Tamilakam
Tamilakam
Tamilakam
The Sangam age was an age of war. This had vital effects on the nature of their
politics, society, culture, religion, etc. More and more men were required on the
battlefields. Therefore, the birth of a male child was desirable. However, the
birth of a female child was not derided. The poet, Kapilar in Ainkurunooru
writes that in Kurinji, the chieftain worshipped the deity for a daughter. Also,
due to warring chieftains, women were extolled for demonstrating the virtue of
heroism. It was imperative to instill the spirit of heroism in them as well and
encourage them to send their menfolk on the battlefields. Okkur Masattiyar
(poetess) is said to have sent her only young son on the battlefield after she lost
her husband. Girls during this age learnt literature (iyal), music (isai), and drama
(nadagam). Many of them were skilled in music. From Sangam literature, we
find the names of 26 poetesses: Avvaiyar, Pottiyar, Uttiyar, Budappandiyan Devi,
Nannakaiyar, Okkur Masattiyar, etc., to name a few. Avvaiyar was the most
renowned poetess. She had written 58 poems and also ethical works such as
Niti-Venba, Niti-Neri-Vilakkam, Ulaka-Niti, Nanneri, etc.
Some of the important works belonging to the Sangam Age are Tolkapiyyam,
Tirukkural, Madurai Kanji and to the post-Sangam, Silapaddikaram,
Manimekalai, etc. They provide useful information on the position of women
during the time. The social and legal status of women was not equal to those of
men. The practice of self-immolation of widows was prevalent. The nature of
164 society was patriarchal. It was characterized by certain features. One such feature
was the emphasis on the ideal notion of womanhood. The authors of the Sangam Status of Women
literature emphasize on the virtues of a woman. Chastity (karpu) was viewed as
the highest virtue in a woman. This notion continued to be appreciated in the
post-Sangam age as well. Illango Adigal in the Silapadikaram (the earliest epic
poem written in Tamil) regards Kannagi, the wife of Kovalan (the male
protagonist) as the purest of all. The worship of Kannagi as the embodiment of
an ideal wife and womanhood led to the emergence of the cult of Goddess Kannagi
or Pattini (goddess of chastity). Senguttuvan (Red Chera), the greatest Chera
king is believed to have initiated this cult and built the first Pattini temple at his
capital Vanjimanagar.
Though society in the Sangam and the post-Sangam ages venerated chaste ideal
women, yet there was also the presence of prostitutes and the classification within
this profession signified their functionality, relevance and the existence of
dichotomy in society. The aham literature elaborately deals with the courtesans
of Sangam age. They are mentioned in the anthologies on love such as Narrinai,
Ainkurunuru, and Agananuru. They were known as parattaiyar or kanigaiyar.
There were two major categories of courtesans: katal parattai (concubine) and
ceriparattai (public woman). Classical Tamil works for example the
Silapaddikaram and Manimekalai address katal parattaiyar as kanikayar. These
two classes of women did not mingle and resided in separate dwellings. Katal
parattaiyai lived a virtuous life and thus, they were assigned a higher social
standing than ceriparattai.
The rise of the Pallavas in the seventh century in the Tondaimandalam region of
the Tamilaham inaugurated the process of state formation. The reigns of the
Pallava rulers of Kanchi and of the Pandyas witnessed the granting of lands on a
large scale in lieu of cash salaries to a variety of political, military and religious
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