AV receiver

ENGLISH
User’s manual
2

azur
551R

Your music + our passion

 Contents
Introduction .........................................................................................................3
Important safety instructions .............................................................................4

Make sure you register your purchase. Limited warranty..................................................................................................5

Front panel controls ............................................................................................6
Visit: www.cambridge-audio.com/sts
Rear panel connections......................................................................................7
By registering, you’ll be the first to know about: Apple device compatibility..................................................................................8
l Future product releases

l Software upgrades
Remote control ....................................................................................................8
l News, events and exclusive offers plus Loudspeaker connections ..................................................................................9
competitions! Front panel display..............................................................................................9

-This guide is designed to make installing and using this product Digital audio connections.................................................................................10
as easy as possible. Information in this document has been Analogue audio connections............................................................................10
carefully checked for accuracy at the time of printing; however,
Cambridge Audio's policy is one of continuous improvement, HDMI input connections...................................................................................11
therefore design and specifications are subject to change
without prior notice. Analogue video input connections ..................................................................11
This document contains proprietary information protected by Video output connection (HDMI) .....................................................................12
copyright. All rights are reserved. No part of this manual may be
reproduced by any mechanical, electronic or other means, in any 5.1/7.1 Direct in................................................................................................12
form, without prior written permission of the manufacturer. All
trademarks and registered trademarks are the property of their 7.1 Preamp out .................................................................................................13
respective owners.
Aerial connections ............................................................................................13
Incognito and Incognito Ready are trademarks of Cambridge
Audio Ltd. All rights reserved. FM aerial............................................................................................................13
© Copyright Cambridge Audio Ltd 2011
AM loop aerial ...................................................................................................13
Manufactured under license from Dolby Laboratories. "Dolby"
and the double-D symbol are trademarks of Dolby Laboratories. Front input connections ...................................................................................13
Manufactured under license under U.S. Patent #’s: 5,451,942; 551R setup........................................................................................................14
5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535;
7,212,872; 7,333,929; 7,392,195; 7,272,567 & other U.S. 1. Speaker configuration ............................................................................14
and worldwide patents issued & pending. DTS is a registered
trademark and the DTS logos, Symbol, DTS-HD and DTS-HD 2. Speaker setup .........................................................................................15
Master Audio are trademarks of DTS, Inc. © 1996-2011 DTS,
Inc. All Rights Reserved. Speaker delay ..............................................................................................15
"HDMI","HDMI logo" and "High-Definition Multimedia Interface" Level calibration ..........................................................................................16
are trademarks or registered trademarks of HDMI Licensing
LLC. Auto speaker setup for Distance/Level .....................................................16
3. Assigning Video inputs............................................................................17
Scaler Assign/Processing ...........................................................................18
4. Source setup ...........................................................................................18
Audio connection type.................................................................................18
Surround sound modes....................................................................................19
Operating instructions ......................................................................................20
Selecting the source ...................................................................................20
Using the Tuner............................................................................................24
Lip sync ........................................................................................................24
Using ARC.....................................................................................................25
Audio split mode..........................................................................................25
Advanced setup ................................................................................................26
Sub crossovers and bass management ....................................................26
Bi-amping .....................................................................................................26
Tone/Sub/LFE configuration ......................................................................26
OSD setup ....................................................................................................27
Advanced Dolby/DTS adjustments.............................................................27
Dynamic range control ................................................................................27
DTS-HD speaker re-map .............................................................................28
Reset/Back-up memory ...................................................................................29
Troubleshooting.................................................................................................30
Technical specifications ...................................................................................31

2
 azur 551R
Introduction Before connecting
Thank you for purchasing this 551R AV Receiver. We are confident that you The process of setting up the 551R is first to make all the connections to your

