2nd DLP I FS 2
2nd DLP I FS 2
✓ Listen to simplify, reorganize, synthesize, and evaluate information to expand, review, or update knowledge
B. Performance Standards
C. Learning Competencies/
Objectives ✓ Use information from news reports, speeches, informative talks, panel discussions, etc. in everyday
Write the LC code for each conversations and exchanges
✓ EN10LC-Ia-11.1
II. CONTENT
IV. PROCEDURES
A. Reviewing previous lesson or Task 1. Let’s Have a Recall
presenting the new lesson 1.) What is Drama? It is simply is a story enacted on stage before an audience. Since it is a story, a drama (or more
commonly called nowadays as ‘play’) is technically a piece of writing. However, a drama is exclusively presented
through an element called ‘dialogue’.
2. Give the three (3) major areas elements of drama and name at least two (2) elements for each. Enumerate the
examples of non-verbal communication.
a) Technical Elements
1) Sound and music
2) Costume
b) Literary Elements
1) Dialogue
2) Theme
c) Performance Elements
1) Acting and Speaking
2) Nonverbal expressions
The students will try to rethink about the activity they’ve done.
That’s right! The activity we had today is all about informational listening
Questions:
1. Is the ability to accurately receive and interpret messages in the communication process. - Listening
2. Is key to all effective communication. - Listening
3. Listening is the same with hearing. YES, OR NO? - No
4. Refers to the sounds that enters your ears. – Hearing
5. Means paying not only to the story, but how it is told, the use of language and voice, and how the other person
uses his or her body. -Listening
6. Being able to distinguish the subtleties of sound made by somebody who is happy or sad, angry or stressed, for
example, ultimately adds value to what is able being said and, of course, does aid comprehension. –
Discriminative Listening
7. Imagine yourself surrounded by people who are speaking a language that you cannot understand. -
Discriminative Listening
8. It involves understanding the message or messages that are being communicated. – Comprehensive Listening
9. In order to be able to use comprehensive listening and therefore gain understanding listener first needs
appropriate vocabulary and language skills. - Comprehensive Listening
10. It is complemented by sub-messages from non-verbal communication, such as the tone of voice, gestures and
other body languages. - Comprehensive Listening
11. Requires focus and concentrated effort, both mental and sometimes physical as well. – Listening
12. In other words, it means being aware of both verbal and non-verbal messages. – Listening
13. Listening is not a passive process. YES, OR NO? -yes
14. It develops through childhood and into adulthood. - Discriminative Listening
15. It involves understanding the message or messages that are being communicated. - Comprehensive Listening
E. Discussing new concepts and Task 6. Specific Types of Listening
practicing new skills #2
Informational Listening
✓ Listening to Learn
✓ Whenever you listen to learn something, you are engaged in informational listening.
✓ Although all types of listening are ‘active’ – they require concentration and conscious effort to understand.
Informational listening is less active than many of the other types of listening.
✓ Informational listening, especially in formal settings like in work meetings or while in education, is often
accompanied by note taking – a way of recording key information so that it can be reviewed later.
✓ For the reason that your goal is to take new information and facts, accompanied by note taking – a way of
recording key information so that you’ll be able to answer the questions posted at the beginning of the video
Critical Listening
✓ Listening to evaluate and analyze
✓ It is a much more active behavior than informational listening and usually involves some sort of problem solving
or decision making.
✓ It is similar to critical reading; both involve analysis of the information being received and alignment with what
we already know or believe.
• Informational Listening
Listening to Learn
• Critical Listening
Listening to evaluate and analyze
• Therapeutic or Emphatic Listening
Listening to Understand Feeling and Emotion
G. Finding practical applications of Task 8. Catch me!
concepts and skills in daily The teacher will give you papers with questions written on them, and she'll quickly scrunch them up into paper balls.
living These paper balls have a mix of questions and empty sheets, so you might get a blank paper or one with questions on
it. In this game, the teacher will toss the paper ball to the students. If the ball lands on a student, that student gets one
piece of crumpled paper from the ball and checks if it has a question or not and answer it right away.
An exemplar of the paper ball that will be projected in the direction of the students.
Questions:
1. It involves more than being compassionate or feeling sorry for somebody else – it involves a deeper
connection – a realization and understanding of another person’s point of view. -Empathy
2. Is a way of deeply connecting with another person and therapeutic or empathic listening can be
particularly challenging. -Empathy
3. It involves attempting to understand the feelings and emotions of the speaker – to put yourself into the
speaker’s shoes and share their thoughts. - Therapeutic or Emphatic Listening
4. It is a much more active behavior than informational listening and usually involves some sort of
problem solving or decision making. - Critical Listening
5. Is less active than many of the other types of listening. - Informational Listening
6. It involves understanding the message or messages that are being communicated. -Comprehensive
Listening
7. It develops through childhood and into adulthood. - Discriminative Listening
8. It involves understanding the message or messages that are being communicated. – Comprehensive
Listening
9. Imagine yourself surrounded by people who are speaking a language that you cannot understand. -
Discriminative Listening
10. Means paying not only to the story, but how it is told, the use of language and voice, and how the
other person uses his or her body. -Listening
H. Making generalizations and Task 9. What is Informational Listening?
abstractions about the lesson
Answer: Whenever you listen to learn something, you are engaged in informational listening.
• Informational Listening
• Critical Listening
• Therapeutic or Emphatic Listening
1. Whenever you listen to learn something, you are engaged in informational listening. -TRUE
2. Listening is similar to hearing. -TRUE
3. There are 2 main types of listening – discriminative and comprehensive listening. -TRUE
4. Hearing refers to the sounds that enters your ears. - TRUE
5. Listening requires focus and concentrated effort, both mental and sometimes physical as well. -TRUE
6. The phrase _______ (active listening / passive listening) is used to describe the process of being fully involved.
7. _______ (Discriminative listening / Comprehensive Listening) involves understanding the message or messages that
are being communicated.
8. A person is _______ (Information literate / Informational Listening) if he/she knows to recognized the needed
information.
Whenever you listen to learn something, you are engaged in informational listening. Informational listening,
especially in formal settings like in work meetings or while in education, is often accompanied by note taking – a
way of recording key information so that it can be reviewed later.
J. Additional activities for Task 11. ASSIGNMENT
application or remediation Write a brief reflection on what you have learned about the types of listening through this assignment. Consider how
these types of listening contribute to the richness and impact in your daily life. And answer this question on a brief
sentences “What does it mean when you say, ‘listening actively’?”
Submission Guidelines
- Your assignment can be submitted in a document format (Word, PDF) or as a multimedia presentation (video,
images).
- Ensure clarity in your analysis and creativity in your creative presentation.
- Include proper citations if you reference specific plays, movies, or literary works.
V. REMARKS
VI. REFLECTION
Ms. Maybell C. Gonzales, LPT Dr. Ramon E. Woo, Jr., CPA, LPT, DFRIEdr.
OIC Basic Education Principal VPAA/ Dean of Studies