an ambush. At that point recovery of the triggers will depend on a good plan by the PCs.
Getting Off Hrunting

Fortunately for the adventurers, the agents have previously placed charges in the spaceport's dispatch and defense
systems. They can set them off using a remote control in their possession. When the party's ship takes off, the sabotage
of the port systems will allow the ship to depart without incident. They will not give the remote control to the PCs, and
2-6 agents will insist on going along to get back to Imperial Space and report in (though they are primarily interested
in making sure the PCs get into Imperial hands). Getting an APC to the port is unlikely. It will be spotted and attacked
if it tries to get near the port and surrounding town.
The agent's sabotage can be used as a distraction and will prevent the player's ship from being shot down or pursued.
The ship has been left locked and has not been moved (the authorities are counting on port security and the fact that
the ship would be shot down by the port defense system if it tried to take off). The players need to get by the starport
guards and set off the charges to take off. See below for a typical starport guard. The map shows the location of the
area around the ship. Outside the perimeter fence near the ship two guards are on patrol. They are not making much
effort to vary the regularity of their patrols. There are also two guards walking around the warehouses near the ship.
There are two other guards patrolling the hangers nearby who can assist if called for by the other guards. They are all
in radio communications. They can call for up to 12 guards to respond in 10-20 minutes.
In Trouble Again
The perimeter is monitored by visual and infrared cameras and pressure plates. It is not possible to sneak all the way
up to a camera, but there are more cameras than the port has personnel to monitor them. On a stealth roll a character
can get almost all the way without being seen. A roll of 6 or less means that camera was being monitored when the
character was in sight. (Otherwise, the event was recorded but will not be watched until the next day. The cameras
aren't motion triggered because of legitimate non-port related activity occurring outside the fence) Once a character is
at a camera, there is a small blind spot to crouch in. It takes an Electronics, Security Systems roll to make the camera
appear to malfunction. If they have a recorder and some cabling, they can record some camera output and make a loop
to make the camera appear to be functioning (security will notice this on a 5 or less). Shooting the cameras, or giving
them a good whack, will destroy them. The pressure plates are arrayed along the base of the fence. It takes a Traps roll,
or an Electronics, Security Systems -4 roll, to spot a pressure plate. An Electronics, Security Systems roll at +2 will
disable it without setting it off and a DX -2 roll will allow a character to step over it. A disabled camera will attract
two guards to investigate in 10-20 min. A destroyed camera will attract a guard in five minutes and three other guards
to check out the area. Being spotted on a monitor or activating a pressure plate will attract a dozen or so guards in
three minutes.
The agents will agree to any reasonable plan on when to set off the explosives. This will cause confusion for about an
hour, and then security will finally get organized enough to respond. For the first hour, the odds of a camera being
monitored drop to a 5 or less. A broken/disabled camera, or a tripped pressure pad, is only responded to on a 10 or less
(and then only with one guard). After an hour the security forces will get their act together. This will have the effect of
increasing the guards at any location by 50%. Cameras will be monitored on a 8 or less, and response times drop by
25%. The port defense system will be back up in seven hours (though there's no way for the party to know that), and
the ship will be blasted out of the sky if it attempts to leave after that time.
Alternatively, instead of sneaking in, the players may wish to come up with a plan to disguise their identities and and
walk in. Descriptions, finger prints, etc. of the "terrorists" have been passed around. A decent plan to get by security
screening at the port entrance will be needed to get them inside. People are being screened by visual identification and
an X-ray machine. Characters that are close to the description the guards have been given have their fingerprints and
DNA checked. Once in the port, the PCs will be likely to get near their ship without trouble (roll a 5 or less to get
checked by a guard as the walk through the port) if they don't do anything dumb. Once they get near the ship they will
have to evade the patrolling guards, who do know that nobody is suppose to be messing with that ship.
If they have not secured the cooperation of the INI agents, the players will have to come up with some other plan.
Generally, getting away with their ship will not be possible. They may be able to disguise themselves and buy
commercial passage or stow away on a ship. Once they get into the port, as outlined above, make an IQ roll for anyone
they are dealing with to realize they are the wanted "terrorists" (if they are disguised, make it a quick contest between
IQ and Disguise). If any NPC realizes he is dealing with wanted people, he will alert the authorities rather than deal
with the terrorists on a reaction roll of neutral or worse. On a very good reaction roll or better, they will deal with them
for a "price". On a good reaction roll it is up the players to convince the NPC to let them skate.
Aftermath
If the PCs get back to Imperial space, they will be debriefed to within an inch of their lives. However, in the end they
will be cleared of any wrongdoing. "Archie" will be nowhere to be found. If the triggers were recovered, the Sword
Worlds and the Zhodani don't have much evidence of an "Imperial plot". Some of their forces were attacked, and a
ship left port illegally, but they have no real evidence of Imperial involvement or of any vile plot. If the triggers are not
recovered, they will have enough to make the Imperium unhappy, but not enough to make the kind of splash they
hopped for. Neither side cares about the milling equipment that the triggers were buried in (the cargo beyond the 1,500
cf for the triggers) and it is forgotten about. If the PCs still have it, they can sell it for $1-5/cf . If, for some reason, the
party left their ship on Hrunting, neither side will really care about that either, and it is up to the GM to see if the party
can get it repatriated.
NPCs And Equipment

Imperial Agents Posing As Vargr Pirates
These are Vargr that have been raised and trained in the Imperium. They have been indoctrinated in human standards
of loyalty (more due to human prejudices than any real need), which means the main effect of their Vargr heritage is a
tendency to always want transfers to more prestigious assignments. They are well disciplined and task orientated,
though they have a tendency to take initiative more than some operatives. The group is well equipped, but not with
anything that a pirate wouldn't have.
ST 11
IQ 13
DX 14
HT 12
Advantages: Combat Reflexes.

Skills: Beam Weapons (Lasers) - 15; Guns (Gauss weapons) - 13; Knife - 15; Judo - 15; Karate - 15.
Equipment: Heavy Monocrys and Reflec armor, Laser Rifle-10, Gauss Pistol, 4mm, Large Knife.
The leader has 3 levels of Charisma and the second in command has 1.
Typical Hruntingian Trooper
These are not top-of-the-line troops. The authorities planed for a simple apprehension of a half-dozen or so lightly
armed civilians with the element of surprise. Fifty men (of any quality) supported by APCs seemed to be, if anything,
overkill. All the men know is that the mission is to arrest some smugglers, though why 50 men, 2 APCs and a film
crew have been assigned is the subject of some speculation. Their attitude varies from "this beats more training" to
"Darn! I was suppose to be on leave this week."
ST 11
IQ 11
DX 12
HT 11
Skills: Guns (Rifle) - 12; Guns (Pistol) - 11; Knife - 11; Brawling 11.
Equipment: Heavy Monocrys, ACR, 9mm (however, they have not bothered to bring any grenades for the grenade
launcher unless the PCs are known to have an armored vehicle), Auto Pistol, 9mm, Large Knife.
Imperial Agents Who Rescue the PCs
These are top of the line agents, but they are equipped more for mobility and infiltration than heavy firepower. They
are a tight, well disciplined group that prefers to go by the book. Their mission is to find out what the PCs are doing,
stop anything that runs counter to Imperial interests, and then see if they can't get the party back to Imperial space for
questioning. The plan was to watch until they found out what was going on, but once the group reaches the clearing
and is publicly arrested, it becomes clear the time to act is now or never (and the appearance is that, whatever is going
on, it isn't good for the Imperium).
ST 12
IQ 13
DX 13
HT 13

Skills: Knife - 15; Judo - 15; Karate - 15; Beam Weapons (Lasers) - 15; Guns (Gauss weapons) - 15; Laser Rifle-10.
Equipment: Heavy Monocrys, Gauss Pistol, 4mm, Large Knife. Half of them also have a Gauss Rifle, 4mm, and 6
RAM Grenades. The group is also carrying 4 SAMs.
Typical Starport Guard
An ordinary guard, adequately trained. He is normally not very motivated, though this has been give a modest boost by
the news that national security issues are on the line.
ST 11
IQ 11
DX 11
HT 11
Skills: Gun (Rifle) - 12.

Equipment: Medium Monocrys, Assault Rifle, 7.5 mm.
Armored Personnel Carriers
The Beowulf C-7b is a TL 9 vehicle. It has PD 6, DR 350 on the front and PD 5, DR 195 on the back and sides and
PD 4, DR 195 on the top and bottom. It has a minigun and an autocannon in the turret. It has four tubes for missiles,
but they did not bring missiles for this mission. Each APC has only 300 rounds for the autocannon and 3,000 for the
minigun. They both have radio (broadband and tight beam, 1,000 mile), inertial navigation, sensors facing all direction
with a 10 mile range and 10x magnification (radar, ladar, targeting, IR, low light TV, etc.), a HUD display and pupil
scanner (giving the gunner a +2 to hit), a complexity 5 computer (each crew station and the passenger area each have
a terminal), and radical emission cloaking and stealth. It has room for an airlock and life support but they are not
installed on this model (it is currently cargo space). It has room for three crew (one in the turret), 12 men, and 460 cf
of cargo (all seats have crash webs). The body has 3,602 hit points, the turret has 288, and the open mounts have 19
each. Its empty Weight is 34,657 lbs (loaded weight 46,915 lbs), its volume is 2,612 cf, and it has a size modifier of
+5. It has a top speed of 159 mph. It can accelerate at 2 mph/s and decelerate at 12 mph/s. Access is by a cargo ramp
in the back.
30 mm heavy automatic canon using caseless APDS ammunition:

Malf. Type. Dam. SS Acc 1/2 dam. Max RoF
Ver.(Crit) Cr 5dx9(2) 13 15 1500 6200 10
7 mm minigun using caseless APS ammunition:

Malf. Type. Dam. SS Acc 1/2 dam. Max RoF
Ver.(Crit) Cr 8d(2) 10 13 740 4000 100
SAMs: These are light surface to air missiles designed for flexiblilty and reasonable weight. These ones are designed
to take down light air craft and will not lock onto surface vehicles. They can be aimed manually at such targets, but
they don't have much in the way of sights (Acc 6). 63 mm missile with a large warhead (HEPF) and Active Radar
Homing, Weight with disposable launch tube = 20.5 Lbs, Speed = 1600 yds/sec, Endurance = 4 seconds, Guidance
(ARH) Skill = 20, Min Range = 50 yds, Max = 6400 yds, Damage (direct hit) = 6Dx28, Damage (proximity fuse,
explosive only) = 6Dx23.
Notes
I have chosen to make the cargo "nuclear triggers". It really doesn't matter what they are, as long as they meet the
conditions of the Zhodani agents; a) the cargo is a hard-to-obtain part that is needed to make nuclear weapons, b) the
patsies themselves won't be able to make a nuke with just what was given to them, c) no actual radioactive
components are present.
It was assumed that the party has a ship that is unarmed, or is an armed Scout ship. If the party doesn't have a ship,
then Archie can approach Rilvall Keoutop (a Vilani independent trader) who has a ship, but whose crew has just quit.
He will then offer attractive salaries to the PCs. The Vilani will also turn out to be only marginally competent, the
reason the old crew quit, and will not be much use beyond piloting the ship.
If the GM feels the need, the ship bringing in the cargo to the players may be armed enough to discourage the party
from trying to change the deal or force new terms at the point of a gun (if his players are inclined to this sort of
action). The "pirates" in the Hrunting system should be armed enough to make the fight interesting, but the odds of the
players losing both the space battle with the "pirates" and the subsequent boarding action should be low. If the
Imperial agents succeed in boarding the ship and in discovering the triggers, they will seize the triggers and PCs. This
could go any number of directions. The PCs can try and escape with the triggers and complete the delivery. They can
spend the rest of the adventure trying to convince Imperial interrogators that they aren't in league with Archibald and
the Zhodani. Or maybe they can convince the INI agents that they are dupes, and not Zhodani agents, and can
cooperate in going forward with the delivery to uncover the perfidious Zhodani plan.
When they get to Hrunting, it might seem impossible for the party to screw up before they get to their destination. This
is not so. One group of players managed to get themselves arrested. This presented the local officials with a dilemma.
Simply dropping the charges might tip the players off to the fact that there is more going on than meets the eye.
However, if the PCs are left in jail, they can't make delivery. The local officials arranged for the charges to be dropped
on some pretext and hoped for the best. If similar problems arise, local officials will try and not obviously help the
group, but if necessary will do what they have to and hope for the best.
Average Joes (and Janes)
25-point GURPS Characters

by Brandon Cope
Art by andi jones

Although an average person is considered to be 25 points, few PCs meet such low-point characters in the course of
their adventures. Instead, it would seem that many worlds' "normal" people are at least 50- or 75-point characters.
Part of the problem is that many GMs don't feel that useful characters can be built on such a low point total, or that the
amount of point tweaking required isn't worth it. In fact, this article came about after a GM challenged the author to
create low-point characters that weren't one-dimensional.
Of course, for everyday use, the merchant or city guardsman the party is dealing with doesn't need much more that the
basic attributes (or just IQ for the merchant) plus three or four skills and basic equipment/merchandise (see the GURPS
Basic Set, p.85). However, recurring characters, or characters important to the current adventure, need to be described
in more detail, and that is the niche the NPCs below are designed to fill.
The characters are presented in a format similar to that of Supporting Cast characters, but with less detailed
information. Few specific adventure ideas for the characters are given, as most of the characters are designed to
support adventures, not be the focus of them.
Creating More Average Characters

The only two major design philosophy changes from higher point (100+) character design are that attributes will be
lower (normally 20-40 fewer character points) and the NPC will have fewer skills (10-20 fewer character points).
Remember that attributes of 8 or 9 do not count against the 40-point Disadvantage limit, and the NPC can have a
single Disadvantage of any point value (such as Jinxed or Terminally Ill, though a 25-point character who is Cursed
probably won't live very long). On the other hand, several characters below have not reached the full 40-point
Disadvantage limit.
Expanding on the Characters

The 25-point characters below can easily be upgraded to 50 points (for Ally Groups) or 75 points (for Allies). The
easiest way is to spend 20-40 more points on attributes, or eliminate Disadvantages. Characters can also increase their
skill levels.
Also, since 25-point characters are less detailed than higher-point NPCs, they are easier to recycle; just change the
name, one or two advantages and/or disadvantages, most or all of the quirks and a few skills.
Finally, there is no reason why the characters can't be used as PCs for a one-shot adventure or a mini-campaign (for a
modern example, see "Mock Horror Adventures" in Pyramid #9).
Lahar
Blacksmith
ST: 12 [20] Basic Damage Thrust: 1d-1 Swing: 1d+2

DX: 10 [0] Dodge: 3 Block: n/a Parry: 4 (hammer)
IQ: 11 [10] Basic Speed: 5.25 Move: 3
HT: 11 [10] Encumbrance: None
Advantages: Empathy [15].

Disadvantages: Compulsive carousing [-5]; Crippled leg [-15]; Gigantism [-10]; Sense of Duty (Friends) [-5];
Truthfulness [-5].
Quirks: Hates puns; Uncomfortable around goblins; Never admits errors; Wants to return to home village someday;
Sings loudly while working.
Skills: Area Knowledge-11 [1]; Armoury-11 [2]; Axe/Mace-9 [1]; Blacksmith-13 [6]; Carousing-10 [1]; Gambling-11
[2]; Knife-10 [1]; Riding-9 [1].
Gear: Small knife (1d-1 cut/1d-2 imp); Smith's hammer (1d+4 cr); leather apron (PD 1, DR 1 over front torso).
Appearance: age 22, light golden skin, short brown hair, dark blue eyes, 7' 7", 300 lbs.
Shortly after turning 13, Lahar's village was raided by goblins who took him (as well as several others) captive. He
was sold off to a slaver, then to a blacksmith in a large city to the north. Fortunately, the laws of the region allowed
slaves to save money in order to buy their freedom, which Lahar managed to do by age 17. He then took his scant
possessions and began traveling south, working as a blacksmith's assistant in various towns in an effort to return
home.
Eventually, he wandered into a mountain range controlled by dwarves. Lahar refuses to discuss the years he spent
there, but he doesn't hide his familiarity with dwarvish armoury techniques.
Despite his somewhat fearsome appearance, Lahar is very personable and easy to get along with (as long as one avoids
puns or pointing out Lahar's mistakes).
Campaign Uses: Lahar could be from the same village as the party, or or the employee of a wealthy and/or high
status PC. PCs might seek him out to forge a weapon for them.
Almira
Apprentice wizard
ST: 9 [-10] Basic Damage Thrust: 1d-3 Swing: 1d-1

DX: 10 [0] Dodge: 5 Block: n/a Parry: n/a
HT: 9 [-10] Encumbrance: None
Advantages: Literacy [10]; Magery [15].

Disadvantages: Addiction (Pipe Smoker) [-5]; Jealousy [-10];
Skinny [-5]; Unattractive [-5].
Quirks: Pantheist; Sensitive about weight; Doesn't drink alcohol;
Attracted to dangerous men; Likes children.
Skills: Area Knowledge-13 [1]; Alchemy-12 [2]; Diplomacy-11 [1];
Average Joes (and Janes)
Heraldry-12 [1]; History-12 [2]; Occultism-13 [2]; Pottery-12 [1].

Grimoire: Bravery-13 [2]; Fear-13 [2]; Sense Foes-13 [2]; Sense
Emotion-13 [2]; Truthsayer-13 [2].
Gear: no weapons; no armor; three 1-point powerstones; writing
materials.
Appearance: 19 years old, pale white skin, shoulder-length blonde
hair, blue eyes, 5' 6" tall, 90 lbs.
Born into a wealthy family, Almira's family's fortunes took a sudden downturn due to the intrigues of an old family
enemy. Almost overnight, she went from living in an extravagant mansion to a drab cottage. A few months later, as
she wandered too far from her new home, a small group of kobold bandits surprised Almira. Before they could do
anything except frighten her, an old man appeared and drove them off.
After escorting her home, he introduced himself to her parents as Peadir, a local hedge wizard, and that he wished to
take her as an apprentice. Realizing that Almira would have trouble in normal life due to her frail constitution and
disgraced family, her parents agreed.
Almira's apprenticeship is nearly over, and she has picked up several of her mentor's habits (including his pipe
smoking and religious beliefs). Also, her resentment of others of a higher social rank has grown.
Campaign Uses: The party could run into Almira while she is on a mission for Peadir, or perhaps the wizard hires the
party for a job and sends her along. If one of the PCs is a wizard, perhaps she is his apprentice.
Bryce Red-Face
Infantry militia and farmer
ST: 11 [10] Basic Damage Thrust: 1d+1 Swing: 1d-1

DX: 12 [20] Dodge: 6 Block: 7 Parry: 7 (spear), 6 (knife)
IQ: 9 [-10] Basic Speed: 5.75 Move: 5
HT: 11 [10] Encumbrance: none
Advantages: Combat Reflexes [15].

Disadvantages: Duty to Lord (9 or less) [-5]; No Sense of Humor [-10]; Theophobia (priests/gods) [-10];
Truthfulness [-5].
Quirks: Hates his nickname; Respects mages; Dislikes bards; Always wears green pants; Won't talk to his father.
Skills: Agronomy-10 [4]; Animal Handling-8 [2]; First Aid-9 [1]; Gambling-8 [1]; Knife-12 [1]; Knife Throwing-12
[1]; Scrounging-8 [1]; Shield-12 [1]; Spear-12 [2]; Swimming-12 [1].
Gear: Spear (Dam 1d+1 imp); large knife (1d-1 imp/cut); light leather vest (PD/DR 1/1); leather cap (PD/DR 1/1);
small shield (PD 2).
Appearance: 24 years old, light brown skin, wavy brown hair, hazel eyes, 5' 8" tall, 150 lbs.
The youngest son of a farmer, Bryce decided to make his mark as a soldier. This decision greatly angered his father,
enough so that the two haven't spoken in eight years. However, so far he is still part of the local village militia, the
result of his lord's cowardice.
The only significant fighting he has been involved in dealt with the purging of a previously-abandoned temple that had
been taken over by an outlawed cult. Only the chance intervention of a traveling wizard saved the militia forces from
the otherworldly creatures unleashed by the cult. As a result, Bryce has a deep respect for mages and a great fear of
priests and gods of any kind.
Several years ago, when drunk, he fell face-first into a cherry pie. A minstrel passing through started calling him "Red-
Face," and the name stuck. Bryce doesn't like the nickname or bards.
Campaign Uses: If the PCs are from the same town, Bryce could be a friend or rival of one or more of the PCs.
Perhaps the evil in the temple is only dormant, and the party has been sent to deal with it permanently; in that case,
Bryce may be ordered (or, less likely, hired) to serve as a guide to the PCs.
Circaro
Goblin scholar
ST: 8 [0*] Basic Damage Thrust: 1d-3 Swing: 1d-2

DX: 11 [0*] Dodge: 5 Block: n/a Parry: 3 (brawling default)
IQ: 13 [20*] Basic Speed: 5 Move: 5
HT: 10 [0] Encumbrance: None (in the field, usually Light)
Advantages: Charisma +1 [5]; Contact (government, 12 or less, skill-15, usually reliable) [4]; Goblin [5]; Literacy
[10]; Longevity [5]; Night Vision [*].
Disadvantages: Combat Paralysis [-15]; Greed [-15]; Impulsiveness [*]; Laziness [-10].
Quirks: Unconcerned with distinction between right and wrong; Extrovert; Looking for the "big find."
Skills: Administration-13 [2]; Anthropology-12 [2]; Archeology-12 [2]; Astrology-12 [2]; Crossbow-11 [1]; History-
14 [6]; Research-14 [4].
Gear: notebook; ink and quills; crossbow (1d+1 imp; 1/2D 160) with 10 bolts and camping equipment (only when in
the field).
Appearance: 45 years old, brown skin, graying brown hair, gray eyes, 5' 8", 145 lbs.
A scholar of questionable morals, Circaro searches for old humanoid ruins that may contain intact treasures. So far, his
finds have barely managed to pay for themselves.
Until Circaro married Eaine, sister of the famous historian Neri, he was headed to a long and boring life as a scribe.
He managed to become a close friend of Neri, who took him on as a pupil. It didn't take long, however, for him to
become interested in the legends of lost cities and temples, and the unimagined wealth located therein.
After he had learned all he could from Neri, he abandoned him and Eaine and started looking for lost treasures.
Unfortunately, his laziness often overcomes his greed, and what money he has found has been squandered on his many
wives (currently he is on his fifth).
Campaign Use: Circaro could hire the party (or offer them a share of the loot) to accompany him on his latest venture.
Or, he may use a more scholarly cover to dupe a more ethical party into grave-robbing. Finally, he and the party could
independently be searching for the same lost treasure.
Special Note: Any point cost replaced by an asterisk is part of the Goblin racial package. If there is also a number
(usually for attributes), then this is the cost after figuring the racial modifiers.
Herius
Idle rich
ST: 10 [0] Basic Damage Thrust: 1d-2 Swing: 1d

DX: 10 [0] Dodge: 5 Block: n/a Parry: 6 (fencing saber)
IQ: 10 [0] Basic Speed: 5 Move: 5
Advantages: Semi-Literate [5]; Status +3 [10]; Wealthy [20].

Disadvantages: Alcoholism [-15]; Compulsive Carousing [-5]; Lecherousness [-15]; Stubbornness [-5].
Quirks: Usually rude; Shows no respect to those of equal or lower status; Extremely organized.
Skills: Area Knowledge-12 [4]; Animal Handling-9 [2]; Carousing-12 [6]; Fencing-10 [2]; Gambling-11 [4]; Games
(Chess)-11 [2]; Language (human foreign)-9 [1]; Merchant-10 [2]; Philosophy-10 [4]; Politics-10 [2]; Savoire-Faire-
12 [4].
Gear: fencing saber (1d cut/1d-1 imp).
Appearance: 22 years old, white skin, dark brown hair, hazel eyes, 5' 9" tall, 150 lbs.
Herius came into the world under auspicious circumstances, all mirrors in the house shattering at his birth. So far,
however, his life has proved to be unremarkable, no different from other rich, narcissistic young nobles.
During his teenage years, in an attempt to give his son more backbone, his father sent Herius to live with his brother,
who operated a successful shipping business on a western island kingdom. Herius did learn some useful business
skills, but his vices also grew in intensity.
Between binges of debauchery, Herius sometimes oversees trading missions for his uncle and diplomatic missions for
his father. Unfortunately, Herius usually creates more problems than he solves.
Campaign Uses: The party could be sent with Herius on one of his trade or diplomatic missions. Or, the PCs could be
hired by his father to keep Herius out of trouble.
Kylos
Warrior-mage

DX: 11 [10] Dodge: 5 Block: 6 Parry: 6 (shortsword), 5 (knife)
HT: 10 [0] Encumbrance: Light
Advantages: Combat Reflexes [15]; Sun-Aspected Magery [8].

Disadvantages: Jinxed x3 [-60].
Quirks: Wants to be famous adventurer; Excessively punctual; Devout follower of god of thieves; Annoyed by
gossipers; Overly emotional at times.
Skills: Cooking-12 [1]; Crossbow-12 [2]; Fast Talk-11 [1]; First Aid-12 [1]; Knife-11 [1]; Riding-11 [2]; Shield-11
[1]; Shortsword-11 [2]; Survival (Woodlands)-11 [1] ; Throwing Stick-11 [1].
Grimoire: Detect Magic-12 [2]; Ignite Fire-12 [2]; Light-12 [2]; Purify Air-11 [2]; Seek Earth-12 [2]; Seek Water-12
[2]; Sense Life-12 [2].
Gear: large knife (1d-1 cut/imp); crossbow (1d+3 imp, 1/2D 220); 10 bolts; heavy leather vest (PD/DR 2/2); leather
helm (PD/DR 2/2); boots (PD/DR 2/2); small shield (PD 1).
Appearance: 25 years old, white skin, bald head with tattoos, hazel eyes, 5' 10", 145 lbs.
Kylos is a well-experienced adventurer who has, somehow, often been the only member of his party to survive their
expeditions. Indeed, he has outlived almost everyone who he has spent significant time around him.
His lover died of the plague, his family home was destroyed by accidental fire, and his best friend died in a duel he
seconded, among other tragedies. Kylos personally sees this as a test of the gods, but some are spreading rumors that
he must be cursed.
Campaign Uses: Kylos is competent enough to sign on with most parties as an extra sword or spell-caster.
Salgar
Barbarian animal handler

DX: 10 [0] Dodge: 5 Block: n/a Parry: 4 (knife), 5 (hatchet)
Advantages: Alertness +2 [10]; Animal Empathy [5].
Disadvantages: Generosity [-5]; Pacifism (self-defense only) [-15]; Social Stigma (Barbarian) [-15].
Quirks: Sports a long braided moustache; Acts stupid (IQ 8) around strangers; Talks about his clan whenever he has
the chance.
Skills: Axe/Mace-10 [2]; Agronomy-11 [2]; Animal Handling-14 [2]; Area Knowledge-11 [1]; Cooking-11 [1]; First
Aid-11 [1]; History (barbarian clan)-14 [1]; Fast Talk-11 [2]; Knife-10 [1]; Language (local "common")-11 [2];
Streetwise-10 [1]; Veterinary-14 [2].
Gear: large knife (1d-1 cut/imp) and hatchet (1d+1 cut) worn on belt; no armor.
Appearance: 34 years old, ruddy white skin, brown hair, hazel eyes, 5' 11", 155 lbs.
At an early age, Salgar realized that he wasn't cut out for the life of a barbarian. Not only did he not like to start fights,
he'd rather not fight at all. Fortunately, his affinity for animals kept him from being badly ridiculed. In the end, he
decided he had to go to more civilized lands.
Salgar left his village many years ago and sought work as an animal handler in the southern kingdoms. He has had
many employers over the years, some good, most bad. He often longs for the simple life of his village, but always put
off returning.
Campaign Uses: A highly-skilled animal handler is always in demand; he could work for a PC's Patron or employer,
or perhaps even a party member.
Lady Sileas of Cothas

Doomed noblewoman
ST: 10 [0] Basic Damage Thrust: 1d-2 Swing: 1d

DX: 11 [10] Dodge: 5 Block: 5 Parry: 5 (shortsword)
Advantages: Charisma +1 [5], Favor (Knight, 200 pt. character, 12 or less) [6]; Status +4 [15]; Wealth (wealthy) [20].
Disadvantages: Terminally Ill (6 months left) [-75}.
Quirks: Has advisors but won't listen to them; Avid card player; Proud of her ancestry.
Skills: Diplomacy-12 [2]; History-13 [2]; Hobby (Cardgames)-13 [1]; Literature-13 [2]; Merchant-14 [2]; Riding
(Horse)-11 [2]; Shield-11 [1]; Shortsword-10 [1]; Strategy-12 [2]; Tactics-12 [2].
Gear: finely crafted shortsword (1d+1 cut/1d-1 imp).
Appearance: 42 years old, white skin, braided light brown hair, green eyes, 5' 6", 150 lbs.
Like her husband before her, Lady Sileas is dying from a disease caused by a magical curse. Lord Drusus, a military
man, had made it a point to make sure his wife could run their walled estate while he was gone, in times of war or
peace. She received combat training more extensive than that of other noblewomen.
A neighboring baron, responsible for the curse, is making plans to invade Lady Sileas' lands after her death, when her
inept, teenage son will have the duty of defending the realm. Sileas is aware of this, and intends to start and end a war
against the baron before this can happen.
Unfortunately, her son, appalled by a woman (his mother!) waging war, has used his influence with her advisors to
delay any action until he can take over and run the campaign himself.
Campaign Uses: Lady Sileas may hire the PC's to aid her in the upcoming war. Or, the party may be serving a Patron
who decides to give her aid. Characters who aren't combat oriented may be sent to find a way to remove her curse.
Marisa of Three Pines

Professional magician
ST: 9 [-10] Basic Damage Thrust: 1d-3 Swing: 1d-1

DX: 12 [20] Dodge: 5 Block: n/a Parry: 6 (Staff)
IQ: 13 [30] Speed: 5.25 Move: 3
HT: 9 [-10] Encumbrance: Medium (35 lbs from Fat disadvantage)
Advantages: Absolute Timing [5]; Charisma +1 [5]; Magic Resistance +2 [4].

Disadvantages: Cowardice [-10]; Fat [-10]; Intolerance (Mages) [-5]; Overconfidence [-10]; Poverty (Struggling) [-
5]; Reputation -2 (Mages, on 10 or less) [-1].
Quirks: Loves carameled apples; Likes wine; Uncomfortable in enclosed places.
Skills: Acting-14 [2]; Area Knowledge-13 [1]; Astrology-12 [1]; Bard-14 [4]; Cooking-13 [1]; Disguise-12 [1]; Fast-
Talk-13 [2]; Hypnotism-13 [2]; Occultism-13 [2]; Sleight of Hand-12 [4]; Staff-10 [1]; Ventriloquism-13 [4].
Gear: staff (cr 1d+1).
Appearance: 26 years old, frizzy shoulder-length auburn hair, brown eyes, fair complexion, 5' 5", 175 lbs.
As a child Marisa longed to be a wizard and even convinced her parents to try to get her apprenticed to a mage, but
the attempt backfired: not only did Marisa have no talent for magic, but she had a definite resistance to it.
Rather than accept this failure, Marisa chose to do with mundane skills what mages did with their inborn talent. She
became well-versed in many areas of trickery, as well as becoming a very persuasive person, which aids her "spells"
greatly.
Unfortunately, Marisa's habit of passing herself off as a gaudy wizard has not made her popular with true mages, who
feel that she is tarnishing their image. Her shows are what one would expect at a cheap circus, not from a professional
wizard, and she uses as many props as possible.
Campaign Uses: A PC mage may well take a dislike to her (or be contacted by fellow guild members who do). Most
likely, she will simply be a entertainer passing through, who seems to turn up in every other town the PCs travel to.
Take 'Em Down
by John Tynes
Art by andi jones

[Editor's Note: This article originally appeared in Arcane magazine, issue #20, June 1997.]
You're a hero. A two-fisted, no-holds-barred tough guy -- or gal. Your name is legend, your enemies quake in fear.
The ground you walk on will soon be soaked with the blood of the guilty.
So why are you acting like such a loser?
Getting into the style of cinematic/four-color action ain't like dusting crops, boy. You can't just pussyfoot around.
You've got to take charge, call the shots, and act with no regrets. You've got to be an action hero. When you go into
combat, it's gotta be with guts, not with trepidation.
To be a real cinematic/four-color action hero, you've gotta have three things: panache, ingenuity, and guts. If you can
work these things into roleplaying your character, you'll go far.
Panache
Cinematic/four-color action games like Feng Shui or Champions present a world where you're on top -- most of the
time, at least. You're probably substantially above-average on most of the game's scales of human ability. Most people
couldn't take you in a fight if their life depended on it. It's only other extra-tough people like yourself who you have to
worry about, and most of them you can take in a fair fight anyway.
What does this mean? Quit wussing out! This isn't Call of Cthulhu. Talk big, act big, think big. When you open that
door you're not going to be looking up at an aeons-old lord of the cosmos who can make your brains explode; you're
going to be staring down at a bunch of frightened little losers trying to heist a bunch of fur coats so they can pay their
bar tab at Vinny's Big Jugs & Grill. Scare them for crying out loud! The way to enter this situation is not to go slinking
around so you won't get in a fight. The way to enter this situation is to ignite a smoke bomb, kick in the door, yell
something frightening, and then stride cold-bloodedly in through the roiling fog.
"Wah!" you cry. "They might shoot at me!" Who cares? You think a buncha mooks are gonna gun your heroic ass
down? Get real! Criminals are a superstitious, cowardly lot. Plus, they're lousy shots.
"Wah!" you persist. "What if the big boss guy is there? He's a good shot!" Quit whining! Do you really think the big
boss guy is going to just shoot you on sight? Especially after you made such a mondo entrance? No! He's got to look
tough in front of his men (who are all quaking in their boots at the sight of your awesomeness and thinking that maybe
they're on the wrong side). So he's going to stride out of the shadows, say something menacing, and dare you to attack.
You'll both circle around for a bit swapping insults, he'll sic his mooks on you, you'll stomp them, he'll get away, and
you'll find the clue that leads to the next fight scene. No worries.
You've got to remember the kind of game you're playing, the kind of genre you're using, the kind of character you're
portraying. You're an action hero, and you need to have the panache to match. If you get into your character and play
him to the hilt, your GM should reciprocate by making your scenes with the villain more dramatic, by making the
mooks even more pathetic, and by giving you more opportunities to have fun.
Ingenuity
Action heroes never lack for a good idea. That's because they're created by professional writers, who can spend months
staring at a blank piece of paper, guzzling booze 'til their liver bursts, and finally figuring out the absolutely coolest
stunt for the action hero to pull. But as a roleplayer, you've got to be the action hero -- you've got to think on your feet.
You've got a little more real time than your character does in game time, but not much. To do your action hero justice,
you've got to always be looking for an angle.
Television, as it does in all spectra of life, provides a flawless role model for us to emulate: MacGyver. Ever seen this
show? MacGyver is this adventurer dude (I'm not sure what he does for a living) who keeps getting into dangerous
situations. But he doesn't use guns, and he doesn't even fight that much if he can help it. Instead, he uses ingenuity to
save the day.
Let's say that MacGyver is in some banana republic and there's a dozen personnel carriers sitting in the evil coup
leader's compound. In about five minutes he's going to send a hundred armed thugs into those carriers and they're
going to roll into the town plaza and kick out the good-intentioned but feeble-willed mayor. My gosh! What will
MacGyver do? He can't fight all those people, he doesn't have any mines to blow up the carriers with (and killing is
bad, anyway), and the town is defenseless until the federales arrive this afternoon. Happily, there's a dusty little
cantina across the road. MacGyver runs inside, jumps over the bar, and grabs a big 20-pound bag of sugar from the
kitchen. "Sugar? What's MacGyver thinking? This is no time for shortbread!" Hah! Clever MacGyver runs back
outside and quickly dumps a load of sugar into the gas tank of each vehicle. Then he hides and watches as the troops
stream out only to find that the carriers aren't going anywhere, and this little coup is over before it starts.
You've got to visualize the location of critical scenes in your head. Imagine it's a movie. What's around you? What do
you need to accomplish? What do you see in your head that can help you achieve that goal? If the bad guy is about to
escape, is there something you can throw to trip him up? If he's running down the stairs, can you grab a rope, jump out
a window, and beat him to the street?
The point is, you can't rely on the GM to spoon-feed you the clever little bits of stuff you'll need to pull a slick move.
You've got to extrapolate from what he does tell you and then ask innocently if there's a such-and-such there. "So
we're in the motor pool? I don't suppose there might be some cans of oil around, are there?" (He's expecting gasoline,
and was going to say no -- but oil? Why not!) Pour them out in front of the barracks door, make a commotion, and
presto -- you've got the drop on a half-dozen stumbling, flailing guards who can't stand up straight let alone get their
guns out. That's ingenuity, baby.
Guts
Last but not least, you need guts. Guts might sound similar to
panache, but there's an important difference: panache is what you
call it when you're in no real danger -- it's just posturing. But guts
is what you call it when the spit hits the fan and it's time to show
why you're a hero. Panache is the promise; this is the payoff.
What does it mean to have guts? In other styles of roleplaying,

there's a line that you won't have your character cross, a line that
demarcates the point where the character will more than likely die
or be hurt badly. In those other games, you'll almost always pull
back from the brink because you're very conscious of your
Take 'Em Down
character's mortality. You'll figure that it's better to step back, bide
your time, and find a better way to save the day, maybe a little
later on.
In cinematic/four-color roleplaying, this is less appropriate. This is

when you need guts, when you need to step across that line and do
that dramatic, risky, desperate thing that you wouldn't do in other
games. This is the defining moment of the cinematic/four-color
style, the moment when you toss all that ingrained behavior aside
and go for it. Because chances are, you'll win; that's why you're an
action hero.
For example, the bad guy is in his chopper and has just lifted off and flew past a cliff's edge. In other games, this is the
point where you turn to the authorities, or find the clue that tells you where he's going and race there, or just stand
there and say something like "Next time!" But in the cinematic/four-color game, this is where you glare at him with
steely eyes, take a running start, and leap off the cliff. As you sail through the air, you're shooting his face off/throwing
a stun charge into the cabin/using your mental powers to dominate the pilot, and then you grab onto the undercarriage
with your free hand.
"Wah!" you cry again. "I might not make it! I might die!"
Maybe. Maybe not. See, you've got guts. You've got ingenuity. You've got panache. You've taken a step that you
wouldn't have taken in another roleplaying game. And this is where it pays off -- because even if you miss grabbing
that undercarriage, the GM will offer the surprise announcement that while yes, this is a cliff edge, there's a ledge
about 20 feet down. You'll hit the ledge hard and lose consciousness, sure, but as your vision blanks out you'll see the
helicopter spinning crazily as it spirals down into the gorge and explodes. Congratulations.
The Shared Illusion

See, roleplaying is a shared illusion. The nature of the world you play in depends on the game you're playing. In some
worlds, gravity is a force of nature: you fell off the cliff, you're going to die. But in other worlds, gravity is a dramatic
force: you fell off a cliff, but only far enough to temporarily incapacitate you because that's dramatically appropriate
given that you made a gutsy move.
The players and the GM have to be on the same wavelength. If you play your action hero the same way you play your
Shadowrunner, your GM has every right to scale the genre conventions back towards grim realism. But that's not the
idea. If you play your action hero like an action hero -- with panache, ingenuity, and guts -- your GM should
reciprocate and rev the cinematic/four-color throttle up to eleven. That way, when you take that big risk for the sake of
being true to the genre, the GM will likewise be true and not just kill you outright. This doesn't mean he should reward
stupid behavior, but if your pulses are pounding and the pizza is forgotten and the dice are smoking, the GM should
meet you halfway.
You're an action hero. Cut loose. Take 'em down.
Icons of Cool
They loom large upon the silver screen, those heroes of our flickering cinema-days. They fight hard, stand tall, and in
the end they're a lot cooler than we are. Still, we can cop them, can't we?
Name: Cyrano de Bergerac

Features in: Cyrano de Bergerac, Roxanne
Cool moves: He bests opponents with insults as well as swords (Panache).
Name: The Man With No Name

Features in: Fistful of Dollars and numerous other spaghetti westerns
Cool moves: Striding down a dusty street in a big poncho, taking one bullet after another and still coming on
relentlessly -- surprise! He's got a big sheet of metal under that poncho, deflecting the bad guy's bullets (Ingenuity).
Name: Ash
Features in: Evil Dead, Evil Dead II: Dead by Dawn, Army of Darkness (Evil Dead III)
Cool moves: Even when his own hand turns against him, Ash never quits fighting (Guts).
Name: Luke Skywalker

Features in: As if
Cool moves: Screaming "No!" at Darth Vader and a hundred stormtroopers (Panache); using the tow cables to trip up
the AT-ATs (Ingenuity); planting R2-D2 in Jabba's palace with the spring-loaded lightsaber ready to pop out moments
before the execution (Guts), and on and on.
"Take 'Em Down" Quotes

"And what do you propose to do?"
"I'll organize a revolt. Exact a death for a death. And I'll never rest until every Saxon in this shire can stand up, free
men, and strike a blow for Richard and England!"
-- The Adventures of Robin Hood (Panache)
"Maybe you will come in handy. While they're eating you, I'll get away."
-- Tremors 2: Aftershocks (Ingenuity)
"I see a red sash, I kill the man wearing it! So run, you cur -- run! Tell all the other curs the law is coming! You tell
'em I'm coming, and hell's coming with me -- you hear? Hell's coming with me!"
-- Tombstone (Guts)
Cyberway: Bringing High-Tech to Everway
by Kingsley Lintz
Art by andi jones

Everway presents an interesting dilemma. Almost immediately after presenting the potentially infinite potential of
alternate universes, they slam most of the doors shut, homogenizing their Spheres (worlds) to the point that they might
as well be just the next Realm (kingdom). In most cases, this can be gotten around just by ignoring some of their listed
guidelines -- the suggestion that humanity is the dominant race everywhere, for example, is easily ignored, and setting
up a world where orcs dominate doesn't require any real rebalancing of the setting or rules.
The restriction to a fantasy setting, however, bugged me, and adding technology in is a trickier matter. It annoyed me
particularly that they forbid technology in the game, while in the same paragraph acknowledging that high-tech spheres
probably exist. Writing an entirely new mechanic for it is clumsy, inefficient, and happily, unnecessary. Everway's
system is loose enough to accommodate it well. I can see three possible routes to bring high-tech to the worlds of
Everway, each with their own considerations.
Powers
Starting with the most conservative method, high-tech may not be readily available. Perhaps a few "alien" artifacts turn
up now and again, hinting at a high-tech hub of Spherewalkers that might one day prove to be serious competition for
the people of Everway. Maybe a few eccentric geniuses have devised steampunk devices that work. Or perhaps, far, far
out from Everway is a Sphere with "cybertech" as the Usurper, which a single PC might be from . . . so far from home
that his dialect of the Tongue presents a serious communications barrier, at least to start. ("Hoi, chummer! Upload me
some chipbytes, eh?" "Huh?")
Adding such a smattering of technology to the world means rating it as Powers, strictly limiting it to specific devices.
A regular hunting rifle or shotgun might count as little as a 1-point power; while it significantly increases the
character's combat and intimidation ability (Major), the rate-of-fire and noise level hold it back from Frequent, and it
really only has one purpose. A silenced pistol capable of firing bursts gains a Frequency point as it's a lot easier to
carry around and can be used under more circumstances, like when you'd rather the guards didn't all know exactly
where you are. Power-Armor should be at least 4 (Frequent, unless the game is highly political, at least twice Major,
and definitely Versatile). A real battlemech is probably out of any price range.
This route keeps it firmly under GM control, and maintains Everway's predominantly fantasy tone -- any technology
will be an anomaly. Even most PCs who actually have a technological device won't understand technology, per se;
they've just learned through divination magics that if you pull this funny little metal piece out, the little ball will
explode in a few seconds.
Magic
Cyberway: Bringing High-Tech to Everway
It's axiomatic that sufficiently advanced technology would seem as

magic, but what if it actually is? This method can encompass
anything from steampunk invention and alchemy to empirical
study and rocket science. Given the mystical feel of Everway, I
prefer to suggest, for purposes of the game, that the invention and
building of high-tech is literally a magical process. This also helps
the GM keep it limited, as just anyone mixing these two chemicals
may not get the right results, in precisely the same way that a
Words of Power mage can blast someone without having to worry
that they'll just repeat the syllables and hit back.
For example, one might include Invention (Air) as a "magic"

style. At one point, the Inventor understands the principles of the
lever, pulley, and wheel. At three points, you can build serious
"clockworks" and other such intricate or multiple-step devices.
Common modern technology (guns, radios, cars -- including the
ability to refine gasoline, given time and resources) should kick in
as low as level 5. A rating of 7 should just start with the
cyberpunk; implants, genetic engineering, real designer chemicals,
but still with a respectable malfunction rate. With Invention at 10 .
. . planet-buster bombs, genesis missiles, matter replicators. Maybe even time travel, if the GM wants to muck with it.
I'd suggest anything two levels down can be made with "alternative" materials; e.g. a level-7 Inventor can build most
common modern technology as a makeshift, but still perfectly reliable, device, like building a gun out of bamboo and
rubber bands with a compressed-air propellant and small rocks for bullets. The MacGyver syndrome.
This method walks a middleground of versatility and restrictions. Almost any kind of technology is possible, and once
a PC has the right level of "Magic," it's readily and continually available. However, it's comparatively limited by time
and resources -- an Inventor will have to put more forethought into what he's going to need than most mages. It will
still be viewed by the populace as an oddity -- people may go to the city's Inventor to buy watches, and he'll certainly
be commissioned (or conscripted) by the local lord to provide cannons, but most people won't understand -- or really
care to understand -- how it really works.
Equipment
Essentially, the "Just Do It" method. Make the executive decision, tell your players there are tech Spheres and they can
have tech characters, and if they want tech stuff, just write it down . . . subject, as always, to GM approval. Fire makes
as much, if not more, sense to guide firing a lasergun as a crossbow, so there's really no alteration necessary.
The downside to this path is that it radically changes the feel of the game. There's a significant risk of technology
simply replacing magic, and it becomes more difficult to keep it limited. Many people who will cheerfully pay the
points for a Ring of Flying won't understand why an Anti-Gravity Belt should cost the same . . . after all, it's just a
tool, right?
The three routes probably work ideally in combination. Draw a line as to what's readily available, wherever you want
to draw it. For a character to possess anything more advanced than that will require a Power or Invention Magic (or
whatever other technology-as-magic path your player might care to create.) A possible alternative, if you want it to be
more readily available to PCs but keep it rare in the setting itself, is to allow Invention simply as a base 3-point Power
(frequent and twice-versatile), and then add a Major point in for any effects they want past 20th-century stuff.
Adding Technology to an already-existing campaign is simply rife with potential, and the three routes for doing it have
a built in progression. If there are technological Spheres out there, then it can be presumed that Everway is many Gates
away from them . . . but as the Spherewalkers of Everway explore further out, contact will have to be made someday.
First let the players find a few odd devices, which they can either figure out or not. Then maybe they'll run into a
group of Spherewalkers with guns, or holograms. At this point, the technology is available on a single-case, Power-
level basis, and makes for some excellent Boons. (This also works well on an experimental level; give one of the
players a loaded pistol or a charged laser gun as a Boon, and see how it plays out. If you're not liking it, well, once
they're out of bullets or the charge dies, they have an interesting paperweight with a story behind it. If you do like it, let
them learn how to make their own bullets, or let the laser have highly efficient solar panels.) After several sessions of
this, as contact increases, allow someone (a PC if anyone's interested, or just a background NPC) to start learning
Invention. If it's a PC, they can start experimenting with their first couple levels of it . . . see what they come up with.
If it's background, let the group hear about the new clockworker in Everway. The players may discover an Industrial
Revolution sphere, where Fire and Earth are overwhelming Air and Water, and Pollution is the Usurper card and the
Smith is the Sphere's Fate.
As it progresses, and technology becomes better known in Everway and surrounding Spheres, gradually increase the
level of technology that's available as basic equipment, and hence the level available only as Powers. For most
campaigns, I'd recommend keeping cybernetic implants always as a Power, even when a Mage is capable of building
them; they're long-term intrinsic abilities. Getting cybereyes is like having a powerful enough Flux Mage permanently
alter your retina so that you can see in the dark. Other cybernetics may act as further "specialties" on the attributes:
Subdermal Armor will grant the "resisting impact" specialty to your Earth score, while a skillchip will temporarily
grant the "perform [skill]" specialty to your Air.
Technology offers other adventure seeds if you don't want to break it to them so slowly. What if Roundwater doesn't
hold quite all the gates in Fourcorner? Perhaps a neighboring Realm has stumbled upon a hidden gate that leads to a
high-tech Sphere, and with the aid of some unsavory Spherewalkers has secretly established contact and trade with the
locals there. Having a taste of the wealth available to Spherewalking, they want more . . . which means controlling
Everway. Now they're rolling in with tanks and machine guns, making a mockery of the Keepers' Guard. It is, of
course, up to the Spherewalkers of Everway -- and the PCs in specific -- to find a way to stop them . . . or the players
may simply return from an outing to find that it's already happened, and Everway is being converted to a more
industrialized society. From there, they get mixed up between progressives who want to see it happen and the
traditionalists who want it stopped; loyalists who support the Emerald family and rebels who see potential in the new
order . . . oh, and don't forget culture shock.
INWO Quickie Decks
hastily prepared by David Streeter
Introduction
Where I Pretend To Cut to the Chase
I don't know about you, dear reader, but whenever my mates invite me to a game of INWO, I always find myself
running 20 minutes late and without a deck made. Worse still, I discover that I haven't packed up my cards properly
the last ten games, so I can't find anything. As you can imagine, I've developed a knack for making decks on the run,
and in particular, making only one "pass" through my cards, the essence of making a quick deck. Anyhow, here's ten
decks that can be made in under ten minutes. The first three you can make in under ten seconds.
Deck 1: The Deck You Used Last Time
There's no deck quicker to make than a deck that's already been made. If you've still got last game's deck hanging
around, use it. If you've already played the same deck two or three times, change the Illuminati and choose a different
starting puppet. Believe me, your friends are idiots and won't know the difference.
Deck 2: The Random Deck
Just grab an Illuminati (Bavaria, UFOs or Adepts are best), 20 groups (no resources) and 24 plots at random. You'll
need more groups than a tuned deck since you'll need to deal with opposing alignments and so forth. Try and avoid
choosing secret groups if you can. Whenever you draw a card during play, ask yourself the question, "can I trade this
card with another player for something useful?".
Deck 3: Someone Else's Deck
This is really a variant on the random deck. Make a random deck as described above and turn up to the game. Before
you start play, point out the window and yell, "Oh My god! It's Ellen Degeneres!" and quickly swap your random
deck with one of your opponents' decks while they're not looking (I used to use Elvis, but my friends started to catch
on). When they discover the switch, say "A real man would play with any deck, no matter how bad." Of course, don't
tell them that it would be "a real stupid man." Another option is to turn up and say "I don't have a deck made, does
anyone have an extra they can lend me?" Of course, that just shows weakness and is nowhere near as intimidating as
the Ellen Degeneres trick.
Deck 4: The Bavaria Deck
If you have got a bit more time, you can make a quickie Bavaria deck without
much effort. Grab Bavaria and pick 15 groups with a power of 5 or more. Then
make a single pass through your plots and pull out every +10 card you find -- it
INWO Quickie Decks
doesn't matter if you miss a few, time is of the essence. Fill out the rest of your
deck to 45 with random cards. Plot cards aren't that essential to Bavaria -- just
stick to the strategy of "one automatic takeover, one privileged attack" for each
turn.
Deck 5: The Subgenius Deck
If you're like me, you practice Subgenius apartheid in organizing your cards -- after all, you recognize those heretical
pieces of glossy cardboard for the corrupting filth they are. However, right at the moment they are as valuable as your
dearest friend's left earlobe. Just grab a Subgenius Illuminati card, 19 Subgenius group cards and 25 Subgenius plots.
If you have the time, swap a few plots for "Let's Get Organized" -- the Subgenius groups are a bit short of control
arrows. The theory of this deck is that since the Subgenius set was designed to be able to be played standalone, every
card you draw will be useful. If it isn't, cut it in half and burn it. You shouldn't stand for that kind of insolence.
Deck 6: Last Week's Quickie Deck, Only Better INWO Quickie Decks
When you've been making quickie decks for a while, you'll get the hang of this one. When
you play with a quickie deck, remember two or three cards that would make it a better deck.
Then before the next game, swap out a few duds for those cards. Groups are particularly
useful, but swapping plots with odd requirements for "Secrets Man was Not Meant To
Know" and "Savings and Loan Scam" are also quite good. Keep swapping that Illuminati
between games! After a while, you'll have a strong, versatile deck.
Deck 7: Here's a Souffle I Made Earlier
This one involves following a recipe, and requires a bit more organization. If your cards are in some sort of order, you
can make a deck from a written list. Downloading one of the "decks of the week" from the Internet is a good start.
Writing out the cards of any deck you win with is another handy trick.
INWO Quickie Decks Deck 8: The Upheaval Deck
If you have a full ten minutes to make a deck, start with the UFOs, add Big Media,
Madison Avenue, Clone Arrangers, Nuclear Power companies and all your Media
Sensations. Also add any useful Media groups you notice until you have 20 (or more)
groups. Put in all your Upheavals and the goal cards Arise! and Fratricide. If you still have
space, add in Savings and Loans Scams, Hat Tricks, plot cancelers, one of each color
NWO, and the Crystal Skull. Don't start playing Upheavals until you've got at least eight
groups in your power structure (or you have Arise! in your hand). Then go crazy. Hopefully,
you can either a) eliminate two players and win with Fratricide, b) goad someone into
removing your last puppet and win with Arise! or c) eliminate so many groups that the other
players cannot win, and free grab your way to victory with your group-heavy deck. Hey, it's
an obnoxious deck, but it's fun.
Deck 9: The Computer Deck
Simplicity. Start with the Network (obviously), then pull out all the computer groups. Trim that down to 15 groups
based on "any attempt" control bonuses and add the resource Eliza. Add 29 plots. If you can be bothered, get +10
cards, power boosters, plot cancelers and the computer plots. This deck doesn't really need a very good set of plot
cards, though.
Deck 10: One of the Alignment Decks
Pick an alignment, and pull out all the groups of that alignment. Liberal or government are your best bets, although
corporate and violent are also good. For an Illuminati, Bavaria and Bermuda are good for all alignments, Gnomes are
good for corporate and Cthulhu good for violent. A peaceful deck with Shangri-La is a bit more courageous, but not
unwinnable. Trim the groups down to 15 cards. If you separate your NWOs from other cards, choose lots of the good
ones first. For plots, you really want to look for the following in one pass: Plot cancelers, power boosters, appropriate
+10s, any card with a pyramid or naked woman on it, or Voodoo Economics. The biggest risk with this quickie deck
is that someone else will have a tuned version of your deck. If that happens, pay them $10 to throw the game. It's a
cruel and unjust world.
Epilogue
The Bit Where I Make a Few More Cents by Repeating What I've Already Said in a Different
Way
The common theme in making a quickie deck is concentrating on your group deck, staying away from resources, and
making your groups deck bigger than normal to tolerate mistakes. As a consequence, you will draw plot cards that are
useless, or nearly so. Trade these if you can, or use them to power other cards by placing them back on top of your
deck. It might even be worth your while trading two or three useless cards to an opponent in exchange for one slightly
less useless card. Your opponent can always use the duds to power other plots as well. If you're lucky, you'll
"rediscover" a lot of useful groups and plots like I have. Necessity is the mother of invention, and she is a tough but
instructive lady. Anyway, you need the discipline.
Playing Unknown Armies By the Book
Art by andi jones

[Editor's Note: Elements of this article will appear in Post-Modern Magick, an upcoming Atlas Games supplement for
Unknown Armies.]
In Atlas Games' new roleplaying game Unknown Armies, you and your allies in the Occult Underground mix it up
with good guys and bad guys alike. At the street level, magickal Adepts duke it out with gun-toting enforcers and
weirdos of every stripe. At the global level, organizations like the Sect of the Naked Goddess, the True Order of Saint-
Germain, and the New Inquisition have set their sights on becoming the powerhouse of the Occult Underground. And
on the cosmic level, soon the universe will die and be reborn. Next time around, the world might be a terrible place --
or it could be Paradise. Someone gets to decide. Might as well be you.
This article introduces a new school of magick -- Bibliomancy, plus a sample Bibliomancer character, two related
artifacts, and some adventure seeds for your Unknown Armies campaign. Given the loose and abstract nature of the
UA rules, there should be enough information here to convert the school, character, and artifacts to any desired system.
Enjoy!
Bibliomancy
(Book-Based Magick)
"Book lovers are thought by unbookish people to be gentle and unworldly, and perhaps a few of them are so. But there
are others who will lie and scheme and steal to get books as wildly and unconscionably as the dope-taker in pursuit of
his drug."
-- Robertson Davies, Tempest-Tost
Knowledge is power.
The greatest repositories of knowledge -- and thus power -- are books. To gain power, one must seek out and read as
many books as possible. Not only that, but to access and hold the caged power of a book, the adept must retain
possession of the book in his Library. Possession is nine-tenths of Bibliomancy. Bibliomancers are often called
librarians or bookworms in the slang of the Occult Underground.
The central paradox of Bibliomancy is that even though one may read a book and transfer its knowledge and power to
memory, the physical book itself must still be kept -- purely for reference, you understand. Bibliomancers collect huge
Libraries around themselves, much like the shell of an oyster. And like an oyster shell, a Bibliomancer's Library is
usually immobile, strongly defended, and full of pearls (of wisdom, perhaps?). Attempting to attack a Bibliomancer in
his Library is stupidity of the rankest sort.
Bibliomantic Library: A bookworm's Library is the center of his power. He can use it to charge himself up, store
those charges, and use those charges on spells like Let Me Check My Notes and Arcane Knowledge. The downside is
that his Library also limits his power: a bookworm only has access to those skills contained within the books of his
Library; the number of books in his Library limits the number of charges he can hold; and he must remain in
proximity to his books to use his magic. The GM should feel free to impose negative shifts as the bookworm gets
further away from his books; the maximum distance is roughly a number of feet equal to the bookworm's Soul
attribute. The player of a bookworm must detail what books comprise his Bibliomantic Library; this is important for a
number of spells. See Taboo (below) for more details.
Also, very importantly, a Bibliomancer may not receive a charge from a book currently owned by another
Bibliomancer, much as Dipsomancers cannot share their special drinking vessels. Thus, Bibliomancers often spend
much of their energies theft-proofing their Libraries, and trying to steal rare books from each other.
Many bookworms believe that the Library of Alexandria was destroyed because it was the magickal Library of an
ancient Bibliomantic scholar-king. And indeed, there are some indications that many Bibliomantic traditions have been
inherited from a now-extinct old-school Bibliomantic tradition. Other Adepts point to strong correlations between
Cliomancy and Bibliomancy, and believe that Bibliomancy is merely a variant form of that history-based magic.
For the purposes of Bibliomancers, any printed and bound material (including scrolls) is a "book." Thus, magazines,
Xerox copies, and even comic books can be considered books; computer disks, "books on tape," and electronic files
are not. Furthermore, electronic commerce involving books usually does not grant charges for discovery, purchase, or
auction, though there have been very rare exceptions to this general rule. Time spent seems to be a large factor in
qualifying a book search for charge generation.
All Bibliomancers know the Minor Ritual of Seek the Lost Tome. The ritual, which reveals the location of formerly
owned but now missing books, is passed down from teacher to pupil as part of the Bibliomantic school. It is rumored
that there is a Major Ritual known as Seek the Hidden Tome; this ritual is said to allow the caster to locate any book
that exists, previous ownership is not a prerequisite. All bookworms drool for such a ritual, and will follow any leads
or rumors regarding it relentlessly.
Bibliomancy Blast Style: Special. Bibliomancers have no Blast of their own, but can "borrow" the Blast of other
schools through the use of the Arcane Knowledge spell (below). The Entropomancer Significant Blast or Killing Stare
is often enchanted as a one-charge artifact into the valuable books in a bookworm's Library, to punish would be book
thieves (usually other Bibliomancers!).
Stats
Generate a Minor Charge: Read a new (to the bookworm, at least)
book of at least 100 pages, or 100 pages of a longer work that
belongs to your Library. Find a rare book in a used bookstore, at a
flea market, or successfully purchase one at an auction, then add it to
your Library. Walking into the local mega-chain and paying for the
New York Times number one bestseller will not work. (Please note
that a Bibliomancer will receive two charges -- eventually -- for
coming across a rarity: one for the discovery, and one for the
reading.) Recall that a Bibliomancer may not receive a charge from
a book currently owned by another Bibliomancer.
Generate a Significant Charge: Read completely or add to your

Library a historically significant or famous book. Examples would
be Mother Theresa's personal Bible, a Caxton Le Morte D'Arthur,
the grimoire of another magickal school, an author's copy of
Foucault's Pendulum, etc.
Playing Unknown Armies By the Book
Generate a Major Charge: Read completely or add to your Library

a one-of-a-kind book: the real Necronomicon,. the Q Gospel, the
Copper Scroll, the Red Book of Westmarch, the Voynich Manuscript,
the authentic diary of Howard Hughes (or Adolf Hitler!).
Taboo: The two major taboos of Bibliomancy involve the number of charges a bookworm may hold, and the need to
remain in close proximity to one's Library.
Charges: A bookworm may only have as many charges as he has books: minor charges require 1 book per charge,
significant charges require 10 books per charge, and major charges require 100 books per charge. Thus, for a
bookworm to retain 1 major charge, 2 significant charges, and 5 minor charges, his Library would have to contain a
minimum of 125 books. If he generates more charges without increasing the requisite size of his library (say, by
coming across a mint-condition Storisende edition of James Branch Cabell's Jurgen, for example; a significant charge
demanding an additional 10 books), the charge is lost!
Proximity: A bookworm must remain within a number of feet roughly equivalent to his Soul attribute, or lose access
to his charges. The charges will remain with the Library. Recall that distance within the acceptable maximum range can
still apply a negative shift to Bibliomancy rolls at the GM's option.
Luckily, a bookworm may put together a "traveling Library" of selected books, usually enough to fit inside a briefcase
or backpack; otherwise, they would be unable to leave their lairs without being defenseless. Figure number of charges
as normal.
Example: David the bookworm needs to travel to Pittsburgh to bid on a rare copy of the Malleus Malificarum, worth a
significant charge to him. However, this takes him far from his Philadelphia home . . . and Bibliomantic Library. He
outfits a small traveling Library of 50 books, which will allow him to carry his 2 significant charges and his 7 minor
charges. He also has a major charge (from a rare copy of The King in Yellow that he acquired last year), but decides
that carrying too much of his Library with him would be too high of a risk given the vagaries of travel and all, and
leaves that charge at home with his Philadelphia Library, trusting the magickal defenses he's set there. While in
Pittsburgh, it will be as if he had no major charge at all, since he's out of range of his main Library.
If another bookworm steals a book holding a charge from another Bibliomancer's Library, the held charge is lost, both
to the victim and the thief. However, the thief immediately regains the charge by gaining possession of the book, and
the victim loses a "slot" to hold a charge!
Random Magic Domain: Bibliomancy is concerned with the power of knowledge. It is powerful magic for finding
things out, for illuminating or obscuring the facts of something, and for influencing events that are knowledge-
dependent. Need a password to hack into a database? Sure. Need to cover-up the signs of a break-in? All right. Need
to sift truth from a farrago of lies? You betcha.
Starting Charges: Newly-created Bibliomancers start with three charges and a Library of 10 books. The player needs
to come up with the titles of those 10 books and receive the GM's approval on them.
Bibliomancy Minor Formula Spells

Speed Reading
Cost: 1 minor charge

Effect: By spending a minor charge, a bookworm may absorb all of the information contained within a single book --
which need not be part of his Library -- into his mind. The Bibliomancer retains total photographic recall of the work
for around 30 minutes, which then fades to a normal level of recall, just as if he had read the book in a mundane
fashion. A bookworm does not generate a charge when using this spell to read a book.
Let Me Check My Notes
Cost: 1 minor charge

Effect: A Bibliomancer has a magickal connection to his Library, and may spend a minor charge to retrieve any
information contained within its books. This spell allows total photographic recall of any piece of information,
provided there is a book that contains it within his Library. The bookworm must identify the target information he
wishes, and the Library work from which he intends to retrieve it. "George Washington, from the W volume of
Encyclopedia Britannica."
If the Bibliomancer chooses to expend an additional minor charge, he may search all the works of his Library for a
composite of all information contained therein on a single subject.
It's Right There in Black & White
Cost: 2 minor charges

Effect: When a bookworm needs to see what the future holds, he merely picks up a book, burns two charges, and
riffles through it. Some of the words and letters on the pages will raise themselves up and glow, to spell out a cryptic
message of the next 24 hours. The quality of starting text influences the quality of message received. If you use a
telephone book, the message will be short and spotty. A King James Bible works better-but tends to archaic language.
Casting this spell on a noir mystery results in short staccato sentences.
Bookworms do not use books from their Library for this spell unless it is a last resort; something in the divinatory
magick summoned "taints" the book for weeks, making it unable to grant or hold charges, or be used by any other
Bibliomantic spell.
I've Read the Manual

Effect: This spell allows the use of any mundane skills recorded in the books of the adept's Library. It is similar to the
Cliomantic spell Instant Zen Master and the Dipsomantic spell God Looks Out For Drunks, allowing you to use your
Bibliomancy skill in place of any other normal skill, including the ability to flip-flop rolls.
This means that a Bibliomancer can use I've Read the Manual to "tap" his Library to Fence like D'Artagnan, Notice
like Sherlock Holmes, Seduce like James Bond, Speak Basque like a native, and so forth. That is, as long as he has an
appropriate book, and he's within proximity to it. The GM should feel free to apply negative shifts to the Bibliomancy
roll if the bookworm is not actually touching the required book with one of his hands.
Blur the Lines

Effect: There are many facts out there that would be dangerous if they saw the light of day. Blur the Lines allows the
bookworm to obscure any one fact, making it difficult for any researcher to come across it. This is very similar to the
"disappearance" of all information regarding the true identity of the Naked Goddess. Always by happenstance or bad
luck,-the needed page seems to be ripped from the telephone book, ink spilled over the name on the signed confession,
databases lock up and crash the system when it comes across the Blurred address, no one seems to know the identity of
that Cigar Smoking Man . . . Data obscured by this spell will usually reappear in a matter of days. If an additional
significant charge is spent, the fact can be permanently Blurred, and will require magick to bring it to light.
Bibliomancy Significant Formula Spells

You Can't Judge a Book By Its Cover
Cost: 1 significant charge

Effect: Make an inanimate object look like another inanimate object for 15 minutes. This isn't invisibility, this is
changing the way observers think about the subject. Though they may be looking at a chair, the part of their brain that
would normally say "chair" is saying something else, like "motorcycle." Like Just a Harmless Drunk, the affected
object will still appear in photographs, reflections, video cameras, and so forth.
There is a -50% shift to Notice "something odd" about the affected object, less if the object is in an incongruous area
(a motorcycle in the living room). This spell will not make a living or animate being appear to be anything else.
Read Between the Lines
Cost: 1 significant charge

Effect: The short version: by spending a significant charge, you can ascertain whether or not a single fact is true, at
that moment in time.
The long version: it's not as simple as that. When you cast Read Between the Lines, you are granted a vision of the
reality behind the fact you wish to judge. These visions are believed to be glimpses into the statosphere: a look at the
probabilities behind the machinery of the universe. As such, they are ever-changing, cloudy, and incredibly vague. In
general, when asking about the veracity of a mundane fact, the result will either be "true" or "false." When magick gets
involved, results can vary from "sorta true" to "almost totally but not quite false." Evaluating facts that have to do with
Avatars return a solid "maybe." And any fool silly enough to attempt to Read Between the Lines on a fact having to do
with an archetype or the Invisible Clergy directly is really asking for it.
Cross-Reference
Cost: 2 significant charges

Effect: Gathers and correlates any and all extant and available printed information on a living target into a blank book,
much like those sold in most local bookstores or stationery stores. If there is too much information to fit in the book,
the type will become smaller, until there is enough room. (Rumor has it that a Bibliomancer once cast this upon a
business rival, unaware that the man was secretly the Comte de Saint-Germain. The pages of the book turned black.)
This does not include information available upon the Internet, unless that information has been downloaded, printed
out, and bound (it's magick, deal with it!). This reference work will bear the target's name as its title, and the
bookworm as its author.
Your Life is an Open Book
Cost: 3 significant charges

Effect: Ever wanted to know exactly what someone does all day long? This spell will transfer the entire current life
experience of a living target -- who must be within line of sight -- into a blank book, much like those sold in most
local bookstores or stationery stores. The book begins with the last sunrise or sunset, and details every action that is
taken, every word that is spoken, every idea that is thought up until the second the spell is cast. The title of the book is
"A Day in the Life of (target's name)", and the author of the work is the Bibliomancer. A target of this spell will notice
the casting of it, much as if someone were staring at them concertedly, studying them like a bug under glass.
Arcane Knowledge
Cost: 2 significant, plus any other charge requirements

Effect: This is the Big Gun of the Bibliomantic School. A more powerful version of I've Read the Manual, it allows
the use of mystic skills (even from an Avatar skill) magickal skills (the formula spells of other schools), other magical
effects (the magic phrase "Open Sesame," for example), or out-and-out super-powers ("Up, up, and away!") recorded
in the books of the adept's Library, as long as all requirements are met. Remember, the GM should feel free to apply
negative shifts to the Bibliomancy roll if the bookworm is not actually touching the required book with one of his
hands. This means that a Bibliomancer casting an Epideromantic spell like Warping would need to spend 2 significant
charges (for Arcane Knowledge) plus the 1 minor charge (for Warping itself). GM has the final call on whether an
effect will work, and how it will work. Bookworms should take warning, however: the last Bibliomancer who tried to
duplicate the Biblical feat of Moses parting the Red Sea apparently suffered a Reality Erase (p. 146), according to
witnesses of the trigger event.
Bibliomancy Major Effects

Discover any desired piece of information, no matter how well-concealed. Obscure any fact such that it not only drops
off of the world's radar, but looks as if it never existed. Learn any skill. Translate or decode any representation of
knowledge.
Sample Character
David Robertson, Bookworm
Summary: Surprisingly dapper for a portly man, David Robertson hasn't always been the urban and worldly gent he is
today. Just a decade and a half ago, he was a sickly, chubby teenager. Bedridden much of the time, his only friends
were books. He got to know the County Librarian quite well -- Miss Agatha Minsky, spinster, last survivor of to an
old-money publishing family . . . and Bibliomancer. Miss Minsky shared young David's love of adventure fiction --
many are the hours they spent discussing Treasure Island, Kim, and Captain Blood --and she nurtured his magickal
talents as well. She also gave the young man a taste of what true refinement was.
As David grew in power, his sickliness decreased; with the support of his magick, he took up fencing at the local
YMCA. He fenced for the college team, and won a second place ribbon in a tournament during his sophomore year.
He eventually graduated with honors, double-majoring in Library Science and English Literature.
Currently, David works as a consultant for the Philadelphia Public Library system. He also operates an Internet-based
bookfinder service, which pulls in some supplementary income and allows him to travel in order to search for rare and
occult books for his personal Library.
Personality: A film noir Victor Buono.
Obsession: The knowledge and mysteries contained within long-lost books, and the power such information grants
(Bibliomancy).
Wound Points: 40
Passions
Rage Stimulus: Book mutilators (this does not include those who add high-quality marginalia) and book burners.
Fear Stimulus: (Helplessness) David is afraid of any harm that may come to his books from sources that he is unable
to plan for.
Noble Stimulus: Free Expression; he is strident in his condemnation of those people who ban books and tireless in
supporting those who uphold this most sacred of rights.
Stats
Body: 40 (Pudgy)
Speed: 45 (F) (Leisurely)
Mind: 65 (Font of Knowledge)
Soul: 70 (Deep & Mysterious)
Skills
Body Skills: General Athletics 15%, Struggle 30%, Fencing 25%

Speed Skills: Driving 15%, Dodge 25%, Billiards 35%
Mind Skills: General Education 35%, Notice 40%, Occult & Rare Books 20%
Soul Skills: Lie 20%, Charm 25%, Magic: Bibliomancy 55%
Madness Meter
Violence: 1 Hardened, 1 Failed

The Unnatural: 3 Hardened, 1 Failed
Helplessness: 0 Hardened, 1 Failed
Isolation: 1 Hardened, 1 Failed
Self: 0 Hardened, 1 Failed
Possessions
David's prize possession is a Xerox copy of an unpublished Dirk Allen manuscript called Djinn Blossoms, written in
1983. It appears to be a barely fictionalized account of a severe occult dust-up in Pittsburgh in the late '70s. The work
includes an adequate description of the magickal "how-to's" of three Dipsomantic formula spells: Moment of Truth,
Lil Whammy, and Now I See . . . David can use his Significant spell of Arcane Knowledge to cast any of these
Dipsomantic spells, so long as he retains ownership and is in proximity to the manuscript.
Also of note in David's Bibliomantic Library is a Gutenberg Bible, a shooting script of the Babylon 5 episode "The
Geometry of Shadows," a battered paperback copy of the first Doc Savage book, The Man of Bronze, a first edition of
L. Frank Baum's The Wonderful Wizard of Oz, a signed copy of Rafael Sabatini's Bellarion, and Robert Louis
Stevenson's treasured copy of Le Vicomte de Bragelonne, by Alexandre Dumas, pere.
His traveling Library usually contains -- at the minimum -- a copy each of the following: Goldfinger (Ian Fleming), a
leather-bound Complete Shakespeare, The Three Musketeers (Alexandre Dumas, pere), a King James Bible, The Hound
of the Baskervilles (Arthur Conan Doyle), Roget's Thesaurus, Yeager: An Autobiography (Chuck Yeager), a Webster's
Pocket Dictionary, The Lord of the Rings in one leather-bound volume (JRR Tolkien), Groucho and Me (Groucho
Marx), The Complete Books of Charles Fort (Charles Fort), a Random House Desk Encyclopedia, Galactic Patrol (EE
"Doc" Smith), and a handful of foreign language phrase-books. He also carries a few books in his jacket and pants
pockets; Riders of the Purple Sage (Zane Grey), The Great Houdini (Beryl Williams & Samuel Epstein), the Boy Scout
Handbook, and Buckaroo Banzai (Earl Mac Rauch) are particular favorites for these "last resort" selections. Note that
as David carries this load around with him in his shoulder bag, the weight of all those books will cause him to suffer a
-10% shift in combat while he carries it.
Bibliomantic Artifacts
Transcription Volume (Minor)
This common artifact is one-use by it's very nature. Simply, a Transcription Volume is a blank bound book-much like
the ones you can find at your local bookstore or stationery store-that can be left to transcribe a conversation within its
presence. Keep in mind that human speech is normally around 250 words per minute -- more if the speaker is excited -
- and that a normal book page can hold roughly 250 words. So, in general, assume a page is required per minute of
conversation.
The book starts with a bookmark jammed between the front paper of the book and the first page. To begin recording,
one must merely remove the bookmark. All spoken words or noises that would be audible to a human listener are
copied down in a firm, dark font on the pages of the book. To stop the transcription, one need only place a bookmark
between the pages currently being filled with text. You can run out of pages just as you can run out of tape on a
recording cassette.
The Garden of Forking Paths, by Ts'ui Pên (Significant)
A late 18th century Chinese work of mystery.
"Ts'ui Pên -- Governor of his native province, learned in astronomy, in astrology and tireless in the interpretation of
the canonical books, a chess player, a famous poet and calligrapher. Yet he abandoned all to make a book and a
labyrinth. He gave up all the pleasures of oppression, justice, of a well-stocked bed, of banquets, even of erudition, and
shut himself up in the Pavilion of the Limpid Sun for 13 years. At his death, his heirs only found a mess of
manuscripts. The family, as you doubtless know, wished to consign them to the fire, but the executor of the estate -- a
Taoist or Buddhist monk -- insisted on their publication."
The book appears to be a shapeless farrago of rough drafts that contradict each other. Heroes die, then show up in later
chapters as if nothing has happened; armies are destroyed, then march through sunny fields unchallenged. All in all, it
is a terribly confusing work to read . . . unless you know its secret.
The Garden of Forking Paths is a puzzle, a written labyrinth, whose solution is "time." The author wished to illustrate
his view of the bifurcating quality of time: for every action, there is a reality where that action is successful, and one
where it has failed. Ts'ui Pên's masterpiece follows both possibilities and their subsequent bifurcations.
If the owner of this work is aware of the solution to its central puzzle, he may elect to alter any one success or failure
into its opposite, once per day. The owner of the book must be present at said success or failure to alter it, and actions
may only be changed within the few moments immediately after their occurrence.
Both Entropomancers and Bibliomancers seek to hold this powerful work; it has been the cause of at least a half-
dozen magickal duels.
Bibliomantic Adventure Seeds

* A rare copy of The Garden of Forking Paths is taken from a New Inquisition team in Chicago. The Occult
Underground is up in arms, as the book is being stolen and restolen, bouncing between cabalists and dukes like a
tennis ball at Wimbledon. Word on the streets is Alex Abel's sending in his favorite Enforcer, that hardcase
Eponymous, to get it back.
* The Sect of the Naked Goddess has been looking for a copy of the actual shooting script (if you can call it that) of
the pornographic film in which the Naked Goddess Ascended to the Invisible Clergy. Several known bookworms are
interested in it as well, as it's rumored to have what amounts to detailed descriptions of You Know You Want it,
Dazzle, and Synchronicity in the "dialogue" and "plot" of the video; furthermore, it's a worth a significant charge on
it's own. It's turned up in the hands of a small-time Avatar of the Merchant know as Jimmy "Pickles" Green, who's
trying to arrange an all-out auction of the script in Las Vegas. Other cabalists are planning to show up for the
festivities. Daphne Lee doesn't plan on leaving Vegas without the script, come hell or high water.
* One of the player characters inherits, finds, or accidentally comes across a slim volume entitled Atlantean-English
Dictionary, by Dugan Forsythe. Those in the know recognize the name: he's the founder of Cliomancy, and the father
of Angela Forsythe, one of the Sleepers. Could it contain secret "Atlantean" code phrase that Cliomancers recognize?
Could it contain hidden Cliomantic spells hitherto unknown to the world at large? Or could it very well contain the
evidence that the Atlantis that Cliomancers revere is nothing more than a scam? No one is quite sure. Get ready for a
visit from Daoud Masbut, Angela's insane Indian bodyguard; David Robertson, freelance Bibliomancer interested in
expanding his Library; and . . . Dirk Allen, legendary boozehound? How is he involved?
Bibliomantic Bibliography
Some Bibliomantic Patron Saints:
Jorge Luis Borges