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will enjoy many years of listening pleasure from it. Like all Cambridge Audio speakers and source equipment and then set the unit up via its On-Screen
products the 551R adheres to our three core principles – stunning Display (OSD) as there are various settings and adjustments that need to be
performance, ease of use and incredible value. made before the 551R can be used.
As such, the seven 60W audiophile grade fully discrete amplifiers are kept as However before you actually decide which connections to make or perform
separate as possible from the processing and input stages and feature a any adjustments it is strongly advised that you read through the ‘551R
large power supply with a low flux toroidal transformer. This careful design of setup’ section of this manual first, starting on page 14.
the amplifier stages ensure that the 551R can reproduce the dynamics and
scale required for modern movie soundtracks whilst also being able to A lot of explanation is included that will help you to choose the right
reproduce a genuinely musical performance with either stereo or connection types for both your sources and TV.
multichannel music sources.
A full range of HDMI, digital and analogue inputs are fitted. These allow the
connection of suitably equipped Blu-ray players, DVD players, satellite/set-
top boxes and games consoles for decoding into stereo, stereo + sub or
various digital surround formats.
The latest formats are supported including Dolby True HD, Dolby Digital Plus,
DTS-HD Master Audio and DTS-HD High Resolution Audio in 5.1 or 7.1
variants. In particular support for the true lossless Dolby True HD and DTS-
HD Master Audio formats provides unprecedented audio fidelity from Blu-ray
discs.
Various HDMI 1.4 features are supported including 3D TV and deep-colour
pass-through from suitable sources and Audio Return from TVs with this
feature.
The 551R is also capable of decoding encoded analogue or digital stereo
sources in Dolby Pro Logic® II or IIx and DTS Neo:6, for a convincing and
effective surround experience from a matrix encoded stereo source.
Sophisticated post-processing of 5.1 digital material is also possible with
PLIIx or DTS Neo:6 to turn these formats into 7.1.
Conventional analogue stereo inputs allow the connection of audiophile CD
players and the like, and an Analogue Stereo Direct mode with no processing
ensures the very best possible stereo reproduction for these.
The 551R also carries a 5.1 / 7.1 channel analogue input. This feature allows
for the connection of a DVD-Audio or SACD player equipped with a 5.1 output
and is compatible with any future external 7.1 audio formats.
As well as the full complement of audio inputs, the 551R performs
Composite, S-Video, Component Video and HDMI switching with transcoding
and scaling (up-converting) of all analogue video to HDMI.
An RS232 port and IR Emitter In also make it easy to integrate the 551R into
a Custom Install situation.
All this proprietary engineering is housed within our low resonance,
acoustically damped chassis. An Azur Navigator remote control is also
provided, giving full remote control of your AV receiver in an attractive and
easy to use handset.
Remember your 551R can only be as good as the system it is connected to.
Please do not compromise on your source equipment, speaker package or
video and audio cabling. Naturally we particularly recommend our Blu-ray
players, digital and analogue iPod docks, Network and CD players from the
Cambridge Audio Azur range, which have been designed to the same
exacting standards as our receivers. Your dealer can also supply excellent
quality Cambridge Audio interconnects to ensure your system realises its full
potential.
Thanks for taking the time to read this manual, we do recommend you keep
it for future reference.

Matthew Bramble
Cambridge Audio Technical Director
and the 551R design team

3
Important safety instructions
For your own safety please read the following important safety instructions
carefully before attempting to connect this unit to the mains power supply.
They will also enable you to get the best performance from and prolong the
life of the unit:
1. Read these instructions.
The lightning flash with the arrowhead symbol within an equilateral triangle
2. Keep these instructions. is intended to alert the user to the presence of un-insulated ‘dangerous
voltage’ within the product’s enclosure that may be of sufficient magnitude
3. Heed all warnings. to constitute a risk of electric shock to persons.
4. Follow all instructions. The exclamation point within an equilateral triangle is intended to alert the
5. Do not use this apparatus near water. user to the presence of important operating and maintenance instructions in
the service literature relevant to this appliance.
6. Clean only with a dry cloth.
The symbol on this product indicates that it is of CLASS II (double
7. Do not block any ventilation openings. Install in accordance with the insulated) construction.
manufacturer's instructions.
8. Do not install near any heat sources such as radiators, heat registers, WEEE symbol
stoves, or other apparatus (including amplifiers) that produce heat. The crossed-out wheeled bin is the European Union symbol for
indicating separate collection for electrical and electronic
9. Do not defeat the safety purpose of the polarized or grounding-type plug. equipment. This product contains electrical and electronic
A polarized plug has two blades with one wider than the other. A equipment which should be reused, recycled or recovered and
grounding-type plug has two blades and a third grounding prong. The should not be disposed of with unsorted regular waste. Please
wide blade or the third prong are provided for your safety. If the provided return the unit or contact the authorised dealer from whom you purchased
plug does not fit into your outlet, consult an electrician for replacement this product for more information.
of the obsolete outlet.
10. Protect the power cord from being walked on or pinched, particularly at CE mark
plugs, convenience receptacles and the point where they exit from the
apparatus. This product complies with European Low Voltage (2006/95/EC),
Electromagnetic Compatibility (2004/108/EC) and
11. Only use attachments/accessories specified by the manufacturer. Environmentally-friendly design of Energy-related Products (2009/125/EC)
Directives when used and installed according to this instruction manual. For
12. Use with only the cart, stand, tripod, bracket, or table continued compliance only Cambridge Audio accessories should be used
specified by the manufacturer, or sold with the apparatus. with this product and servicing must be referred to qualified service
When a cart is used, use caution when moving the cart/ personnel.
apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long C-Tick mark
periods of time. This product meets the Australian Communications Authority’s
14. Refer all servicing to qualified service personnel. Servicing is required Radio communications and EMC requirements.
when the apparatus has been damaged in any way, such as the power-
supply cord or plug having been damaged, liquid has been spilled or Gost-R Mark
objects have fallen into the apparatus, the apparatus has been exposed
to rain or moisture, does not operate normally, or has been dropped. This product meets Russian electronic safety approvals.

