Chapter 2 RRL District 5
Chapter 2 RRL District 5
This section discussed a detailed discussion of the review of related literature and
studies on the exposure to different art references to senior high school students’ artistic
ability. Majority of the senior high school students, mainly the Grade 12 Arts and Design
students are observed to be using references in creating artworks to ignite the inspiration and
motivation to create art. The purpose of reference differs across artists and between pieces of
art; it is typically included into the artist's process in an ad hoc manner (Holinaty, et al.,
2021). Thus, in this section the researchers will explore the relationship between the exposure
to art references and the artistic ability of senior high school students.
Art referencing is visual references to a certain work of art or artist. Rather than
directly sampling a pre-existing work, as with appropriation, these works change or distort
their citations, which are typically drawn from Western canon icons (Artsy, n.d.).
Correspondingly, references are utilized to enhance artwork, and you may learn a lot and
advance your visual library by utilizing references (Nevermore, 2020). Moreover, any
reference is filtered through the lens of your experience, taste, and perception. You are free to
alter any part of it without infringing on the rights of any other person depicted in it
(FantasyRoom, n.d.). According to Okada & Ishibashi (2016), they found that participants
were able to create imaginative drawings that were qualitatively distinct from the model
12 out of 14 students got inspired to create a self portrait artwork because they were familiar
Inspiration to create art is everywhere. This implies that they engage with the natural
world through a variety of senses (taste, smell, touch, hearing, and sight), incorporating their
observations into their artistic creations (The Huntington, n.d.) .Additionally, inspiration
takes a huge role in an artist’s artistic ability. However, Finding inspiration is simple and
natural for some people, while it may be difficult for others (Fisher, 2022). Hence, the term
“artist block” or “art block” exists. Artists frequently struggle with inspiration, motivation,
and creativity when they have an art block. Although it might be discouraging and irritating,
there are strategies to get over it (Wassell, 2023). According to Christensen (2019), copying
or referencing existing artworks is one of the strategies to overcome “art block” or “artist
block”. On the contrary, inspiration can also be taken as an imitation. Although there's a
distinction to be made between being inspired by an ancestor's work and just imitating it
(Hunter, 2023).
Inspiration honors, expands upon, and moves autonomously in new ways, generating
new concepts and deepening the conversation in the process while imitation, on the other
hand, just takes the easiest route possible, mimicking previously spoken information and
sluggishly repeating previously observed content (Cvetkovski, 2023). However, if you take
little fragments from several sources and rework and blend them in novel ways, you've
produced something fresh and unique—art (Might Could Studios, n.d.). Nevertheless, artists
use reference 99% of the time, art that is not objective can be the exception. A small piece of
bark with an intriguing color, texture, or pattern would suffice. It may be a cloth swatch. It
can be an on-location watercolor or drawing that was carried back to the studio. It may be an
advertisement, a character from an anime, or the creation of another artist (Hudson, 2023).
Additionally, most artists, especially illustrators, benefit greatly from reference photos and
project design and then seek for reference photos that will assist you create the painting. In
addition, looking at the works of many artists should inspire you to create something of your
own (Bitesize, n.d.). Hence, these studies indicate that art references are a source of
inspiration for artists, which aid in the creative process of producing artworks, especially to
that results in the creation of creative and valuable ideas, solutions, and products.
Additionally, creativity is one of the most valuable qualities we have as we navigate the fast
changing environment of the twenty-first century (Ritter, et al., 2014). Moreover, creativity is
and explore new ideas through a variety of cognitive processes such as imagination, problem-
solving, and divergent thinking. Psychologists have long been interested in understanding the
nature of creativity and the elements that contribute to its development (Lumen Learning,
n.d.). According to Sternberg (2019), creativity is a cognitive process that involves the
production of novel and useful ideas. The authors argue that artistic ability is one of many
expressions of creativity and that it necessitates a wide range of cognitive abilities, including
According to Hargreaves & McPherson (2018), artistic ability is the ability to develop
and express oneself through the creation of art. It necessitates not only technical ability but
also the ability to convey emotion, meaning, and aesthetic value through artistic expression.
According to Ericsson et al. (2018), artistic ability is defined as the ability to produce creative
products that are original, effective, and aesthetically pleasing which the the authors argue
that this capacity is not simply a matter of technical skill, but also requires a deep
understanding of the aesthetic principles that govern art. It is the ability to create aesthetically
valuable products or performances. Correspondingly, the authors believe that this ability
involves more than just technical expertise, but also a thorough comprehension of the
aesthetic principles that govern art (Gilhooly, K.J., 2021). Thus, the relationship between
creativity and the use of art references is complicated and varied, involving a variety of
aspects such as cognitive processes, skill development, and individual differences (Acomi, et
al., 2023).
The relationship between art references and artistic ability is a topic of great interest
and controversy among art and psychology scholars and practitioners. Some claim that using
art references can restrict creativity, resulting in derivative or imitative work without
originality. Others argue that art references can act as a catalyst for creativity, providing a
jumping-off point for artists to explore and develop in their own unique ways. (Pelowski, et
al., 2017) Using art references can have a variety of cognitive effects on the creative process.
Artists must engage in sophisticated cognitive processes such as visual perception, memory
retrieval, and mental imaging when working with art references. These procedures are critical
in translating visual information from reference material to the artist's own interpretation and
expression with both professional and amateur artists alike seek inspiration from the works of
others in order to improve their own creativity (Ishiguro & Okada, 2020)
Originality in art
unique, and not the same as anything or anyone else (Cambridge dictionary, 2023).
is what generates representations of possibilities and actions while giving the option of
Furthermore, originality is a common word that is associated with the arts. There are
converging ideas on the concept of originality, and the way the concept is actualized can vary
in different divisions or occasions (Cruz, et al., 2022). A study by Augustin et al. (2012)
reveals that words donating originality, along with beautiful and wonderful, are terms that
have equal likelihood of aesthetic usage to describe works in all art forms.
Borowiecki & Mauri (2023) conducted a study which shows that it is a goal for artists
and various creative workers to achieve success and influence by producing original works.
Additionally, the early study shows that composers with original outputs tend to be more
influential as well as successful with present day audiences. Part of the study presents a
correlation between originality and influence over a lifetime of a creator. It then states that
the relationship between the two variables is positive and higher than 50%. Hence, there is a
that the impact of originality on popularity follows a direct linear pattern, as well as, being
In the present world, artists have various means of access to material that is not their
own, both physically and digitally. For example, the internet allows access to a wide variety
of images and references online. A study by Gorichanaz (2019) explains how artists build
understanding with information when creating works of art. The study expounded on the
artists’ information behavior. Furthermore, on how traditional and novel forms of information
help the self and the artistic process. There is constant back and forth with originality and
replication when it comes to the arts. Most of the time it is the two concepts against each
other, not often are they viewed as both essential and meaningful in the practice of art
(Fairman, 2022).
However, referencing material by other people can create room for new possibilities
in individual expression and experimentation (Jerkku, 2020). In the art industry the notion of
something that has already existed before. The results point to analogies, and in its extremes,
what is viewed as creative or original may not be entirely original but instead something that
is based on what was already existing. (Pritzker & Runco, n.d). Similarly, Acar (2017)
explains that originality is the strongest correlation of both creativity and innovation.
Therefore, what is original in a piece would be the use of integration and the presence of
innovation that would influence creativity, which would produce a sort of originality within a
work of art.