Italo Calvino
Umberto Eco
Tim Powers
Robertson Davies
And a must-read for prospective Bibliomancers:
The Club Dumas, by Arturo Perez-Reverte
Hall of the Mountain Grill
A GURPS Traveller Setting

by Mike Kelly
Art by andi jones

. . . And in the groove, by gate and hill, midst merry throng and market clatter, stood the Hall of the Mountain Grill
where table strained 'neath loaded platter . . .
Hall of the Mountain Grill is an adventure for GURPS Traveller and uses information from Behind the Claw, the
Spinward Marches sourcebook. However, it can be easily adapted to any space game very easily.
Rumors abound in the Spinward Marches of a most unusual hunting lodge located on Jesedipere (3001-Aramis Sub
sector). Jesedipere is an Earth-like world, with a standard oxygen-nitrogen atmosphere and 58% surface water. The
climate is warm, and the world has a class 3 starport. The world's population is low, with only 4,100 humans and 3,500
Vargr currently in residence.
The government of Jesedipere is Anarchy, and the downport area is a famous den of iniquity. Almost anything can be
found there-for a price. Rumors gathered in the downport area and elsewhere in the Spinward Marches will cause the
travellers to wonder about the "Hall of the Mountain Grill" -- a hunting lodge located on a deserted continent of the
planet completely away from what little civilization there is on this planet.
Hall of the Mountain Grill The rumors say that the "Hall of the Mountain Grill" hunting lodge was
built out of the hull of a Akkigish-class Subsidized Merchant that
crash-landed on the planet some 20 to 40 years ago. (A basic
description of this starship is in GURPS Traveller, page 146.) Some
enterprising Vargr found the ship's hull basically intact and decided to
convert it into a hunting lodge. It's out-of-the-way location in the
middle of a forest with huntable local wildlife made it ideal for that
purpose. Currently, well-to-do Vargr and humans stay at the lodge and
enjoy the fine food and luxurious accommodations while hunting the
local game. The lodge is located at the base of a mountain range and
offers an excellent view of the snow capped peaks. A small flat area of
forest has been cleared to allow Safari Ships to take off and land. The
clearing would be considered to be a GURPS Space Class I Starport
(p. 122). The owner of the lodge is an older male Vargr named
Kverokh. A seasoned and expert hunter, Gherohl is also an ex-corsair.
He retired from the corsair band Touzagh when becoming a
professional hunter seemed to be both a safer and more profitable way
to earn a living. The money he saved while a corsair allowed him to
setup the Hall of the Mountain Grill hunting lodge.
As the band of adventurers approach the lodge, the first thing that they
will notice is how intact the ship is for having crash landed there. From the outside, there seems to be no major
structural damage at all. A large ramp leads up to the stern of the ship, where the aft cargo section is. The aft cargo
section is a large room, approximately 45 feet square. This room is the main meeting room, and the walls are covered
with animal head trophies of various alien beasts. The room is filled with Vargr and human hunters, sipping drinks and
bragging about their latest kills. The furniture and room appointments are of very fine quality, indicating high wealth.
The drinks and food are expensive, but of the very finest quality. The hunters are an excellent source of rumors, and
also make excellent patrons. Also, this lodge can serve as a great place for wealthy travellers to spend excess credits.
The ship's galley is located behind the main meeting room and still serves as a galley, but now it has a master Vargr
chef cooking exotic meals made from fresh kills. The food is very expensive, and probably the best food to be had in
the Spinward Marches. The very finest wines are also available to accompany the excellent cuisine.
A large spiral staircase is located in one corner of the room that leads to the second floor of the lodge. On this floor are
13 suites, each one adorned with animal trophies and filled with the plushest furniture and latest gadgets. While
luxurious, each suite is small -- only 10' x 13'. One suite is much larger than the rest (20' x 10'), and commands a
premium price. It is usually reserved by wealthy patrons well in advance.
In addition to the 13 hunting suites, the upper floor has another two recreational lounges, one forward of the suites and
one aft. These lounges are smaller than the downstairs lounge (15' x 30' aft and 20' x 40' forward), but otherwise
similar. The forward lounge is dominated by a huge video screen that covers one wall completely. On this wall, films
of various successful hunting expeditions is shown. This room also serves as a casino; various games of chance are
constantly run here.
A small spiral staircase is located in the aft second floor lounge, leading up through the ceiling of the lodge. Located
on top of the lodge is a special hunting launch that was converted from the standard 10-ton ship's launch described on
p. 139 of GURPS Traveller. Major changes include a retractable roof to allow open air shooting, and a large game
capture tank. The hunting launch will seat six hunters in comfort in customized hunting chairs that can rotate freely. In
addition, the chair arms are braced to absorb recoil (for weapons that have them) and to aid in aiming.
On the first floor, behind the the galley, the forward cargo hold has been converted into large capture tanks to hold the
hunter's game. There are two large capture tanks (10' x 20'), and they are accessed through special fittings to transfer
game directly from the hunting launch through the port and starboard cargo doors.
A fine example of huntable local game would be the "Destier Deer" (GURPS Space Bestiary. p. 32). The Destier Deer
is a large, noble beast, standing about six feet high at the shoulder. Bucks have low, curving horns. Colonists on other
worlds have tamed these animals and used them as riding beasts, much like horses on Terra. If these wild Destier Deer
were to be caught alive and sold off-world, they would bring a very high price.
ST40-50 Speed/Dodge 14/7 Size 3

DX 5 PD/DR 0/0 Weight 1,500 Ibs.
IQ: 15 Damage 1d+2 cr
HT: 15/21 Reach C
The travellers should acquire suites (cr 200-300 per night) if they plan on staying in the lodge. Staying in the lodge is
not a bad idea, even if they brought their own ship with them, for the privileges of the lodge are available only to those
who rent a suite. This includes the organized hunting expeditions. Drinks bought in the lodge are cr 10-30 each and
meals are cr 40-90 each. The party should be encouraged to meet their fellow hunters and mingle. As they mingle,
they can pick up new contacts, make deals, find patrons and hear rumors.
Some sample rumors, which can be true or false depending on the GM's whim, and can be used for anything from
local flavor to a full-blown adventure:
The Most Dangerous Game
The Vargrs hunt humans from the lodge! In the wee hours, several Vargr slip away in the hunting launch for a truly
challenging hunt: A human being captured by the Vargr and released in the middle of the forest. There is even a rumor
that these hunted humans even find their way into the Vargr master chef's best meals!
Buried Treasure
When the ship crash landed years ago, the surviving crew removed the cargo from the ship and hid it inside nearby
caves. The crash site was remote, and since all communication equipment was destroyed on impact, the remaining
crew eventually died off. The ship was originally a Vargr pirate ship, and when it was finally discovered, the salvaged
cargo was valuable enough to pay for the restorations and conversion of the crashed ship into a hunting lodge. One
intact cargo container, however was missed by the salvagers. This cargo container is hidden deep inside one of the
many nearby caves, and could contain anything the GM needs for his campaign.
The PCs could be hired by an aging hunter to help secretly retrieve the cargo container, or they could discover the
container themselves while chasing some game into the cave. One suggestion for the cargo: military items that are hard
to come by, like 20 suits of Improved Battle Dress with matching FGMP-12 energy weapons. (GURPS Traveller, pp.
115 and 118). The street value of this cargo is very high, but double or even triple value could be had on the black
market because of their military pedigree.
Forced Retirement
The owner of the hunting lodge was a crew member of the pirate ship when it crash landed! He knew he wanted to
retire from the dangerous corsair band he was a member of, so he sabotaged the ship, silenced the communication
equipment and using his superior hunting and weapon skills, killed off the rest of the crew before they even knew what
was happening. This would also explain the lack of crash damage on the ship's hull. He then hid the bodies and the
cargo when he landed the ship in the middle of an uninhabited continent.
Again, while hunting, the travellers come across some intact cargo containers filled to the brim with valuable cargo.
The party must figure out a way to remove the cargo without alerting anyone to what they're up to.
Hide in Plain Sight
The ship is still an operational pirate ship! This would also explain the intact hull. What better place to hide a corsair
ship than in plain view. During the winter season, when there is no hunting due to the extreme cold and everything is
covered with snow, the ship works the rich merchant routes in search of victims. Before the hunting season begins, the
ship returns to its "crash site" and sets up shop again. Most of the Vargr hunters aboard the ship would be pirates, who
also enjoy local hunting during the "off" season. Possible ways for the adventures to catch on to this is through
overhearing conversation, or blundering into one of the ship's many restricted areas. If the corsairs find out that the
adventures know their true identities, they will try to kill them.
Bring 'Em Back Alive
An enterprising merchant wants to capture some the Destier Deer alive to take off-world and breed elsewhere. This
would be a very profitable cargo, for the deer are very much in demand on other planets. However, the local hunters
would object because of the reduction of the native population, and the lodge owners would definitely object to
anything that would threaten their monopoly. The merchant, with the help of the party, must capture the deer and get
them off planet without being detected.
Episode One: Getting Dirty
In which the Author introduces himself, reveals why Chumbawumba is the key to great game mastering, then discloses
why everything you know is wrong.
Hello.
My name is John Wick. I believe we've met before. No? Funny, your face is familiar. Well, if I am hallucinating,
maybe I should introduce myself. I've served a term with a company called Alderac Entertainment Group, and while
there, I was a staff writer for Shadis Magazine, Continuity/Story editor for three collectible card games, wrote three
roleplaying games along with over two dozen supplements, helped design a collectible dice game, and bunches more.
Now-a-days, I'm starting up my own little game company, writing about orks and fluxes, freelancing for folks who can
tolerate me and keeping up with a regular weekly column over at gamingoutpost.com. I've also got a day job, but don't
tell my wife that. She'll wanna know where the money is. Oh, and I'm married to a girl named Jennifer. Been that way
for two years on December 31. Got a dog, two cats and a rat.
So, that's me. And now that we're all acquainted, maybe I should get to the job that I'm here to do. You know. Talk
about Game Master stuff. That's why you're reading all of this, right? To see what I've got to say about nasty,
underhanded, sinister and otherwise praetorian (like that one? I paid four bucks for it) tricks to play on unsuspecting,
innocent, naive and culpable players.
But before I get started, I'd like to lay a couple of ground rules. After all, the title of this column could be a little
deceptive. We're here to talk about GM tricks. Nasty GM tricks that would make Ol' Grimtooth himself do a double-
take. What we are not here for is killing characters. Nobody wants to play with a Killer GM.
But everybody wants to play with a Dirty GM.
Just to make sure you know what I'm talking about, let's spend a moment or two defining terms. In some circles -- the
ones I was educated in -- that's a pretty important step.
A Killer GM is someone who takes glee in destroying characters. He kills them without remorse, without compassion,
without care. He does it because he can. Gives him some sort of sick rush.
This is bad.
A Dirty GM, on the other hand, is someone who uses every dirty trick in the book to challenge the players. Keeping
them off balance with guerrilla tactics, he increases the players' enjoyment with off-beat and unorthodox methods,
forcing them to think on their feet, use their improvisational skills and keep their adrenaline pumping at full speed.
This is good.
So, now that we're all speaking the same language, let's get down to business.
***
The first step to becoming a Dirty GM involves a little syndrome I call "The Die Hard Effect." (I've talked about this
before in other places, so I'll keep it brief.) Essentially, all players want their characters to be John McClane. You
know, the guy Bruce Willis plays in the Die Hard films. They want to be knocked down, punched out, bloody,
battered and beaten.
But (and this is an important "but", folks), every time they get knocked down, they want to be able to get back up.
That's right. Just like the Chumbawumba song.
Being Irish, it just comes to me naturally.
Players want to be a bloody mess at the end of the adventure, but they still want to win. And they want to feel like
they won by the skin of their teeth. They want to think that last die roll was the luckiest one they ever made. They
want to feel that their characters' lives were hanging in the balance, ready to fall like a pin hanging on the edge of a
precipice.
That's what players want.
And that's what a Dirty GM gives them.
Because he throws stuff at them that they never counted on. He uses techniques that are so outside the mainstream that
they hit the players like a left hook to the jaw. He uses everything at his disposal to knock them down -- so they can
get back up just in time to dodge the next hit. All of this comes under the basic premise that the GM is there for the
players' enjoyment; he's providing them what they want. That's the GM's job. When it's all said and done, the Game
Master's fun is helping his friends have fun. At least, that's the way I've always seen it.
Bad Guy Corwin

Now, on to the Game Mastering advice.
I'm going to be using a very specific method in this here column. First, I'll explain a technique, and then I'll give you a
practical application. In other words, I'm going to tell you, then I'm going to show you. The first technique we'll
employ is something a friend of mine nicknamed "The Bad Guy Corwin Technique." He dubbed it thus because he
first saw me use it in my Amber Diceless Roleplaying Game, but you can use it in just about any licensed game. In
fact, you can use it in almost any RPG setting the players are familiar with. It works something like this.
We get to see Roger Zelazny's famous Chronicles of Amber through the eyes of one character: Prince Corwin. (For
those of you who don't know a single thing about Amber, here's the run-down. You've got one real world and
everything else is just a pale imitation of that one real world. Even Earth isn't real, it's just a "shadow" of this place
called Amber. That means that everyone living on these shadows aren't real either, and the only real people are those
from Amber. "Amberites" can walk through shadows and are ten times faster, stronger and smarter than us shadow-
people. And because they're the only real people, the only folks that are worth challenging are their own siblings,
making Amber a hot-bed of political and military intrigue. That's the gist of it. Now go read the books and find out
what you're missing.)
As you read along, you watch his transformation from egocentric bastard to sympathetic martyr. The change is
incredible.
A little too incredible if you ask me. Corwin himself admits that he's not an entirely trustworthy narrator. When I
started planning an Amber campaign, I decided to take that statement to the extreme. I based the idea on a great little
book by Philip José Farmer called The Other Log of Phileas Fogg. In that book, Farmer uses all the mistakes (not a
very pretty word, but an accurate one) Verne and his editors missed in Around the World in 80 Days and uses them to
build a quiet conspiracy the likes even Umberto Eco has never seen. When a character has his glass in his left hand in
one passage, then in his right in another, that's not a mistake -- it's a clue! It's a brilliant little book whose methods
have inspired me on many occasions.
On this occasion, I decided to use the same technique on Zelazny's Amber. I told my players that they'd be making
characters that were sons and daughters of the Elder Amberites (the characters from the books), but the game would
take place during the time of the novels. They'd get to witness all the cool stuff that was going on and fill in the blanks
that Corwin never quite filled in. They made up their characters and got ready to watch the events of the novels unfold.
But things didn't go exactly as planned. Not by a long shot. In fact, within one hour of gameplay, they were as jittery
as a junkie waiting for his fix. You see, everything was wrong. That is, everything was happening the way it did in the
books, but Corwin's role was a lot different than the role he spelled out on the page.
In other words, he lied. A lot.
As soon as the players thought they had things figured out, I threw another loop at them, playing off their assumptions
and using those same assumptions to set them up for nasty traps. Here's an example.
In Amber, it's possible to go out into shadow and find a perfect (albeit inferior) duplicate of yourself. After all,
anything an Amberite can imagine is out in shadow, you just have to be willing to look for it. At the end of the first
book, Corwin is imprisoned for four years in the bowels of Castle Amber. What's worse, he has his eyes burned out.
The player who took the role of Corwin's nephew didn't like that one single bit.
But there's a snag, you see.
That ain't Corwin down in the dungeon. It's his shadow.
And so, all through the rest of the series, the Corwin that's telling the reader his story is a shadow who believes he's
Corwin, while the Real Deal is behind the scenes, operating unseen, manipulating events while his dummy-self keeps
everybody's attention.
And make no mistake, Corwin is a bastard.
Now for those of you who don't read or play Amber, here's another example so you can get a picture of what I'm
talking about.
Good Guy Vader

Chew on this.
In The Empire Strikes Back, Yoda warns Luke about the Dark Side of the Force: "Once you turn down the dark path,
forever will it dominate your destiny."
Yeah. Right. And the Good Side makes you want to sleep with your sister and kill your father.
Think about it for a second. What if Vader ain't such a bad guy? What if Vader only wants to be reunited with his son,
overthrow the Emperor and rule with his boy at his side? What if he wasn't lying? And what if Kenobi and Yoda are
just playing a very complicated game of revenge?
Watch A New Hope again. Watch the scene with Kenobi and Luke in the old guy's house when R2-D2 shows the
video of the fair princess begging for help. Kenobi turns to Luke and says, "You must come with me to Alderan and
learn the ways of the Force." What's good-hearted, sweet-faced Ben Kenobi trying to do there? He's using the Old Jedi
Mindtrick! Watch it! Watch Luke staring at him with glassy eyes! Watch Luke pull away (because the Force is too
strong in him). Then watch Kenobi use Luke's desires against him. "I need your help Luke. She needs your help."
Yeah, Luke. You know what she needs.
They even lie to him. They tell him his father was betrayed and killed by Vader. And no, it ain't a different point of
view. It's a lie. My mommy taught me better than that. Kenobi and Yoda manipulate Luke all through the films, trying
to convince him that the Dark Side isn't stronger, just quicker, easier and more seductive.
Let's think on that for a while.
The Dark Side is quicker to learn, easier to learn and just as powerful? Where do I sign up?
And for those of you who are saying, "Yeah, but it'll forever dominate your destiny!", I got one thing to ask you. Did
Ol' Emperor Palpatine look all that dominated to you when he was frying Luke's skull with blue lightning? Ever see
Yoda or Kenobi do the blue lightning trick? I didn't think so. He was the absolute ruler of the Universe! Come on! If
that's dominated, I'd hate to see "liberty."
Oh, wait. That's right. Liberty is living in a desert wasteland scaring Sand People for fun. Or how about rotting away
on a mudhole hiding out from the big guy in black armor that can kill you with a flick of his wrist. You know. The one
that's got his destiny dominated. The one with his own Star Destroyer.
You can use the Bad Guy Corwin technique in just about any game that's licensed from film or literature.
Think about Bad Guy Gandalf or Bad Guy Aragorn.
Think about Good Guy Doctor Doom or Good Guy Lex Luthor.
Think about Bad Guy Picard or Bad Guy Kirk.
If you're willing to look, you'll find the patterns.
The Bad Guy Technique throws players' assumptions out the window and forces them to think on their feet.
Everything they believe they know is now wrong. It doesn't matter if they own every little sourcebook on every little
subject, because everything is up for grabs.
And once their confidence is shaken, once they don't know where they're going, they'll realize that there's nothing they
can count on -- but themselves.
That's a great starting point for that li'l thing we call the Hero's Journey. And you haven't broken a single rule or
fudged a single die roll. But you're still playing dirty.
***
Convinced? How about a little shaken? You pullin' out your copies of the Star Wars Trilogy, ready to look for more?
Congratulations. You've just graduated Dirty GM 101. And, by the way -- Welcome to the Dark Side. Hope you enjoy
your stay.
Demon Hunter West
by Joe G. Kushner
Art by andi jones

The wind tore through the town of Guller's Falls without resistance. Almost all of its inhabitants had fled after the
initial wolf onslaught. Men still cursed at the cunning of the beasts. Almost human in their efforts. Those dead left
behind though, there wasn't something quite right about their wounds . . .
Chiang X'so was too sick to move. Neither his herbs nor acupuncture were able to deal with the sickness eating away
at him. The stranger stood by his side, feeding and tending him as necessary. Chiang only knew the stranger from
when he had fallen unconscious at his doorstep with horrible wounds that took many weeks to heal. His repaying of
the care that Chiang performed on him was surprising. Did the man not know that the wolves weren't done with
Guller's Falls?
As if on cue, a howl tore through the scream of the wind. The stranger stood up, his hand reaching into his black
overcoat. A sword of the old world came forth, a weapon that Chiang had not seen in years. Not a normal piece of
work either. This katana seemed an amalgam of gold, silver and cold iron. Such an alloy should've been impossible to
make, but the gleam of the blade's edge told reality that it was so.
"Flee while you can stranger. There are things in the night that no man should stay and face."
"Your right about that." The stranger said. Too bad old Chiang didn't know that the stranger was referring to himself.
Even here, thousands of miles away from his home, the stranger was still a Shih and even here, thousands of miles
away from home, there were still Shen to deal with.
Outside, the Black Spiral Dancer was waiting.
Werewolf: the Wild West has many opportunities for allowing a player to customize his character. Even better for
Game Masters is that there are so many more options for the birth of devious NPCs. Still, the Wild West isn't unlimited
in its scope. Some may have aspirations of playing something outside of the kennel.
Demon Hunter X introduced the Shih and Strike Force Zero. While the technology for Strike Force Zero, as well as
the history by which this group comes into power are still far off, the Shih have been hunting the Shen since the dawn
of China itself.
The discovery of gold in 1848 spurred many Asian immigrants to seek a new life in the Americas. For many of these
individuals, the chance to start a new life loomed like a beacon. For others, the opportunity to continue their good
work posed a challenge few could walk away from. The Shih were such a group.
The Shih have come to America to continue the old fights on new shores. But why? Why leave a home where so
many of the Shen are still in power? Some of the older Shih asked this of those who were planning on leaving. Those
younger Shih smiled at their elders. "We don't protect China, we protect Chinese." While true, another part is that the
Shih never settle in one area for too long. The history of the Celestial Army and it's folly still burns strong in the Shih
and many of them feel that only by moving, even to other parts of the world, can the Shih methods survive. Besides,
the Shih will grant their assistance to anyone suffering under the Shen, not just their fellow Chinese.
And protection the Chinese would need. In addition to strong anti-Asian prejudice, the West had its share of problems
that could not be overcome with hard work and the hope for a better tomorrow. Between the menace of Garou who
wanted to wipe out any settlements that came too close to their sacred grounds and the corruption of the Wyrm, the
Shih have their business cut out for them. To individuals used to dealing with the Shen however, the Garou weren't too
bad. Many of them were capable of dealing with humans on a normal basis. In some cases, it was those Garou who
came from across the seas who posed the most problems. Some Shih find it ironic that they came all the way to
America when they could've just gone to Europe.
To protect their unaware brothers, the Shih stay in the West. Most of them take mundane jobs, working in orchards,
vineyards, and fields. A few go beyond that and work on the railroad and are present when the transcontinental railroad
is completed in 1869. Very few take to the life of a gold prospector, but a handful do stray into those lonely areas to
insure that the western Shen behave themselves. Because of discriminatory U.S. laws and Chinese customs, all of the
Shih in America at this time are male.
The Garou know nothing of the Shih outside of rumors and hearsay. In another twist of irony, most Garou believe that
the Shih are servants of the Wyrm. Due to their low numbers, the Shih usually strike only when they know they can
win. This allows them to maintain an air of mystery about them. Still, the battle against the Garou and the Wyrm is
nothing if not dangerous. Most of their mentors had stayed behind, and this cripples the amount of new Shih that can
be taught the old ways.
By the end of the western expansion, due to attrition with their battles with the Shen of the West and the Chinese
Exclusion Act of 1882, the Shih fail to make it into the 20th century on American soil. Because of this, the GM should
set his Wild West campaign in 1849 (when gold is discovered in California) or somewhat later. Some may balk at this,
but that still gives the GM to 1880, over 30 years of game time.
Shih character creation is identical to the methods outlined in Demon Hunter X. Game Masters who own Combat but
do not use it for their Wild West settings should allow Shih characters access to those abilities. If the GM does not own
Demon Hunter X but does have Mage: the Ascension or Mage: the Sorcerers Crusade, he should substitute members
of the Akashic brotherhood for the Shih. If he owns all of these supplements, then he must decide if the Shih are here
not so much to protect the Chinese from the West, but to protect the West from the Chinese. The Shih hunt all the
Shen, even those who are human! In such a campaign, the Shih might even act as protectors for the Garou. The
Akashic brotherhood might be seeking the places of power sacred to the werewolves and need to be reminded of their
proper place.
Another option for mixed campaigns is the one where the Shih battle alongside members of the Akashic brotherhood
and the Garou. The influence of the Wyrm is vast and terrible and limits itself not to things of the changing breeds.
Perhaps the Akashic brotherhood will offer to help the Garou purge a careen if they agree to share its power for a few
times a year.
When considering a crossover of this type, the GM should decide ahead of time if the Shih are a permanent part of the
Wild West, or just a one-shot. Newer GMs should allow the creation of a Shih and let player test it. If it doesn't work
out, then the Shih decides that it's time to go back to the motherland.
There is nothing that states that the Shih must destroy the Garou either. One of the Shih's most intriguing facets is that
they accept the presence of the supernatural and only strive to rein in those they feel have stepped beyond the
boundaries of reason. While they term all of the supernatural creatures Shen, there is nothing that states that this isn't
the Wyrm. Evil can have many names. In the West, this would be the Black Spiral Dancers, Bane Spirits and Texas
Tarantulas. By allowing the Shih to concentrate on defeating the Wyrm, the GM allows mixed groups to function
without the friction that would eventually build. Still, a Garou whose rage threatens a whole town better remember that
the Shih would consider that a crossing of the line.
In some cases, the Shih may attempt to teach the Garou methods to control their rage. Sometimes that Shih, since they
are not bound by the Garou teachings, may even act as mentors for a metis character. Imagine a Black Spiral Dancer's
terror when he finally defeats the Shih swordsman only to have an albino metis leaps into the battle.
Just remember to set the proper ambiance when Shih and Werewolves start their battles. "Everybody was kung fu
fighting . . ."
Sample Character
The Stranger
Ming Lo'tau
Strength 4 Demon Hunter West
Dexterity 5
Stamina 4
Charisma 2
Manipulation 3
Appearance 2
Perception 3
Intelligence 3
Wits 4
Talents:
Alertness 3
Athletics 2
Brawl 2
Dodge 5
Intimidation 3
Leadership 1
Streetwise 2
Skills:
Animal Ken 2
Firearms 3
Melee 5
Martial Arts 5
Stealth 2
Survival 3
Knowledge:
Linguistics 1
Medicine 2
Occult 4
Special Abilities:
Qiao of the I Shen 2
Qiao of the Mo Kung 2
Qiao of the Feng 3
Qiao of the Shi 2
Backgrounds:
Allies 2
Favors 2
Resources 1
Virtues:
Conscience 3
Self-Control 4
Courage 5
Humanity 5
Willpower 7
Ming's mentor approached him from out of the blue, sensing a great potential within him. This feeling proved correct
as Ming managed to finish the Shih training in less than 12 years, a record.
The problem, though, was that while Ming excelled at training, he didn't believe in the Shen. His world was that of a
fairly normal member of society, in that he worked hard and loved his family. When he heard about the discovery of
gold in California, he decided that a man of his many skills and talents would be able to get work easily.
He failed to take into account the prejudice of the American people. Worse still, he discovered slowly but surely that
there were indeed things worthy of the label Shen. Most of these were the horrid mockeries. After dealing with a small
family of these so called "fomori," he began to learn about the Wyrm and the Garou.
Knowing that if either the Garou or the minions knew of him and his abilities, he lifespan could be measured in weeks
rather than years, Ming has cultivated allies among the Chinese immigrants. He rarely speaks to anyone not of Chinese
descent, but has been known to help those who are in need of it.
Dressing in dark clothing with different styles of hats and gloves, the layers of dust often tell of his time on the road.
The one thing that makes Ming stand out is his katana. This unique katana has gold, silver and cold iron in its makeup
and is quite recognizable.
Ming has short cropped black hair and dark brown eyes that hold softer earthen tones in bright light. His body is
crisscrossed with scars from his battles with the American Shen, and his face bears a long scar from the top of his right
eye that works its way to behind his right ear.
Possessions: Colt "Peacemaker," Yamato's Katana, Strength +3 plus considered to have enough iron, gold, or silver to
make wounds aggravated for damage purposes, long coat, derby hat, boots, spyglass, chewing tobacco, and $100 in
small bills.
Ming is meant to be used as a mentor for starting Shih characters. As such, most characters should not be allowed to
take special abilities that Ming himself does not have, unless the GM has decided that there are other Shih out there
that could have taught the character their abilities.
Adventure Seeds
A Friend in Need
If one of the players creates a Shih and needs to be introduced to the party, the easiest way to do so is to showcase the
new player's abilities. This is the easiest to do when the Garou are in trouble. In such a case as this, the Garou may be
outnumbered by Black Spiral Dancers and have nowhere to retreat. Preparing to face a horrid death, they are given at
least a temporary break by the Shih.
What Is It?
The GM has decided that the Tengu, Kumo, or Oni have migrated to the West, attracted by the release of the Storm
Eater. Most Garou have no knowledge of these minions of the Wyrm and must seek out one who does. Local rumor
has it that one of the Chinese herbalist has some knowledge of Shen, so called supernatural creatures. Can the Garou in
their human form gain the knowledge they need? Perhaps one of their Kinfolk?
No Garou
In this case, the whole party is made up of Shih and Akashic brotherhood members. Their goals are to protect the men
and women of the frontier from any supernatural creature regardless of its origins.
Resources
Werewolf: the Wild West
The Wild West Companion
World of Darkness: Demon Hunter X
World of Darkness: Combat
Recommended Viewing
Kung Fu. The original cult classic staring David Carradine, can set the stage for many Storyteller sessions.
Red Sun. Charles Bronson and Toshiro Mifune show how easily Japanese and Western cultures can mix to make an
interesting adventure.
Medieval and Fantasy Missile Weapons
by Dan Howard
Art by andi jones
Introduction
This article is a general overview to be used in either a realistic or fantasy setting. Specific terms, such as "Japanese"
or "Chinese," which relate to the real world have been replaced with the more generic terms, such as "Oriental." It
should also be noted that the stats given for specific weapons correspond to those found in various GURPS
sourcebooks, though some might disagree with how accurate those figures are.
References to "p. Bxx" refer to the GURPS Basic Set.
A Ranged weapon is any weapon that is used at a distance. This includes missile weapons, thrown weapons, siege
engines and many types of hostile magic. There are several different types of ranged weapons, each with its own
characteristics. This article deals only with missile weapons (including siege engines).
Missile weapons include bows, crossbows, slings, and blowpipes. Siege engines propel huge stones or darts at their
targets. Their target could be either groups of men or stone fortifications.
Bows
The bow was almost certainly the earliest mechanical device to create
greater speed in a projectile than could be attained by throwing it. It
does this by accumulating energy in the bow limbs while pulling the
bowstring back. This potential energy is stored temporarily while
holding and aiming the bow. When the bow is released the potential
energy is converted into kinetic energy in the form of the arrow's
flight. The ST of the archer determines the range and damage of the
arrow. Bows are constructed in three basic forms: a self-bow is made
of one homogeneous piece of material; a built bow is made of joined
pieces of the same material; and a composite bow is made of different
materials.
Technique
It takes years of practice to become proficient with a bow. The

technique involved in executing a shot can be explained in ten basic
steps. With practice these will become one smooth, flowing motion:
1. Stance. Stand side on, with both feet shoulder-width apart, in a
Medieval and Fantasy Missile Weapons
direct line with the target.

2. Fingers. Place the fingers so that the string is held with the index
finger above the nock, and middle and ring finger under the nock;
hook the string between first and second joint.
3. Bow hand. The pressure of the bow should be distributed along the pressure line; relax the fingers.
4. Bow arm. Bring the bow arm to shoulder height; the elbow of the bow arm is turned away from the string.
5. Drawing. The string is drawn along the bow arm in a straight horizontal line to the anchor point; stand straight up
and relaxed; keep both shoulders as low as possible.
6. Anchoring. The string should touch the middle of the chin; the index finger is placed under the chin.
7. Holding. The back muscles are kept under tension; bow hand, draw hand and elbow should form a straight line.
8. Aiming. Done with the dominant eye; shut the other eye; keep the arrow a little left of the target.
9. Release. Keep pulling the shoulder blades towards each other, while relaxing the fingers of the draw hand.
10. Follow Through. The draw hand should be relaxed and near or behind the ear; keep aiming until after the arrow
hits the target.
Terminology
Arrowhead. The striking end of an arrow; usually made of a different material to the shaft such as iron, flint or
bronze.
Back of the bow. The surface of the bow furthest from the archer when the bow is held in the firing position.
Belly of the bow. The surface of the bow closest to the archer when the bow is held in the firing position.
Built bow. A bow constructed from joined pieces of the same material.
Cock feather. The feather at right angles to the string position in the nock on three feathered arrows.
Composite bow. A bow constructed from laminated pieces of different materials.
Cresting. Identifying colored rings applied to the arrow shaft forward of the fletchings, used to mark ownership.
Draw. The act of bending the bow to full arrow length by drawing the string backward while holding the bow steady.
Feathers. The flights on the back of an arrow to aid in stability in flight.
Limb. One of the arms of a bow, from grip to tip.
Loose. The act of releasing the string of a bow to propel an arrow towards its target.
Nock. [1] (noun) the end of an arrow with a notch in it for the string. [2] (noun) the grooves in the tips of the limbs of
the bow to fit the bowstring. [3] (verb) the act of fitting an arrow to the string.
Rankling arrow. An arrow with a detachable head that remains in the wound when the arrow is removed.
Self-bow. A bow made from one piece of wood.
Shaft or Stele. The body of an arrow.
String. [1] (noun) a bowstring. [2] (verb) to fit a bow with a string.
Types of Bows
Regular Bow. The standard bow (straight or recurve) is made from a single staff, or joined sections of pliable wood
such as yew, maple, elm, ash, hickory, oak, birch, walnut, or cedar. The wood must be seasoned slowly and split rather
than cut with a saw. The more the bow-stave follows the grain of the wood, the stronger it will be. The back of the
bow should be the side that is closest to the outside of the tree or branch -- this is called the "sapwood," and is usually
more elastic than the heartwood.
Tillering (shaving down the timber) is then done to ensure that the bow bends evenly, and at the required draw weight.
Nocks are then cut into, or slid over, the ends of the staff.
Recurving involves bending the tips of the staff backward in a curve. If this is done while the wood is wet or hot, the
wood will retain the curve when relaxed, thus making the bow flex more when drawn. This increases the power of the
bow without increasing the drawlength. A thin elastic backing is then glued on, and the string is attached last.
Shorter recurve bows can be fired from horseback. The average bow weighs 2 lbs and costs $100.
Shortbow. A shorter version of the regular bow -- usually about half the height of the archer. It has a shorter range
and inflicts less damage, but it is light and easy to use. It can be fired from horseback and is also easier to conceal. The
average shortbow weighs 2 lbs and costs $50.
Longbow. The typical longbow is a little taller than the archer, and is made of the sap and center-wood (heartwood) of
the yew tree. Yew is perfect for longbows -- the heartwood is able to withstand compression, its sapwood is elastic by
nature, and both tend to return to their original straightness when the bow is released. Longbows are cheap and
relatively easy to fashion. They are a little heavier than other bows and require a higher ST to use properly. Weight 3
lbs; Cost $200.
Composite bow. There are three layers in the composite bow: sinew on the back (the side under tension); wood for the
core; and horn on the belly (the compression side facing the archer). Various hardwoods or bamboo can be used for the
bow's core. If bamboo is used, the outer layer of a stem should face the horn.
Composite bow cores are made of several sections, roughly worked to shape before final assembly. First, a handle
section joined to two arm sections. These are then joined to strongly reflexed tips, usually pieces with nock grooves at
the ends, reinforced with a piece of horn. Fishtail splices and glue are used to join the various segments.
Pre-shaped horn strips then are glued onto the belly of the bow. Both horn and wood are scored with a special toothed
tool and glued together (tight rope binding is used for clamping). Buffalo horn is highly preferred but longhorn (as in
the cattle) can be used.
The back of the bow is then covered with sinew, leaving most of the tips bare. Sinew usually comes from the leg
tendons of cattle, or wild animals such as deer and moose. The bow is then seasoned for at least six months, after
which it is severely reflexed. This makes tillering and stringing a long and complicated process.
Composite bows are usually a little shorter than the archer and fairly heavy. When firing the composite bow, the
central grip remains rigid throughout the draw. This contributes to a smooth action and greater accuracy. Releasing the
bowstring of a composite bow produces no kick, which also assists in a smooth, more accurate shot. A well-trained
archer with a good composite bow is a formidable foe indeed. Weight 4 lbs; Cost $900.
Hornbow. Shorter than the standard composite bow, the hornbow is designed to be fired from horseback. It is used
extensively in horse cultures (probably due to the scarcity of good hardwoods rather than for any technological
reason), and is more powerful than the typical shortbow. Arrows are released with a thumb and forefinger technique
rather than the three-fingered style used with longer bows. The thumb is protected by a special thumb-ring. This
technique takes longer to learn but results in a crisper release. Weight 3 lbs; Cost $500.
Dai-kyu. An Oriental composite longbow made of wood sandwiched between two pieces of fire-hardened bamboo,
held together with glue and twine. It is asymmetrical, with two-thirds of its length rising above the archer's shoulder.
This allows it to be fired from horseback unlike symmetrical longbows, which can only be used on foot. Weight 4 lbs;
Cost $900.
Han-kyu. An Oriental half-bow designed to be concealed in the sleeve (+1 holdout). It has similar range and power to
a shortbow. Weight 2 lbs; Cost $80. A small quiver, made of cloth, holds 12 arrows and can also be concealed in a
loose sleeve.
Elven longbow. A composite longbow which is light yet extremely powerful. The methods used in its manufacture are
similar to those of a normal composite bow, but the exact technique and materials used are known only to the Elves. It
is very accurate and has unsurpassed range. Weight 3 lbs; Cost $40,000. Of course, Elves very rarely sell their prized
bows, but they are occasionally presented as special gifts for services rendered.
Accessories
Bow case. A protective slip-cover used to prevent the bow from warping. Costs $25 and weighs 1 lb.
Bowstring. Soft, sinew strings fray easily and must be replaced often. An attack roll that misses by more than 5 can
represent a broken bowstring if it had not been changed recently. Each string costs $5; weight negligible. It takes 2
seconds and a ST roll for a standing person to change bowstrings, if the replacement is already in hand. A person on
horseback would need 4 seconds; a ST+2 roll and a DX roll are required.
Flax and other hemp fibers can also be used for bowstrings. These strings last much longer but cost $15 each. They
will only break on a critical miss.
Bracer. An archer's leather arm-bracer gives the off-hand arm (area 6) DR 1 but does not affect PD. It protects against
snapping bowstrings, and subtracts its DR from any damage caused by a critical failure with a bow. Cost $8; weight
0.3 lbs.
Bowtip. Bows can be designed with a pointed end to be used as a spear in an emergency. This only applies to regular
bows, longbows and dai-kyu. A bow designed to take this sort of punishment is not likely to be damaged on any
individual thrust, but if it is used repeatedly, it will probably be damaged. Roll 3d for each time the bow is used to
thrust or parry; on a 16 or more, it is no longer useful as a bow. If it is parried by a sword it is ruined on a roll of 12 or
more. Add 20% to the cost of a bow with this feature. It cannot be added later, it must be incorporated when the bow
is first constructed.
Extra-powerful bows. A skilled archer can use a bow that requires more than one man to string. This only applies to
longbows, composite bows, dai-kyu, and Elven longbows. The maximum is a seven-man bow. These bows have
special costs and minimum ST. Their Damage amount and Range is also increased.
Bow Dam. Range inc. Cost. Weight. Min. ST

2-man +1 +1 x 1.2 +0 lb. 12
3-man +2 +3 x 1.5 +0 lb. 14
4-man +3 +5 x2 +1 lb. 16
5-man +4 +7 x3 +1 lb. 18
6-man +5 +9 x4 +2 lb. 21
7-man +6 +11 x5 +2 lb. 25
When readying these bows, it takes longer to draw them if your ST is below the ST of the bow. For every 2 points of
ST above your own, add an extra turn to ready. For example, a character with ST 14 is using a 6-man bow with ST 21.
It takes one turn to select and ready an arrow (2 if there are multiple arrow types in the quiver). It takes an additional
turn plus 3 more to nock and draw the arrow (a total of 4 turns spent drawing the bow). On the next (6th) turn he can
aim or fire. Using a bow with a ST of 4+ higher than the character's also expends 1 point of Fatigue (ST), making the
next shot more difficult . . .
Crossbows Medieval and Fantasy Missile Weapons
In a crossbow, the bow is shorter, and horizontally mounted in a stock

(tiller), which is aimed and fired much like a rifle. Because of its
mechanical advantage, the crossbow permits smaller men to fire at greater
ranges. Unlike bows, the range and damage is determined by the
crossbow's ST, not the archer's. The disadvantage is that crossbows take
longer to reload than bows. See p. B114 for rules on cocking a crossbow.
A typical crossbow weighs 6 lbs and costs $150.
Types of Crossbows
Pistol crossbow. This light one-handed weapon cannot have a ST above 5

and requires small, custom-made bolts. It weighs 4 lbs and cost $150.
Chu-Ko-Nu. This famous Oriental repeating crossbow contains a

magazine of 10 bolts over the stock, with an automatic loading
mechanism. It is heavier than a standard crossbow and has a poorer range.
Warriors sometimes use them to "hose down" underbrush or light
fortifications before entering them. Cannot have a ST above 9; weight 10
lbs; cost $500. The only medieval weapon with a Recoil value (-2).
Dwarven crossbow. This could be treated as a small ballista. It is the heaviest of crossbows with a long range and
huge damage potential. They are heavy and bulky, perfect for Dwarves, who use them with ease. Humans have more
difficulty and find them almost impossible to reload without mechanical assistance. Weight 12 lbs; cost $6,000.
Prod. Looks very similar to a standard crossbow except it is designed to fire pellets rather than bolts. It is less accurate
than a normal crossbow but ammo is cheap. Weight 6 lbs; cost $150.
Accessories
Goat's foot. A device for cocking crossbows of ST 3 or 4 greater than the character's. It takes 20 seconds to cock a
crossbow with this device, plus an extra turn to place the bolt on the bow. Weight 2 lbs, Cost $50. For crossbows with
ST greater than 4 more than the character, some sort of windlass is required. It takes 60 seconds to cock a crossbow
with this device. Weight 3 lbs; cost $200.
Crossbow sight. This crosshairs device adds +2 to accuracy. Only expert bowyers and fletchers know about these
devices. Someone with the Armoury skill and a specialization in bows must make an Armoury roll at -3 to install one.
They are fragile; any damage done to the bow will result in the sight being misaligned (another Armoury roll at -3 to
fix) or destroyed. Weight negligible; cost $10.
Slings
A very simple device used to propel stones or pellets at a target. It consists of two lengths of cord with a piece of soft
leather in the middle. The stone is placed in the sling, and it is swung above the head to increase velocity. One end of
the cord is then released and the projectile flies towards its target. The most famous use of a sling is in the story of
David and Goliath. As with most missile weapons, the user's ST determines the range and damage, but swinging
damage is used instead of thrusting. Weight 1/2 lb; cost $10.
Staff sling. Very similar to a standard sling except the levering action of a staff is used to increase the range and
damage. Weight 2 lbs; cost $20.
Blowpipes
A long length of cane or reed, hollowed out and polished. It fires small darts which cannot pierce normal clothing
except on a critical success, and never penetrates padded cloth or better armor. These darts are smeared with poison,
which takes effect if the dart hits flesh or light clothing. The darts can be anything from slivers of metal to long thorns.
Modifiers: -2 and up for wind, if outdoors. A good blowpipe can cost $30, can be anywhere up to 10 feet in length, and
weighs 1 lb. Darts cost $1 each.
Fletching
The skill of making arrows and bolts. A Fletcher makes arrows; a person who makes bows is called a Bowyer. These
skills are covered under the same Armoury skill (p. B53) by specializing in bows and arrows. At TL5 or lower,
specialization is not compulsory. A skilled fletcher will be able to make an arrow from any available materials,
including wood, metal, feathers, twine, glue, paper, etc. Specialized types of arrows may also be crafted, such as
hunting or armor-piercing arrows.
A successful roll creates a single arrow. Each arrow takes 1 hour to make, minus 10 minutes per point by which the
roll was made (minimum 10 minutes). For example, If the Armoury roll was made by 3, then the arrow would have
taken 30 minutes to finish. This assumes that specialized arrowheads have been crafted beforehand. A good fletcher
with the proper equipment can turn out six arrows an hour.
If the roll is failed, then the arrow is still usable; but reduce its effective range by 20% and accuracy by 1 for every
point by which the skill roll was failed (failure by 5 or more means that the arrow is useless). A critical success could
result in an increased range (add 20%) for that particular arrow. Critical failure would result in the materials being
destroyed.
If keeping track of individual arrows is too much paperwork then discard all arrows that fail the Armory roll -- the
materials can be reused in the next arrow.
Modifiers to the fletching roll could include:

in the field with the proper tools and materials necessary: +0
a fully equipped workshop stocked with proper materials: +2
improvised materials: -2 to -8
inadequate or improvised tools: -1 to -4
Ammunition
A missile weapon is not much use without some sort of missile to fire. There are three main types of ammunition:
arrows for bows; bolts or quarrels for crossbows; and pellets or shot for slings and prods.
Arrows and Bolts
Ammunition for bows and crossbows. Arrows consist of three parts: the arrowhead; the stele (shaft); and the
fletching (feathers). The shafts are usually made of wood such as ash, birch, or oak. The heads are sharp metallic
wedges, and the flights are made from feathers to increase stability and accuracy. The length of the arrow/bolt depends
on the size of the bow. Arrows are usually much longer than bolts. An arrow weighs 2 oz.; a crossbow bolt weighs 1
oz.; and they all cost $2 each.
Pellets, shot. Ammunition for slings and prods. The most preferred material for pellets is lead shot, but stones can be
used in an emergency (reduce effective range by 20% and accuracy by -2). The average weight of a pellet is 1 oz. and
cost is $0.10.
Different types of arrowheads can be fitted to arrows or bolts. Cost is the same for both types of ammunition.
Fire-hardened tip. No head. Only good for hunting. It does crushing damage rather than impaling. Against DR 2 or
better, it shatters on impact. It is not as well balanced as a tipped arrow so the effective range is reduced by 20% and
accuracy is at -1. Cost $0.50.
Blunt. For target practice, small game, and possibly to stun and take prisoners. They are treated as normal arrows,
except they do crushing damage instead of impaling.
Bone or flint. Only good for hunting and against light armor. Against DR 3 or better, it shatters on impact. Cost $1.
Standard. Normal steel, wedge-shaped broadhead. A general purpose hunting and war arrowhead. Cost $2.
Leaf-head. Fitted with a broader, barbed head to inflict more damage. It does cutting damage rather than impaling.
Sometimes called a "bowel-raker" because its barbed head inflicts extra damage, 1d-3 hits (min. 1), upon removal,
unless a successful surgery roll (p. B56) is made. Accuracy is -1 and both 1/2D and Max ranges are reduced by STx5,
due to the poor aerodynamics. Cost $3.
Armor-piercer. Called a bodkin, it is a four-sided, narrow, spiked head designed to punch through heavy armor. They
are sometimes waxed to assist in penetration. DR of armor is -2 against a bodkin point. Wounding damage done by the
arrow -- after DR is penetrated and impaling damage doubled -- is also -2.
Flesh-cutter (watakusi). It spins as it leaves the bowstring and burrows into unprotected flesh. It is particularly
ineffective against armored targets, though. +2 damage against DR 2 or less; -2 damage against DR 3 or more. Cost
$4; weight 3 oz.
Frog-crotch (karimata). Used to demonstrate the precision of the archer's aim. The head forms a U-shaped cutting
blade. It is designed to cut ropes and cords. To cut a rope, use the rules for attacking inanimate objects (p. B125) and
consult the tables on p. B201. Ropes are always very hard targets (at least -6). When using this arrow to attack a living
target. it inflicts cutting damage rather than impaling. 1/2D and Max ranges are reduced by STx5. Max damage to a
human target is 1d-3. Weight 4 oz. Cost $10.
Flaming arrow. Made by wrapping oil- or fat-soaked cloth or grasses around the shaft just behind the arrowhead.
They are -2 to skill. A flaming arrow does ordinary damage plus 1 point for the flame. The chance of the flame
spreading depends on what the arrow strikes (see pp. B129-130).
Turnip head. A signal arrow, sometimes called a "humming bulb." The head is made of hollow, carved wood, and the
shaft is also is hollow with holes drilled along its length. When fired, it emits a loud humming or whistling noise that
can be heard up to a mile away. It can be filled with oil-soaked cloth or straw and used as a fire-arrow. Accuracy is
reduced by 1 and both 1/2D and Max ranges are reduced by STx5. Maximum damage is 1d-3 crushing.
Selecting Arrows
If more than one type of arrow is in the same quiver, it takes an extra turn and an IQ roll to ready the right arrow. If
the arrows are distinguished by markings or colored feathers then this roll is made at +5 -- if you can see them. A
failed roll means that you are momentarily confused and no arrow is selected at all. A critical failure means that the
wrong arrow is selected (another IQ roll must be made at +5 to realize this before firing). Fastdraw can be used but the
arrow cannot be chosen. A successful roll means an arrow is selected at random.
Breakage
Any arrow that does not embed itself into a soft target (leather, flesh, thin/soft wood, etc.) upon impact stands a good
chance of breaking. Any arrow that hits a target but inflicts negative damage (after subtracting DR) is considered to
have bounced off (damage of exactly 0 will leave the arrow embedded in the target). Arrows that miss by less than the
PD have glanced off the armor and may hit something behind the target (see p. B117). If the arrow bounced off the
new target it will also have a chance of breaking. To check for breakage roll 3d. On a 12-15, the arrow has broken but
the pieces may be recovered. On a 16-18, the arrow has shattered and fragments are lost (including the arrowhead).
Crossbow bolts only break on a 13-15, but still shatter on a roll of 16-18. Special materials can reduce the chance of
breakage (very hard arrowheads will always be recoverable even if the missile shatters).
Materials
Soft metals. Bronze and iron can be used for arrowheads, but they bend on impact and inflict crushing damage against
DR 4 or more instead of impaling damage. These materials cannot be used for armor-piercing arrowheads (bodkins).
Exotic timber. Special woods can be used in arrow construction. They are either unusually light (increasing range) or
very resilient (decreasing the chance of breakage), or both.
Exotic timber can also be used in bow construction. They will always be self-bows. Treat as a longbow that weighs
less (perhaps a lower minimum ST), or has a greater range, and increase the cost appropriately.
Silver. This is rumored to be especially effective against demons, undead, were-creatures, etc. Silver weapons cost 20
times the price of normal weapons (assuming they are available) but break as if they were Cheap quality.
Dwarven steel. An alloy of iron, carbon and titanium, Dwarven steel is extremely tough and perfect for armor piercing
arrowheads. Against DR 4 or better, a bodkin inflicts +2 damage. They cost 40 times more than a standard armor-
piercer.
Dwarven bolts. This crossbow bolt is made entirely of steel -- except for the feathers, which have to be large to
stabilize the heavy missile. The shaft is of light, hollow steel and the arrowhead is of heavier Dwarven steel. It inflicts
+1 damage on all armor types and will not break. Each bolt weighs 1/2 lb, costs $120, and can only be used in the
heaviest of crossbows -- ST 11 or more.
Elven steel. This special alloy has been forged and tempered using secret techniques known only to the elves. It
usually weighs about the same as normal steel but it is as tough as heavy steel. Only elves know how to work with this
material and they only make one type of arrow. Elven arrows. Elves have a reputation for being consummate archers.
Their arrows are of exceptional quality and craftsmanship. Their superb range and accuracy can be attributed to many
factors: the head is longer and more streamlined than that of a standard arrow; the shaft is not cylindrical but barreled
(tapering from the middle to the ends), is exceptionally straight , and markedly resilient; the nock is light and elegantly
shaped; and the feathers are stiff and very thin. All Elven arrows add +1 to accuracy; add 30% to the effective range of
the bow (exceptional arrows add 50%!); and inflict +1 damage against all types of armor. Elves only make one type of
arrowhead -- but it is fashioned from Elven steel rather than normal steel. Their arrows cost $400 each and are
occasionally traded for hard-to-get items (like exotic wine and precious metals). Elven arrows only break on a roll of
14-17 and rarely shatter (roll of 18 only).
Mithril. A wondrous (some say enchanted) metal, stronger than the heaviest steel but only a fraction of its weight. It
can be found only in areas of high mana, and only then if the conditions are right. Mithril is perfect for arrowheads,
being both light and tough. All types of arrowheads can be fashioned from mithril. Add 20% to the effective range, +1
to accuracy, and +2 to damage. For example, an Elven arrow with a mithril head would add 50% to the effective
range, +2 to accuracy, and inflict +3 damage to any armor type. An arrow with a mithril tip costs 100,000 times that of
an arrow with a tip of steel -- if they are available for sale (not bloody likely).
Siege Engines
Ballistae
Ballistae are available at TL3. These are large crossbows of various sizes. They require a crew of more than one
person to load and handle them and smaller ones are sometimes used in the field. They fire large, heavy darts and are
most effective against massed groups of men. The Gunner skill (p. B50) is required to operate any siege engine. The
minimum ST rating is the total strength of the crew needed to properly man the engine and keep it firing at its normal
rate. For example, a ballista with a min. ST of 50 needs five men with an average ST of 10 each to operate the
weapon. Any less than this and the weapon can be fired but it cannot be reloaded.
Sangmiau. This Oriental ballista is fired from the shoulder. The gunner needs two assistants and 5 seconds, or a
windlass and 20 seconds, to cock it. Weight 16 lbs; cost $300; min. ST 16.
Arcuballista. This huge crossbow can be loaded with up to 10 bolts at once and can hit multiple targets up to 1,000
yards away. It requires only one operator, but once assembled it cannot be moved. It inflicts 3d impaling damage. Note
that the gunner can only use his skill against one target. The other bolts hit random targets on a flat 9 (see p. B117).
The arcuballista is most effective mounted on fortifications against a besieging army (lots of targets!). Weight 100 lbs;
cost $1,000; min. ST 16.
Scorpion. This light ballista can be carried by one man, but requires a crew of two to operate. It is mounted on the
ground and inflicts 3d impaling damage. Weight 25 lbs; cost $500; min. ST 20.
Medium ballista. Sometimes carried on horseback and set on the battlefield for long-range fire, but is usually only
used in fixed positions: in fortifications, during sieges, and on ships. They require a crew of three or four and inflict 6d
impaling damage. Weight 60 lbs; cost $900; min. ST 40.
Heavy ballista. Too large to move long distances. They are always constructed on-site during sieges and are crewed
by at least six men. It inflicts 8d impaling damage. Weight 120 lbs; cost $1,500; min. ST 60.
Other Siege Weapons
When striking fortifications, consult p. B125 for rules on attacking inanimate objects. For exceptionally thick stone
walls, simply add 200 hit points for every 1 foot of thickness over 12". For example, a 3-foot thick stone wall has 580
hit points.
Catapults. TL2. These weapons usually fire rocks weighing from 10 to 600 pounds. They are always crewed by at
least six men. Damage is 6dx9 for a 10-pound stone. For every 14 pounds over 10 (maximum 600), add 1 to the
multiplier.
Trebuchet. TL2. Instead of flinging stones into walls like a catapult, a trebuchet uses a cantilevered weight to lob
stones over walls. It is capable of hurling boulders of up to 100 pounds and its payload can be any shape. It requires a
crew of at least 10 men and it cannot fire at targets closer than 200 yards.
Battering Ram. TL2. While not a missile weapon, it is a common siege weapon and so is listed here. It is a heavy
wooden beam used to knock down walls and gates. The simplest ones are trimmed tree trunks, and are used against
gates. Others rest on a sling, have a huge metal head, and require up to 200 men to swing. A simple wooden beam
does thrust damage equivalent to 1/4 the total ST of the men wielding it (1/2 ST if the ram has a metal head; wooden
beams cannot be used against stone walls without a metal head). A sling ram uses 2/3 of the ST of the men using it. A
200-man sling ram does 14d crushing damage every time it strikes!
Medieval / Fantasy Missile Weapon Table

Malf. The die roll on which a weapon jams. A gunner may restore the weapon in 2d seconds by making a Gunner roll.
Note that the GM rolls all dice and does not reveal how long repairs will take until they are complete. A critical failure
breaks the weapon; only an Armourer can fix it.
Type. The type of damage a weapon does.
Dam. The number of dice of damage the weapon does.
SS. The snap-shot number, which is the final to-hit number needed to avoid a snap-shot penalty of -4 with the
weapon.
Acc. The accuracy modifier of the weapon; see p. B115.
1/2Dam. The range at which the accuracy modifier drops to zero and damage is halved; see p. B117.
Max. The maximum range of the weapon in yards.
Wt. The weight of the loaded weapon in pounds.
Cost. The price to purchase the weapon.
RoF. Rate of Fire; see p. B208.
Shots. The number of shots the weapon holds.
ST. The minimum ST necessary to avoid additional turns readying the weapon after it is fired.
Weapon Malf Type Dam. SS Acc 1/2Dam Max Wt Cost RoF Shots ST Special Notes
BOW (DX-6) 2 hands to fire. 2 turns to ready
* Max. dam.
Short bow crit. imp. thr 12 1 STx10 STx15 2 $50 = 1 7
1d+3.
* Max. dam.
Han-kyu crit. imp. thr 12 1 STx10 STx15 2 $80 = 1 7
1d+3.
* Max. dam.
Regular bow crit. imp. thr+1 13 2 STx15 STx20 2 $100 = 1 10
1d+4.
* Max. dam.
Longbow crit. imp. thr+2 15 3 STx15 STx20 3 $200 = 1 11
1d+4.
* Max. dam.
Dai-kyu crit. imp. thr+3 14 3 STx20 STx25 4 $900 = 1 10
1d+4.
* Max. dam.
Hornbow crit. imp. thr+2 12 3 STx15 STx20 3 $500 = 1 9
1d+4.
* Max. dam.
Composite bow crit. imp. thr+3 14 3 STx20 STx25 4 $900 = 1 10
1d+4.
* Max. dam.
Elven longbow crit. imp. thr+4 14 4 STx25 STx30 3 $40,000 = 1 10
1d+4.
CROSSBOW (DX-4) 2 hands to fire. Four turns to ready (eight if ST is greater than yours)
Pistol crossbow 16 imp. thr+2 5 5 STx15 STx20 4 $150 # 1 7 Max. ST 5.
Prod 16 cr. thr+4 12 2 STx20 STx25 6 $150 # 1 7 fires lead pellets.
Crossbow 16 imp. thr+4 12 4 STx20 STx25 6 $150 # 1 7 * Max. dam. 3d.
Chu-Ko-Nu 14 imp. thr+2 10 3 STx15 STx20 10 $500 1 10 9 Max ST 9.
Dwarven * Max. dam.
crit. imp. thr+5 12 5 STx25 STx30 12 $6,000 # 1 12
crossbow 3d+2.
SLING (DX-6) 2 hands to load. 1 hand to fire. 2 turns to ready.

Sling crit. cr. sw 12 0 STx6 STx10 1/2 $10 = 1 - Fires rocks.
Staff sling crit. cr. sw+1 14 1 STx10 STx15 2 $20 = 1 - Fires rocks.
BLOWPIPE (DX-6)
special (p.
Blowpipe crit. 10 1 - STx4 1 $30 = 1 - See p. B49.
B49)
BALLISTA Gunnery (DX-5)
Can be reloaded
Sangmiau 16 imp. 3d 14 4 400 500 16 $300 1/20 1 16
in 5 secs.
Arcuballista crit. imp. 3d - 2 300 1,000 100 $1,000 1/20 10 16
Scorpion crit. imp. 4d 15 4 400 500 25 $500 1/120 1 20
Medium ballista crit. imp. 6d 15 4 400 500 60 $900 1/120 1 40
Heavy ballista crit. imp. 8d 15 4 400 500 120 $1,500 1/120 1 60
SIEGE ENGINE Gunnery (DX-5)

load up to 100
Trebuchet crit. cr. 1d/10lbs - 1 1,000 1,500 900 $800 1/240 1 -
lbs.
load up to 600
Catapult crit. cr. varies - 1 300 500 800 $2,000 1/300 1 -
lbs.
* Max. damage does not include extra damage inflicted from special arrows or extra powerful bows.
= see p. B104 for reloading a weapon -- usually 1/3 unless attacker is Aiming.
# See p. B114 for Rate of Fire for crossbows.
References: GURPS Basic Set (3rd edition), GURPS Imperial Rome, GURPS Japan, GURPS China, GURPS
Horseclans.
Limited Mana
by Steve Kenson
Art by andi jones

The standard GURPS magic system assumes that mana is an unlimited resource, for all intents and purposes. Mages
cannot deplete the local mana level except through specific spells like Drain Mana (p. M54). Mages cast spells using
their own Fatigue to represent the effort of channeling mana. As a mage's skill increases, he can draw more energy
from the surrounding mana with less effort (reducing the Fatigue cost). As the mana level increases, a mage can cast
spells with less effort.
This article follows the assumption that mana is a limited resource, one that mages can use up. When all the mana is
gone, magic is no longer possible. This idea can be found in fictional sources like Larry Niven's The Magic Goes Away
and Roger Zelazny's short story "Mana from Heaven."
Limited Mana is a mana type, much like Unlimited Mana, separate from mana level. On limited mana worlds, only
mages can cast spells, but casting spells requires no Fatigue. Instead, the energy cost of the spell is paid in "Mana
Points" that must come from somewhere, either the environment or a storage item known as a "mana battery." Once
Mana is used up, it is gone, so it is quite possible for a mage to completely deplete the mana resources of an area. It is
quite possible that the Limited Mana style of spellcasting (where the caster spends no Fatigue) is the cause of this
depletion; rather than putting some of his own energy into the spell, the mage puts all the burden on the environment.
In a Limited Mana world, mages get normal reductions in energy cost for spells known at a sufficient skill level (they
know how to do the same spell using less energy). However, the cost to cast or maintain a spell can never be reduced
below 1 point. A mage with no mana resources cannot cast spells at all. Likewise, the Power enchantment does not
exist. Magical items are never "self-powered," although they may have dedicated powerstones (see below).
Mana Resources
The amount of "free mana" available from the environment is up to the GM. A single hex may contain 1 point of
mana, more points or none at all. Free mana may only be available in certain places or at certain times. For example,
during thunderstorms, volcanic eruptions, meteor showers or similar events. Over time, mages come to know what
areas have free mana and what events provide it, and flock there to take advantage of (and, perhaps, fight over) the
mana resources available. A mage in a Limited Mana world can roll against (IQ + Magery) to sense the presence of
any free mana in an area.
If an area provides free mana, mages will most likely try to "harvest" as much of it as they can, tying it up in mana
batteries (below) or in permanent spells like enchantments. A campaign can have a "mana rush" (similar to a "gold
rush") when a particularly rich source of mana is discovered and all the mages rush there to grab as much of it as
possible.
Mana Batteries
Mana batteries are physical objects that store mana for a mage to use at a later time, much like a powerstone. In fact,
powerstones are one type of mana battery. The types of mana batteries available in the game are up to the GM. The
limiting factors are that they must be physical, non-living objects of some kind. Each mana battery has a "Strength"
that defines how much mana it can hold.
To use a mana battery, the mage must be touching or holding it. Some mana batteries may have quirks that require a
mage to do other things in order to use them (see Quirks, below). A mage can normally only draw mana from a single
battery at a time. If the battery doesn't have enough mana for the spell the mage wants to cast, the mage will know it
and may choose to cast a different spell. This makes a larger mana battery more valuable and useful than several
smaller ones. The GM can allow mages to draw mana from multiple mana batteries at once, if desired. This makes
smaller mana batteries more useful, and encourages a mage to carry several rather than putting all of his mana "eggs"
in one basket.
Recharging a mana battery requires putting additional mana into it. Mana batteries do not recharge on their own in a
Limited Mana environment, their owner must specifically draw free mana into the battery to recharge it. Nearly all
mages in a Limited Mana world know the Powerstone spell to create and recharge mana batteries. Recharging a
battery requires a casting of the Powerstone spell (at no cost in Mana or Fatigue). For every point the caster makes the
skill roll by, he may put one point of Mana into the battery, up to the battery's maximum Strength. A failure means no
mana from that source may be stored in the battery. A critical failure on a recharging roll means the battery picks up
an additional quirk (see below).
In addition to batteries created by mages, some Limited Mana worlds may have naturally-occurring mana batteries,
objects that accumulate mana in their structure and can be tapped by mages. Such things may include magic
mushrooms from a faerie glen, body parts from enchanted creatures (if they exist), water from a certain spring, and so
forth. Mages will seek to find and control such natural resources, possibly leading to the extinction of some highly
magical species. Perhaps there were unicorns and dragons on Earth once, until ancient mages killed them all for their
mana!
Certain objects may also become mana batteries due to years or reverence or use by humans in spiritual or religious
rites, making ancient talismans and artifacts useful as mana batteries, leading mages to plunder tombs and take up
careers as archeologists and museum curators (or simply wealthy art collectors).
Most naturally-occurring mana batteries cannot be recharged. Once their mana is used up, they become ordinary
objects. Some man-made items that become mana batteries can be recharged like other batteries. The GM decides the
Strength of these items. Very high Strength batteries are quite valuable, and likely to be fought over almost as much as
the mana they contain!
Quirks
Also like powerstones, mana batteries may have "quirks" regarding how they are used or recharged. An ordinary
failure in casting the Powerstone spell to create a mana battery or increase ones Strength adds a quirk to the battery.
Naturally-occurring batteries may have their own quirks at the Gamemaster's discretion. The fewer quirks a battery
has, the more valuable it is.
Quirks can be almost anything, from the type of spells the battery can be used for (enchanted water might be good
only for Water Spells, for example), to things the mage must do in order to use the mana (chant, sing, dance, recite bad
poetry, etc.). Some batteries have quirks limiting them to certain users (only women, or redheads, or virgins, or natives
of a particular region, etc.). Rechargeable batteries may also have quirks about how they recharge (only while
submerged in bat's blood, only using mana from active volcanoes, etc.).
Limited Mana Mages
Limited Mana
Mages in a Limited Mana world tend to be even more reclusive and

competitive than mages in normal or even low mana worlds. The mage
population may be quite small, depending on how scarce the mana
resources are, and mages may deliberately keep their numbers low to share
the remaining resources among themselves. If mages are especially rare,
the Gamemaster may wish to charge an Unusual Background cost to
possess Magical Aptitude.
Limited Mana mages always learn the Powerstone spell as soon as

possible, allowing them to create mana batteries and "store up" mana for
when they need it. They often have numerous caches of batteries concealed
in various places in case of emergency. A mage's power depends greatly on
the size of his personal mana "hoard."
In general, Limited Mana mages are more "miserly" with their magic,
casting spells less frequently and casting smaller spells. Very powerful
spells and enchantments are virtually non-existent, except for occasions
when a group of mages can manage to cooperate together and agree to
spend their precious mana on such a large spell. This makes Limited Mana
very useful for "low-magic" campaigns as well as "secret magic"
campaigns, where mages conceal themselves and their abilities from the
general populace.
Mages spend a great deal of time simply maintaining their mana-stores. If free mana is rare in the world, many mages
are constantly on the move, searching out sources of free mana to store and recharge their mana batteries. The Seek
Magic spell (p. G60) allows a mage to locate the nearest source of free mana. Mages also learn what circumstances
tend to create free mana and keep track of them. If free mana is a more regular occurrence, mages plan to take
advantage of the occasions when it is available to recharge their batteries. Spellcasting may be more common right
before "payday," as mages feel freer to spend energy, and rarer during "mana droughts" when free mana is less
available.
There may be rituals and protocols for mages to follow regarding the gathering of free mana, such as the first mage
present "staking a claim" or agreeing to divide the mana evenly or even ritual contests and magical duels to decide
who gets the most mana. Alternately, mana gathering may be a free-for-all, the strongest and cleverest mages get the
lion's share of the mana while everyone else gets whatever scraps they can scavenge.
Other Energy Sources

The Limited Mana option uses the same base assumption as the GURPS magic system: that mana is a natural resource
unconnected to any other natural resource or energy. However, that does not have to be the case; mana could be
derived from certain other natural or artificial sources, requiring mages to tap into those sources to get their mana. Two
options are presented below.
Necromana
In this case, living beings are the source of mana. In a normal mana campaign this has little effect except that the mana
level of an area may be affected by how much life is there. Overgrown jungles or crowded cities may be High Mana
while lifeless deserts are Low or even No Mana. Most of the world is Normal Mana.
In a Limited Mana world, mana is only available by draining the life force of living beings. In effect, a mage must kill
(or at least deplete) a living being in order to use magic. This functions much like the Limited Mana described above,
except the only mana batteries are living creatures.
A mage in this setting may drain the HT of a living being by touch to power his magic. Intelligent beings get a Will
roll to resist this, roll a Quick Contest of the caster's Will and the subject's. The caster drains as many points of HT as
he wins the contest by. Living creatures have a number of Mana Points equal to their HT. The mage must use this
mana immediately. Any not used by the next turn dissipates into the environment. Alternately, mages may be able to
store the mana in non-living batteries. When drained to HT 0, a creature dies and becomes a withered shell, its vital
life force sucked away. A mage can use himself as a source of HT in this case. Ethical mages limit themselves to this
method and taking HT from willing donors (but not enough to kill them).
This effect is not limited to just animals; plants may be used as well. Assume a hex of plants like grasses and shrubs
has 3 HT, larger plants like trees have correspondingly greater HT. A mage may drain energy from plants in a radius
equal to his Magery in hexes. So a mage with Magery 2 could drain HT from all the plants of the hex he was in and all
plants within 2 hexes of that hex. Plants drained of all their HT wither and turn brown. A world where necromana is
the only source of magical energy may become a barren desert as mages slowly suck the life from the world to power
their spells.
Needless to say, mages have a poor reputation in a necromana world. Even "good" mages have a Reputation of -2,
while mages known to casually drain life force to power their spells may have a Reputation of -3 or worse. An area
where a mage lives will eventually become drained of life unless the mage is quite careful in the use of his powers.
Evil mages will have numerous slaves and "pets" for use as sacrifices when needed. Regions they control will tend to
become barren and inhospitable.
Energy Conversion
In this type of campaign, mana does not exist naturally, but is created by mages from other forms of energy like
electromagnetic and kinetic energy using the Draw Power spell (p. G101). The mana created can be channeled into
another spell or stored in a mana battery for later use.
In a low-tech Energy Conversion world, mages tend to flock towards natural energy sources like waterfalls, hot
springs, volcanoes, lightning storms and similar locales, giving them a regular source to draw power from. (See More
Power!, for more on this idea.) In a high-tech or ultra-tech campaign, mages will use modern conveniences like energy
cells and power plants to power their magic, giving them a lot of energy to work with. A circle of mages drawing
power from a fusion plant can accomplish tremendous spells at virtually no energy cost to themselves. Gamemasters
take note! Of course, a mage with no energy source to draw from has no power whatsoever.
Need Guidance? Shaman Your Tribe
by Chuck Cooley
Art by Art Today

It was three seasons since the Monolith had fallen. Three seasons since the Old Ones had
gathered in its shade to discuss the tribe and its future. Three seasons of hardship without
their guidance.
First there had been the hyena that had carried off Chya's little one. Then the disastrous
warm season when not one hunter brought back a scrap of meat and all the spearheads were
broken. And now, as Graht sat among the smoldering coals that had been the Forest resting
his deformed leg, he thought, "Why was there no one to advise us of all these things? Are the
Spirits angry?"
Dreading the trek to new lands now that the Forest was no more, Graht looked up at the night
sky. A star fell from the sky and streaked to the east, glowing brightly before it burned out just
above the horizon.
Graht was stunned. The spirits had spoken to him! They had told him where the tribe must go!
He climbed to his feet and hobbled back to the tribe, with joy in his heart. The spirits had
chosen to speak again, and they had chosen to speak to him!
He would become the new Shaman, advisor to the tribe. He would watch the shapes in the sky for signs. He would
read the entrails of the animals the hunters brought to the tribe. And he would find a new Monolith, and make sure it
was properly venerated.
Besides, as a Shaman, he probably wouldn't have to walk around so much.
In general, a Shaman is simply a different kind of Crafter. When in doubt, any rule that applies to Crafters would
apply to a Shaman. This includes Learning a Craft, working as an unskilled Hunter, and Child Care. Unless the
Shaman has trained someone, there should only be one Shaman in the tribe. More than one Shaman in a tribe is not
simply unproductive; it could lead to contradictory results or even Conflict.
Just like anyone else, a Shaman must Work before he could Eat. The Shaman's work consists of looking for portents in
the environment, making sacrifices to the Spirits, and entering trances to commune with them. A Shaman who spends
the season Meditating sacrifices 2 Food and rolls one die on the following table:
1. Nothing Happens -- The Shaman's meditations are fruitless.

2. Good Sky Omens -- Vegetation is lush; each uninjured Gatherer brings home 4 Food in addition to whatever else
they do this season.
3. The Spirits Are Pleased -- Game is abundant; all Hunting rolls this season are made at +1. Injury is less probable
and the +3 cap does not apply.
4. The Earth is Generous -- The Shaman finds ideal raw materials; each Crafter makes one item of their choice in
addition to whatever they do this season.
5. Glory Season -- Fertility is high; +1 to all Conception rolls.
6 The Ancestors Provide -- The Shaman chooses one of the above results. Also, the Prophecy is guaranteed to be
right (if using that option).
Other Benefits of a Shaman

A Shaman can speed the Healing of someone who has been Injured by Chance or while
Hunting. This is mostly a matter of good nutrition, so it costs 1 Grain. Once that cost has
somehow been paid, the Shaman rolls one die. Unless they roll a 1 or 2, the person is Healed,
and may Work at half effectiveness (round up). For example, Nog the Gatherer was Healed
and rolls a 10 on the Marsh table; he brings home 4 eggs, instead of the usual 7. If he had a
basket, he still gets his second roll, but it is also at half effectiveness.
The Shaman's role as repository for the traditional lore of the tribe makes him more effective
at Gathering than Hunters or other Crafters (but not as effective as a lifelong Gatherer). A
Shaman rolls on the Gathering table at -1 (not -3). Note that this precludes any Healing or
Meditating.
A Shaman's knowledge also makes childbirth less risky. If there is a Shaman in the tribe who
is not off Gathering, all Birth rolls are at +1. (However, only a natural 17 results in twins.)
Clearly, there are benefits to the tribe if the Shaman stays well fed. But can they afford to do
so?
Other Variants
Since Tribes is as much a social experiment as a game, here are a few more variations you might try. Be sure to clarify
before the game begins exactly which options are in use.
Prophecy
Under this option, during any season the Shaman chooses to Meditate, he also receives what he believes is a vision of
the future. The Shaman rolls on the Chance table immediately; this is what the Shaman predicts will happen. When it
is time to roll on the Chance table for real, roll one die:
1-3. Prophecy was wrong -- roll on the Chance table as usual.

4-6. Prophecy was right -- do not roll an Event; use the event the Shaman rolled instead.
The Prophecy results should generate some interesting discussions. Does the tribe plan for an event that may not
occur?
Advanced Prophecy
Instead of simple 50% reliability, the Prophecy can be made a little more complex. Compare the "real" Chance roll to
the Prophecy roll, and use the higher one. For example: Graht has an ample supply of food, so he chooses to Meditate.
After rolling on the Meditation table, he also rolls on the Chance table for his Prophecy and gets a 10 (hyena attack).
At the end of the season when the tribe rolls "for real," they roll a 7 (fire). Since his roll was higher, the hyena comes -
- just as Graht predicted!
Good News and Bad News
If you aren't using the Strength option, the extreme rolls of 3 and 18 on the Chance table come to naught. Try these as
replacements (which can significantly effect "victory"):
3. A Curse on the Tribe -- a child of this season is sickly and counts as an extra child to be watched when the hyena
comes. Use the same procedure to select the chosen one as with #18 below.
18. The Signs are Right -- a child of this season will be favored by the Gods. The child counts twice for Victory
purposes. If more than one is born, the child with the highest Birth roll is the favored one. If none are born this season,
then favor the highest Conception roll. If no one is even Conceived, then there is no favored one during this cycle of
the stars.
Secret Conception
This option provides a method for preserving the mystery of fatherhood. It also tends to result in "marriage" laws.
Before play begins, gather two sets of dice: big and small, red and white, it doesn't matter. What is important is that
you can tell the "boy" dice from the "girl" dice but you can't tell the "boy" dice apart. Give each male character two
"boy" dice, and each female character two "girl" dice.
During the Reproduction round, the male characters give the "boy" dice to the female characters via whatever "mating
rituals" the tribe has evolved. Once all exchanges are complete, each female character then rolls any "boy-girl" pairs
she has managed to collect. Conception is determined normally (a 9 or better means success).
Two successes do not indicate twins; that is still determined at Birth. The "boy" dice are returned to the males at the
end of each round.
However, what is written on the Birth Record? That is a Good Question, likely to bring on heated discussion among
the tribe. The only indicator of fatherhood is circumstantial evidence. Under this variant, male "victory" becomes a
very thorny topic . . .
Risky Childbirth
Historically, delivering a baby is one of the most dangerous things a woman can do. If using this option, a roll of
exactly 5 (4 if a Shaman is available) at Birth results in the woman being Injured. While realistic (if still generous),
this rule increases the disparity between the sexes.
Hyena Surprise
Instead of automatically taking the youngest of the poorly guarded children, let the die roll choose. If a guardian is
watching 3 children and the hyena die comes up a 3, it is the oldest child that is lost. A 2 would indicate the middle
child and a 1 the youngest. Of course, if the die comes up with a number higher than the number of children, the
guardian has successfully fended off the hyena.
Kindness to Crafters
Some Tribes players (especially males) find Crafting unprofitable. Experiment with giving Crafters +1 on their
manufacture rolls (making baskets becomes a certainty) or letting them roll twice. Crafters might alternately wish to
consider a sideline as day-care providers.
Hints for Play

It often isn't easy to gather enough of the right people to make a good game of Tribes. When you do, you want to make
the most of the time. Here are some ideas that can help ensure you get through the whole game in an evening.
Four Dice At a Time
When making Hunting or Gathering rolls, put an extra, different colored die in your hand, and use that die to
determine if your spearhead or basket survived the season. There's that much less time spent shaking the dice, plus you
won't forget to make the roll for the item.
Colored Pencils
Select a different colored pencil for recording each character's parenthood on the Birth Record. This makes keeping
score much easier; you can tell at a glance how many children everyone has.
Die-Roll Summary
Some players get confused by the varying number of dice you roll for the various types of rolls; here's a quick
summary:
Hunting -- 3 dice, refer to the table relevant to the current Area.