FCC regulations
WARNING NOTE: THE MANUFACTURER IS NOT RESPONSIBLE FOR ANY RADIO OR TV
– To reduce the risk of fire or electric shock, do not expose this unit to rain INTERFERENCE CAUSED BY UNAUTHORIZED MODIFICATIONS TO THIS
or moisture. EQUIPMENT. SUCH MODIFICATIONS COULD VOID THE USER AUTHORITY TO
OPERATE THE EQUIPMENT.
– Batteries (battery pack or batteries installed) shall not be exposed to
excessive heat such as sunshine, fire or the like. This equipment has been tested and found to comply with the
limits for a Class B digital device, pursuant to Part 15 of the FCC
The unit must be installed in a manner that makes disconnection of the Rules. These limits are designed to provide reasonable protection
mains plug from the mains socket outlet (or appliance connector from the against harmful interference in a residential installation. This equipment
rear of the unit) possible. Where the mains plug is used as the disconnect generates, uses and can radiate radio frequency energy and, if not installed
device, the disconnect device shall remain readily operable. Only use the and used in accordance with the instructions, may cause harmful
mains cord supplied with this unit. interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation.
Please ensure there is ample ventilation (at least 10cm clearance all round).
Do not put any objects on top of this unit. Do not situate it on a rug or other If this equipment does cause harmful interference to radio or television
soft surface and do not obstruct any air inlets or outlet grilles. Do not cover reception, which can be determined by turning the equipment off and on, the
the ventilation grilles with items such as newspapers, tablecloths, curtains, user is encouraged to try to correct the interference by one or more of the
etc. following measures:
This unit must not be used near water or exposed to dripping or splashing - Re-orient or relocate the receiving antenna.
water or other liquids. No objects filled with liquid, such as vases, shall be
placed on the unit. - Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to
which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.

4
 azur 551R
Limited warranty
Ventilation Cambridge Audio warrants this product to be free from defects in materials

ENGLISH
and workmanship (subject to the terms set forth below). Cambridge Audio will
IMPORTANT – The unit will become hot when in use. Do not stack multiple units repair or replace (at Cambridge Audio's option) this product or any defective
on top of each other. Do not place in an enclosed area such as a bookcase or in a parts in this product. Warranty periods may vary from country to country. If in
cabinet without sufficient ventilation. doubt consult your dealer and ensure that you retain proof of purchase.
Ensure that small objects do not fall through any ventilation grille. If this happens, To obtain warranty service, please contact the Cambridge Audio authorised
switch off immediately, disconnect from the mains supply and contact your dealer dealer from which you purchased this product. If your dealer is not equipped
for advice. to perform the repair of your Cambridge Audio product, it can be returned by
your dealer to Cambridge Audio or an authorised Cambridge Audio service
Positioning agent. You will need to ship this product in either its original packaging or
packaging affording an equal degree of protection.
Choose the installation location carefully. Avoid placing it in direct sunlight or
close to a source of heat. No naked flame sources, such as lighted candles, Proof of purchase in the form of a bill of sale or receipted invoice, which is
should be placed on the unit. Also avoid locations subject to vibration and evidence that this product is within the warranty period, must be presented
excessive dust, cold or moisture. The unit can be used in a moderate climate. to obtain warranty service.
This unit must be installed on a sturdy, level surface. Do not place in a sealed This Warranty is invalid if (a) the factory-applied serial number has been
area such as a bookcase or in a cabinet. Any space open at the back (such altered or removed from this product or (b) this product was not purchased
as a dedicated equipment rack) is fine, however. Do not place the unit on an from a Cambridge Audio authorised dealer. You may call Cambridge Audio or
unstable surface or shelf. The unit may fall, causing serious injury to a child your local country Cambridge Audio distributor to confirm that you have an
or adult as well as serious damage to the product. Do not place other unaltered serial number and/or you purchased from a Cambridge Audio
equipment on top of the unit. authorised dealer.
Due to stray magnetic fields, turntables or CRT TVs should not be located This Warranty does not cover cosmetic damage or damage due to acts of
nearby due to possible interference. God, accident, misuse, abuse, negligence, commercial use, or modification
of, or to any part of, the product. This Warranty does not cover damage due
Electronic audio components have a running in period of around a week (if
to improper operation, maintenance or installation, or attempted repair by
used several hours per day). This will allow the new components to settle
anyone other than Cambridge Audio or a Cambridge Audio dealer, or
down and the sonic properties will improve over this time.
authorised service agent which is authorised to do Cambridge Audio warranty
work. Any unauthorised repairs will void this Warranty. This Warranty does not
Power sources cover products sold AS IS or WITH ALL FAULTS.
The unit should be operated only from the type of power source indicated on REPAIRS OR REPLACEMENTS AS PROVIDED UNDER THIS WARRANTY ARE
the marking label. If you are not sure of the type of power-supply to your THE EXCLUSIVE REMEDY OF THE CONSUMER. CAMBRIDGE AUDIO SHALL
home, consult your product dealer or local power company. NOT BE LIABLE FOR ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES FOR
This unit has been designed to be left in Standby mode when not in use as BREACH OF ANY EXPRESS OR IMPLIED WARRANTY IN THIS PRODUCT.
this will increase the life of the unit (this is true with all electronic equipment). EXCEPT TO THE EXTENT PROHIBITED BY LAW, THIS WARRANTY IS EXCLUSIVE
To turn the unit off, switch off at the rear panel. If you do not intend to use AND IN LIEU OF ALL OTHER EXPRESS AND IMPLIED WARRANTIES
this unit for a long period of time, unplug it from the mains socket. WHATSOEVER INCLUDING, BUT NOT LIMITED TO, THE WARRANTY OF
MERCHANTABILITY AND FITNESS FOR A PRACTICAL PURPOSE.

