Elements of Painting
Elements of Painting
Elements of Painting
The elements of art are sort of like atoms in that both serve
as "building blocks" for creating something. You know that
atoms combine and form other things. Sometimes they'll
casually make a simple molecule, as when hydrogen and
oxygen form water (H2O). If hydrogen and oxygen take a
more aggressive career path and bring carbon along as a co-
worker, together they might form something more complex,
like a molecule of sucrose (C12H22O11).
1. Line
2. Shape,Form
3. Tone
4. Texture
5. Space
6. Light n Shadow
7. Color
Color is often the whole point for people who are visual
learners and thinkers.
Musicians can talk about the key of "A," and they all know it
means "a pitch relating to 440 oscillations per second of
vibration." Mathematicians may use the very basic word
"algorithm" and feel confident that most people know they
mean "a step-by-step procedure for carrying out
computation." Botanists world-wide will employ the name
"rosa rugosa," rather than the much longer "that old-
fashioned shrub rose - you know, the one that leaves hips in
the fall - with the five-petaled flowers that can be yellow,
white, red or pink." These are all specific examples of a
common language coming in handy for intelligent (and
shortened) discourse.
Line
Introduction:
A line is one of the simplest elements of art. Lines are marks
upon paper or canvas. They can be horizontal, vertical,
curved, or any other shape. Art forms that use lines include
drawings, paintings, and other two-dimensional art forms.
Even a few sparing lines can create an interesting and
meaningful work of art, which is one of the reasons why
artists often spend so much time doing line work as practice.
Leonardo da Vinci, Rembrandt, and Degas are just a few
famous artists who have used lines to create expressive
graphite drawings.
Lines are marks moving in a space between two points
whereby a viewer can visualize the stroke movement,
direction, and intention based on how the line is oriented.[1]
[2]
Lines describe an outline, capable of producing texture
according to their length and curve.[3] There are different
types of lines artists may use, including, actual,
implied, vertical, horizontal, diagonal and contour lines,
which all have different functions.[3] Lines are also situational
elements, requiring the viewer to have knowledge of the
physical world in order to understand their flexibility, rigidity,
synthetic nature, or life.[1]
Contour Lines
The outlines are just the beginning since line is also used to
describe the details on the subject as well. Usually, we can
simplify areas of contrast on a subject into a line.
line is great for describing a subject in a drawing, but outlines
on their own are not complete. Other elements of art
(specifically value) must be used in addition to line to create
a realistic drawing.
Line Quality
Hatching
Cross Hatching
Types of Lines
Lines come in all shapes and sizes and the types of line that
can be drawn are endless. Some common forms of line
include horizontal, vertical, diagonal, zigzag, and curved.
Other types of line include broken lines and implied lines.
Shape
Connecting lines together to enclose some areas is
called shape. Shapes are often organic, meaning that they
follow the kinds of shapes that one might find in nature and
are more or less irregular. Some artists also
use geometric shapes, which are the genre of shapes one
might find in a mathematics textbook. Most drawings that
use lines will also use shapes. Artists who used distinctive,
often geometric shapes include Wassily Kandinsky, Henri
Matisse, and Piet Mondrian.
A shape is a two-dimensional design encased by lines to
signify its height and width structure, and can have different
values of color used within it to make it appear three-
dimensional.[2][4] In animation, shapes are used to give a
character a distinct personality and features, with the
animator manipulating the shapes to provide new life.
[1]
There are different types of shapes an artist can use and
fall under either geometrical, defined by mathematics, or
organic shapes, created by an artist.[3][4] Simplistic,
geometrical shapes include circles, triangles and squares, and
provide a symbolic and synthetic feeling, whereas acute
angled shapes with sharp points are perceived as dangerous
shapes.[1] Rectilinear shapes are viewed as dependable and
more structurally sound, while curvilinear shapes are chaotic
and adaptable.[1]
Form[edit]
Form is an element of art that is applicable exclusively to
sculptures and other three-dimensional artwork. The form of
an artwork is the three-dimensional space that it takes up.
How big is it? How solid is it? Does it move? All of these are
questions that one might ask about artistic form. Some works
of art have variable form, particularly if they are sculptures
that are intended to change over time. Artists have a great
deal of leeway when it comes to form. Artists who have used
form creatively in their sculptures include Theo Jansen,
Marco Cianfanelli, and Willard Wigan.