Gathering -- 3 dice, refer to the table relevant to the current Area.
Crafting -- 1 die, 2 or more succeeds on a basket, 3 or more succeeds on a spearhead.
Craft Training -- 2 dice, 10 or more to become trained.
Conception -- 2 dice, 9 or more is success (10 or more if she's nursing).
Birth -- 3 dice, 5 or more is success (17 means twins).
Child in Danger -- 1 die, more than the number of children watched is success.
Conflict -- 2 dice with modifiers, 8 or better is a hit.
(Many thanks to the Lafayette Tribe that helped Chu'ug playtest this: Nog, Thor, Chya, Graht, Ayla, Gronk, Erk,
Mukluk, and especially Lana.)
Celestials in the World of Darkness
by Sean Jaffe
Art by andi jones

Had they been human, Hector, Dodger, and Raxl's hearts would have been pounding, and their breaths coming in
ragged gasps. But they weren't human, and they weren't tired. Just hungry, and at each other's throats. They paced at
the end of a dead-end alley, and tempers were running high.
"What the Hell did you get us into?!" Raxl screamed, waving his hands in the air for emphasis.
"How the heck should I know?! They were trying to kill me too, you stupid lick!" Hector snapped.
"Antedeluvian-loving hand puppet!"
"Sabbat imbecile!"
"Guys guys guys guys!!!!" Dodger put his hands up between the two Kindred. "Listen, I know you both come from
rival sects, and I know you guys must really hate each other. But can it please take a backseat until we do something
about that holy Roman terminator that's been chasing the three of us all night?! I mean, we've shot him, stabbed him,
burned him, and driven a Buick Skylark up his backside, and it hasn't seemed to do anyone much good."
The other two suddenly gave him a wary look.
"Waitaminnit . . ." Hector started." Listen to you go off . . ."
"Yeah, you're a Ravnos . . ." Raxl agreed.
"Yeah, guys, you got me. This is all a gypsy hoax. That's why my hand's still burned from where I grabbed his
shoulder, remember? Honestly, you licks drive me absolutely --"
"Get Down!" Hissed Raxl. The City Gangrel lunged out and yanked Dodger into a inky black shadow that Hector
provided. The three vampires hid in muted silence as the sound of footsteps proceeded down the alley.
"That's him!" Whispered Hector as a tall, thin, battle-worn blonde man entered the alley, now being followed buy a
hyperactive teenage girl.
"Ok, Buzziel, remember that Archangel David wants all three parts of the amulet. Tell Yves that we will have the
completed relic by morning, and that with the arrival of the Malakim, the . . . difficulties we've run into will be dealt
with."
The three Kindred exchanged uneasy glances as they each withdrew a piece of a shattered amulet from their pockets.
"What's a Malakim?" Whispered Raxl.
"Shhh!" Hissed the other two.
"We'll meet back here in two hours. You deliver your message, and I'll greet the Malakim."
With that, each burned from within so brightly that Raxl, Dodger, and Hector felt their skin tingle as though exposed
to sunlight, and they had to shield their eyes. When they looked up, a many-eyed serpent spiraled upwards on
feathered wings, and a burning wheel of fire bounced off three walls and a dumpster before gathering enough
momentum to tear out of the alley at incredible speeds. The three vampires exchanged worried glances.
"Oh, man, oh, man . . . he said "Archangel," didn't he? I distinctly heard him say "Archangel" . . . " Hector shuddered.
"Oh, man, this sucks!" Barked Dodger. Raxl merely groaned; watched the night sky.
"I'm gettin' too old for this."
The respective worlds of In Nomine and the World of Darkness both share the same focus, a blind and apathetic
humanity unaware of the war engaged on its own streets, and in its own backyards. The two worlds are very similar,
and occasionally, interests may overlap. Let's face it, what self-respecting gamer with a single Sisters of Mercy album
hasn't found themselves in a late-night argument over who's a dirtier fighter, Troile or Michael? Or who would win if
you raced a Silent Strider and an Ofanite?
These pages have purposefully left out rules in favor of ideas, for two reasons. First, to cover every possible aspect of
a full crossover, this article would be a 150-page book. Second, it is simply more fun to decide for yourself how
Beleth reacts to chimera, or what The Balseraphs think of the Pooka. After all, It's your game! Included are a few
guidelines for creating angels and demons in the World of Darkness, and a few guidelines for running these characters
with each of the five World of Darkness game lines.
Creating an Angel or Demon -- W.O.D. Celestials in the World of Darkness
Style!
The three forces still apply to the celestials, however with
completely different effects.
* Corporeal Forces determine Attributes.

* Ethereal Forces determine Abilities.
* Celestial Forces determine Willpower, Celestial Perception, and
Songs.
A starting celestial has nine forces, just like in In Nomine. After

determining forces, the character can use the following formulas to
carve out the rest of the stats.
* Corporeal Forces x 5 for Attributes. (These points can be allocated

freely to all attributes, without the 7/5/3 split.)
* Ethereal Forces x 10 for Abilities. (Same as above.)
* Celestial Forces x 2 for Willpower, Celestial Perception, and
Songs. (So a character with four Celestial Forces has eight points in Willpower and Celestial Perception, and eight
points to distribute among Songs.)
Celestial Perception is different from normal perception. and can be used several different ways. It can be used to
sense disturbances in the Symphony, to sense a person's true nature, or if a given person is preternatural. Also, if the
storyteller agrees, a celestial can burn a Celestial Perception point to gain a keen insight into a situation. this ability
should not become a crutch.
The character must buy backgrounds with freebie points. This is the closest approximation to Roles.
Discord is the Same. Imagine Paradox with an Ice Cream Headache. You get the idea.
Resonances
Seraphim: Celestial Perception, Check successes against chart.

Cherubim: Celestial Perception, Check successes against chart.
Ofanim: Celestial Perception, Check successes against chart.
Elohim: Celestial Perception, Check successes against chart.
Malakim: Celestial Perception, Check successes against chart..
Kyriotates: Willpower Check vs. Host.
Mercurians: Celestial Perception, Check successes against chart.
Balseraphs: Celestial Will, Check successes against target.

Djinn: Celestial Will, Check successes against target.
Calabim: Celestial Will, Check successes against target.
Habbalah: Celestial Will, Check successes against target.
Lilim: Celestial Perception, Then, Will to inflict geas. Level is mix of successes and storyteller discretion.
Shedim: Willpower Check vs. Host.
Impudites: Celestial Will, Check successes against target.
Songs
Obviously, the wide array of celestials' Songs would take pages and pages to work out, so I'll give a basic system here
and leave the specifics to the storyteller. A character can buy songs with the system above, derived from Celestial
Forces. Songs can range from one to five, with only word-bound celestials able to exceed five, and only angelic and
demonic Superiors capable of ratings of ten or more. Treat number of successes rolled as a check digit, and remember
the disastrous effects of a botch!
New Rules!
* Angels and demons can buy the other's powers up as songs.

* Consider Disciplines and Cantrips to be Corporeal.
* Consider Arcanoi and Gifts to be Ethereal.
* Of all the powers, though, only Spheres are Celestial (That's what makes 'em so neat. And that's why only Mages get
paradox.)
Also, use your discretion when dealing with Psychic Numina, Mummy Hekau, Fomori Powers, Spirit Charms, Hedge
Magic and Gypsy Blood Affinities. Obviously,True Faith is out of the question. Demons hate it, angels are it. Also,
yes, Faith will repel demons. Duh.
Adjustments for Vampire

"These losers are our unfinished business. If you see one, kill it. It's that simple."
--Tobias, Malakite of Dominic
"AAAAAAAgh Help help I'm on fire help meeeee!"

-- Mitch, thirteenth generation Sabbat Ventrue
"Listen, Ms. Galbraith, I'm sure we can reach some sort of an . . . agreement."
-- Malcolm, Balseraph of Malphas, on a recent trip to Mexico
Background
It's natural. After all, weren't God's angels, instead of God himself, responsible for the curse? The older a vampire
would be, the greater his hatred for these celestials. This can add a whole new dimension to things, as vampires face
their tormentors and throw off petty grudges such as the Sabbat-Camarilla lines or elder vs. young.
Superiors in the Fray
In the Book of Nod, Michael, Uriel, and Gabriel all have a stake (ha!) in this one, alongside a relative unknown,
Raphael. But that doesn't mean we can ignore the infernal! Naturally, any vampire can fall to any demon when the
lures of Servitor Attunements and demonic investments gets too much to pass up. But the demons with the most
interest would probably be Andrealphus, Mammon, Malphas, Valefor (stealing blood is still stealing), Saminga, and a
very amused Lilith.
System Elements
Ghouling and Bonding: Angels and demons are, by nature, unbondable (Heaven help the vampire who tries to bond a
Lilim!) Angels, who share the Lupine's liberal, egalitarian views on vampires, will refuse vampire blood under all but
the most bizarre of circumstances. They suffer one point of discord for every point ingested, and gain no real benefits
from the drink. Demons, on the other hand, consider vampire blood a tasty treat, gaining essence from the stuff. (How
much depends on the vampire's generation.) This is not so good for the vampires. Very few demons go out of their way
to get vampire blood, but if a demon by some chance finds a tasty vampire with nothing better to offer . . .
Feeding: Well, if somehow an enterprising vampire can manage to drink the blood of a celestial, he'll take three levels
of aggravated damage for every point he imbibes, either through the massive divinity or utter corruption of the blood.
The only exception to this rule is if the drinker is an Infernalist, and the drinkee a demon. In this case, see The
Storyteller's Guide to the Sabbat for more on Infernal Diablerie.
The Embrace: If by some even more bizarre stroke of luck, some wildly creative vampire manages to pin an angel,
drain its blood, and give it some of her own foul ichor, the angel will wake up a Remnant. (In Nomine Remnant, not
the Ghoul family.) If she does this to a demon, the demon will get up, unharmed, and either continue on his way, thank
the vampire for such an interesting good time, or whup the ever-loving snot out of her. In any case, it doesn't seem to
have any real effect. (Remember, that's seem.) Kyriotates and Shedim who possess vampires find them to be unusually
cold. Kyriotates don't seem to gain dissonance for leaving a vampire in worse shape.
Adjustments for Werewolf

"These are our allies, the Red Talons. They strike for our people, for Jordi. Together, we will rip the human scourge
from Gaia's heart, as God has commanded. Amen."
-- Garonel, Malakite of Jordi
"I can look through the eyes of Gaia and remember a time when souls fell burning through the Umbra like rain, when
the angels fell to the same hubris that took my tribe. Don't fall, pups. You are all that will stand at the apocalypse."
-- Joshua Tribe-Keeper, White Howler Ancestral Spirit
"Hey, hey, why are all you big, German guys looking at me like that?"
-- Izzy, unfortunate former Impudite of Haagenti
Background
Wait a minute! God and Lucifer don't leave much room for the Triat! Or-do they?
Well, If one assumes the Triat to be a creation of both God and Lucifer, things become more clear. The Devil's tie to
the Wyrm is screamingly obvious.
Oddly enough, God, at least, The Jehovah of In Nomine, seems most like the Wyld, with the mystical other, the
ethereal force of the Weaver being Mankind. The "Collective Spirits" of each concept gave rise to the Triat that the
Garou hold dear. Certain superiors favor certain aspects of the Triat. For example, Novalis would probably have little
trouble getting werewolves to believe she is Gaia, with all but the most enlightened Stargazers and Children of Gaia
being completely fooled.
Obviously, the more earthy-crunchy Archangels would fall in love with the werewolves right away. David, Eli, Jordi,
Michael, and Novalis would all have their own different uses for the Garou. Meanwhile, the Glasswalkers could work
something out with Jean, and one could see Janus, Laurence, and Gabriel getting mixed up with the other Changers.
Meanwhile, a conspiracy in hell may number Mammon, Haagenti, Belial, Saminga and Vapula as having a "lower
calling" for the Wyrm's Minions in the pit. Now there's an ugly fight . . .
System Elements
The Delirium: First off, celestials are invariably Immune to Delirium.
Angels of Jordi: A new Servitor Attunement is Defender of Gaia. This allows the servitor to take a human vessel,
which is then granted the "umbral mass" that converts them into a changer, with all the physical advantages therein.
Seraphim become Rokea.

Cherubim become Bastet.
Ofanim become Corax.
Elohim become Mokole and Nagas.
Malakim become good ol' red blooded Garou.
Kyriotates become Ananasi.
Mercurians become . . . well, use your imagination.
Kyriotates and Shedim who possess Werewolves find them to be uncomfortable and itchy.
Adjustments for Mage

"I'd say you have to take each one of the Magi as
individuals because no two are alike and even two who are
supposed to be on the same team usually have really
different goals but they have all this neat stuff that goes real
fast like this one guy I met was called the Son of Ether and I
said Ì have this go-cart and It doesn't go fast enough' and
he said Ì can make it real fast' so then . . ."
-- Buzziel, Ofanite of Jean
"That is to say that these Sub-umbral proto-spiritual

emanations resonate with either `divine' (enthalpic) or
ìnfernal' (entropic) energy, leading the layperson who has
been subjected to the sanctimonious dronings of the
Celestial Chorus to mistake them for Angels or Demons.
Now here's something that I had R&D develop after doing
some experimentation on one of these things myself . . ."
-- Hunter Grant, NWO Man in White, New York Region
"You are going to die, and I'm going to write `Loser' across
your forehead. You actually believed I was your friend?
Celestials in the World of Darkness
Loser!"
-- Shannon Rock, Nephandi Soldier of Belial
Background
Remember how celestials can buy the "Lesser" powers of Songs? And how only Spheres are a Celestial Power? Well
this is very important to the Magi on the whole.
Of the five major archetypes, Magi are the only humans. This humanity is what allows a Mage to tap into the celestial
power within, for better or worse, and warp the world.
Each of the four persuasions in Mage would have its own set of backers, although their allegiance may be surprising.
Certain Marauders may answer to Eli, Haagenti, and Kobal. Tradition Mages may secretly be in league with Yves,
Kronos, Gabriel, Belial, Blandine, Belelth, Fleurity,or Khalid. The Technocracy would fall under the sway of
Asmodeus, Dominic, Marc, Nybbas, Jean, and Vapula. Lastly, the Nephandi don't need to disguise their control, hence,
a Nephandi can pledge allegiance to any demon prince they like.
System Elements
Celestial Spheres: Celestials either roll Celestial Perception ( If they are an angel) or Will (If they are a demon) to
determine the results of a sphere effect. They do not need foci.
Adjustments for Wraith

"We . . . must . . . fight . . . for this place. The souls of mankind are right here, and we are . . . losing . . . them."
-- Milky, Mysterious Angelic Celestial
"Oh, you'll see 'em sometimes, out in the tempest. Prolly as confused as the rest of us, thinkin' they're angels and
whatnot. Poor bastards."
-- Chamberlain, Ferryman
"Can't stop shaking . . . sooo horrible . . . soo horrible . . . Never go back . . . we can't win . . . can't win . . . can't win . .
."
-- Nicholas, former Mercurian of Michael, now Impudite of Saminga
Background
OK, big sticky problem number two. What happens when you die? In the world of In Nomine, your soul goes where it
belongs, Heaven, or Hell. In the World of Darkness, things aren't so cut and dried. The most obvious answer is that the
Shadowlands are -- you guessed it! -- purgatory, where tepid souls await either Final Salvation or Final Damnation.
Remember, however, oblivion is not a one-way ticket to hell, it is a ticket to nothing. A character who succumbs to or
is destroyed by oblivion is, quite simply, no more. Oblivion, above and beyond the call of good or evil, is simply the
state of "not being." Consider it. On the other hand, Transcendence may take on a whole new meaning for the wraiths,
as they shed their mortal vessels for the last time and look down upon their new angelic forms.
Obviously, Saminga has been busy here. This is clearly a realm he's got an interest in, for readily apparent reasons.
However, Blandine, Dominic, Marc, Laurence, and Yves have staked various claims in the Shadowlands, standing fast
against Saminga's Spectres. Not to be outdone, Baal, Beleth, Kronos, Malphas, and Vapula have come to their friend's
aid. It would seem that if one presses deep enough into the tempest, or the Labyrinth, they will wind up in Hell. Who
do you think those Malfeans are, anyway?
It would be worthwhile to note that Eli sees the whole of a the Shadowlands as one huge problem that needs to be
dealt with, soon. He is the antithesis of oblivion.
System Elements
Celestial Form: Another thing to consider is that given the discovery of Angelics, Archangelics, Demonics, and
Archdemonics in the Tempest, this may be a place where celestials are stripped of their vessels and are forced to take
their celestial forms. Yes, that is Archangel Gabriel under the description of Angelics.
Fighting for Hosts: Kyriotates and Shedim can fight with wraiths for hosts, leading to three-way Will rolls for the
host body. The angel or demon and the wraith go head to head first, the winner takes on the host. Nether type of
celestial can possess a wraith, for obvious reasons.
Adjustments for Changeling

"Hey, um . . . excuse me, why am I holding this string? Why are you all laughing? What's with you people? Why won't
you -- PAUGH!! Ptt . . . Ptt . . . Mmm Hmm. Banana creme. Very original, kids, very original. Oh, stop it."
-- Mr. Whiting, unwitting servitor of Dominic who needed to come down a few notches.
"Ok, so you're saying that your angel king, or queen, or whatever, is using us all to fight the Unseelie, who are under
the control of a demon queen? Yeah. Unh-hunh. Pull the other one, dog-ears."
-- Megan O'Leary, Skeptical Eshu
"So you are sayin' we work for Beleth, who is a demon queen? Kick ass! At least I'm not some hippie seelie."
-- Cartman, Redcap Childling
Background
Born from the dreams of Mortals, The Fae established themselves as gods and tyrants in their day. While the Fae can
be cold and beautiful, they can also be passionate and dangerous. Well, It seems like a certain pair of celestial ex-
lovers have been having a spat, in the form of Seelie vs. Unseelie. At least, Until guys like Asmodeus and Dominic
moved in, with their schedules and inquisitions and appointments, and they ruined all the fun. The nice thing about
Changeling is that it gives the storyteller a chance to really solidify ties between one group and its celestial
counterpart. In other words, it's a good beginner's crossover.
Blandine and Beleth! Each celestial, still in love, and unable to let go, yet consumed with rage at the other, has sent a
mighty army against the other in the form of walking dreams. This was all well and good until Dominic and
Asmodeus, respectively, poked their cold noses in and told them both to cease. Since then, being a fairy hasn't been
the same, what with all these sticks-in-the-mud. It is important to emphasize that these celestials are merely using the
Kithain, and they did not necessarily create them.
System Elements
Yes, Blandine's and Beleth's Marches are the Dreaming. Arcadia is still a mystery, and neither celestial is talking. That
said, here's a new Servitor Attunement, common to both:
Kithain Boon
This attunement allows the celestial to take a little of the dreaming into their corporeal vessel. While this does not
render the celestial a changeling per se, they will appear as one chimerically, and will be granted the ability to see
chimera.
Seraphim and Balseraphs become Sidhe.

Cherubim and Djinn become Trolls and Ogres.
Ofanim and Calabim Become Pooka (Calabim hate this).
Elohim and Habbalah become Nockers.
Malakimbecome Redcaps (hmmm).
Lilim become Satyrs (hmmm).
Kyriotates and Shedim become Sluagh.
Mercurians and Impudites become Boggans.
Enchantment: Any Celestial can be enchanted, but it takes twice as much glamour if the celestial is a servant of either
Dominic or Asmodeus. Impudites, much to the amusement of their cohorts, can enchant themselves by accident while
attempting to steal essence from a Changeling.
Kyriotates and Shedim who possess Changelings are left inexplicably giddy and whimsical. In other words, they get
high.
Acting Like Animals
by Brent Knowles
Art by andi jones

A certain amount of realism disappears from the game when the "monsters" we know from real life act incorrectly.
These monsters, the lions, wolves, and sharks of this world, are portrayed as weak cannon fodder, upon which the
characters can build their experience.
Consider this example:
Two warriors are crossing the great plains of the Nugelian Empire.
DM: [fumbling with dice, rolling a random monster encounter] "Uhm, four jackals come running at you, yelping and
yowling."
Alfonso: "I draw my sword and start attacking."
Drake: "I do the same."
The battle proceeds for some time. All the jackals are dead, save one. The DM doesn't feel like looking up the jackal's
morale. The lone jackal fights to the death, even though the morale of the jackal is only 2-4.
The DM obviously never read the entry on the jackal in the monster manual, stating they are a scavenger and not a
predator. In fact, no natural animal would behave in this manner, unless it was very hungry, or the party was
endangering its young.
Even the predators towards the top of the food chain are not the fierce fighters they are portrayed to be. A leopard will
gladly give up a fresh kill to a pack of hyenas, to avoid a fight. It knows that it could probably win the fight, but in so
doing might injure itself, or at the very least expend valuable energy.
Animals operate on the principle of conserving energy. Before engaging prey they decide whether it will be worth it
for them to fight or not. If the chance is high that they will be wounded they will avoid an altercation. An injury to the
jaw stops an animal from being able to eat.
Making the Animals Act like Animals

Most animals are never seen, and when they are it is usually because
they don't consider the human a threat or prey. As long as humans
avoid the animal's zone of control, they are safe.
The problem comes when a random monster encounter is rolled. This

does not mean that the randomly-rolled monster has to attack the
Acting Like Animals
players! This is a perfect opportunity for roleplaying.
The previous example could have been played out as follows:
DM: "You stumble across some fresh prints in the ground."
Drake: "I examine them."
DM: "The tracks appear dog-like. There are a lot of them. There are
small pools of blood in the mud as well. Off in the bushes you can hear
some growling."
At this point, you can do a number of things. The party might find the hidden remains of a scavenged kill, a wounded
jackal, or any number of things. Instead of just another combat, here is an opportunity to do something different.
The AD&D Monster Manual gives a lot of detail on the habitat and society of individual animals. Anything more that
you know can be used as well. If you watched an interesting documentary on wolves the other weekend, apply what
you've learned. Zoologists are constantly learning more about animals. This knowledge may be used to add an element
of unpredictability to your animal encounters.
The Komodo dragon is one such example. A rare lizard, numbering around 1,000, it exists in an isolated area. Very
little has been learned about its habits since Europeans discovered it in the early 20th century. The end of this article
concludes with an updated description of this strange reptile. As a DM, you should use every random encounter as a
roleplaying opportunity.
Give the Critters an Edge

Your animals now behave like real animals. Now let's make them more of a challenge. Below are rules that apply
when an animal is defending its territory or young, when it is starving to death, or it is cornered. These are the
Intrusion modifiers.
These Intrusion modifiers only apply if the animal cares about what it is defending. An animal that is nomadic and has
no territory to defend won't care if the party trespasses. Using the Komodo dragon as an example, you see that an adult
Komodo dragon gains no Intrusion bonuses if its young are attacked, because adults do not defend their offspring.
Intrusion Modifiers
Modifiers are not cumulative with each other. For example if a mother is defending her young and her lair, she only
receives the highest bonus.
Morale
1. If defending a lair, morale is doubled.

2. If defending young, double morale and add 10. This only applies to the mother or father of the animal that cares for
the children. If both parents contribute equally to the offspring's defense, then both receive this bonus.
3. For all other conditions, add 5 to morale.
Hit Points
1. If you use the death's door rule (Dungeon Master's Guide, p. 75), then you can give enraged animals 10 bonus hit
points. For example, to incapacitate an animal under the Intrusion rules requires bringing it to -10 hit points. This is
especially applicable to an animal like a bear, which, when injured can go mad, not even realizing that it is already
dead. This rule should be invoked when the DM feels it is appropriate. After using the rule once, the DM should
remain consistent when applying it.
Attack
1. Add a +1 to Hit Rolls.

2. Add an additional +2 to hit, if defending its young (or in some cases, any young in the group).
3. A roll of 19-20 results in double damage, on top of any other species-specific bonuses received for such a roll.
Defense
1. Due to the enraged and careless behavior of the animal, it receives an AC penalty of 2.
2. The young get a +2 to their AC, reflecting the fact that the adults are trying to defend them.
These rules add a level of unpredictability when dealing with wild animals that foster a feeling of realism in your
campaign. Players will not know when they are intruding on an animal's territory. Attacking a pack of wolves that is
away from their lair will be significantly easier than invading their den. In the first case the wolves would likely run
away; in the second, they would fight to the death. And remember, the young of many species are often quite difficult
to see, for the parents will hide them. A party may accidentally anger an animal, without realizing why. It may make
the difference between being able to win a battle or losing it.
The importance of the ranger, and non-weapon proficiencies dealing with animals, rises when the party has to worry
about intruding on an animal's territory. A good ranger, if tracking an animal, will also be able to point out when the
party is getting too close to an animal lair. A successful animal lore check will reveal the mood of a creature.
By learning to roleplay your real life animals properly, you will also find that your created monsters behave
realistically. You may decide to expand the Intrusion modifiers to apply to other, non-natural species. Treating each
encounter as something more than a chance to make a few attack rolls will create a series of memorable experiences
for your players. Years later, you may find yourself discussing an accidental meeting with an angry moose and her
calf, but be unable to recall what adventure you were playing at the time.
Komodo Dragon
CLIMATE/TERRAIN: volcanic, temperate islands
FREQUENCY: Uncommon
ORGANIZATION: Solitary
ACTIVITY CYCLE: Day
DIET: Scavenger
INTELLIGENCE: Animal
TREASURE: Nil
ALIGNMENT: Neutral
NO. APPEARING: 1-4
ARMOR CLASS: 4
MOVEMENT: 6
HIT DICE: 2+1
Acting Like Animals
THAC0: 19
NO. OF ATTACKS: 3
DAMAGE/ATTACK: 1-2/1-2/2-4
SPECIAL ATTACKS: poison
SPECIAL DEFENSES: Nil
MAGIC RESISTANCE: Nil
SIZE: M-L (4'-10')
MORALE: Unsteady (6)
XP VALUE: 65
Komodo dragons are dull, gray skinned lizards. Beneath their skin lies bony plates of armor, which grants the Komodo
formidable protection.
Combat: Komodo dragons will not attack unless cornered. Even then, they flee at the first opportunity they get. In
combat they will rake with their talons and try to bite their attacker.
The saliva of the Komodo dragon contains disease-causing bacteria. If the Komodo bites a victim, then a saving throw
versus poison must be made. If failed, the victim will grow progressively weaker. The victim loses 1 point of
Constitution each day until cured. After the fifth day, all other ability scores will begin to drop by one each day as
well. This pattern repeats until any ability score reaches zero, at which point the victim dies. If cured, the ability scores
return at a rate of one point per day of bed rest.
Habitat/Society: Komodo dragons live a solitary existence. Although they do cluster in small groups, there is no social
organization. They do not protect their young, which resemble gold-flecked iguanas. In fact, these young, which are
less than 2 feet long, have 1HD and bite for 1-2hp damage, and fear adult Komodo dragons. After hatching from eggs
laid in burrows, the young live their youthful days in the tree tops. Some small adults, those less than five feet in
length, are also quite nimble in trees.
Although the adult Komodo dragons are not protective of their young, they do protect the eggs. The female will lay her
clutch in a burrow she has dug and then stand guard over it, without eating, for several weeks, until the young are
hatched.
Komodo dragons seldom hunt. Mostly they eat the remains of fallen animals, or those that they have poisoned with
their putrefied saliva. Komodo dragons rely heavily on their senses of smell and sight. Their sense of hearing is not
very good.
Komodo dragons wrestle each other. Each Komodo lunges up on its powerful hind legs and grapples by using its fore-
claws. The winning dragon tries to pin its opponent to the ground. The loser must endure a talon raking by the victor
for several minutes. This punishment usually doesn't hurt the loser, it is just humiliating.
Ecology: Komodo dragons are a novelty species. They are unpleasant to eat, and anyone doing so must make a save
versus poison, as discussed in the Combat section. Their hide is flecked with chunks of calcium, rendering it useless as
a source of leather. For these two reasons, they are not hunted.
Space-Time for the Advanced Mallwalker
by Damen V. Peterson
Art by andi jones

"Okay, so my cousin said that his roomie was at the mall once, and the guy's sister had to take a leak, so he's waiting
outside the bathroom for her, and she's taking forever, so the guy decides to snoop around a bit, and he opens these
doors, and there's just this corridor, you know? So he walks down the corridor, and he sees another set of doors, so he
opens those doors, and he's back at the same corridor with the bathrooms. So he thinks he just got turned around, you
know the guys my cousins hangs out with, and he waits some more for his sister, but he gets bored, so he walks around
the mall, thinking she can just find him, but the mall looks different now, because he's in Kansas or somewhere, and
he's so freaked out that he runs back down the corridor, and his sister's waiting for him outside the bathroom, but he
doesn't tell her or anyone else where he was until he gets drunk some night and tells my cousin. Oh, and the sister was
taking so long in the bathroom because there was a Doberman in there choking on some fingers he bit off of the serial
killer hiding in one of the stalls."
"Dude, that story sucks! There wasn't even anyone making out in it!"
A Little History
The first malls were strip malls (stores placed side by side with a parking lot in front) made when the popularity of the
automobile, the highway, and the suburb made these distant, but compact commercial establishments feasible. This
article has nothing to do with strip malls, simply because there is not and never will be anything interesting about them.
However, when some malls became enclosed, and people could consider them destinations for travel, something
happened to make these malls interesting. Some overly curious people discovered that some doors (usually in the drab,
ugly corridor with the restrooms, the lockers, and the security office) opened up to plain, cinder-block corridors that
couldn't actually be in the mall. These corridors led to places that, at first glance, looked exactly like the places where
the corridors started. However, further examination by any overly curious person would lead to the discovery that he or
she was in another mall, very far away from their point of origin.
Reactions to this unexpected turn of events were limited in number. Most overly curious people simply turned around,
went back through the corridor to their old mall, forgot what they had just done, and never did an overly curious thing
in their lives ever, ever again. This is actually the typical reaction for most anyone when something impossible, yet not
immediately fatal, happens to them.
Others recognized that something impossible had just happened and immediately thought, "I could make some money
off of this." Most of these people, to their misfortune, found that it was very difficult to make money from being able
to, for instance, go from a mall 5 miles from Manchester, NH, to a mall 10 miles from Flint, MI in only 30 seconds.
But some of these budding entrepreneurs persevered, finding other connections between malls and other people who
knew about "Advanced Mallwalking." This group of underground (or at least indoor) capitalists now call themselves
the Couriers, as their most profitable business comes from carrying goods quickly from place to place.
A few people also recognized the impossible when they saw it and immediately thought, "This is bad." They were
especially motivated to find as many inter-mall connections as they could find and make certain that no one else tried
to use them. These opponents of time-space violations also formed a group, calling themselves the Locksmiths, after
their favored method of dealing with the corridors -- installing locks on the doors. Other methods preferred by the
Locksmiths include slapping "Fire Exit Only" stickers on the doors and getting jobs as mall security guards and
administrators (to keep an eye on any doors that, for some reason, they don't want to lock).
Space-Time for the Advanced Mallwalker What's Really Happening (Honest)

There is only one Mall, and it's got the corridors to prove it.
Like most any collection of units in the right situation (see below),
some of the malls have collected into a group mind. It's a shame that,
due to the situation, only the most unimaginative , dull (and
successful) malls are part of this group mind, but that's the way things
are sometimes.
Like any group mind, the Mall has beliefs and goals, low-level as they
may be. Also like any group mind, these beliefs and goals do not
exactly correspond to anything dealt with by its components, although,
in this case, they are derived from the beliefs and goals of the people
who use malls.
The Mall believes:
1) There exist Customers. Customers should always be pleased and

never be surprised. This is done through Convenience and Sales.
2) There exist Goods, like Stuff and Money. Customers like getting
Goods; some prefer Stuff, while other prefer Money.
3) Convenience consists of giving Goods to Customers (according to their preference) as quickly as possible.
4) Sales consist of creating signs saying "SALE" and placing those signs on goods.
The Mall has these goals: increase Convenience, increase Sales, increase Customer pleasure, and decrease Customer
surprise. Due to the fact that the Mall has no concept of physical laws or social niceties, its methods of achieving these
goals have gotten a little heavy-handed. The cinder-block corridors between the Mall units exist to increase
Convenience, and Customers are supposed to use them to reach Goods as quickly as possible.
The corridors also serve as the main communication between Customers and the Mall (since the Mall is "purest" there,
not having to share with Space or Time or the Government). When someone walks into one of the corridors, the Mall
basically tries to figure out what Goods that person desires and tries to get these Goods to the Customer. However, the
only things that the Mall can influence are the Customers themselves. In game terms, anyone who uses a Mall corridor
must roll against Will (with a 1 cumulative for each additional use). A failure causes that person to either develop the
Greed disadvantage (if they prefer money to possessions) or an Obsession with finding a certain item at the Mall, even
if he or she has to start a new store in the Mall to get that item. Also, that person must roll against IQ (also with a 1
cumulative for each additional use); on a success, they get a feeling that there is something else in the corridor with
them. These two rolls are independent; many Locksmiths know that "something's wrong" in the corridors, yet have
developed an Obsession that they have satiated by getting management jobs at the mall and attracting stores that they
would prefer. Since overly curious people are often curious in more ways than one, the Locksmiths have gotten some
unusual stores to the Mall (the author swears that he saw a store once that sold only miniature combat games). Only
one disadvantage can be gained; if a person is already greedy, there is no effect.
As an additional side effect, as more people use the corridors, the Mall develops more power. For now, the Mall's
power is used to find and build corridors to other units, influence Customers in the corridors, and make the units of the
Mall more similar to each other to decrease Customer surprise, i.e. if a store exists at one end of a corridor, sooner or
later, that store will exist at the other end of that corridor.
Needless to say, the Mall is a touch annoyed that some of its Customers insist on placing locks on its corridors, but the
Customer is always right, so it must be for a good reason.
How Somebody New Could Get Involved Space-Time for the Advanced Mallwalker
in This Mess
For law enforcers or do-gooders, it's very easy to end up involved,
as almost every idea a Courier has for making money is illegal (or
at least suspiciously secretive). Couriers could be smuggling
drugs, breaking into malls after closing time, taking soft drink cans
from no-deposit states to Michigan (for that 10 cent deposit!), or
just loitering around suspiciously, waiting for all eyes to be turned
away so that he or she can duck through a door. Some Couriers
are good thieves, but most are greedy individuals who have
learned a new trick.
If a group needs to hide from someone, a contact could direct

them to someone who can get a person out of town, guaranteed.
This person, a Courier, blindfolds the characters, takes them
through a Mall corridor, puts them in his van, and drives around
his daily business for the "right" amount of time, then lets them
off. Of course, this fellow has never heard of Absolute Direction
or Psionics.
Anybody who has the Curious disadvantage and who has ever walked into a mall has probably already found a
corridor and just hasn't bothered to tell anybody. Walking into the mall again should prompt a memory. If this is not
enough fun, get the curious characters into the mall and point out the unmarked door around the corner from the
restrooms (side note: It's shocking how many characters go romping through gunfights and sewers and never think of
getting some new clothes at the mall).
Or maybe the Locksmiths need some competent people to pretend to be security guards, and the characters are the
right thugs for the job. They're told to make sure no one goes into a certain door, especially not themselves. But what
do your characters do when someone walks out of the door?
Need More Weirdness?

There is one corridor that the Locksmith keep open and use regularly, for two reasons. First, it is used to train new
Locksmiths on the dangers of the corridors, for this one has been used so often that the corridor now connects two
identical malls, in California and New York. Second, the corridor is incredibly convenient; it connects both coasts, it's
only marked as an Employee Entrance, and the door isn't hidden in some back corner, but is a few steps down a
corridor right by a department store. Thus, the Couriers use it, too, and they aren't willing to let anyone stop them.
One day, something happen. First, the two corridor doors no longer lead to a corridor, but to the outside (like they
were originally supposed to do). However, there is now a gumball machine by each door, selling "Big Center
Gumballs" for a quarter. Everyone "in the know" quickly figure out that buying a gumball allows one person to use the
corridor.
This should send the Locksmiths into a paranoid frenzy; someone is charging a toll for the corridor. The Couriers
probably see this as an unwelcome, but minor, dent in their profits. The gamemaster should play the situation as this:
The Mall has gained enough power to make simple, common Stuff, and is using that power to get Money (which it still
doesn't have the hang of making).
It will get worse. After a few months, the gumball machines will be gone, and "The Center" kiosks will be in their
place. They are each run by a very happy woman named Debbie (two different Debbies) who answered an ad placed
in a newspaper she found on a bench by the mall (she doesn't have the paper anymore; no one will find that ad in any
other paper printed that day). Debbie is actually perfectly normal; she is very happy because lots of store employees
are buying stuff from her right before they go into the employee's entrance. She sells a lot of candy, but she also has
unusual items like lockpicks (Debbie thinks they're bicycle repair kits) and vests that add +2 to Holdout skill (fishing
vests with pockets everywhere!). It seems that the Mall does know its Customers pretty well, and its ability to make
Stuff is improving.
If people are willing to stand for this, one day, the kiosks will be gone and plywood barriers will be blocking the
doors. Sounds of construction can be heard, and a sign is announcing, "Coming Soon! The Center! More Sales! More
Convenience!". Investigations will reveal that the corridor is slowly morphing (like molten plastic) into what looks like
a regular mall corridor with a department store called "The Center" in the middle, and there are no doors at the end.
The Mall is trying to literally become one place.
Trying to destroy the Center will not permanently work; the Mall just keeps flowing. Trying to reason with the Mall
through the Debbies will work; they have an address that they get their paychecks from, and they are on paid vacation
at this point. Ideas include informing the Mall that this is just too big a surprise (in which case the Mall will stop,
although figuring out the magic word "surprise" will require some major research or special abilities), or educating the
Mall on the basics of economics (as in the importance of not just creating Stuff) and letting this go as planned (and
investing in it).
Other Institutional Dimensions?

The Mall is related to L-Space, the library-connecting universe (GURPS Discworld, p. 115), but they are not
connected, nor do they know anything about each other (The Mall would certainly find L-Space terribly Not
Convenient, whereas L-Space would be horrified to find a place where books are sold like slaves and have little
protection from food and drink). Are there others? If something as superficial as the Mall can exist, why not?
Defining certain factors can help you define your institutional dimensions:
1) Are there a lot of places that the dimension can connect, and are they usually thought of as being much the same,
e.g. "I'm going to the library/the mall/the doctor's"? While you can have a dimension connecting your father's bedroom
closet to the trashcan in your boss's office, I wouldn't expect it to be that interesting or fun.
2) What difficulties are there in accessing and surviving in the dimension? The Mall is about as convenient as possible
without having everyone know (at least immediately), and it tends to be hidden out of the way, little-used, and slightly
confusing at first, and it doesn't allow time travel (like L-Space). A dimension associated with prisons could be
positively fatal.
3) How much of a personality does it have? The Mall is somewhat simple-minded and materialistic, but good-natured.
Dimensions could have more consciousness than that, but that might make them too powerful. If you want alien
intelligence, I suggest filling a dimension with forms of life (once again, like L-Space).
4) Finally, how does the dimension affect those who use it? Dimensions don't like physics at all, and tend to be based
on strong principles that need not agree with any silly human assumptions. They don't have to care about sanity or
feelings or logic; they're just in it for the existence. Of course, for playability, dimensions should be nicer than "You all
go psychotic and kill each other with spoons. The end."
With enough work, your characters could be saying things like, "We'll place ourselves in a package, sneak through
Postal-realm, hop through the Mall, and get to Walla-Walla before anyone can miss us!" Whether this is desirable is
entirely up to you.
Tile Chess Designer's Notes
by Jason Wittman with Hilary Moon Murphy
Chess. What other game has such a history, or such fanatical devotees? From the royal courts of
Persia, it swept both east and west. Over the centuries, players who excelled in the game were
revered as members of an intellectual elite. The game itself became a metaphor for struggle in
all its myriad forms: religion, politics, and even love. It has inspired scholarly treatises, poetry,
novels and at least one Broadway musical.
There are other games that just as ancient, checkers and Go among them, but chess has a
personality that sets it apart. Instead of uniform, interchangeable pieces, it has Bishops and
Rooks, Knights and Queens, Kings and Pawns. The interplay of these pieces and their varied moves creates a game of
endless complexity.
The only real limitation of chess is that it has always been a game for only two players. Any additional participants
have been relegated to the role of spectators. Although a number of variants for multiple players have been designed,
all have been somewhat lacking. Variants for four players (the most common multiple-player variant) can only be
played well with four. If you want more than four to play, you are out of luck. If you want to play with three players, it
can be done, but a four-sided game board dictates that one player is besieged from both left and right while the other
two players fight the war on only one front.
How then, could one create a chess game versatile enough to be played with any number of players? The answer, it
turned out, was to get rid of both the board and preset layouts altogether.
Early Origins
The genesis of Tile Chess was in the late eighties, when I was still in high school. Tile Chess Designer's Notes
As part of a freelance project for my art class, I developed a game that was a
cross between chess and dominoes. The result was a variation that required no
board because the pieces had square bases that fit together snugly. The basic
object was the same, but there was the additional rule that all the pieces had to
remain connected to each other. No piece, or group of pieces, could at any time
be apart from the others. At the time, it was just a two-player game. I got a
decent grade for the project, and that was that for a while.
Fast-forward about ten years. I'm still an enthusiastic (if somewhat mediocre)
chess player, and I just love the game. I started thinking about the Domino Chess
game that I invented in high school, and wondering if I couldn't adapt it for more
players. Versions for four players had already been done, but what about six? I
constructed a quick mock-up of all the pieces drawn on flat squares of cardboard,
and then brought the game over to some of my friends, and forced them to
playtest it for me.
Now, if you use your friends as guinea pigs, you have to expect that they will be
more polite than honest with you. Most of the time, everyone will say they liked the game, pat you on the head, and
damn you with faint praise, like: "Good colors on those playing pieces." I had gotten that response to other games I
had designed, and knew that it was a death knell. If a game doesn't impress your friends, it won't impress anyone else,
either.
But this playtest went differently. After everyone laid out their pieces, the game became an all-out killing spree,
followed by a more thoughtful cat-and-mouse period where the players stalked each other. Instead of the usual polite
(and bored) compliments, one person exclaimed, "My God, it's like chess on steroids!"
Without any prodding from me, they all clamored to play it again, and then again another time. After the last game was
over, they all sat around discussing the quirky strategy involved, and how different moves at critical moments would
have affected the game as a whole. Then, one of my friends turned to me and said, "You know, you could sell this."
I still wasn't sure. So one of my friends helped me arrange a playtest with a bunch of gamers that I didn't know. For
the price of a few pizzas, I got detailed feedback that helped me refine the game and gave me the confidence to go on
with marketing it.
Variations
In the early playtests of Tile Chess, we tried a number of variations. By far the most strange was Knightmare Tile
Chess, where we combined Knightmare Chess with Tile Chess. We discovered early on that some Knightmare Chess
cards (for example, "Earthquake", which involves rotating the chessboard) just don't work with Tile Chess. However,
once we eliminated those cards, the game worked fine. It was complete and utter chaos, but we enjoyed it enormously.
Although most of the variations we tried made the final rules, there were some cut because they
caused confusion or ill will among the players. The one that I miss the most was the "Blaze of
Glory" maneuver, which was allowed to a player who could not move his King out of check.
The blazing piece was allowed to make any legal move except putting an opponent directly in
check. Although direct attacks were out, indirect ones were fine. It was perfectly legal for a
blazing piece to create a situation that put an enemy King into check from someone else's
pieces. If that was not possible, the player was encouraged to look carefully for other
opportunities to create mischief. While the variation played well with the first group of people
that playtested it, later groups found that if led to arguments and bad feeling. With regret, the "Blaze of Glory"
maneuver was eliminated from the final version of the rules.
What I've Learned

I came up with a dozen games before Tile Chess was accepted for sale. Though they are good enough for my own
private amusement, I doubt very much that they would sell on the market. I have also come up with several games
after the invention of Tile Chess, but none of these have met with more than mild enthusiasm. The lesson here is that
persistence pays. Not every idea you come up with will make it.
Also, the games that you design should reflect your passion. If you cannot be enthused about your game, who will be?
My passion is chess, so I came up with a game that lets me do things with chess that have never been done before. I
enjoyed creating Tile Chess, and I hope that you will enjoy playing it.
One in a Million
by Steve Kenson
Art by andi jones

The Aberrant RPG from White Wolf Games Studio features a world transformed by the presence of "novas," people
with super-human powers. The year is 2008, and novas first "erupted" in 1998. Their presence has revolutionized
technology, politics, entertainment, society, and culture. From a handful of individuals, the number of novas has grown
until there are some 6,000 of them by the start of the game described in the main rulebook. Roughly one person out of
every million is a nova, making them rare indeed.
Aberrant turns many of the conventions of the super hero comics on their heads. For example, novas don't become
"super criminals" simply because it's far easier to sign a multi-million dollar endorsement contract with Nike or
Disney than it is to use your super-powers to rob banks. Also unlike the comics, novas have a real and measurable
impact on the world around them. They don't just limit themselves to catching muggers and stopping the occasional
armored megalomaniac from conquering the world, they clean up the environment, invent new technologies, stop wars
(and occasionally, fight in them), and really make a difference.
One of the other comic book staples Aberrant challenges is the demographics of the average super hero universe. Most
comic books would have us believe 99% of the super humans in the world live in the United States. In fact, in the
Marvel Comics universe, 99% of super humans live in Manhattan! This is not surprising for the comics, which want to
appeal to a primarily American audience. However, in Aberrant, novas are distributed more evenly across the world's
population. Anyone can erupt into a nova, from a teenager in Montana to an old woman in sub-Saharan Africa. If we
take the "one in a million" figure for the nova population, and assume novas are fairly evenly distributed across Earth's
population, we get some very interesting figures that can provide Aberrant Storytellers and players with plenty of
character and adventure hooks.
The fact that Earth's population reached 6 billion has made the news recently. Aberrant takes place in 2008, with an
average world population growth of 1.3%, so the world population is probably closer to seven billion by then, but the
numbers work well using current figures, taken from the CIA World Fact Book. Storytellers interested in more exact
figures can use the individual population growth percentages of each nation to estimate its 2008 population. The
changes wrought by the novas themselves, such as cures for AIDS and many diseases, and the alleviation of starvation
in many nations, plus things like wars and natural disasters, provide Storytellers with some "wiggle room" to alter
population figures a bit more, if desired.
Running the Numbers

The Aberrant rulebook says there are 6,000 known novas world-wide in 2008. According to current world population
figures, more than one-third of these novas (around 2,246 of them) come from China and India alone. China has the
largest nova population by far, 1,246, closely followed by India's 1,000 novas.
This fact alone yields some startling ideas. At the very least, Chinese and Indian culture are going to start influencing
the world in art, music, food, and fashion simply because of the number of novas they have. It's little wonder that India
has become the film capital of the world in 2008, cities like New Delhi are practically brimming with potential nova
stars, along with brilliant nova artists. Indian novas are also extremely strongly influenced by their religion (as
described in the Aberrant Storyteller's Screen). Many Indian novas consider themselves avatars of various Hindu
gods, and lead cults that worship them as such. What happens when two novas claiming to be avatars of the same god
come into conflict? What about novas who deny their "divine" nature, despite the best efforts of normal people to
worship them?
The tremendous number of Chinese novas may be one of the reasons why China is a dominant world power by the era
of Aberrant's sister game Trinity. Interestingly enough, China originally repressed and imprisoned its novas, leading
many to flee to other parts of the world. What happens when a nova who's been treated badly -- and has the power to
do something about it -- decides to retaliate against the Chinese government? How will player character novas react
when they're called upon to protect China against a vengeful victim of nova persecution? What about when the
Chinese democracy movement gets going again, but led this time by a Mega-Charismatic nova? Will it be Tiananmen
Square all over again, only with nova powers instead of tanks?
North America
North America's distribution of novas fits the conventions of the comics One in a Million
fairly well, at least at first glance. America has some 272 novas based
on population, concentrated around major cities like New York, Los
Angeles, Chicago, Houston, and Detroit. Novas are also likely to
migrate to urban areas once they've erupted, seeking fame and fortune
in the big city. Of course, that doesn't mean smaller cities and towns
might not have their own native novas, and "home town heroes" may
come back to visit (presenting enemies with an opportunity when the
nova is away from the bright lights of the big city). Imagine being the
only nova from, say, New Hampshire or Wyoming, and having the
adulation of your entire state. Now imagine you haven't lived up to
what "the folks back home" expect from you and imagine their ire.
Where things diverge from the comics is in applying the population

statistics to the number of American novas. Of those 272 American
novas, around 226 are Caucasian or Latino, 33 are black, 11 are Asian,
and 2 are Native American. 138 of them are women, and around 27 of
them are gay, cutting across the ethnic lines. Not exactly the typical
makeup of a super hero team. Some are as young as in their teens,
while others may be 60 or more years old. Most are in their 20s and
30s. What's it like to be one of the only Native American novas in the
world? How do you handle the responsibility of representing your tribe and your people? What about being a gay
nova? Do you join the Queer Nova Alliance or stay "in the closet" and risk being "outed" or, worse yet, blackmailed
because of your secret?
Canada has around 24 novas of its own, six or seven of whom are of French ancestry. Canadian novas may stay at
home, where there's considerably less competition, or join up with an international organization like Project Utopia.
The Canadian viewpoint tends to be slanted more towards international cooperation than their American cousins, so
Canadian novas probably make good agents for Utopia. On the other hand, Canadian novas might head south to the
United States looking for better commercial endorsements and opportunities. That could lead to some resentment and
accusations about the U.S.A. "stealing" Canada's nova population.
Things get really interesting when we get down to Mexico, which gets 100 novas based on population, four times as
many as Canada and more than a third as many as the United States. Not only that, but the vast majority of Mexican
novas come from poor families, making them eager to use their powers to earn fame and fortune for themselves and
their families. The novox singer Alejandra from the Aberrant book is a prime example of a Mexican nova. It's little
wonder that Project Utopia chose Mexico City as home for Team Tomorrow North America rather than any city in the
less-friendly United States. It seems like Alejandra handled her own rags-to-riches story well, but how will other
novas react to going from poor and helpless to super-powerful and filthy rich?
South America
Heading south from Mexico, we see some interesting numbers in the nova populations of South America. Argentina
qualifies for 36 novas of its own, and Columbia has 39 in an even smaller nation. Some Colombian novas may decide
to take up with groups like Project Utopia, but just as many others might take the opportunity to seize control of the
drug-business in their country, or simply work as high-paid enforcers from the Colombian drug-lords, earning millions
using their abilities. They present a challenge for novas like Team Tomorrow looking to end the international drug
trade.
Brazil, the largest nation in South America, has a whopping 172 novas by population, more than the rest of South
America put together. Again, a great many of these novas are likely to come from poor families, and be eager to use
their abilities to earn them fame and fortune. Brazilian novas might sign on with any of the factions in the Aberrant
world, or they might stay at home, building technological and entertainment industries in Brazil that help lead to it
becoming a world power in the 22nd century setting of Trinity. Brazilian novas may become involved in struggles over
the environment in Brazil, particularly the preservation of the Amazon Rain forest. Some of those 172 novas might
come from either side of the conflict: businessmen and farmer on the one side, looking to make a living by clearing
forest land, environmentalists and local tribes on the other side trying to prevent the clearing of the rainforest.
Overall, South American novas account for a significant fraction of the world nova population. That's likely to
contribute to the growth of Latino culture in the United States and elsewhere. The political conflicts in South America
are also fertile ground for nova "elites" -- super-powered mercenaries for hire. Nova soldiers can fight brush wars
across South and Central America, conflicts much bloodier than the four-color battles from the comic books. Novas
can also try and seize political power for themselves. One could build an entire Aberrant campaign around a small
group of novas setting themselves up as the rulers of their own banana republic. Maybe they're just out for power, or
maybe they really want to oust a corrupt government and change things for the better. Is that really so different from
what Project Utopia does?
Europe
Most of the nations of Europe qualify for at least a few novas of their own, anywhere from Ireland's three or four to
Germany's 82 novas, many of them from families that came to the country fleeing violence in Eastern Europe (giving
them good reason to want to see such conflicts ended, or perhaps good reason to seek revenge). The United Kingdom
has 59 novas, including five Scots, and possibly a Welsh nova and one or two from Northern Ireland. How do
Northern Irish novas stand on independence for their homeland? Italy has 56 novas of its own, while France has 59.
Most other nations have between 4-10 novas to call their own. The patchwork of European borders, culture, and
politics makes it likely for European novas to both move freely across nations and also difficult for them to forget
where they came from. European novas make up a significant portion of Project Utopia and other groups, but they're
still a minority compared to the number of novas from other continents.
One "nation" in Europe that might be overlooked is Vatican City, which could have the largest per capita population of
novas in the world. Not because of its size (the Holy See has less than a thousand permanent residents), but because so
many novas are likely to be Roman Catholic. With a billion Catholics in the world, there should be around 1,000
Catholic novas worldwide, particularly from Europe and South and Central America. Although many of these may be
non-practicing, a number of devout novas are likely to offer their services to the Mother Church, giving the Vatican its
own force of novas to act as missionaries, bodyguards for the Pope, and so forth. It's quite likely there are at least a
few nova priests and nuns, some of whom took their vows before they erupted. Setting up the player characters as
members of a "God squad" of novas working for the Catholic Church can make for an interesting game, especially
when the novas become embroiled in church politics and discover things are not quite as simple as their parish priest
made it sound.
Middle East
The Middle East is a region of conflict today and it hasn't changed that much by 2008. Several Middle Eastern nations
have significant nova populations, particularly Iran with 65 novas. Neighboring Iraq comes out with only 22 by
comparison, leaving it well behind Iran in the nova "arms race." Iraqi and Irani novas might fight border wars
alongside hired nova elites. On the other hand, the conservative Islamic bias against novas may drive many of them out
of their homelands and into organizations like Utopia or the Teragen, or turn them into leaders of their own religious
cults. More moderate Saudi Arabia, with its 21 local novas, may lure away other Islamic and Arabic novas with
healthy salaries and more opportunities than they could find at home. Then there's always rumors (detailed in the
Aberrant Storyteller's Screen) about the fringe Islamic cult that believes novas are not only the chosen of Allah, but
that one can gain the benefit of their blessing . . . by eating them.
A notable exception in the Middle East is Israel, which should have five or six novas of its own by population, but in
fact has none that have appeared publicly. Given the tense conditions in Israel, surrounded on all sides by potential
enemies with many of their own novas, it seems unlikely that no one there has erupted into a nova. Are there any
Israeli novas? If so, where are they? It might be that the government is secretly recruiting Israeli novas for a secret
special-ops force. Or perhaps they're doing something else with native novas, from imprisoning them as a "security
risk" to dissecting them to learn more about how their powers work. What happens if a player character is the first
public nova from Israel? How does it feel to have the hopes of a whole nation, a whole ethnic group, on your
shoulders? (To say nothing of all the ready-made enemies you get as part of the bargain).
Africa
The Dark Continent has a lot of novas on the basis of population. It also has a lot of problems for novas to address,
probably one of the reasons Project Utopia made it their worldwide headquarters. Ethiopia, terraformed into a tropical
paradise, already has 59 novas of its own, almost half as many as nations like Japan and Russia. Nearly 60 Ethiopian
super-beings with the power to change the world . . . how would they use it? Ethiopia is living proof of how the
presence of novas has transformed the world of 2008. What will they do for an encore?
The sheer population of many African nations gives them the potential to be home to many novas. Egypt has 67 novas
of its own, and Nigeria alone qualifies for 113 novas, more than Mexico, and nearly as many as Japan. The desert
nations of Africa tend to have smaller populations, and correspondingly smaller numbers of novas, Libya is likely to
have only four or five novas, while Niger has only 10. With Nigeria under the control of a ruthless dictator and
neighboring Niger allied with Project Utopia, but having only a tiny handful of local novas, the potential for conflict is
ripe. Africa is another place where novas might try setting themselves up as dictators (or elected officials), rulers of
their own nations.
South Africa should have some 43 novas of its own, only six of whom are likely to be white. Still, if even only one of
those white novas is a supremacist -- and happens to be powerful enough -- things in that nation could change
overnight. How would the player characters react to a return to apartheid in South Africa? Would they react differently
if the black majority (led by a Mega-Charismatic nova) began repressing the white minority?
Asia
We've already looked at the thousands of novas from China and India, but there are plenty more from the other nations
of Asia and the Pacific. Japan alone qualifies for 126 novas, nearly half as many as the United States and more than
Mexico. Japan's Nippontai team shouldn't be lacking for potential members, even counting the novas who hire on with
major corporations, or leave Japan to join up with Project Utopia or some other organization. Japanese culture loves its
novas, giving them very little reason to look outside their country for opportunities. Imagine the same fervor Japanese
kids put into anime going towards novas. How do the player characters handle being the subjects of such fervent
adoration?
Southeast Asia is home to plenty of novas. Thailand qualifies for 60 of them, Vietnam has 77, and Cambodia has 11.
These war-torn nations are fertile ground for spawning elites, and the wars for them to fight in. Little surprise that
Hong Kong is home to Novelty Consulting, one of the largest elite agencies in the world. An elite campaign could
easily be based around events going on in southeast Asia, perhaps with the player characters starting up their own elite
agency, hiring out their services to the highest bidder.
Russia certainly shouldn't be overlooked and, with a nova population of 146, it probably won't be, although its number
of novas certainly pales to those in neighboring China. Russian novas are most likely to gravitate towards Europe and
the brighter lights and opportunities there, but there are still plenty of things novas can do in Russia. There are
terraforming opportunities in Siberia, as well as a lot of land for novas looking to get away from it all. Russian
industry and politics are ripe with opportunities for novas with the right abilities.
Australia has a mere 18 or so novas based on its population. Perhaps one of them might be an aborigine, but most are
likely to be Caucasian, with one or two Asians. Australian novas may leave home for better opportunities in Africa or
India (especially those who aspire to media stardom or want to become elites) or they might stay and try to make
Australia a better place. A lone aborigine nova trying to save the culture and identity of his or her people is only one
possibility. The Australian outback presents a great opportunity for terraforming, although nova terraformers might run
into those trying to protect the aborigines, leading to a conflict.
One in a Million Playing the Numbers

What does all this information mean for an Aberrant game? Players can
use some of these ideas to look beyond the standard super hero
stereotypes when building characters. Sure they could play a group of
characters who are all from the United States (there are certainly enough
American novas), but if the characters are part of an international
organization like Project Utopia or the Teragen, then why not consider a
character from another part of the world? Imagine a nova from Bosnia,
Thailand, Argentina, or Nigeria. Imagine being the sole nova
representative of a particular ethnic or social minority or nation. How
would they react to being given the power to change the world? What
would they do with it?
Since the circumstances of a nova's "eruption" often influences his or

her powers, players should consider the kinds of stressful situations
people from other nations might find themselves in, situations that could
trigger an eruption into a nova. What about living in a nation with
military death-squads or a totalitarian government? What about the
crisis brought about by slowly starving to death or dying of a plague?
Consider the different religious and cultural experiences of characters

and the influence that may have on their nova identity. Indian novas, for
example, often have a religious dimension to their eruption and their
powers. Some even consider themselves avatars of various Hindu gods.
Chinese novas may incorporate Taoist symbolism and ideals. They may also face government persecution or control.
For Storytellers, an international scope opens up the true potential of the Aberrant setting. The actions of novas impact
the entire world. They cannot afford to limit their views to one nation or culture. Stories can take nova characters to
any nation, and the characters can encounter other novas from all over the world. Project Utopia novas might go to
Macedonia to stop a war one week, to the Sahara Desert on a terraforming mission the next, to Japan on a diplomatic
job after that, and so forth. Just a quick look at the "current problems" section of each nation in the CIA Fact Book can
give Storyteller's almost endless story ideas.
The above ideas also work well for other "realistic" super hero settings Pinnacle's Brave New World or Pulsar Games'
Blood of Heroes, and GMs of more traditional comic book super hero RPGs can still use a visit to another nation or a
hero or villain from an unexpected place to liven up the game. The international flavor of Chris Claremont's X-Men
from Giant Size X-Men #1 is a fine example. Taking the rest of the world into account can help those "one in a
million" characters to really stand out from the crowd.
William Maxwell Aitken, Lord Beverbrook, once observed, "Business is more exciting than any game." I have more
sense than to take that position in this forum, but judging from the questions I have heard over the years from fans,
business is certainly more confusing than any game. "Blue Sky - Red Herring" will endeavor each month to pull back
the curtain a bit and expose some of the business thinking behind the actions game companies take to succeed, or
sometimes, just to stay afloat. But before diving into this first column, I must step out from behind my own curtain and
give a little background information.
Blue Sky
Companies in the world of gaming are famous for having an optimistic attitude. Press releases and marketing materials
from any company in our industry are jam packed with statements like "the best" and "most innovative" and "unique."
In the wider world of business these are called "blue sky statements," because they focus on the beautiful blue sky
instead of the mud on the ground. Nevertheless, the blue sky is important, and this column will certainly focus on the
good things that happen here. Still, it's important not to be caught in the glow and lose all perspective.
Red Herring
Hence the Red Herring. When a company goes public, it has to publish a prospectus, which is always accompanied by
a federally mandated warning known to the financial world as the "red herring." This warning is always printed on the
cover of the book, and in the brightest red ink the printer can manage. The wording ends, "investors who rely on
[these] statements do so at their own risk." While we're looking up at the blue sky of the gaming business, we'll also be
keeping our eyes on the red herring.
Your Humble Correspondent
I suppose that I should say a few words about my own experience in the business of gaming. I started working in the
gaming industry in 1991. I worked for three years for the FASA spin-off Virtual World Entertainment. I was the
manager of the BattleTech Center in Chicago, and I ended my time with them as the Director of Special Projects,
which included a stint on a traveling VR carnival in Boston and a couple of months opening the BattleTech Outpost in
Houston, TX. After leaving VWE, I became the Executive Producer of Entertainment Applications for VictorMaxx
Technologies, a company that made consumer grade virtual reality helmets. My next job in the industry was Director
of Licensing and New Media for Steve Jackson Games. Currently, I am a graduate student, which has returned my
objectivity and given me the opportunity to do more freelancing, including this column. I am interested in hearing what
you would like to learn about the business of gaming. I always monitor the .sjgames, .pyramid, and .gamebiz
discussion boards. I also accept direct e-mail at micahj@io.com.
Publicity Stunts 101

Or, Pay No Attention to that Man Behind the Curtain
As if by providence, one big topic of water cooler conversation among gamers over the last two weeks has been about
the business of gaming. Specifically, we've been thinking about the net-based publicity stunt which White Wolf
executed to draw attention to its new game, Hunter: The Reckoning. The details are public knowledge, but in case you
missed them, the two Industry News stories, White Wolf Sold . . . Maybe, and White Wolf Sold? Not., should catch
you up. In addition, last week's Second Sight and the discussions on the boards should familiarize you with the popular
threads of argument regarding the intentions of White Wolf management and the fan reaction.
Hunter: The Reckoning is the sixth game in the World of Darkness series, and it focuses on the mundane hunters who
are bent on destroying the supernatural denizens of the WOD. The Hunters are suspicious of the supernatural creatures
that manipulate the world from behind the scenes, and of the governmental influences that interfere with their work.
The two points of the stunt were clear. One -- to generate a lot of interest in the company and the game, and two -- to
introduce a pair of in-character websites designed to be resources for players of the game. It certainly did both. In fact,
lots of people did talk about White Wolf and its new game in the wake of the stunt, and anonymous-liberty.com and
hunter-net.org got introduced to thousands of potential players. Representatives of White Wolf say that hits on their
front page have increased over 5,000 a day, and the two new websites were visited, in only the first few days, by over
15,000 fans. By sheer numbers, this stunt was successful. However, because of the way the promotion was executed, it
may have far-reaching unintended consequences. Nevertheless, I do not want to dwell on the perceived errors of our
colleagues. I would rather look into the history of adventure gaming promotions to find examples of these goals being
executed better and more cleanly. By looking at these excellent promotions, we will learn how to do them right. For in-
character websites, the best work is being done for Delta Green. As far as promotions designed to get fans talking, the
undisputed champion is FASA Corporation's UCAS Election stunt of 1996. Let us look at each in turn.
Delta-Green.com
When Pagan Publishing released Delta Green in 1997, the gaming world was very impressed. Many people described
the modern-day setting for Call of Cthulhu as "The X-Files on steroids." The story of a rogue conspiracy within the
government aware of the Mythos captured the imaginations of its fans. Within the game world, cells communicate
with each other through e-mail and the World Wide Web. It seemed natural to have the players' official website,
Delta-Green.com, appear to be the characters' official website as well. As is clear from the thousands of hits the site
gets each month, it has worked beautifully.
The greeting on the home page is from Case Officer "Christopher," the webmaster, and the other members of Cell A,
the leaders of the conspiracy. The site calls creator Tynes-Cowan Corporation a "front company." Scenarios are "case
histories." Non-Player Characters appear in the form of prose descriptions of regular people as if in a corporate
biography. Game statistics are clearly marked as being for use during "simulation exercises." Despite these nods to the
game world, Delta Green's designers present the site in a tongue-in-cheek manner. In-character text appears in the
center of the document. The margins of each page are filled with out of character information. It is unlikely that
someone would truly be taken in by the website and believe that Delta Green exists. However, someone who is
inclined to suspend disbelief for a while will find that it is easy to do. In fact, Christopher told me, "Our goal certainly
is to make the tone and language of the site engrossing enough to provide the feel of Delta Green, but we've never set
out to make anyone think it's the truth." Delta-Green.com makes it a simple matter to obtain information about the
game in a manner and environment appropriate to the game-world.
Christopher describes the goal of Delta-Green.com as to be "an entertaining read for fans of conspiracy horror, as well
as a vital resource for gamers in the genre." Therein hangs the first lesson of marketing stunts. They must clearly be
stunts. Delta-Green's website is not designed to deceive, it is designed to mislead. The difference is crucial. Only those
people who want to play will be able to do so. Others will not be affected.
The UCAS Election of 2057

In our world, the year was 1996. In Shadowrun's Sixth world, it was also election time. Suffering under a scandal that
tore apart the United Canadian and American States and resulted in the impeachment of the president, six candidates
presented themselves for the next election. Among the candidates, including a dwarf, a mage, a fanatical humanist, a
retired General, and the sitting Vice-President, stood the grand dragon, Dunkelzahn. The popular host of the talk show
Wyrm Talk, and very rich, Dunkelzahn was very popular with the electorate. The race was on.
FASA had released books that altered the game world before. The creative and strong hand of the line developer would
regularly shake the BattleTech universe, for example. In an unusual twist, FASA left the presidency of the UCAS to
the fans. Bound into each copy of the election sourcebook, Super Tuesday, was a postcard ballot. The ballot had space
for your name and address (marketing information), your SIN (optional, of course), and your vote. I remember
gleefully marking my ballot (Vogel/Grey - Democratic One World Party) and sending it off to the FASA offices.
Election results would be announced, and the new president inaugurated, at that year's Gen Con. FASA had quite a
history of excellent Gen Con promotions. It had not been that long since fans had been invited to the wedding of the
popular Hanse Davion to the beautiful heiress, Melissa Steiner. Fans were expecting another such production. What
they got was far more involved.
FASA has a great history of giving premiums to the fans who purchase games at their booth. On Thursday and Friday,
they were up to their old tricks. People who bought games received laminated badges proclaiming them as members of
the Press Corps for one of the various candidates. The convention hall was dotted with people proclaiming their
allegiance to one of the candidates in the latest election. Nevertheless, the announcement had been made, Dunkelzahn
the dragon had captured the presidency. Friday night's party was also the inaugural ball for the new President. Some
industry people and other well-known fans were wearing a seventh style of badge, giving them VIP access to
Dunkelzahn's inauguration.
Marketing types at Gen Con were already impressed, but the best was yet to come. Running throughout the convention
was the annual Shadowrun tournament. As always, it was a ladder arrangement wherein the winners of each round
advanced to the next round. By the time the finals came around, only the best, most-dedicated Shadowrun players
were still playing. Not surprisingly, the theme of the scenarios was the election of Dunkelzahn. As the players
advanced through the tournament, they got closer in time and access to Dunkelzahn's inauguration. The final round ran
in the last slot on Friday night. The characters had been hired as unofficial additional security for the inauguration.
However, just after the ceremony, President Dunkelzahn's limousine exploded in a magically active fireball, and all
inside were killed, including the Grand Dragon himself. Needless to say, the players took it personally. The news of
Dunkelzahn's death spread quickly through the convention, largely due to the players who were there, complete with
guilt-ridden explanations that there was nothing they could do.
The FASA team had been busy overnight. In the morning, the convention hall was plastered with flyers bearing a news
story and a banner headline -- Dunkelzahn Assassinated! People were stunned. In addition, the FASA booth staff was
wearing t-shirts bearing an image of Dunkelzahn on the front. On the back it said, "Due to unforeseen circumstances,
Wyrm Talk has been canceled for the 2058 season." Also, a new badge was available. This one, granting admission to
Dunkelzahn's memorial service, is still a prized possession of this author, and plenty of other people.
There was also a new product, Portrait of a Dragon: Dunkelzahn's Secrets. This book was in the form of the
deceased's will. Outside the game world, it was pages and pages of adventure seeds and scenario ideas. The title is
ambiguous, and might even have appeared on their release schedule. But nobody I talked to expected anything like
this. The whole promotion was planned at least a year in advance and was masterfully executed at every step.
This story demonstrates the second through fourth principles of promotional stunts. This bit of brilliant marketing took
place entirely within the game world. Nothing affected or threatened anything outside of the Shadowrun universe.
Similarly, the entire project was acted out with plenty of forethought and planning. FASA developers and writers
thought through the potential consequences completely. They knew what would and what might happen. They were
prepared for every eventuality. Finally, it was fun. Even Dunkelzahn's fans thought so. There were many intense
arguments at breakfast that day, but since they seemed to center on whether Dunkelzahn had been assassinated because
he was too powerful, or because he was an idiot, it was clear that fans were energized, not alienated, by the death of a
popular character.
The Payoff
To sum up: Marketing for games is vitally important. It is also extremely complicated. That said, special events can be
excellent publicity. Still, planning a good promotion is best left to the professionals. Failing that, it should at least take
into account these four principles. 1) It should clearly be a stunt, internally consistent to be sure, but clearly a stunt. 2)
Its effects should exist entirely within the game world. No real person or institution should be affected or appear to be
affected. 3) When allowing other people to take part in the activity, the possible reactions should be thought through,
and planned for. 4) It should be as fun as possible for anyone involved.
Delta-Green.com and FASA's Election Campaign demonstrate all that can go right with game industry marketing
events. Hey! Net Punks! Are you listening?
Faith-Based Magic
by Jeremy Seeley
Art by andi jones

GURPS adventuring parties are filled with characters that have a Magery of 3, with only the occasional PC having a
Magery of 2, or much less often a 1. This is not realistic, as Magery should be an innate ability that naturally occurs
(when it does) in varying degrees, and not automatically min-maxed for the power gamer's pleasure. Priests are usually
nothing but a Mage-variant, and are not treated with the full respect that they deserve as devout followers of the
divine. In this variant, all of the standard GURPS magic rules, as presented in the Basic Set, Magic, and Grimoire, are
still in effect, except for changes noted below.
A spell may be attempted at a skill as low as 4, instead of the old minimum of 12. This allows a character to be truly
inept at magic, and also lets a character learn and grow into a more powerful spellcaster, rather than being written up
from the start as one. The fumbling wizard is a legitimate character, seen in the movies Krull and Willow, for example
These wizards continually messed up their spells, and they often resulted in a critical failure. This rule change also
allows a prerequisite spell to be learned at 4, making it possible to learn the bare minimum and slide on by.
In addition to the use of Fatigue and Health, this variant system allows characters to develop certain "spell point"
thresholds as well. Mages have Mana Threshold and Priests have Faith Threshold. These are separate pools, and are
explained below.
Faith and Magical Aptitude (also explained in detail below) are not mutually exclusive. A Mage may also be a Priest.
In fact, a Priest may even have Magical Resistance, as it has no effect on Priest spells. Although the character can use
Fatigue or Health for either, remember that the two Thresholds are separate. Also, knowing a spell as a Priest has no
effect on spell requirements as a Mage.
Many GMs may want to put a cap on the level of Magical Aptitude or Faith that a character has, as well as determine
which variants are available. It is suggested that a beginning character spend no more than 125 points on Magical
Aptitude or Faith.
It is also suggested that all characters that expect to ever have Magical Aptitude begin play with a minimum level of
one; additional levels can be developed through play at the usual double cost. Faith, on the other hand, can be
developed at any time in the character's life. It may or may not have the double cost -- it is up to the GM to decide
this, and it may be doubled at only specific times, or under certain circumstances, or always be at normal cost . . . all
depending on the whims of the character's deity.
Increased Power
A mage or priest may cast a spell at an intensity that is not normally allowed by the rules. By using more time as well
as power, the character can magnify the spell by up to ten times. Using this option, a Flame Jet may do up to 30d,
provided the character concentrates for 10 seconds and spends 30 points of energy. For spells that inflict no damage,
but are resisted instead, such as Enslavement, each additional multiple is worth a -2 penalty to the target's resistance
roll. The cost for a -18 would be 10 times normal, as would the casting time.
Keep in mind that the usual effects of high skill apply to Increased Power as normal. So, a skill of 21 -- worth a -2 to
cost and the casting time halved -- would modify the 10 seconds of concentration and 30 energy for the 30d Flame Jet
in the example above to 5 seconds of concentration and 28 points of energy.
Faster Spellcasting
A character may expend more energy in order to reduce the time necessary to cast a spell. The cost is 4 additional
energy per second saved. This is applied after the effects of high skill are determined. Therefore, a spell that requires 1
second of concentration may be cast instantly by expending 4 more energy while casting it; this additional cost has no
bearing on the cost to maintain a spell. For a spell that requires 10 seconds, the additional cost would be 40 in order to
make it instant. This means that the 30d Flame Jet that takes 10 seconds of concentration would cost 70 points of
energy if attempted instantly. If the character has a 21 skill in Flame Jet, then he would just need to reduce it by 5
seconds, costing him 20 additional energy, for a total cost of 48 points of energy.
The Cost of Magical Aptitude and Faith

The Faith and Magical Aptitude advantages have the Standard Point Cost, as shown in the table below. The variants of
Magical Aptitude are detailed in GURPS Compendium I, on pages 39 and 40. The variants that cost 50% are Dance
Magery, Dark-Aspected Magery, Moon-Aspected Magery, Musical Magery, Star-Aspected Magery, and Sun-Aspected
Magery. The variants that cost 60% are College-Restricted Magery, Solitary Magery, and Song Magery.
Standard Variants
Level Point Cost 50% Cost 60% Cost
1 1 0.5 0.5
2 2 1 1
3 3 1.5 2
4 4 2 2.5
5 5 2.5 3
6 6 3 3.5
7 7 3.5 4
8 8 4 5
9 9 4.5 5.5
10 10 5 6
11 15 7.5 9
12 25 12.5 15
13 35 17.5 21
14 45 22.5 27
15 60 30 36
16 80 40 48
17 100 50 60
18 125 62.5 75
19 150 75 90
20 175 87.5 105
21 200 100 120
22 225 112.5 135
23 250 125 150
24 275 137.5 165
25 300 150 180
26 325 162.5 195
27 350 175 210
28 375 187.5 225
29 400 200 240
30 425 212.5 255
+1 +25 each +12.5 each +15 each
Magical Aptitude
This advantage is based on the advantage of the same name on p. 21 of the GURPS Basic Set. The ability to cast
spells, and to detect magic, is no longer based on the character's IQ. Instead, his Magical Aptitude level is the
determining factor. So a Mage with a Magical Aptitude of 14 will roll against a 14 to detect magic, and base his spells
as M/H or M/VH on 14. Magical Aptitude is an inborn talent, not a matter of intelligence (though IQ still plays a
factor in the use of magic, see below).
Many spells require a specific level of Magical Aptitude. Spells that require a Magery of 1 can be used by a character
with a Magical Aptitude of 5; spells that require a Magery of 2 can be used by a character with a Magical Aptitude of
10; and spells that require a Magery of 3 can be used by a character with a Magical Aptitude of 15.
Some races and special character types start with some level of Magery. To convert, the points for the advantage are
merely transferred towards the development of the character's Magical Aptitude. For example, Magery 1 grants 15
points towards the new advantage, Magery 2 grants 25, and Magery 3 grants 35.
IQ and Magic
Above-average IQ gives a bonus to all spells a character knows. The bonus is +1 for an IQ of 11, +2 for an IQ of 13,
+3 for IQ 15, +4 for IQ 17, +5 for IQ 19, etc. IQ still plays a central role in the development of a character's magical
abilities.
An IQ check is required in order to learn a spell. The character point is spent, and then the IQ check is rolled. Success
means that the character has successfully learned the spell, at the level as determined normally. A critical success
results in the character getting a free character point in the spell as well, for a total of two. Failure means that the
character has wasted a character point. A critical failure not only means that a point was wasted, but that the character
actually has a spell ineptitude with that particular spell, and he may never learn it.
Mana Threshold
A character's Mana Threshold is equal to his Magical Aptitude multiplied by 10. For example, a Magical Aptitude of
12 fives a character a Mana Threshold of 120. This Mana Threshold refreshes itself at a rate of (Magical Aptitude) +
(HT) per 24 hours, which may be given back to the character all at once, or spread out over the day, depending on the
GM's wishes. For example, a character with Magical Aptitude 12 and HT 10 will regain 22 Mana per day, or almost 1
per hour.
Faith
Faith-Based Magic
Faith uses the same magic system as Magical Aptitude. However,

given its different origin, it has many special differences. There
are no variants to Faith, but most religions require certain vows or
other disadvantages.
IQ has no effect on Priest magic, but neither does Magical

Resistance. Priests may follow the basic magic rules, but the Mana
level has no effect on their powers. Their powers are effects
generated through prayers to their deity, not the channeling of
Mana.
Faith provides the ability to cast spells, more appropriately termed

prayers. These are M/H or M/VH skills that are based on the
character's Faith advantage. A character's Faith Threshold is equal
to his Faith advantage, added to 1/2 of any levels of Power
Investiture that he has, multiplied by 10. Therefore, a character
with a Faith of 14 (and now levels of Power Investiture) would
have 140 points in his Faith Threshold. The Faith Threshold is recharged through prayer and meditation. The rate is
equal to one half of the total of the character's Faith plus levels of Power Investiture per hour of worship. Our
aforementioned Priest with a Faith of 14 will regain 7 points per hour of worship.
The Power Investiture advantage is described on p. 42 of GURPS Compendium I. It is usually reserved as a gift from
an organized religion for great service. All characters must have Clerical Investment, as on p. 22 of the same book, to
get any rank within the religion. However, it should be noted that Faith, Power Investiture, and the level of Clerical
Investment do not necessarily affect one another. They usually do, but it is not always the case. And a remember,
Power Investiture grants a +1 per level bonus to the character's priest spells. When creating a character's religion, the
player and GM should work together. GURPS Religion can be a great asset here, obviously. Below are several
advantages, their costs, and an example in their use in the definition of a Priest character.
Religion Template Elements

Clerical Investment. Cost: 5/level. Level 1 is a minimal requirement.
Danger Sense. Cost: 15. Treat as the advantage on p. 20 of the Basic Set, using Faith instead of IQ.
Divine Favor. Cost: Variable. Some deities choose favorites, for whatever reason.
Medium. Cost: 10. Some religions can see the spirit realm.
Oracle. Cost: 15. In many religions it is possible to receive signs.
Power Investiture. Cost: 10/level. If a character serves his religion well, he may be blessed with this advantage.
Recognize other members of the religion on sight. Cost: 5.
Spell Casting. Cost: 1/spell. The character may learn any of the prayers that are taught by his religion. Each spell
learned is at the 1/2-point level, which may be developed further as normal. The other 1/2-point was "wasted." This is
not all that bad, as the prayers ignore the spell requirements that govern the magic of Mages. Of course, the character's
available spell pool is generally quite limited as compared to that of a Mage.
Spell Casting Bonus. Cost: 10/level All spells are at a skill bonus of +1 per level Usually the limit is +3.
-5 to -15 Discipline of Faith. Cost: -5 to -15. These are the fundamental rules of the religion, and are treated like a
Vow.
Sense of Duty to followers of the religion. Cost: -15.
Sample Religion
Priest Template for a generic "Healing" deity:
Character Point Cost: 35
Advantages: Clerical Investment level 1 (5), Faith 10 (10), Literacy (10), and Spell Casting Bonus +3 (30).
Disadvantages: Cannot Harm Innocents (-10), Sense of Duty to the followers of the religion (-15).
Prayers: (Note that these all cost 1 point to get at the 1/2-point level, and are based on Faith +3, counting the Spell
Bonus advantage): Awaken 10, Cleansing 10, Major Healing 9, Minor Healing 10, and Recover Strength 10. This is 5
prayers at the 1/2-point level for 5 character points.
Prayers Available: (These are prayers that the Priest may learn throughout his development): Awaken, Body-
Reading, Cleansing, Cure Addiction, Cure Dehydration, Cure Disease, Cure Insanity, Cure Starvation, Detect Poison,
Healing Slumber, Instant Neutralize Poison, Instant Regeneration, Instant Restoration, Lend Health, Lend Strength,
Major Healing, Minor Healing, Neutralize Poison, Recover Strength, Regeneration, Relieve Addiction, Relieve
Madness, Relieve Paralysis, Relieve Sickness, Resist Disease, Resist Poison, Restoration, Restore Hearing, Restore
Memory, Restore Sight, Restore Speech, Resurrection, Share Health, Share Strength, Sterilize, Stop Bleeding, Stop
Paralysis, and Stop Spasm.
With Friends Like These
by Rik Kershaw-Moore
Art by andi jones
Introduction
These rules were worked out a few years a go whilst at university. I've played them in a number of different houses
with a number of different people, and in every case they proved not only popular but immensely fun. In one house I
played in, it became common to see one housemate microwaving her letters before opening them just in case someone
had planted something nasty in there. If you wish to try these "house" rules, you will of course need a copy of Killer
from Steve Jackson Games.
Basic Rules and Aims

As with all other Killer games, the idea of House Killer is to kill everyone who is participating. The main difference is
that all the targets live in the same house and all the kills must be accomplished within said house. The winner is the
person who at the end of the game has gathered the most points.
Participation & Game Length

Before you begin you need to appoint one person as the Huntmaster. This person is then responsible for ensuring
everything goes according to plan, that the rules (such as they are) are not infringed, that players are not being
victimized, and to be an arbiter in any dispute over kills. Finally, and most unusually, the Huntmaster is positively
encouraged to play.
Next, the Huntmaster needs to get the consent of everyone who wishes to play. This should be done in a face to face
encounter and not via proxy.
The game length is variable and is totally up to the Huntmaster and participants. Games can last anytime from an
entire semester down to just a few days. From experience, I've discovered that the ideal length is three to four weeks.
Once everyone has signed up, the Huntmaster should post on a notice board the list of players, the start and end date
and time of the game, and the points list. Next to this the Huntmaster should also put the score card.
If people wish to drop out then they should not only inform the Huntmaster in person but should also post a written
message to that effect on their door. Once a player has dropped out they cannot rejoin the game. There are two
exceptions to this:
If the player is sick, he may temporarily withdraw from the game by putting a red cross on the outside of his door.
This cross should stay there for the duration of the illness, or until the Huntmaster deems them fit to continue, since
malingering is positively discouraged.
Secondly, each player has three excuses given to them by the Huntmaster. These excuses are basically a sheet of paper
with the word Excuse written on it in large letters. When a player wishes to put his excuse into action he simply hangs
it on his door, and there it must stay for a full 24 hours. During this time no hunter can attempt to hit this person, and if
any long-term cumulative-effect weapon is being used -- such as radiation poisoning -- then this day does not count
toward its effects. At the end of the 24-hour period, the excuse must be surrendered to the Huntmaster.
At the end of the game the Huntmaster will add up all the points scored by all the players and will post the point totals
for each. The winner is the person with the most points.
Off-Limits Areas
Since the game is going to be played where people live, there need to be off-limit areas. Such areas are defined as
being anywhere where a person is inconvenienced. or somewhere where non-players may be regularly disturbed. The
basic off limit areas are:
* The bathroom(s) of the house.