Overloading Some countries and US states do not allow the exclusion or limitation of
incidental or consequential damages or implied warranties so the above
Do not overload wall outlets or extension cords as this can result in a risk of exclusions may not apply to you. This Warranty gives you specific legal rights,
fire or electric shock. Overloaded AC outlets, extension cords, frayed power and you may have other statutory rights, which vary from state to state or
cords, damaged or cracked wire insulation and broken plugs are dangerous. country to country.
They may result in a shock or fire hazard.
For any service, in or out of warranty, please contact your dealer.
Be sure to insert each power cord securely. To prevent hum and noise, do not
bundle the interconnect leads with the power cord or speaker leads.

Cleaning
To clean the unit, wipe its case with a dry, lint-free cloth. Do not use any
cleaning fluids containing alcohol, ammonia or abrasives. Do not spray an
aerosol at or near the unit.

Battery disposal
Batteries may contain substances harmful to the environment. Please
Plug Fitting Instructions (UK Only)
dispose of any discharged batteries with due consideration and in The cord supplied with this appliance is factory fitted with a UK mains plug fitted
accordance with local environmental/electronic recycling guidelines. with a 5 amp fuse inside. If it is necessary to change the fuse, it is important that
a 5 amp one is used. If the plug needs to be changed because it is not suitable for
Loudspeakers your socket, or becomes damaged, it should be cut off and an appropriate plug
fitted following the wiring instructions below. The plug must then be disposed of
Before making any connections to loudspeakers, make sure all power is safely, as insertion into a mains socket is likely to cause an electrical hazard.
turned off and only use suitable interconnects. Should it be necessary to fit a 3-pin BS mains plug to the power cord the wires
should be fitted as shown in this diagram. The colours of the wires in the mains
Servicing lead of this appliance may not correspond with the coloured markings identifying
the terminals in your plug. Connect them as follows:
These units are not user serviceable. Never attempt to repair, disassemble or
reconstruct the unit if there seems to be a problem. A serious electric shock The wire which is coloured BLUE must be
could result if this precautionary measure is ignored. In the event of a connected to the terminal which is marked
problem or failure, please contact your dealer. with the letter ‘N’ or coloured BLACK.
The wire which is coloured BROWN must be
connected to the terminal which is marked
IMPORTANT with the letter ‘L’ or coloured RED.
If the unit is run at a very high level, a sensor will detect a temperature rise and The wire which is coloured GREEN/YELLOW
show "PROTECTION OVERLOAD" on the display. The unit will then go into Standby must be connected to the terminal which is
mode. It cannot be switched on again until the temperature has fallen to a more marked with the letter ‘E’ or coloured GREEN.
normal level.
If your model does not have an earth wire, then disregard this instruction.
If a standard 13 amp (BS 1363) plug is used, a 5 amp fuse must be fitted, or if any
other type of plug is used a 5 amp fuse must be fitted, either in the plug or adaptor,
or on the distribution board.

