Grossman PDF
Grossman PDF
Grossman PDF
History of an Idea
PAM GROSSMAN
Stanford University
This article represents a short history of a set of ideas and how these ideas
were taken up by others in the very way their creators might have hoped.
This happy occurrence is a rare one; all too often, ideas either wither
away or are taken up in ways that distort the original vision. This story,
however, suggests how ideas around teaching teachers can be taken up
and developed in practice, with real consequences for children and
teachers alike.
The story begins with a chapter by Deborah Ball and David Cohen
(1999) entitled “Developing Practice, Developing Practitioners.” In this
chapter, Ball and Cohen argued for the importance of grounding profes-
sional education in practice, not necessarily by locating professional edu-
cation in schools but by making the work of practitioners at the center of
professional study. Their vision of professional education owes a debt to
John Dewey’s (1904/1965) conception of the laboratory approach to
preparing teachers, in which those learning to teach become serious stu-
dents of teaching. In his article, Dewey cautioned against typical models
of student teaching, which favored extensive time observing a limited
range of practice, and argued for opportunities for novice teachers to use
the school setting as a laboratory for intensive and focused exploration
of student thinking. Ball and Cohen built on this idea by advocating the
value of using artifacts from practice—student work, classroom video,
and so on—as the foundation for building knowledge about teaching.
Such a conception of professional education requires access to rich
representations of practice, opportunities to investigate the complexity
Teachers College Record Volume 113, Number 12, December 2011, pp. 2836–2843
Copyright © by Teachers College, Columbia University
0161-4681
Framework for Teaching Practice 2837
down complex practice into its constituent parts for the purposes of
teaching and learning. Decomposing practice enables students both to
“see” and to enact practice more effectively. Some examples of the
decomposition of practice we have observed include focusing on lesson
planning in teacher education, teaching aspects of speech and delivery
for preachers, and targeting the use of self-disclosure in therapy during
the preparation of therapists. In all instances, these represent simply a
component of a larger practice (planning, homiletics, establishing a ther-
apeutic alliance), but a component that is essential to the work of the
professional.
The ability to decompose practice depends on the existence of a lan-
guage and structure for describing practice—what we’ve described as a
grammar of practice. Without such a grammar, it is difficult to name the
parts or to know how the components are related to one another. The
current efforts to create observational protocols for teaching, including
protocols such as Classroom Assessment Scoring System (CLASS; Pianta,
La Paro, & Stuhlman, 2004), Framework for Teaching (Danielson, 2007),
and the Protocol for Language Arts Teaching Observation (Grossman et
al., 2010), all represent such grammars of practice and identify con-
stituent parts of teaching practice.
In making facets of practice visible to novices, decompositions of prac-
tice in professional education can help develop professional vision
(Goodwin, 1994) or “disciplined perception” of practice (Stevens & Hall,
1998). According to Stevens, “Disciplined perception is a set of coordi-
nated practices through which people perceive and interpret the world
in discipline-specific ways” (Stevens & Hall, p. 111). To develop such dis-
ciplined perception of a complex practice among novices, instructors
must possess a set of disciplinary categories for describing practice and,
during instruction, focus students’ attention on these components of
practice. By decomposing complex practices, professional educators can
help students learn to attend to essential elements of a practice.
These decompositions also help support students as they learn to enact
complex practices. By focusing on one component of a more complex
practice, novices have opportunities to work on a more discrete set of
moves or strategies. For example, in the preparation of clinical psycholo-
gists, we saw instructors focus on how to establish a therapeutic alliance
with a client, which was then decomposed into a smaller set of both ver-
bal and nonverbal practices. We saw multiple lessons on how to respond
to resistance, which was decomposed further into moves such as siding
with the negative or “rolling with resistance” (see Grossman et al., 2007,
for more details). Clinical psychology students then practiced these
moves, both in and out of class. Identifying such discrete moves—part of
2840 Teachers College Record
left novices in the role of student rather than teacher. I began to experi-
ment with a variety of approximations of practice, particularly around
learning to engage students in rigorous academic discussions,1 and I
began to advocate for the use of more fully developed pedagogies of
enactment in teacher education (Grossman & McDonald, 2008).
The rest of the articles in this issue provide additional examples of
these efforts to build a more robust vision of teacher education that pro-
vides rich opportunities for students to learn through carefully designed
approximations of practice. Teacher educators at the University of
Michigan have taken up these ideas about decomposition and approxi-
mation in a serious and disciplined way, focusing specifically on helping
prospective elementary teachers learn to lead discussions in both reading
and math. Learning to lead rich classroom discussions represents the
kind of complex practice that is difficult to learn to enact and yet has
enormous payoff in terms of student learning. The work at the University
of Michigan is subject specific, respecting the ways in which this particu-
lar practice may vary with the subject matter being taught. The articles
provide rich descriptions of what a teacher education program, built
around this framework for the teaching of practice, might look like.
In her poem, “The Author to Her Book,” Anne Bradstreet describes
her poetry as her imperfect child that has been sent out into the world
and asks that the world treat her creation kindly. She acknowledges the
risk of sending what she describes as the “ill-formed offspring of my fee-
ble brain” into the world and her hope that others will respond. When
academics launch ideas into the pages of a journal, like Anne Bradstreet,
we can only hope for their survival. To see the ideas nurtured, developed,
and brought to fruition by others is perhaps the greatest gift a scholar can
receive.
Note
1. See http://gallery.carnegiefoundation.org/collections/quest/collections/sites/
grossman_pam/ for a representation of this work)
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2842 Teachers College Record
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