* Corridors and stairs.
* Non-player rooms.
* Living rooms.
* The kitchen -- although there are certain hits that can occur here (see below).
* The yard -- especially if it is barbecue season.
* Anywhere else outside the house.
Kills
There are several categories of weapons which may be used in House Killer, listed below. Once one successful
method has been used to kill a particular victim, you cannot use that same method on the same victim.
Joint kills are allowed, but ganging up on a single player is not allowed, because it's just plain cruel. Victims and
killers do not have to reveal the means of termination, especially if it was an exceptionally sneaky or devious method.
If you are caught in the act of setting up a hit by the intended victim, then you are not allowed to go after them again
for 24 hours due to the shame and embarrassment of being found out.
Finally, in cases where the weapon used is going to make a mess, such as contact poison toothpaste on a door handle
or a confetti bomb, the hunter must be prepared to help the victim tidy things up.
Point System
The following points are used in House Killer:
* 2 points for each successful kill.

* 2 bonus points for any amusing or stylish kill (Huntmaster's option).
* For joint kills, the 2 points are divided among the killers.
* 1 point is awarded for disarming any bomb or device before it goes off, even if you weren't the intended victim.
(Obviously, you get no points for disarming something you set up yourself.)
Allowed Weapons
The one category that is outright banned is guns of any kind. In play, they were simply too irritatingly easy to use, and
greatly reduced the sneak level of the game.
Only the following classes of weapons are allowed in House Killer: With Friends Like These
1. Bombs. All forms of bombs in the rulebook are allowed.
2. Animal Attacks. These are permitted, but please make sure that
the person you are going to get with a plastic snake or spider isn't
going to flip.
3. Fire. Allowable, but tricky, since in most cases it does mean

wrapping the entire house in red crepe paper, and all the problems
that entails -- such as finding enough paper in the first place, and
then you've got the problem of what if you live in an apartment
building.
4. Poison. All poisons, as defined in the Killer rules, are allowed.

Poisons are the only weapons that may be used in the kitchen, since
that is where most normal people keep their food. Please bear in
mind that if you spoil any food, you must be willing to replace it;
after all, no one likes eating mashed potatoes that have been dyed
bright blue.
5. Futuristic Weapons. Most futuristic weapons, as defined by the

Killer rules, can be used. However, in the case of posting exotic diseases or poisons to your victim in a letter, you
should name the contents on a slip of paper inside the letter, as some methods of "decontamination" will work against
some futuristic weapons but not others. For example, microwaving a letter (on high for one minute) will kill any exotic
bacteria.
Hints and Tips

I'd like to end with a brief list of hints and tips that have occurred to me over the years.
The first is to be sensitive to your victim. You should not do anything that could potentially embarrass them, especially
if they've got a date. No one wants to walk in to their room and get blown up by a confetti bomb, especially if the
person they are with doesn't understand.
Secondly, be careful if you are in a relationship with someone else in the house, simply because it is too easy to be
killed by your significant other. I've both killed and been killed by my partner in a number of interesting and highly
embarrassing high-tech methods, most of which were not funny at the time.
Thirdly, whatever you do, don't become paranoid. Whilst being a little bit paranoid is of course an important point of
the game, don't take it to the nth degree.
Finally and most importantly, have fun and don't take it all that seriously!
The Vigilance-Class Picket
A New Ship for GURPS Traveller

by Fred Wolke
Art by andi jones

The first command of any naval officer to make Captain was probably one of these ships. The small, quick, and
eminently expendable type-SF Vigilance-class picket is arguably the most common jump-capable ship in the fleet.
Their role is to form the outermost shell of ships surrounding a task force, and to detect the presence of hostile forces
before they themselves are detected. While armed, they are not intended for full-scale battle, but rather for the cat-and-
mouse of the initial contact with the enemy. Whenever the task force is moving, they range out from the main body to
the limit of communication range, so that if hostiles are detected, the fleet can get the maximum possible warning.
The ship is equipped with a small jump drive, not for interstellar travel but to allow it to escape from difficult
situations. When the task force moves from one star to another, the pickets usually travel either scattered among the
individual fleet elements, or on specialized picket tenders than can bring many pickets through a long jump.
Sometimes, the fleet tender will be hidden away in a gas giant atmosphere in a nearby star system, so that pickets will
have a safe place to jump to if there is serious trouble.
The ship is a flattened ovoid shape, designed to present The Vigilance-Class Picket
a minmum cross-section forward and to the sides. The
drives and power plant take up most of the center and
aft sections of the ship, with fuel and staterooms to port
and starboard, and the bridge and missile tubes to fore.
Crew: Captain (Leadership and Tactics), Navigator

(Astrogation), two Sensor Operators (Electronics
Operation [Sensors]), Communications Operator
(Electronics Operation [Communication]), two
Engineers (Engineering and Mechanic) and Gunner
(Gunnery [Missile]). Very often the Captain, Navigator,
and Communications Operator will also have
Electronics Operation [Sensors] skill, to allow more
rotation on the grueling work of watching the sensors
in tense situations.
200-ton USL hull, DR 4,210, Command Bridge,

Engineering, 120 Maneuver, 4 Jump, 40 Fuel, 5 Staterooms, Utility, Fuel Processor, 6 Missile Racks (in hull body, no
turrets), 2 Hold.
Statistics: TL12, Emass: 1992.4, LMass 2002.4, Cost MCr 110.9076, HP 22,500. Hull Size Modifier: +8.
Performance: Accel 5.99 Gs, Jump 1, Air Speed 600.
Using the Vigilance-Class Picket

A game could be run around the crew of one of these pickets, especially if they misjumped deep behind enemy lines
and needed to sneak their way back to friendly territory. Another possibility is to use a Vigilance-class as a kind of
"super scout," penetrating behind enemy lines to accomplish some mission for the Navy.
There is more potential here, than that, however. The Vigilance-class picket is nearly invisible to TL10 basic sensors;
one needs to get within 15 hexes to even have a chance of detecting it, and that at -10 to skill. The picket is therefore a
terrific ship to use if someone wants to "shadow" a jump-1 ship like a Free Trader or Subsidized Merchant. Looking at
"Detection of Jump" on GURPS Traveller, p.121, we see that the energy pulse emitted when a ship enters jump gives
away the direction that the ship jumped, but not the distance; with a jump-1 ship, however, the distance should be easy
to guess.
An In Nomine Faerie Guide
by Ryan Elias
Art by andi jones

Where the wave of moonlight glosses
The dim grey sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.
-- "The Stolen Child," W.B. Yeats
Disclaimer: This is not canon, nor is it based all that firmly in mythology or history. If you like it, use it, if you don't
like it, don't. If you like it, but your GM doesn't, then you probably won't be able to use it. But you knew that already,
right? Anyway, here it is.
Faeries are some of the most popular beings in mythology. They are certainly the most widely varied, and have a
complex and interesting history. None of this matters much, though, since their ranks were decimated by crusading
angels of Purity centuries ago. In the modern day of the In Nomine universe, the Faerie, while no less interesting, are
severely reduced in stature and confined forever to the Marches, where they are expected to do the decent thing and
die from lack of attention. That's the theory anyway. However, although Fae culture has changed somewhat since the
good old days, they are still very much alive, and are, in fact, doing quite a bit better than most of the Ethereal spirits
clinging to life in the Marches.
The Crusade
Unsurprisingly, Faeries were major targets during Purity's jihad. Classically, Fae spirits are, if not directly opposed to
the Church, rather incompatible with Christianity, or, indeed, almost any other religion. This wasn't acceptable to
Uriel, especially since the Fair Folk are traditionally both tied to the corporeal realm and enjoy involving themselves in
human society, two things Uriel didn't approve of.
Whatever the reason, Faeries were hunted down and dealt with. While the Crusade didn't come as a complete surprise
to some Fae (i.e., most of those who are still alive to day), most were caught completely off guard. Within a couple
years the vast majority of Fae nobility had been wiped out, as had many of the nature spirits. Least affected were the
household spirits, primarily because the nice ones were more or less indistinguishable at first glance (which was all
they ever seemed to get) from relievers, and therefore not targets. Most of the Brownies and Basilisks survived the
apocalypse more or less unharmed. However, the same cannot be said for the rest of Fae. When Uriel was recalled to
heaven, most of the survivors didn't even put up a fight as they were ushered quietly back into the Marches, where
they were supposed to remain.
Not that all of them did go back. A huge number of household Faeries were left on Earth, since there was no-one in
Heaven who felt up to finding all of them. As long as the pixies don't cause enough trouble to be noticed, the logic
went, it's probably all right if they're allowed to stay.
Meanwhile, in the Marches, the surviving spirits regrouped. The Unseelie court now greatly outnumbered the Seelie,
since they had been far more prepared to abandon their places on Earth to save their hides, or hide equivalents.
However, with the Corporeal realm, and all their primary sources of Essence, cut off to them, all the Fae were in
trouble. In a rare moment of cohesive thought and action, the twin courts formed a contract with Hell (which,
coincidentally, had someone nearby to write up a quick contract). In exchange for their services, which Hell knew it
could make use of, they would receive a yearly jolt of Essence.
Although at the time it seemed unimportant, another event vital to the future of Faekind was happening even as the
contract was being signed. A pair of Daoine Sidhe, husband and wife, found on the Corporeal plane, were being
escorted through the Marches to the Fae homeland by a pair of Malakim, members of the newly formed Border Guard.
These two Sidhe were very attached to their homes on Earth, and didn't want to go. At the gates of Arcadia, the
husband made a desperate attempt to break free. One of the Malakim reacted with what was perhaps a little bit too
much force, and the Faerie was blasted out of the Marches. His name was Oberon. The woman was left to consider her
losses in peace. Her name was Titania.
An In Nomine Faerie Guide The Time Between

The courts split shortly after the contract was signed. Many
Unseelie and malevolent nature Faeries went to work for Beleth,
tormenting dreamers just like they'd done before. Most of the rest
of the Fae passed the time grubbing Essence from dreams and
dreamers that strayed into their area of the Marches, or indulging
in petty politics. Sometimes household Faeries on Earth would be
caught and sent back to Arcadia, and sometimes daring Fae tried
to get back to Earth. Sometimes they even succeeded. Titania
spent much of the time sulking in her Bower. Time passed. Several
hundred years, in fact.
On Earth, a man named Jobe befriended a man named William.

Jobe had met William in a pub, and William, who was a budding
writer, took an immediate liking to Jobe, as people often did. They
corresponded for several years, during which Jobe told William
very strange stories, about dreams that he kept having and about a
pair of men who appeared in his dreams, and who he saw regularly
around and about Glasgow. William liked the dreams, and after he
became relatively famous, wrote a play about them.
When Titania first felt the rush of Essence, she thought nothing of it. Her names were mentioned in certain grimoires
and occasionally people decided to enact rituals in her honor. But when another Faerie, never stable at the best of
times, who's name wasn't in any books, felt the same rush of Essence, he reacted. In fact, he created a vessel, a robin,
and went to the Corporeal plane to find out what had happened, and, if he found it offensive or excessively obvious, to
put a stop to it. What he found instead was his former master, Oberon, in a scruffy human vessel, sitting on a bench,
watching the end of a play. "If we spirits have offended . . ."
Puck didn't kill Shakespeare, although he was tempted. However he did alert Titania, and Titania bargained with Lilith
for a celestial force to return to her lost husband. A Malakite from Glasgow in the audience, tracking someone whom
he suspected to be an infernal Remnant, found that his target had vanished entirely. Oberon returned to Faerie.
Time passed.
Oberon never recovered himself entirely, but he, along with Titania, who felt much better now that her husband had
been returned to her, took control of the Seelie court almost without effort. Due to the constant stream of Essence
coming through A Midsummer Night's Dream, even lobotomized Oberon was more powerful than anyone else in the
Mists.
With the possible exception of Puck, who disappeared shortly after opening night.
More time passed.
The Modern Day

Today, Titania and Oberon are in firm (or as firm as possible) control of Faerie. Not that they rule directly, as any
attempt to do so would be doomed to failure, but if one were to ask any but the most subversive, Unseelie boggart who
the boss was, the reply would be Titania. In terms of relative power, Titania is slightly less powerful than a minor
Demon Prince or Archangel, Oberon is a bit behind her, due to the beating he took during the crusade. Nobody has
any idea how strong Puck is, although the fact that he is the almost universal favorite in one of Shakespeare's most
famous plays (and arguably his most famous comedy), it's estimated that Robin Goodfellow, never a minor Faerie, is
probably at least as tough as Titania. And much, much more aggressive. He hasn't been seen recently, but people who
take his name in vain tend to disappear in messy ways. He never had much of a sense of humor, unless he was making
the joke.
Otherwise, Faerie civilization rolls on, albeit much more quietly than before. Many Brownies, masquerading as
Relievers, are back on Earth, keeping a low profile, and some of the Church Faeries never left. The Pact with Hell is
still active, and many Fae, especially Unseelies, work for Nightmares. Also, quiet deals have been made by some of
the nicer Fae with some of the nicer border guards, allowing them to nip into Blandine's side of the Marches for a
quick, morally satisfying, Essence fix. Under stern supervision, of course. Titania also has a few agents on Earth,
keeping an eye on things and making sure that the Fae aren't forgotten entirely (it is suspected that Changeling: The
Dreaming is a Fae production, among other things).[Editor's Note: Including this article, perhaps?] Life goes on.
Society An In Nomine Faerie Guide
Although there are two courts: Seelie and Unseelie, which

dominate Fae politics, not all Faeries are one or the other. In fact,
the vast majority of Fae are either nature oriented (Satyrs, Fauns,
Nymphs, Dryads, Sirens, Skin-Changers, Merrow, Pooka, Asrai,
Kelpies, Trolls, Spriggans Dwarfs and so on ad infinitum), or
human- or household-oriented (Brownies, Basilisks, Goblins, etc.).
Neither type are necessarily affiliated with any court, although
they can be. However, the courts are important, and warrant some
discussion.
The Seelie Fae are associated with Light, the Day and Life. There
were once large amounts of Sidhe in this court, ruled over by the
Tuatha de Danann, but now it is composed largely of Sprites. The
surviving Seelie lords, apart from Titania and Oberon, are severely
reduced in power, rarely having more than 7 or 8 forces, and
usually much less. Of the Tuatha, never numerous, there are no more than a half dozen left. They are also severely
reduced in power, averaging about 9 forces. They have faded into the background, offering advice, but rarely holding
any power.
The Unseelie Fae are associated with Darkness, the Night and Death (oddly enough). They have survived much better
than the Seelie, as previously noted, and many have gained power working for Beleth. Even so, Unseelie Sidhe are still
very rare, and the lords of the Unseelie, while less scarce than their Tuatha counterparts, are rarely seen, existing
primarily in the depths of the Mists. Most common among the Unseelie are Imps, Hags, and associated minor beasties.
The courts are opposed, but are not in a state of open warfare. It's more akin to Democrats and Republicans, each side
working more or less peacefully to screw the opposing side up, with perhaps a bit more animosity between the two (or
perhaps not, it's hard to tell with some politicians).
The Realm
The Fae realm, known interchangeably as the Mists, Arcadia, the Dreaming, or any number of other names, is a
confusing place. Varying in appearance depending on which Fae is in control of a given area, the Mists don't like non-
Fae much. While celestials are generally powerful enough to be relatively safe, visiting ethereals, although there aren't
many, have to be careful. Mortal dreamers who stray far enough to reach the Mists, though, tend to be relatively safe
as well, although with some Fae, especially Unseelie Fae, it's hard to be sure.
Relations
Faeries are still quite friendly with certain celestials. Jordi is known to have sympathy with the nature Fae, and Novalis
has sympathy with just about everyone. Eli remains in contact with certain Faeries, and Lilith has complete mobility
within the Mists, a function of her bargain with Titania (who has yet to pay Lilith back in full . . .). Beleth, of course,
uses Faeries much as she uses minor Servitors. Most odd, however, are sightings both in Hell and the Marches of a
being that can be identified only as Puck, and a green eyed Impudite Demon Prince, deep in discussion. There is
occasional laughter from Kobal. Those who know anything about either being hope to be elsewhere if any
collaboration between the two comes to fruition . . .
Otherwise, most Superiors think little of the Fae ( although, admittedly, even those who are friendly with the Fae don't
think much about them. Even though Titania and Oberon are both extraordinarily powerful for ethereals, they're still
small fries for any Celestial Superior worth his or her salt), seeing them as "just another group of dying Pagans." There
are a few exceptions. Laurence dislikes the Fae, and Asmodeus would just as soon they all be wiped out. Belial would
like to see them burn, and Saminga wants them dead, but that's normal.
Faeries as Player Characters

Faeries make good PCs. The important thing to remember when creating them, though, is that almost every Faerie is
different, and in the Mists, almost anything goes, and character concepts should stretch the imagination. Most Faerie
PCs should have between 3 or 7 forces, with 3 being your average Sprite or Brownie, and 7 being a Sidhe, or a
suitably powerful nature spirit (some of the old tree or river gods might be fun to play). Being on Earth might be a
problem, but the important thing to remember is that Heaven doesn't care much if you're on Earth if you don't make
trouble, and if you do, it's only a problem if you get caught . . .
Resources
Fae can have any skill that can be justified, although there's a definite tendency towards archaic skills. Discord is
possible, and some of the weirder ones are entirely appropriate. Vulnerability: Iron is very common. Unseelie fae in the
service of Beleth might be given Attunements, Rites, or even Distinctions, but it would be very rare, and players
should have to earn them, and shouldn't buy them at character creation. Faeries use their own rites like other ethereals;
you tell them to humans, and whenever a human performs the rite, you get the Essence. More detail on that can be
found in The Marches sourcebook.
Fae can also buy vessels, but only at character creation. Ethereals create vessels using essence (See The Marches or
Heaven and Hell for more details). They can buy Charisma, and often do, but not Toughness.
Fae have access to all three realms of Songs, but favor Ethereal songs. They can use any common Song, the Song of
Beasts, the Song of Daydreams, and some unpleasant Fae can also use the Song of Blood. Some other often-used
songs are the Songs of Affinity, Calling, Charm, Motion, and Dreams. Fae also have their own, unique Song, the Song
of Glamour.
Song of Glamour (Restricted, Faeries)
Songs of Glamour affect the human mind, making use of fears, hopes and, most importantly, dreams. The Song works
on all humans -- mundanes, undead, Saints, and Soldiers alike -- but only humans. All the Songs of Glamour can be
resisted with a Will roll.
Corporeal: The Corporeal Song of Glamour is the fabled Faerie propensity for illusion. It creates illusions, lasting
until the next sunrise, affecting a number of senses equal to the CD of a successful roll (a CD of 6 or more means that
the illusion affects all five senses, and lasts until the next new moon). Illusions affecting touch have texture but no
substance; they are capable of doing only temporary damage, which lasts until sunrise (even if the CD was 6) at which
point wounds seal over, and anyone "killed" by an illusion rises again. The illusions can be up to the size of a large
human per point of Essence spent, or 25 times that in the Marches!
Ethereal: The Ethereal Song of Glamour affects human minds, making the target of the Song, usually the caster,
unbelievably beautiful. The target receives Charisma: Sex Appeal equal to the CD. At CD 3+ the Charisma affects
everyone, regardless of sexual orientation, and at 5 or 6 the caster is almost painfully beautiful, and anyone seeing
them must make a Will roll or be stunned for CD minutes. The song lasts for minutes equal to Essence spent times
Ethereal forces times 10. Charisma granted by the Ethereal Song of Glamour is not cumulative with natural Charisma.
Double the CD in the Marches.
Celestial: The Celestial Song of Glamour brings the target to a new level of perception. For the duration of the spell
(CD times Ethereal Forces hours) the mortal affected will see aspects of the Mists, the Marches, and occasional
snatches of Heaven and Hell, as well as things that don't actually exist, to the knowledge of the Fae, anyway. The
target will hear the Symphony, intermixed with weird sounds from some other source entirely. Needless to say, the
effect on normal mortals is very strong. Each hour the song lasts, the target, if a normal mortal, must make a Will roll
or go insane. The exact effects of this are up to the GM. Soldiers get to add their Celestial Forces to their Will roll.
Saints and Undead can too, and only have to make one roll every two hours. While under the influence of the Celestial
Song of Glamour, action is more or less impossible. Perception rolls must be made to take any physical action, and
there is a 6-(CD of successful Perception roll) penalty to any actions taken even then (e.g. A human, who has been
enchanted by the Celestial Song of Glamour, tries to lash out at the Faerie who did it. He makes his perception roll,
with a CD of 4, and must now subtract 2 (6-4) from his fighting TN). Soldiers, Saints and Undead get to add their
Celestial Forces to this roll as well. The Celestial Song of Glamour only works on the Corporeal plane.
Bonus: Faeries
Essence Requirement: 2
Degree of Disturbance: CD (Targets of the Celestial Song emit this Disturbance constantly until it wears off, making
it a very, very unsubtle song)
Other Traits
Faeries do not have celestial forms, and cannot ascend to Heaven or descend to Hell without powerful Superior
intervention. They are not stunned by the celestial forms of Kyriotates or Shedim. They aren't affected by holy
symbols, church bells, cold iron or any other rural myths, unless they take an appropriate Discord (e.g., Vulnerability).
They are affected normally by Trauma.
Adventure Ideas
There are quite a few. An all-Faerie campaign could involve espionage into the forbidden corporeal realm, or perhaps
celestial diplomacy, trying to earn favor with the Archangels without arousing the wrath of the Demon Princes.
Perhaps the best, however, are adventures into the Faerie Realm itself, which, despite the current condition of its
inhabitants, hasn't changed much since the Crusade.
Recommended Reading
Gaming Resources
"Faerie Glamours." An earlier Pyramid article by Ken & Jo Walton, authors of GURPS Celtic Myth. It has a
bibliography of its own that is also worth checking out.
Changeling: The Dreaming. It deviates a bit from common myth, but is a very solid RPG about Faeries.
Ars Magica: Faeries. A primary resource for this article. Very mythically sound.
Dreams and Nightmares. A supplement for Changeling, but one that's useful in any campaign about the Faerie
Realm. Has more adventure possibilities in it than you'll ever use.
Novels
Terry Brooks, The Magic Kingdom of Landover series, books 1-3. An interpretation I quite like.
Terry Pratchett, Lords and Ladies. My favorite book here. An . . . alternate view of Faeries.
Tad Williams, Memory, Sorrow and Thorn. Also quite good (the Norns make good villains).
Beneath the Sublime Porte
by Phil Masters
Art by andi jones
Being a further extract (following previous essays on the Djinn and on Arabia) from a certain long-delayed
publication concerning adventures in the Ottoman East in the world of Castle Falkenstein. This essay concerns itself
with denizens of Ottoman territory, both natives and expatriates, and how they might serve as Dramatic Characters . . .
A swift review of the nature of life in the Ottoman lands brings this author to the conclusion that Ottoman characters
(and characters who have settled in the Empire) should not be too difficult to integrate into the Great Game. They
could even be taken as Dramatic Characters by bold and flexible players.
One note; in this and other places, the words "Ottoman" and "Turk" are used almost interchangeably. That is slightly
misleading; the Turks are a nation, whose royal family are the "Ottomans," and who run a multi-national Empire. But
not every nation in that Empire is "Ottoman," and there are Arabs who would kill you for saying that they were. It is
perhaps wisest to use "Turk" for the nation, and "Ottoman" for the Empire, and everyone within it who is not actually
in open revolt at the present moment -- so one might even refer to, say, some Armenian characters as "Ottomans,"
despite the fact that they are Christians, quietly hate the Empire, and may even essay a revolt next year.
Also note that the local term for Europans (and Americans) is Farangi. This is a fairly neutral term, although its use
for every such visitor does reflect the rather stereotyped local view of these "northerners."
Standard Abilities
Education: Schooling in the Ottoman Empire is erratic. Traditionally, the lower classes receive little, while the
aristocracy and court slaves are taught a mixture of old-fashioned sentiments and practical government. Reformers
have tried to update the system, with limited success -- especially as few Turks would trust a foreigner, especially a
Christian, with their offspring. Some "progressive" Turks have traveled abroad, to Europan universities -- and are often
distrusted as a result.
Exchequer: Wealth in the Empire varies vastly. The Sultan's court has fabulous riches, although courtiers are at the
mercy of the Sultan himself, who can depose and dispossess them in an instant. Provincial officials claim to be
impoverished, but gouge their subjects for every piastre they can extract, while peasants live from hand to mouth.
"Average" wealth, by Europan standards, is limited to a few small-time merchants, honest officials, and minor
functionaries.
Fencing: Rename this ability "Swordsmanship" for Ottoman characters, if you want to make the style of the character's
biography just right.
Fisticuffs: Vulgar fist-fighting is something that Ottomans leave to street thugs and ruffians, and although one may see
a fair number of those curved daggers, skilled knife-fighting is also mostly left to the criminal class. Wrestling, on the
other hand, is a sport that the Turks love, and there are a fair number of professional wrestlers around the Court and
the households of wealthy sports devotees; they may come in useful if their master needs some uncomplicated muscle
to execute his will.
Marksmanship: The Ottomans have some trouble persuading their armies to take modern firearms seriously.
Conversely, they have always been adept with bows; Sultans have traditionally flaunted their archery skill.
Performance: There are several aspects to this Ability in the Ottoman Empire. High-grade harem slaves are taught as
much singing, musicianship, and dancing as possible, and every bazaar has entertainers who have mastered all manner
of arts. Story-telling, on street corners or in coffee houses, is an ancient occupation. For the ordinary, respectable Turk,
however, entertainment skills are something that other people display. Oh, and the mystical Dervish orders study exotic
"meditation aids" in their quest for transcendence, including sometimes music and dance.
Physician: As in other areas of modern science, the Ottomans can be a little hazy on advanced surgery. However, they
are no worse than any other nation at basic first aid.
Social Graces: This is replaced by Ottoman Way (see below). An Ottoman transplanted to Europan society starts with,
in effect, Poor Social Graces, although polite Europans will usually make allowances for ignorance; a cultured
Ottoman who is willing to make the attempt can usually manage a fair level of Europan-style politeness, often
embellished by some "charming," flowery, Eastern-style courtesies.
Sorcery: Mastery of Magick his has traditionally been one way to advance in the Ottoman Empire; at the very least,
you can become a respected independent professional, and at best, you can attain the rank of Vizier. So, should you
encounter a sorcerous Ottoman, he or she is like to be making a good living out of it, or to be a crazed Dervish with
other priorities.
Tinkering: The Ottoman Empire has never really comprehended the Industrial Revolution; a combination of magic,
widespread poverty, a shortage of Dwarves, and most of all, innate conservatism, has stifled that idea. Even publishing
is still left to a large and comfortable class of scribes and copyists.
Conversely, some Ottomans (and not just the small local dwarf community) are surprisingly adept tinkerers. Some of
those wizards are mechanicians, fond of clever hand-built gadgets; Haroun al-Rashid was using a sophisticated water-
clock while, in Europa, Charlemagne's paladins were rising with the sun and going to bed when they fell down drunk.
There is even evidence of truly ancient gadgets; it is certainly unwise to explore an Egyptian tomb without keeping a
sharp eye out for traps. And there is after all a railway running to Constantinople these days, and the merchants of Pera
carry Swiss pocket-watches.
New Abilities for Ottoman Characters
Ottoman Way (heart): This is the Ottoman equivalent of Social Graces. Ottoman society is very formal; one needs to
know even more rules and mannerisms to fit in there than in the New Europan aristocracy. On the other hand, it is
strangely open, in just one way; if you do master these rules, and if you show that you are prepared to live in their
way, they do not worry about where you were born. Forget those rules, or insist on retaining your own ideas, and you
will never be more than an outsider. Birth is not important; showing that you are a devoted Ottoman is everything.
Poor Ottoman Way Ability does not necessarily make you a barbarian; you could simply be an ignorant peasant. You
do not know the correct forms of address and salutation for other members of society, or the dress rules that apply in
Istanbul or other cities -- and if anyone prompts you, you probably make errors anyway. Average Ability means that
you can pass in the bazaar, and sneer at peasants; you do not break any major rules, and you know enough to bow to
more important folk. Good Ottoman Way lets you start up the social ladder; you can dine with local Pashas and
officials without embarrassment, your turban is exactly the right size for your social standing, you know the full range
of correct salutes, and you can drop the occasional flowery compliment. Great Ability is the least you need to attend
the Sublime Porte as anything better than a cringing petitioner; you know the subtle rules of court etiquette, your
costume denotes your status with precision, and you can read others' mannerisms with a glance. At the Excellent level,
you can pass for a Vizier; everything you do or say conveys class to Ottomans, and while you always dress perfectly,
you could probably establish your rank without it. Extraordinary Ottoman Way Ability is the sort of thing you expect
from the Vizier in charge of Court Protocols; you know all the rules, even the defunct and forgotten ones, and you live
and breathe them.
Note: With the Host's permission, characters who are going to spending most of their time in Ottoman lands may take
this as one of their required Poor Abilities. Of course, this means that they are either a peasant, an oaf, or a crass
foreigner.
Trader (heart): (Note; this ability was detailed in a previous article on Arabia; it is repeated here for ease of
reference.) This is the skill of buying, selling, bargaining, and thus making a more-or-less honest profit. It includes a
working knowledge of the values of goods, but mostly, it is a question of persuading someone to give you the best
price for something, and judging when they will shift further and when they are really going to stick.
Most people are capable of haggling a little, if only over the price of a horse, but in the Middle East, it is raised to an
art form. The talented Trader is regarded with admiration and caution rather than dislike, unless he or she gets a
reputation for excessive or unfair greed.
As a Poor Trader, you are continually being swindled and tricked; you either lose track of true values, or become too
quickly flustered and distracted in the bargaining process. Average Ability means that you can get by from day to day
in the bazaar, provided that you remember not to try buying from the most enthusiastic merchants. With Good Trader
Ability, you could be a merchant, although you would need other advantages as well; you enjoy a lengthy haggle, and
stall-holders who know you do not try any tricks. Great Ability means that you can make a good living as a merchant
or broker, or terrorize minor stall-holders when buying your groceries; you usually pay less than an item's value, while
selling at a premium. Excellent Ability means that you are a legend of the trade-routes; if you are not a wealthy
professional merchant, you have missed your vocation, and you certainly hold a complete set of prices and exchange
rates in your head. An Extraordinary Trader is a wealthy merchant, if only in your spare time; people only haggle with
you so that they can learn technique and for the pleasure of your company, and spend hours afterwards trying to work
out how you convinced them.
Note: With the Host's permission, characters who are going to spending most of their time in an area where prices are
not generally fixed can take Trader as one of their required Poor Abilities. It is a serious disadvantage in such cases, as
the character will find their money swiftly running out, and the bazaar regarding them with a mixture of disdain,
amusement, and avarice.
New Character Roles

The following are Roles particularly suited to Dramatic Characters. Obviously, games in this setting will involve many
other "types" -- Guards, Viziers, Eunuchs, Harem Girls, Sultans, Pashas, and so on -- but these will usually be Host
Characters.
Bazaar Entertainer
You make the world a better place. The streets of the city are hot and hectic, and most people live lives of worry. You
make them forget that. Whatever your chosen art -- singing, acrobatic dancing, story-telling, juggling, even petty
magic -- you bring a little color into their lives. In return, all you ask is a few coins.
Of course, your own life isn't all amusement. There's rivalry for the best spots, and petty officials who keep thinking of
new licenses and taxes. Sometimes, the only way you can make a living is to keep moving. But you're no rogue; your
skills are genuine. In fact, you preserve an ancient tradition -- and you are very good at what you do.
Strong Suits: Athletics, Charisma, Performance.
Possessions: The tools of your art (musical instrument, juggler's props, etc.); a plain knife; slightly shabby clothes.
In Your Diary: Reminders of good pitches and bad officials; new jokes, stories, and lines of patter; names of patrons
who might pay for private performances.
Why You're Here: Times are hard, and the local officials have been finding extra excuses to make trouble -- which
has cost you a fortune in bribes. On the other hand, these Farangi seem taken with your charm. You can provide them
with useful assistance -- you know every bazaar and back-street from here to Samarkand -- and if things start getting
complicated, your skills might come in useful. Actually, an adventure might be fun, as well as profitable.
Expatriate ("White Man Gone Native")
You've been Out East for more years than you care to count, now, and you claim to have forgotten why you left
Europa. There's various ways that you may be making your living; as a small-time trader; as a guide or interpreter for
Europan visitors; or perhaps by sea-going trade, keeping some run-down steam-boat that's even older than you are
going by sheer willpower. Or perhaps you are a little higher class than that, and have a steady income from
investments or other mysterious sources back home.
No, this is home now, and the locals have taken to you. You've taken to them, do not offend them, except sometimes,
when they realize that you've got a steady source of whisky from somewhere. But what the . . . You ain't a Moslem.
You ain't turned Turk. Never mind what the high 'n' mighty visitors may think.
Strong Suits: Marksmanship, Perception, Tinkering.
Possessions: Shabby western clothes; an aged bolt-action rifle and a little ammunition; at the Host's option, a small
steam-launch.
In Your Diary: Practical notes about business contacts and deals; financial accounts of recent transactions; cryptic
ramblings about your past.
Why You're Here: These other folk are newcomers to this part of the world, and although you've sworn to forget
your old loyalties, you can't let them walk into trouble. They seem polite enough, after all, if a bit naive. You'd never
admit to yourself that you might be hoping to redeem yourself for whatever it was made you abandon Europa.
(Note: A variant "White Man Turned Native" type is one who has developed an interest in Eastern Mysticism, and
perhaps even attained membership of a local Dervish Order or the like. Such a character should have Good Sorcery
rating -- and a very complicated and dangerous life, being caught between several worlds, and fully trusted by no-one.
Another type again is the Expatriate who has spent so long with the Bedouin that he is effectively equivalent to a
member of the tribes -- albeit one who can suddenly surprise a Europan visitor by "unmasking"; see Lands of the
Bedouin for ideas on Arab tribal characters.)
Noble Adventurer
You are the offspring of a provincial official, or one of the old, disregarded, feudal
nobility. As such, you have learned the basics of etiquette and the running of the
Empire; you also received weapons training, for which you displayed a talent.
Now, you find that you have a Goal. Perhaps your family has been disgraced by
the machinations of an evil foe, or maybe one of your old friends has sent you a
letter, asking help. Or perhaps you have fallen out with your family over your
dreams of a glorious career, and you are seeking to prove yourself.
In any case, you have taken up your sword and gone out into the world. You do
not like it when people call you a dreamer, but you do have a taste for legends of
Beneath the Sublime Porte
noble heroism; you could enjoy living out such tales.
You are equally at home in the court or the bazaar, and you can think your way out
of troubles as well as fight -- but if you must give battle, then you are something of
a swashbuckler. You may know somewhat of missile weapons, but the sword is the
more honorable form of combat. And yours is ready to your hand!
Strong Suits: Athletics, Ottoman Way, Swordsmanship.
Possessions: A fine sword; a good horse; plain but high-quality clothes.
In Your Diary: Notes on your current adventure; names of distant relatives and family allies who might or might not
assist you; some amateurish attempts at heroic poetry.
Why You're Here: Whatever your reasons, you are an adventurer -- and these Farangi seem like a good place to start
adventuring, and everyone knows that heroes travel with strange companions. Perhaps they are pursuing some cause
that you think is just, even if they are infidels. Perhaps they share your own great goal, for their own reasons. Perhaps
you are taken with their crazy spirit. Or perhaps this is a way to win fame and fortune, and prove to your family that
you aren't just a dreamer.
Old-Fashioned Adventurer
You are, some would say, a throwback to the days of Haroun al-Rashid and Sinbad. Is this a bad thing? When all
around you are sunk in the complacent decadence of the Ottoman Way, you have decided that you want Action and
Adventure. And so, after somehow obtaining a little suitable training, you have taken up the sword, and set out to find
fame and fortune.
Perhaps you have become a sailor, boldly navigating through the Isles of Greece or along the coast of the Indian
Ocean; even the Farangi's steam-ships have not destroyed all of that ancient trade. Or perhaps you are a Soldier of
Fortune, guarding trade caravans in the desert or rich men's houses in town. Perhaps you have been obliged to engage
in a little adventurous roguery, separating valuables from their unappreciative owners. The chances are, you've tried a
bit of everything. Whatever you've done, though, you've always done it with panache -- and truth to tell, you've always
made sure that you enjoyed it.
Strong Suits: Athletics, Charisma, Swordsmanship.
Possessions: A decent sword; plain but functional clothes.
In Your Diary: Snippets of poetry; some ideas as to possibilities for adventure and fortune; sketch-maps of places
visited.
Why You're Here: They may be crazy -- and foreign -- but you can be sure that these Farangi are adventurous;
otherwise, they wouldn't be here. Perhaps they've offered to pay for the aid of your sword-arm or other skills; you see
no disgrace in mercenary service. Or perhaps one of them is an attractive lady, who appeals to your romantic heart and
your love of the exotic. Or perhaps you've agreed to share some profitable quest with them. Who cares, really?
Adventuring is what you all do!
Ottoman Dwarf Beneath the Sublime Porte
You are a rarity, and proud of it; a Dwarf who also happens to be
a citizen of the Ottoman Empire. With your shaven head,
magnificent mustache, colorful clothes, and massive gold earrings,
you know you present an imposing sight to the world; anyone
who smiles at the sight of you should be politely asked why. Your
skill with metals and gadgets makes you invaluable in the bazaar,
and your Turkish neighbors know you for a Good Moslem and an
Honest Fellow, whatever your birth.
As to how you came to live in this part of the world, where your
kind is rare -- well, either you are a member of a small local
Dwarf-Clan, quite likely dating back to the days when the
Dwarves brought bronze-work to Babylon, or you wandered out
this way from Europa many years ago, in search of a fortune and
a way to gain a Name, and somehow settled down.
Strong Suits: Fisticuffs, Tinkering, Trader.
Faerie Power: Love of Metal (see the Castle Falkenstein rule-

book).
Possessions: A collection of eccentric but effective craftsman's tools; stout but colorful Eastern-style clothing; huge,
reinforced leather slippers; massive and ornate gold earrings.
In Your Diary: Designs for simple but extremely elegant devices; current bazaar prices for precious metals; contact
addresses for Dwarves in distant lands.
Why You're Here: For all your local status, there are problems for a Dwarf in the Ottoman Empire; the chances are
that this group of Europans may represent a way to resolve some of them. To begin with, you need to establish your
fame among Dwarves to qualify for a Name, and there are precious few other Dwarves in this area; perhaps there's one
such visiting with this group, who you can impress with your ingenuity, or perhaps the humans could convey word of
your accomplishments back to the Dwarf-holds of the North -- or perhaps you might even consider traveling back
there with them in person.
Secondly, there are even fewer female Faerie in this region than there are Dwarves, which is inconvenient if you have
any hopes of marrying and starting a family. Even if there's no Elf-maids among these Europans, you could again
consider traveling back to their homelands with them.
And lastly -- it's well known that these days, the most fascinating machines in the world come from Europa, thanks to
all the Dwarves there (and the human "Industrial Revolution," perhaps). Associating with Europans might get you
some chance of a glimpse of some of these steam devices and calculating machines, which you've no doubt you could
work with and improve on. Perhaps some of these folk know something of this subject? You should ask. You know
that your human Ottoman neighbors regard such foreigners as less than respectable, but what's disreputable about
machinery? It's one of the finest forms of intelligent endeavor.
Oh, and come to think of it -- you've heard tales about Europan Beer, too. Not that you, as a good Moslem, have any
interest in such substance. Obviously.
Renegade Europan Soldier
You started your Europan military career with ideals, and achieved some success as a drill-sergeant or staff lieutenant.
But something didn't work out. Perhaps you were passed over for promotion in favor of men with better social
contacts; perhaps you met some kind of disgrace through no fault of your own; perhaps you just became bored.
Then you thought of the Turks, who are trying to modernize their army. For decades now, they've been recruiting
advisors from Europa, looking to hammer some sense into their farm-boy soldiers and useless commanders. So you
made some contacts, confirmed that the pay was good, and moved out East.
But that didn't work out. Perhaps you annoyed some idiot Pasha with no military knowledge but too much influence.
Perhaps your contact was disgraced in some game of Ottoman politics. Perhaps you were sickened by the corruption
and the way that the army's biggest job seems to be massacring civilians. Or perhaps you got squeezed out by all these
stiff-necked Prussians who've breezed into Stamboul lately.
So you're out on your ear. But you haven't headed home yet. You came out here to make your fortune, blast it, and
you're not running home with your tail between your legs at the first setback. You'd be embarrassed. Besides, it's an
interesting country, in its way.
Strong Suits: Courage, Marksmanship, Physique.
Possessions: Sabre, revolver, and swagger-stick; your old uniform (out of sentiment); plain, military-style, garb, suited
for the weather and impressing the natives.
In Your Diary: Notes on drill and tactics; unrestrained opinions of the local troops; addresses of old comrades back
home.
Why You're Here: If the Ottoman Army doesn't want your skills, there are still uses for them here -- and working
with Europan visitors gives you the chance to hear a familiar language and discuss familiar topics. Perhaps they can
pay well, or perhaps one of them served in the same regiment as you. You can certainly help them; you've managed to
get a feel for Turkish society, which does need a little careful handling at times.
Runaway Slave
Some people say that slavery is in decline among the Ottomans, what with Europans lecturing them on its evils at
every diplomatic conference and Europan navies patrolling the coasts of Africa. On the other hand, some people say
that the Ottomans' slaves have it better than many a Europan servant; they are part of the household, are often helped
to set up in business on their own after a few years, and have plenty of protection in law.
That's the general theory. It may work most of the time. The rest of the time . . .
You do not remember much about that African village or Caucasian farm; you were kidnapped as a young child. The
slavers decided that you looked like a promising specimen, and fed you well -- while working you mercilessly. The
man they sold you to followed the same plan; whatever work you were given, and there was plenty, was always the
toughest and most strenuous.
Well, that built up your physical strength. Meanwhile, in your heart, you had another strength, that also grew. When
you eventually made your getaway, you broke locks and shrugged aside restraints.
Now, you are on the run. You think you've shaken off pursuit, but you have to live on the fringes of Ottoman society,
fearful that you'll be noticed. But perhaps you occasionally dream of finding a way home.
Strong Suits: Fisticuffs, Physique, Stealth.
Possessions: The rags you stand up in; an improvised weapon (axe, heavy club, etc.; does damage as a Blow with your
Physique, plus one).
In Your Memory: The names and faces of your former owner and his friends; some vague ideas about your home.
Why You're Here: You are a hunted man; you need shelter and allies. Anyway, these mad Farangi do not treat you
the way that Ottomans do. They do not understand how this land works -- which you learned the hard way. They say
they do not have slaves back where they come from, which sounds foolish; who does the housework? Perhaps their
current task means that they are fighting your old, cruel owner; that could be dangerous, but you'd like the chance of
revenge. Or perhaps they are prepared t o pay you to help them with some adventure; they might even help you get
away to other lands, later.
Local Spy
Some people would consider you a skulking professional gossip; you prefer to think of yourself as a dealer in that
rarest and most precious of all commodities -- The Truth. You are paid a retainer by the Sublime Porte to keep them
informed of events in your home district, but that is barely enough to live on, and in any case, you do not think anyone
ever reads your reports. So you obtain additional income by selling other news to whoever might find it interesting;
merchants can learn of bandit activity from you, and bandits might learn of caravan movements. But you prefer to
avoid that latter sort of business. It is not legal, or moral. You might get caught.
No, you are not lacking in honor. You would never betray a friend or a host, and your official work lets you bring
local corruption and official misbehavior to light (if you can get anyone in authority to listen). Besides, you are
completely honest in your business. You sell only The Truth, and not even that, sometimes. You know when to keep
silent as well as who to talk to. And your prices -- for silence or for talk -- are always reasonable.
Strong Suits: Perception, Stealth, Trader.
Possessions: Smart but unobtrusive clothes; a small pistol (for extreme emergencies); a notebook, and a Europan
pocket-watch and pen.
In Your Diary: Cryptic (possibly coded) notes on events and personalities; financial accounts; speculations on
motivations and possibilities.
Why You're Here: You deal in information -- and that is something that Europan adventurers certainly need.
Furthermore, their activities may unearth more interesting facts, for which you could find a market in future. They may
pay well for guidance and advice; they are certainly unusual company, and years of spying have made you wearily
familiar with the local folk, with their petty failings and rivalries. You'll have to be careful; you have become
dangerously interested in personal danger.
Street Kid
You are the child of the city streets. If your parents are still alive, they despair of you, and may even be thinking of
disowning you -- just because you aren't interested in breaking your back working all day and all night in some
pointless job!
But you're convinced that you have a Greater Destiny. You just have to find it. You enjoy the bazaar tales of Aladdin
and Ali Baba, and you feel that you could accomplish just as much as them, given half their luck -- which you're
convinced will come. In the meantime, why shouldn't you enjoy yourself? Your friends aren't as bad as people like to
say, and they are a lot more fun to be around than "respectable" folk.
And you're not without honor. You're quite prepared to respect the laws of hospitality, if anyone ever gives you the
chance. You're certainly not a thief. Oh, you like to play the odd joke, but why should the bazaar fruit-seller begrudge
you one of his peaches? You've done him enough favors. You're sure you have.
And you'll certainly be generous to him, when you find your Destiny.
Strong Suits: Athletics, Stealth, Trader.
Possessions: Ragged clothes; a hidden knife; a few cheap trinkets, "accidentally" acquired.
In Your Memory: Details of the layout of your home town, especially back-alleys and hiding places; dozens of
bazaar stories and heroic legends.
Why You're Here: These Farangi visitors need a guide, and they pay well; perhaps you've even found yourself in
their debt. You heard somebody warn them that you're untrustworthy, and you're determined to prove otherwise.
Anyway, this is an adventure, just like in the stories. Perhaps it's even your Destiny!
Young Turk
A simple fact; you are a loyal servant of the Ottoman Empire, for which you would fight and die. Those who say
otherwise, lie.
You probably sought to serve the Empire in the Tanzimat Civil Service, or perhaps the Army. In order to perform your
duties properly, you studied both the state of the Empire and the rest of the world. This brought home to you a terrible
truth; Turkey has fallen far behind in every essential area. The Empire is ruled by a Sultan who is out of touch and
possibly even mad, and a Court full of blind, greedy, Viziers. Your country is the laughing-stock of Europa.
There is some debate as to how much reform is needed. Some hold that a little more democracy, and the rooting-out of
corruption, would suffice; others say that Turkey should abandon its ungrateful Empire, and transform itself into a
modern republic. Perhaps you are still making up your mind.
As a patriot, you could not help but speak out, and join a group of like-minded reformers. Unfortunately, yours is not a
safe opinion. You have either been forced to go into hiding, or you traveled abroad to Paris, the meeting-place of the
"Young Turks," and now you have returned in secret. The agents of tradition would doubtless knife or strangle you in
a dark alley, given the chance -- but you will give them a run for their blood.
Strong Suits: Courage, Education, Ottoman Way.
Possessions: "Westernized" clothes; revolver; a secret bundle of assorted foreign currencies for emergencies; a couple
of Europan books of political theory.
In Your Diary: Notes on schemes for Reform; coded addresses of friendly contacts and safe hiding-places; drafts of
essays on your Cause; lists of possible enemies.
Why You're Here: Associating with Europans is dangerous -- you do not want your enemies calling you a traitorous
Christian-lover -- but you must take your allies where you find them, and after all, you are prepared to learn from the
West. Furthermore, you feel that there is merit in convincing these people that not all Turks are superstitious and
backward. For now, you and they may both be on the trail of some villain who is no friend to Turkey or the West; or
perhaps they are potential or current sympathizers, and you feel the need to cultivate them. Certainly, the adventure
they are undertaking could teach you something new about the world.
The Multi-Classed Thief
by Greg DeAngelo
Art by andi jones
The Multi-Classed Thief Settlers of Catan, the German game of resource management,
expansive growth, and high-stakes commodity trading, has spread
across American table-tops in rapid fashion. As J. Hunter Johnson
noted in his article adapting FUDGE Dice to the game, Settlers of
Catan is a game of building things to get points. In a nutshell, the
more you build, the more resources you obtain to build more
things and get more points.
But the chaos of land clearing and road building that accompanies
the settlers as they claim their manifest destiny on the continent of
Catan has evidently left some feeling betrayed. The
disenfranchised and impoverished have turned to a life of crime.
The Robber and Pirate are detailed in the rules, but why must the
thieves be confined to the wilderness and the docks? Surely there
are more riches to be won and treasures to be had on the roads
and in the cities! And what of the desert nomad and deceptive
spy? Four quick variants of the Robber follow; use some or all to
spice up your next settlement of Catan.
All of the robber variants use the same general rules for movement that the basic robber uses. If a "7" is rolled, then
the "robber" is moved, no matter what it's current role is or where it's currently located -- the robber token has to be
moved. The robber can also be moved at any time by playing a knight (soldier) card. Note that you can play a knight
before you roll the dice on your turn. Also, a played knight joins your army face up in front of you; a discarded knight
(see below) is placed on the development card discard pile.
The Pirate
(Reprinted from the "Alternate Rules for Experienced Players" section of the rulebook for reference.)
"In addition to the normal rules for the robber, the robber can be placed on any port hex. While the robber is there, no
trades may be conducted using that port. The player who moved the robber can still steal a card from a neighboring
player as normal."
The Highwayman
This robber can be placed on any section of road. The player who moved the robber can steal a card from the owner of
the road. No further construction (roads or new settlements) can be built at either end of a road with a Highwayman on
it. The Highwayman has no impact on existing construction.
The Nomad
The Nomad is master of the desert wastes! Whenever the robber is not in the desert hex, roads can be built for free
around the entire circumference of the desert. (One free road per turn, and following the normal rules of road
placement.) But, if the robber is placed in the desert, the player who moved the robber can steal a card from any player
with a road or settlement along the circumference of the desert. In addition, before you roll the dice on your turn, if
you have a road located on the desert's circumference and the Nomad is in the desert, you must either pay a wood card
or a brick card, or sacrifice one of the roads.
The Spy
This robber can be placed on (next to) a city. You do not get to steal a card from the player who owns the city; doing
so would blow the spy's cover. But while the Spy is in a city, the city earns resources as if it was only a settlement (one
resource from each land hex instead of two), and the city also counts for one victory point, not two.
The Marauder
This robber can be placed on one of your own roads. Then, you can sacrifice the robber (by placing it to the side of the
board) and sacrifice some number of knights (soldiers) to tear down adjoining construction built by other players. If
your Marauder's road connects to an opponent's road, force the player to discard that section of road by sacrificing two
knights (i.e., by discarding them to the discovery card discard pile). Sacrifice four knights to tear down a settlement,
and sacrifice seven knights to tear down a city. Sacrificed knights can come from your army (face up in play) or from
your hand.
Closing Thoughts
It's a good idea to use the optional "no robber for two turns" rule with these variants. Just leave the robber off the board
for the first two series of turns, and reroll any results of "7". Otherwise the crucial initial progress can be unfairly
curtailed by an untimely visit from this most unwelcome intruder.
Another idea is to have each player start with one knight card in addition to the resource cards obtained upon placing
your second settlement. With more than four players, use two robbers to shake things up even further.
An Introduction to Tabletop Gaming
by Andrew Moffatt-Vallance
Art by andi jones
Photographs by Andrew Moffatt-Vallance
An Introduction to Tabletop Gaming One of the oldest branches of the adventure gaming hobby is tabletop
wargaming with miniatures. It has its origins way back in Kreigsspiel,
a very detailed set of rules first used by the Prussian military last
century. Recreational tabletop gaming is almost as old. H.G. Wells'
Little Wars dates from the turn of the century, and that redoubtable
publication, Jane's Fighting Ships, began life as a technical annex to
Fred T. Jane's naval wargame rules.
The novice to tabletop gaming is faced with a vast range of periods

and forms to choose from. They can find rules and figures (or
models) to cover virtually any period and form of warfare. From the
battles of First Dynasty Egypt, to Nelson's struggles against
Napoleon's navy, to conflicts on distant worlds in a galaxy far, far away, all have been covered. However, the hobby is
usually divided into several broad "periods." These are: Ancients (3000 BC to 1500 AD), Pike and Shot (1500 to
1700), Horse and Musket (1700 to 1900), First World War (1900 to 1930), Second World War (1930 to 1960), and
Modern (1960 onwards). Then there is the division between land, naval and aerial gaming. Naval and aerial wargaming
are usually very much the "junior" branches of the hobby (especially true for aerial wargaming), but they have their
own distinctive feel and challenges.
For the beginner I would recommend starting with either Horse and Musket period land-based warfare, or its
equivalent naval period (Age of Sail). Both of these periods have a wide range of figures and rules available, and one
can usually be sure of finding an opponent. Naturally, since the period is very broad, it is usually divided up into many
sub-categories. As many as there are wars, in fact. The most popular are probably Napoleonic, American Civil War,
and the Seven Years' War. My own personal favorite period for the beginner is the American Civil War: well
documented, relatively few troop types to deal with, and a good range of inexpensive plastic figures available.
The first order of business is to assemble an army or fleet. Most wargamers use either 25mm or 15mm lead figures, or
1/1200th-scale ships, though many other scales are available. However, the beginner is often on a tight budget and the
cost of a lead army can be quite daunting. Fortunately, there is an alternative. A number of manufacturers produce a
wide range of quality plastic 25mm figures that can be purchased at very reasonable prices.
Here in New Zealand, I recently built up a respectable ACW army of

150 infantry, 30 cavalry, and 2 artillery pieces, all for the price of a
single GURPS worldbook. These plastic figures are also great for
roleplaying; a box each of Italeri Knights and Esci Barbarians has
An Introduction to Tabletop Gaming
given me more fantasy figures than I know what to do with. The

American Civil War is particularly well-covered in plastic figures,
with all major troop types being available, but Napoleonics, the First
and Second World Wars, and Moderns are also well served. The
down side of plastic figures is that paint tends to flake off them.
However, this can be overcome with proper preparation. First, wash
your figures in detergent to remove any grease, then undercoat them
using an acrylic varnish or diluted PVA glue, then finally paint them
(using reasonable quality acrylics). It is most important to use acrylic
paints, as these shrink slightly when dry.
For naval gaming, the choices are rather more limited. However, a
respectable ship-of-the-line can be constructed using balsa hulls,
drinking straw masts, toothpick yardarms, and paper sails. The get
the dimensions (available in numerous reference books), draw a rough scale outline on some heavy cardboard, add a
foc's'l and a quarter deck, then cut out the ship. Stick them together, add three masts, paint and you've got a Ship-of-
the-Line for less than the cost of a softdrink. Alternatively, Airfix produces a useful HMS Victory kitset that, with the
aid of a hot craft knife, can be cut down to produce a respectable Two- or Three-Decker.
So, having assembled one's army (or fleet), where next? Very few battles are fought on featureless flat battlefields, so
the next requirement is terrain (this is much less of a problem for naval wargamers!). Again, there is a wide selection
of commercially manufactured terrain available, but the cost can prove daunting to the beginner. In fact, many
wargamers are quite willing to spend a small fortune on figures but are penny-pinchers when it comes to scenery. This
is rather curious, given that one of the biggest attractions to tabletop gaming is its visual impact. However, there are
alternatives. With a little bit of ingenuity, most terrain features can easily be constructed from readily available
materials.
An Introduction to Tabletop Gaming Hills can be manufactured from fiberboard ceiling tiles, cut into
various shapes to represent contour lines. For the more adventurous,
truly spectacular results can be achieved with customwood and a
jigsaw. Raiding your garden for twigs (make sure to ask partners or
parents first!) can produce trees. Varnish the twigs, decorate with tufts
of green or brown cottonwool, and stick them in a plasticene base.
The same twigs can also be glued together to make simple fences.
More substantial fences and walls call for either balsa or heavy
cardboard. Roads and streams can be produced from colored strips of
cardboard. Odd squares of carpet and linoleum can be pressed into
service as fields, etc. Buildings probably present the greatest challenge. My first buildings were simple card
constructions, adorned with felt marker windows and doors; and these were perfectly serviceable. With the advent of
computer drawing packages and cheap color printers however, life has become much easier for the economy minded
gamer. Simply draw your building, use the preset fills to decorate it, print it out, stick it onto cardboard and cut along
the dotted lines. Make sure not to glue the roof of your building on to the walls, that way you can remove it to place
figures inside it.
So having gathered your army and constructed your terrain, all you require to do battle are some rules and an
opponent. While some gamers (myself included) write their own rules, it is probably advisable to start with one of the
commercially available sets. You can sometimes find rulesets in your local library, or if there is a wargames club
nearby, this can be another source. A local wargames club is also an excellent place to find that other vital ingredient,
an opponent.
So now you have your army, terrain, rules and opponent. How do you win battles? First read up on your period. Most
military commanders are not fools and there are usually very good reasons for historical tactics. As in real life, it is
advisable to start small and progressively work your way up to larger commands. Begin with say a brigade or a
handful of battalions before you attempt to recreate Waterloo or Gettysburg. There is a great deal of enjoyment to be
had in such small scale actions, and they give you a good grounding in the tactics and methods of your chosen period.
You'll see how the troops of your army (or navy) work together, figure out the strengths and weakness of each
element; and before you know it, your forces will be sweeping all before them (well at least sometimes).
Further Reading Useful Files
Bath, T., Setting up a Wargames Campaign, Wargames Research Group. House.PDF is a building you
Featherstone, D., War Games, Arms and Armour Press. can print out and use for
Featherstone, D., Wargaming through the Ages (4 vols.), Stanley Paul. your table top skirmishes.
Hague, P., Sea Battles in Miniature, Patrick Stephens Ltd.
Quarie, B. (editor), PSL Guide to Wargaming, Patrick Stephens Ltd. 74.pdf is a Napoleonic 74
Quarie, B., Airfix Magazine Guide 4, Napoleonic Wargaming, Patrick Stephens Ltd. gun ship and 32 gun frigate
Spick, M., Air Battles in Miniature, Patrick Stephens Ltd. in 1:600 scale.
Various, Campaigns in Miniature (series), Patrick Stephens Ltd.
Wise, T., Airfix Magazine Guide 24, American Civil Wargaming, Patrick Stephens Ltd.
Wisencraft, C., With Pike and Shot, The Emfield Press.
Compiler's Notes: GURPS Who's Who 2
by Phil Masters
Art by andi jones

Early on in discussions of the GURPS Who's Who project, Steve Jackson Games and I realized that it was likely to
demand more than 128 pages. There were just too many candidates from across all of history to boil it down to one
book. Fortunately, the powers that be agreed that this was a good excuse to get two good books out of the idea.
Volume 1 was produced fairly briskly, to slip into the schedules early this year, and we had no trouble finding 52 good
submissions; then, after a short pause in which I drew breath, we fired up again for volume 2.
And -- surprise, surprise -- by the time I'd finished taking

submissions from all the smart, versatile GURPS-and-
history fans out there, it was clear that the second volume
wasn't going to suffer from a shortage of good material
either. In fact, in the end I dropped most of the ideas that I'd
been playing with for "supporting structure," trimmed what I
kept to a lean, mean minimum, and crammed in no less than
56 historical figures this time around -- from, no kidding,
Sargon of Assyria to Sid Vicious. It was worth it. Once
again, people had impressed the heck out of me with a
display of research and writing, from the famous to the
weird.
And no, I didn't get just those 56 good submissions, either.

To my frustration, I had to slam the brakes on while I knew
that people were still developing ideas, and then to exclude a
heap of good ideas. Future publishing plans are up to Steve
Jackson Games, not me, but if these first two books sell as well as I think they deserve, then I think that someone ought
to be talking about a third, some time. Meanwhile, we've got some cool stuff lurking in limbo . . .
One figure that might be interesting for such a treatment in a future book is the, umm, ever-controversial Karl Marx.
Actually, I did a brief treatment of Marx for the "short entries" appendix that I subsequently had to trim (though not
delete altogether); he was one of the names that was eliminated in that process. Since then, I've read a little more about
the man, and come to the conclusion that I should have written more about him anyway. But here's some basic notes
for the moment:
Karl Marx
Karl Marx was born in 1818, in Prussia, the son of a Jewish lawyer of liberal sympathies. He went to university at
Bonn and Berlin, living the life of a German student of the day -- getting drunk, even fighting a duel on one occasion -
- but also developing radical interests. He studied Hegel's philosophy, which claims that everything progresses through
the clash of opposites, but took a more materialistic approach than Hegel himself. In 1842, he became a journalist, and
soon the editor of a liberal Berlin newspaper, which was highly successful before it was banned for being too
outspoken.
In 1843, Marx married and moved to Paris. In 1845, the Prussians caused him to be deported from France; he moved
to Belgium, where, in collaboration with Friedrich Engels, he wrote a series of books and The Communist Manifesto,
with its climactic call, "The proletarians have nothing to lose but their chains. They have a world to win. Workers of
all countries, unite!"
In 1848, revolutions and uprisings spread across Europe, and Marx worked for the cause in France and Germany. But
the radicals were suppressed, and in 1849, Marx moved to London. (Britain, standing aloof from events in Europe, was
relatively tolerant of radical activists.) There, he fell into poverty, and several of his children died; Engels gave him a
little money, and he also wrote for The New York Tribune, but he ironically proved unable to budget below the
comfortable bourgeois level at which he had been raised, which was more than he could afford; only more money
from Engels, who was rising in his family's manufacturing firm, saved him from disaster. Prussian spies, who had been
watching him, wrote him off.
Marx took to the British Museum library, developing his masterwork, Capital ("Das Kapital"), a lengthy discussion of
society, history and economics, and the way he expected capitalist society to disintegrate into revolution. In 1864, he
joined the "International Working Men's Association," which eventually made him famous across Europe as one of its
leaders, but which also embroiled him in arguments with anarchist members, who he despised. He died in 1883; Only
one volume of Capital had been published by then, but Engels edited and published the remaining two.
Despite his membership of radical movements, Marx was a very poor orator; he worked best in small groups, or alone,
as an "ideas man," and it was his ideas that survived, to be picked up and adapted for very different circumstances by
Lenin and Mao. The face of the German philosopher eventually looked down on military parades in Moscow and
collective farms in China; what he would have thought of this is uncertain, but he would probably have been pleased
to know just how much of an ogre he became to the political right.
Today, with the fall of all but a couple of die-hard Marxist states, Marx might seem completely discredited. However,
some of his ideas -- about the decline of social relationships, or on the way that systems carry the seeds of their own
destruction -- still strike a chord, even with some on the right, and he still represents one alternative for those who turn
against modern capitalism; they can argue that, like other beliefs, Marxism has not so much failed as never been tried.
Perhaps, in future centuries, there will still be Marxist revolutionaries -- or perhaps academics will borrow fragments
of his theories without having to worry about their reputations.
Removing Marx from history might make a vast or a limited difference to the 20th century. The revolutionary
movements that used his name and ideas might well have found some other ideology; history is hardly short of
anarchist, socialist, and revolutionary thinkers. Certainly, many of the governments that fell to "Marxist" revolt were
ramshackle empires, decaying kingdoms, or corrupt plutocracies ripe for some kind of revolution. On the other hand,
Marx's densely-argued theories, with their "scientific" analysis and suggestions that revolutionary victory was
historically inevitable, provided an especially handy rallying-point, and also inspired numerous attempts to organize
economies and societies on specifically "Marxist" lines. Ironically, Marx's own logic would seem to suggest that no
single individual is crucial to the grand sweep of history.
Another cut; the biography-devouring Bill Stoddard came through on this volume as on the first, and perhaps as a
matter of statistical inevitability, some of his submissions were squeezed out of the final plan. One of these was a
treatment of classic '50s rocker and tragic death-too-young Buddy Holly. Actually, though, I took the excuse to read
up on Holly a little myself, and -- with Bill's permission -- I revised his entry in accord with what I found. Here it
goes:
Buddy Holly
Total Points: 64
Born 1936; Died 1959.
Age 22; 5'11"; 145 lbs.; a wiry young man with dark-rimmed glasses.
ST: 10 [-] DX: 12 [20] Speed: 5.5
IQ: 12 [20] HT: 10 [-] Move: 5
Dodge: 5
Advantages
Manual Dexterity +1 [3]; Musical Ability +3 [3]; Reputation +1 (as a recording star, among rock and roll fans) [3].
Disadvantages
Bad Sight (nearsighted) [-10]; Sense of Duty (family and close friends) [-5].
Quirks
Goes driving to think; Impatient with others' horseplay; Prone to snap decisions; Racially tolerant, with a taste for
black music; Religious believer (but prone to moral lapses); Shy and moody. [-5]
Skills
Area Knowledge (Texas)-12 [1]; Artist (specialized as Draftsman)-8/14 [1/2]; Carpentry-11 [1/2]; Dancing-11 [1];
Driving (Car)-11 [1]; Electronics Operation (Recording Equipment)-10 [1/2]; Fishing-11 [1/2]; Gambling-10 [1/2];
Guns (Pistol)-13 [1/2]; Guns (Rifle)-13 [1/2]; Leatherworking-11 [1/2]; Masonry-11 [1/2]; Mechanic (Gasoline
Engines)-10 [1/2]; Motorcycle-11 [1/2]; Musical Composition-17 [6]; Musical Instrument (Bass Guitar)-13* [0];
Musical Instrument (Drums)-13 [1]; Musical Instrument (Guitar)-16 [6]; Musical Instrument (Piano)-13 [1];
Performance-10 [1/2]; Poetry-12 [2]; Powerboat-10 [1/2]; Singing-16 [8]; Sports (Water-Skiing)-10 [1/2]; Survival
(Desert)-10 [1/2].
*Default from Guitar.