5
Front panel controls

5
20
6 7 8 9 10 11 12 13

19

1 2 3 4 21 23
14 15 16 17 18 22

1 Standby/On Note: The 551R remembers the audio and video input type and processing
mode for each individual source input. These are recalled each time a source
Switches the unit between Standby mode (indicated by a dim power LED) and is selected.
On (indicated by a bright power LED). Standby is an eco-friendly <1W low
power mode. The unit may be left in Standby mode when not in use.
14 Audio input type
2 Phones Press this button to select between analogue, digital (optical/coaxial) or HDMI
input types as the source of the audio for the currently selected source input.
Allows for the connection of stereo headphones with a 6.35mm/¼" Jack
plug. Headphones with an impedance of between 32 and 600 ohms are The choices available depend on the inputs that have been assigned to that
recommended. source, see later section.
Note: Plugging in headphones will automatically mute the main and pre-amp
outputs and select a 2-channel stereo down-mix to be created for headphone 15 Stereo modes
use. Press to listen to a source in either digitally processed stereo or stereo and
sub modes.
3 Tuning +/-
Used to tune FM/AM frequencies and skip presets for the built-in Tuner. 16 Surround modes
Press to select Dolby Digital or DTS surround modes (with suitably encoded
4 Mode/Store digital source material), or various Pro Logic II/IIx, DTS Neo:6 modes for
Press to cycle between Tuner modes. Press and hold for storing presets (refer matrix encoded analogue or digital material.
to the ‘Operating Instructions’ of this manual for more information).
17 Picture Adjustment
5 Display Press to select various picture adjustments for sources that have the Scaler
Displays the status of the unit. set to Process only (see ‘Source setup’ section in the manual). An
adjustment bar will appear on the TV for the current item (Brightness,
6 BD/DVD Contrast etc.) Press the Pic. Adj. button again to move to the next item.
Press to select the source equipment connected to the BD/DVD input. This button is also used to change the scaler output resolution. Press and
hold the button for 10 seconds and the current output resolution will appear
on the 551Rs front panel display. Keep holding the button down and the
7 Video 1 551R will change to the next available resolution and show it on the front
Press to select the source equipment connected to the Video 1 input. panel display. See later section.

8 Video 2 18 Mute/Info
Press to select the source equipment connected to the Video 2 input. Press to mute the sound from the main and pre-amp outputs of the 551R.
Press again to cancel mute.
9 Video 3/MP3 Note: Selecting a new source always cancels mute.
Press to select the source equipment connected to the Video 3 or MP3 input
(if a device is plugged into its 3.5mm mini-jack input). Press and hold to re-display the current decoding mode.
Note: The L audio input is also used for the supplied auto setup microphone. 19 Analogue Stereo Direct
Refer to the ‘Auto setup’ section of this manual for more information.
Press to listen directly to the analogue inputs for the current source directly with
10 Tuner FM/AM no analogue to digital conversion or DSP processing for highest possible stereo
sound quality.
Press to select the tuner. Once in Tuner mode press to switch between FM
and AM modes.
20 Volume
11 Tape/MD/CDR Use to increase/decrease the level of the sound from the outputs of the 551R.
Press to select the source equipment connected to the Tape/MD/CDR input.
21 Infrared sensor
12 CD/Aux/TV Receives IR commands from the supplied remote control. A clear,
Press to select the source equipment connected to the CD/Aux input. unobstructed line of sight between the remote control and the sensor is
required.
With ARC enabled (see later section), press again to select Audio Return
Channel from a suitable TV.
22 Video 3 Input
13 7.1 Direct For occasional use with camcorders or games consoles etc.
Press to select a 7.1 or 5.1 source (DVD-A or SACD player etc) connected to
the 7.1 Direct In sockets. 23 MP3 Input
This input can be used with the line or headphone outputs of portable music
players.

6
 azur 551R
Rear panel connections
3 9 10 14 15

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5 18
1 13 16
4

2 6
19

7 8 11 12 17

1 & 2 FM/AM antennas 14 & 15 HDMI

All tuner antenna connections are made here. Refer to the ‘Antenna Inputs and output to a suitable TV/Monitor. The HDMI inputs can be assigned
Connections’ section of this manual for more information. in the OSD. By Default the HDMI inputs are assigned to BD/DVD, Video 1 and
Video 2, with the 4th input unassigned.
3 Emitter In These inputs can be freely assigned, see later section on assigning video
Allows modulated IR commands from multi-room systems or IR repeater inputs.
systems to be received by the 551R.
All video inputs whether analogue or HDMI are transcoded and output via the
4 Service/Normal HDMI output.
For dealer use only - Switches the 551R between normal (default) mode and
two Service modes. Do not change the mode to service or make RS232
16 Component Video inputs
connections to it in service mode as damage may result! By default the component inputs are unassigned, these inputs can be freely
assigned, see later section on assigning video inputs.
5 Composite and S-Video inputs Note: The preferred connection method for video inputs is always Composite
These may be freely assigned to any source, see later section. Video, then S-Video, then Component Video, then HDMI in ascending order
of quality (HDMI being the highest quality). HDMI and Component Video
6 RS232C sources often also support Progressive Scan which gives better picture
quality if supported by both your BD/DVD player and TV.
Used for control of the 551R in Custom Install situations. A full protocol is
available for the 551R on our website. 17 . Speaker terminals
7 Analogue Audio inputs Connect to loudspeakers with an impedance of between 4-8 ohms. 7.1, 5.1
or less connections can be made.
For use with the line level outputs of CD players, BD/DVD players etc.
18 Power On/Off
8 Tape/MD/CDR In / Out Switches the unit on and off.
For use with suitable recording devices. The output allows recording of the
currently selected analogue source. 19 Mains power lead
Once you have completed all connections, plug the AC power lead into an
9 Digital Inputs appropriate mains socket. The AV receiver is now ready for use.
S/P DIF or Toslink digital inputs for each source.
You can choose to use a different type for each source but do not connect
both at the same time for the same source.