Form is a three-dimensional object with volume of height,
width and depth.[2] These objects include cubes, spheres and
cylinders.[2] Form is often used when referring to physical
works of art, like sculptures, as form is connected most
closely with those three-dimensional works.[5]
A drawing of a cube on paper can fit into this. Here the cube
is a three-dimensional object having length, breadth, and
depth, and we draw it using a line in addition to elements of
Art which is his line; the concept of perspective is added to it,
creating a cube form.
Color
Color is an element consisting of hues, of which there are
three properties: hue, chroma or intensity, and value.[3] Color
is present when light strikes an object and it is reflected back
into the eye, a reaction to a hue arising in the optic nerve.
[6]
The first of the properties is hue, which is the
distinguishable color, like red, blue or yellow.[6] The next
property is value, meaning the lightness or darkness of the
hue.[6] The last is chroma or intensity, distinguishing between
strong and weak colors.[6] A visual representation of
chromatic scale is observable through the color wheel that
uses the primary colors.[3]
Art has its meaning, and color expresses it. Once you
understand the meaning of different colors and why an artist
uses them, you will appreciate and understand Color in Art?
Sir Isaac Newton invented the first color wheel in 1666 AD.
During his research on white light, he understood that light
splits into different colors through a prism. He subsequently
found the relationship of different colors to musical notes
and arranged the musical notes on a rotating disk with color,
inventing the first color wheel.
Primary
Secondary
Tertiary
The primary color on the color wheel are three colors which
are
Red
Yellow
Blue
Warm colors in Art are Yellow, Red, and Orange, and they are
very vibrant colors and pop out. The artist uses these colors
to create excitement and energy in his artwork.
On the other hand, cool colors are green, purple, and blue,
giving harmony and peace to the person observing the
artwork.
All the Cool colors will be on another side of the color wheel.
Texture
Texture is used to describe the surface quality of the work,
referencing the types of lines the artist created.[1] The surface
quality can either be tactile (real) or strictly visual (implied).
[3]
Tactile surface quality is mainly seen through three-
dimensional works, like sculptures, as the viewer can see
and/or feel the different textures present, while visual
surface quality describes how the eye perceives the texture
based on visual cues.[7]
Classification of Texture
Found or Available
Copied
Created
One of the things I love most about art is the way it can
engage all of your senses. When looking at a painting,
sculpture, or photograph, you’re not just seeing it with your
eyes. You’re also feeling it with your hands and sometimes
even smelling it or hearing it. And that’s what I love about
texture in art. It’s a way to add another layer of dimension
and make the experience of looking at a piece of art more
immersive.
The level of detail in the textures can also vary, from rough
and rugged to smooth and sleek. No matter how it’s created,
the texture is a powerful element that can add depth,
dimension, and interest to any artwork.
Conclusion:
Value
What is Value in Art?
When shading an object, the artist will start with the lightest
values and gradually add darker values until the desired
effect is achieved.Following are how values are created in an
artwork.
The light values are the lightest areas of the art piece. The
light values are usually at the top of the left side of the
composition.
The mid values are in the middle of the value scale and are
usually a medium shade of gray or beige.
The dark values are the darkest areas of the composition and
are usually located at the bottom or right side of the piece.
The very dark values are the absolute darkest tones in the
piece and are usually used for accents or highlights.
The value scale can be created using a variety of elements,
such as shapes, lines, and colors. When creating a value
scale, it is essential to use accurate values to balance the
different tones correctly, and the composition looks realistic.
Mid values are colors that are neither light nor dark. Deep
values are colors that are darker than mid values.
Space
Space is one of the seven elements of art and is used in
nearly every piece of work made. Sculptors, painters, and
photographers all display space in their works. Today you are
going to learn all about the element of art space, and how it’s
used in art.
There are several different ways to illustrate space when
creating a work of art or drawing. You can use just one of
these techniques. Or, you can use a few of them. It’s even
possible to use all the different ways to show space in one
piece of art.
As you can see there are basically two different ways to use
space in art.
Depending on where you focus, you can see either two faces
or a vase.
I’m sure you’ve seen many more of these types of illusions as
well where the image changes with your area of focus.
Size
Placement (horizon) – fore, middle, background
Overlap
Linear perspective
Atmospheric perspective
The closer the object is to the horizon line, the further away
it is. And objects drawn further away are perceived as being
closer.
Atmospheric Perspective