All skills are at TL7 where relevant.
Languages
English (native)-12 [0]; Spanish-10 [1/2].
Equipment
Holly owns various guitars, notably a Fender Stratocaster. He drives a Cadillac sedan or rides an Ariel motorcycle
(although touring requires him to go by bus or plane). When on tour, he carries a .22 "vest pocket" pistol in his shaving
kit, for protection when carrying cash payments. (When dealing with especially shady-seeming promoters, he may
sometimes mention this.)
On his 22nd birthday, Holly has been married for three weeks, and he is Not How it Used to Be
starting to think about breaking off his contract with his manager. He has
begun exploring new types of music, from flamenco to contemporary pop, The obvious change in Buddy Holly's
and is thinking about doing a gospel album. His health would be good were life would be not to end it early, but
it not for a persistent stomach ulcer, which goes badly with his taste for rich to prolong it. When he died, he was
food and the occasional drink. starting to develop a more complex
sound; rock could have matured more
Holly was considered good-looking in high school, but acne scars and a light quickly through his contributions. His
build later diminished his attractiveness. However, the scars have now been willingness to write for other
medically treated, and he has worked out in the gym enough to put on some performers would have helped this.
muscle; with the grooming appropriate to a successful stage performer, this He had also started to think about
could justify Attractive Appearance. His music makes a fair amount of getting involved in the business side,
money, but his manager is difficult about releasing it; although he can as a producer; a chain of studios
sometimes afford a new car or generous gifts, he often has to live off others,which he ran could have given
to his embarrassment. greater emphasis to the performer's
ideas and hastened the emergence of
Incidentally, Holly never learned to read music, although late in his career
rock as a vehicle for personal
he took a few lessons in stagecraft with a view to his career options. He may
statements. Perhaps a group of
have driven his brother's 18-wheeler truck a few times, and he apparently
musician PCs could sign with one of
took one flying lesson, but neither would be enough to raise the relevant
the great independent labels of the
skills above default.
1960s and 1970s -- run by Buddy
Holly.
Biography
How would he have dealt with the
Charles Hardin Holley was born in 1936 in Lubbock, Texas, the youngest social crises of the 1960s? It seems
child of a working-class family who nicknamed him "Buddy." His parents likely that he would have supported
emphasized hard work and Baptist church values; they were also musical, the civil rights movement. Perhaps
and supported their son's career. He was an average student, bright enough the decade would have been
to get acceptable grades without working too hard; he also raised a little hell remembered more for idealism and
while growing up (there are persistent though unreliable stories of an less for nihilism, had he lived to see
illegitimate child), but he took his religion seriously. He did develop a taste it.
for black music, which led him to reject the racism prevalent in his
environment. On the other hand, PCs in an
alternate 1980s might meet an
In junior high school, he and his friend Bob Montgomery began performing embittered middle-aged man who
rock and roll. A local radio announcer, Hi Pockets Duncan, encouraged looks back on a music scene that left
them, and agreed to act as their manager. One of their performances him behind and a hasty youthful
attracted the attention of Eddie Crandall, a Nashville agent, who offered marriage that fell apart. This could
Holley a contract with Decca in 1956 -- on which his last name was spelled make a great "nothing to lose"
"Holly," a change he accepted as easier for people to remember. character. (See GURPS Wild Cards
for a somewhat similar What If.) And
The contract did not include Montgomery, who dropped out gracefully; for a different variation, note that the
likewise, Duncan was unable to travel. Holly recruited a new band, promoter "Colonel" Tom Parker took
borrowed $1,000 from his brother for his first Stratocaster, and went on tour, a brief interest in the young Buddy
not very successfully. He started recording in Clovis, New Mexico, at a Holly, but decided to focus entirely
studio owned by Norman Petty. Despite Duncan's warnings about Petty's on his greatest discovery, Elvis
business reputation, Holly's band signed him as their new manager. Presley. If Parker had taken control
of Holly's career, the clash of
Following some turnover in membership, the new line-up chose the name temperaments would have been
"the Crickets" and released "That'll Be the Day," their first hit. This led to a interesting; Holly might not have
national tour (on which some promoters who had heard Holly's music, been as manipulable as Presley.
assuming he was black, booked him into black venues). Their initial show at
the Apollo in Harlem had an unfriendly audience, but the band's energetic
The Day the Music Died
performances won the crowd over. In December, they appeared on the Ed
Sullivan show.
There were some unconvincing
In June 1958, in New York, Holly fell into conversation with Maria Elena fringe theories about Holly's last
Santiago, a Puerto Rican receptionist at Peer-Southern Music. He asked her flight -- suggestions that the
to go out with him that night, and (according to legend) asked her to marry musicians had been taking drugs, or
him over dinner. The marriage was not publicized, because of Holly's sense that Holly's pistol, which turned up in
of privacy and because of concern about public reaction to his marrying a the wreckage, had been fired. In an
Hispanic woman. However, she became a partner in his business decisions Atomic Horror or Illuminated
and encouraged him to break with Petty, who was at best possessive, at campaign, that flight might end much
worst obsessively manipulative (and not terribly useful in dealings with the more mysteriously -- not with a
New York-based music industry); however, the Crickets stayed with Petty. crash, but with a disappearance.
(Maria Elena probably had rather better business sense than her husband; in Holly and his companions might still
GURPS terms, she could rate as a useful Ally or Contact.) be alive as prisoners of aliens, in a
hidden base on Earth or in space. PCs
From late 1958, Holly lived in New York, for business reasons and because might meet Holly after being taken
he disliked Texan racial attitudes. He wrote new songs and started producing prisoner themselves, or might have
records for other artists. Early in 1959, short of money, he agreed to go on a the chance to rescue him.
tour of the Midwest. The tour was poorly run, with freezing, antiquated
buses, and Holly, Richie Valens, and J.P. Richardson, "The Big Bopper," Of course, the fact that a body was
decided to charter a small plane to get them from Mason City to Fargo. found need not be decisive;
Their pilot, a rock fan who was probably under-qualified to fly in the winter sufficiently advanced biotechnology
weather, became disoriented not long after take-off and crashed, killing could easily produce a fake corpse.
everyone aboard. PCs with sophisticated laboratories
might uncover something not quite
Holly in History right about the bodies, if they were
allowed to look.
Buddy Holly was a pioneer in bringing rock and roll, formerly marketed as
"race records," to a white audience. His songs inspired later performers, not
least the Beatles, while one of the Rolling Stones' first recordings was one of
Holly's songs -- and, of course, there was Don McLean's tribute, "American
Pie." After Holly recorded "Peggy Sue," the name turned up in other songs; it
still evokes 1950s rock and roll.
Encountered
On stage, Holly is dynamic; elsewhere, he remains somewhat shy and

moody, though highly determined. His marriage has made him more self-
confident, and he dresses more professionally than previously. He strikes
many people as a "thinking man," who takes everything from his music to
his religion seriously (as demonstrated by a string of innovative touches in
his recordings). Non-white characters will find him unusually free of bias,
and he is capable of both straightforward courtesy and spectacular
generosity.
He enjoys a party as much as most people, and sometimes displays a

somewhat juvenile sense of humor, but his ulcer limits his drinking, and his
increasing impatience with violent horseplay was one cause of stress
between himself and his band. He will accept the offer of a game of cards or
(especially) dice when bored. He sometimes makes snap decisions when he
is tired (a habit which verges on GURPS Impulsiveness); early in his career,
this caused him to sign away rights to some of his work, and it later showed
up in his marriage proposal; it may also be why he chose to take his last
flight.
--William H. Stoddard and Phil Masters
Further Reading:
Amburn, Ellis: Buddy Holly: The real Story.
Goldrosen, John, and Beecher, John: Remembering Buddy.
"The Buddy Holly Collection" (MCA Records -- all 50 songs that Holly ever
recorded.)
The movie The Buddy Holly Story is inaccurate in many details; it catches
some of his character, but is not a reliable factual source.
GURPS Silencer
by Stephen Dedman
Art by andi jones

For this adventure, the GM will need the GURPS Basic Set, GURPS Compendium I, and GURPS Martial Arts. It is
designed for 250-point Martial Arts characters, but is also suitable for cinematic Espionage or realistic Supers PCs. It is
set in the present in a generic large city, and can easily be adapted for any period from Cliffhangers to Cyberpunk.
The city should be large enough to support a number of medium-sized criminal organizations, including the Jinzhi
Shisan (Forbidden Thirteen) triad, and Terranova's gang. The Jinzhi Shisan, ruled by the proud and slightly paranoid
Soong, will not deal in guns, a specialty of Terranova's; ex-addict Terranova hates the drug trade, a big earner for the
triad. Both have always been careful to restrict their activities to their own territory. . . until now.
First Contact
The adventure begins with the PCs walking, as a group, in a low-rent area near the outskirts of Chinatown late at
night. The first hint that anything is wrong is a soft thud, -8 to Hearing rolls, from a nearby alley. PCs who hear this
should roll IQ to identify the sound as a silenced pistol shot (at -2 if they have no Guns skill), and to locate the source.
The next hint, two turns later, is a muffled scream, at -3 to hearing. All of the surrounding businesses are shut for the
night, and the nearest public phone is 150 yards away.
Fisher, Terranova, Jorge and one of Terranova's thugs have cornered Dan Jian and Linda Soong in the alley. Jian has
already been fatally shot in the head, and lies face-down near Terranova's feet. If the PCs run into the alley on hearing
the first shot, they will see Terranova about to shoot Linda, who is handcuffed to the dumpster handle; their arrival will
distract him enough so that he shoots Linda through the torso rather than the vitals. If the PCs move when they hear
the scream, Linda will be shot through the heart once for 15 points of damage, but they will be in time to prevent a
second shot being fired and possibly save her life.
PCs will recognize Terranova on a roll on Streetwise at -3, or Area Knowledge (City) at -5; they will not recognize the
others. The four villains are armed but scared of making too much noise; unless the PCs fire first, only Terranova will
shoot, and only with the .22 (6 shots remaining). Fisher, a crooked vice cop, will not stick around to fight at all; he'll
immediately sprint to the gate, climb over it, and head for his car (parked around a corner 60 yards away), dodging any
attacks and eluding any pursuit. It is dark in the alley (-7 to Vision rolls), and improvised weapons (see p.B101) can be
found with a Vision roll. Defeating the three remaining villains should be fairly easy; deciding what to do next may be
more difficult. (If the villains win, they will place the .22 in the hand of one of the PCs who hasn't been shot and
escape, leaving Linda to bleed to death; the PCs will revive in hospital with a police guard and be charged with Jian's
and Linda's murders. See "Trial by Ordeal," below.)
If the PCs report the incident to the police and indicate a willingness to testify, this will enable Terranova to trace them
quickly and easily, but it will also improve the odds of Terranova being found guilty of Linda's murder. If they don't
report it, or report it anonymously, it will take Terranova 1d+1 days to find them (GM may modify for reputation,
distinctive appearance, etc.), but the chances of making the murder charge stick will be greatly reduced.
If any of the PCs stay in the alley long enough to attempt first aid (not just bandaging, which may be enough to save
Linda's life), the police will arrive before they've finished and demand a statement.
If caught, Terranova, Jorge and the thug will be jointly charged with Jian's murder; Terranova and Jorge will be
released on bail two days later, and turn their attention to silencing any witnesses.
If the PCs don't make a statement to the police, go to "An Offer You Can't Refuse."
The Old Curiosity Shop

If the PCs have made a statement, one of them will receive a phone call from Soong three days after the fight. Soong
wishes to meet the people who came to his granddaughter's rescue and express his gratitude. If none of the PCs accept
this invitation, Soong will try appealing to any well-known weaknesses they may have (he is well-placed to exploit
Lecherousness, Greed, Gluttony and most Addictions; he may also try the ruse of inviting the PCs to a martial arts
tournament with a $5000 purse). If none of the PCs can be persuaded to meet with him, Soong will assume that this is
a deliberate insult or that the PCs are involved in one of many plots against him, and send Ho and two students to
fetch one of them for interrogation (see "The Death of a Thousand Cuts," below). If neither carrot nor stick works, go
to "An Offer You Can't Refuse."
PCs who roll on Area Knowledge (Chinatown) at -2 will have heard that Soong, owner of Soong's Oriental Imports
Emporium, is the secretary of one of Chinatown's largest tongs, a fraternal society of peaceful and mostly law-abiding
shopkeepers and restauranteurs. A successful roll on Streetwise at -5 will reveal that Soong also deals extensively in
stolen goods. A critical success on either will reveal that Soong is secretly the brains behind the Jinzhi Shisan
(Forbidden Thirteen) triad, one of the city's major dealers in heroin, prostitution and illegal gambling.
Soong's Oriental Imports Emporium is a Chinatown junk shop adorned with strange stuffed animals and assorted
weapons, as well as Chinese cookware and groceries, imitation Ming vases and terra-cotta warriors, happi coats, kites,
cheap toys, costume jewelry, postcards, etc. Weapons available for sale include 1d+1 of every Chinese Weapon and
knife listed in the weapons table (p.MA89-92), and a large selection of combat fans, shuriken and tetsubishi. Most are
cheap quality, at 75% of list price, though some of the knives are fine or very fine and hideously expensive.
When the PCs visit the Emporium, Soong and Little Ho will be behind the counter. Soong will ask the PCs to tell him
what happened and to describe the people who killed Jian. A good description (Bard -3, or Artist -1) will enable Soong
to recognize Terranova and Jorge, but not Fisher or the thug. If the PCs speak Mandarin or Cantonese, add +1 to
reaction rolls (+2 for a skill of 10+).
If Soong has a Good or better reaction to any of the PCs, he will give them each a gold ingot worth $500 in gratitude
for saving his granddaughter, and offer them $10,000 if they can identify the man who ran from the alley. On a Poor to
Neutral reaction, he will give only one gold ingot for the party, but the offer will be the same. On a Bad or worse
reaction to most of the group, Soong will suspect that the PCs may have been involved in the murder, or are at least
holding something back, and will summon the students from the kwoon (2 for every PC). Ho will draw his butterfly
swords from beneath the counter, and the PCs Soong dislikes will be firmly discouraged from leaving. If the group
decides to stick together, they will all be attacked, unless one defuses the situation with an Influence roll.
If the PCs escape, Soong will order Ho and the students to follow them and try to bring them back. As they probably
know the alleys and short-cuts of Chinatown far better than most PCs, the GM may allow them to ambush the PCs in a
less restricted area (contest of Area Knowledge skill).
Note: the sidewalk outside Soong's is usually crowded (1d-3 obstructions per hex) and the students will only be able to
rush in one or two at a time. The interior of the shop is also filled with shelves, display cases and often fragile
merchandise; anyone being thrown might land on a soft stack of T-shirts, or on a glass case full of tetsubishi (DR 2; if
it breaks, multiply falling damage by 1.5), and a wild swing with a Heavy Horse-Cutter is more likely to bring down a
half-dozen paper lanterns than an opponent. Use lots of onomatopoeias.
The Death of a Thousand Cuts
If Soong and Co. capture any PCs alive, they will tend to their wounds (preventing any bleeding but not restoring any
hit points) then carry them through a labyrinth of tunnels to a small, damp space where no-one can hear them scream.
Soong will then strip-search them.
If/when the PCs wake up, they will find themselves bound hand and foot (-2 to Escape rolls). The students who've
helped carry them down are on their way back to the surface (Soong doesn't want anyone overhearing what the PCs
have to say), leaving the PCs alone with Soong and Little Ho.
The only light in the chamber comes from an electric lantern, absentmindedly placed within reach of one PC's feet. If
it is turned off or broken (DR 2, HP 1), the chamber will be plunged into absolute darkness, giving an advantage to
characters with blind fighting. The light is also the only thing scaring away the rats; if it is turned off or taken away,
1d+1 swarms will creep into the chamber within a minute. Soong will not hesitate to use this as a threat.
Soong will interrogate the PCs for about an hour or until he is satisfied that the PCs have told him everything they
know (whichever comes first). He and Ho will then leave the PCs to the mercy of the rats.
If the PCs escape from their bonds and try to blunder through the tunnels in the dark (Absolute Direction will only
work for a character who was conscious when being carried down), they will eventually encounter Terranova and two
thugs. If they have a light (or some super-sense that works in absolute darkness) they will find a ladder leading to a
Chinese laundry where they can buy, borrow or steal some clothes before returning to the streets.
If the PCs can't escape Soong and/or the rats, Terranova and two thugs will arrive in time to save them (having been
tipped off by one of the students). Armed with silenced H&K MP5s, and equipped with infrared goggles (as well as
heavy flashlights), they will mow down Soong and Ho if they're still present, then loot their bodies. Rather than carry
the PCs, however, they will free their legs and have them walk at gunpoint back through the maze of tunnels.
Terranova will walk six feet behind the others, a flashlight in his left hand to point the way and deter the rats, an MP5
in his right. Fighting or running in these circumstances will be risky, but not necessarily suicidal; Terranova also wants
the PCs alive long enough to question. Go to "Getting Away From It All."
An Offer You Can't Refuse

A week after his arrest, Terranova will attempt to use his one of his contacts in the movie business, Zen Cowan, to lure
the PCs into a trap. Cowan started his career importing and dubbing cheap chop-sockey movies from Asia, and
became a producer of ridiculously successful action movies, known for big budgets, spectacular fight scenes, attractive
starlets, thin skimpy plots, and thinner skimpier costumes. All of the PCs will have heard of him, but none will know
that he is deeply in debt to Terranova.
Cowan's secretary (Voice advantage; Diplomacy-14, Savoir-Faire-16, Sex-Appeal-15) will invite all the PCs to a
charity premiere of Cowan's new film, Age of the Sword, followed by a lavish party. Cowan, she explains, has signed a
contract for a $50m martial arts film, Dark Arena, and wants practitioners of many different styles to perform stunts,
train actors, act as consultants, etc. Apart from the possible financial rewards and the chance to rub shoulders with
celebrities and other martial arts champions, Cowan's parties are famous for catering to a variety of tastes and
addictions. This really is an offer that only paranoid and demophobic PCs should be able to refuse.
Roleplay the party long enough to put the group off their guard. Possible incidents include tournament combat with the
PCs' heroes or rivals; demonstrations of karate art or cinematic skills; arm-wrestling contests with Hollywood hunks
(or mud-wrestling with starlets, if that's more to the characters' taste); admiring Cowan's collection of weapons;
answering stupid questions from journalists and PR flacks; rescuing wannabe actresses from predators with stealthy
knee-strikes and finger locks; etc. Meanwhile, Terranova will be watching through hidden cameras, and after an hour
or so, will have the caterers dope the PCs' food and/or drinks with knockout drops (treat as a dose of masuizaki
powder, p.MA121; IQ -10 to taste, roll HT -3 to stay conscious for another 1d minutes). Any PCs who resist the
knockout drugs will be enticed into the gymnasium and knocked unconscious by as many of Terranova's thugs as it
takes.
The unconscious PCs will then be driven to Terranova's safe house. Go to "Getting Away From It All," below.
Getting Away From It All

Terranova's safe house is a two hour drive from town, GURPS Silencer
on a badly-lit minor road, with no other buildings for
half a mile in any direction. If any of the PCs revive
before reaching it, they will find themselves in the back
of a van with their hands cuffed behind them. The
cargo container is completely enclosed (though not
airtight), without windows or access to the cabin; -9 to
vision rolls for anyone without Night Vision. The only
doors are at the back; they are not locked. The
handcuffs are -5 to Escape skill, and the chain between
them has DR 4 and 8 hit points; Karate/Boxing bonuses
do not apply, but Breaking Blow and Power Blow may
be used. Failure means thrust damage to each arm;
critical failure automatically means two crippled arms.
Also in the back of the van is one Thug for every two
PCs (round up), a 50-yard coil of 3/8" rope, and a
small green canvas backpack containing 10 US Mk 67 grenades. The Thugs are armed with silenced H&K MP5s
(Damage 2d) and wearing infrared goggles. The back of the van is slightly less than 6' wide and 9' long (2 hexes by 3),
and footing is bad (-3 to any DX roll or DX-based skill, -1 for Pentjak Silat practitioners). If the PCs manage to
surprise or overpower the guards and escape from the van, treat jumping onto the road as an 8-yard fall (for 8d-16).
Worse still, the van is being followed by Jorge and another Thug in the Mustang convertible.
Jorge will concentrate on driving, but the Thug will open fire on anyone who opens the back doors of the van. If
anyone falls or jumps from the van, Jorge will swerve to try to hit them, doing 12d damage. The only effective defense
is a dodge; failing that, Roll with Blow would be extremely useful. The Mustang will stay 20 to 25 yards behind the
van, and both are moving at between 40 and 50 mph, so anything dropped from the van will be underneath the
Mustang one turn later, 20 yards behind it a turn after that. Throwing a grenade under the car won't work, but throwing
one in might; -8 to Throwing skill with Night Vision, -14 without. If successful, roll 1d; on a 1, the grenade has landed
in Jorge's lap; on a 3, in the Thug's; on a 2, between them; on a 4-6, in the back seat. If it lands in the front seat, either
character may make one DX roll to grab it and throw it out; if it lands in the back, neither will be able to reach it in
time. Either way, the blast will wreck the car and kill or K.O. both of its occupants. Shooting at Jorge or the thug is at
-13 to skill with Night Vision (range, speed, and partial cover), -19 without.
If the van stops suddenly, characters in the back of the van will have to roll DX -3 to keep their feet. If the van
accelerates while the doors are open, characters will have to roll DX +2 to stay standing; on a critical failure, they will
be thrown out onto the road.
Climbing on top of the moving van and crawling over the roof (a la Raiders of the Lost Ark) will require two rolls on
Climbing -6 or Acrobatics -3. Once on top of the cabin, a variety of attacks are possible. Note: the van has no hood to
stand on, and standing on the fender without Immovable Stance or a good grip is extremely hazardous.
If Terranova (sitting in the passenger seat) hears anyone on the roof, he will fire his IMI Eagle through the ceiling
(firing blind, -10 to hit; 3d-5 damage). Also in the cabin is a heavy flashlight, a first aid kit, a Remington M870
shotgun, a spare clip for the Eagle, and a large knife.
If the PCs decide to pretend to be unconscious until the van has stopped, they will have to make a contest of Acting or
Body Control against the Thugs' IQ. If this succeeds, they will be conscious when they are carried into the safe house
and their handcuffs are removed. Go to "Hell House," below.
Hell House
If the heroes don't escape from the van, they will be revived with ammonia inhalant capsules (roll vs. HT to wake up),
to find themselves hanging naked from the ceiling in the washroom of the safe house, their hands cuffed around a
pipe, their feet tied. The house (use the "indoor" side of the game map from GURPS Basic Set) has been utterly
stripped of furniture, and the windows have been boarded up. There is no electricity or running water, though the thugs
have a few canteens of water and thermos flasks of terrible coffee, and lighting is provided by an electric lantern and a
few heavy flashlights (one for every two thugs). There will be 1.5 thugs (round up) for every PC, plus Terranova and
Jorge; one will be armed with an AK-47, another with a Remington M870, Jorge and Terranova carry IMI Eagles and
large knives, and the others will have silenced H&K MP5s. Terranova will interrogate his captives thoroughly, beating
their feet with a baton if he suspects they're not cooperating; PCs can Dodge, but not Parry.
PCs who are less than 7' tall will not be able to touch the floor with their feet; this turns ordinary breathing into hard
work (roll on Breath Control, or take 1 point of fatigue every HT minutes or after every strenuous action). The only
attack possible in this position is a kick, and the Thugs will be careful not to come within kicking range unnecessarily
(though they may be tricked into it with Sex Appeal, Psychology, or other methods).
After interrogating the prisoners until he is satisfied that he has learned everything they know about the identities of
the people they saw in the alley, Terranova will leave them hanging while he returns to the city to follow up any leads.
Two Thugs, armed with the shotgun, AK-47, knife, and flashlight will be left on guard, but both will soon fall asleep,
giving the PCs a chance to escape before the others return. The front door is unlocked, the boarded-up windows are
DR 2 and 5 hit points, and the van is parked behind the building. If the PCs are still there when Terranova returns,
their fate will depend on his reaction to them individually; a Good or better reaction will mean a job offer, a poor or
worse reaction will mean continued torture or a bullet to the brain.
Trial by Ordeal
If the PCs are charged with the murders of Jian and Linda, they will be imprisoned unless they can raise bail. PCs with
comfortable wealth, a Patron or a large Ally group may be able to raise their own bail; a Wealthy character can bail
one more party member out; a Very Wealthy character might bail the entire party. Any one left in prison faces the risk
of being attacked by 1d-3 other inmates on a bad or worse reaction roll. This attack should be painful, but not fatal. If
any party members are in jail when Fisher is captured (see "Runaway"), they will be cornered and attacked by 1d-1 of
Terranova's thugs, armed with cheap knives.
A trial by jury is a contest of Law skills. Court-appointed lawyers have a skill of 1d+10, while the prosecution lawyer
has Law-16. Better lawyers will be available to characters who can afford to pay them (Terranova's has Law-19). If
the PCs are charged with Jian's and Linda's murders, individual characters may be encouraged to give evidence against
other PCs in exchange for immunity, a difficult test of group loyalty.
After the trial, the jury will make a reaction roll towards the defendant(s) to determine the verdict, +/- the difference in
the contest of Law skills. Modifiers include defendants' status, and possible intolerance or xenophobia on the part of
the jury. If Terranova is tried, every PC who testifies against him gives a -1 modifier. If Fisher testifies, that gives
another -3.
The jury's reaction is the verdict; a negative reaction means guilty, a positive reaction means not guilty. Neutral
reactions go to the side which won the contest of Law, above.
Runaway
Two weeks after the fight in the alley, a PC will see Fisher, alone, in some innocent but crowded setting (a restaurant,
a shop, etc.) and recognize him as the man who ran from the scene. Fisher will not notice or recognize the player
character unless the PC draws attention to himself. The character will then have to decide whether to confront Fisher in
public, or shadow him. Fisher will fight if confronted, and draw his gun if the PC seems to be the better fighter.
If Fisher is shadowed successfully for 30 minutes, he will lead the PC to one of Terranova's seedier nightclubs.
Terranova, Jorge (if still alive), and several thugs (including the bouncer and barman) will be inside. The hero can then
decide whether to call for back-up and take on the whole gang, or whether to wait in ambush for Fisher and haul him
off to the nearest police station, where he can easily be persuaded to testify. A bar brawl is not obligatory, but it might
be fun.
If the PCs do take on Terranova in the club, there will be enough Thugs to keep the numbers even. The Thugs will be
as heavily armed as the PCs (if the group goes in empty-handed, the Thugs will also be unarmed; otherwise, shotguns,
SMGs, etc., will be hidden behind the bar). The lighting inside is poor, -5 without Night Vision. The dancers and any
other clients will vanish as soon as a fight starts.
Aftermath
In a best case scenario, the PCs will have rid the city of two crimelords and assorted henchmen, including a corrupt
cop. Of course, other crimelords will arise to take their place, so this is only a temporary victory.
In a worst case scenario, some or all of the PCs may spend a few harrowing months in jail before Internal Affairs
catches up with Fisher and their convictions are reversed, so this is only a temporary disaster. If this happens,
Terranova may escape to another city, where the PCs may encounter him in another adventure.
Cast
Fisher
Late 30s; bushy red-brown hair and moustache, blue eyes; 5'9", 130 lbs.
ST 10, DX 13, IQ 11, HT 11. Move 5
Advantages: Double-Jointed; Law Enforcement Powers (Detective, 10 points); Night Vision; Wealth (Comfortable).
Disadvantages: Greed; Lecherousness; Weak Will/2.
Martial Arts: Police Hand-to-hand; Streetfighting.
Skills: Brawling-14; Climbing-15; Criminology-12; Demolition-11; Driving (Car)-14; Electronics Operation/TL7

(Security Systems)-13; Fast-Draw (Pistol)-13; Fast-Talk-14; First Aid/TL7-12; Guns/TL7 (Pistol)-16, (Shotgun)-15;
Holdout-13; Interrogation-12; Judo-14; Law-12; Lockpicking/TL7-13; Mechanic/TL7 (Gasoline engine)-15;
Pickpocket-12; Running-14; Sex-Appeal-12; Shadowing-12; Shortsword-14; Stealth-13; Streetwise-14.
Maneuvers: Arm Lock-16; Choke Hold-15; Face Attacks-10; Feint (Brawling)-15; Head Butt-10; Hit Location
(Brawling)-12; Kicking-14; Knee Strike-15; Rabbit Punch-12; Retain Weapon (Pistol)-17; Roundhouse Punch-12;
Stamp Kick-14.
Equipment: S&W M10 in custom concealed holster; spring-action Tokushu keibo; Swiss army knife; Second Chance
Kevlar vest; Leather jacket. Car contains Remington M870, heavy flashlight, first aid kit, police radio, and gun
cleaning kit.
Michael Fisher has worked his way up from crooked beat cop to detective. Though a very useful member of
Terranova's racket, he has no loyalty to anyone but himself, and will squeal to avoid prison.
Jorge
Mid 20s; prematurely bald, brown skin, black eyes, big ears with 2d rings; 7'8", 258 lbs. Wears black chinos, black
muscle shirt, and black cowboy boots.
ST 17, DX 12, IQ 11, HT 14. Move 6
Advantages: Charisma/1; Combat Reflexes; Musical Ability/2; Very Fit.
Disadvantages: Appearance (Unattractive); Dyslexia; Gigantism; Gluttony; Pirate's Code of Honor.
Martial Arts Styles: Capoeira.
Skills: Acrobatics-14; Brawling-15; Carousing-15; Climbing-13; Dancing (Brazilian)-13; Driving (Car)-12; First
Aid/TL7-12; Garotte-12; Guns/TL7 (Pistol)-17, (other)-13; Intimidation-13; Judo-16; Jumping-14; Karate-14; Knife-
15; Languages (English, Portuguese, Spanish)-11; Leadership-12; Musical Instrument (Drums)-15; Shortsword-13;
Singing-15; Spear-13; Stealth-13; Streetwise-14; Survival (Jungle)-12; Throwing-13.
Maneuvers: Feint (Karate)-16; Ground Fighting (Karate)-12; Spin Kick-12; Sweeping Kick-12.
Weapons: Large Knife in boot; Colt .45 ACP Officers' Model in custom concealed holster (Holdout +3).
Jorge Obregon, Terranova's chief enforcer, was born in poverty on a cassava farm in Brazil, and occasionally wishes
he'd stayed there. He's fairly even-tempered and prefers using his fists and feet to a gun or knife -- but he's not stupid;
if shot at, he'll either shoot back or run.
Little Ho
Late 20s; light golden complexion, black hair, hazel eyes, tough-looking; 6'1", 180 lbs. Wears leather jacket and jeans.
ST 15; DX 13; IQ 10; HT 12. Move 6
Advantages: Fit; High Pain Threshold.
Disadvantages: Bad Temper; Bloodlust; Tong Code of Honor.
Martial Arts Styles: Wing Chun Kung Fu (Cinematic).
Skills: Area Knowledge (Chinatown)-13; Guns (Pistol)-14; Judo-16; Karate-16; Knife-14; Languages (Cantonese,
English)-10; Shortsword-17; Two-Handed Sword-13; Philosophy (Zen Buddhism)-13.
Maneuvers: Arm Lock-18; Back Kick-14; Close Combat (Shortsword)-17; Elbow Strike-15; Feint (Shortsword)-18;
Knee Strike-16; Off-Hand Weapon (Shortsword)-17; Riposte (Karate)-13; Spin Kick-14; Stamp Kick-14.
Cinematic Skills: Immovable Stance-12; Power Blow-10; Pressure Points-9. Cinematic Maneuvers: Dual-Weapon
attack (Shortswords)-17; Enhanced Parry (all weapons); Sticking-15.
Weapons: Butterfly swords.
Little Ho is Soong's great-nephew and chief enforcer, and absolutely loyal. He likes decapitating the Triad's enemies,
especially those who irritate him by being taller than he is.
Soong
Looks ancient but spry (actually 77 years old); weather-beaten golden complexion; long white hair, moustache and
beard; black eyes; 5'2", 165 lbs. Wears old greenish-black suit over Second Chance Standard vest.
ST 8, DX 15, IQ 13, HT 9. Move 3
Advantages: Charisma/1; Combat Reflexes; Longevity; Reputation (+2 to Chinatown community, always recognized);
Wealth (Wealthy); Weapon Master (Knife).
Disadvantages: Appearance (Ugly); Bad Temper; Bully; Eunuch; Fat (-10); Self-Centered; Sense of Duty (Extended
Family); Tong Code of Honor.
Quirks: Hates guns; Intolerance (Japanese); Occasional paranoid tendencies.
Martial Arts Styles: An Ch'i; Chin Na.
Skills: Administration-16; Area Knowledge (Chinatown)-17; Armoury/TL4 (Thrown Weapons)-16; Blowpipe-16;

Breath Control-13; Detect Lies-14; Fast-Draw (Knife)-18; Fast-Draw (Shuriken)-17; Fast-Talk-16; First Aid/TL7-13;
Guns (Pistol)-16; Holdout-17; Interrogation-15; Judo-16; Karate-15; Knife-20; Languages (Cantonese, English,
Mandarin, Korean)-13; Meditation-15; Merchant-18; Philosophy (Taoism)-15; Politics-14; Streetwise-16; Throwing-
18; Traps-17.
Maneuvers: Arm Lock-19; Choke Hold-15; Feint (Throwing)-19; Finger Lock-17; Head Lock-13; Hit Location
(Karate)-15, (Throwing)-17; Spinning Punch-14.
Cinematic Skills: Blind Fighting (Knife)-14; Pressure Points (Knife)-16; Throwing Art (knives only)-18.
Weapons: Large Knife; 2d shuriken and small switchblade knives.
Soong is the brains behind the Jinzhi Shisan (Forbidden Thirteen) triad, the city's main source of heroin. The triad also
profits from gambling, protection, loan-sharking, prostitution, and the black market. Soong has hated guns ever since
being shot in the groin with a 12-gauge by a business rival, and will not allow his hirelings to use them. He is not
unusually greedy, but he is concerned that his family live comfortably -- as long as they obey him. He is as tyrannical
and capricious as King Lear with his descendants and underlings, and can hold a grudge for decades.
Students
ST 11; DX 12; IQ 10; HT 11. Move 5.
Advantages: High Pain Threshold.
Disadvantages: Tong Code of Honor.
Martial Arts Styles: Wing Chun Kung Fu.
Skills: Area Knowledge (Chinatown)-13; Languages (Cantonese)-10, (English)-9; Judo-15; Karate-15; Knife-12;
Shortsword-14; Two-Handed Sword-12; Philosophy (Zen Buddhism)-11.
Maneuvers: Arm Lock-16; Back Kick-12; Close Combat (Shortsword)-13; Elbow Strike-13; Feint (Karate)-16; Knee
Strike-14; Off-Hand Weapon Training (Shortsword)-11; Riposte (Karate)-12; Spin Kick-12; Stamp Kick-13.
Weapons: None (but may use weapons from the Emporium).
Terranova
Early 50s; dark gray hair, blue eyes; 6'1", 190 lbs. Wears dark business suit, sap gloves (treat as brass knuckles), hard-
toed shoes (+1 to kicking damage), Second Chance Standard kevlar vest.
ST 13; DX 13; IQ 13; HT 13. Move 6.
Advantages: Attractive Appearance; Charisma/2; Combat Reflexes; High Pain Threshold; Language Talent/1; Wealth
(Wealthy); Voice.
Disadvantages: Bad Temper; Greed; Overconfidence; Reputation (-2, cops and underworld, recognized on 10 or less);
Sadism; Vow (Has nothing to do with narcotics).
Quirks: Dislikes loud noises; Treats all sex as business.
Martial Arts Styles: Bando (realistic), Military Hand-to-Hand.
Skills: Administration-14; Area Knowledge (City)-14; Armoury/TL7 (Rifles and Handguns)-14; Body Language-13;
Boxing-15; Brawling-15; Climbing-14; Detect Lies-12; Diplomacy-12; Driving (Car)-15; Fast-Talk-13; First
Aid/TL7-13; Garotte-13; Guns/TL7 (Rifle, Pistol, SMG)-17; Holdout-15; Interrogation-14; Intimidation-15; Judo-15;
Karate-16; Knife-16; Languages (English)-14, (Cantonese, Burmese, Italian, Malay, Russian, Spanish, Thai,
Vietnamese)-12; Law-11; Leadership-15; Merchant-14; Philosophy (Buddhism)-14; Politics-13; Savoir-Faire (Dojo,
Military)-15; Scrounging-10; Sex-Appeal-16; Shortsword-14; Short Staff-13; Spear-12; Stealth-14; Streetwise-16;
Tactics-12; Throwing-13; Whip-13.
Maneuvers: Aggressive Parry-7; Arm Lock-17; Disarming-17; Elbow Strike-15; Head Butt-12; Head Lock-12; Jab-
15; Knee Strike-17; Retain Weapon (Rifle)-17; Riposte (Karate)-13; Shin Kick-15; Stamp Kick-14.
Weapons: Small knife in belt buckle; Wire garotte. Owns a large collection of guns, but rarely carries one. Silenced
.22 is -8 to hear from 2 blocks away, RoF 1; otherwise, treat as Ruger Standard Model.
After a profitable career as a supply sergeant in Vietnam, Gene "The Silencer" Terranova stayed in Bangkok operating
a nightclub-cum-brothel, and is rumored to have trafficked in guns, heroin, and stolen military hardware. He became a
heroin addict, but kicked the habit, and returned home in 1991 as a wealthy man. Terranova then used a mix of muscle
and money to take over much of the city's sex industry. He's also the mastermind behind the city's largest car theft
ring, and still deals in weapons and other black market goods -- but not drugs. He murdered Dan Jian for repeatedly
selling heroin in one of his night clubs, not realizing his date was one of Soong's granddaughters.
Terranova's nick-name comes from his preference for silent methods of killing, plus the fact that no-one has ever
testified against him.
Thugs
ST 12; DX 11; IQ 9; HT 11. Move 5.
Advantages: Toughness (DR 1).
Disadvantages: Choose one or more from Bad Temper, Bloodlust, Bully, Callous, Greed, or Sadism.
Martial Arts Styles: Jujutsu, Streetfighting.
Skills: Area Knowledge (City)-13; Brawling-14; Climbing-11; Detect Lies-9; Driving (Car)-13; Fast-Talk-10; Guns
(Pistol, Shotgun)-14, (Rifle, SMG)-13; Holdout-11; Intimidation-13; Judo-12; Jumping-12; Karate-13; Knife-13;
Merchant-11; Running-12; Scrounging-11; Shortsword-14; Stealth-13; Streetwise-13; Survival (Urban)-11.
Maneuvers: Arm Lock-14; Back Kick-13; Disarming-14; Eye-Gouging-6; Feint (Brawling)-15; Head Butt-9;
Kicking-14; Knee Strike-15; Neck Snap-9; Rabbit Punch-13; Roundhouse Punch-13; Spin Kick-13; Stamp Kick-14.
Weapons: Brass knuckles. Wear leather jackets and hard-toed boots (+1 to kicking damage). Other weapons as
described in adventure.
Designer's Notes: You Are Here
A Journey Of A Thousand Miles . . .

by Genevieve R. Cogman
Art by Dan Smith

When I was first thinking about this In Nomine project, I had visions of all Designer's Notes: You Are Here
sorts of exotic places. Remote monasteries in India, Antarctic bases for
Servitors of Vapula, old ruined castles in Germany where the sworn remnants
of Teutonic knights still maintained guard over something . . .
Then I began looking a little more closely at what was being asked for, and
realized that what was wanted wasn't a Tour Guide To The World. What was
wanted was a group of locations that could easily be slotted into a campaign
without requiring the characters to go halfway across the world to get there.
(Locations in Heaven, and Hell, and the Marches, were slightly different --
distance and travel became less important, and I could put interesting areas
anywhere that I wanted.)
I therefore had to start thinking -- for Earth, at any rate -- about locations
which weren't geographically tied down (such as the Antarctic base) but with
interesting twists or secrets. I also began thinking about locations in terms of
the people there. Geography, in the end, was a fairly minor part of it; it was
the inhabitants who made a location interesting. The history of an area was
also a factor. Innocent-looking places could have the most fascinating secrets.
A kindergarten playground might have been the site of a Satanic altar, or a lighthouse might be built over an Ethereal
Tether . . .
In the celestial and ethereal realms, the locations I designed were more to do with theme. A place within an
Archangel's Cathedral or a Prince's Principality must by necessity have some connection to its master's Word, whether
that was Stone, or the Game, or anything else. And as the Ethereal Domains were shaped by collective dreams and
ideas, those even moreso would have some central concept.
This was a main difference between the corporeal locations and the others. Places on Earth usually had some sort of
conflict included in their nature, to do with the inhabitants or the purpose of the area -- to make them more interesting
to characters.
. . . Begins With A Single Step
Designer's Notes: You Are Here
My first step was to panic.
Then again, that hardly sounds professional. My second step was to work out an
outline for the book, where I divided it roughly into Celestial, Ethereal, and
Corporeal sections, and listed some ideas for locations in each section. In the end,
a number of ideas got thrown out, and some new ones (inspired during the
writing process and during everyday life) made their way in. I tried to keep to a
daily schedule, in order to meet my deadline, and planned to do a set number of
pages every day. Fortunately, the locations were very modular (with each one
being a set number of pages) and so they could easily be marked out in chunks
"to be done."
As I managed to finish chapters, I sent them off to my editor (Bob Schroeck) and
the Line Editor (Elizabeth McCoy) to be checked over. To both of these, my
sincere thanks for all their help and input. In a couple of cases, where a single
location was particularly awkward or had details which needed urgent input, I
sent the single section to be checked before the chapter was finished. A lot of
email got sent both ways, and multiple versions of single locations began to swarm (and breed) on my computer hard
drive.
Naturally, some locations that I'd considered didn't make it into the final draft. They either displayed problems that
would require a lot of work to become feasible, or they just didn't have enough going on at first glance to make the cut.
However, nothing stops me listing a few of the rejected ideas here. And nothing stops you from taking these ideas and
incorporating them into your In Nomine campaign.
The Ones That Fell Off The Map

Cliffs In Darkness
This was to be a section of David's Caverns in Heaven, totally pitch-dark, which were all wind tunnels, cliffs, and
caverns. The concept was that of an area where the Servitors of Stone could fly in the midst of their element.
Messengers' Hall
An area in Gabriel's Volcano where messages could be sent to and from her Servitors, and where Soldekai often
coordinated matters. While a workable concept, I ended up writing the Vanishing Rooms first (parts of the Volcano
that were going missing) and simply liked it better.
Avernus
A bar, run by a human proprietor who claimed to be no less than Lucifer himself. I hadn't decided whether he had been
convinced of this by demons, or was insane on his own account, or was acting for some other motive. In the end I
decided that the idea was probably more trouble than it was worth, and was getting uncomfortably close to Neil
Gaiman's Sandman.
Community Arts Center
A location on Earth, and contrary to obvious expectations, not full of Servitors of Creation. However, one of the
playleaders was sexually abusing the children, and a potential pawn for blackmailing demons. This one was left out
because I had ideas that I liked better, not because it was really deficient.
The Morgue
A morgue attached to a police station, currently being used by a Shedite of Death as a convenient source of corpses.
This location was in the end subsumed by the two separate locations of the police station and the graveyard, and was
unnecessary.
Parish Publishing
A small parish newspaper, run (or edited) by a Servitor of Factions who used the editorials and articles to set the
community at odds. However, I ended up writing a newspaper company in Hell, and decided that another one on Earth
was redundant.
Toy Shop
A location on Earth which was going to be run by a Servitor of Technology, who would have been inserting
brainwashing devices in the soft toys. However, I had already written a chemist with a Servitor of Technology, and
had another Vapulan hanging around the cinema, and I decided that I didn't want the Earth overrun by Vapulans.
Ironica
A cinema in Hell, run by a Servitor of Dark Humor, that showed films of ironic happenings on Earth. The special
feature was that the owner rented out rooms guaranteed free from any eavesdropping -- at a high price, of course. This
one got dropped because I decided it probably wasn't that hard to find a private place to talk in Hell.
The Room Of Hours
A room in Kronos' Archives, full of clocks of various types, where Servitors of Fate could go to relax. This seemed, in
the end, to be lacking in interest. (It was inspired by a room full of clocks in the British Museum.)
Getting There Is Half The Fun

The process of accepting criticism and working on it is very rarely actively pleasant. It is, however, necessary, and I
incorporated comments from both the Editor and the Line Editor into the work. The first draft then went up for playtest
...
And I realized that I had forgotten to write an Introduction. Back to the drawing board -- at least now I had most of
the book, so I knew what it was an introduction to.
Not Very Big, Is It?

I suppose that it is normal for one's own work to seem less than satisfactory, once done. After all, I had written most of
it, edited it, had it complained about -- I of all people should know how meager it was.
But, as Galileo is supposed to have said about the Earth, after being forced to publicly recant his views, "But it does
move." And it is my work. In the end, the best way to compensate for complaints about it or problems that it may raise
is simply to write more . . .
Designer's Notes: GURPS Y2K
by Sean Punch
Before I write another word, I want to make clear that I am the designer of Designer's Notes: GURPS Y2K
GURPS Y2K, but not the author – well, not the only author. This book would
not have happened without the creative talents and cooperation of Mike Ford,
Scott Haring, Ken Hite, Steve Jackson, Jeff Koke, Phil Masters, Dave Pulver,
and Bob Schroeck. They wrote 90% of the book, and they were all good
sports for going along with me: I contacted them in late March, signed them
in early April, and asked for manuscripts by early June for a book that
absolutely had to be out for the last quarter of 1999. For those of you who
don't write for a living, let's just say that "give me something well-researched
and creative in two months, and no slipping" is a tall order on a week's
notice. But I'm getting ahead of myself . . .
Why did we choose to handle this as an anthology at all? Originally, we

didn't. Plan A was for one writer to take this project, and we initially sought a
freelance author by posting a call for proposals to our wish list. But as 1998
gave way to 1999, and as January became March seemingly overnight, we
realized that we weren't going to get The Proposal – the one that would make
us sit up and say "Oh, yeah!" There were lots of good proposals, but none of
them portrayed Y2K as we saw it: a long look at millennial disasters in
general. Maybe it was our title (we got lots of proposals to write books about computer bugs), maybe is was a deep-
seated need to see GURPS Survivors (we got even more proposals for post-apocalyptic settings), but The Proposal
never arrived.
Time for Plan B.
Suppose you're a line developer, it's March, you have to get a book out by autumn, and you don't have an author. To
make it more of a challenge, let's add two caveats: First, the book requires a lot of research because it will cover a
popular topic that people will nitpick. Second, the book has to be fresh and creative despite the subject being, well, a
cliché. The honest developer will admit that he'd try to weasel out of it. ("Steve! I have this idea for GURPS
Dustbunnies you just have to see! It's way cooler than Y2K!") But this is one deadline you can't weasel out of, because
it isn't set by the managing editor or the editor-in-chief, but by the inevitable forward march of time. (And if I had
managed to weasel out of that, I'd be immortal and writing grimoires of dark necromancy in Lost Tongues.) So what
do you do? You contact a good writer. And what's faster than a good writer? Lots of good writers.
Come March, then, I embarked upon my first massively parallel writing venture. The first thing I learned was that
choosing writers for an "all-star" anthology is tough. Our publicity mentions "favorite GURPS authors," but who's
kidding who? Far more than nine authors have earned the right to that title, and a lot of them are my friends. Luckily,
editorial procedure came to the rescue. All good books require an outline, and I set about creating one for Y2K.
Suddenly, it became clear to me who would have to do the writing:
Chapter 1: An overview of millennial disaster. Who better to handle that than the creator of GURPS, the man with
The Vision, Steve Jackson? (And yes, I did figure that some of the folks who have been dying to see Steve write
Survivors might be mollified by this choice.)
Chapter 2: A humorous look at millennial idiocy. The natural choice was Scott Haring. Scott's ability to handle dark
humor shone through in Horror . . . and anyone who knows Scott knows that he needs no instructions on how to plant
his tongue firmly in cheek.
Chapter 3: A treatment of millennial woes as one big, deliberate conspiracy. I read Suppressed Transmission and
concluded immediately that Ken Hite had to write this, even if I had to go to Chicago and kidnap him. (Luckily, I just
had to make a Ken moppet and float it in a bottle of vodka.)
Chapter 4: A realistic look at global geopolitics at the turn of the millennium. This called for someone who had shown
a good grasp of world geography and history in his writing, preferably someone who wasn't Yet Another North
American. Places of Mystery and Who's Who creator Phil Masters, hailing from the U.K., was the logical choice.
Chapter 5: A piece on the American take on millennial disaster; i.e., an article on late-20th-century survivalism. My
first choice was High-Tech author and survivalist Mike Hurst, but Mike's day job (all 60 hours a week of it) prevented
this. Then I remembered the Steve Jackson-Survivors connection and whined enough to get Steve to write a second
chapter for me.
Chapter 6: A look at the dark side of disaster: anarchy, opportunism, violence, social decay, and cannibals. Who
writes about dark, evil stuff? Who has a grasp of attitude and angst? Black Ops coauthor and Vampire: The
Masquerade adapter Jeff Koke came immediately to mind.
Chapter 7: An article on rebuilding – rebuilding in the image of the past, not just recreating what was lost. I needed
someone with a strong grasp of settings twisted in time . . . and my mind settled on Time Travel coauthor John M.
Ford.
Chapter 8: A science-fiction approach to the end of the millennium, showing how recent technology can cause new
and wonderful kinds of disasters. A quick glance at the "tech books" (Bio-Tech, Ultra-Tech, and Ultra-Tech 2, not to
mention Mecha, Robots, and Vehicles) was all it took to get me on the phone to David Pulver.
Chapter 9: A superheroic look at disasters and rebuilding. It was a foregone conclusion that Robert Schroeck, creator
of IST, had to write this. I even titled this chapter "IST-2000" in my earliest outline. (I confess to an ulterior motive:
More IST stuff! Yay!)
Chapter 10: A supernatural take on millennial disasters – Armageddon and zombies and other good things. I was
nominated for the role by other folks at SJ Games simply because I had written Undead (plus it was generally agreed
that I would be a zombie by the time this project was finished).
Designer's Notes: GURPS Y2K . . . and that's how it happened. Of course, I had to draft contracts,
write product specs, write my own chapter, write ad copy, and edit the
book, but although that was a lot of hours, it was easy next to the
planning stages. I mean, it's a joy to edit good writers, and I like to
write about zombies. Once that was done, all that remained was the
introduction, which almost wrote itself. With the all-star author lineup
and the millennial theme of the book, a "where GURPS has been and
where it's going" piece was required – and it's one of those things that
a GURPS geek like me can do in his sleep.
After that, Jeremy Zauder took over and did the layout, dealing with
last-minute corrections from nine writers and an editor at the same
time. Anyone who knows layout is probably crying tears of empathy at this point. Thanks, Jeremy!
Naturally, there were hitches here and there. How do you coordinate nine authors on a tight deadline? The answer is
"You don't." Everyone had his section, everyone had the outline, and being professionals, everyone did his part
without stepping on anyone else's toes. Don't try this at home. There was actually surprisingly little overlap or
disagreement for me to edit out, despite the collaborative nature of the book. I'm almost looking forward to my next
anthology.
The title was another problem. It started out as Y2K, was changed to the slightly less cliché Y2Krash, and stayed there
until the last minute . . . when we realized that it might be read "Y2K rash," which sounds catching, not catchy.
Quickly, all the web pages and cover layouts were changed back to Y2K. Whew – disaster averted.
Then there was the question of playtesting, as in "Do we?" Realizing that a playtest would push us into November or
later, we decided not to test the book, counting on the combined experience of the authors and the rules geek at the
helm (Yours Truly) to get things right the first time. Besides, we wanted the book to be a surprise! You can be the
judge, but I'm rather proud of the book.
In the end, we negotiated the speed bumps and got a book to print. It was an exhilarating experience. I hope we
managed to convey the fun we had to you, the reader.
Oh, and in case the Net dies on 01-01-2000: Happy New Year!
Designer's Notes: GURPS Alternate Earths 2
Building to Spec
by Kenneth Hite, Craig Neumeier, and Michael S. Schiffer
Art by Ed Northcott
In addition to providing a dozen alternate Earths to enthrall players and assist GMs, GURPS Alternate Earths and
GURPS Alternate Earths 2 give the would-be parallel designer a dozen finished examples to inspire and inform her
own work. On pp. AE8-10, we discuss some general principles and elements of world design; in the two sourcebooks
we display a dozen finished products. Between those two steps lies the hard work of design and decision; in this article
we go behind the curtain and show how we did it the second time around.
Designer's Notes: GURPS Alternate Earths 2 Three of the worlds (Cornwallis, Aeolus, and Ming-3) spring from the
Reality Seeds on pp. AE9-10, which themselves spring either from
chapters left out of the first book for space reasons or from worlds cut
from our first proposal. (We cannibalized one of them, Aphrika, into
the African geopolitics of Ezcalli in GURPS Alternate Earths and
then added it as a Reality Seed on p. AET10. Waste not, want not.)
Given the positive reception to the first volume, we decided to
replicate its structure. We already had the "repressive world" (Reich-5
in AE, Cornwallis in AET), "Romantic world" (Dixie in AE, Aeolus
in AET), and "ancient empire world" (Roma Aeterna in AE, Ming-3
in AET). Centrum (from GURPS Time Travel) became our "harsh
scientific utopia" replacing Gernsback, leaving us needing analogues
for Shikaku-Mon (the "SF" world) and Ezcalli (the "fantasy" world).
Caliph comes from our desire to include a genuinely advanced, but

not incomprehensible, science-fiction setting. This meant finding an
earlier scientific-industrial revolution -- we rejected the Greeks because we'd done classicism in Roma Aeterna. The
Islamic Golden Age offers a rather better chance at science and industry, and the Arabian Nights is a convenient
source for imagery that blends with SF's "sense of wonder." Displacing our history created Caliph's, though their
modern era was less stressful. Later events were built by progressing society through GURPS Tech Levels at nearly
20th-century speed. A basically decent if self- satisfied culture fits the tone of the Arabian Nights -- no social criticism
there -- and introducing wrenching change into such a world is an SF staple. The war is the (sample) disruption built
into the setting, and keeps the focus on Earth as page limits require. It also makes the timeline difficult for outtimers to
loot.
Midgard became the swords-and-sorcery world, which meant, of course, Vikings and lots of 'em. This was a
straightforward Strengthening the Marginal exercise; supercharge the Vikings enough at the start, and the destruction
of the West is relatively easy and plausible. Buy the premise, and you buy the bit. The only decision lay in where to
stop. Simple population extrapolation for Vinland, the anti-gun prejudices of the genre, and the coolness factor of
having Vikings vs. Cheng Ho all led us to the early 15th century. The rest of the world we built by thinking like Robert
E. Howard: what's the most exciting, weird, pulse-pounding thing we can plausibly stick in here? So you get Apaches,
human-sacrificing Mixtecs, Moorish Spain, Mamelukes, and the Golden Road to Samarkand. All of which actually
existed in our history in 1412, making things even easier. The hardest part became advancing history past Tamerlane,
but the "strong Mongol" parallel with Ezcalli seemed distracting.
Especially since we designed Aeolus and Cornwallis as sort of a Designer's Notes: GURPS Alternate Earths 2
Greek Chorus, parallel revolutions against the same corrupt ancien
regime. Aeolus grew out of the first complete alternate history the
authors did together, and was thus arguably the seed for both GURPS
Alternate Earths supplements. The changepoint was a happy
confluence of an incident amenable to weather control (Aeolus began
as a Champions setting) and two authors' then-recent completion of a
course on 17th century England. As all alternate historians -- and
other writers -- know, you take your inspiration where you find it. We
developed the world's history in a more organic manner than many of
our other worlds, asking "What happens next?" after each event rather
than aiming at a particular theme or goal. Regardless, since we
designed it in the heady days of fall, 1989, a liberated Eastern Europe
seemed predestined. (One touch we tried in Aeolus: repeatedly
reminding ourselves "It's been too long since something unlikely
happened. What's a plausible surprise?") Cornwallis, meanwhile, took
the French Revolution rather than the American as its parallel. We
designed Cornwallis first as an alternate intellectual history where the
reactionaries won, "progress" became identified with the state
anyway, and toadies like Hegel justified it as inevitable. This world
unfolded easily, if depressingly, from the assumptions of Malthus and
his contemporaries. Then we added a revolution even worse than its
opponents; if Aeolus is Tom Paine, Cornwallis is Edmund Burke.
Ming-3 began with our imagining China's place in East Asian civilization being replicated on a global scale. The
voyages of Cheng Ho are familiar to many fans of history and alternate history, and served as an obvious point of
departure. (Though one discovery we made is how difficult it is to extend Chinese maritime interest beyond the Indian
Ocean.) Ming-3 let us look at different cultural assumptions about industry: why, we wondered, would the Chinese
invent labor-saving devices? As a counterpoint to Roma Aeterna's confident "upswing," we put Ming-3 on the
downswing as the Mandate of Heaven frays. A globe-spanning realm in decline, perhaps a knife's edge away from its
final crisis, seemed a natural setting for (paralleling Cornwallis) the struggle to protect even a corrupt civilization
(when the alternative is barbarism), or of course pulpish wuxia adventure in the weak, divided, ineffectual dying
empire.
Centrum was a challenge to design organically from the few hints given in GURPS Time Travel. As a kind of Dark
Gernsback campaign villain, players who begin with just those hints can grow to understand Centrum's viewpoint, and
perhaps even find some of their qualities admirable, without ever doubting that they are the enemy. (We'd built Pure
Evil in Reich-5, for fans of more Manichean gaming.) Centrum's history gives them both a motive for imperialism and
an exaggerated respect for its potential. It also gives them cultural blind spots that canny agents of Infinity, Inc. should
be able to exploit. Centrum's perspective on paratime activity, without a Prime Directive or even much concern for
secrecy, could also be adapted for a campaign based around a more sympathetic group.
Changing the World
by Owen S. Kerr
Art by andi jones
Linear vs. Non-Linear, or

Euclid Who?
Webster Online defines linear as: Of or pertaining to a line; consisting of lines; in a straight direction; lineal; like a
line; narrow. Many RPG games and campaigns follow a linear pattern. The plot requires that the players perform
certain actions in certain ways, sometimes even in a certain sequence, in order to complete the mission or achieve the
goal. There is very little in the way of sub-or side-plots, and few if any changes in the immediate environment. Most
of us are used to this narrowly-defined type of game, from long years of reading and playing prepackaged scenarios,
and by creating our own campaigns in the same vein. We're conditioned, very subtly, to think in a step-by-step
process, a process that may carry over into our attempts to create interesting campaign worlds for our gaming buddies
to explore.
A non-linear campaign, then, has got a lot more going on. The PCs are not "along for the ride," passively accepting a
chain of events that head unwaveringly toward the inevitable ending. In a non-linear campaign, the PCs live in a
vibrant, dynamic world, a world that breathes, a world where anything can (and usually does) happen.
Which game would you rather play?
Of course, a non-linear style of gaming requires more work on the part of the game master. One needs to be open to
player actions, able to have a Plan B when the party changes the direction in which the campaign is going, and well-
prepared with fleshed-out NPCs, dramatic situations, and hazardous encounters. Most importantly, all of this has to be
done in a way that will make sense to the players. This article is designed to help with the planning and execution of a
non-linear campaign.
A Dynamic Process, or
No Plan Of Battle Ever Survives Contact With The Enemy
One of the best things about paper-and-pencil RPGs is that they allow you to interact with a group of people that you
know and (it is to be hoped) like. Every PC is a collaborative construct of two people: the player and the game master.
A good gaming session or campaign is a vigorous, mutable creature composed of one or more PCs in the game
master's universe. This beast is the result of active communication between several co-creators, and can be, as a result,
orders of magnitude more complicated than any character. If you think of your campaign as this type of organism, then
a non-linear style of play makes much more sense.
One of the greatest joys in gaming is when your character changes. You gain a level, learn a new spell, or acquire new
hardware. The characters change and grow; why should the campaign stay the same? In the Real World, the most
successful organisms are ones that can adapt to change in the environment. This is true for a game, as well. If your
campaign can adapt to changes in the PCs, then the game as a whole grows and thrives.
Planning for campaign changes may be difficult. In most game systems, there are game mechanics that will indicate
when and how a character will change. Experience points (by whatever name) or other development statistics tell the
GM and the player that Skill X improves by Factor Y when the character achieves Experience Z. There is no set
formula for the growth of a campaign, no way of knowing when the campaign is going to turn, or when the attention
of the party will be focused in another direction. Due to the nature of the non-linear environment, the storyline changes
when the players decide it is going to change. The job of the GM is to attempt to keep the plot shifts seamless and
organic.
Play To Their Fears, or

PCs Say The Darndest Things
So, where can you find story ideas that let the campaign develop organically? Many game masters ignore the fertile
ground of player paranoia. Your players can be the richest source of plot twists, and the best part is that they'll never
know it. Any time you give your PCs information about their current state of affairs, invariably one will burst out with
something like, "I knew it! The Prince has been setting us up! The half-orcs were probably guardsmen in disguise, and
the Queen knew about it all along! We're dead!" At this point, you'll want to smile slowly at the player, say, "No
theoretical bias against it," and start taking notes. On paper, if you can. Be discreet, but use the player's perceptions as
background information or plot seeds for the campaign.
If you're playing with the average gaming group, your players will tend to have active imaginations and high IQs.
Players with this combination will certainly come up with notions that never once crossed your mind. Run with them!
Take the time between gaming sessions to change the plot idea a bit, add your own take on the existing global
situation, polish lightly, and you have the basis for an entirely new section of the campaign. Take the basic questions
of Who, What, Where, Why and How, and change one of the answers. Expanding on the previous conspiracy-theory:
yes, the Prince did set the party up for a fall; yes, the Prince sent his personal guard to silence the group; and yes, the
Queen is aware of the situation; but, she's only allowing the situation to continue in order to gather evidence that the
Prince is plotting against her! Take their ideas, twist them until they work in your campaign, and throw them back into
the plot.
Running with player preconceptions (to a point) has the side benefit of making the heroes feel like heroes. Many
people enjoy figuring out the mystery ten minutes before Sherlock Holmes or Mike Hammer tidies things up. On a
related note, it's child's-play to come up with plot-twists when the party thinks they already know what's going to
happen. Lead them along by their predisposition, and when the situation gets ugly, turn it on its ear. This,
paradoxically, also preserves the players' sense of "I wonder what's going to happen next," a valuable commodity in
any campaign.
Don't Be Hidebound, or
The Whole Of The Law Shall Be Do As Thou Wilt
Another source of mix-and-match material is prepackaged scenarios

that you may have lying around. Go ahead and use that module that
you've been saving for a special occasion, but don't feel bound to play
it exactly as it's written. Just as no two people are exactly alike, every
Changing the World
gaming group is going to have its own identity. This can depend upon
variant rules that your group uses, non-canon character classes, spells,
and hardware, or something as mundane as which players make it to
a particular session. Not every GURPS Technomancer scenario was
designed with your buddy's misanthropic technomage in mind, but
every game that you run with that PC in the party has got to take him
into account. Good players seem to have a knack for innocently (or
not-so-innocently) designing characters that easily make a hash of the
most intricate plots of a typical prepackaged scenario.
In these cases feel free to wing it. Throw out or change anything that
doesn't work for you. This is especially true for items or abilities that
will disrupt the balance of the rest of your campaign. A fantasy
murder-mystery is an open-and-shut case if the party can speak with
the deceased. Keep in mind that the best route is changing the module,
not changing the party. One should avoid creating situations that pump up the power levels of the opposition, and
avoid deus ex machina. The first situation either kills the characters or rewards them too much; the second leaves the
players with the feeling like they didn't have to bother. ("If Zeus was watching us the whole time, why did we have to
rescue the Archon's daughter? Why didn't he do it?") Be subtle. Take a good look at the module well before game
night, and tweak it with as few changes as necessary. If you just have to have a powerful item/ally/program to
complete the current scenario, have a well-thought-out and graceful means of removing it from the party.
Make The More Interesting Choice, or

The Lady Or the Tiger . . . Or Both!
Several times in an ongoing campaign, the game master is called on to make choices. This can be a simple matter of
"does the next thorp have an inn where the party can sleep," or as complex as a question about whether a PC is
distantly related to local royalty. Allowing yourself a very few exceptions, make the more interesting choice.
Illuminated and High-Weirdness campaigns have this idea as a basic tenet; it's a much more interesting game for the
players if every other person that the PCs encounter is part of some global conspiracy, government plot, or secret
society. Any gamer who has ever played Paranoia knows this one, too; all Paranoiacs have no doubt that everyone
else is out to get them. Makes for a calm, relaxed gaming session, dunnit?
To paraphrase Aristotle's Poetics, without conflict, there is no drama. Without drama, there's no interest. Take this into
account when you're planning your next step (or steps) in the campaign. The more-interesting choices are always going
to lead to conflict, whether it's a simple melee between the Good Guys and the Forces of Darkness, or something
subtler. (Personally, I go for the subtle approach, with the occasional burst of violence to keep the hack-and-slashers
happy. Go with what works for you and your group.)
Recurring NPCs, or
Snake Plissken! I Heard You Were Dead!
Your enemy is never a villain in his own eyes. Keep this in mind; it may offer a way to make him your friend. If not,
you can kill him without hate -- and quickly.
-- Robert Heinlein
Use NPCs and Bad Guys as the major focus of the PCs' attention. Dungeon-crawls and treasure hunts are all well and
good, but the Bad Guy that pops up every now and again, twirling his mustache and sneering, can put more "oomph"
into a party than any amount of treasure or potential reward. Nominally rational PCs get really exercised at the
prospect of putting it to a long-time enemy. To this end, use the PCs' basic beliefs against them. Is there a peaceable
druid in the party, content to talk with the animals and hurt no living thing? Have the Wicked Baron kill his dog. In
front of him. Slowly. I guarantee that your humble druid will go through Hades and high water to get revenge on your
thrice-cursed and doubly-damned NPC. Don't be offensive or cruel to the player, but hit the character where he lives.
Feel free to make use of unusual antagonists. After all, there are only so many corporate thugs, master necromancers,
and Mafia enforcers to go around. The local tax collector may not be the toughest guy in town, but he can visit pain
and suffering on the party like few others. If the group kills him, or even roughs him up a bit, expect the full weight of
the law to descend, in the person of town guardsmen or local nobles.
Let NPCs Learn From Their Mistakes, or

Pain Is A Talented Instructor
One of the hardest things that a game master is called on to do, on a fairly regular basis, is to be dumb. It's very
difficult for many people to play a major NPC in a way that does not take undue advantage of the game master's
awareness of the Grand Scheme of Things. The GM must work at responding as the character, and not as the
omniscient Ruler of the Universe. The inherent slow-wittedness of an NPC is most prevalent in that it seems to
mentally tax any GM-run character to learn from past errors. Many GMs have the NPC try the same bad strategy over
and over, rationalizing it as "well, Lothar Elfbane doesn't know the party is going to do that."
While this idea is rationally true, it ignores the fact that people (and intelligent non-people) learn from bad experiences.
If your In Nomine campaign features a diabolic whipping-boy for the angelic characters to kick around, be certain that
your little Diablo will remember his experiences and learn from them. (Maybe he sees one of those old Charles Atlas
ads . . . ) Use this logic when the party goes back to the haunted dungeon, infiltrates the corporate mainframe again, or
sneaks up on Billy the Kid's new hideout. Nothing focuses the mind so tightly as the memory of a thorough butt-
whuppin'.
The Law Of The Onion, or

Six Degrees Of Separation May Not Be Enough
Statisticians will tell you that the average person has about 500 friends and/or acquaintances. Imagine this theoretical
Average Joe standing in the middle of a large field, surrounded by the crowd of people that he knows. Place his closest
friends nearest to him, and his nodding acquaintances at the fringes. From the air, an observer would see rings of
people around a central point -- similar to an onion, cut in half.
Taking the analogy further, try to imagine your campaign plot as this split onion. Visualize the center of the onion: a
goal, an antagonist, or a McGuffin, surrounded by different plot elements. More complex or far-reaching campaigns
may have multiple "centers." Each of these subdivisions relates to all of the others in some way. The relationship may
not be profound, but any major changes may cause ripples -- changes in the surrounding plot hooks and NPCs. For
example, the party wants to depose an unjust king. But the king knows a noble, who knows a servant, who has a
cousin, who has a job in the bar where the PCs are plotting. Imagine the surprise when the Royal Guard kicks in the
door at midnight!
So, when the party (lands at the spaceport/rides into town/meets at the tavern) be aware that none of the NPCs that
they are dealing with exists in a vacuum. They all have friends, enemies, lovers, and family. If you have in mind
which friends the innkeeper might talk to, or which family member the gang-banger might confide in, then the web of
events becomes much easier to shape. Rumor has a way of spreading rapidly, and the secret that the PCs share with the
wrong person will quickly become common knowledge.
Don't Make Everything Happen At Once, or

Three Crises At A Time, Please
So, you've got your plans made, a few buddies have been lured into playing the game, characters are polished, and the
game is underway. You have four major plotlines for the party to explore, and the PCs have the necessary information
to take a stab at any or all of them. At some point during the campaign, you'll hear a little voice in the back of your
head. The voice tells you that this is a great campaign, you're a wonderful GM, and that you might think about
combining all four mini-adventures into one epic campaign. The voice urges you to have this mega-campaign come
together at some preordained location, with all of the antagonists against all of the protagonists in a winner-takes-all
slugfest.
Ignore it.
In a non-linear campaign, an easy mistake to make is to try to have every situation culminate at the same point. The
Plains of Darkthorne hold all of the Answers to your Life's Quest, that sort of thing. Please try not to do this, unless
you're planning on taking the melodrama route. At best, you'll give the players a few interesting hours of confrontation,
realization, and blossoming knowledge; at worst, you've given them nowhere to go from here. What do they do for an
encore, so to speak?
A corollary to this is Don't Plan Too Far Ahead. Have a good idea of what is going to happen next, within the
framework of possibility that you have set in motion. No matter which way the characters jump, have something
planned for the occasion. After that, set nothing in stone. The PCs are going to amaze, mystify and frustrate you by
doing everything except what you want them to do. Be patient. This is a learning experience for most gamers
unfamiliar with an "open" game. Once they find out that they can try anything, they'll do just that. Let them. Reward
clever approaches to classic problems. Punish abject stupidity, but only in the mildest ways. Let the players know that
you're writing the story around them, and they'll reward you with good roleplaying, memorable characters, and hours
of fun.
Comics vs. Other Media, or

Where Does He Get All Those Wonderful Ideas?
The bulk of modern media has always given the impression that events proceed in a linear fashion. Every film has a
beginning, middle, and end, with the occasional sub-plot to keep the audience from being bored. Books and plays also
follow this pattern. Computer games have commonly fallen into this trap, as well, with linear plot lines: first go to
Castle Anthrax, then save the maiden, now get the gold before you use the Cadmium Sword of the Ancients, and
finally return home, or the equivalent. This linear progression of events is understandable, given the limitations of two
hours of film, several hundred pages of text, or the memory storage of the average computer. One must also consider
that the production of film, literature, and software is, after all, a moneymaking proposition.
Not so with the creation of a campaign. Here, the creator of the story is an equal participant with his audience and co-
authors. Gaming groups aren't trying to make a buck; they just want to have some fun over the next few hours.
Imagination has no budgetary restraints. In most cases, gamers demand some level of realism in their games, or at least
consistency. They want to move their characters in an environment that grows and changes according to the basic rules
of the system, fleshed-out by the game master and, in many cases, by the players themselves. Plots should be
character-driven, with perils and rewards commensurate to what the PCs want to accomplish. With the possible
exception of a session run within the confines of a convention, where the object may be to "get there first with the
most," gamers want a world that makes sense, or at least one that consistently doesn't make sense in an entertaining
manner.
Comic books, on the other hand, are a form of modern media that parallels this kind of campaign ideal. In this
medium, the protagonists act and react within a framework of understood realities: i.e. magic works, or certain people
have super-powers, or any number of similar principles. The actions of the protagonists have some effect on the world
as a whole, and character development is an important aspect of the various storylines. Characters grow and change in
interesting ways, and not always for the better. Most importantly for the purpose of this article, the average comic has
three stories running concurrently: the end of the last "adventure" or "campaign," the middle of the current situation,
and the beginning of the newest wrinkle.
It is this "never-ending story" aspect of comic books which delights the typical gamer. We get to watch the heroes
(one or more of which we may or may not relate to strongly) go through situation after harrowing situation, sometimes
only succeeding by the skin of their respective teeth, sometimes failing in a valiant and heroic manner, and never,
never giving up. Wouldn't you like to play in a campaign that runs as effectively as the average Marvel or Darkhorse
comic?
Another idea a game master can pick up from the comic world is continuity. Continuity is a must if a campaign is to
flow smoothly and believably. The melding of one plotline into another must be as seamless as possible, to facilitate
the organic growth of the PCs and the campaign.
Yet another correlation between comics and RPGs is the subject matter. One can find titles dedicated to almost any
genre represented in the gaming world, notably super-hero, fantasy, western, horror, and cyberpunk. So don't be afraid
to lift plot elements and NPCs from a comic that you like, especially if you're sure none of your players read it. To
paraphrase Picasso, good artists borrow good ideas; great artists steal them outright. If you take from multiple sources,
no one will ever know the difference. You save time by not having to come up with the idea from scratch, and your
players will think you're the most creative game master that they've ever had. Everybody wins.
The Alderon Diary
A Patron Encounter for GURPS Traveller

by Hans Rancke-Madsen
Art by andi jones

The PCs are approached by a young woman in her early twenties. She is quaintly dressed, in the fashion of some back-
country province, and seems unused to the hustle and bustle of a startown. She presents herself as Katharina Alderon
May and explains that she is the last surviving descendant of a well-know hero of the Civil War, Lord Kevin Alderon.
She has inherited a chestful of his belongings, including his medals, his dress sword, his gauss pistol, and his diary.
She has been told that there is a lot of interest in Civil War memorabilia and is sure that these items must be worth a
lot of money. She is unsure of how to go about selling them, however, and is willing to let the PCs have half of
whatever the stuff will bring if they will help her sell it and make sure she is not cheated.
Referee's information
Kevin Alderon is indeed well-known. He was Arbellatra's flag captain at the end of the 2nd Frontier War and followed
her to the Imperial Core where he eventually became Grand Admiral of the Fleets and 1st Space Lord. Upon
Arbellatra's death in 666 he retired to Kinorb where he lived out his remaining years in obscurity. About 50 years ago
he was immortalized by an author named D.T. Woodsman who wrote a semi-biographical bestseller about him and
followed up with a dozen sequels (All of which have since been turned into smash holo-dramas).
There are lots of stories about Kevin Alderon and his exploits. One, mentioned in Enli Iddukagan's Lost Treasure
Ships of the Abyss Rift, tells of how he was stationed on Asmodeus at the outbreak of the 2nd Frontier War and sent off
with the planetary treasury when the Zhodani approached. While jumping from Denotam to Phlume, his ship, the
Muskrat, misjumped and emerged deep inside the Abyss Rift (the near-empty area of space in Lanth subsector) with
thrashed jump engines. By an astounding piece of luck he wound up within detection range of a misjumped merchant
ship with functioning jump drives but empty tanks and managed to get his whole crew away on that. The Muskrat has
never been recovered and still floats around somewhere, with an entire planetary treasury in its hold.
The story is quite implausible, especially the bit about finding the drifting merchant ship, but according to Enli
Iddukagan it is not impossible, especially in the Abyss where jumpspace seems to play havoc with the laws of chance.
It is a matter of record that the Muskrat departed Asmodeus under the command of Kevin Alderon and that it was
subsequently declared missing. It is also a matter of record that Alderon was assigned to another ship two months later.
Iddukagan's own theory is that Muskrat, a 20,000 T fleet repair ship, was carrying a smaller jump-capable ship along
and repairing it en route.
At least one person passionately believes in the story. It is Ser Vitus Dromon, a descendant of the Muskrat's marine
officer. The story of the vast treasure has been handed down in his family from generation to generation, growing ever
bigger in the process. He is a wealthy man with enough money to hire a lot of thugs and to finance an expedition into
the Abyss. At some point he will hear of the diary and resolve to get his hands on it any way he can. Since the diary is
likely to fetch six digit offers from some big publishing firms, he may be unable or unwilling to outbid these rivals.
His other options are to steal the diary or to go into partnership with the PCs (In the latter case, his intentions are to
cheat then at some future time. He wants all the money and is quite irrational about it).
Adventure Seeds The Alderon Diary
1. All the items are fake, and so is Katharina May's wide-eyed

innocence. She is using the PCs as cover and will attempt to
abscond with all the money gained whenever she judges that
further gains are unlikely or too risky. The diary does not mention
the ship.
2. As 1, but the diary does mention the ship. All astrographical

data are vague and refer to a randomly selected spot in the Abyss.
3. Katharina is genuine and so are the items. The diary mentions

the ship, but carefully avoids giving useful astrographical data.
4. As 3, but the diary does mention that Alderon reported the

location of the ship to his superiors and that the treasure has been
recovered. This can be verified by digging through declassified
naval files, but it's not easy (Enli Iddukagan missed it).
5. As 3, but the location is mentioned. Unfortunately Alderon did

report the location (without noting it in his diary) and the navy
sent a ship to recover the treasure. There may or may not be some
minor items of value left in the derelict.
6. As 5, but in the confusion of the war the report was lost in the files and never followed up upon. The ship is still
floating around deep inside the Abyss Rift. The Referee must decide for himself how big a part of the Asmodeus
treasury was in still-useful precious metals and Imperial credits and how much in now-useless Asmodean currency.
Also, the serial numbers of the Imperial bills may be on record somewhere, in which case Imperial naval agents may
show up about a year after the PCs start spending the money and demand most of it back.
GURPS Myth Designer's Notes
When in Doubt, Use the Grenades

by Gene Seabolt
Blame it all on Jack Elmy.
Jack -- the Steve Jackson Games staffer behind all those design improvements of the last few years and the
www.comicbooklife.com site -- holds a diehard loyalty to the Mac. (Me, personally, I swing either way, but have been
going steady with a G3 for a while now.)
That means that for every 50 computer games that the Wintel-enabled fan looks over, Jack looks over one. Very
carefully. In the middle of last year, Jack mentioned Bungie's hotly anticipated Myth II: Soulblighter, reeling off a
long list of technical features that its advertising promised.
I added my own brand of computer savviness to the conversation. "The box for the first one looked cool," said I. He
already had hooked me with "head-to-head network play," so come the holiday season and Myth II's release I picked
up two copies as gifts (Merry Christmas to me).
Each of us found it very impressive, for substantially different reasons. While Jack mastered the intricacies of the game
play, I tinkered through the first four or five adventures, then fired up the "tag editor" program, Fear.
Wow. No loathing here. Spread out in front of me was the most complex and potential-laden character-generation,
adventure-gaming, and physics-altering engine this side of GURPS. While Jack was mastering how to flambé scores
of Thralls with one arrow-riddled Dwarf, I crawled around in the guts of the game engine and figured out exactly how
much damage that Dwarf's grenades did over just how wide an area.
After a while, we each came up for air and compared notes. This game was cool for a variety of reasons, not the least
of which was something Myth II didn't really mean to be: a sort of gateway between GURPS-like tabletop roleplaying
and the faster, louder computer version.
At the time I handled licensing for Steve Jackson Games. "You should talk to Bungie," said Jack. So I did. They were
open-minded, interested, and fast-moving, so in short order we had a license.
Now the trick would be to publish quickly. Computer games don't spend a long time in the public eye; the next big
thing always lurks just around the corner. We wanted to have GURPS Myth out in time for this Christmas, which
meant finding a writer who knew GURPS, knew Myth, and works incredibly quickly.
I knew a guy who fit the bill.
Mr. Mom Fires Up the Spreadsheets
The beginning of the 1999-2000 school year changed my personal
circumstances a few months after I finished up the Bungie license. My wife
had received a promotion, my son was beginning kindergarten, and these
circumstances forced me out of day-to-day administration in the SJ Games
office and into editing from the house. Editing, and one writing project:
GURPS Myth.
The first step was a doozy. Not a lot of writing could get done until I figured
out a conversion formula from Myth to GURPS. That was the meat of my
concept for the book; the racial templates in GURPS Myth wouldn't just be
conceptually identical to their Myth origins, they would be nearly precise
conversions, at least relative to all the other writeups in the book.
Now, "nearly precise" can mean "anything short of just making it up" in some
minds, but I did come up with a not-too-complicated conversion formula that
produced viable GURPS characters. In doing so, I had to mix lots of apples
and oranges, which I enjoyed a whole lot more than did Grandmaster of the
GURPS Editors Guild Sean Punch when he looked them over. Many of the conversion statistics mix elements that are
unrelated at first glance; the most similar GURPS example might be the mass-combat system, which mixes defensive,
offensive, and maneuver capability into a single TS value. This pretty much guarantees that traditional GURPS
dynamics will fly out the window in a conversion to the Myth game, but that's OK. All those DX-pumped, cheating-
on-HT warriors were getting a little cookie-cutterish, anyway.
Speaking of the Herr Dr. Kromm himself, you can blame him for the book making its deadline with room to spare.
When I asked him to give the first draft a conceptual once-over, he instead sent back minutely detailed corrections
(partly because I worded my request too vaguely, partly because I asked the tiger to eat half the steak). This shaved
untold hours off my own work, so he didn't hear me complaining, nor will you. When it comes to debugging GURPS
mechanics -- and this book is chock full of detailed, get-out-both-the-Compendia mechanics -- it's a lot more fun to
sit back and watch the master work.
Arching One's Eyebrows and Mages

Every large project features at least one curveball, some problem from out of the blue that no one involved foresaw.
GURPS Writer-Without-Peer David Pulver had the honor of throwing out the pitch for GURPS Myth. A few days
after SJ Games announced the license, he nonchalantly commented on a Pyramid message board to the effect of, "At
least we'll have to deal with archmagery now."
Ouch. I hadn't thought of that. Myth features a variety of wizards popping off monstrous fireballs for as long as it takes
to cauterize all comers. The GURPS magic system would have to rev it up.
When one thinks GURPS and archmagery, those with any taste immediately think of S. John Ross' excellent umana
system. So did I, of course, but in consultation with Sean he pointed out that he already had introduced one element of
what I needed in GURPS Wizards: the extended Magery rules. Really, the only thing lacking was some advantage to
do an end-run around the fatigue rules, and a backstory to tie it all together. Those parts I added; you can judge for
yourselves the results.
The Missing Writeup

Designer's Notes articles traditionally feature some outtake from the book that they represent. I didn't want to
disappoint here, even though GURPS Myth didn't leave out anything worth featuring. One thing it didn't address,
though, was game statistics for specific major NPCs, respecting Sean's preference that these characters remain vague
and therefore menacing to player characters. That makes the following very much unofficial, but no less threatening for
it . . .
Soulblighter 450 points
A towering Dark Lord who appears to have once been human, with the lower half of his face peeled off and a large,
crooked scar over where his heart should be.
ST: 23 [140] IQ: 13 [30] Fatigue: 23/29

DX: 17 [100] HT: 15/17 [60] Senses: 13
Speed: 8 Move: 9 Will: 18
Advantages: DR 8 [24]; Extra Fatigue (Magery only) +6 [12]; Extra Hit Points +2 [10]; Increased Density [5];
Literacy [10]; PD 6 [150]; Solitary Magery 3 [22]; Status 7 [35]; Strong Will +5 [20]; and Unfazeable [15].
Disadvantages: Appearance [-30]; Destiny [-15]; Fanaticism (Self) [-15]; Megalomania [-10]; Murder Addiction [-
60]; Reputation -4 (Bad to the marrow if he still has any in his bones, always recognized) [-20]; Unhealing [-20]; and
Unliving [-50].
Skills: Climbing (P/A) DX-1 [1/2]-16*; Intimidation (M/A) IQ+3 [2]-16*; Leadership (M/A) IQ+3 [2]-16*; Polearm
(P/A) DX+1 [4]-18; Running (P/H - HT) HT-3 [1/2]-12; Tactics (M/H) IQ-1 [2]-12; and Thaumatology (M/VH) IQ+5
[2]-19.
* Defaults from ST 20.
Rune Skills: Rune-Lore (type unknown) (M/VH) IQ-2 [2]-11 and all standard runes per p. M91 at effective skill 11
[18].
Languages: Bruig (M/A) IQ [0]-13, probably more.
Spells: Activate Runes (M/VH) IQ+2 [4]-15.
Equipment: Soulblighter carries a fine glaive in combat, doing damage of 5d+1 cutting or 3d+1 impaling. He needs no
time to ready it between strokes. Presumably he carries a set of runestones concealed on his person. He usually will do
just as well with mock runestones as the genuine articles, since the penalty to his Activate Runes skill using two mock
stones will lower it only to the effective skill of 11 already mandated by his Rune-Lore skill.
One Last Note

Jack and I did, finally, play Myth II head to head on precisely one occasion, addressing the original reason I became
interested in the game. He waxed me thoroughly.
``. . . And I Feel Fine.''
by Thomas Devine
Art by andi jones