10 Digital Outputs
S/P DIF and Toslink digital outputs for recording . The outputs allow recording
of the currently selected digital source.
These are concurrent and both can be connected at the same time.

11 7.1 Preamp Out

Connect to the 5.1/7.1 channel input terminals of another amplifier system,
separate power amps, subwoofer or active loudspeakers.

12 7.1 Direct In
Connect to the output terminals of a DVD-A, SACD player or other 5.1/7.1
analogue source.

13 Heat tunnel vent grille

Allows cooling of internal circuitry via the 551R’s proprietary X-TRACT heat
tunnel. DO NOT OBSTRUCT!

7
Remote control
The 551R is supplied with an Azur Navigator remote control. Picture Adjustment
Insert the supplied AAA batteries to use. For full details of the
various adjustment functions available from the remote, refer Press to select various picture adjustments for sources that
to the later sections of this manual. have the Scaler set to Process only.
An adjustment bar will appear on the TV for the current item
Standby/On (Brightness, Contracts etc.) Press the Pic. Adj. button again to
Switches the unit between Standby mode and On. move to the next item.

Analogue Direct Lip sync

Directly selects a stereo analogue input for the current source Press to activate and adjust the lip sync delay function if the
with no A/D conversion or DSP processing. audio and video appear out of sync. While the Lip sync delay
status is shown on the units display, use the Vol and Vol
buttons to adjust the delay time. Adjusting the value to zero
Stereo Modes causes lip sync delay to be turned off. See later section in this
Selects Stereo or Stereo + Sub modes for Analogue or Digital manual.
sources (digitally processed).
Tuner AM/FM, BD/DVD, Video 1, Video 2,
Surround Modes Vid 3/MP3, Tape/MD/CDR, CD/Aux/TV
Selects digital surround processing modes and various matrix Press the corresponding button to change the input source.
encoded surround processing modes for analogue or digital Pressing the Tuner AM/FM button a second time toggles
sources (digitally processed). between AM and FM modes.
Pressing the CD/Aux/TV button a second time if ARC is enable
Info (see later section) selects TV-ARC (Audio Return Channel).
Press to view the current source material and decoding mode.
Press again whilst the current decoding mode is scrolling (as The above button descriptions are naturally brief. Please
long as mute is not on) to display the incoming sample rate. refer to the ‘Operating Instructions’ section of this manual for
When listening to FM with RDS, press to cycle round various more information on the relevant functions implemented.
RDS information modes.

Stereo Mono Apple device compatibility

When listening to FM, press to alternate between stereo and The Azur 551R Navigator remote control can control the basic
mono modes. functions of Apple devices such as Apple TV and Apple’s
iPod/iPhone/iPad range when docked in a Cambridge Audio
Store or Apple dock.
Press to store the current frequency when in Tuner mode. Press and hold the source button that corresponds to the
input that the Apple product is connected to whilst also
Mode pressing one of the buttons below.
Press to select Auto/Manual or Preset tuning when in Tuner The functions are slightly different depending on the Apple
mode. product.

Mute Enter
Mutes the audio on the AV Receiver. Press again to cancel Menu
mute.
Play/Pause
Volume Used to control volume and/or navigate menus.
Increase or decrease the volume of the AV receiver output.
Also used as up/down in the OSD setup menus.

Tune / Left & Right Used to navigate menus or Skip/Scan depending

on Apple product used.
Press the right arrow to increase tuner frequency/change
preset. Press the left arrow to decrease tuner
frequency/change preset. Also used to scroll left/right in the
OSD setup menus. In addition, the Azur remote can be paired with up to six
specific Apple devices using any of the six source buttons.
Enter This can be useful if you have more than one Apple product.
Used in the OSD setup menus. For more information on pairing refer to your Apple
device’s instruction manual.
On-Screen Display (OSD)
Press to turn on and off the on-screen setup menus for Pairing – To pair with an Apple device, press and hold the
display on your monitor/screen. required source button along with the  button for six
seconds. Some devices like Apple TV have visual indication
Bass/Treble once pairing is achieved.
Press for bass/treble adjustment, using the Volume up/down Un-pairing – To un-pair an Apple device, press and hold any
buttons. Note: Bass/Treble is bypassed in analogue stereo of the source buttons along with the  button for six
direct and 7.1 direct modes.
seconds.
Audio In Type
Switches the audio between the types available for the
current source. Depending on the source selected and
whether you have assigned an HDMI input to it, Analogue,
Digital and HDMI can be available.