One Spring Day At the U.N. 2009
2:10 PM April 1st
Anton Sanddingham (a minor yet useful U.N. official) is eating his lunch outside. An alien spaceship lands. A giant
hot-pink cockroach with electric blue markings and sour-apple green mandibles, eyes, and antennae (see note 1),
walked right up to Mr. Sanddingham and introduced itself:
Alien: Hello, we hacked your computer and found out that you'd be a good person to contact.
A.S.: Really? (Gasping for air)
Alien: Yes. You see we made a serious mistake a while back.
A.S.: When? (Still stunned)
Alien: 372 B.C. But it's not just ancient history yet. An experimental starship of ours went bad.
A.S.: Really?
Alien: Yes, a bug in the programing. This starship, called the Starfly in your language, has a mass close to that of
large asteroid and it is racing toward your sun at a very high percentage of C. It will hit your sun in 2049.
A.S.: Asteroid sized objects must fall into the sun all the time. What is the problem?
Alien: Objects moving at nearly the speed of light get more massive as they get closer to Lightspeed, which is C. The
spaceship will have a mass of about 0.87 of your sun when it hits. But don't worry too much. Your sun will be all right
in about 15,000 years.
A.S.: What about the Earth?!?
Alien: Ahem. Well that's why we're here. Would you folks like a lift?
Most Space Operas have humanity embracing all kinds of complex new technologies but never any of the logical
social changes that would go with them (see note 2). Princesses, warlords, decadent aristocrats, loyal peasants,
corporate raiders with shocktroops on the payroll, all rub shoulders with heroes or heroines who are either a) 1950s
beat drifters in spacesuits; b) Wise-cracking dames right off the old MGM lot; or c) a group of Prince Valiants and
Lady Pendragons in spacesuits; little of which makes sense in a starfaring society developed out of 20th century Earth.
Still, many of these things are fun. I've got a way to realistically have your fun, high-tech, princesses (and princes for
the ladies) whose hand in marriage really gets you the kingdom, superspies, knights in armor, corporate baddies, and
lost kingdoms, Oh My. The only thing you need to do is destroy the Earth. A small thing that.
The Setting
The Aliens didn't leave everything to the last minute. They had terraformed nearly 300 worlds in 200 star systems and
even built cities and roads, began agriculture, and did everything they could to make the planets ready for instant
habitation. They chose worlds that -- they say -- would never have evolved complex life on their own. To about 70 of
these worlds, they took human groups. Not sure what kind of life to offer the innocent victims of their carelessness,
they borrowed from many different places and times in Earth history, from a revived Egypt, to a still vital Sung China,
to a Celtic Christian Empire, to an Aztec superstate. Some have even developed up to TL5, the Industrial revolution
level. So the Earth's peoples have places to go. More importantly, the PCs have things to do.
The main benefit of this setting is that using a mixture of recognizable near-commentary Earth cultures and political
groupings and realistic historical cultures, you have a workable Space Opera. The Internet, as an example of dynamic
technological change, will surely transform our society in ways we'll never conceive of, until they happen. But not by
the time of this setting, and that's only one thing put on hold. By the time of the campaign, 2019 (ten years after
contact) Earth is in turmoil. The populations of every nation are moving off planet. You know what a mess it is to
move yourself, try moving a nation. Every institution is on stand-by. New technologies may be created, but their
development and deployment will have to wait until more stable times.
This instability is a major source of plot hooks. The second the Aliens announced that "the world is coming to an end
but we'll take you somewhere else, and it's nice," real estate markets crashed. Only those objects that would remain
valuable even if you cut them off from their original context, or draw value from a social context that will be
sustained, can retain their value. Tools, weapons, relevant information, usable skills, all of these retained their value.
Deeds to land, stocks, bonds, pensions, hereditary titles and the honors linked to them, almost always became
worthless. This alone caused chaos aplenty.
Add to this the fact that, in order to facilitate relocation, the peoples of the world were going to be spread across 65 or
more planets, none to get more than 200 million humans sent there, and many not to get that. The Aliens also made it
clear that undemocratic nations would be broken up to give their citizens a chance at freedom, and low status peoples
in every culture would get a chance to control their own lives and rebuild them closer to their liking. This means the
end of every human culture; which is not totally bad, but it is profoundly confusing.
``. . . And I Feel Fine.'' The Earth

The world of 2009 is not that different from 1999. The
biggest changes are in the field of energy, and they are
great. A stable Fusion power generator has been
demonstrated. It is really a giant Vacuum Tube (see
note 3). The prototypes were successful and were 95%
efficient in turning the fusion reaction into electric
current. Production models are to come out in 2010.
Material science and Bio-Tech have progressed

dramatically as well, but in the eyes of the general
public, technology doesn't seem to have progressed as
much as it did between 1989 and 1999. They are
wrong, but that's what it seems like. The only really big
change the public notices is the solid state refrigerator
(see note 4), but most people don't seem to really
understand what a breakthrough it is.
On the whole, the political scene in 2009 is much like that of 1999 but strangely less involved. The Arts seem to be
picking up steam. Popular music has no one all conquering sound, but new sounds are plentiful. Fashion has no ideas,
but the visual arts seem to be exploding. France is producing dozens of major art shows every month and the paintings
and sculptures are stunning, original, and beautiful to behold. In fact beauty is back in all the arts.
Economically, it is a slower version of today, except of course for the enormous hopes pinned on the new fusion
systems. Global warming is no longer denied, but the political right still denies that it is linked to pollution. The
population's growth has slowed but the Earth now has 7 billion people, and it's becoming obvious that this is not
sustainable. Religious conservatives still denounce population control measures based on contraception and many
aspects of the women's rights movement as immoral.
In Science, quiet steady work in biology is about to lead to a bio-tech revolution. The public and the pundits ignore
this. The gravitational readings from deep space probes have totally undermined conventional relativity, but no new
theory has yet been put together to explain the observed facts.
The news the Aliens bring throws the world into such confusion that in many ways, the years after 2009 are
technologically more like the mid-1990s. The Internet is disrupted by the social chaos, and most factories are putting
all their production efforts into the Evacuation. Scientists are more involved in moving their institutions than in
research. Technology is frozen for the duration.
This means that your Space Opera heroes will be using present day tools and resources. In fact, once the transport
systems begin to break down, the PCs may find they need horses to get to the spaceport. This is a world recognizably
like our own. The only really important difference is that it is doomed. This is part of the charm of this setting -- there
is no reason to explain why the Space Opera heroes act and think like modern day people. They are modern day
people.
New Worlds for Old

The Aliens are a decent group of beings. They are genuinely sorry for destroying the Earth, which was an honest
mistake, and they are seriously working to make amends. The Aliens have taken a large number of worlds and made
them into new Earths. They then seeded some of these worlds with human cultures. Because of humanity's rapid, if
fitful, progress, they have gotten the go ahead to evacuate the whole Earth just recently (see note 5).
In order to set up and protect the cultures on the worlds they Terraformed, they took humans from the Earth and
educated them as allies in their rescue program. These people, who call themselves "the Coventry" (see below), are
running the Evacuation. They control the ships and have already helped build the cities the Earth's peoples are being
sent to. There are places for all of the Earth's people, if they will come, and if they can organize themselves to get on
the ships.
The terraformed worlds are scattered around the Milky Way Galaxy. Each has a gravity within 20% of Earth norms
and the majority are within 10%. The years, axial tilts, and day length of these worlds can vary by up to 40% from
earth norms, but the mean temperature, background radiation, stellar spectra, and mineralogical content of the planets
are amazingly Earthlike, and variations are generally not noticeable. Each world's plant and animal life is entirely
terrestrial in origin. Some life forms have been modified but there are no truly alien lifeforms on these worlds.
There are 72 worlds, out of 297, with human communities on them. Of these, 69 are worlds that sample groups of
humans were placed on as preserves for the human species in the wild. These groups were gathered between 15 A.D..
and 1734 (see note 6). Every major human group is represented, including many which no longer exist on the Earth.
Each world had between 60 and 250 different cultural groups planted on them. On most of these worlds, as the
populations grew and spread out, often coming into contact with radically different neighbors than they had on Earth,
they diverged into new societies and civilizations.
Only ten of the worlds settled by preindustrial humans will be open to Earth's refugees. Each of these has one or more
cultures entering the early industrial phase (18 other worlds are at about this level of technological advancement, but
these ten lost the lottery). These and 55 more worlds have large areas prepared for immediate inhabitation by Earth's
populace.
On the pre-inhabited worlds, Earth-folks will be brought to live in seaborne arcologies. These will be self-sufficient
cities miles across, floating in the tropical seas. Thus the "natives" lose no useful land. Sailing vessels of those nations
friendly to the Coventry will be allowed to enter the harbors and trade with or otherwise communicate with Earth-
folks. A great place to start your anthropologist, treasure hunter, diplomat, or just plain thrillseeker PCs.
The uninhabited worlds have a wide variety of arcologies built on them to allow their new owners a wide range of
climates and opportunities. In each case, the first Earth-folks to arrive will be busy setting things up for the next wave
and the wave after that. The pre-inhabited worlds will get about 15 million Earth-folks apiece, while the other
terraformed worlds will get between 100 to 200 million Earth people. Certain small communities will be taken to other
places. Some groups of Amazon Indians, Intuits, and other hunter/gatherer peoples will be taken to worlds separate
from the rest of humanity, where they may live in peace. Some groups of space enthusiasts and technophiles will be
taken to live in space habitats. Both groups will be very small in total numbers.
The Evacuation
In December of 2009, the first groups of humans leave the Earth. They are mainly people that the Coventry have
selected as teachable. The Coventry have access to a TL16+ speed-teaching technology. They intend to use this to
train the armies of Earth- folks needed to organize the Earth's populace in their new homes. Because it is easier to
speed-teach those who are already literate, these first few millions had to be drawn from the ranks of those who
already have educations.
Even illiterates can be trained in TL16 physics with these devices, but if you aren't used to using the appropriate types
of abstract symbols, such as numbers and formulas for engineering or science, extreme cognitive dissonance sets in
(see note 7). Unlike normal cognitive dissonance, this cognitive dissonance can last for weeks and cause delirium.
This can be handled, but that takes more time per student than can be spared until later in the process.
Between Jan. 1, 2010 and Dec. 31, 2015, 500 million people are taken off planet. These are almost all literate people.
The upper working, middle, and upper classes of Europe, Japan, Australia, New Zealand, and the Americas are largely
gone. The wealthy and middle income areas of most western cities are mainly empty. The poor have the Earth and are
waiting for their tickets off planet.
Jan 1, 2016, places are ready, and the first super transports begin to take people to the stars. 500 million people a year
are being taken to their futures.
The trips take from six weeks to six months. The transports are much like passenger liners; this surprises most people
because they assumed that the airplane-like ground-to-orbit transports were a sign of what the trip would be like.
There are recreational facilities on these ships, but much of the time is taken up in speed learning. Since there is plenty
of time in transport, and Earth-folks have been trained to run the systems, this is now practical for the illiterate, as
well. There are still limits as to what can be done without inducing dementia, but any training at all is a very good
thing.
These ships are filled with up to a million and a half people from all the world's cultures, frightened, often angry,
seeing treachery in everything they don't understand, and that is understandable. Many PCs would be people taken off
Earth early and trained to handle the passengers on these ships. Pursers, and that is what the PCs would be, take care of
the passengers and maintain order among them during a voyage. Given the situation, this would be a lot like being
police officers and social workers at the same time. Anyone who has seen movies like Ship of Fools, Murder on the
Orient Express, Titanic, Charlie Chan goes to the Races, A Night at the Opera, or The Lady Vanishes, can see the
adventure possibilities of people in closed off, isolated spaces going on along journey. Heck, just throw people from 20
or so different mutually hostile cultural groups together, in forced contact, even in spacious quarters, and even plots
from The Love Boat can get deadly!
An interesting campaign could be built around PCs who are Cruise Director/Entertainment Committee types. Just think
about a ship taking a rich selection of refugees from the Balkans, the Eastern Mediterranean, the Caucasus Region,
Central Asia, and the Arabian Peninsula, and then finding events that all of them would regard as harmless fun. The
mixture of farce and horror should be original.
Given the facts about human stubbornness, which the Aliens are taking into account, it is assumed that only for the
first few years will the transports get to carry maximum loads. They have allotted 20 years to this part of the
evacuation, so that the Earth will be largely empty by 2036.
Not known to the general public is that in 2036 the Aliens plan to have the Coventry, with the permission of Earth
governments and the aid of Earth-folk troops, forcibly remove those groups that are deemed "unable to comprehend
their danger or cooperate in their own removal." The Aliens fully intend to let those they deem capable of
understanding the danger stay if they choose. The attitude of some Aliens toward such people was summed up by one
Alien Ambassador as "Social Darwinism is evil, but some people will inflict it on themselves. That is their right, and
you are lucky to get them out of your gene pool." Most other Aliens simply sigh and say, "There should be another
way, if you think of one tell us, please."
However many technologically primitive small-scale cultures, living in areas like the Amazon jungles, the wilds of
Borneo, the mountains of central Asia, or the Sahara desert, are deemed unlikely to understand their danger (see note
8). The Coventry will have to round up these people without hurting them. Given the fact that many of these people
have every reason, from long and bitter experience, to distrust all outsiders, and exceptional skills in guerrilla warfare
on their own territory, this would make a demanding campaign.
The period after 2036 is seen as a mopping up operation, and those too stubborn or foolish to have gone earlier will be
given the opportunity to leave now as "Doomsday" draws near. Scholars will be making extensive studies of the
planet, as this will be the last chance for that sort of thing. The Earth will be chaotic and in many areas empty.
Transport and power systems will have been left without proper routine maintenance since the early 2020s in most of
the world. That may not seem like a long time, but it is only constant maintenance that keeps most large systems
going. Most structures will be standing right up until the hypercanes generated by boiling seas blow them away, but the
connections between them will be lost quickly.
One good campaign for this period would be a treasure hunt. Since both the remnant Earth governments and the
Coventry would be loathe to leave any valuable cultural treasures on the Earth to be fried, PCs could be a group of
searchers who find rare items that were not brought along and will be forever lost if someone doesn't go now and get
them. Picture any interesting place on Earth which might have a rare item, 17th-century love letters, sealed diplomatic
documents, holy relics, or lost Doctor Who Episodes (see note 9)! This would not be just a detective game -- without
regular maintenance, cities can become death traps. Once the humans leave, wild animals would be coming into the
cities because they are a great habitat once you get rid of the people. Those humans that refused to go might be a
serious threat to the PCs. They would probably see the Aliens as foes and the PCs as traitors to humanity, or they
could just be violent idiots; either way, armed thugs can be a nuisance.
On August 25, 2049, The Starfly (the out of control Alien craft) will collide with our sun. The Aliens prefer a secure
safety margin, so all of their ships will be out of the solar system by August 15. This means that they will have to
leave the Earth by July 25. A small group of volunteer ships and crews will stay on Earth until the Starfly gets 10
light-days out, and then they, too, will leave. Anyone left will simply die, which should set up a great "race for the last
transport" scenario.
Afterworlds: Earth and the Stars

The Earth
The sun will not explode. The "Others," whom the Aliens deal with, would not want that, as it would be far too
disruptive. "Brakes" have been placed in orbit around the sun to contain the shock. Instead of an explosion, the sun
will lose 3% of its lifespan. The side effect of this containment is that Sol (the sun's proper name) will radiate
substantially more light and heat for the next 15,000 years, and constant solar storms, sun flares, and stranger
phenomenon will combine to make space travel fatally dangerous within the solar system for that period.
On Earth, the sun will appear much brighter. By early October, hypercanes will form in the tropical oceans.
Hypercanes are a special form of hurricane. When an area of water around 30 miles in width reaches a surface
temperature of 120 degrees, a hurricane forms that extends into the upper atmosphere, about 20 miles high; this is a
hypercane. One hypercane can destroy an earth-like planet's ozone layer by spreading fine particles of salt water into
the upper atmosphere. By Halloween 2049 there will be 50 active hypercanes.
Hurricanes and hypercanes are cooling mechanisms. The increased heat will be spread by these storms, but it can not
be dissipated. By mid-winter of 2050, between ultraviolet radiation, violent storms, and brutal heat, all unprotected
human, plant, and animal life is dead. Some life remains in the deep oceans. Those people who sought to ride the crisis
out in deep subterranean shelters, rather than flee to the stars, will now know that their cooling systems will fail in a
few months.
By 2100, the seas are boiling, even around Antarctica. The Earth is becoming a runaway greenhouse world like Venus.
Once the oceans are gone, organic molecules will begin to break down into base chemicals. The release of carbon will
speed the temperature increase. Eventually the water molecules will disassociate and the free oxygen will bind to the
carbon. The hydrogen will rise to the top of the atmosphere and be lost on the solar wind. The moon will look down on
a world no different from Venus.
The Stars
Earth-folks will be settling into the Arcologies as early as 2010. Many of these earliest settlers will be people who
work in what might be broadly defined as "cultural" jobs. Television and film production was moved to the new
worlds quickly. This made it possible for positive, comforting images of the new worlds to be sent back to the Earth.
The Earth-folks liked what they saw and resistance to the removal was somewhat lowered.
Colleges, universities, museums, and libraries all quickly set up shop. In fact, in the years between 2012 and 2020,
most Earth-based universities had more teachers than students. Many cultural institutions were asked to just move to
the stars and go on as if they'd only moved across town. You could, if you set your game on one of the new worlds in
this period, have an opera house chorus drag the PCs off the street to make them watch a performance!
Ethnic bakeries and restaurants, dance halls and discos, theaters and concert halls, will all be part of the arcologies as
the Earth-folks swarm in. But it won't feel like home to the first generation.
Until the 2040s, the new worlds will have a unsettled makeshift feel. The surroundings will be lovely but the people
will be focused on what they left behind. By the 2040s the first humans born in their new homes will begin to find
their voice. After the Earth is known to be dead, those who have few memories of it or never were there at all, will
begin to think of themselves as being from the worlds they live on.
Social and cultural life will revitalize in the 2060s. The teenagers will all have been born off Earth. They will be Star-
folk, not Earth-folk. The arts will reflect new lives, and visions and science and technology will start to deliver 60
years of pent-up innovation. Some worlds will thrive, some will sink into chaos, others will blend the two, but
humanity will keep changing -- maybe even progressing.
On the pre-inhabited worlds, cultural exchanges will speed the social and technological development of the societies
dwelling there. Being able to visit a TL8 city, even if you don't learn how things are done, can give you ideas. The
industrial revolution strikes again, and other kinds of revolution as well.
From 2045 on, the Coventry allow Earth-folks to move between the worlds that refugees were taken to. This is to
reunite families and allow people to find suitable communities to live in. After 2090, the Coventry restrict passage by
non-Coventry. Only scholars, scientists, diplomats, artists, and other people deemed to have serious reasons for travel
between worlds will be permitted passage. The Coventry are required to make this restriction by the Aliens, who say
that the Others required it of them.
Barring the development of anti-agathics, by 2150 Earth passes out of living memory. The star-folk are becoming new
ethnic and national groups. The prototypes of TL9 devices are in the graphics computers. Earth is becoming Atlantis,
Irem of the Pillars, Camelot, or El Dorado, a lost dream.
How Is It Possible?
You may ask, "How could the Aliens have gotten the Earth's leaders to trust them?" After all, it would be very hard to
prove that there was an out-of-control spaceship heading for the sun at a high percentage of C, let alone prove that it
would disrupt the sun in such a way as to sterilize the Earth. Even finding the Starfly with terrestrial astronomical
tools, without proving what it is, is probably impossible. So how do the Aliens win over Earth's leaders? Mind Control
Rays. It pays to be TL16+.
Having studied humans for millennia, the Aliens know how to take limited control of our minds for short periods of
time (full control of someone who knows you're trying to control them is not practical, and will damage the subject
and perhaps the would-be controller). The Aliens wouldn't want such control anyway; they see it as immoral, but they
still use their techniques for one limited effect. Whenever an Alien tells you the truth you will know that what was said
was what the Alien believes to be the truth; conversely, you will automatically know a lie as well. Limiting as it might
sound, it is a powerful strategy; the level of trust that can be built can move mountains. The devices are built into the
electronic voice boxes that they use to produce human speech.
There is a profound problem with these devices, however. They work very well on those who spend time working with
abstract symbols (letters, numbers, musical notes, etc.), but on those who rarely work with such things they are less
effective. People with the Literacy advantage and more than three points in skills like Mathematics, Writing, Poetry,
Literature, Law (legal matters take a lot of abstraction), Heraldry (abstract symbols all), Musical Composition,
Medicine, or any science skill including Research, gets no chance to resist the effect. Anyone who reads more than one
language fluently (Musical Notation counts) also gets no chance to resist.
Literate people who do not have or use abstraction skills have a chance to resist at Will-5 when they are exposed to the
ray. Each time they fail to resist they permanently gain another -1 to Will to resist the ray. On a Critical Failure they
permanently lose the ability to resist the ray. Illiterates who have the Musical Ability or Language Talent advantages,
or more than three skill points in these areas, or have the Mathematical Ability, Lightning Calculator, or Intuitive
Mathematician advantages, or a point in Mathematics (Ciphering) or (Arithmetic) (see note 10), are like the last
example, except that their Will penalty is equal to all of the character points in these areas.
Examples: Mary has Musical Ability 2 and a point each in Guitar and Drum, so her Will penalty is 4; Luiz has
Language Talent 3 and a point each in English, German, Spanish, and French, so his Will penalty is ten; Yashu has
one point in Ciphering, so his Will penalty is one.
The penalties for the listed advantages also apply to the literate, but the skill-based penalties do not. In any case,
anyone whose will penalty is greater than his intelligence gets no chance to resist.
Total illiterates lacking any of these skills or advantages, or those who have a chance to resist and have more than
three levels of Strong Will, or advantages/disadvantages that strengthen the will to resist, get no will penalty to their
resistance, and never have their resistance weakened by failure. Critical failures to resist the ray tend to cause paranoid
delusions about the user of the ray.
This device meant that the leaders of almost all large human groups knew that they had to leave the Earth and that the
Aliens were their only hope. Many people hate the Aliens and the Coventry for pulling down their power structures,
but they knew they were dependent on them for survival and that they were honestly offering rescue and safety.
An important point about the Mind Control Ray: It can only get people to believe that you are telling the truth, it
cannot make them believe you are right, or just, or truthful in nature. The Aliens convinced people they were right by a
display of technological ability and showing leading scientists the Starfly through their sensors. Knowing that someone
is speaking the truth is not the same as knowing they're right.
The Coventry ``. . . And I Feel Fine.''
The Coventry are the genetically modified descendants of

humans taken from Earth, during the centuries after the Aliens
realized that theStarfly accident had doomed the Earth, but
before they made formal contact. The Coventry are
whatGURPS: Robots would describe as Biroids or Trans-genetic
Humans. I'll use the GURPS: Fantasy Folk, 2nd Edition format
to describe them, but use GURPS: Bio-Tech and GURPS
Compendium I for some of the advantages and disadvantages.
Advantages
All of the Coventry have +4 in the four basic stats (180 points).
They have the following transgenetic brain modifications:

Alert+5 (25 points), Ambidexterity (10 points), Autotrance (5
points), Intuitive Mathematician (25 points), Language Talent+5
(10 points), Musical Ability+5 (5 points), 3D Spatial Sense (10
points), and Versatile (5 points).
These are the Coventry's Cardiovascular modifications: Auxiliary Heart (bought as Extra Hit Points +2 and Hard to
Kill +3)(25 points), Boosted Heart (bought as Extra Fatigue +1 and Hard to Kill+1) [Bonus also applies to aging rolls
and to any rolls made to avoid heart attacks +20%] (6 points), High Efficiency Kidneys [bought as reduced Life
Support)[half normal water requirement] (10 points), Recovery (10 points), Very Fit (15 points), and Very Rapid
Healing (15 points).
For cosmetic reasons (and to make them more efficient persuaders), the Aliens made sure that the Coventry would all
be at least Handsome/Beautiful (15 points).
The Coventry have the gastrointestinal modifications of No Appendix (0 points) and Sanitized Metabolism (5 points).
Advantages from glandular modifications are Early Maturation (5 points), Improved G-Tolerance 2 (10 points), and
Combat Reflexes (15 points).
Their improved immune systems grant them Immunity to Disease (10 points) and Immunity to Poison (10 points).
Lifespan modifications are Extended Lifespan 1 (5 points) and Longevity (5 points).
The Coventry have several Musculo-Skeletal modifications, such as Double Jointed (5 points), Manual Dexterity+5
(15 points), and Toughness 2 (25 points).
The Aliens also made respiratory modifications to the Coventry, such as Breath-Holding 1 (2 points), Filter Lungs (5
points), and the Voice (10 points) advantage.
Their sensory modifications are Faz Sense (10 points), Night Vision (10 points), and Polarized Eyes (10).
Their reproductive modifications are Easy Childbirth (1 point), Light Menses (1 point), and Reproductive Control (2)
for the ladies, and for the gentlemen Injury Tolerance (No Vitals) (groin only -60%) (2 points), internal testicles. This
gives female members of the Coventry 532 points in advantages and males 530 points of advantages.
Skills
Although they have limited access to ultra-high-tech, the Coventry are educated only to TL8. The Aliens were not
allowed to go beyond this. This means that the Coventry do not have to pay points as a race for high technology. But
remember, in this scenario Earth technology is just barely TL8; the Coventry have mature TL8 technology. Just think
of the difference between the U.S. in 1951 and today. That's how great the difference is. Most analysts suggest that
with higher levels of technology, smaller tech lags can be more of a disadvantage.
All of the Coventry are extensively educated. Almost all of the Coventry involved in the evacuation have finished the
equivalent of a university education. Graduation is normally at about age 75, which, given their lifespans, is not as
high a percentage of their lives as many modern American grad students. Thus the Coventry almost always start with
at least 150 points in skills.
Certain skills are always studied by the Coventry. Their culture has three major languages which they call Green, Red,
and Blue (the code names of the separate camps the Aliens set up to mold human cultures they could work with).
Every member of the Coventry has one of these as their native tongue and learns the other two Coventry languages to
IQ+3 ( Each language is M/A, 1 Point, remember their Language Talent). For historical reasons, Gaelic, Classical
Greek, Latin, Chinese, Ancient Farsi, Palahvi, Sanskrit, and Swahili are all studied, (1/2 point each, 4 points total).
The Coventry's libraries have an extensive amount of literature in each of these 11 languages, both known and lost
terrestrial works, and the Coventry's own contributions. English, Spanish, French, Arabic, and at least eight other
modern languages are also studied (1/2 point each, 6 points total). Linguistics is always learned to IQ+2 (2 points).
Chess is always learned to IQ (2 points). The skills of Literature, History, Theology ( Hermetic, see below), Bardic
Lore, Rituals & Ceremonies, Philosophy, and the Theologies of at least four major Earth faiths (Christianity, Islam,
and Buddhism are normally on the list), are learned to IQ (40 points).
In science, Research, Psychology, Zoology, Physics, Geology, Genetics, Engineer (a specialty will be chosen),
Biology, Botany, Ecology, Chemistry, and Genetics, get 1 point each (12 points). Mathematics is studied to IQ+3 (4
points). Singing, Musical Composition, and Play Instrument skills in Keyboards, as well as three other instruments, are
also required (1/2 point each, 3 points total). Artist, Bard, Dancing, Dreaming, Lucid Dreaming, Poetry, Sculpting,
Writing, Choreography, Performance, Directing, Flower Arranging, Gardening, Punning, Scene Design,
Administration, Carousing, Diplomacy, Fast-Talk, Politics, Savoir-Faire (Coventry, and four Earth Cultures), and
Erotic Art are all known by every Coventry Member dealing with Earth-folk (1/2 each, 13 points total).
The basic self-defense style taught to all Coventry members has Karate, Judo, Body Language, Boxing, Gun (stunner),
and Cane (Short Sword), as primary skills. Arm Locks, Finger Locks, Hit Locations, Ground Fighting, Kicking and
Break fall, are the maneuvers (6 points). There are many Cinematic forms, Trained By a Master is Common, as is
advanced skill. Up to 5% of the Coventry would be seen as 4th dan or higher martial artists. This covers only the
basics known to all members of the Coventry -- as they all have at least 150 skill points when they join the Evacuation
Committee, and only 89 points are accounted for on this list, that means every member of the Coventry has at least 61
character points to spend in their special skill areas.
Disadvantages
All Coventry have Reputation: Oversexed Outer space Weirdos -2 (reaction on -10) ( -10 points), and the Quirk,
Bisexual (-1 point). Thus, it costs 669 points to play a male member of the Coventry, and 671 points for a female.
Character Options
Empathy, Intuition, Common Sense, are all common advantages, as are Higher Purpose, Animal Empathy, Charisma,
Eidetic Memory, Strong Will, Collected, Composed, Cool, Cultural Adaptability, Imperturbable, Unfazeable, and
Rapier Wit (if it fits your campaign). The Coventry never have genetic disadvantages, and any handicaps would be
healed by the Aliens (they could never stand to see the Coventry in pain or suffering). Most disadvantages will be of
the Duty, Sense of Duty, and Vow types. The Coventry are given to intense commitment. Attentive, Broad-Minded,
Cannot Harm Innocents, Cannot Kill, Pacifism (self-defense only), Careful, Charitable, Chummy, Compulsive
Carousing, Compulsive Generosity, Congenial, Curious, Disciplines of Faith, Dreamer, Extravagance, Gregarious,
Imaginative, Lover's Distraction, Nosy, Overconfident, Proud, Responsive, Trickster, Weirdness Magnet, and
Xenophilia, are all disadvantages the Coventry often have. All other disadvantages tend to be rather rare.
The Coventry in the Campaign
The Coventry are not combat monsters, and they are far from point cost effective. What they are is highly competent
and versatile. They are humans who have been encouraged to be good at being human by Aliens who'd embrace
Timothy Leary's SMI2LE ideology. They function as the Aliens that the PCs deal with. Think of Tom Baker and Lalla
Ward as Doctor Who and Romana II; they were smart, charming, good natured (within limits), and much weirder than
the monsters. Patrons, Allies, and strange but delightful friends, that's the Coventry.
The Coventry as PCs
Normal members of the Coventry are between 750- and 900-point characters. If your campaign is at that level, fine.
Most members of the Coventry directly involved in the evacuation are young, between 75 and 100 years old. The
Coventry have access to good anti-agathics, so 500-year-old members of the Coventry are not that rare. Players
creating Coventry characters should be talented at making kind and generous people real and interesting. There are
unpleasant, miscreant members of the Coventry, but their sins tend to be petty and dull. Any exciting hero/villain types
are busy elsewhere. Cross Lady Romanadvotrelundar with the Mountie from Due South, and you have a normal
member of the Coventry. Charming to be with, useful in the game's background, but gameable only by certain players.
Psychology
The Coventry are human beings who have lived all their lives in a society that most humans would call Utopian. It's
not Never-Never Land -- there are problems -- but just as a medieval peasant would have trouble understanding that
modern North America was not a paradise, so much more mysterious are most of the Coventry's problems to Earth
folks. They are pleasant, cheerful, people, not because they are unmindful of the "realities of life" or hiding from them,
but because the realities of their lives are wonderful. Think what the people around you would be like if they had never
known want, and further, if they had lived on worlds where no one had ever known want. Where hope was always
justified, where trust made sense, where people always cared; they would be utterly different people. The Coventry are
just human, but humans who have led very different lives.
Ecology
The Coventry were created when the Aliens took groups of humans from several ancient cultures to camps on three
terraformed worlds. These worlds were designated Green, Red, and Blue. The Coventry still live on these worlds and
in a large number of space habitats. These days the vast majority of the Coventry live in space. Their ancestors were
taught TL8 skills by the Aliens and required to live in peace. Robots and AIs did the drudge work.
The Coventry have a "Post-Scarcity" economy. Even if no one ever worked, society would continue simply because
there would always be food on the table and the plumbing would always get fixed (see note 11). Many social
structures and restrictions based on scarcity make no sense in such an economy, which adds to the oddness of the
Coventry.
The most important job the Coventry has is to maintain the viability of the Terraformed worlds that Aliens put Earth's
flora, fauna, and sentients on. The reason these worlds would never have developed complex lifeforms on their own is
the fact that the star systems these worlds are in lack gas giants. In our Solar System, Jupiter swallows up so many
asteroids that the mean time between major asteroid impacts on the Earth is increased by a factor of one hundred. This
means that where the Earth has had a major asteroidal impact every 24 million years or so on average (we are
presently about 40 million years overdue, thank Jove), the worlds the Aliens terraformed had a major impact every
240,000 years or so. Complex life could not get a foothold. The Coventry now reroute the asteroids in the star systems
containing terraformed worlds, so that they stay terraformed.
Families among the Coventry stay together because of pleasure and custom. People can go it alone, but like the very
poor and the very rich here on Earth, the Coventry enjoy their families and live with or very near them all their lives.
Each of the three languages of the Coventry are rich in detailed descriptions of kinship. When we say "my Aunt
Mary," those listening to use assume that Mary is the sister of a parent or grandparent, or an older cousin. In each
Coventry language there are specific words for maternal aunt, paternal aunt, mother's maternal aunt, mother's paternal
aunt, father's maternal aunt, father's paternal aunt, and many variations. They like their families and talk about them.
In sexual matters, the Coventry have very firm sexual morals and stick to them. However, whereas Earth-folk sexual
morals are based around the virtues of fidelity, chastity, and abstinence, the Coventry base their sexual morals around
the virtues of respect, generosity, experimentation, playfulness, and compassion. This often leaves the Coventry and
Earth folks accusing each other of having no sexual morals at all.
The Coventry mature as quickly as Earth folks but do not enter middle-age until about 100. Or rather, if they did not
use anti-agathics, they would. Without anti-agathics, 200 would be as old for them as 100 is for us, but because of
their excellent health, many more of them would get there and in good condition.
Culture
The Coventry do not have a hierarchy of any kind in their society; they have networks. There is a lot of structure and
organization in their lives, but it is a horizontal, never vertical structure. Only in those situations where they are forced
into duplicating another culture's rank systems do they ever use such structures, and then they don't like them. The
equality of the Coventry members is such that no member of the Coventry has Status or Rank relative to other
members of the Coventry, either as an advantage or disadvantage. Reputations are common, and people can be known
to have organizing duties, and will be listened to when organization is needed, but there is no hierarchy. The Aliens
worked steadily to achieve this. They don't have hierarchy, and they knew that they'd had it in their primordial times,
so they assumed that humans did not need it either. Thus, they created the perfect human anarchists.
The Coventry are a vast cosmopolitan culture based on a variety of subcultures. The basic subcultures are defined by
the languages Green, Red, and Blue, which come from the worlds that the Aliens started the Coventry on. Green was
dominated by a mixture of Hellenistic Greeks and Gaelic speaking Celts, Red was dominated by the Han Chinese and
the Persians, and Blue was a mixture of Ancient Indian Hindus and Buddhists, Javanese, and the peoples of the
Swahili city-states. The languages all have perfectly regular grammars (Alien influence there) but are richly expressive
in different ways. The interplay of different styles of expression and mediums of communication, in ways that often
seem chaotic to Earth-folk, is normal for the Coventry.
After this original population had formed a stable cultural matrix, new peoples were brought in. They enriched both
the gene pools and the cultures. Many maintained subcultures based on their original ethnic or religious group. These
new additions were discontinued in 1734, the same year as the last groups of people destined for the terraformed
worlds were removed from Earth.
All Coventry are educated to understand a variety of cultures and viewpoints. Their embrace of the arts, particularly
music and drama, is largely seen as a path to a truer perception though a deeper expression.
The Coventry are deeply spiritual. The tendency to religious faith among humans disturbs the Aliens. Luckily for them,
lacking the social chaos of Earth, otherworldly messianic faiths were never popular. People brought from Earth to join
the Coventry often maintained their ancestral faiths, but few Earth faiths caught on or even sustained their numbers.
Buddhism was an exception; a syncretic Mahayana Buddhism is a common faith. Taoism, influenced by Persian
mysticism is also common. Celtic Druidic practices and Greek mystery cults were even more important. Their
emphasis on personal knowledge and individual spiritual life fit the non- hierarchal life of the Coventry more easily
than world-renouncing faiths. Shamanic ideas, and the Druids and Mystes were always pretty much shamans anyway,
were introduced by many people from cultures were such faiths still flourished. The Shaman's practice of going to the
Otherworld of the Gods and spirits yourself and getting your own answers was attractive to the Coventry. Ceremonial
magicians combined the spiritual seeking of the shaman with the intellectual imperatives of the high cultures of the
Earth. This combination, strongly influenced by the other traditions became the central theology of the Coventry. An
Alchemist from renaissance Europe joined the Coventry in 1524. Freed of the fear of the Inquisition, Augustus Gigorio
Guaineri became a philosophical and spiritual genius. His Alchemic theology became the basis for the Hermetism that
is the faith of the mass of the Coventry (about 65% of them). The Rituals & Ceremonies skill refers to this spiritual
background, as does the Autotrance Advantage.
The name the Coventry is not religious. The members of the Coventry know that they have restrictions, they know that
their patrons the Aliens have to deal with other aliens, and that they are not fully free because these other aliens will
not allow it. But once the Earth-folk, or the people of one of the terraformed worlds develops interstellar travel
techniques, the Aliens can allow the Coventry to "join" their kin. The Coventry and the Aliens know that they have a
deal to have this happen when Earth descended people achieve starflight on their own. This is their solemn oath, their
covenant. They used to call themselves the people of the Covenant or the Covenantors, but that has serious religious
meaning on the Earth, so they decided to come up with a variant -- the Coventry. After "sent to Coventry" became a
saying, both the Coventry and the Aliens, quiet aware of Earth culture, thought it was amusing, and apt, given the
relationship between the Aliens the Coventry know, and the others that only the Aliens know. The most important
restriction on the Coventry is in the area of science. The Coventry are not allowed to be scientists. They may conduct
surveys and research for the Aliens, but they may not independently study the universe nor may they invent new
technologies. Until humanity outside of the Coventry achieves TL9, real science is forbidden to the Coventry.
Most of this information will never come up in play, but it is necessary to define the Coventry. Most of the time they
should seem very intelligent and more than slightly off kilter. Which, from our point of view, they are.
The Aliens
Little information is needed. They are in the background and mean to stay there. They do not like to be around
humans, as we are considered strange and disturbing. They like Earth-folk, they love the Coventry, but we are, just, so
weird. They find us worthy of their efforts because many of us can understand five things: compassion, love, humor,
irony, and play. Our pride amuses them, our dignity delights them, and when we show integrity, they know we are
kindred spirits. Besides, it is their mess, they have to make it right. But we are so creepy! They really wish we would
have been insects.
In play, meetings with the Aliens are something PCs should see on TV or hear about from superiors. The Aliens should
be rarely glimpsed and from a distance. The Aliens work through the Coventry and Earth-folk agents, and prefer to
deal with them by telephone or E-mail. In the early years of the evacuation there was no choice, so the Aliens used lots
of face to face meetings. But once that kind of contact is no longer needed, they withdraw and let the Coventry rescue
humanity.
Campaigns And Characters

Player Characters normally start with 100 character points, plus a limit of 40 in Disadvantages and five in Quirks.
Those drawn into the evacuation will gain new skills and abilities quickly, because they'll be taught by the Coventry.
Assume that the characters gain 100 more character points, paying starting cost for attribute gains. All physical
disabilities would be healed by the Coventry, using either their own skills or borrowed Alien technology. Any PC
designed with physical handicaps like Blind or One Leg will have to pay for the removal of these disadvantages out of
the second 100 character points, and may take no new disadvantages to regain the points except Fanaticism (Gratitude
to the Coventry). Non-cinematic advantages are allowed, but only if the GM says that training or Coventry bio-tech
(backed by the Aliens) could achieve it. Given the state of emergency there has to be a good reason for gaining a trait.
Examples: Cultural Adaptability is listed in GURPS Bio-Tech as a genetically induced trait. Also, it would be darn
useful in the evacuation, so it would be allowable. On the other hand, Weapons Master is cinematic, not Bio-tech
inducible, or very useful to the task at hand, so it isn't allowed. A character may buy it with his first 100 points plus
disadvantages and quirks, but not with the bonus points.
Characters representing evacuees, instead of those working in the Evacuation, would be built as normal PCs, as would
most humans native to the terraformed worlds and those choosing not to evacuate.
Certain kinds of advantages and disadvantages will be lost or reduced during the evacuation. Status, positive or
negative will tend to be reduced. If you were an English Duke, 3rd cousin to the Windsors and also related to half of
the crowed heads of Europe, about Status 5, you'd probably drop to Status 2 or less! A movie star who keeps making
films when they get to their new homeworld, a CEO, or an important government official who was still working in a
government, might keep more of their Status, or all of it. Most of those with negative Status will rise to 0 because
much of their past will be left behind. Similarly, most Contacts and Favors will be lost. The Coventry will make
certain no one is Zeroed. Extra Identities will probably be lost. And most people will lose Wealth levels and/or debts.
Wealth disadvantages will be wiped off the character sheet, and poverty will be worth no points. Wealth levels above
Comfortable will cost double to reflect their rarity. Levels of Multimillionaire will cost triple, for the same reason.
Cinematic campaigns could be set during the forced removal of tribes or the cultural scavenging/treasure hunting
period, both after 2036 on Earth. Cinematic campaigns could also be set among explorers, diplomats, and soldiers of
fortune on the pre-inhabited worlds. Tribal removal would be a tough GURPS Special Ops-type campaign. Outdoors,
Social, Combat, and Thief/Spy skills will be needed. Diplomacy and Anthropology would be the most useful skills for
getting the people to agree to come along for the ride. Stealth, Gunner (knock-out gas), and First Aid will be best with
recalcitrant folks.
Treasure hunters will also need Outdoors skills and a variety of art history and goods-appraisal skills. Characters who
were antiques dealers and are now swashbuckling scavengers looking for the last treasures on the Earth fit this
campaign.
Those who go out to explore the pre-settled worlds will be going into very alien territory. These worlds are inhabited
by the descendants of Earth people brought to these worlds over the past few centuries. Delivered into pristine worlds
lacking diseases that had any effect on humans, armed with agriculture and other skills, their populations exploded (see
note 12). The ten pre-inhabited worlds Earth folks will be allowed on all have at least one TL5 civilization and several
TL3 and TL4 cultures, as well as small-scale societies. Think about Earth in 1800, now add vast TL8 cities floating in
the seas. Adventurers could go both ways in these settings.
Karum
A Sample Pre-Inhabited World
Given the ancient name of an Iranian river, Karum is a world greatly influenced by a Persian based culture. Its gravity
is 0.85 of that of Earth. The day is 53 minutes longer than Earth's, but the locals still divide the day into 24 hours. The
planetary year is 364 1/7 Karum days long. It has a large moon, which the locals have named Tishtrya. This moon is
larger than the planet Mars but it is so far from Karum that its tidal effect, while dramatically greater, is not large
enough to be considered catastrophic. The lunar cycles on Karum are 26 planetary days. Since Tishtrya has an
atmosphere and oceans, it is much brighter than Luna.
The two largest continents of this world are separated by a narrow rift valley sea running NW to SE and about 300
miles wide called the Vourukasha. Near the midpoint of this passage, as vital a trade route for this world as the Suez
region is for the Earth, there is a river delta in a desert. This river is called Anahita. Isfahan, named for an Iranian city,
is the nation that dominates the delta and the passage.
The river that forms the delta flows out of the heart of the northern continent. The headwaters of the river come from
an area with several large rivers flowing out of vast lakes, like freshwater seas. Slavic groups influenced by
Scandinavian trader/settler/warriors have created an imperial state in this area. The culture is in transition at this time
because of a marriage alliance between the Tsar of the Slavs and a Nipponese princess from Wak-Wak. A new
cultural fusion is forming which the Persians, even though they are allies to the present state, fear.
To the northwest is a broken continental area like the islands of Northern Canada or the Indonesia area. Peoples
brought from Europe and northeast Asia live in this region. A culture based on a fusion of Chinese and Indian
backgrounds dominates the eastern end of the northern continent, which is called Asfar (after a book on Metaphysics).
South of the eastern end of Asfar, there is an Australia sized continent called Munajjim (because it was discovered by
an astrologer by that name, according to legend) that is home to several southeast-Asian-based cultures. The dominant
trading power is a Thai city on the northern cost. Munajjim is much rainier than Australia and has several large
kingdoms.
Southwest of Asfar is Zanjan (a Persian term for Zanzibar). The northwest of this continent is called the Maghreb,
after the Arabic term for northwestern Africa. It is inhabited by decedents of people from the Roman colony of
Carthage and their Visigoth rulers. It is a mixture of Germanic, Latin, and Moorish cultures. South of the central desert
(like the Sahara a Hadley cell desert), are kingdoms whose peoples were brought from Shonghi and the Zimbabwe
cities. The eastern coast is dominated by Swahili-speaking city states.
Asfar extends its broken chain of islands over to a large northern landmass with a Canadian climate. Norse and
Amerind peoples share this land, sometimes in war, others in peaceful trade. Because the Vikings and the Amerinds
rule themselves by counsels, this land is called Maydan.
Isolated from all the other continents in the southern oceans is Santur (a musical instrument like a zither). It is called
that because sailors from that Santur met Isfahanni sailors on an island west of Zanjan, and were named for the
instrument they were playing. This continent received a mixture of Mesoamerican peoples and several Greek
communities. It has a wide range of climates from Antarctic to tropical.
Taken as a whole, Karum has a smaller percentage of land to water than Earth. But more of the land is arable, and
there are more and larger areas of rich fishing in the seas. Minerals seem to be as common as on the Earth. The
Isfahanni state is developing solar power (much like the devices demonstrated at a fair in Paris in 1785). The Isfahanni
are the dominant trading power of this world, much as Antwerp was in the 16th century on Earth. But both the Thai
and Sino-Hindu states to the east, and the Celtic Leagues and the southwestern Zanjan kingdom to the west, dispute
that dominance. The Swahilis back Isfahan, as does the Slavic Imperium and the Maghreb states. Santur is neutral, but
being rich in minerals and unusual and useful plants, may not get to stay so.
Islam is the major faith of Isfahan and the Swahili states. An Isfahanni city named Ardvahist, which was the site of a
spectacular meteorite impact, is this world's equivalent of Mecca. Most Zanjan states are largely Islamic, with the
Maghreb, a largely Christian area, an exception. Maydan is mainly pagan, but Islam is a growing influence there.
Syncretic forms of Buddhism and Christianity are dominant from the Celtic League cities just east of Maydan to the
eastern borders of the Slavic Imperium. A state sponsored Hindu-Buddhism guided by Confucian ethical teachings is
dominant in the Sino-Hindu states. Buddhism is the faith of Munajjim. Santur has several faiths based on the
Mesoamerican cultures that dominate it and they are highly influenced by Greek Mystery cults and Gnostic
Christianity.
The seaborne Arcologies are seen as new players in this power struggle. There is no reason for the sea cities to align
with each other or the continental powers, but given the social turmoil in the cities, foreign policy distractions may be
welcomed by whoever is in charge.
The New Worlds

The Arcologies that most of humanity will go to live in are spacious, comfortable, lovely to see, and provided with
every state-of-the-art convenience. However, since the population will consist of stunned and disoriented refugees,
they will be hard, spooky places to be for the first few decades. The great struggle will be to restart society. Human
beings need a society in order to define themselves and interact with others. Those institutions that would have come
through the evacuation at all will be highly disorganized, and often pathetic. Think of an unpopular and repressive
government, its people scattered, its resources gone, given an office with no telephones as a sop by the Coventry.
What can they do?
Other entities will come through just fine, and may thrive. Churches, political parties (the European kind, not the U.S.
types), interest groups, and cultural movements would be in strong positions. People need purpose and these groups
supply purpose. They would be new communities for those who had lost their communities. This could lead to lots of
fuss if these groups come to blows, but it would help to bring civilized society back to life. Even if their purpose is to
protect the nests of robins, most people feel stronger for having a purpose. Groups that supplied a sense of purpose
would become very powerful very quickly. Besides, having the PCs fear the anger of the Audubon society can be fun.
Less positive groups would be involved as well. Gangs, Tongs, Triads, the Mafia, the Yakuza, the Shining Path, the
Taliban, extremist I.R.A. factions, HAMAS, various Neo-Nazis, the Ku Klux Klan, and other criminal and/or political
extremist groups will be seeking members and offering easy answers -- the wrong answers, but easy ones. The PCs
could infiltrate the gangs or try to set up worthier groups.
Corporations will try to set up shop, as economic activity is something to do. And as it gives life some direction, the
Coventry will give them some help. Corporations will have different goals. Some will be out for the cash, some will
take Henry Ford's view, "Business is a public service," many will seek to make their businesses a power base.
Most of the people in the arcologies earn their living either by maintaining the structure of the arcologies or by
production of goods and services. Food is grown in vast hydroponic farms, which provide an abundance of extremely
fine produce. Items rare and expensive on Earth are common here. Dairy products, animal flesh, and eggs are produced
in vat factories. These often produce such fresh products that even the fussiest must concede their superiority to ranch
products. Venison burgers with portobello mushrooms are a common fast food snack in these cities.
Apartments will be large and comfortable. The Coventry and the remaining Earth governmental structures will
encourage culture and entertainment, so new films, theater, concerts, night clubs, dance halls, and amusement parks
will be available to all. In fact, entertainment and the arts will probably be an area for entrepreneurs to restart
businesses in. Crafts will be encouraged both as a means of employment and cultural preservation. Both areas will lead
to early conflicts involving cultural and religious values and identities.
Coventry and Alien Characters
The Aliens are NPCs only. The Coventry may start as 750-point characters (as described above) with limits of 40
additional points in Disadvantages and 10 in Quirks. That would be a rather high point total campaign. The Coventry
are of every Earthly ethnic and racial type, and have many mixtures of types rare on Earth. They may buy Psionic
powers and skills without the Unusual Background advantage.
Psionics and Magic
By default in this setting, Psi powers are rare (a 100-point Unusual Background, except for Coventry members), as
well as weak and unstable. However if you want it as a common or important part of the setting, then all members of
the Coventry can be at Psions, at least at the "normal" level for the campaign, and in many cases well beyond.
Magic is not part of the default background, but if you want it, it is there. For GURPS Magic, the Aliens would
understand the genetics of human Magery and the Coventry would all have +5 Magery, and many points in spells.
Illusion Art would be popular, as would creation of music with the Voices spell. If you use GURPS Voodoo, then all
of the Aliens are at least level seven initiates, and the Coventry are all at least level five initiates by the time they meet
Earth-folk. ForGURPS Mage, the Aliens are powerful Umbroods and the Coventry are all Mages specializing in Mind,
Life, and Correspondence. If you are a fan of Dune or A.E. Van Voight, you could give the Coventry the Rapier Wit
advantage and the Neurophon and Enthrallment skills from GURPS Compendium I. They will function as pretty good
magic even in a no-magic world. Remember that all Coventry will need Charisma to use Enthrallment.
Crossovers
Illuminati
The Conspiracies won't be pleased. Or maybe they planed it, using the Aliens as pawns. Certainly setting up the
Coventry was an interesting way to get rid of worthy troublemakers. But if the Conspiracies are caught flat footed, for
the first time ever, then they would react badly. Killing off possible leaks and clearing up loose ends as they flee to the
stars would make perfect sense. Certainly the evacuation would be a vulnerable period when enemies could strike at
each other.
Historical
As the example of Karum shows, any historical book can be used as a source for the pre-inhabited worlds. Since every
culture that existed before 1734 is represented in some form or other, almost all the books are useful. GURPS Goblins,
set in Georgian London, would provide detail for a city not handling the Industrial Revolution at all well. GURPS Old
West, or GURPS Scarlet Pimpernel could also be used for models of colliding cultures or revolutions.
The evacuation is much harder in any time before 1989. In the Cold-War-dominated GURPS Atomic Horror, each
side would strive to make sure that the Aliens and the Coventry weren't co-opted by the other. Third-world states
would strive to show the Aliens that they are not inconsequential, and would denounce their not going in the first wave
as Colonialism! World War II would be a horror, as the Aliens might not be up to dealing with either Hitler or Stalin.
Also, can the PCs rescue those imprisoned in the camps? Hitler might be willing to do anything to make the stars
Judenrein (a Nazi term meaning Jew-free).
Evacuating before the 1890s might be a little like "Wild Kingdom" with the PCs as the hunted animals and the
Coventry as Marlon Perkins. Just picture your gallant Knights being hunted by a little woman with a big stun gun.
Cyberpunk/Cyberworld
The One-and-Twenty is a mess. The Provisional Government would try to grab what it could and then give up under
the pressure of the Starfly's approach. But it might try to eliminate undesirables on the Earth while it can. The dying
Earth of the average Cyberpunk story would fall apart more quickly than the default society. Once the rich were safely
away, they would be delighted to see the rest of humanity go down the tubes.
CthulhuPunk
Much like the above, except we'd all know who the "Others" were that the Aliens have to please. Another twist is the
fact that the Coventry might be a major force in the Dreamlands; in fact, they might be trying to evacuate Earth's
Dreamlands as well as the waking world. Also it might be that the lore of the Cthulhu Mythos is better preserved off
the Earth than on. What are the secrets of the temples of Santur? The ones with human blood tricking down the stairs?
For those using gates of the Cthulhu Mythos type, it should be noted that time travel is possible. A journey of two
years or less takes one point of Will. Two to four years takes two points of Will. Four to eight years takes three points
of Will and on up though the powers of two. So if a mad cultist wanted to set up a gate from New Albion in 2135 to
Earth in 2049, it would cost 17 Will points to get across the galaxy, and another 7 Will points to cross 86 years of time.
The gates remain fixed in time as in space. So a gate goes not to one particular day, but a set distance back in time.
Otherwise the time gates are the same, and as mad cultists will be using them to import unspeakable horrors from
Earth, a major nuisance.
Time Travel/Alternate Worlds/Technomancer
Roma Aeterna and Ezcalli make great pre-inhabited worlds, just change the geography. If you look at the chronology
of Shikiku-mon, then you'll see that an 18th-century Shikiku-mon would also be useful.
Timepiece/Stopwatch don't fit into this very easily, unless you place them several centuries up-time. Then the
evacuation becomes one the most important events in history. Like the adventure "Titanic" in GURPS Time Travel
Adventures, the PCs would attempt to mold history by changing who's grandparents go where. After all, if A's
Grandmothers go to Karum, and A's Grandfathers go to New Albion, then neither of A's parents gets born.
For less politically-motivated time travelers, the planet of humanity's origin would be either a grand tourist attraction,
a historical research topic, or a great place to loot. The years between 2036 and the end would be a fine time for
looters. Also, crimes of theft committed well into the evacuation would not be seriously investigated in the chaos.
Also, unfinished business could be looked into. If the notes of a scholar that died in 2008 suggest that he'd found the
likely site of a major tomb, but no one had a chance between his untimely death and the collision to check it out, then
time travelers might be willing to explore the site.
If Merlin is the threatened Earth, the evacuation happens normally and your mages must adjust to living on low-Mana
worlds. The fact that magic is known to be real and powerful keeps it from being forgotten. The few normal mana
areas on the terraformed worlds are valuable because they are the best places to teach the talented to do magic. As
Magery is genetic in this setting, all the Coventry have Magery+5 and a fair selection of spells (see above). The
Condor group would be a major nuisance in the evacuation. Also they'd assume that the Coventry's immortality is
magical and they'd kidnap several to torture their secrets out of them. Rescues in time of Chaos make good stories, but
hard adventures.
Callahan's Crosstime Saloon
The Harmonians would be related to the Coventry but their attention would be elsewhere. The new cities that refugee
humanity has been moved into would be sad scary places at first. For all their comfort and beauty they are filled with
people torn from their homelands and lives, cast across the stars and dumped. The Harmonians would be working to
lift the spirits of the people and revive humanity's morale. Think what a place like Callahan's or Lady Sally's might do
for a multi-ethnic city slapped together last week. Just getting people from different ethnic and cultural groups to come
together in a spirit of play and fellowship could make the difference between civility and civil war. The Mick of Time
is sorely needed here.
Planet Krishna/Witch World/Unnight
Each of these worlds could be used, with very little modification, as a pre-inhabited world. The Krishnans would have
to be human, perhaps genetically modified by the Aliens, and Psionics would have to replace magic on the Witch
World, but other than that, no major problems arise. Some of the technological embargo ideas from GURPS Planet
Krishna could be used on the pre-inhabited worlds. The people of Witch World make little distinction between Magic
and Psi in daily speech; as on Roma Aeterna, "Magic" could be a major mystery.
Terradyne
Humanity is much closer to the breakthrough the Coventry seek, and the Coventry's technical knowledge is not as
advanced relative to that of the Earth. Other than that, it is similar. Space habitats will have to be found for the Lunars
and the Martians. Terradyne will be struggling not to lose its position, and will be pressing for political recognition.
Industrial espionage to regain lost advantage is likely. If the PCs are loyal to the evacuation, Terradyne could be a
bitter foe. Terradyne PCs might be trying to maintain their vision of humanity's destiny against the envy and
vengeance of others. Either way you have plot conflict.
Black Ops
The Company and its foes are both unhappy. If you assume that the Aliens and the Coventry know nothing of either
the Company or its foes, then they are just land mines awaiting a swift kick. The Greys will petition the Aliens for
rescue; think of the mess.
Given the Mystic proclivities of the Coventry, in this set up they'd be fairly strong psions. Either all of the Coventry
would be Psionic, and have the Gestalt business down pat, or a high percentage of them would be. They would despise
those who misused Psi in either case, but they'd let them escape the death of the Earth. The Company would have to
deal with Psionics becoming public knowledge and Psions gaining legal protection.
The Greys, demons, and other foes of the Company, if known to the Aliens ahead of time, would be cordially hated by
them, or pitied. The Greys would be taken aside for shipment home. Demons and their kin would be given medical
treatment, even euthanasia if that's all that's available.
Supers/I.S.T./Wild Cards/Psionics
If the Starfly is heading toward the sun in a Four-Color world, it might be possible to stop it, but unlikely. Still the
whole business of up and evacuating humanity is very comic book. Supers should go very well with a cheery little
apocalypse. The average member of the Coventry, in a Supers setting, would have a power of ten in every psi power,
with the 100% advantage to Anti-psi that it could be used with other powers, and all psi skills allowed in the campaign
at IQ, except for Mental Shield, which they learn to IQ+6. Extraordinary members of the Coventry could have power
levels as high as any in the game, and they'd all know the Gestalt technique. Thus an ordinary member of the
Coventry, backed by ten other members, could easily knock down any PC going and most teams of PCs.
The I.S.T. world would cooperate in leaving, as would Operation Phoenix or the Wild Cards world. Or most of it
would. Certain corrupt nations would demand their people stay put, and do what they could to keep them planetside.
Rulers like the Nur would see the end of the world as God's purifying wrath, and would work to keep others from
leaving. Doctor Radiation would know that he could never leave except in a brig, and would never be allowed freedom
again in his life. He'd want to take a few millions with him. That evil magician in the GURPS Supers adventure seed,
"That Old Black Magic," may be offering his people to what ever demon gives him the most power. In all these cases,
the rescue of millions of innocents would be an epic campaign.
Other villains would be harder to deal with. The Shadow Fists would relocate, and they would brutalize the shell-
shocked masses of the Arcologies into slavery, subtle or blatant. They would be tricky to fight. The crimes of Ti
Malice would continue as well, perhaps in more brutal fashions. The corruptions of the E.S.P. and other repressive
anti-psi groups in the Psiberpunk world of Operation Phoenix would lose their hold on power. But many of the leftover
operatives, lined up with mobsters, could be a menace for years.
Both the Network and the ruling families of Taskis would be interested in the new worlds. The Network might offer
deals to the desperate. The Aliens and the Coventry would seem like rivals to the Nobles of Taskis. Also, the Coventry
might be seen as breeding stock.
Espionage/Prisoner
The end of the Earth is not the end of secrets. Many people would be struggling behind the scenes to get away with
something, anything, valuable (nest eggs are so useful), and others would be striving to be the power behind the
thrones of the new societies forming in humanity's new homes. The differences between spies, gangsters, and power
mad conspirators would be academic at best
The Village would be liquidated early in the evacuation. Those imprisoned there who survived might seek the truth, or
mere vengeance. Alternatively, the Coventry might sort out the spies, mobsters, assassins, etc., and put them in a
Village of their own. They would be interested in finding out who these folks worked for and who else is in the
shadow world. A nice cheery Space Colony, where everyone is stuck because of a glitch, makes a fine Village. Don't
let your players know what's going on too quickly.
World of Darkness
Each faction will see it differently. If you use only GURPS Vampire, then the reaction is totally hostile. Both the
neonates and the Elders know they are to be left behind. They'll do anything to get on the ships leaving Earth. This
would be a campaign of grim struggle as either hunter or prey. The few scattered Kindred that get to the terraformed
worlds would be lost, desperate, isolated, struggling to rebuild their power base.
If Gaia is only Earth, the Garou are doomed, which is what they always were anyway. But if Gaia is every living
world's biosphere, then they belong in the stars. The were-coyotes are already there. The veil and the Delirium will be
problems. But the Coventry should all be immune to the Delirium and willing to help them and their human and wolf
kinfolk. The Silver Fangs, desperate for recognition of their now meaningless noble rank, the power hungry Shadow
Lords, and the anti-human Red Talons will all be trouble. (The Coventry intend to drop the Red Talons on a world
with no humans and be done with them.)
Mages change the situation more profoundly. The Coventry would have to work with the Technocracy, but they are
natural allies of the Traditions. The new worlds will have such low human populations that Magick will be much easier
to work. The paradigms will be unsettled, and the Coventry will doctor the speed teaching devices to promote a looser
paradigm among the masses. The struggles between the Technocratic Union and their forced allies will be subtle and
nasty. Remember that not only the Starfly and the doom it represents binds these three groups together, there is also the
struggle to get the Elder Vampires and the Nephandi to let humanity leave at all!
The Arcologies on the new worlds will not be pleasing to most of the Traditions, though the Technocratic Union will
like them. The struggle to mold humanity will continue, but as it will be out in the open, it will have to be far more
subtle. It is a truly magely paradox that openness will require more kinds of secrecy.
Space/Lensmen/Traveller
This is a space setting to begin with. Many of the worlds the Earth-folk will be living on are not the only terraformed
world in the star system. This means there will be explorable planets that can be reached by interplanetary vessels
typical of TL8. In some cases, interesting worlds are nearer. Karum's moon, Tishtyra, is a Mars-like world. Because
this world is within the zone of habitability, it, unlike Mars, has an atmosphere and oceans. The Coventry planted
Earth lifeforms there; in the low gravity they both grew differently and evolved rapidly, into truly alien life. Certain
flying foxes (Asian fruit bats) seem to have developed to pre-sentience! What an interesting mystery for PCs.
For Lensman and Traveller, this scenario becomes an interesting alternative background. It may explain any number of
anomalies, or it could be a plot by Boskone or any other villain or rival.
Adventure Seeds
Cthulhu/Time Travel/Cliffhangers/Black Ops
A certain antiquarian, while examining photographs taken by an ill fated anthropological expedition to Nepal in the
late 1990s, made an intriguing discovery. A series of photographs showed an object that was obviously of no known
Earth culture. Furthermore, holographic analysis of the film proves that the object had a non- Euclidean geometry!
This mystery must be explored!
The PCs will have the ability to go to Earth of the past and get the object. Because the location of the object, said to be
from "the plateau of Leng," is of uncertain origin, someone looking for it would have to go to the Lamasery of the
Esoteric Moon of Shambahla after September of 1999. Given the policies of the Nepalese government, which seemed
to fear and hate the lamasery, the unstable political situation, and the Lamasery's brutal guards, who seem to be of a
tribal group unknown elsewhere in the Himalayas, it is not possible to get at the Lamasery before 2049! In the winter
of that year the strange tribesmen who defended the lamasery seem to commit mass suicide. This means that it is
possible to get to the Lamasery in the year of the Starfly crash.
The Himalayas can't be climbed in winter. Spring thaws are deadly in the high mountains. Summer in the Himalayas is
a time of storms from the monsoon. Only in autumn can the lamasery be reached. Therefore the PCs must time travel
to the dying Earth, climb a deadly mountain, and steal a strange artifact from the monks who are led by the mysterious
Yellow Priest.
Historical/Swashbuckler
Lord Cyril Fawney of Fawney Rig is worried about his son and heir, Sir Henry. It seems the young fool has gone off
with a strange young woman of loose ways. She seems to be a lady, or some scholar's daughter. Anyway she knew
Latin and Greek to a fare-thee-well. They seem to be mixed up in the Black Arts. He left a note, after he and his father
had a bitter row, and it has Lord Cyril worried. Sir Henry said, in the letter, that he's joined a Covenant and will go to
live in the stars!
This adventure seed can be placed in England, or with name changes, anyplace in of Europe, anytime between 1600
and 1734. Lord Henry has been recruited by the Coventry. The young lady is a traveling anthropologist and mystic.
After she visits an important center of mystical studies, she means to take Sir Henry to the stars!
This can go in many directions. Capturing the couple and getting Sir Henry to return is only the most limited.
Changing a Swashbuckling campaign into a Space campaign is also possible. The young lady might recruit the PCs!
For centers of mystic study try these: Prague from 1570 to 1621; The Irish Bardic colleges were active from ancient
times to the 1650s when Cromwell happened to them. After 1640, Paris is the occult capital of Europe until the
Revolution.
Special Ops
Rev. Mathias Bankhead is the leader of the Imminent Rapture Fellowship. He preaches that the Aliens are demons and
the Coventry enslaved dammed souls. He has announced that he and his followers with not leave the Earth nor will
they let the people of Bose, Montana, be taken away to perdition.
The Rev is armed, as are his followers. They have raided armories and gotten rocket launchers. The Rev has his forces
set up in strategic areas around the city. They have announced that they know that leaving in an Alien ship is a fate
worse than death. So they have no problem with killing anyone entering or leaving Bose.
The PCs' job is to liberate Bose. The U.S. army is scattered and disorganized; the special forces will have almost no
back up.
Espionage/Illuminati
The authoritarian states of the Earth have been disbanded. But the Earth's refugees have not yet secured their freedom.
The remnants of the secret police of several nations, along with ex-CIA types, have made an alliance with several
organized crime groups. A coup d'etat is planed for the PCs' new home town. Can they stop it?
Special Ops/Cliffhangers
The Caucasus mountains are filled with defiant tribes. They defied the Hittites, the Persians, the Greeks, the Romans,
the Byzantines, the Ottomans, the Russians, and the Soviet Union. They have announced their defiance of the
evacuation order. "What fool says the sun will die?" They refuse to leave and they have 4,000 years of experience in
guerrilla warfare. Rescue them against their will.
Cliffhangers/Space/Swashbucklers
The Yezidis of Karum are as strange to their neighbors as the Yezidis of Earth. They claim that they know where
special knowledge of the secrets of the Aliens and the Coventry is hidden. The Yezidis claim that the knowledge is a
prize hidden in plain sight for those who will take it. That going to get the knowledge is an initiation into the society of
the Aliens and the Coventry. The Modern Coventry do not recruit, but they say they did in the past. Could the Yezidis
be right? Their neighbors call them "devil worshipers," but also say that they have special insight.
The Yezidis have claimed, since they were brought to Karum, that the true Yalvah (the name of their sacred book) is
on Tishtrya, Karum's moon. Pointing to the shape on the moon, which the Isfahanni people say looks like the mythical
Tishtrya's wonderful three-legged, one-horned, flying ass, the Yezidis say that the true Yalvah is on the point of the
horn.
Fusion powered space ships have been built by the sea cities. A group of Isfahanni adventures, led by a Yezidi Kavval,
are asking to be taken to Tishtyra. The PCs, both Earth-folk and Isfahanni, get to go! Now what awaits on Tishtyra?
What strange forms have evolved on this world where Earthly life was brought to such an alien world? And is there a
true Yalvah?
Horror/Mystery
Jerusalem is a rare city in 2049 -- it is not deserted, it's packed! The faithful have come to await the end. Those waiting
in Jerusalem look upon those who left as deluded at best. Not willing for profane hands from beyond the stars to defile
precious sacred objects, the ultra-orthodox of many faiths have hidden many holy relics in the sacred city. The PCs
must enter the old city of Jerusalem, find the hidden relics, and deliver them to transport. Remember, the city is packed
with unruly crowds swept up in religious passions. They can easily become brutally violent. Also, finding a well
marked address in the old city area of Jerusalem on a good day is often a great challenge. Imagine what it would be
like to find the deliberately hidden in such a place. It is April of 2049, you've got until July to do what couldn't be done
in the last 30 years as the city goes brutally mad.
***
1. It was later found that this coloring was achieved by cosmetics. When asked why they chose those colors the Aliens
said that they wanted to look "sexy but dignified." This is held to be proof of just how alien they are.
2. Iain Banks is the most notable exception.
3. Tom Ligon, Analog Science Fiction and Fact, page 40. "The World's Simplest Fusion Reactor and How to make It
Work."
4. "Boiling Fridges," New Scientist, 24 Jan. 1998.
5. Yes, there seem to be "Others" the Aliens have to toe the line for. The Aliens make only vague references to these
other Aliens, and even the Coventry are told nothing about them. They have received statements that this is to allow
them freedoms they would not otherwise be permitted, but that is all they know.
6. The famous "Lost Colony" of Roanoke was an example of an unusually sloppy removal. Normally much less
evidence was left.
7. Cognitive dissonance is a real world problem. Anytime new information confuses you, that's cognitive dissonance.
8. Both the Aliens and the Coventry know the reasoning behind this point of view is largely specious; most of these
people could understand if an effort was made to get them to understand. However as time is short and neither the
Aliens or the Coventry really wants to leave anyone behind, they are willing to use force.
9. Actually the Coventry have all of the broadcast episodes of "Doctor Who" and they'll tell people that, once they
trust the BBC not to lose them again.
10. I'm following the precedent set in GURPS Middle Ages I, and recognizing that illiterates can learn arithmetic and
labeling it as the skill Mathematics (Ciphering).
11. The Aliens have the Coventry use TL16+ devices to maintain their economy.
12. Read the books Plagues and Peoples or Ecological Imperialism: the Expansion of Europe 1400 to 1900 for insights
into how fast small human populations can grow.
Jack Frost: Part One of Two
A Delta Green Adventure by Shane Ivey

Art by andi jones
Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is ™ and © the Delta Green
Partnership, who has licensed its use here.
Introduction
The road sign is plain and green, the sort mandated by state law and never supplemented with anything more
decorative: "Willis, Ala.," it reads, "Pop. 819." State Highway 19 runs past the sign through deep forest and high hills.
A long, narrow bridge stretches across an expanse of swampy water: always a land of endless natural waterways, the
region was inundated with new lakes and streams after the Tennessee Valley Authority began damming up the rivers in
a Depression-era economic booster project. A sliver of December moon is hidden, high overhead, beyond thick clouds,
and the swamp and the hills and the trees are barely visible in its ghostly light.
The hills flatten out, slowly, gradually, and the forest thins to either side. Then, ahead, comes a yellow glow blinking
in the air, the strobe of an ordinary street light to signal caution. Other lamps shine beyond it, silvery-pink and
constant, illuminating the shop fronts of a handful of two-story buildings. The post office is easily seen and easily the
finest structure, with sculpted concrete pillars of a Classical design that seem ostentatious among the simple businesses
of Willis. Christmas lights blink cheerfully in red and green in several windows and the limbs of trees.
Slowing for the blinking cautionary light, one can see silhouettes within a building near the road ("Hank's House,"
proclaims the shingle), the shadows of men and women gathered here for a nightcap, perhaps, before they join their
families. At least they seem to be patrons; but perhaps that is a trick of the light, to make shadows look like the men
and women one would expect. There is no movement to be seen, not in Hank's House, not in the streets, nowhere but
for the swaying yellow light. But there, ahead, on the covered sidewalk leading to Hank's, someone is waiting.
Closer . . .
It is a man, perhaps 50 years old and heavy-jowled in worn denim overalls and a thick fleece coat. He seems to be
waiting; certainly he is not moving. He does not look to the newly-arrived car. Closer: no fog of breath billows in the
shadows from his opened mouth. His eyes stare, watching, empty, dry, and a strand of ice hangs unattended from his
mouth. Then other men and women can be seen more clearly inside the tavern, sitting at drinks long since gone flat in
the cool air or lying on the floor in strange positions, as if caught in the moment of a footstep and then falling in that
same pose to the ground. Outside, again, shapes can be seen on the ground; a dog lies on its side, legs stiff and straight.
Feathery clumps lie where birds fell in mid-flight to the earth. All are frozen, through and through; all are dead with a
cold that will not go away.
Looks like Jack Frost came down to town again.
You Are Cordially Invited to a Night at the Opera
TOP SECRET / DELTA GREEN
EYES ONLY / ORCON / WNINTEL / SCI
TO: Active Cell

FROM: Alphonse
SUBJECT: Mission Briefing
DATE: DECEMBER 25, 0745 CST
As your cell leader has by now advised you, your cell has been activated for a
mission of great sensitivity. A paranormal incident has resulted in numerous
deaths, requiring, if possible, our investigation and intervention. In this case,
however, another organization has initiated an investigation before us.
Willis, Alabama, was a rural town of approximately eight hundred residents. Nine
hours ago, an unexplained event swept across the town and county, apparently
causing the death by freezing of every living creature in its area. Our group
was not initially aware of this event; it was reported to us by a source within
another covert organization, a unit of the Defense Department operating under the
auspices of the Federal Emergency Management Agency which has already begun an
investigation.
Our source within this group has arranged access. False identities have been
developed for each of you, using the security clearances necessary
(TS/WEATHERWATCHER) for consultants to the investigating FEMA task force, either
fully-briefed or external operatives used to provide analysis or cover for their
covert activity.
Your assignment is to infiltrate the operation, conduct an investigation from

within, and minimize any further harm which may be caused by the Willis incident.
We are particularly concerned that elements of the investigating group will
attempt to harness technologies or forces beyond their control.
Your cell will be incommunicado for the duration of this mission. You must assume
that any attempts you make to contact us from within the investigating task
force's security parameters will be compromised. In such a case, we will respond
if possible, but circumstances may allow your team no outside assistance. It is
therefore imperative that you maintain secrecy as long as possible while
undertaking your mission. Interaction between members of your cell should appear
no different than your interaction with other members of the team. It is highly
unlikely that you will have access to any resources beyond those provided by the
task force--or those denied by them should your cover be compromised.
Your cell leader will provide transit details for you to rendezvous with the FEMA
team at Maxwell AFB at 1100 CST. This will be our last communique until this
assignment is completed.
Good luck.
TOP SECRET / DELTA GREEN

EYES ONLY / ORCON / WNINTEL / SCI
Welcome to the Village

Once they make their rendezvous at Maxwell AFB, events will proceed inexorably for the players. Escorted by hard-
eyed, tight-lipped security officers in Air Force uniforms, they are driven to thick-bodied buses, the windows sealed
shut behind metal screens. More guards accompany them in the bus, and falsified papers are checked and rechecked
diligently, every step of the way. The players can decide whether to act like they know each other at this point; they
are joined in the bus by six doctors, some of them medical doctors and some of them nuclear physicists, all of them
cordial but carefully silent about the assignment.
The bus drives for ninety minutes, finally stopping to disgorge the passengers into the icy air of a forest overtaken by a
government camp. Wide tents have been erected, jeeps and HUMVEEs drive by, helicopters hover noisily overhead,
and soldiers are everywhere, all of them crisp, efficient, and quiet. Investigators with military experience will
immediately guess that the area is run almost entirely by special operations troops. The players will be escorted, firmly
but politely, to the largest tent, where they will meet their ostensible mission leaders. The room is occupied by six
suspicious-looking men in expensive overcoats, thirteen scientists and doctors, and a dozen soldiers wearing the
maroon beret of US Air Force Rescue and Recovery.
As the last investigator is seated, one of the plainclothes agents stands. He is a middle-aged man, thin and wiry, with
black hair, pale skin, cold eyes, and a southern drawl.
"Welcome to Willis County," he says, with a touch of irony. "My name is Alphonse Lewis, Assistant Director of the
Federal Emergency Management Agency, and I'm in charge of this operation. With me here are Lieutenant Colonel
James Farrell, and Major Elton Harris." He nods to a shortish, greying man in an Air Force uniform, and a tall,
hawklike man in a dark suit. "Lieutenant Colonel Farrell is leading the field operation. Major Harris is in charge of
operational security. I expect each of you will listen to them carefully.
"Now," he continues, "you all are here to investigate a recent . . . event . . . that transpired in Willis County, Alabama,
just five miles southeast of here. We don't know exactly what happened; that's why you all are here. All we know is
that a town of more than eight hundred souls has been killed. Frozen to death, and hardly any of them outside in the
cold.
"We have our theories, of course. Most likely, this is the result of experimental weaponry fallen into the wrong hands.
The Russians have spent decades on fringe weapons science." One of the Air Force men coughs. Lewis stares coldly at
the man for a moment before continuing: "And we've all heard about their problems with security. In any event. You
all know your specialties. Now Lieutenant Colonel Farrell will take y'all to the site. Good luck to you."
Jack Frost: Part One of Two Keeper's Information

"Jack Frost" is a Call of Cthulhu scenario for Delta
Green, written in two parts. The first part covers the
introduction to the mission and the first day and
night of the investigation. The second part will
cover the final two days of the investigation and its
deadly conclusion. Characters and maps expected to
be used throughout the scenario have been reprinted
in both sections.
Investigators in the scenario can be from any facet

of the organization, but each of them must be
capable of working in a dangerous undercover
assignment. At the outset of the game their mission
will be fact-finding and background investigation;
the capability of medical and scientific analysis will
be helpful, but it can be provided by NPC
consultants at the Keeper's discretion. Communications and research skills are paramount.
Willis is a small farming town in northern Alabama, some 60 miles from Huntsville and its Space Center and the
military and aerospace facilities of the Redstone Arsenal. The region is utterly rural, with small towns serving thin-
spread farmers among hilly green fields, cotton rows and a few corn rows, dotted here and there with livestock and
long, low chicken barns. The forested hills are broken by uncounted rivers and lakes, many of them formed only 60
years ago after TVA projects dammed the Tennessee River.
Willis is a dead town . . . or nearly so. It lies in a land of hills and rivers, thick with trees, an old land with an old
history. Before English settlers came to the hills to carve rough and solitary farms the land was home to the Creek;
before them, the land was home to older peoples still, much older, the immortals of blue-lit K'n-Yan, now forgotten in
all but the most esoteric lore. Few traces of them remain, indeed; the span of their absence can be measured in
millenia. But in the woods near what would become Willis one trace did remain across the centuries, one device of
strange stone hideously carved, an idol and shrine to Ithaqua, the Wind Walker.
Mysterious forces or conjunctions of energy in the area call Ithaqua to manifest in the area about once every two
centuries, and they have done so since before the first humans walked the earth. When the people of K'n-Yan still kept
outposts in the upper world, they established a shrine here to help keep Ithaqua at bay: when a sacrificial victim was
sent, the victim's life-force would be drained, effectively to power the Dismissal of the Great Old One. The shrine
remained when the people of K'n-Yan retreated to their caverns.
American Indian tribes eventually discovered the shrine, and a few shunned and bloody shamans worshipped at it, and
they received visions of the K'n-Yani god Yig and of the "Snow Dance," the sacrifice to appease and ward off the
Wind-Walker. The shamans kept this rite to protect their tribes, offering up themselves in sacrifice; when they failed,
Ithaqua would manifest and make demonic Children of the Wendigo, his crazed spawn, of any living things nearby. In
the last manifestation, 200 years ago, Creek shamans held Ithaqua at bay with the proper sacrifice; but the Creek were
driven from the land not 60 years later, and within less than another century the shrine itself was submerged when a
man-made lake filled the valley around it.
The Creek are long-gone, but some remnants of them remain, in physical artifacts and vague psychic residue. One
local man was driven to madness from visions of the shamans and the threat to Willis. He finally took his warnings to
others in the town, but too little and too late; the warnings were laughed away.
And so Ithaqua has come again. Last night, December 24th, the Wind Walker passed through the area and froze all
within its grasp, planting the seed of its progeny within every living thing. Tonight, December 25th, Ithaqua will stir
again, blanketing the region in cold and transforming any caught within it to a frigid parallel of life, unable to leave the
frozen chill of the Wind-Walker's effect. Tomorrow night, the least of its progeny will stir, small animals of low
lifeforce ravening as wendigo. In the third night, December 27th, Ithaqua will rise the last time; the people of the town
will stir as hundreds of Children of the Wendigo. Only by locating the submerged shrine of Ithaqua can the sacrifice be
completed and Ithaqua assuaged before the final doom of its victims.
While the nominal date listed in this scenario is December 25th, Keepers should adapt the date to their campaigns. In
Lin Carter's "Of Times and Seasons to be Observed," it is said that certain dates are ideal for invoking the Wind-
Walker: October or November (when the Sun is in Libra), June or July (the Sun in Gemini), and February or March,
especially early March (the Sun in Aquarius, Mercury in trine) or early February (Candlemas). Those definitions are
largely ignored in this scenario. Ithaqua's appearance here is given as a rarity, sporadic, due to unknown forces and
conjunctions beyond human astronomical understanding. Keepers who prefer to sacrifice the holiday atmosphere for
literary consistency should feel free to place the events of "Jack Frost" in the aforementioned dates; March 6-9 is
particularly recommended as a conjunction of events (the Sun in Aquarius and Mercury in trine) with the usual time of
the worst storms of Alabama winters. Just make sure you take down the Christmas lights from that opening narrative.
Running "Jack Frost"

"Jack Frost" is written with veteran players in mind; the scenario features both otherworldly horrors and the crafty
interplay of several key characters with rivaling agendas. Keepers may wish to allow players to gain experience -- and
hopefully learn caution -- in one or two prior scenarios before inflicting "Jack Frost" on them.
If the Keeper has a large enough pool of players, "Jack Frost" could easily be expanded to include a cell outside the
strictures of the undercover op, investigating the Wind Walker while the primary cell conducts its secretive work in
Willis. This might be an ideal alternative if some player-characters are less well-suited to undercover work than others;
those with the right combination of skills can work undercover in Willis, while the others perform a parallel
investigation in the world outside, interviewing specialists and looking for clues and moldy old texts without the
constant pressure of NRO-Delta observers.
Communication with the undercover team will be critical, and it may be the greatest challenge faced in the
investigation: the undercover team will have to work carefully to arrange times away from NRO-Delta scrutiny, and
they will have to use ingenious methods to avoid having their communication intercepted: all land-lines are tapped, of
course, the radio signals of cellular phones will be detected and analyzed, and even Delta Green's traditionally
prodigious encryption may be broken by Majestic COMINT specialists and technology. At best, the players may be
able to conduct short transmissions which do not allow the Majestic security techs enough signal to develop a
decryption protocol; phones or radios transmitting via narrow band bursts would be ideal for the purpose. (Perhaps
allow a group Luck roll once per minute, or once per signal if narrow band burst transmissions are employed: if it
fails, the recorded signal will be hacked and decoded within 1D6 hours). But even if the signal remains undeciphered,
the fact that it was sent will reveal to the Majestic group that a mole or a survivor exists in Willis, someone using high-
end encryption to avoid detection. Use of narrow band burst transmitter will certainly tip them off that an intelligence
operation is being conducted.
Play out the NRO-Delta's investigation carefully with each undercover player. Anyone showing signs of too much
nervousness or tripping over their reports will be suspect; any suspects will be interrogated thoroughly, short only of
lingering physical damage, with amnesiac drugs employed to block the subject's memory of the torture.
The players' only real hope will be to play it cool enough to avoid immediate suspicion, and then to plan their
transmissions so as to maintain the appearance that an as-yet undetected party is involved, sending the NRO-Delta
agents on a wild goose chase while the Delta Green agents cover their trail. This will be tricky work: the NRO-Delta
agents must be distracted while one or more player-characters go to make the transmission, then a thoroughly
convincing cover must be concocted for every player to avoid suspicion. If even one is compromised, all will be
neutralized.
Finally, one intriguing option would be to play this operation without Delta Green: the players would be agents of
NRO-Delta or BLUE FLY, assigned by Lepus and Coffey to investigate the phenomena in "Jack Frost" under the
assumption that some sort of alien technology is involved -- technology which must be captured or covered-up at all
costs. An enterprising Keeper with a large group could even secretly make one or two players actual Delta Green
agents, while the rest are Majestic. At the Keeper's discretion, one researcher might have crackpot theories relating to
old Indian gods and alien science, to be scoffed and humiliated by Coffey and Lepus . . . until some of those crackpot
theories begin to make sense. In any event, the Majestic agents' focus should otherwise be on science and technology,
not on the occult, perhaps making them more down-to-earth than agents of Delta Green, and certainly making them
less prepared for the full, awful power of Ithaqua.
Christmas in Dixie The Friendly
The town of Willis is comprised mostly of businesses Delta Green's source in Jack Frost is a recently-acquired asset
serving area farmers and the houses of those who work deep in the security section of the Majestic group; at least
according to the investigators' briefing, which includes nothing
there. Highway 19 runs through the middle of town,
more about the source. This asset installed false security
bisecting it, with the post office and town hall sitting on approval flags in the false dossiers which CIA friendlies
either side. Other businesses are in walking distance, prepared for the investigators' cover identities. The
including the offices of Joe Little, Esq., attorney and tax investigators and their cell leader are not cleared by cell "A" for
preparer, the offices of Elizabeth Brown, the town the friendly's bona fides: they will either trust cell "A" and
doctor, Ed Loche, the town dentist, a modest used car execute the mission, or not.
lot owned by Lester "Less with Les" Cabe, and, of
course, Hank's House. A popular restaurant is a greasy The truth about the Friendly is left for the Keeper to determine
based on his or her own campaign background. Some possible
barbeque called Hog's Heaven, famous for their iced tea
options include:
and their special sauce, and the local Winn-Dixie
supermarket does moderate business. Houses in the The Real Deal: The Friendly is a communications security
town have wide lawns with sparse green grass and dark expert from the NSA, working in a triple-blind: he or she works
dirt, with rusting metal toys and tools easily found in covertly for the National Reconnaisance Office and even more
many yards. covertly for Section Delta, the security force used by Majestic,
and now most secretly of all as an asset for Delta Green. Not
By the time the investigators arrive, before dawn on long ago, the Friendly verified government complicity in horrors
December 25th, the town of Willis has been quarantined worse than even the Greys. He or she used NRO-Delta's files
to contact a suspected Delta Green agent, then erased that
in an emergency lockdown by the Federal Emergency
file. This is the friendly's first substantial tip to Delta Green.
Management Agency (FEMA). The frozen citizens and
animals of the town were first found by a trucker Charlie: The Friendly is actually Charlie Bostick, chief of
coming home late for Christmas Eve. Finding his propaganda and information security for MJ3 Project GARNET,
pregnant young wife frozen dead in their home he feeding information to Delta Green in his ongoing strategy to
immediately called out for help; an ambulance came position the organization for later use against his project's
from the nearest hospital, in Huntsville, and found the rivals in the Majestic group. Charlie works directly for Gavin
similar state of others nearby. Frantic calls were placed. Ross, MJ-3, who may become involved in the scenario's
A medical team came out, followed very soon by Army ending.
and Air Force security personnel from Huntsville and The Hacker: a Delta Green hacker has gained access to
Redstone Arsenal. Next to arrive was a team from the certain files of NRO-Delta. Cell "A" gave the "insider story" as
Air Force's "Blue Team," a HAZMAT-suited special disinformation to the investigators' cell leader in case any of
operations group dedicated to recovery of foreign the team is captured and interrogated, to hopefully allow a few
aerospace debris such as satellites and spy-planes; and, precious hours to raid Majestic's files while NRO-Delta hunts
if urban legends are heeded, fallen UFOs. Last to arrive for a nonexistent mole.
was Alphonse Lewis, a somewhat sinister character
from the upper echelons of FEMA, along with Special Forces troops in a Special Projects (i.e., "black ops") Team to
provide land and waterway security (including a number of heavily-armed fast boats on the many rivers of the area),
and a team of plainclothes agents of the Defense Intelligence Agency who promptly assumed command of the entire
scene and every human being and piece of equipment associated with it.
Only a small investigative team of government researchers and intelligence agents is allowed within the quarantined
perimeter of Willis County. Each of these researchers is part of the Majestic project, or pretending to be part of it: the
investigators are among them. The team consists of three distinct units. The operation is commanded by Lt. Colonel
James Farrell, U.S. Air Force Special Operations Command, whose 50 "Blue Beret" troops from Aerospace Recovery
are charged with finding and containing debris and biological hazards or other evidence, using equipment ranging from
sophisticated radio and radiation sensors to heavy-lift and reconnaisance helicopters; Farrell is actually a high-ranking
member of the top secret Majestic Project MOON DUST and its sub-project, BLUE FLY.
Operational security is directed by Elton Harris, listed as a Major in the U.S. Army, Defense Intelligence Agency;
Harris leads 24 other dark-suited agents with DIA credentials, all of whom are covertly assigned to the officially-
nonexistent Section Delta of the National Reconnaisance Office, the Majestic group's security task force. (Astute
players may note that the DIA is primarily responsible for ensuring compliance of private industry with security
classifications and defense-related secrets, not with general counterintelligence or more esoteric spy work. Let them
concoct whatever theories they want; Harris and his men will simply say that the Director of DIA assigned them to the
case, and the director of FEMA has granted them security jurisdiction.) Farrell and Harris will both submit reports to
"Alphonse Lewis," the FEMA chief stationed outside the area of analysis; in fact, Lewis is Adolph Lepus, the infamous
director of NRO-Delta, assigned here to ensure tight control of whatever technologies may be found.
On-site analysis will be conducted by a team of specialists from a variety of fields; some are from other projects of the
Majestic group, while others are included only to be fed a cover story by Harris and Farrell which they can deliver
credibly to the media and external investigators. The players will be part of this third unit, the miscellaneous
researchers and specialists.
Major Harris has been tasked with security for the operation, including physical security for the area and informational
security: no information pertaining to the operation is to leave the site except by his or Lt. Col. Farrell's reports to their
superiors. Harris and Farrell will maintain a professionally cordial antipathy throughout the scenario. Under most
circumstances Farrell is in charge, with the understanding that Harris may assert situational authority as required by the
exigencies of security. Harris' 24 "DIA" agents are immediately disliked by the rest of the team as unpleasant
necessities. Almost everyone is afraid of them, a fact which they find endlessly amusing and gratifying. They are
polite, barely. They never explicitly threaten to interrogate or liquidate any who appear to be security risks, but the
idea is always somehow in the forefront of the others' thoughts.
During the scenario, Harris' team will work in shifts and in pairs to observe all investigative activity and to keep track
of the locations of everyone and everything within the perimeter. They will be difficult and dangerous to elude. They
will also keep careful track of communications within the team, especially outgoing communications. Attempts to send
a secret message out by encrypted e-mail will be met with immediate and probably disastrous interrogation, as will
persistent occurances of seemingly irrelevant courses of investigation. The NRO-Delta communications security station
is located in their central command post, under constant guard. If the players manage to sabotage it, they will gain
valuable time to communicate undisturbed with the outside world -- but they will have to invent an ingenious gambit
to distract the agents on guard and disable or divert electronic security and surveillance cameras while placing blame
elsewhere. Merciful Keepers should give the players plenty of warnings of the consequences of discovery in such an
action.
Lt. Colonel Farrell and his men will spend most of the first day of the scenario conducting physical examinations of
the territory, conducting slow helicopter flyovers of the area and using advanced "sniffers" to measure various energy
levels in the ground and foliage in an effort to locate a possible landing or crash site for an alien craft. They are
dismissive of occult or mythological explanations, and attempts to convince them of such stories will be met with
raised eyebrows and the risk of close interrogation by Major Harris. Their initial theory on the unusual state of Willis
is that an alien weapon is responsible. The players, of course, are not cleared for any explanation of the weapon or why
it may have been used. And, frankly, the Blue Fly team hasn't the slightest idea why or how, either.
The specialists and consultants, including the player-characters, are officially charged with investigating the course of
the strange events in Willis, using local evidence and records to provide context or detail to the results obtained in
Farrell's investigation. They will be overseen by agents of the "DIA" team at all times. Any tangible evidence or
artifacts which the specialists find are to be turned over to Farrell at once. The exact roster of specialists and
consultants should be determined by the Keeper to make sure the team is well-balanced and not redundant.
The Majestic team will have an impressive array of materiel at their disposal. The nuclear physicists will have bulky
testing chambers, trucked into the command post by the BLUE FLY team; the medical team will have a field station
set up with full biological quarantine capability; the BLUE FLY team and NRO-Delta agents will use two
reconnaisance helicopters and two heavy transport helicopters, as well as two boats equipped with heavy-hauling
equipment and powerful sonar, and several heavy ground vehicles and HUMVEEs. The teams will be heavily armed;
it should be obvious to the players that they will not have a prayer of shooting their way out of trouble.
The Majestic Leaders Do They Know It's Wintertime?
Lt. Colonel Farrell is disdainful and dismissive of the Alabama winters are typically icy and wet, with heavy winds
consultants; the real work here, Farrell believes, is the and lightning and evening temperatures hovering around the
'teens. Snowstorms, when they occur, typically are not seen
biological and physical analysis. He is driven to seize
until late in winter or even early spring, usually around March.
the goods for use in Project MOON DUST and for the
advancement of his own career, and he will not The weather in "Jack Frost" will be anything but typical. The
rationally let anything interfere with those goals. He will first night of Ithaqua's appearance, before the team's arrival,
quickly sink into denial about the threats posed by the will bring the first snowstorm; it will last the entirety of the day,
supernatural events of the scenario, denial which will centered very roughly on Crow Lake but spreading foul
become increasingly paranoid and irrational as the weather for miles and blanketing the region in snow and slush.
supernatural events grow more dire. The first night after the team arrives, Ithaqua's arrival will be
heralded by a pause in the storm, but only a localized one:
outside Willis, the FEMA command post will be buffeted by the
Major Harris has dealt with alien technology before and
worst winds and sleet yet, while the town itself suddenly sees
has seen its effects: he is both more afraid and better a calm descend. All will remain eerily still and quiet; characters
able to handle it than the others, including Farrell. at the edges of the effect might even see the flurries of snow
Harris and his men will show their SAN loss and outside their area, while the air is perfectly still around them.
growing fear during the scenario through quick-burning Lightning will flash as Ithaqua manifests, a bizarre lightning,
paranoia; if a disaster befalls them, they are likely to erupting in brilliant strobes, one after the other, which light the
relieve Blue Team of command, seeing security threats nighted land in blazing mauve through the blanketing snow.
in every eye and shadow. The same effects will repeat on Ithaqua's subsequent visits.
Keepers should remain aware of the weather and remind the

The investigators may seem trapped between the
players of it as often as possible. Investigators who brave the
growing paranoia of Farrell and Harris and their lack of
elements without adequate preparation will find themselves
support from Delta Green. Excellent! As Keeper, play suffering illness or frostbite. Some investigators may not have
up the paranoia for all it's worth. Keep the players even rudimentary training in cold-weather survival; they may
sweating and scared and ready to be found out at any find themselves in deadly trouble if trapped away from the
moment. One or two NRO-Delta agents should be safety of the Majestic command post. For each night spent out
loitering around the investigators at all times, ready to of doors, characters must make a Navigate (Land) roll or a
report any interrogation-worthy security risk. The Natural History roll to prepare against the cold. One character
may roll for the entire party if they desire. If the roll fails, the
investigators' best defense may be to turn Harris and
character takes 2D6 HP damage from the cold; if the roll is a
Farrell against each other when things go downhill. success, the character takes only 1D6 HP. First Aid can
With some subtle goading or misinformation, either will mitigate this damage as usual. The Keeper is encouraged to
readily blame the other as a traitor and a plant provide skill and resistance roll penalties, as well, perhaps at -
responsible for the mission's problems. 3% per HP lost.
Big Brother's Watching

One thing should be immediately clear to the players: Elton Harris' "DIA" security agents are always around. Every
time an investigator turns around, an agent is nearby, observing, and another is almost certainly within earshot. The
players should not be able to simply distract the agents with red herrings and carry out their work unmolested: they
should be under constant observation, and if it's obvious that some members of the team are out of observation, or that
there seems to be some systematic effort to keep the agents from watching all of the team, even that will tip Harris off
that something is not right -- and that members of Majestic's team may need to be interrogated to ensure their
discretion and loyalty.
The players will have opportunities to investigate some things in secrecy, but they will face a challenge with each
attempt. They should learn early on to pick their battles wisely: if something can be "hidden in plain sight," done under
observation but with results or conclusions different from what is apparent, that will be the best tack to take. Actually
diverting the security agents so that the undercover operatives can investigate something unobserved will require
trickery and subterfuge clever enough to maintain the façade that nothing is unusual. The players will probably have to
coordinate their own activities so as to keep tabs on the security agents' actions and tactics, then plan their maneuvers
precisely enough to allow themselves short windows of opportunity to investigate on the sly. The Keeper needs to
ensure that the players take the security agents seriously: they are smart, suspicious, and tough, and they should never
come across as fools. The players should heave a collective sigh of relief if they manage to pull a fast one on Harris'
men.
First Facts in Willis Sequence of Events
The following facts are immediately available from This can be a complex scenario for Keepers to present. Below
meteorological and biological analysis: is a possible timeline of events. The Keeper is encouraged to
remain flexible at all times, however, to avoid too strict a sense
of linearity in the scenario, and to be well-prepared with the
At approximately 10:45 p.m., an area approximately ten
reactions of the NPCs to whatever schemes the players
miles in diameter experienced a sudden, unexplained concoct.
drop in temperature from the typical low of 3 degrees
Celsius to slightly above zero degrees Celsius. This 1. A Letter from Alphonse
alone is not enough to explain the condition of the 2. Blue Team Briefing
victims, but is the only weather data available. The 3. First Facts in Willis
temperature rose at a normal rate to ambient levels after 4. The Autopsy
the drop. The town of Willis is located within this area; 5. Clues in the Ghost Town
6. First Night: Ghostly Dreams
the exact epicenter of the effect is not known.
7. Aftermath: Isolation
8. Clues in the Ghost Town, cont'd
Individuals who entered the region after the initial 9. Howie Parker
deaths seem to be unaffected. 10. Second Night: Ghostly Dreams
11. Aftermath: Purgatory
Media presence has already begun. FEMA, under the 12. Crow Lake
direction of Alphonse Lewis, has established a 13. Defeating Ithaqua
quarantine at a distance of five miles, but effectively 14. Third Night: Ithaqua Rises
limited to the roads and the city proper due to extensive 15. Survival
forest cover, to allow an investigation to proceed. The 16. Evasion and Escape
17. Conclusions
quarantine will not last long once word inevitably
spreads that no further deaths or unusual illnesses have occurred, as civilians intrude into the area and the state
government demands explanations and participation.
Autopsy
The BLUE FLY team will perform an autopsy on one of the frozen victims as soon as circumstances permit. The
players may be involved or allowed to witness the procedure, according to their skills. Analysis of the body indicates
death from freezing: the process was nearly instantaneous and occurred uniformly throughout the body. Such an event
is impossible, of course, in the experience of normal medicine: even at extreme temperatures, freezing should progress
gradually from the extremities to the more insulated body core. Equally strange, the microbes which elicit decay in
dead bodies will not assault the cells of the subject; the bodies are also subject to constant, unnatural cold at 0.5
degrees Celsius, only slightly above freezing: even exposed to direct heat, the body's cells will not increase
appreciably in temperature. They simply will not thaw. Physicians in the team will guess wildly at some form of new
cryogenics technology at work, though they cannot guess the means of preserving a body without any equipment or
ongoing power usage. Characters suspecting nanotechnology will find none in the bodies.
During the examination, the examiner and any others nearby will be gripped with a powerful and immediate hunger
for the cold and dead human flesh. They must roll SAN immediately. Success indicates the character retains self-
control, but with a SAN loss of 1 point; failure indicates that the character indeed attempts to gorge on the subject's
flesh and organs, with a SAN loss of 1D4/1D10. Non-player characters in the room will be appropriately horrified.
Two NRO-Delta agents assigned as security will interfere with the feaster; allow a second SAN roll for the character
to regain control before they lose patience and shoot him or her dead. (Merciful GMs may allow an affected player-
character extra rolls to avoid being taken out so ignominiously, or he can let the chips fall where they may.)
Clues in the Ghost Town

There are several landmarks which the players are likely to explore, including the Town Hall (which doubles as county
courthouse and library), the Post Office, Doctor Brown's Office, and the Sheriff's Office. Several clues can be found
throughout these locations. Willis is not a particularly modern town: most useful information will be found in
newspaper archives and in old journals and scrapbooks. The Keeper may require a Spot Hidden or Library Use roll for
each clue, depending on the investigators' actions and the course of the roleplaying. Each such roll should require 1D6
hours of searching and reading and cross-checking. Be sure to distribute the handouts according to the investigators'
actual courses of investigation. Don't give out the information on the Creek or the Mounds, for instance, unless the
investigators actually look into American Indian culture or legendry in the area or are in dire need of a free clue.
Doc Brown's Office: Elizabeth Brown's office is packed with old-fashioned files and dusty books and walls filled
with photographs of the best moments of the last few years in Willis, Alabama. A graduate of the medical school at the
University of Alabama in Birmingham, Doctor Elizabeth Brown has been practicing in Willis for seven years now
Funny, intelligent, young, and successful, until her "death" in the breath of the Wendigo she was the most eligible
bachelorette in town. A minor clue may be found here if an investigator succeeds at Computer Use roll to decode her
computer password and read her e-mail files.
Handout #1: E-mail sent to a colleague at the University of Alabama in Birmingham, dated 18 DEC.
Town Hall: The Town Hall doubles as the Mayor's office, upstairs, and the county library, downstairs adjacent to the
main hall. Hand-drawn banners decorate the white-painted cement walls and dark wood paneling, announcing
upcoming holiday events and homecoming games at Willis County School (K-12). The library includes a repository of
old issues of the Willis County Dispatch, the local newspaper, and a videotape archive of interesting news reports
about Willis County.
Handout #2: Willis County Dispatch, "Disturbance Enlivens Town Hall Meeting," 23 DEC.
Handout #3: Channel 44 Evening News, "Jack Frost Tragedy Strikes Again," 3 JAN 1995.
Handout #4: "The Secrets of Moundville," Brochure, Alabama Department of Tourism (1998).
Handout #5: Willis County Dispatch, "Local Collector Turns 80," 14 MAY 1998.
Gardenia Hollister's Archives: Gardenia Hollister, a widow since her husband died in a frozen field in the Korean
War, grew a bit odd over the years, but her children allowed her any eccentricities she adopted. Among other things,
she became a notorious collector. Nothing ever got thrown out unless it had begun to rot: furniture is cluttered among
spare sewing machine parts and half-finished quilts and old books and letters. The books and letters are the most
overwhelming feature of her home, odd books and letters and diaries from nearly every family in Willis over the years,
all strewn and stacked among bookshelves and desks and tables and boxes. Gardenia was terrified of cold and the risk
of freezing. Every room in her house is draped with quilts, some old, some new, all of mediocre quality. She was
found without so much as a sheet to cover and protect her.
Handout #6: Letter from May Eddings to son, Willis Eddings, 1914.
Handout #7: Diary of Abe Gardner, 1880.
Handout #8: Tales from Indian Country, a hardback book for juvenile readers (signed in the frontpage by Terry
Hollister, grandson of Gardenia), Young Apache Press, 1942.
Handout #9: Letter of Holly Corder to brother, Timothy Corder, 1988.
Howie Parker's House: Howie's family house is a simple affair with two floors on hilly forest land not much good for
farming.
Handout #10: Willis County Dispatch, "Local Man Commits Suicide," 4 FEB 1942.
Sheriff's Office: The sheriff's office also holds the county jail (empty as of the arrival of Jack Frost) and impressively
lean files of past incident reports. Most of them deal with public drunkenness or harmless brawls, with only a handful
of the worst examples of everyday human behavior.
Handout #11: Incident Report, signed by Sheriff Carly Dawson, 22 DEC.
The Creek in Alabama

Certain clues found in town might draw the players' interest to the Creek, a Native American tribe which originally
lived in the region which would become Willis. The following information should be available to the players with a
History roll, a Library Use roll (with research in the local library or on the Internet), or if they somehow consult an
expert in local history.
The Creek received their name from white settlers and traders who referred to the many rivers and streams which
coursed through their country. They included many distinct tribes and peoples, mostly bound by the same language,
Muskogean. A handful of their old legends and beliefs remain widely known: in one tale, Creek warriors hid in an
earthen mound to ambush and defeat a Cherokee war party. They used tobacco, ground into the postholes of houses or
distilled into drinks, to drive away evil spirits.
In the late 17th Century there were around 30,000 Creek in about 50 towns in northern Alabama and Mississippi.
Active crafters and traders, at first they traded actively with English settlers, but strife and war soon erupted. Many
Creek were driven south to Florida, but the conflicts grew more pronounced with Creek attacks on American
settlements in the War of 1812. After an infamous battle in which the Red Stick tribe destroyed the garrison at Fort
Mims, General Andrew Jackson was dispatched with a small army to hunt them down. Subsequent treaties resulted in
American acquisition of vast territories from the Creek; but from 1830 to 1842, the Creek, like other tribes, would be
forced in entirety to relocate to the Indian Territory, in what would become Oklahoma.
The last Creek tribe was forced out of the region at gunpoint in 1850.
Howie Parker
The investigators may follow up on research in the town to seek Howie Parker among the frozen corpses of the citizens
of Willis. Their first obstacle will be the security measures of Harris' team: especially after the gruesome incident at
the autopsy and the isolation imposed from above, NRO-Delta agents will be assigned to watch the "meat locker" and
to prevent any unauthorized access. The players should be able to gain access to the locker as part of their
investigation, but they will be constantly overseen by attentive guards.
Parker can indeed be found among the dead in the Locker, catalogued and listed along with all the others in the initial
inspection of the scene. (Note that this information may well be kept by Dr. Howell, if the players manage to get the
information from her by persuasion or theft.) His appearance is unremarkable, much the same as the other corpses: he
appears to be mildly surprised at his fate.
The Ghosts Speak

The psychic, ghostly residue of ancient Creek shamans is bound to the region by the K'n-Yan shrine, their life-force
drained into it in rituals long past. Never dead, they are not quite spirits or ghosts, merely a spiritual will or tendency to
influence the psychically sensitive. They will manifest to sensitive individuals, especially after the team locates and
inspects Howie Parker or the submerged Shrine, in a relentless urge to locate the Shrine of the Wendigo; a living
human must enter it in sacrifice to the Shrine, his or her life-forced used to ward off the vengeance of the Wind-
Walker. For our purposes, "sensitive" individuals will include those with high POW, though characters with average
POW but high Art and/or Occult skills may also be affected. Ordinarily, contact with the ghosts should come only after
the players find Howie Parker or the sunken shrine, but the Keeper can introduce them earlier if the players need a
push in the right direction.
Characters contacted by the shamans will first experience powerful, disturbing and draining dreams about the coming
of Ithaqua, replete with symbols important to the ghostly shamans in vague hints of the imminent danger and the
necessity to complete the shamans' task. See Handout #12. Sanity loss for the first dream is 1/1D3; it may be of little
immediate value to the investigators, but it may offer clues to be interpreted later. After the events coming in the first
night in Willis, they may or may not have an opportunity to investigate the strange imagery.
Ithaqua Rises: The First Night

The night air in Willis is wet and as cold as ice that pierces cloth and flesh. The air billows in sporadic bursts of
painful wind and snow, driving the cold deeper into blood and marrow. The stars shine brilliantly in the indigo canopy
overhead; as the storm subsides, Orion stalks at a strange angle among the constellations of winter. Then comes the
howling: it wavers across the earth from some point unutterably far above, deeper and more mournful than the wind or
any animal of the wild, undulating slowly over endless minutes. A moment of silence grips the air again, and then the
howling begins again, filling the night. The air grows colder, achingly cold. (SAN loss is 1/1D6.)
Any investigators or NPCs who are near Crow Lake overnight (the Keeper can use a unit of Farrell's Blue Team to
suffer and report the experience if the players stay close to base) will see hypnotic, shimmering lights among the
painfully frigid winds overhead. Within the drifting pastel lights black eyes stare, boundless, mournful, inhuman,
hungry. (SAN loss is 1D3/1D10.) Simultaneously, all who are caught outdoors within the radius of Ithaqua's influence
(approximately five miles in any direction from the shrine) suffer a paroxysm of terrible cold and are suddenly
enmeshed in a thin and wispy layer of snowy ice. Each character is affected, unless one can succeed at a POW vs.
POW resistance roll against Ithaqua: the outer few layers of skin freeze to ice. Movement -- almost certain to occur,
even involuntarily -- causes the iced flesh to crack and break. Remaining still, the ice will soften and melt, leaving the
flesh dead and white. The victims suffer 1D6+3 HP damage from agony and infection. Victims who lose half their HP
from this curse will be blinded, at least temporarily, as their eyelids and the surfaces of their eyes freeze over and are
ruined. (SAN loss for all victims will be 1 per HP lost, plus 1/1D4 for witnessing such a blinding, or a flat 1D6 for
suffering it.) Cold-weather clothing is no protection, but, strangely, characters who are underground or indoors will not
suffer this effect.
After this event, strangely, the cold seems to lessen a little for everyone in the region. Each character's breath no longer
blows fog into the icy air, and fingers do not go so immediately numb when exposed for fine work. All is hardly, well,
though. Tests will show that the body temperature of each character has dropped to approximately 41 degrees
Fahrenheit (5 degrees Celsius). The characters will discover this soon enough if they do not think to check it
physically: as soon as they enter a heated area they will feel it to be sweltering. The normally-chilly command post, at
60 degrees Fahrenheit, seems to be 117 degrees to the affected characters: they will soon suffer heat stroke unless
preventative steps are taken. Leaving the five-mile radius, the effect is far more pronounced: affected characters will
begin to cook, scorched as if in an oven even standing in sub-zero night air, for 1D3 HP damage per round until they
return to the "safety" of the five-mile radius. Otherwise they seem to suffer none of the deleterious effects which such
a drastic physiological change would cause. (SAN loss is 1/1D3.)
The victims will revert to normal once Ithaqua rises for the final time, on the third night (see below)--assuming they
survive.
For dramatic effect, the Keeper should select at least one or two NPCs to be caught outside and suffer this fate if the
investigators are too careful for it; an NPC who goes temporarily insane might try fleeing, whether by road or
helicopter, allowing the players to witness the effects of stepping out of the affected zone. SAN loss for seeing (or
hearing, by radio) a victim die of heat stroke in the frigid air is 1D4.
The next morning, the players will get the bad news.
To be continued...
Characters
Lt. Colonel James Farrell
MJ-5 Operative and Blue Team Commander, age 46
Race: Caucasian
STR 12 CON 13 SIZ 12 INT 16 POW 14
DEX 10 APP 10 EDU 17 SAN 70 HP 13
Damage Bonus none
Education: B.S. American History, Air Force Academy; ARRS Training
Occupation: USAF Special Operations Command, Aerospace Rescue and Recovery Service, detached to Project BLUE
FLY
Skills: Climb 60%, Conceal 43%, Credit Rating 35%, Dodge 40%, Drive Auto 32%, First Aid 50%, Hide 40%,
History 56%, Jump 40%, Listen 65%, Martial Arts (boxing and judo) 45%, Navigation 60%, Parachuting 60%, Sneak
53%, Spot Hidden 63%
Languages: English (own) 100%
Attacks:
Fist/Punch 65%, 1D3 + martial arts
Grapple 53%, special
H&K Special Weapons System (.45 handgun with laser sight) 50% (+10%), 1D10+2
Armor: Reinforced kevlar vest and helmet over HAZMAT suit, 12 points
Appearance: Farrell is on the short side and just getting old enough to lose some of the lean muscle of his youth. He
can still keep up with the younger men of his unit, though, and none of them hesitate to follow his orders or example.
He has greying crew-cut brown hair and a plain face, weathered from time spent in the air and in the field, with clear
and stern blue eyes.
Notes: Farrell has taken many lessons from his commander, Colonel Coffey, the head recovery officer of operation
BLUE FLY, on handling extraterrestrial investigations, but he is neither as experienced nor as xenophobic as Coffey.
He is thrilled in a macho, self-serving way with the apparent remnants of alien forces. Lt. Colonel Farrell will deny
that Ithaqua's howls are in fact biological: they are a transient and highly localized meteorological effect, a lingering
side effect of an alien weapon. He and his men see the world through the lens of the information given by the Greys to
the Majestic group; myths about monstrous deities have no place in their investigation.
Sample Blue Team Operative

Maroon and Grey, age 25-40
Race: varies
Damage Bonus +1D4
Education: USAF Special Operations Training (ARRS)
Occupation: USAF Aerospace Rescue and Recovery Service, detached to Project BLUE FLY
Skills: Climb 60%, Conceal 60%, First Aid 50%, Hide 50%, Jump 50%, Listen 55%, Mechanical Repair 50%,
Navigate 55%, Parachute 50%, Sneak 50%, Spot Hidden 65%, Swim 40%
Attacks:
Fist/Punch 60%, 1D3+db
Fighting Knife 55%, 1D4+2+db
M-17 Assault Rifle 55% (+11%), 2D6+3 (with armor piercing rounds, 1/2 armor protection and -1 damage)
Attached grenade launcher (20mm HEAP) 45% (+9%), 3D6 explosive (2 m. radius)
Appearance: The BLUE FLY troops are crew-cut and tough, classic American special operations. Most of the time
they wear grey camouflage-pattern fatigues. Most wear the maroon beret of USAF Pararescue; two wear the grey beret
of USAF Special Forces Meteorologists. These last two may be the most baffled and disturbed of all at the influence
of the Wind-Walker.
Notes: These men are veteran special operations troops, the elite of the elite, professional and wary. They have been
trained to expect anything when dealing with alien technology; but when the Mythos is involved, training only goes so
far. Faced with mounting encounters with the power of the Great Old One, the BLUE FLY troops may react in
unpredictable ways. Some will revert instinctively and obsessively to training, focusing on concealment and security as
they await normalization or a chance to bug out, while others will get more and more violently "proactive" in securing
their environment. Confrontations with Harris' NRO-Delta agents might be very likely if they are manipulated
skillfully by the investigators.
Major Elton Harris

Undercover NRO-Delta Commander, age 49 OICW: THE M-17
Race: Caucasian
The OICW (Objective Individual Combat Weapon) protocol in
1992 defined the next model of personal infantry weapon to be
DEX 12 APP 13 EDU 19 SAN 44 HP 14 deployed by American armed forces. Many contractors
Damage Bonus +1D4 produced prototypes for inspection by the Army and Marine
Education: M.S. Criminology; Special Agent training, FBI Corps, with the intent to deploy the rifle generally in 2005. In
Academy "Jack Frost," the Majestic covert forces are equipped with
Occupation: "DIA Special Agent," actually a Major in the advance models of the weapon.
National Reconnaisance Office, Section Delta, for MJ-3
Project GARNET The M-17 is a 5.56mm assault rifle (these troops use armor
piercing [depleted uranium] ammunition) with modular infrared
Skills: Conceal 45%, Dodge 39%, Drive Auto 50%, Fast
imaging gun camera and laser sighting, gas buffers to reduce
Talk 53%, Law 34%, Listen 54%, Martial Arts (karate and recoil, and an attached 20mm explosive round launcher
judo) 50%, Navigate 40%, Persuade 44%, Psychology capable of direct or indirect fire (replacing the M203 grenade
56%, Sneak 46%, Spot Hidden 66% launcher). The weapon's ordinary maximum effective range
Languages: English (own) 95% would be 130 meters; taking a round to use the rangefinder
Attacks: and scope will increase effective range to 520 meters, with the
Glock-18 (silenced) 60%, 1D10 standard skill bonus for laser sighting. The shoulder stock and
M-17 Assault Rifle 50% (+10%), 2D6+3 accessories may be removed, if necessary, to reduce the
weapon to an eminently concealable rifle no larger than a
Kick 55%, 1D6+db+martial arts
small submachine gun (the rifle's effective range should be
Grapple 52%, special halved without the shoulder stock; it is then fired using the
Armor: Concealed kevlar vest, 5 points Submachinegun skill). The 20mm shell can be set to explode
Appearance: Harris is tall and lanky, still lean and agile on impact or mid-air, to aid in reaching covers behind
from daily karate exercises and time in the field. He has concealment: it takes one combat round to program the range,
short black hair not yet going to grey. His dark brown eyes but with a normal attack roll the explosive shell will negate the
bear traces of cruel humor and easy irony. He wears a target's protective cover. The gun camera can also transmit
black suit and tie as if they are required by regulation. wirelessly to a wrist or helmet-mounted viewscreen, enabling
"blind" fire around corners at only half the normal skill chance
Notes: For good or for ill, "Major" Harris is more likely
(rather than unaimed).
than Farrell to take seriously the bizarre supernatural
effects of the Wind-Walker's manifestations. He has no In some testing models, the OICW has increased the killing
inkling of the truth, of course, but he has seen some the efficiency of equipped troops by an order of 500% or more.
more outre incidents of the Greys' activity, and he has Investigators would be wise to learn the Majestic team's
reasons to suspect that more bizarre and malignant forces weapons well before taking them on.
may be behind them than the Majestic committee will
admit. This will be little help to the investigators; he has 5.56mm NATO rounds: Rifle skill. Standard damage for the
some idea how much he should fear the "supernatural" (for caliber. Base range 130 yards. ROF 2 or 30. Malfunction: 00.
lack of a better description), and he will quickly become 20mm shells: Grenade Launcher skill. 3D6 damage/3 yard
obsessively paranoid and dangerous as the scenario explosive burst. Base range 50 yards. ROF 1. Malfunction: 99-
progresses and his SAN is depleted. The more he is 00.
convinced of some unstoppable alien power in the area, the
more likely he will be to irrationally call JERICHO/PURGATORY (see Part Two) to eradicate all traces of it.
Sample NRO-Delta Agents

24 more Men in Black, age 35-45
Race: Varies
Damage Bonus +1D4
Education: CIA Operations Training, Camp Perry, or Special Forces Training, Fort Bragg
Occupation: Security Officer, NRO Section Delta
Skills: Climb 53%, Conceal 50%, Dodge 41%, Drive Auto 52%, Hide 55%, Jump 50%, Listen 61%, Locksmith 46%,
Martial Arts 52%, Psychology 40%, Sneak 56%, Spot Hidden 61%
Attacks:
Fist/Punch 60%, 1D3+db+martial arts
Glock-18 62%, 1D10
M-17 Assault Rifle 54% (+11%), 2D6+3 (armor piercing rounds, 1/2 armor protection and -1 damage)
Armor: Concealed kevlar vest, 5 points
Appearance: The men who accompany Harris into Willis wear plain clothes: most of them wear black or grey suits,
well-tailored but not flashy, and thick trenchcoats and fine leather gloves against the cold. Those assigned to the
perimeter of this mission will be dressed and equipped as U.S. Army Special Forces, in fatigues and black berets. They
are uniformly clean-cut and clean-shaven, with hard eyes and cold senses of humor. They are alert, savvy, and
suspicious, and the investigators should be hard-pressed to fool them for long.
Dr. Fred Bimmel, Energy Department

MJ-6 Researcher, age 61
Race: African-American
Damage Bonus none
Education: Ph.D. Nuclear Physics, MIT
Occupation: Nuclear Physicist, U.S. Department of Energy, and researcher for MJ-6 Project PLUTO
Skills: Accounting 40%, Astronomy 30%, Bargain 35%, Chemistry 60%, Computer Use 50%, Conceal 35%, Credit
Rating 55%, Electrical Repair 50%, Electronics 60%, Fast Talk 25%, Library Use 55%, Persuade 45%, Physics 80%,
Spot Hidden 35%
Attacks: none above base skill
Armor: none
Appearance: Dr. Bimmel was never in the best shape, and recent years have been hard on him. He smokes constantly,
he eats poorly, and he sleeps infrequently. His skin is somehow both wrinkled and seemingly haggard, despite the
paunch that graces his midsection and seems to grow every year. His kinky short hair is grey and white, and his eyes
are a watery dark brown. He wears a typical white scientist's coat over a rumpled suit.
Notes: Bimmel is a distinguished physicist with past experience evaluating the bizarre effects of alien (called
"foreign," but Bimmel knows better) technology. At first confident and arrogant, he will become easily rattled as
Farrell's tests reveal none of the electromagnetic effects or radiation found in past "Grey" incidents; his reactions are
more likely to be simple fear, however, not the irrationality that the others might suffer: Bimmel has an extraordinarily
resilient personality. His working theory will be that some sort of weather-control device is being tested, using
(unknown) quantum binding processes to dampen molecular activity. He has no hard evidence to that effect, though,
and he will spend most of the scenario conducting laborious tests and recalibrations in his field lab, particularly around
Crow Lake once he detects anomolous readings there. Bimmel might prove a useful ally to the investigators, if he
becomes convinced that Grey technology in fact has nothing to do with the events around Willis, and his word will
hold some weight with Farrell; smart players might use him as a means of protection against Harris' agents. Bimmel is
accompanied by five assistants in this operation, each of them a PhD with similarly impressive credentials and
classified background.
Dr. Lisa Howell, USARMIID

Race: Caucasian
Damage Bonus none
Education: M.D., Virology and Gene Therapy, University of California at Los Angeles
Occupation: USARMIID Field Researcher, MJ-6 Researcher (Project PLUTO, Sub-Project CORE)
Skills: Biology 80%, Chemistry 50%, Computer Use 40%, Credit Rating 45%, Drive Auto 50%, Fast Talk 35%, First
Aid 70%, Library Use 55%, Listen 35%, Medicine 75%, Natural History 40%, Persuade 45%, Pharmacy 50%,
Psychology 35%
Languages: English (own) 115%, Latin 40%
Armor: none
Appearance: Dr. Howell has never cared a great deal about her looks; she looks down her nose at fellow doctors who
spend energy on such superficialities. She is asthmatic and nearsighted, with thick glasses and thick features and
stringy blond-brown hair tied into a haphazard ponytail. She wears a physician's coat over a simple pantsuit.
Notes: A specialist in genetic medicine, virology, and chemical warfare, Doctor Howell has worked on alien biotech
before, and she was terrified by the implications of what she saw: in past projects she has seen the mixing of genes,
aggressive genetic structures, superviruses, and so on. She will cooperate fully with any secrecy or security
arrangement, believing BLUE FLY to be working to protect humanity. She will not blink at detainment; she will only
frown in discomfort at torture or murder committed in the name of operational security. She will act immediately and
intelligently to inform Harris' agents of any hint of subversive activity by the players. Like Bimmel, Howell leads a
small team of six doctors investigating the biological implications of the tragedy in Willis.
"FEMA Crisis Task Force Manager Alphonse Lewis"

A/K/A Adolph Lepus, Local Sadistic/Psychotic Hardcore Badass Made Good, age 50
Adolph Lepus is detailed in Delta Green (p. 92). Born to poor Alabama farmers, Lepus knows this country and its
people, even if he has never been to Willis County proper; more than ever, his easy drawl masks quick, decisive
intelligence and a core of cruelty and ruthlessness. Lepus is posing here as the ranking FEMA officer, charged by law
with authority over federal and local resources in this crisis. The chief of the Majestic group's wetworks section,
Adolph Lepus knows that something is not right with the Greys, and he knows that there are unexplained powers out
there that may be totally unrelated to them. Still, he sees Delta Green as a threat to MJ12's hegemony and an
unnecessary risk of premature exposure, and he and his men have had several violent encounters with them; while his
superiors have not yet decided to instigate direct confrontation with Delta Green, Lepus gathers what intelligence he
can in the hopes of using an open conflict with the rival conspiracy to advance his own place in the Majestic project.
Captured Delta Green agents can expect a long and unpleasant incarceration if Lepus gets his hands on them. But with
the expert treatments of MJ12's OUTLOOK mind-control program (whatever shape it takes in the Keeper's campaign),
agents may be released with no conscious memories of Lepus at all; only secret dreams of pain and the flash of golden
teeth.
Handouts
Handout #1: Doc Brown's E-mail

From: Elizabeth Brown, M.D. [docbrown@mindnet.com]
To: Carl [cdcarlton@uab.edu]
Subject: re: Howdy!
Sent: December 16
It's good to hear from you! The small-town practice is

just fine. Nothing but ribs for lunch and wine & caviar
for dinner, and I only have to work three hours a day!
Honest!
But seriously, it's been good here. The winter will be

rough for another month or two. It hit pretty hard this
year, and it caught a few people off-guard who want to
work past dark. It looks like this will be the coldest
winter ever. Or at least for the past 100 years, when
they started recording things like that.
Singh is a big pussycat. And if he's not already reading

this behind your back, you can tell him I said so. You
residents just need to learn tohandle the pressure, that's
all!
cdcarlton@uab.edu wrote:
>Hey girl, haven't heard from you in a while. How's the
>small-town practice? Things are about the same as
>always here in the "big city." Singh is the Great
>Taskmaster, you know how it is. Well, keep in touch.
Handout #2. Disturbance at Town Hall
A Town Hall meeting the night of December 22nd was disrupted by Howie Parker, a local
carpenter. Parker seemed to be in a daze, shouting that everyone in town had to leave at once
or else suffer an evil curse. He was laughed down by the citizens at the meeting and escorted
out by the sheriff. Most concluded that Parker had been hitting the brew at Hank's House a
little early that night.
(Willis County Dispatch, "Disturbance Enlivens Town Hall Meeting," December 23rd.)
Handout #3: Channel 44 Evening News, "Jack Frost Strikes Again"
From the Channel 44 Evening News, January 3, 1995:
ANCHOR: "Tragedy struck the Williams family of Willis, Alabama, this weekend. Susie
Williams, 17, died of exposure in a sudden cold snap which froze Willis County. It has local
residents wondering just what is behind this peculiar, and deadly, weather condition."
[Cut to the reporter, wearing winter clothes, standing outside a small house.]
REPORTER: "Susie Williams was out walking the family dog, her mother, Abby Williams,
told News 44."
[Cut to an interview with a grieving, middle-aged woman.]
ABBY WILLIAMS: "She put on her coat and gloves and everything, and she didn't walk all
that far. She knew better than to walk too far when it's cold out. I don't understand it."
REPORTER (voice over): "Susie's father is also baffled."
[Cut to a grim-looking middle-aged man.]
JOHNNY WILLIAMS: "I guess it was Jack Frost. Looks like Jack Frost come down to town
again."
[Cut to an elderly doctor in a small doctor's office.]
REPORTER (voice over): "Elizabeth Brown was Susie's doctor, and she examined her body
after she was found by a neighbor."
DR. ELIZABETH BROWN: "It was simple exposure. She was outside at the wrong time,
and the cold caught up to her. It's a terrible shame."
[Cut to a panning overhead shot of the forest and rivers of Willis County.]
REPORTER: "Susie succumbed to exposure, but it may not have been so simple. 'Jack Frost'
is a nickname for sudden, deadly cold snaps which have occurred around Willis County
every few years. Susie Williams is only the latest victim."
[Fade to a series of photos: a plain-looking man in overalls, a wiry, elderly man wearing
blue jeans and a thick fleece coat, a stocky, fat man wearing overalls and a baseball cap.]
REPORTER (voice over): "Leroy Corder died in 1988 while out fishing. He had been on the
lake for less than six hours, according to his wife. Amos McGee died in 1984 while working
on his tractor. He was found underneath the tractor, tools around him, dead of hypothermia.
Harold Kill died in 1981 in his barn, feeding his chickens. His wife said that only two of the
chicks died with him, and the rest were still clucking away around his lifeless body."
[Cut to the news studio.]
ANCHOR: "Doctors and meteorologists alike have no explanation for 'Jack Frost.'"
WEATHERMAN: "That's true, Bill. The fact is, there's a lot we just don't understand about
the weather. The 'Jack Frost' phenomenon is one of those things. Maybe someday we'll be
able to predict it. In the meantime, folks in Willis and surrounding counties need to be
careful, and stay indoors when it's cold out."
ANCHOR: "That's good advice for all of us. A funeral for Susie Williams will be held at
Willis First Baptist Church, on January sixth."
Handout #4: The Secrets of Moundville
"The defining feature of Moundville Archaeological Park is the widely dispersed

arrangement of twenty-nine flat-topped grassy hills or mounds. Most are twelve to fifteen
feet tall, but some cover an acre or more and are thirty to sixty feet high. They have been
found to contain pottery and post-holes, remnants of old dwellings. Other discoveries have
given archeologists a picture of a farming tribe, perhaps several thousand strong in its
heyday, led by a hereditary priest-chief who worshipped a fire or sun god. Moundville was
originally surrounded, all three hundred acres of it, on three sides by a mile-long wooden
wall complete with towers; the area is bordered on the north by the Black Warrior River.
"Originally a thriving town and home to all classes of the tribe, the mounds eventually were
occupied only by the priests and nobles; finally they, too, moved out, leaving it a necropolis,
used only for burial of the dead. The mounds of Moundville were abandoned altogether
around 1500 A.D."
("The Secrets of Moundville," Brochure, Alabama Department of Tourism [1998].)
Handout #5: Local Collector Turns 80
Ms. Gardenia Hollister of Box 29, Route 15, keeps the county's oldest archive of diaries and
books and letters, and she has stubbornly refused to donate them to the county library.
(Willis County Dispatch, "Local Collector Turns 80," 14 MAY 1998.)
Handout #6: Eddings Letter
Ed Horton froze to death on a mild winter night while out hunting in 1911.
(Letter from May Eddings to son, Willis Eddings, 1914.)
Handout #7: Gardner Diary
A deadly chill took the region in 1877, when the Barney farmsteads, father and son, were
frozen out and all within were slain.
(Diary of Abe Gardner, 1880.)
Handout #8: Tales from Indian Country
An English trader and trapper told of wintering for a month with a Creek tribe in 1775, when
the tribe wore amulets and sang prayers for a whole night while hundreds of serpents hissed
outside. The tribe told the trapper that the serpents would protect them from the ice spirits
that came from the people of the tribe in the time of each grandson's grandson.
(Tales from Indian Country, a hardback book for juvenile readers [signed in the frontpage by
Terry Hollister, grandson of Gardenia], Young Apache Press, 1942.)
Handout #9: Corder Letter
Some say "Jack Frost" is an Indian curse for the massacres and expulsions of the Creek
from Alabama.
(Letter of Holly Corder to brother, Timothy Corder, 1988.)
Handout #10: Hiram Bates Suicide
Mound Builder Dies By Own Hand

Hiram Bates of Willis died by suicide on February 3rd, 1942. Bates, who had suffered for
years from schizophrenia, hung himself at his Willis home, 122 South Shade Lane. Bates
gained notoriety not long ago for constructing the Crow Lake Mounds, which some first
thought to be archeological discoveries. He is survived by one daughter, Eugenia Parker, and
one infant grandson, Howie Parker. His estate will be managed by his daughter.
(Willis County Dispatch, 4 FEB 1942.)
Handout #11: Incident Report, 12/22

Howie Parker, of 122 South Shade Lane, was escorted out of the Town Hall
meeting of 22 DEC at 18:58 after disturbing the meeting. He appeared to be
intoxicated. He hollered and yelled that the county was cursed and that
everyone had to flee, and that he had friends who had come from far away to
give the warning.
(Incident Report, signed by Sheriff Carly Dawson, 23 DEC.)
Handout #12: The First Ghostly Dream

The dreamer sees bloody snakes across a frozen wooded landscape and writhing in the loins of
shrieking women and men, their fangs dripping blood and poison. Glowing mists shimmer and swirl in
the vault of an enormous cavern, coalescing into cold green stars. The stars are eyes, great, distant
eyes, cold and malevolent and hungry. Toward the end, an enormous mound of red earth is seen
rising above the trees and the writhing bloody snakes, sucking the stars and shimmering mists into its
bulk.
Maps
Map #1
Map #2
Map #3
Click here to read part two of this article!
Wu Jen's Scrolls
New Spells for AD&D Oriental Adventures

by Lloyd Brown III
Art by andi jones

Wu jen, the mysterious sorcerers of Kara-Tur, have many strange spells unknown to other wizards. They have powers
over nature, they can influence the secret ki powers possessed by many Oriental characters, and they seek to command
the spirits that inhabit that foreign land.
Many of the wu jen's spells deal with the elements, including the elements of nature not known in the western world.
These spells deal with natural forces, including plants and animals. Since they generally lack powerful evocations,
these elemental spells may make the wu jen's selection seem more "priestly" than a standard wizard's arsenal.
Foreigners should not be fooled, however. The wu jen can rain destruction down on his enemies with powerful
whirlwinds and devastating tsunamis.
Their power over their fellow humans is not reflected in charm spells, but in control over the ki power that characters
seek to understand and utilize against their enemies. Shukenja, the priests of Kara-Tur, have the greatest power in this
area, but wu jen also wish to control ki powers. They use a few valuable spells to augment and control ki.
The pervasive spirits that dwell in trees, rivers, and mountains in Kara-Tur also possess great powers. Wu jen and
others emulate, appease, or command these spirits to gain power from them. Although it is difficult and sometimes
risky even to speak with these spirits, the rewards of successful negotiation can be great.
Creating a Wu Jen
A player can choose to play his wu jen in one of several ways,
according to how he sees the wu jen character and which options
the Dungeon Master allows. First, he could use the wu jen straight
out of the Oriental Adventures book. He could only use those
spells listed in the OA, custom spells the DM might allow, and the
new spells listed here.
The player might see the wu jen as a more martial wizard, a

"mage of physical action" as Dave Cook describes it in his update
of the class in Dragon Magazine #229. The player could use that
format, in which the wu jen expends his own life force in the form
of hit points to cast spells that are never removed from memory.
Wu Jen's Scrolls
In this case, the only spells available are those from the school
which the wu jen follows. The new spells listed below are
identified by schools when appropriate, so that they can also be
added to those listed in Cook's article.
The wu jen kit is also available in the Complete Wizard's

Handbook. This version allows the player to take a standard mage
or even a specialist wizard. The CWH wu jen is allowed common
or oriental weapons, uses the normal spell lists, and leaves much
open to personal interpretation.
If the player sees the wu jen as primarily a wizard who seeks to command the elements, he can play the character as an
elementalist, using either the system presented in the Tome of Magic or the Zakharan elementalist described in the
Arabian Adventures sourcebook. In either case, the character's ability to control and use spells of his own element is
enhanced, while his ability to use spells from other elements is diminished or disallowed.
Players who describe all of the spells and abilities of a wu jen as different ki powers can create a channeler, using
Players Option: Spells & Magic to create a custom character. In this way, the character can be seen as drawing on his
own limited ki every time he casts a spell. The more powerful he gets, the more ki he has and the more spells he can
cast (represented by the superior saving throws and, therefore, the greater ability to resist fatigue effects).
Wu jen who seek to draw their power from the great spirits of the land can use the system of magic described for
warlocks and witches in Spells & Magic, although the nature of the spirit is generally neutral rather than inimical to
mankind. The spirits are reclusive and resent intrusion, but they are rarely actively evil. In this interpretation of the
class, instead of being slowly drawn toward evil, the wu jen is increasingly devoted to the protection and service of the
spirits of the land, acting against humankind whenever they offend the spirits. Thus, a high-level wu jen who is well
on his way to complete obedience or domination might serve as the spirits' agent in destroying a village that has
angered or harmed the spirits. In any case, when actions like these are forced on the wu jen at later stages of the path
to servitude, the character is under the control of the DM, and becomes completely so at the final stage, just as if the
character served a chaotic and evil power.
New Spells
Clearly, players who wish to create a wu jen character have a great variety of resources for character generation. They
also have a variety of spells to choose from, including these affecting the elements, ki and its use, and the spirits, so
that any wu jen can use them, regardless of which system was used in the character's creation.
While the wu jen already has a formidable arsenal of spells, even those kits or classes that disallow some of the more
common western magics, these foreign wizards can research new spells, too. Development and growth are universal,
whether the wizard is from Oerth, Chult, Solamnia or Kara-Tur. Thus, new spells can easily be integrated into any
campaign featuring wu jen.
Level One Spells

Ball of Fire (Evocation)
Range: 20 yards/level (200 yards maximum)

Components: V, S, M
Casting Time: 1
Saving Throw: None
Wu jen have never developed the more common form of fireball, and this is the form that spell takes among them. Ball
of fire allows the caster to emit a 6" radius sphere of flame that appears in front of the caster between his open hands
and shoots out toward the target, striking for 1d4 points of damage plus one point per level. The caster must make an
attack roll with no penalties for range. A missed target takes no damage, but the ball of fire must strike somewhere,
possibly hitting another target (use the grenade-like missile table from the Dungeon Master's Guide to determine
where a miss lands).
The material component is a drop of pitch.
Maja's Curse (Necromancy) Reversible
Range: 90 yards
Components: V, S, M
Casting Time: 1
Area of Effect: 1 10' x 10' square/level
Saving Throw: None
All creatures with 3 HD or less caught within Maja's curse are stuck with painful muscle cramps throughout their
body, causing a -2 on all attack rolls. Creatures without muscles, undead, or extra-planar creatures are unaffected.
The reverse of the spell, massage, removes the effects of magical or natural cramps, including the use of this spell.
The material component is a drop of water from a great depth (300' or more).
Dreamstrength (Invocation)
Range: 30 yards
Components: V, S
Duration: Up to 8 hours
Area of Effect: 1 creature/level
Saving Throw: None
Dreamstrength bolsters a creature's ability to fend off magical attacks against its spirit that take place while it is asleep.
The creature so protected gains a +4 on saving throws made against the nightmare spell, the attack of a night hag, or
any other special attacks made specifically against a sleeping character.
Focus Ki (Invocation)
Range: 0
Components: V
Duration: One round
Casting Time: 1
Area of Effect: Personal
Saving Throw: None
Focus ki allows the wu jen to intensify his natural ki power briefly, focusing it on a specific attack. For the round
following the casting of the spell, the wu jen may make one attack at +3 on the attack roll and +3 on damage. This
spell is often used in combination with another special attack form (such as an attack spell that has a range of
"Touch") to guarantee success. It can certainly be used in conjunction with a martial arts attack, and since the spell
uses only a brief verbal component, it might be used surreptitiously in a martial arts competition where magic is not
allowed.
Hide (Illusion/Phantasm)
Range: Touch
Components: V, S, M
Duration: 1d6+1 rounds
Casting Time: 1
Saving Throw: None
Hide is a very specialized illusion meant to allow the wu jen to gain a brief combat advantage or flee a battle. For a
random duration, the caster turns both invisible and silent. Since in this case the silence is a phantasm and not an
alteration, certain creatures might not be fooled. Attacking or casting a spell immediately ends both the invisibility and
the silence, as with the second-level wizard spell invisibility.
The material components are a small black cloak and pair of black cloth boots.
Level Two Spells

Extend Ki (Invocation)
Range: Touch
Components: V, S
Duration: 1 turn + 2 round/level
Casting Time: 2
Area of Effect: One person/four caster levels
Saving Throw: None
Extend ki allows the recipient to feel an enemy's attack just slightly before it strikes. The effects of this spell allow the
recipients to gain a -1 initiative modifier and a +1 to Armor Class, since they can strike or dodge while their enemies
are unready. Up to one person for every four levels of the caster can be affected.
Hardglass (Alteration) Reversible
Range: 10'
Components: V, S, M
Duration: 1 hour
Casting Time: 2
Area of Effect: One object
Saving Throw: None
This alteration spell make glass extremely resistant to blows, adding +4 to saving throws to resist breaking. It is used
to protect delicate treasures during transportation, potion bottles, or glass windows in time of danger. The item must be
less than 10 pounds per caster level and must be made of glass or crystal to be affected.
The reverse, softglass, makes a glass or crystal item fragile and easily broken, causing it to break when struck unless a
natural 20 is rolled on a saving throw. The DM may rule that some blows disallow a saving throw (a 200' fall, for
example). Magic items held by a person are allowed the owner's saving throw vs. spells to resist the spell's effects.
The material component is a steel plate in the case of hardglass or a small hammer for the reverse.
Steal Breath (Enchantment/Charm)
Components: S, M
Casting Time: 2
Area of Effect: One target/three levels
Saving Throw: None
This spell can causes a creature to exhale forcefully. Most of the time, the creature is unharmed, as he simply starts
breathing again. If cast while the creature is underwater, however, the results can be quite different. The creature has
lost its breath and may begin to drown immediately, depending on whether more air is available.
If the target is attacked by a cloud-based spell or magic attack (such as green dragon breath or cloudkill) during the
same round, the target's saving throw vs. the cloud-based spell is made at -3.
The material component is a puff of air from the caster. If the wu jen is underwater also, the spell can be cast, but it
costs him one round's worth of his own air supply. If he is using water breathing to breathe water instead of air, then
he cannot provide the material component.
Level Three Spells

Dark Fire (Alteration)
Range: 60 yards
Components: V, S, M
Duration: 2 rounds/level maximum
Casting Time: 3
Area of Effect: 10 sq. feet/level within a 40-foot radius
Dark fire produces an effect similar to the priest spell faerie fire and can be used to make targets easier to see, as with
that spell. Upon command from the caster, however, the eerie flames become real, burning the targets for 3d4 points of
damage. After burning and causing damage for one round, the flames go out, although other materials on or near the
targets might be ignited.
Usually, the caster uses this spell to force a desired action out of a target who is familiar with the effects of the spell,
offering to allow the spell to run its course without causing it to ignite if the creature obeys. When used against targets
unfamiliar with the spell, the wu jen gives his allies the benefit of the improved chance to hit the enemies, and then
ignites the flames after the enemies have been wounded and are near death.
The material component is a stone magicked to provide light (light, continual light, or a custom spell).
Enchanted Hands (Enchantment/Charm)
Range: 10 yards
Components: V, S, M
Casting Time: 3
Area of Effect: 1 creature/3 levels
Saving Throw: None
Enchanted hands is often cast upon a character trained in the martial arts to enable him to attack creatures normally
immune to non-magical weapons. It does not provide any protection against the touch of undead or other creatures,
however, so caution is advised. The target can easily wear leather or cloth gloves to keep his skin from touching the
creature, and the spell still enables him to attack. Metal gauntlets prevent the spell from functioning, however, for as
long as they are worn.
Creatures other than characters may also have this spell cast on them, enabling them to attack with claws, fangs, tail,
etc. Thus, a trained hawk might have this spell cast on it, enabling it to harm a peryton, for example.
The attacking creature is considered to be attacking with a +1 weapon only at the lowest caster level -- 5th. At 6th
level, the creatures affected can strike monsters hit only by +2 weapons, and at 11th level, the wu jen's spell allows
creatures to strike monsters hit only by +3 weapons.
The material component is a silver-studded glove, which normally costs 5-10 gp.
Non-Metal (Alteration)
Range:60 yards
Components: V, S, M
Casting Time: 3
Area of Effect: 1 object, up to 10 pounds/level
Saving Throw: None
Non-metal changes metal objects like weapons or armor into obsidian of equal strength and quality. The item's ability
to inflict damage or resist blows is unaffected. Thus, swords and other weapons are rendered immune to rust,
magnetism, the priest spell heat metal, and other common attacks. Magical items in the possession of another gain a
saving throw if the owner is unwilling to receive the spell.
The material components are a small piece of lead and a block of obsidian the same size.
Numbing Touch (Necromancy)
Range: 0
Components: V, S, M
Duration: Special
Casting Time: 3
Area of Effect: Caster only
Saving Throw: None
When Numbing touch is cast, the wu jen gains a potent touch attack that can be used to disable a victim's limb for 1d6
hours. When the wu jen touches a target, it must make a saving throw vs. petrification or lose use of the limb touched.
If the wu jen touches the head, the victim is rendered unconscious for 1d6 hours if the save is failed. A touch on the
torso or abdomen slows the victim to one half normal movement and attacks. The limb touched can be determined
using the "Hit Location" tables from the Critical Hit charts in Combat & Tactics, or by rolling d10 for humanoids: 1-2
= right leg, 3-4 = left leg, 5 = abdomen, 6-7 = torso, 8 = right arm, 9 = left arm, 10 = head.
Level Four Spells

Burning Katana (Alteration/Enchantment)
Range: Touch
Components: V, S, M
Casting Time: 4
Area of Effect: One weapon
Saving Throw: None
The burning katana spell enables any type of sword, knife, or dagger to temporarily gain some of the magical abilities
of the magical flame tongue. The spell causes flames to run along the length of the weapon which can ignite
combustibles that are touched by the blade. The weapon becomes +1, +2 vs. any of the creatures normally affected by
a flame tongue: avian, undead, or cold-using creatures. The weapon is unharmed by the spell. Burning katana does not
work on weapons that are already enchanted.
The material component is a lit torch, which is touched to the blade. The torch disappears and the flame leaps to the
blade of the weapon.
Protection From Earth (Abjuration)
Range: 0
Components: V, S, M
Duration: 3 turns + 1 turn/level
Saving Throw: None
The wu jen uses protection from earth to defend himself from warriors or monsters who would harm him with
weapons. The caster suffers -1 damage from metal or stone weapons, subject to a minimum of 1 hp. Earth elementals
attack at -2 on attacks, -4 on total damage. Other metallic or stone creatures inflict -1 point of damage per die, to a
minimum of 1 hp each.
The material component is a piece of granite and a drop of acid.
Restore Ki (Invocation) Reversible
Range: Touch
Components: V, S, M
Duration: Permanent
Casting Time: 4
Area of Effect: One person
Saving Throw: None
This spell can be used to restore an oriental character's ki power if it has been used for the day. This spell cannot be
used more than once on the same individual within 24 hours. This spell has seen a resurgence and increase in
popularity since it has been discovered that it also restores up to 25 PSPs in a psionicist or wild talent, up to the
creature's normal maximum.
The reverse of the spell, destroy ki, removes the potential for using ki power. If the targeted character has already used
its ki power, then the spell has no effect. If it has not used it, the ability to use the ki power for that day is removed. If
the character is currently using a ki power, then the effects are negated as the power is removed.
Destroy ki can also be used to decrease a psionicists available PSPs by 25, or half that amount if a saving throw vs.
spells is made. These lost PSPs can be restored by rest, by rejuvenation, or by restore ki.
The spell's effects are permanent in that the effects can be changed by later events, but do not change due to the ending
of the spell, in the same way that hit points cured by cure wounds spells are permanent.
The material component is a pair of glass or ceramic spheres, one black, one white.
Level Five Spells

Glass Shape (Alteration)
Range: Touch
Components: V, S, M
Duration: Permanent
Area of Effect: 1/2 cubic foot/level
Saving Throw: None
This spell unique to Kara-Tur allows the wu jen to alter the shape of glass or crystal. It is otherwise similar to the
existing spell stone shape. If used against a creature made of these materials, it inflicts 4d6 points of damage.
The material component is thick wet sand.
Wall of Wood (Evocation)
Components: V, S, M
Duration: Permanent
Casting Time: 5
Area of Effect: Special
Saving Throw: None
This spell creates a section of wooden wall that can be used in construction, or to block pursuit, or other purposes as
the caster desires. The wall is up to one inch thick per caster level, and up to 20 square feet per level. The wall can
only be created flat -- it cannot be shaped into a sphere, an arch, or anything else.
The material component is a cut piece of wood.
Level Six Spells

Protection from Nature (Abjuration)
Range: 0
Components: V, S, M
Duration: 1 turn/level, 18 turns maximum
Saving Throw: None
This powerful abjuration spell gives the caster complete protection from non-magical wooden weapons and all natural
attacks by real-world animals with 6 HD or less. Magical wooden weapons harm the wu jen normally, as do animals
with more than 6 HD or magical monsters like carrion crawlers and buso.
The material components are a fang and claw from an animal affected by the spell and a small wooden mace or club.
Level Seven Spells

Dispel Life Force (Necromancy)
Range: 20 yards
Components: V, S, M
Casting Time: 7
Saving Throw: None
Dispel life force is a direct attack on a creature's spirit, causing the spirit to depart the body as if the creature were
dead. During this time, the being appears to be dead to all inspection, including magical. The spirit returns after the
spell duration ends or the magic is successfully dispelled.
When the spirit returns, the creature is weakened as if it had been killed and raised. That is, it cannot cast spells and
must rest before undertaking any strenuous activity. Its hit points, however, are the same as when the spirit left the
body, unless damage has been done to the body since it was rendered helpless.
The material component is a holy symbol appropriate to the target's faith. If it professes no faith, then a symbol from a
power whose cause is furthered by the creature's actions may be used. Obviously, this requires either some knowledge
of the creature or a lucky guess on the part of the caster.
Unburn (Alteration)
Range: 30 yards
Components: V, S, M
Duration: Permanent
Casting Time: 7
Area of Effect: One object up to 5 pounds/level
Saving Throw: None
Sometimes the wu jen might suffer a loss at the hands of another wizard, or a pyromaniacal warrior, or an accident,
and lose a valuable item to fire. Unburn can be used to repair the item, provided it was burned less than one hour ago,
it is unliving (the spell cannot be used to heal damage from fire-based attack spells), and it was damaged solely by
fire.
The material components are three small gems, one red, one blue, and one clear, minimum value 50 gp each.
Level Eight Spells
Recall from Oblivion (Abjuration)
Range: 60 yards
Components: V, S, M
Duration: Permanent
Casting Time: 8
Saving Throw: None
This is a specialized but very useful spell that brings back an item that has been disintegrated or annihilated (by a
sphere of annihilation) or otherwise instantly destroyed. Some restrictions apply to the use of the spell. Recall from
oblivion affects an area within 60 yards from the caster, and the item must have been disintegrated within that range.
The item must have disappeared instantly, not quickly. A piece of paper caught within a delayed blast fireball, no
matter how large, was burned, not disintegrated. Lastly, the item must have been disintegrated whole -- the spell does
not return the missing part of large items that were only partially disintegrated.
The material component is a small puzzle-like box with a copper or silver coin inside. These intricate puzzles cost 200
gp or more.
Level Nine Spells

Mass Petrification (Alteration)
Range: 30 yards
Components: V, S, M
Duration: Permanent
Casting Time: 9
Area of Effect: 30' x 30' square, up to 4 creatures
Saving Throw: None
Mass petrification is a powerful attack against several opponents. Up to four targets may be chosen by the caster, each
of whom saves at -1. If all of the creatures targeted resist the spell -- by making a saving throw, magic resistance, or
other protection -- then the caster suffers a minor backlash and is held (as the spell hold person) for 2d4 rounds (save
for half duration). Mass petrification is not reversible.
The material component is ichor of jishin mushi, a monster (detailed in OA) with strong ties to the element of earth.
Unbind Spirit (Abjuration)
Range: 30 yards
Components: V, S, M
Duration: Permanent
Casting Time: 9
Area of Effect: One golem
Saving Throw: None
The wu jen is a master of spirits, and the chaining and enslavement of these spirits by enchanters is seen as an
infringement on their powers. The wu jen often finds it handy to release the elemental spirits that inhabit golems, and
that is exactly the purpose behind unbind spirit. When this spell is cast at a golem, it must make a saving throw vs.
spells or the spirit is free to return to its plane of origin, leaving behind an inanimate form of flesh, clay, stone, or iron.
The evil and intelligent golems of Ravenloft are sufficiently different in makeup and motivation that they are not
affected by this specialized magic.
The material component is a tiny silver key and lock, valued at 50-100 gp.
How Do You Get Women Into Gaming, Anyway?
In the Beginning
My formal introduction to gaming didn't begin until I started college in 1991. While I had gamed with friends in high
school, it had never been serious, and it largely consisted of board games like Civilization. We had played a few
sessions of Dungeons and Dragons, but the sessions were few and my friends were more interested in blowing each
other apart on a BattleTech hex map.
My college career started rocky. Here I was, in the second week of my freshman year, and I loathed my roommate,
avoided the loud parties on the hall, and hid from the most traditional of freshman activities -- imbibing at strange
frathouses in the middle of the night. I was having a little difficulty meeting new people. Luckily for myself and
hundreds of other wayward freshmen, the University of Michigan provided.
Every year, in the middle of September, the University hosts a large gathering of clubs and groups in the center of
Central Campus named Festifall. The event introduces and indoctrinates new students into available clubs and
activities on campus. Tables radiate out from the center in a series of lines, and are only far enough apart that a wary
student can barely navigate between them in single file. Standing at the foot of the steps up to the Graduate Library,
smiling faces hand out fliers with maps to those who are brave enough to navigate the gathering.
There are tables for clubs, sports teams, fraternities, sororities, journalism apprenticeships, and political activists, all of
them with enthusiasts waving pamphlets. I took literature from the rowing team, the Women in Engineering student
group, and the Trotskyists. I listened to a pitch for a sorority house from a girl dripping in pink. I talked to a Rabbi
from Chabad House, the Jewish student group, who tried to convince me to become Orthodox. I didn't, although I
thanked him for the refrigerator magnet.
Sitting off to a side was the table for the Wolverine Gaming Club. There wasn't anything on the table except a few
stacks of colored paper. A bored looking girl handed me a pair of fliers.
"What are these?" I asked.
She mumbled a brief and largely memorized run down of the great Michigan Terminal System (MTS), the mighty
mainframe which fostered computing communities all over the state, and harbored the hallowed lands of the Student
Conferencing Project. She included in an offhand way how to score an account and log onto the system.
Three days and a trip to the Education building later, I had an account in my hot little hands. That night, over my 2400
baud modem, I followed the directions I had received from the girl at the table. At the prompt, I typed the words
which would gain me access to the confer-u system:
source game:guild
For the first time, I saw the banner of the Game Guild BBS that was the core of the local gaming community. It asked
me my name. I told it. No one ever told me that girls weren't supposed to be gamers.
Years later, I would be the one handing out the fliers at Festifall.
Welcome to Gaming
When I joined the University of Michigan gaming guild for the first time in September of 1991, there was already a
rolling debate in progress about getting women in gaming, and it was rapidly on its way to becoming a full bore flame
war. The argument had started civilly some weeks before school had started, but as people returned from summertime,
it had picked up speed. There were hundreds of posts. I jumped right into the fray, believing that I, in a naive sense of
nobility and justice, had the answer to that very question. After all, was I not the whole of the local female population?
Did I not know exactly what every woman in gaming wanted?
What a difference eight years makes.
What is the answer? What do women want, and how do you get them into gaming? Years have passed, and there has
been plenty of time to think up a good answer. There have been dozens of arguments and flame wars on the subject
across all facets of the net, but the truth turns out to be pretty simple. Women want to get the exact same things men
want to get out of gaming: a few hours of fun, a good villain to trounce, a cheap pizza that congeals in under a half an
hour, a few watery beers, and good time spent with friends.
How do you get women to game in the first place? How does one get their girlfriend/spouse/platonic friend into this
hobby? That's the hot question, the core of discussion across a myriad bulletin boards and mailing lists. That has been
asked over and over again for years, ever since the first roleplaying game came out. How do you get women to
participate in the game?
First and foremost, there has to be some level of basic interest. If the prospective woman player is the sort of person to
sit around on her weekends crocheting afghans and discussing recipes, then the indoctrination is unlikely, no matter
how much the indoctrinating parties may try to put over the brainwashing mojo. This is not a hard and fast guideline;
there are many female gamers who happen to both crochet and discuss recipes -- sometimes at the gaming sessions
proper. This is a "use your judgment" bit -- a good query might work just as well. But if there is interest, then the
indoctrination can begin!
Gather your female friends together and introduce them to the game. One reliable way to introduce a new female
gamer is to de-emphasize the gaming aspects and play up the improvisational theater. Outside of the rules at its core,
roleplaying is a method to express interactive imagination, and improvisational theater is the medium for that
expression. The medium is the conduit for the storytelling. (Several games, in fact, do this -- including the now defunct
Theatrix, Amber Diceless Role Playing, and the excellently written Everway.)
Emotional involvement in the story is key, and bringing the woman gamer into the story is an important step to
fostering a new addiction. Female players want story. They want involvement. They want real characters in real
situations. Skip the part where the players have to tote the pile of useless gold treasure out of yet another dungeon in
sacks of dubious depth, and go right for the part where she's saving the townspeople from the serial killing demon lord.
She will return. Guaranteed. Besides, then she doesn't have to figure out how she got those 4,000 gold pieces out of the
(now) dead demon lord's chamber in a backpack.
Forget the rules. Yes, you love them. Yes, you have them all memorized. Yes, you can recite the rules to all three
editions of the game. But they're not going to do you the slightest bit of good in this situation. Faced with piles of rule
books, strange plastic dice-like objects, half finished adventures, and arcane terminology, anyone in their right mind
would turn tail and run for the hills. Who understands the intricacies of any new endeavor the first time they sit down
to play? If the game is fun and easy, the rules and the dice will come in time. It's all about the story line! See step one.
The next step is just as crucial as the previous ones. It's difficult to get into any hobby without knowing a few
interested people to start in the right direction. The community of gamers is the heart of gaming. There can be no game
without a gaming group. The group may be vaguely unwashed and rather dubious in general, but the game needs
gamers, and gamers are a rather clingy, yet friendly, lot. ( I, myself, finally jumped in when there was an online
community of people to join, discuss the game, and interact with on a daily basis.)
The group is more than just people who get together and utter arcane terms like "to-hit numbers" and "percentile dice."
Women want to be a part of a group, and providing that group is part of the successful formula. They want friends
who enjoy spending time exploring new worlds together -- gritty urban fantasy, science fiction, high fantasy, horror.
Introducing the new female player to a friendly group of people with similar addictions is a good, solid method to
laying groundwork for a fun new hobby. Furthermore, it often starts several solid friendships which extend outside the
game and into other fine time wasters as watching anime and hanging out.
When all else fails, try board games. Or more beer. Or pay for the pizza -- that occasionally works.
But . . . but . . . but gaming is nerdy!
Once the curtain is pushed away and the game is revealed to be another way to spend time with one's friends, enjoying
the camaraderie of exploration and investigation, and becoming emotionally invested in the story line, coming to the
game becomes significantly more appealing. Okay, sure, it has a stigma of being nerdy, but put a baby-killing monster
in front of a group of female players, and it will be amazing how much they beg to play the next session. Play up the
emotions.
What do women want out of gaming? What women want out of gaming is the story. Give them the story, and you can
get them into the game.
Women want to become creative for a few free hours. They want to get into different mind sets, explore solutions to
strange problems, and be confronted with new and unusual situations in outlandish places. They want to be in other
places, other times, and involved with other people. Sometimes, women want to fight the dragon at the end of the
tunnel and win. Sometimes, women want to die dramatically at the climax of the story. Every once in a while, women
want to whip out their big, spiffy powers and use them to spank the bad guys.
And when the gaming is over for the night, it helps to go out afterwards.
Today . . .
Somehow, logging into Game Guild lead me from the introverted freshman I once was into an extrovert obsessed with
the Knights Templar. I've never been entirely sure how I reached that point, but I assumed that gaming was somehow
involved.
MTS has long been shut down to anyone except the kind of archivists that are depicted on the front of Spammers
cards, and Game:Guild has been forced to migrate first to a UNIX platform and then finally disperse to the four winds.
The online community that once was is no longer, but eight years is a long time for anything to exist on the net.
Instead, the community continues to exist where it can in a tangled web of friendships almost a decade long. One thing
was sure: the gaming community it fostered brought dozens of gamers, including opening the door for many women in
gaming -- most of whom actively game to this day. The door the community opened offered a hobby that many people
still actively enjoy.
It's true that it is a challenge to get women into gaming. That is no myth. But once they have their formal
introductions, are handed their character with a good background and shown into a world where their actions mean life
or death, many are hooked, if not for the campaign, then for a lifetime. And a little free food doesn't hurt.
Next Time . . .
Now that you have women who want to roleplay, what do you do with them? Which games are the absolute best to
play and which are the absolute worst? I'll examine which games -- and why! -- are the best to introduce to your new
pack of slavering gaming addicts, and which should be best left on your bookshelf.
Roleplaying Relaxes Sailors
by James R. Stilipec
Photos by Christian Eskelund and the crew of the U.S.S. Carl Vinson
Roleplaying Relaxes Sailors [Editor's Note: This article originally appeared in The Eagle, the
shipboard newspaper of the U.S.S. Carl Vinson.]
Sailors have many different ways of dealing with the stress that comes
from deployment. Some work out, others write home. A few spend
their free time far away from the ship, in another world.
Role-playing is a game that lets people pretend to be a different

person in a different place and time. It can be likened to
improvisation or acting without a script while still being directed.
"There are a lot of misconceptions about role-playing," said

Intelligence Specialist Seaman Jeffrey Parrish, "But those of us who
play think it's a very intellectual game. You must be imaginative
because most of it takes place in your mind."
Parrish started role-playing with his older brother as a teenager and has now been playing for nearly 12 years. "I like
the escape it offers. I can stop thinking about the real world for a few hours and relax," said the Florida native.
"There are two main facets to role-playing," explained Electronics Technician 2nd Class Craig Smith. "First, the
players get to make up a character and control him or her through an adventure. The Game Master (GM), or referee,
controls all the other aspects of the game; The story, setting and the characters the players meet."
"The GM is the overlord of a game," said Parrish. "He takes the players through a story, and usually it doesn't go along
exactly as he expected. Thinking on your feet is an important skill whether you're a player or a GM."
Players make up characters with specific statistics and abilities. Six types of dice are used to determine a character's
success at a given skill.
There are many systems and settings that you can play in. Familiar
games like Advanced Dungeons & Dragons put the characters into a
medieval setting with knights and wizards.
Then there are more free-form game like the Generic Universal Role-
Playing System (GURPS). This game lets players create any type of
character in any type of setting. It allows you to play space pirates,
Chinese warlords or modern-day investigators.
Roleplaying Relaxes Sailors
Fire Controlman 3rd Class Fredrick Lopez started role-playing after

he came to Carl Vinson. "I was going to check my e-mail when I saw
a few guys playing. I asked about the game and if they wouldn't mind
me playing."
Lopez said the game can seem overwhelming at first with its many
books, rules and charts, but that shouldn't deter anyone from playing. "It took some time, but eventually I got the
basics down. I've been playing now for six months, and the game is relaxing," said Lopez.
Parrish explained that role-playing isn't just about rolling dice and fighting monsters. "The games often have puzzles
and riddles in them. It's about being able to immerse yourself into a different world and fit the role of your character,"
said Parrish.
"I get a sense of accomplishment from the game," said Smith, an 18-year role-playing veteran. "It exercises the mind
and pushes the limits of your imagination. When you complete an adventure with your friends you get a good feeling
from working together and completing the adventure."
"I like role-playing because it's a great way to wind down after a long day," said Lopez, who works on the Phalanx
Close-In Weapon System. "We play maybe twice a week or whenever enough of us can get together."
There are several role-playing groups on the ship. "If you're curious about the game, feel free to get with someone and
sit in on a session. Games usually last for two or three hours," said Parrish.
"Many people don't understand role-playing," said Smith, "And what we don't understand we tend to put down or
belittle. I think once they see what it's all about, they'll see it's just a game."
In Nomine GM's Guide Designer's Notes
by David Edelstein
Art by Ken Waters and Philip J. Reed, Jr.
In Nomine GM's Guide Designer's Notes It seems that a Game Master's Guide is obligatory for every game
line nowadays, so now In Nomine can boast one of its own. And I
can boast that I wrote it.
Given that there are so many GM's guides out there, though, it would
be a little presumptuous of me to claim I can tell other GMs how to
run a game, and do a better job of covering such topics as narration,
plotting, pacing, atmosphere, and the like, than writers who've taken a
crack at it in the past. Honestly, I didn't even try. In Nomine is
cinematic in feel, and almost comic book-like in appearance, but it's
not a lightweight game. It raises serious questions (for those inclined
to pursue them) about the nature of God and man, and the distinctions
between Good and Evil and Selfishness and Selflessness. And for that
reason, I've noticed that In Nomine's hardcore fan base tends to be
very well-read and philosophical . . . and generally veteran gamers.
Having been a gamer for nearly 20 years now, I tend to skip past the
sections on "How to Deal with Problem Players" in most GM's
guides, and look for the stuff specific to the game for which I bought
the book. I want "toolkits" that give me stuff I can use or not as I see
fit. I want a lot of resources and plot hooks that I can just drop into
my game, and I want to get a glimpse at how the game designers see
their universe; not necessarily to emulate them, but to know what
adjustments I'll need to make if I want to make my version of their
universe a little different.
Speaking of adjustments, here is the Campaign Checklist which took up too much space to be included in the book.
While useful (especially to someone who isn't an experienced, improvisational GM), it was cut because it's basically
just a summary of topics that are covered in more detail in the book. By perusing this list, you can see what sorts of
things the GMG describes for In Nomine world-builders.
Setting Up the Campaign

A campaign doesn't have to be mapped out in elaborate detail before it begins — you can run a pick-up game of In
Nomine with just the basic rulebook. However, when you start thinking about all the details discussed in this chapter,
you will probably want to do some planning. What follows is a guide that will take you step by step through all the
decisions you'll want to make when setting up your campaign. Remember that many of these decisions are optional,
and some can be left until well after the campaign is underway.
I: Establish a Mood (pp. 35-36)
Decide on the overall mood for your campaign. Remember these are not rigid definitions from which your campaign
cannot deviate!
Brightness
Contrast
Humor
II: Choose a Setting (p. 37-41)
Where is your campaign set? If it's not the modern world, describe it. Otherwise, is it a localized campaign or a global
campaign?
Characters (pp. 37-38)
Make decisions (and lists) addressing the following:
Important Word-bound characters

Other important NPCs (immediate supervisors for the PCs, important humans, ethereals, etc.)
Is there an unusual relationship between any influential NPCs?
Tethers (p. 40)
In a local campaign, what Tethers exist, and who owns them?