7.1 Direct
Selects the 5.1/7.1 direct input.

8
 azur 551R
Front panel display Loudspeaker connections
To avoid damaging the speakers with a sudden high-level signal, be sure to

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1 2 3
switch the power off before connecting the speakers. Check the impedance
of your speakers. Speakers with an impedance of between 4 and 8 ohms
(each) are recommended.
The coloured speaker terminals are positive (+) and the black speaker
terminals are negative (-). Make sure correct polarity is maintained at each
speaker connector or the sound can become weak and “phasey” with little
bass.
4
5 Prepare the speaker cords for connection by stripping off approximately
10mm (3/8”) or less (no more than 10mm, as this could cause a short-
1 Mode icons circuit) of the outer insulation. Twist the wire tightly together so there are no
Direct indicator loose ends. Unscrew the speaker terminal knob, insert the speaker cable,
tighten the knob and secure the cable.
Lights when the 551R is in a Direct mode - Analogue Stereo Direct or 7.1
Direct. Note: All connections are made via loudspeaker cable, except if using an
active subwoofer which would be connected via a standard RCA phono cable.
HDMI
Indicates the current source audio input type is HDMI.
Multi
Indicates the 551R is receiving multi-channel PCM over HDMI.
Digital/Analogue indicators
Indicates whether the current source audio input type is Digital (S/P
DIF/Toslink) or Analogue.

2 Decoding mode indicators (PCM, Dolby Digital, DTS Banana Plugs (4mm standard) connected to the speaker cable are
etc) recommended for direct insertion into the speaker terminals.
Shows the current decoding mode, Dolby Digital, DTS etc. In conjunction with Please refer to the ‘Speaker Configuration’ section of this manual for more
the Output Channel indicators these give full details of the current processing information on 5.1 and 7.1 speaker setups.
mode.

3 Video input icons Powered subwoofer

Indicates the current video input type as Video (composite), S-Video, YUV Centre speaker
(Component) or HDMI.

4 Main information display

Shows the current source selected, also the surround mode and station
name/frequency when in tuner mode etc.

5 Output channel indicators Phono/RCA cable

Shows the currently active channels depending on decoding mode and
source material. Icons lit indicate active channels in the source material.
Icons with a box around them indicate actual channels being output by the
551R.

Display examples

Indicates a 5.1 Dolby Digital source being played back as 5.0 (Sub off). The
lit LFE indicates a low frequency effects channel is present in the source
material. When this icon isn’t boxed it indicates the LFE channel is not being
sent to a subwoofer but will be mixed into the front left and right instead.

Surround Front Surround back

speakers speakers speakers
Indicates a 7.1 playback of DTS ES material.

Indicates a 2.1 output created in the digital domain from analogue input
material.

9
Analogue audio connections
Note: Do not plug in the mains power lead or turn the unit on until all
connections have been made.
Connect to source equipment using stereo phono cables (stereo 2RCA-
2RCA). Tape/MD/CDR recorder/players require two sets of stereo
phono/RCA cables, one for recording, one for listening.
Examples

CD player Out Out BD/DVD player

Phono cable (2RCA-2RCA)

Audio player/recorder
(Tape/MD/CD-R)

Out In

Digital audio connections

Two types of digital audio connections can be made to the 551R: Either type can be used for a source as the 551R automatically uses the
active one.
1. Optical (Toslink)
Note: Only one connection type should be used per source.
2. Coaxial (S/P DIF)

CD player Out Out BD/DVD player

OR 1
OR
Examples 1 2 2

OR iD100 Digital iPod Dock

Audio player/recorder 1 2 1 2 2 1
(Tape/MD/CD-R)
OR OR

Out In

A recording device such as MD or CD-R can be connected to the digital

outputs as shown.

10
 azur 551R
HDMI input connections
HDMI (High-Definition Multi-Media Interface) is an all digital connection that DVI switching can be supported by using DVI to HDMI adaptors as these two

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can carry both audio and video in one cable. Direct digital transfer of audio connection types are compatible. When using DVI only video will be passed
and video and support for various types of High Definition video content and to the TV/Monitor and a Co-axial (S/P DIF) or Optical (Toslink) digital audio
high resolution audio make this the best connection type to use. The 4 HDMI connection must be made from each source to the 551R for it to be able to
inputs can be assigned to the BD/DVD, Video 1, Video 2, CD/Aux/TV, receive audio and decode surround sound etc.
Tape/MD/CDR or 7.1 Direct sources (see the “Assigning HDMI sources”
section for more information).