On a global scale, how common are Tethers? (Average of 1 per __________ humans/Approximately _____
worldwide, or an average of _____ per Superior)
List some of the important (worldwide) Tethers in your campaign.
III: Choose a Theme (pp. 41-43)
Decide on what kind of campaign premises you want, and what style of play.
Mythic
Realistic
High Concept (Quest, Crusade, Premise, etc.)
Canon
How closely do you intend to stick to canon? (p. 59)

Are you playing a variant campaign? Describe how it differs from a standard In Nomine setting.
List any rule changes
IV: Superiors (pp. 43-45)
What role will Superiors play in your campaign?
Politics (pp. 43)
High Politicking
Low Politicking
No Politicking
Influence
Which Superiors are most important? Who will you focus on in the campaign?
Describe any changes from published descriptions, and/or Superiors you are adding or removing.
V: Celestials on Earth (pp. 46-48)
How do celestials interact with the corporeal world?
Frequency (p. 46)
How common are celestials on Earth?
The celestial/human ration is about 1/_____; There are about _____ celestials on Earth.
Intervention (p. 47)
Open Intervention
High Intervention
Moderate Intervention
Low Intervention
Non-Intervention
Mundane Matters (p. 48)
Are Roles required? What happens if you don't have one?

What kind of ID can a celestial have without a Role?
What possessions are celestials allowed? How hard is it to acquire new stuff?
Is money a consideration? Do celestials have an allowance?
VI: Humans (pp. 49-54)
What role do humans play in the campaign?
Exceptional Humans (p. 49)
How can a human gain a 6th Force? What percentage of humans have more than 5 Forces? What percentage of
humans are Symphonically aware?
How many Soldiers are active in the campaign? Which Superiors have Soldiers in the area? Are there any
Soldier organizations?
Describe other exceptional humans (pagan and rogue Soldiers, sorcerers, Saints, undead, etc.) who will figure
into the campaign.
Human Agencies (pp. 49-54)
Consider the competence and participation (see below) of any major human agencies. Remember that some agencies
are too large to be classified as a single group; describe those organizations that will play a part in your campaign.
The Government Competence (p. 50) Participation (p. 50)
The Law
The Military Inept Unaware
Intelligence Agencies Average Misled
Business Competent Informed
The Media
Academia
Religion
Organized Crime
VII: Canon Doubt and Uncertainty (pp. 59-61)
These questions don't have to be answered in your campaign, in the beginning or ever. The items below are just a few
of the metaphysical topics you might want to think about.
God's nature
Religion and Messiahs
The afterlife
The Higher Heavens and the Lower Hells
VIII: Creating Characters
Now, decide what information needs to be given to your players. Then let them create characters. (First check out
Chapter 1, Characters, p. 5-20.)
Player Character Types
Are all PCs celestials?

Are human PCs possible?
Other PC types (ethereals, Remnants, etc.)?
Allocating Resources
Any changes from the basic In Nomine rules?
How many Forces are allotted to starting PCs?

How many points to buy Resources?
Any free skills, special bonuses, or other rules?
Party Composition
Are there any special considerations you need to take into account? Such as:
Rival Superiors (p. 55)

Mixed groups (angels & demons) (p. 56)
Mixed humans and celestials (p. 58)
I wrote the In Nomine GMG with that attitude -- I assumed that most In
Nomine GMs are fairly experienced, and don't need lessons in basic GMing.
They want to know more about the In Nomine universe, and how to fit it all
together to make a campaign that captures the mood and style they're looking
for. This doesn't mean the GMG won't be useful for novice GM's; I certainly
hope it will be! But I didn't devote a lot of pages to the craft of GMing itself.
I dove right into both the nuts and bolts and the atmosphere and philosophy
of the In Nomine universe.
This book has required more research than anything else I've written for In
Nomine, since I devoted an entire chapter to religion. In Nomine is a game
about angels and demons, after all; shouldn't we say something about the
billions of people on Earth who actually believe in such beings? First of all, I
wanted to give a summation of various religions for those who might not be
knowledgeable about such things. It's my hope that even if you have no use
for religion yourself (I'm an atheist personally), you'll see that real-world religions are far more interesting, complex,
and full of plot hooks and fascinating characters that any fiction. Secondly, I wanted to tie real religions into In
Nomine's history; Archangels and Demon Princes had to be interested in how humanity worships. But while religion
is rich territory for In Nomine, I had to be careful of the twin traps of making celestials too influential (lest too many
major developments in human history turn out to be the manipulations of supernatural beings, thus making mortals
superfluous as in a certain other game line), or worse, writing something inaccurate. These are real religions, after all.
While I don't mind if someone gets offended by satirical implications (indeed, the most amusing playtest complaints
came from pagans, who wanted their beliefs treated with special reverence, even though the beliefs of monotheists
have been run through a blender in In Nomine), I don't want anyone accusing me of being ignorant!
Here are the fruits of some of my research which also couldn't be included in the book . . . not because we feared that
someone might be offended, but because such interesting personalities deserve more space than a one-line blurb to
cover their In Nomine significance. Hopefully I'll get a chance to go into more detail in a future book . . .
Jews in the War
Abraham (c. 1900 B.C.) -- the original Hebrew Patriarch. Descended from Noah, through Shem and Eber (after
whom the Hebrews are named).
Moses (c. 1300 B.C.) -- A prince of Egypt and a prophet of God, who led the Israelites for 40 years in the desert,
gave them the Ten Commandments, and brought them to the promised land.
Deborah (c. 1200 B.C.) -- A prophetess, one of the first Hebrew judges, a military leader, and a Soldier of God.
King David (c. 1000 B.C.) -- Second King of Israel, Soldier of Stone, slayer of many diabolical servants.
King Solomon (c. 960 B.C.) -- David's son, one of the most powerful sorcerers ever (and one of the few known
"white" sorcerers), and builder of the First Temple.
Elijah, Ezekiel, Isaiah, and Jeremiah (8th to 5th centuries B.C.) -- The greatest of a slew of Hebrew prophets
who received revelations directly from God. Some of them were active Soldiers as well.
Judah Löw ben Bezulel (16th century A.D.) -- Also known as the "Maharal of Prague"; a rabbi and enchanter
who was the first mortal in modern times to learn how to make golems (see Constructs, Corporeal Player's
Guide, p. 49).
Shabbetai Tzevi (1626-1676 A.D.) -- A charismatic student of the Kabbalah who was deluded by Servitors of
Dark Humor into believing he was the Messiah (one of many "false Messiahs" in Jewish history). He amassed a
large following, but in 1666, captured by Turkish authorities, he converted to Islam. Kobal got even more laughs
out of Tzevi's followers, as Shabbetaianism continued for over a century. They became willful apostates,
engaging in nihilism and orgies, rationalizing that "sacred sins" were in fact the best way to honor the Torah.
Shabbetai Tzevi was one of the greatest embarrassments to Judaism in history.
Israel ben Eliezer (c. 1700-1760 A.D.) -- A devout Jewish mystic who taught religion and Kabbalism to the
common people, and founded the Hasidic sect. He impressed Eli enough to make him a Soldier of God;
thereafter he was known as the Ba'al Shem Tov ("Master of the Good Name"), as he supposedly knew the
ineffable true name of God (p. 66). Whether Eli actually taught him that name is unknown, but it's rumored that
the Ba'al Shem Tov is still an active Saint of Creation.
Christians in the War
Jesus Christ (c. 6 B.C. to 30 A.D.) -- Prophet, Soldier, Saint, or celestial? Or bonafide Son of God? To this day,
even the Archangels don't know for sure.
Saul of Tarsus (10 A.D. to 67 A.D.) -- Better-known as Paul the Apostle. A Jewish Soldier of Judgment who
converted to Christianity after having formerly been an enemy of the sect. He wrote many letters which became
books of the New Testament, and was one of the most influential figures in the early Church.
St. John of Patmos (1st century A.D.) -- Also known as John the Apostle, or Saint John the Divine; he was one
of Jesus' companions, and wrote one of the Gospels. He was also a prophet who received the Book of
Revelation. His skull has become a sacred relic (Liber Reliquarum, p. 90).
Montanus (c. 170 A.D.) -- A former pagan Soldier who was turned into a false prophet by Lucifer. Convinced
that he was a divine avatar, he preached bloody martyrdom and apocalyptic battle with the forces of evil.
Montanism lingered in Asia Minor and North Africa until the 9th century.
Pope Joan (9th century A.D.) -- The medieval tale of a woman who was elected Pope in 855, reigned for 25
months, and then was exposed (and stoned to death) after giving birth during a Papal procession, was considered
factual even by the Church for centuries, until it was disproven . . . incorrectly. Pope Joan did exist -- she was a
Soldier of Dark Humor. (And she was set up by Kobal, and did get stoned to death.) Kobal's Servitors thereafter
kept the legend alive, while creating inconsistencies that later led to the story's being discredited.
St. Francis of Assisi (1182 A.D. to 1226 A.D.) -- One of the Roman Catholic Church's most venerated Saints,
founder of the Franciscan order, and a Soldier of War while alive. Since his death, he has served as a Saint for
centuries, under many different Archangels (but most commonly Michael, Jordi, and Zadkiel).
Martin Luther (16th century A.D.) -- Though he was "nudged" by Laurence, he was not actively aware of the
War. Heaven regards him with mixed feelings; he sparked the Protestant Reformation, which is considered good
by some and terrible by others. Luther was also a vicious anti-Semite. He didn't arrive in Heaven or Hell after
his death, so many believe he met his destiny and his fate.
Muslims in the War
Muhammad (c. 571 A.D. to 632 A.D.) -- Heaven still does not know whether he was a true prophet or merely
Gabriel's mouthpiece. Like Jesus, he didn't show up in the Lower Heavens after his death, and he has the same
aura of ineffability believed to have been placed by Yves.
Muhammad al-Mahdi al-Hujjah (9th century A.D.) -- Also known as Muhammad Al-Muntazar. The 12th Imam
of the Shiite sect (p. 75), who disappeared in 878 A.D. Most Shiites call him the "Hidden Imam," believing that
God concealed him until the day when he will return and bring truth and justice to the world.
Abd al-Qadir al-Jilani (1077 A.D. to 1166 A.D.) -- The founder of a major branch of Sufiism (p. 76), and the
most revered of Sufi saints. In fact, he is a Saint, working among the Muslim community under the guidance of
Archangel Khalid to this day.
Salah al-Din Yusef ibn-Ayyub (1138 A.D. to 1193 A.D.) -- Better-known as "Saladin," the great Muslim sultan
and military hero who recaptured Jerusalem and balked the Third Crusade. He was so virtuous and resolute in
his faith, both Laurence and Khalid wanted him in their service . . . consequently, the rival Archangels had to
agree that neither would recruit him, but both appointed Servitors to guard him.
Nasir al-Din al-Tusi (1201 A.D. to 1274 A.D.) -- A Persian Shiite philosopher and mathematician, and a Soldier
of the Game. Pretending to be an Isma'ili (p. 75), he took up residence in the Assassins' mountain fortress; by
betraying its defenses, he was instrumental in the destruction of the Assassins by the Mongols. Asmodeus
ordered this so that a group of Renegades hiding within could be extirpated, and because the Assassins had
killed several of his agents. Tusi now holds a relatively comfortable position in Hades as a historian and scribe.
So, what else is in the Game Master's Guide besides building blocks for your campaign, and a history of religions in
the In Nomine universe? How about complete guidelines for roleplaying Superiors? (And how do they reward and
punish player characters?) Want to add new Archangels or Demon Princes, or shake up the existing hierarchy? What
can Superiors do, and what are the limits (if any) on Lucifer's power? What happens if a Demon Prince takes on an
Archangel in battle? And where does GOD fit into the game?
You'll also find practical advice for managing character development, especially things that Superiors hand out, like
vessels and additional Forces. There is an entire chapter on the Word-bound, and how Words grow or shrink. You'll
also find loads of optional rules, both for variant campaigns and for streamlining game mechanics.
Here's one more item that was cut from the book; a Random Discord table. It's not necessary for experienced GMs, but
it does handily list all of the new Discords that have been introduced in supplements following the main rulebook.
Random Discord
The Random Discord table in In Nomine, p. 89, includes only the Discords found in the basic rulebook. Several other
sourcebooks, notably the Corporeal Player's Guide, the Angelic Player's Guide, and the Infernal Player's Guide,
provide new Discords, including some that are particular to specific Choirs and Bands. If you have access to these
books, the table below provides more variety when rolling Discords randomly.
Note that some Discords, such as Geas (In Nomine, p. 88), Selfless (Infernal Player's Guide, p. 105), and various
Discords particular to Seneschals (Liber Castellorum, pp. 26-27) are not included here, because these Discords do not
normally manifest at random.
Corporeal and Ethereal Discord
Roll 2 dice on one of the tables below (choose one, or roll 1 die: 1-2 = A, 3-4 = B, 5-6 = C)
Table A Table B Table C
2 . . . . Pallid 2 . . . . Discolored 2 . . . . Stink

3 . . . . Obese 3 . . . . Covetous 3 . . . . Pity
4 . . . . Stigmata 4 . . . . Twitchy 4 . . . . Addicted
5 . . . . Vestigium 5 . . . . Nocturnal 5 . . . . Diurnal
6 . . . . Aura 6 . . . . Hatred 6 . . . . Ugly
7 . . . . Choose a Corporeal or Ethereal 7 . . . . Choose a Corporeal or Ethereal 7 . . . . Choose a Corporeal or Ethereal
Discord from the Choir- and Band- Discord from the Choir- and Band- Discord from the Choir- and Band-
specific Discord list (below) specific Discord list (below) specific Discord list (below)
8 . . . . Berserk 8 . . . . Guilt 8 . . . . Jaded
9 . . . . Bound 9 . . . . Tongue-Tied 9 . . . . Obsessed
10 . . . . Fear 10 . . . . Cowardly 10 . . . . Paranoia
11 . . . . Vulnerable (chosen by the 11 . . . . Crippled 11 . . . . Damaged Sense
GM) 12 . . . . Roll on the Celestial Discord 12 . . . . Roll on the Celestial Discord
12 . . . . Roll on the Celestial Discord table table
table
Celestial Discord
Roll 2 dice
2 . . . . Angels may try again on the Corporeal and Ethereal Discord tables; demons must roll again on this table and
add 1 to the level of the Discord!
3 . . . . Celestial Blindness, Deafness, or Muteness (choose, or roll randomly)
4 . . . Gluttonous
5 . . . . Greedy
6 . . . . Lustful
7 . . . . Choose a Celestial Discord from the Choir- and Band-specific Discord list (below)
8 . . . . Merciful
9 . . . . Murderous
10 . . . . Need (chosen by the player, with GM approval)
11 . . . . Slothful
12 . . . . Demons may try again on the Corporeal and Ethereal Discord tables; angels must roll again on this table and
add 1 to the level of the Discord!
Choir- and Band-Specific Discord
Seraphim Balseraphs
Painful Lies (Corporeal) Forked Tongue (Corporeal)
Truthfulness (Ethereal)* Truthfulness (Ethereal)*
Forked Tongue (Celestial)* Burning Lies (Celestial)
Cherubim Djinn
Life-Linked Attunement (Corporeal) Apathy (Ethereal)*
Ritualized Responsibilities (Ethereal)* Obsessive-Compulsive (Ethereal)*
Trenchant Bond (Ethereal) Distracting Attunements (Celestial)
Overzealous (Celestial)*
Ofanim Calabim
Combustible (Corporeal) Pain (Corporeal)
Claustrophobia (Ethereal) Aura of Entropy (Celestial)
Hyperactive (Celestial) Indiscriminate (Celestial)
Elohim Habbalah
Emotional Static (Ethereal) Mutilation (Corporeal)
Oversensitive (Ethereal) Pity (Ethereal)
Empathy (Celestial) Unshielded (Celestial)
Malakim Lilim
Burning Touch (Corporeal) Chained Geases (Corporeal)
Evil Warning (Ethereal) Generous (Ethereal)
Binding Oath (Celestial) Deteriorating Geases (Celestial)
Kyriotates Shedim
Contrariness (Ethereal) Oozing (Corporeal)
Inner Echoes (Ethereal) Cold-Blooded* (Ethereal)
Fractured Forces (Celestial) Driven (Celestial)
Inseparable Forces (Celestial)
Mercurians Impudites
Unnerving Stare (Corporeal)* Reduced Essence Capacity (Corporeal)
Oblivious (Celestial)* Infatuation (Ethereal)
Tainted Essence (Celestial)
* These Discords are most common among the indicated Choir/Band, but may sometimes manifest in others (but
usually not randomly).
Jack Frost: Part Two of Two
A Delta Green Adventure by Shane Ivey

Art by andi jones
Published by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is ™ and © the Delta Green
Partnership, who has licensed its use here.
Introduction
"Jack Frost" is a two-part scenario for Call of Cthulhu and Delta Green, in which the investigators are sent
undercover to a Majestic operation into things it is not equipped to handle. Part One was published in Pyramid last
week. This section picks up immediately where Part One left off, following the first night of the investigation. Part
Two cannot be played separately. Characters and maps which are used throughout the scenario have been reprinted in
both parts.
Aftermath: Isolation
After the first night's trouble, orders will come down from above (from Alphonse Lewis, at the FEMA command post)
to quarantine the region: nobody goes in, nothing comes out. Soldiers in thick, warm camoflauge will be posted every
50 yards around the perimeter, supported by thermal imagers and sound-based motion sensors, with orders to shoot to
kill anything that tries to escape. This will include the players or any other NPCs who attempt to test or escape the
quarantine. Requests for additional rations or testing equipment will be filled by parachute within 2D6 hours. Requests
for armaments or ammunition of any kind will be recorded and ignored.
The Second Ghostly Dream

Sometime after the first night, whenever a psychically-sensitive character meditates or sleeps deeply, the "ghosts" will
visit again. See Handout #13. Sanity loss for the second dream is 1/1D4. Unfortunately, in being drawn into contact
with the ghosts the character is also more sensitive to the presence and urges of the Wendigo. After the second dream,
the dreamer awakens in the throes of adrenaline reaction, the "fight or flight" reflex of a physical threat, but he or she
knows only the hunger of the windigo, the need for the flesh of the dead. Call for a POW x 5% roll for the player to
resist the urge to rush to the meat locker to feed, but describe the scene to the player only as the character is coming to
his or her senses: either outdoors, running toward the locker, or inside while feeding on the dead. SAN loss for the
latter case is 1D4/1D10.
Researching the Ghostly Dreams
Jack Frost: Part Two of Two
The colorful mist and stars fit no known myths, but the image has
a superficial resemblance to the Aurora Borealis of sub-Arctic
skies. It is identical with the effects surrounding Ithaqua's
appearances in the nights of this scenario, if a witness can
compare them.
Research into the images will reveal a few hints to the history of
the area and the recent phenomena, but other clues will seem
contradictory. See Handout #14. Investigators can learn this
information by contacting researchers in libraries outside Willis;
or with a combination of Persuade, Computer Use, and Library
Use rolls for investigators using various Internet sources and
telephone contacts to conduct the research, with certain excerpts
sent by e-mail or fax if possible. Further research may offer useful
clues about Yig and Ithaqua (Handout #15), but no works are
found in "mundane" channels or even popular occultism which
detail the means by which these gods can be placated.
Unfortunately for the investigators, Ithaqua is among the more

poorly-documented of the Great Old Ones. The only work with
any accurate details of its worship, which may be referenced in
the most erudite of other (more accessible) works as a lost source of rich details about the windigo cults of Native
Americans, is the annotated Thaumaturgical Prodigies in the New English Canaan. For investigators with the right
connections, however, it might be accessible. A bound photocopy of the book is held by Delta Green-friendly Dr.
Jensen Wu in the "D" Stacks of the American Museum of Natural History (see Delta Green: Countdown). Given time,
adventurous investigators might talk Dr. Wu into granting them access to the "D" stacks and helping them decipher
and master the ritual to Dismiss Ithaqua (called "Ithaka" in the book); but the nights of Ithaqua's rising in Willis may
come far too quickly if the players are over-cautious. The only other source is the man that Wu obtained it from: the
original is held by Stephen Alzis in New York City (see Delta Green Eyes Only Volume Two: The Fate).
The Keeper should roleplay this research in some detail, especially playing up the investigators' risk of discovery by
the omnipresent men in black of NRO-Delta. A secondary team active outside Willis will be ideal for this work, if one
is available. Otherwise, the researchers' best course of action may be to win Harris' approval for a series of other
contacts with the outside world, and then to work in their private research while other investigators distract the NRO-
Delta chaperones.
As described in the Keeper's introduction, all contacts with the outside world will be monitored by Majestic agents,
unless the players manage clandestine transmissions. Harris and Farrel both will question occult lines of inquiry, but
the players might satisfy them by relating the research to the "official" theories of the incident; they might claim that
the Indian legends relate to evidence of ancient alien astronauts who had contact with humans in the area, for instance.
A Persuade roll will probably be required.
Examining the Lake

The most immediately striking feature of Crow Lake is the presence of the Crow Lake Mounds, just off-shore. These
five mounds are arranged in a pentagram, each of them about 12 feet tall and 30 feet in diameter, covered in the same
thick, rough grass as the rest of the ground nearby. While they initially resemble the much larger mounds found in
some ancient Native American habitations, they were in fact built in the 20th century, by Hiram Bates, grandfather of
the ill-fated Howie Parker. Bates felt the touch of the "spirits" of the Shrine, though he could never make sense of their
message. He suffered dreams almost identical to those experienced by the players (see above), and eventually he
became fixated on the notion that by building a mound like that seen in his dreams, he would somehow placate the
ghosts or spirits that haunted him. When the dreams did not cease after he built the first mound, he went to work on
the next one. When five mounds were built, he lost all hope; the players might run across the brief news report of his
suicide. The mounds are now merely a curiosity. However, investigators using archeological sonogram equipment will
find them to be not quite empty. At the foundations of each mound, Bates buried a twisted clump of copper wire, his
deranged impression of the hidden shrine which he never saw.
The Majestic team will not take immediate interest in Crow Lake. Aerial surveys will immediately note the pentagonal
arrangement of the mounds, indicating intelligent construction, but they are not interested in archaeology. They will be
busy taking broad surveys of the area and examining the corpses (and trying to explain any cannibalistic frenzies that
erupt in the autopsies), until some cue leads them to look more closely. Inordinate interest in the Lake by the player-
characters will be one such cue; another should come on the second day of the scenario, when Dr. Bimmel reaches
certain conclusions about radiation and quantum energy levels in the region. (See Handout #16.)
When they do approach the Lake, Farrell will check the mounds first. He doubts that they are involved, since they are
decades old and he is after a recent event, but his men are thorough. They will find the copper wire in each mound, dig
it up, and promptly file it away as "probably trivial." Sonar of the Lake, however, conducted by boat, will be far more
interesting. The Lake is surprisingly deep, nearly 70 feet in some places, except for one obvious, anomolous, feature:
near the shore, close to the five mounds, the lake floor rises steeply to a wide hill, some 50 feet tall and 200 feet
across. The water is only 20 feet deep over the hill; and, buried less than ten feet from its top, is a large, twisted
conglomeration of metal and crystal. Farrell's men will suit up and dive for it, but they will be wary enough not to
touch it themselves. First they will photograph it, using normal and infrared, and they will take sonar readings and
gauge radiation in every known spectrum: Dr. Bimmel will guardedly conclude that the artifact could have some
relation to the anomaly, but he cannot be certain that it is its cause: the artifact shares some signature electromagnetic
and radio emanations with the anomaly as a whole, but it may be that the artifact is somehow resonating to the
energies generated by the anomaly. It will take many painstaking tests to reach any useful conclusions. The first day
after the shrine is found, they will leave it untouched in the lake. After the events of that night (see "Ithaqua Rises: The
Second Night," below), the team may be too preoccupied to examine it further; but if they do so, they will carefully
attach hooks and haul the thing to the surface for a closer examination.
Investigators hoping to dive for the shrine without alerting Farrell or Harris will have their work cut out for them. First
they will need to obtain the proper diving equipment, since the icy water will rapidly kill any unequipped diver; they
could obtain the gear from Farrell's men if an explanation is concocted, but Farrell will almost certainly send at least a
couple of his own troops to assist. If they manage to get the equipment, the players will need to divert Harris' NRO-
Delta agents. Finally, they will need to decide what to do with the shrine itself, whether to leave it in place or to
somehow haul it to the surface -- and they will have to decide what to do with it, then. Their best bet may be to worm
their way into the examinations of Bimmel and Farrell, or to sneak access to Bimmel's notes: and Bimmel's notes will
be very difficult to access. His computers are of a sort seen nowhere outside Majestic research stations, using unique
hardware and software which are malignantly incompatible to any other systems, causing catastrophic failure and data-
erasing magnetic spikes when exported. Bimmel's own computer registers his fingerprints and retinal pattern in lieu of
a password; all the Computer Use skill in the world won't help the players if Bimmel is not there to open his files.
The Shrine
The strange conjunction of metals and crystalline shapes is the ancient shrine built by the sorcerers of K'n-Yan to
placate and ward away the Wind-Walker. Gold and electrum are wrapped among another metal, unrecognizable to
modern geologists; it has properties similar to radium, decaying as if it were a radioactive emitter with an
extraordinarily long half-life, but it does not appear to have toxic effects. The metals are twisted and fashioned with
great precision, delicate yet unpleasant, around contorted crystalline shapes of no known mineral. They react to light
and energy similarly to structures of biological origin, such as fossilized amber, but they exhibit no properties to
indicate excretion by any known organism. The shrine depicts no specific shape or symbol, though there is no question
that it was fashioned with some unknown meaning; ominously, its shape is most suggestive of a dentist's chair.
Archaeology roll or external research will reveal that the shrine is similar to a very few other artifacts found in North
America and not positively identified; some scholars theorize that they were produced by a single, wide-spread proto-
Amerind culture of the Neolithic past, while most scoff at such conclusions and say they may fit within other, known
cultures, their similarities mere coincidence. A second Archaeology roll or successful consultation will indicate that the
symbols on the shrine, while unknown among Native American history, seem to indicate some form of warding ritual.
If a character touches the shrine, its reaction will depend on Ithaqua's proximity. During daylight, the character should
make a Luck roll: if the roll succeeds, the shrine does not respond, but the character will experience an odd urge to
remain in the "seat." If the Luck roll fails, or if the character touches the shrine at night, the shrine will suddenly seem
to come alive, its wiry metal filaments snaking up and around cloth and plastic to seize and pierce the character's flesh,
sinking deep into the tissue of extremities and the torso, inflicting 1D6 damage and dragging the victim into a seated
position atop the shrine. The trauma looks and feels worse than it actually is. SAN loss is 1D3/1D8 for the victim,
1/1D6 for witnesses. The shrine seems to go dormant again once the victim is seized, but the victim will experience
vague memories of past victims, dreaming hints of the shrine's origin with the dusky priests of K'n-yan and its use by
the shamans who sacrificed to it across the centuries. There is distinctly room for two more to sit in the deadly thing,
and anyone doing so will experience exactly the same fate.
The victims are stuck. If the shrine is moved from the lake, the character slowly begins to suffer excruciating pain,
losing 1 HP per 100 yards traveled. If anyone attempts to dismantle the shrine, they find its thinnest strands quite
resistant even to powerful laser cutters.
The shrine will use its victim(s) as soon as Ithaqua rises again. See "The Sacrifice," below.
If a character is seized by the shrine underwater, they will find it likewise impossible to escape. The victim's
companions may try to bring replacement oxygen tanks or simply run a long "snorkel" hose from the surface for air; if
they slip and the victim drowns, however, they will find that the shrine won't let go that easily. The shrine itself will
channel energy into the victim's body, pumping oxygen into the bloodstream in constant, minute reactions, enough to
keep the victim alive (though unconscious) until nightfall.
Ithaqua Rises: The Second Night

The howling will wash over the region again on the second night. Maximum SAN loss rules should apply: the most
that should be lost from the howling will be 6 SAN. This time, however, the Wind-Walker comes forth more directly,
to the misfortune of any caught near the shrine. The pastel aurora fades as a massive, impossible figure sways
overhead in the snow-stained black air, silhouetted against the hard and distant stars. A gigantic talon-like claw
clenches. Snow will gather wispily around the air, pushed ahead of the massive splayed feet of the Wind-Walker and
billowing in his endless horrid howl. Helicopters called to fly over the area -- or stealth jets sent by the PURGATORY
command (see below) -- will see his form more clearly in a cloud of ice and snow, his boundless black eyes filled with
stars, his face, inhuman but grotesquely reminiscent of humanity, twisted in savagery and misery, all before a gust of
wind rises like a destructive wall and flings the puny aircraft like toys out of the sky. The howling reaches a terrible
crescendo, deafening, before the wind lifts, rising upward as if from the earth into the sky, drawing leaves and dead
brown pine straws and flakes of ice with it; then, after a moment, with absolute abruptness, one of the witnesses
lurches into the sky in an impossible gust of wind. The victim's screams fade slowly and are gone. Then the giant turns
skyward, too, lifting its talons high, growing into the sky until, distended, it bends its inhuman legs and leaps into the
ether and runs on great webbed feet along the shimmering Auroran light into nothingness. SAN loss is 1D10/1D100 for
this encounter with the Wind-Walker.
The Keeper should decide who the victim will be; it should be the character with the highest POW in the observing
group, or, if the Keeper is generous, simply an NPC. (The Keeper may wish to place a BLUE FLY or NRO-Delta
squad at the scene in any event, to return with a crazed report of the horror.)
After the night passes, dead animals in the region will stagger up to a semblance of life. Still half-frozen, wild-eyed
and crusted with frozen saliva and blood, wild dogs, cats, housepets, deer, and even a black bear will stumble toward
the nearest living things for the warmth of their meat and blood; even herbivores will seek warm blood to drink and
wash in. These Children of the Wendigo can be killed, though with more difficulty than normal; their primary danger
will be surprise and the chance that they will incapacitate or kill one or two of the small team. Note that these creatures
will not appear on thermal imaging night-vision goggles except as vague, dim blurs, but light intensifier scopes will
pick them out like any moving objects at night. (See "Children of the Wendigo," below.)
Aftermath: Jericho/Purgatory
After Ithaqua's howling and the animals rise as bloodthirsty Children of the Wendigo, Harris may be well on the path
to irrationality, and his agents will be little better off. The DIA/NRO-Delta team will forcibly assert authority over the
mission. They will then send the first part of a two-part message to mission command: JERICHO is a codeword that
will scramble four stealth bombers in the MJ base at Redstone Arsenal near Huntsville, vehicles enhanced with alien-
derived stealth equipment and loaded with advanced firepower. The second half of the command is PURGATORY,
which will order the gunships to cleanse the area of every living thing.
The investigators may learn some details of this contingency from the BLUE FLY team. The operatives will not
discuss it openly, of course, nor will they even acknowledge its existence to anyone outside the BLUE FLY or NRO-
Delta teams, but the investigators may spy on the BLUE FLY team effectively enough to overhear discussion of it.
This will most likely require parabolic or laser microphones, unless an investigator is exceptionally skilled at stealth
and keeping out of the line of sight of guards' thermal imaging goggles, to overhear BLUE FLY troops at ease trading
fanciful stories (and a few real ones) of Majestic ops past, from Vietnam to Desert Storm to Waco to Yugoslavia. The
investigators might also convince a BLUE FLY operative to divulge details after the JERICHO command is given,
especially by playing on his sense of guilt at the impending massacre or his fear of not surviving it.
Whatever the source of information, the investigators can learn the following about PURGATORY. First, the gunships
use technology that puts every other stealth program on the planet to shame. They are cleanly invisible to radar or
electromagnetic detection. Second, they use a battery of energy weapons, not conventional projectiles: an
electromagnetic pulse cannon can disable power sources and communications; alternating-phase particle beam lasers
can punch through intervening clouds or smoke and destroy hard targets or vehicles; sonics can take out personnel;
very low-frequency (VLF) sonic generators can rupture soft tissue and MASER (microwave) beams cook objects
across a tremendous area of effect. All of its weapons are invisible and silent in application. The aircraft will remain at
base until the second code is delivered. With PURGATORY, they will fly low over the quarantined area in dead of
night, invisible to radar and nearly silent.
They are powered by adapted Grey technology, and they emit strange energy fields with a range of about a half mile:
time and distances will be perceived very strangely for an instant, and mammals will be gripped by sudden anxiety,
before all returns to normal; the same effect recurs as the craft leave the vicinity again. Flying in formation, the aircraft
will sweep the area, bathing it in deadly, invisible VLF waves. Cover won't protect against the powerful radio waves;
the players' only escape will be to use the NRO-Delta or BLUE FLY agents or communications to convince the pilots
to cease the attack. Even if they succeed, some of the region might have already been wiped clean; give the players
plenty of time to listen to the radioed screams of pain as other operatives are caught and killed before the action is
aborted.
Eight hours after the first attack, the planes will scan the
entire quarantined region with thermal- and motion- PURGATORY vs. Ithaqua?
differentiation trackers. Any living thing found will be
The players may sensibly decide to try to use the firepower of
killed with the EMP and sonic weapons. They will fire
the Majestic jets against the Wind-Walker. Their first challenge
on any centers of movement -- ordinary humans who will be to get in contact with the PURGATORY pilots and
appear on thermal imaging cameras are much more convince them to do what is asked (whatever that may be);
likely to be targeted than the cold Children of the with Harris and Farrell in charge of the Willis operation, that
Wendigo, however, unless the gunners are informed of may be much easier said than done. If, however, they manage
the nature of the targets and take the information to get Harris or Farrell on their side and convince all parties
seriously. involved of the reality of the crisis, they might persuade the
pilots to cooperate. Certainly the jets' sonics and lasers will be
The EMP (electromagnetic pulse) attacks will have little more promising weapons than the small arms and explosives
possessed by the team; Ithaqua will particularly recoil at the
effect on humans other than momentary dizziness and
intense heat of MASER attacks.
nausea, but they will ruin electrical equipment,
especially the computers and electronics used by Of course, things should not be quite that easy. Radar will not
communications and surveillance equipment and most respond normally to the Great Old One; even the rugged
modern vehicles. The sonics will be invisible, vibrating sensors of the Majestic craft will be garbled with the proximity
targets with an intensity to turn internal organs to jelly of such an alien power, rendering long-distance attacks
while leaving the skin almost fully intact. Their power is useless. As the pilots close to visual range to attack, their
dispersed for greater accuracy; each attack inflicts 6D6 other systems will become unpredictable, the extradimensional
energies of the Wind-Walker shorting out complex circuitry at a
damage, halved if the victim makes a CON x 5% roll.
quantum level; and surrounded by a storm of wind and ice,
The only defense is evasion, hiding beneath cover thick Ithaqua is not an easy target. Each round, a pilot can fire at
enough to mask every trace of a heat signature: if a half skill (assign their skills at about 70%), with a hit inflicting
plane detects a target, the sonics will hit that target (and 4D6+10 HP damage on a hit; each round, however, the pilot
anything within six meters that fails to run like hell with must make a Luck roll or have their aircraft's systems collapse,
a successful Dodge roll) unless the target makes 1/5 a crashing the plane to the earth. If the pilot succeeds in a
Luck roll. They will be utterly silent to humans (but if Piloting roll (with a skill of about 80%), the vehicle may not be
any dogs survive in the region, they will howl and bray totally destroyed, and the players might have some wreckage
to examine after the fact, perhaps even enough to rig some
piteously), except for the sudden grinding and splitting
desperate one-shot defensive weaponry. If the Piloting roll
of bones inside the targets if they inflict a serious fails, the craft will land a shattered ruin.
wound.
The investigators have several alternatives, some more likely than others, for preventing PURGATORY. They could
attempt to sabotage the NRO team's communications gear, but once the malfunctions have been noted a replacement
set will be dropped by parachute within eight hours.
They could also attempt to talk them out of it; this may be the best option, but only a few avenues of persuasion are
available. It will require Persuade as well as Psychoanalysis rolls, and possible confrontations between the NRO team
may have to be resolved or exploited. Harris and his NRO-Delta agents are likely to be increasingly paranoid, seeing
enemies everywhere, including Farrell's men. Clever investigators may instigate a confrontation using Farrell's Blue
Team to capture or distract Harris' NRO-Delta team. Harris and his agents are no fools, however, and each of them is a
streetwise and trained killer. Such a confrontation should be tense and deadly, almost certainly not to succeed without
at least a little bloodshed. Such a gambit will be most successful, for instance, if the investigators stoke the paranoia of
Harris' men until they decide on PURGATORY, then immediately arrange for Farrell's men to hear the plan so that
they think they must neutralize the NRO-Delta team for their own safety. Keepers should reward clever investigator
tactics, but they should not allow the NRO-Delta team or the Blue Team to be duped easily.
Finally, the investigators may attempt to convince "Alphonse Lewis" to call off the action by offering something
important enough for him to seek another solution. This will be no easy task. "Lewis" is a cover identity for Adolph
Lepus, Majestic's deadliest killer. He can never be moved by mercy, and he has seen just enough of the Mythos to
know that genuine manifestations must be dealt with ruthlessly. He will only be given pause if the players convince
him that they have truly useful intelligence on the paranormal manifestations which have occurred . . . or if they offer
intelligence on Delta Green. The Keeper is encouraged to play any such negotiations tensely, allowing the players little
time to consider as their companions and enemies mysteriously begin to die in the beams of the PURGATORY
aircraft.
Ithaqua Rises: The Third Night Children of the Wendigo
The third night will be the last night of Ithaqua's As described by John Crowe's epic, Walker in the Wastes, and
visitation. After the howling, the humans of Willis, Scott Aniolowski's "Cold War," a Child of the Wendigo is
created by Ithaqua from humans (or, in this scenario, from any
frozen in the first pass of the Wind-Walker, will stir to
animal caught in his power). The victim becomes a powerful,
unlife as Children of the Wendigo, all 819 of them. If bestial creature only generally resembling its former self,
they are stored in lockers in the command post or in gaining even Ithaqua's power to walk the winds. The victim
transport vans they will break free with inhuman does retain, for a brief time, a shadow of its former personality,
strength, seeking any living thing nearby to consume for perhaps causing it to hesitate before committing the worst
its warmth. After killing every human nearby, or if violence; but ultimately its hunger for the warmth of fresh flesh
overwhelmed with attacks from the Majestic team or will almost always overwhelm any lingering tatters of morality.
the military police, the Children of the Wendigo will Statistics for sample Children of the Wendigo are included at
dart off into the woods in every direction, literally flying the end of this scenario.
through the snowy skies over the heads of the stunned soldiers guarding the area. Fleeing before Ithaqua's final
appearance, they would suffer the same as the investigators for fleeing the area, being cooked in place; but that effect
will dissipate once Ithaqua has gone for good. Rumors and news of their attacks on hapless passersby and farmers will
come from miles around and for months, possibly years, to come. Some of them may spawn other Children of the
Wendigo from their prey. The creatures will be a threat, if small-scale, to linger in the region until the Wind-Walker
descends again from the icy vaults of heaven.
During the rampage of the Children of the Wendigo, Harris or his commander, Adolph Lepus, will almost certainly
call in the final airstrike: "BLUE FLY command," shouts Harris into his radio, his voice cracking and frantic:
"JERICHO! PURGATORY! PURGATORY PURGATORY PURGATORY! God help us all!"
Any investigators or NPCs caught by Ithaqua in the first two nights will appear among the Children of the Wendigo,
rising to attack and devour all warm life and flee wildly into the forests -- and, most likely, to the waiting guns of
"Alphonse Lewis" and his security forces. Under the immediate influence of Ithaqua, the Children of the Wendigo lose
their humanity much more swiftly than they normally would, but not all traces of humanity are immediately lost; the
Keeper may allow a player to play such a changed investigator after his or her "awakening" as a Child of the
Wendigo, with the appropriate SAN loss and enforcement of the character's ravening, cannibalistic hunger.
Defeating Ithaqua
There are a few ways the players can thwart Ithaqua and perhaps save a few lives from its ravening manifestations.
First, the players can use the Shrine to Dismiss the Great Old One. More than one victim must be sacrificed to do so,
however, making it an unhappy option -- if the player-characters and NPCs are clumsy at the Lake, however, the
Shrine might be activated whether they want it or not. Any victims sacrificed by the Shrine will be consumed, their
POW completely drained, whether or not it succeeds in banishing Ithaqua.
The sacrifice must be conducted when Ithaqua has manifested again, most likely on the second or third night. When
night deepens and Ithaqua strides across the region, the sorcery of the Shrine will take hold. The victims will be seized
with strange energies, agonizing, tearing their very life-force from the roots of physical life and reality which have
always identified it. The victims' power will be ripped away to manipulate the energies and forces in which the Wind-
Walker treads. Treat the result as a simple Dismissal: use the total POW of the sacrificial victims against Ithaqua's
POW of 35.
Outside, the shimmering aurora mists above Ithaqua change and are disrupted by other colors and shifting angles and
perspectives and shapes, indescribable and impossible, as if from a glimpse into dimensions beyond the three given to
sight. If the Dismissal succeeds, the Wind-Walker raises its arms and flies away for a last time, howling its wrath and
despair into the heart of world. If it fails, observers will see Ithaqua writhe in apparent agony, until the colors and
effects fade away, leaving the Wind-Walker behind. The sacrificed victim remains drained into the shrine, If the Third
Night has arrived, the Wind-Walker's spawn rise and ravage.
If the characters miss the Shrine or avoid it, another option may be to learn the Dismissal ritual from some outside
source: if a second team is investigating outside Willis, they might use their own resources to learn the nature of the
manifestations and find the spell to dismiss Ithaqua when he next arises. This should not be easy. It will almost
certainly mean one of two things: a trip to the "D" Stacks at the American Museum of Natural History (see Delta
Green: Countdown), or a deal with the Fate. The latter will be more likely to succeed, but at a cost to be dictated by
the Keeper's caprice: such a bargain should certainly come back to haunt them. Finding the right spell without aid from
the Fate will be all but impossible: the researchers must get access to the book (probably Thaumaturgical Prodigies in
the New English Canaan), then they must weed out the proper ritual, requiring Occult, Cthulhu Mythos, or a Spell
Multiplier roll, depending on the Keeper's preferences. The Fate will follow much the same process, of course, but they
have the resources and skills to solve the problem very, very quickly.
Survival
The events of this scenario should proceed quickly and relentlessly. The investigators may be hard-pressed to solve its
mysteries; indeed, it may take all their ingenuity simply to survive. Their surest chance will be to decipher the clues of
the ghostly dead in the area and send lake-divers to the K'n-yani shrine, to enact the sacrifice and dismiss Ithaqua.
Failing dismissal, the investigators will be faced with Ithaqua itself on the second and third nights, a deadly danger to
any near Crow Lake when the Wind-Walker descends. Even avoiding direct contact with Ithaqua and withstanding the
massive sanity loss from encountering it, humans caught nearby will suffer the endothermic effects seen on the first
night, if a Luck roll fails. (A simple Luck roll will suffice here, instead of a POW vs. POW roll; Ithaqua's powers are
spread more thinly with the awakening of his spawn.) After these first catastrophic effects, survival will simply be a
matter of running fast enough to get away from the Great Old One.
Next they will face the Children of the Wendigo, all 819 of the frozen townfolk arising as hunger-maddened monsters.
Even if most of the monsters attempt to escape the region and are confronted by the NRO-Delta perimeter sentries, the
investigators are unlikely to have the firepower to hold their ground in battle. Their best bet will be to find shelter stout
enough to withstand the Wendigo-spawn and hide there until the Children of the Wendigo seek warm prey elsewhere;
the vault of the Farmer's Bank would be ideal, if the players can hack through its security systems. (Electronics,
Electrical Repair, Locksmithing, and/or Computer Use rolls would be in order.)
Finally, they will face the nearly-invisible aircraft of PURGATORY, sent to destroy the Wendigo-spawn and any
humans who remain that might be tainted. The planes' VLF beams will penetrate physical cover easily. After
annihilating anything that moves in the region and then scanning the area for 1D3 further hours, the planes will depart
to allow the replacement Blue Team to enter and inspect the remains. The players' only hope will be to communicate
to the pilots or (more likely to succeed) to Alphonse Lewis with some hint of valuable information which will be lost
if they are killed.
If the investigators hole up in the region and survive all these dangers, they still may attempt to elude the Blue Team
agents. The Keeper will largely have to play these final scenes by ear; investigators with plenty of stealth and
woodcraft may elude the operatives, find food and warmth, and sneak past the perimeter to the relative safety of a
nearby town, where they can perhaps steal transportation or contact their Delta Green handlers. This will be a hard
road. Past the Blue Team there are patrols of Special Forces troops and river-based squads of SEALs to contend with.
The investigators must move slowly, using Track or Navigate to conceal their passage and Hide and Conceal to stay
clear of the patrols and their thermal imaging equipment. Investigators who are caught by a patrol and put up a fight
should be in the proverbial world of hurt, facing troops with M-17 rifles and at least 60% attack skills. The Keeper
should allow the investigators to plot their movements on a map of the area, but make Navigate rolls in secret to
determine how well the investigators actually follow their well-laid plan through the frigid woods and streams. As a
rule of thumb, the investigators should be required to make three Navigate rolls in a row, one per day of careful
movement; a failed roll means another day in the woods, with the risks of frostbite and encounters with patrols. The
Keeper might allow Luck rolls for the investigators to avoid patrols; otherwise, play out the encounters. The patrolling
troops will be veterans at black operations, moving with stealth and speed and always setting up cover fire.
Clearly, most investigators are likely to be caught by the Blue Team, by the patrols, or by the NRO-Delta guards;
depending on their actions, they may be shot or -- better still -- captured and brought to Adolph Lepus for
interrogation.
Conclusions
If the players fail to escape cleanly they may encounter the leader of the men in black outside the perimeter, after the
deadly sacrifice or the disastrous rampage of the Wendigo. Adolph Lepus, chief of security for NRO Section Delta, is
on hand as FEMA bureaucrat "Alphonse Lewis." It is a sort of homecoming for Lepus, born and bred in Alabama
cotton country. That will not make him any less ruthless in containing the situation: if the Children of the Wendigo
arise, Lepus will call in the order for PURGATORY if Harris and his agents fail to do so. If it is expedient, Lepus will
sacrifice every living thing in the region (except himself, of course) with bioengineered plague in order to contain
evidence of supernatural or alien activity.
Survivors of the Majestic/Delta Green mission will be debriefed brutally: any investigators so caught by Lepus will
have their secrets revealed, one way or another. The Keeper should decide their fate: perhaps they simply vanish, or
perhaps they are released after a few weeks in Majestic's mind-control laboratories in the OUTLOOK project, all
memories of it erased in turn, perhaps to be programmed as a "plant" to collect further information from Delta Green
operations and, eventually, to report to Lepus' agents once more. The agents may try to cut a deal with Lepus, or with
Farrell and his superiors: Farrell might be favorably disposed to the players if they took steps to save the lives of any
of his men, and he might be sympathetic if the players convincingly ask him to intercede on their behalf. This may be
a good route for the Keeper to use if it's preferable to keep the player-characters out of the clutches of Adolph Lepus:
once he hears how his BLUE FLY troops are being treated by Lepus, Colonel Robert Coffey might claim jurisdiction
over all the characters, player characters included, pulling strings to have MJ-3 order Lepus to turn them over. This
move will have the tacit approval of MJ-3 director Gavin Ross, who will plan to use the players as a source of
intelligence in the future. What Coffey immediately does with them is up to the Keeper; but they should feel the
urgency of going to ground and staying out of Lepus' sight for a long while afterward. Finally, the Keeper must
determine whether the Friendly, the source of Delta Green's access to this operation, remains a viable asset or is
discovered as Lepus cleans house.
What the Majestic group learns from the scenario is largely up to the individual Keeper. What reports did Farrell and
Harris send to Colonel Coffey at BLUE FLY command? Did their reports conflict? Can they be interpreted as
delusions or as products of Grey technology? Did the players conduct any effective disinformation? What reports did
any survivors or captured investigators deliver to Lepus after the sacrifice or after Ithaqua's last manifestation? Some
in the Majestic group (Lepus and Coffey, for instance) will believe reports of the supernatural, but their superiors may
demand reports which are consistent with the Greys' activity and technology for presentation to the Majestic steering
committee. The truth will be carefully recorded in the archives of MJ-3 and MJ-5, even if the others refuse to believe
it.
What Delta Green learns from the scenario is largely up to the players. They should compile a report afterward to
describe their debriefing, the details of which will be sent to cell "A" for analysis and archival. In the end, the players
will likely have little explained to them. Intelligence analysis regarding the Great Old Ones is, after all, strictly need-
to-know.
Sanity
Dismissing Ithaqua: +3D6 SAN (but see the next entry)
Allowing a human sacrifice: -1D6 SAN
Destroying ALL known Children of the
+1D10 SAN
Wendigo:
Destroying most of the Children of the
+1D4 SAN
Wendigo:
Providing useful intelligence to Delta Green: +1D4 SAN
Characters
Lt. Colonel James Farrell
MJ-5 Operative and Blue Team Commander, age 46
Race: Caucasian
Damage Bonus none
Education: B.S. American History, Air Force Academy; ARRS Training
Occupation: USAF Special Operations Command, Aerospace Rescue and Recovery Service, detached to Project BLUE
FLY
Skills: Climb 60%, Conceal 43%, Credit Rating 35%, Dodge 40%, Drive Auto 32%, First Aid 50%, Hide 40%,
History 56%, Jump 40%, Listen 65%, Martial Arts (boxing and judo) 45%, Navigation 60%, Parachuting 60%, Sneak
53%, Spot Hidden 63%
Attacks:
Fist/Punch 65%, 1D3 + martial arts
Appearance: Farrell is on the short side and just getting old enough to lose some of the lean muscle of his youth. He
can still keep up with the younger men of his unit, though, and none of them hesitate to follow his orders or example.
He has greying crew-cut brown hair and a plain face, weathered from time spent in the air and in the field, with clear
and stern blue eyes.
Notes: Farrell has taken many lessons from his commander, Colonel Coffey, the head recovery officer of operation
BLUE FLY, on handling extraterrestrial investigations, but he is neither as experienced nor as xenophobic as Coffey.
He is thrilled in a macho, self-serving way with the apparent remnants of alien forces. Lt. Colonel Farrell will deny
that Ithaqua's howls are in fact biological: they are a transient and highly localized meteorological effect, a lingering
side effect of an alien weapon. He and his men see the world through the lens of the information given by the Greys to
the Majestic group; myths about monstrous deities have no place in their investigation.
Sample Blue Team Operative

Maroon and Grey, age 25-40
Race: varies
Damage Bonus +1D4
Education: USAF Special Operations Training (ARRS)
Occupation: USAF Aerospace Rescue and Recovery Service, detached to Project BLUE FLY
Skills: Climb 60%, Conceal 60%, First Aid 50%, Hide 50%, Jump 50%, Listen 55%, Mechanical Repair 50%,
Navigate 55%, Parachute 50%, Sneak 50%, Spot Hidden 65%, Swim 40%
Attacks:
Fighting Knife 55%, 1D4+2+db
M-17 Assault Rifle 55% (+11%), 2D6+3 (with armor piercing rounds, 1/2 armor protection and -1 damage)
Appearance: The BLUE FLY troops are crew-cut and tough, classic American special operations. Most of the time
they wear grey camouflage-pattern fatigues. Most wear the maroon beret of USAF Pararescue; two wear the grey beret
of USAF Special Forces Meteorologists. These last two may be the most baffled and disturbed of all at the influence
of the Wind-Walker.
Notes: These men are veteran special operations troops, the elite of the elite, professional and wary. They have been
trained to expect anything when dealing with alien technology; but when the Mythos is involved, training only goes so
far. Faced with mounting encounters with the power of the Great Old One, the BLUE FLY troops may react in
unpredictable ways. Some will revert instinctively and obsessively to training, focusing on concealment and security as
they await normalization or a chance to bug out, while others will get more and more violently "proactive" in securing
their environment. Confrontations with Harris' NRO-Delta agents might be very likely if they are manipulated
skillfully by the investigators.
Major Elton Harris
Undercover NRO-Delta Commander, age 49 OICW: THE M-17
Race: Caucasian
The OICW (Objective Individual Combat Weapon) protocol in
1992 defined the next model of personal infantry weapon to be
DEX 12 APP 13 EDU 19 SAN 44 HP 14 deployed by American armed forces. Many contractors
Damage Bonus +1D4 produced prototypes for inspection by the Army and Marine
Education: M.S. Criminology; Special Agent training, FBI Corps, with the intent to deploy the rifle generally in 2005. In
Academy "Jack Frost," the Majestic covert forces are equipped with
Occupation: "DIA Special Agent," actually a Major in the advance models of the weapon.
National Reconnaisance Office, Section Delta, for MJ-3
Project GARNET The M-17 is a 5.56mm assault rifle (these troops use armor
piercing [depleted uranium] ammunition) with modular infrared
Skills: Conceal 45%, Dodge 39%, Drive Auto 50%, Fast
imaging gun camera and laser sighting, gas buffers to reduce
Talk 53%, Law 34%, Listen 54%, Martial Arts (karate and recoil, and an attached 20mm explosive round launcher
judo) 50%, Navigate 40%, Persuade 44%, Psychology capable of direct or indirect fire (replacing the M203 grenade
56%, Sneak 46%, Spot Hidden 66% launcher). The weapon's ordinary maximum effective range
Languages: English (own) 95% would be 130 meters; taking a round to use the rangefinder
Attacks: and scope will increase effective range to 520 meters, with the
Glock-18 (silenced) 60%, 1D10 standard skill bonus for laser sighting. The shoulder stock and
M-17 Assault Rifle 50% (+10%), 2D6+3 accessories may be removed, if necessary, to reduce the
weapon to an eminently concealable rifle no larger than a
small submachine gun (the rifle's effective range should be
Grapple 52%, special halved without the shoulder stock; it is then fired using the
Armor: Concealed kevlar vest, 5 points Submachinegun skill). The 20mm shell can be set to explode
Appearance: Harris is tall and lanky, still lean and agile on impact or mid-air, to aid in reaching covers behind
from daily karate exercises and time in the field. He has concealment: it takes one combat round to program the range,
short black hair not yet going to grey. His dark brown eyes but with a normal attack roll the explosive shell will negate the
bear traces of cruel humor and easy irony. He wears a target's protective cover. The gun camera can also transmit
black suit and tie as if they are required by regulation. wirelessly to a wrist or helmet-mounted viewscreen, enabling
"blind" fire around corners at only half the normal skill chance
Notes: For good or for ill, "Major" Harris is more likely
(rather than unaimed).
than Farrell to take seriously the bizarre supernatural
effects of the Wind-Walker's manifestations. He has no In some testing models, the OICW has increased the killing
inkling of the truth, of course, but he has seen some the efficiency of equipped troops by an order of 500% or more.
more outre incidents of the Greys' activity, and he has Investigators would be wise to learn the Majestic team's
reasons to suspect that more bizarre and malignant forces weapons well before taking them on.
may be behind them than the Majestic committee will
admit. This will be little help to the investigators; he has 5.56mm NATO rounds: Rifle skill. Standard damage for the
some idea how much he should fear the "supernatural" (for caliber. Base range 130 yards. ROF 2 or 30. Malfunction: 00.
lack of a better description), and he will quickly become 20mm shells: Grenade Launcher skill. 3D6 damage/3 yard
obsessively paranoid and dangerous as the scenario explosive burst. Base range 50 yards. ROF 1. Malfunction: 99-
progresses and his SAN is depleted. The more he is 00.
convinced of some unstoppable alien power in the area, the
more likely he will be to irrationally call JERICHO/PURGATORY to eradicate all traces of it.
Sample NRO-Delta Agents

24 more Men in Black, age 35-45
Race: Varies
Damage Bonus +1D4
Education: CIA Operations Training, Camp Perry, or Special Forces Training, Fort Bragg
Occupation: Security Officer, NRO Section Delta
Skills: Climb 53%, Conceal 50%, Dodge 41%, Drive Auto 52%, Hide 55%, Jump 50%, Listen 61%, Locksmith 46%,
Martial Arts 52%, Psychology 40%, Sneak 56%, Spot Hidden 61%
Attacks:
Fist/Punch 60%, 1D3+db+martial arts
Glock-18 62%, 1D10
M-17 Assault Rifle 54% (+11%), 2D6+3 (armor piercing rounds, 1/2 armor protection and -1 damage)
Armor: Concealed kevlar vest, 5 points
Appearance: The men who accompany Harris into Willis wear plain clothes: most of them wear black or grey suits,
well-tailored but not flashy, and thick trenchcoats and fine leather gloves against the cold. Those assigned to the
perimeter of this mission will be dressed and equipped as U.S. Army Special Forces, in fatigues and black berets. They
are uniformly clean-cut and clean-shaven, with hard eyes and cold senses of humor. They are alert, savvy, and
suspicious, and the investigators should be hard-pressed to fool them for long.
Dr. Fred Bimmel, Energy Department

Race: African-American
Damage Bonus none
Education: Ph.D. Nuclear Physics, MIT
Occupation: Nuclear Physicist, U.S. Department of Energy, and researcher for MJ-6 Project PLUTO
Skills: Accounting 40%, Astronomy 30%, Bargain 35%, Chemistry 60%, Computer Use 50%, Conceal 35%, Credit
Rating 55%, Electrical Repair 50%, Electronics 60%, Fast Talk 25%, Library Use 55%, Persuade 45%, Physics 80%,
Spot Hidden 35%
Armor: none
Appearance: Dr. Bimmel was never in the best shape, and recent years have been hard on him. He smokes constantly,
he eats poorly, and he sleeps infrequently. His skin is somehow both wrinkled and seemingly haggard, despite the
paunch that graces his midsection and seems to grow every year. His kinky short hair is grey and white, and his eyes
are a watery dark brown. He wears a typical white scientist's coat over a rumpled suit.
Notes: Bimmel is a distinguished physicist with past experience evaluating the bizarre effects of alien (called
"foreign," but Bimmel knows better) technology. At first confident and arrogant, he will become easily rattled as
Farrell's tests reveal none of the electromagnetic effects or radiation found in past "Grey" incidents; his reactions are
more likely to be simple fear, however, not the irrationality that the others might suffer: Bimmel has an extraordinarily
resilient personality. His working theory will be that some sort of weather-control device is being tested, using
(unknown) quantum binding processes to dampen molecular activity. He has no hard evidence to that effect, though,
and he will spend most of the scenario conducting laborious tests and recalibrations in his field lab, particularly around
Crow Lake once he detects anomalous readings there. Bimmel might prove a useful ally to the investigators, if he
becomes convinced that Grey technology in fact has nothing to do with the events around Willis, and his word will
hold some weight with Farrell; smart players might use him as a means of protection against Harris' agents. Bimmel is
accompanied by five assistants in this operation, each of them a PhD with similarly impressive credentials and
classified background.
Dr. Lisa Howell, USARMIID

Race: Caucasian
Damage Bonus none
Education: M.D., Virology and Gene Therapy, University of California at Los Angeles
Occupation: USARMIID Field Researcher, MJ-6 Researcher (Project PLUTO, Sub-Project CORE)
Skills: Biology 80%, Chemistry 50%, Computer Use 40%, Credit Rating 45%, Drive Auto 50%, Fast Talk 35%, First
Aid 70%, Library Use 55%, Listen 35%, Medicine 75%, Natural History 40%, Persuade 45%, Pharmacy 50%,
Psychology 35%
Languages: English (own) 115%, Latin 40%
Armor: none
Appearance: Dr. Howell has never cared a great deal about her looks; she looks down her nose at fellow doctors who
spend energy on such superficialities. She is asthmatic and nearsighted, with thick glasses and thick features and
stringy blond-brown hair tied into a haphazard ponytail. She wears a physician's coat over a simple pantsuit.
Notes: A specialist in genetic medicine, virology, and chemical warfare, Doctor Howell has worked on alien biotech
before, and she was terrified by the implications of what she saw: in past projects she has seen the mixing of genes,
aggressive genetic structures, superviruses, and so on. She will cooperate fully with any secrecy or security
arrangement, believing BLUE FLY to be working to protect humanity. She will not blink at detainment; she will only
frown in discomfort at torture or murder committed in the name of operational security. She will act immediately and
intelligently to inform Harris' agents of any hint of subversive activity by the players. Like Bimmel, Howell leads a
small team of six doctors investigating the biological implications of the tragedy in Willis.
"FEMA Crisis Task Force Manager Alphonse Lewis"

A/K/A Adolph Lepus, Local Sadistic/Psychotic Hardcore Badass Made Good, age 50
Adolph Lepus is detailed in Delta Green. Born to poor Alabama farmers, Lepus knows this country and its people,
even if he has never been to Willis County proper; more than ever, his easy drawl masks quick, decisive intelligence
and a core of cruelty and ruthlessness. Lepus is posing here as the ranking FEMA officer, charged by law with
authority over federal and local resources in this crisis. The chief of the Majestic group's wetworks section, Adolph
Lepus knows that something is not right with the Greys, and he knows that there are unexplained powers out there that
may be totally unrelated to them. Still, he sees Delta Green as a threat to MJ12's hegemony and an unnecessary risk of
premature exposure, and he and his men have had several violent encounters with them; while his superiors have not
yet decided to instigate direct confrontation with Delta Green, Lepus gathers what intelligence he can in the hopes of
using an open conflict with the rival conspiracy to advance his own place in the Majestic project. Captured Delta
Green agents can expect a long and unpleasant incarceration if Lepus gets his hands on them. But with the expert
treatments of MJ12's OUTLOOK mind-control program (whatever shape it takes in the Keeper's campaign), agents
may be released with no conscious memories of Lepus at all; only secret dreams of pain and the flash of golden teeth.
Typical Child of the Wendigo: Human

DEX 10 APP n/a EDU 13 SAN 0 HP 24
Damage Bonus +2D6
Skills: Climb 75%, Hide 75%, Jump 75%, Listen 75%, Sneak 75%, Spot Hidden 75%, Track 50%, Sense by Smell
(100' range) 90%; intellectual and communications skills will decrease at a rate of 1% per day.
Attacks:
Bite 30%, 1D4+db
Kick 25%, 1D8+db
Armor: 1 point of hide; minimum damage from physical attacks.
Special: While a Child of the Wendigo is not particularly impressed by most attacks or gunfire, it will flee from an
impaling gunshot wound out of fear that the scaldingly hot bullet might melt its icy heart; it also fears deliberate fire
attacks (not merely hanging lanterns or campfires) for the same reason.
SAN loss: 1/1D6
Appearance: A human Child of the Wendigo is typically over seven feet in height, with a heavily-muscled body
covered with disturbing bluish-white skin. The face is bestial, with razor sharp teeth and eyes changed to ice blue. The
hands bear nasty, short claws. It may still wear the torn remnants of its clothing before the transformation.
Typical Child of the Wendigo: Large Dog

STR 36 CON 30 SIZ 17 INT n/a POW 10
DEX 13 APP n/a EDU n/a SAN n/a HP 24
Damage Bonus +2D6
Skills: Climb 65%, Hide 75%, Jump 75%, Listen 75%, Sneak 75%, Spot Hidden 75%, Track 50%, Sense by Smell (2
mile range) 90%.
Attacks:
Bite 40%, 1D10+db
Special: See Human Child of the Wendigo, above.
SAN loss: 1/1D6
Appearance: Its flesh will be the same dead blue-white as with human Children of the Wendigo, showing a sharp
contrast against the fur which rapidly falls away in dead patches from the animal's pelt. Its fangs and claws are
distended, and the animal itself is far larger and more vital and powerful than any of its sort previously encountered.
Typical Child of the Wendigo: Black Bear

STR 50 CON 39 SIZ 25 INT n/a POW 10
DEX 10 APP n/a EDU n/a SAN n/a HP 32
Damage Bonus +4D6
Skills: Climb 65%, Hide 75%, Jump 75%, Listen 75%, Sneak 75%, Spot Hidden 75%, Track 50%, Sense by Smell
(500' range) 90%.
Attacks:
Bite 40%, 2D6+db
Claw 40%, 1D8+db
Special: See Human Child of the Wendigo, above.
SAN loss: 1/1D6
Appearance: Its flesh will be the same dead blue-white as with human Children of the Wendigo, showing a sharp
contrast against the fur which rapidly falls away in dead patches from the animal's pelt. Its fangs and claws are
distended, and the animal itself is far larger and more vital and powerful than any of its sort previously encountered.
Handouts
Handout #13: The Deeper Ghostly Dream

The dreamer is part of a Creek tribe, one tribe of a far-flung people who live and thrive throughout the
woods and hills and rivers of the land. It is winter, and the tribe is worried. People have begun to
disappear. First it was thought to be but a normal part of the cold winter, but now five people have
vanished, and the cold nights are sometimes filled with a terrible sound, a howling like the most
mournful of spirits, lost in the stars; and when that howling is loudest, some people are filled with a
terrible hunger for the flesh of the dead. The old shamans tell stories of the windigo, a giant spirit who
could appear in any form, a winter spirit that hungered for human flesh. The shamans know a way to
drive off the windigo, but it is a terrible way, a way they learned from an old and hated tribe long ago.
The dreamer is taken by the shamans to save his people. (The dreamer's dream-self is male,
regardless of the dreamer's actual sex.) The shamans lead him up the red earth of Blood Hill, and he
lies in a stony place atop the hill. The shamans then climb down the hill again, and from a distance
they pray, singing songs with unknown words until the night deepens and the stars gleam in the cold
black sky overhead.
Then the cold grows deeper. The gleaming stars turn from white to blue, then purple, then yellow,
shifting in pastel hues and swirling, melding, knitting a beautiful mist of cold colors. The mist fills the
sky. Then comes the howling, deeper, louder, filling not the sky but the soul, and black eyes peer
forth from the glowing mist. The shamans' song has stopped. The dreamer is cold, so cold, and he
knows the windigo by its terrible obsidian eyes, and the windigo looks on the dreamer with hunger.
Handout #14: Legends of North American Indians
From Internet files and books on Native American traditions:
In traditional native American beliefs, the snake is a symbol of creation, regeneration and rebirth; in a
few isolated groups, however, it has been emphasized also as a spirit of death and destruction, with
death and life occupying equally-celebrated places in the beliefs of some tribes.
The windigo is an evil spirit known by different names to many Native American tribes, from the Creek
and Cherokee of the southern United States to the Inuit of the Arctic Circle. In each legend, the
windigo comes in the cold, is enormous and powerful, and devours hapless people whom it catches in
the open; some legends describe the windigo as having skin of stone, and others say that mosquitoes
or biting black flies were originally the remnants of the hungry windigo after a tribe tricked it into falling
into a firepit, which caused its stony heart to crack and explode.
From an interview with Edward Two-Bears Johnson, a chief of the Creek nation in Oklahoma:
The Blood Hill tribe was a terrible tribe that died out centuries ago. Among current Creek in
Oklahoma, legend has the Blood Hill tribe conducting terrible ceremonies combining celebrations of life
and death, following violent mass-rape with human sacrifice to living poisonous snakes on great spirit-
mounds. The last known Blood Hill tribe lived in northern Alabama.
From files of the U.S. Air Force's operation BLUE BOOK, recently declassified according to the
Freedom of Information Act:
Case Report, 195408233A1X, Abstract

In February, 1954, two BLUE BOOK officers were sent to the Mackenzie
Drilling Works in northeastern Alaska, where a local worker insisted that
UFOs had appeared in the wake of a particularly dangerous drilling accident,
one in which nine workers were killed when a support pylon gave way and a
drill collapsed. The worker, a native Inuit, told supervisors that he saw an
"alien rainbow" with "stars for eyes" appear before the accident, and that
this "rainbow" caused the struts to collapse. The story was met with
derision by other workers, but the BLUE BOOK officers were sent when one
worker took the trouble to report the incident as a "UFO sighting." The
officers quickly determined the "sighting" to be groundless, and nothing was
reported of the "alien rainbow" again.
Handout #15: Primal Gods of the Americas
Much of the confusion around the primal Snake spirit of prehistoric Amerinds stems from a
bifurcation of belief which most researchers have failed to address. The primal Ig or Yigg of
the central American plains is well-known, of course. Ig is a snake god, and hence is closely
connected with Creation myths and the essential elements of primitive life, the weather and
death and birth. However, another spirit known to the primal tribes was Igga or Ithka, the
god of storms and winter, hence a god of death and the change of seasons. This duality of
belief is integral to understanding the animism of the primordial Amerind tribes and the key
spirits which they separately revered. Ig -- Snake -- became a common god of wisdom and
medicine; but Igua was largely forgotten by all but a handful of remote tribes, isolated and
warred-upon for their bloody practices in worship of their god's predatory power. It is worth
noting that many of the images and carvings crafted regarding Igua were protective in
nature, designed to guard the wearer against the great spirit's power; cf. Phillips,
Thaumaturgical Prodigies in the New English Canaan.
(Drew Thomasin, Primal Gods of the Americas, introduction, Miskatonic University Press,
1939.)
Handout #16: Bimmel's First Notes
Bulletin #9901A33, Project PLUTO, "Secondary Summary: Willis County Anomaly"
In developing an analysis of the Anomaly, it is crucial to compare energy

fluctuations in the region with those encountered in past anomalies and in
past research by this and related Projects. Electromagnetic radiation levels
in the area may not be direct consequences of the anomaly, but they may
indicate quantum activity associated with past anomalies. Radiation levels
within the Anomaly, covering roughly a diameter of 15 kilometers, and
centered more or less around Crow Lake, seem to indicate the presence of
such effects, though they do not precisely match effects studied before: the
initial conclusion is that neither gate technology nor a "cold gun" is in
effect here. [Ref: "Gate Technology and the Tillinghast Effect, Bulletin
#7300Z00, Project RAINBOW; "Hypothermic Weapons of the EBE: Auroral Research
and Xenotype 23X0201," Bulletin #9821Z39, Project COLD COMFORT).]
Maps
Map #1
Map #2
Map #3
Special Thanks to the "Jack Frost" Reviewers and Playtesters: Dennis Detwiller, Rob and Stacie Driscoll, Dan
Faletto, Adam Scott Glancy, Doug Ianelli, Pat Kapera, Dave Kish, Keith Potter, Jeaneen Triechler, and John Tynes.

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Cave Art in Games

GURPS Places of Mystery includes brief notes on using "Cave Art

Shamanic Spells and Trances

Cave Art in GURPS Voodoo

Hunter's Blessing Defaults to Path of Luck-3

This ceremony assists a group of people, who are present when it is

Creating Magical Cave Art

A Time Travel Scenario Seed: Vision Quest

The First Crusade

Beginning of the Templars

St. Bernard of Clairvaux

The Knights Templar

The Growth of the Order

The First Bankers

Bernard of Clairvaux, Saint of Judgment

Corporeal Forces -- 1 Strength -- 2 Agility -- 2

Hughes de Payans, Soldier of War

Corporeal Forces -- 2 Strength -- 5 Agility -- 3

Adventure Seed: Guarding the Pilgrims

Controlling Personalities: The Clone Arrangers have the ability to

Power: Local Police Departments, Lyndon LaRouche, Dittoheads,

Attacks: Manuel Noriega can "borrow" his alignments for the

Liberal-Conservative decks also benefit from Fred Birch Society and

(A sample deck that uses a combination of a Bill Clinton direct attack

Saturday Morning Cartoons: The Hand of Madness and Up Against

Reorganizing -- How and When

I'm usually a brave man, but suddenly I felt a pang of dread.

The Martian Queen

The Children's Hour

Defeating the Villains

Motives: Hatred (of English), Adventuresome, Leader.

Captain Isaac McTavish

Motives: Generous, Friendly.

Motives: Love (of brother), Adventuresome.

Motives: Knowledge, Loyal (to brother).

Motives: Arrogant, Greedy.

Motives: Knowledge, Eccentric.

Motives: Adventuresome, Stubborn.

Motives: Aggressive, Fair.

Child Characters in Space: 1889

Martian Queen Deck Plans

My first roleplaying game? It's been a while . . .

No character development. No roleplaying of any kind, in fact. Not a hint of

Philip the Fair and William de Nogaret

The Inquisition and the Fall of the

Saladin, Soldier of Fire

Philip IV, Soldier of Greed

Philip died in 1314.

Nogaret, Balseraph of Factions, Captain of the Broken Promise

Adventure Seed: Treasures of the Templars