Examples
HDMI cable
Blu-ray player with HDMI output

HDMI cable

Set-top box with HDMI output

Analogue video input connections

Three types of analogue video connections can be made to the 551R: For sources that only support analogue video for best picture quality we
recommend making Component video connections, then in declining order of
1. Composite - connect with single 75 ohm video phono cable (RCA-RCA). quality, S-Video connections and then Composite video connections.
2. S-Video - connect with S-Video cable. The 551R is able to transcode i.e. upconvert analogue video to HDMI for the
3. Component - connect with 75 ohm Component video cables (3RCA-3RCA) main monitor/TV output.

For sources that support HDMI this is always the best choice.

Video player BD/DVD player

Examples

Games console

11
Video output connection (HDMI)
Connection to the TV is by HDMI. The 551R converts incoming analogue
video to HDMI and scales it for best picture quality. See later section.

HDMI cable

5.1/7.1 Direct in
DVD-A or SACD players can be connected to the 551R via its 5.1/7.1 Direct If the player is selected via the BD/DVD button you can then view its content
inputs allowing multi-channel music playback from these sources. and decode any relevant surround sound soundtracks.
DVD-A and SACD both support 5.1 output. The 551R's direct inputs also allow If 7.1 Direct is then pressed, the audio is now switched to come from the
optional connection of Surround Back or Surround Left and Surround Right players analogue outputs.
signals for compatibility with future 7.1 sources or external decoders.
These connections are pure analogue for best sound quality and no DSP
To select the Direct Input press the 7.1 Direct button on the front panel or processing or Bass and Treble adjustment by the 551R is possible.
remote.
It can be desirable to connect DVD-A/SACD players to the 551R by two
methods at the same time.
A Digital or HDMI input can be made to the 551R for surround sound
decoding and an analogue 5.1 connection to 7.1 Direct for DVD-A/SACD
playback.

DVD-A player or SACD multi-channel player 5.1 connections

Surround Right
Surround Left
Subwoofer
Centre

Right
Left

Phono cables
(2RCA-2RCA)

12
 azur 551R
7.1 Preamp out Front input connections
If it is desired to connect external power amplifiers, use Phono/RCA leads The front panel Video 3/MP3 input is for temporary connections to video

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connected to the 7.1 Preamp Outputs on the rear panel. games consoles etc. Remove the cap to access the Video 3 inputs and
connect to a video game console or video camera’s outputs using stereo
For 5.1/7.1 use set the ‘Preamp Out’ setting in the ‘Output Setup’ OSD menu phono cables (RCA-RCA) and a Composite video cable. Alternatively, use the
to 'Pre Out' rather than 'Normal'. This mutes all the internal power amplifiers 3.5mm mini-jack MP3 socket for the headphone/line outputs of portable
as they are not being used. MP3 players.

Audio In/Out Setup Menu

Power amplifier/s
BD/DVD In : HDMI1
Video1 In : Digital
Video2 In : HDMI3
CD/Aux In : Analog
Tape/MD/CDR In : Analog

Preamp Out : Pre Out

TV ARC : Enable

Return : [OSD]
Surround back right
Surround back left

Surround right
Surround left

Centre
Right

Subwoofer
Left

OR
Phono cables Composite
(2RCA-2RCA) video cable
Stereo phono cable
(RCA-RCA) MP3
Player

Video games console/

Video camera outputs

When pressing Video 3/MP3, the 551R automatically selects the MP3 socket
Alternatively the 551R features an External 2-Channel mode. This allows the if there is a device plugged into it.
551R to reproduce all the surround channels of suitable source material
(Centre, Surrounds and Sub) whilst the Left and Right Front speakers are Note: The Left front input is also used for the supplied auto setup
driven by an external power amplifier or other amplifier capable of supporting microphone. Refer to the ‘Auto setup’ section of this manual for more
fixed level inputs (e.g. Cambridge Audio’s own 7/8 series amplifiers). information.

L C R Aerial connections
FM aerial
Connect an aerial to the FM 75 ohm socket (a simple wire aerial is supplied
Amplifier only for temporary use). Extend the lead and move the aerial around until you
get the best reception. For continued use, we strongly recommended using a
L 75 ohm outdoor FM aerial.
R
Sub
AM loop aerial
551R
Connect each end of the single length antenna to the antenna terminals.
Place the antenna as far from the main system as possible to prevent
unwanted noise and to obtain optimum reception. If the AM loop aerial
provided does not receive sufficient reception, it may be necessary to use an
outdoor AM aerial.
FM aerial
OR
SR SL
FM external
aerial
SBR SBL

Set the ‘Preamp Out’ to ‘Ext 2 Ch’ in the OSD to mute the 551R’s own front
left and right amplifier outputs only:

AM external
Audio In/Out Setup Menu

BD/DVD In : HDMI1 aerial

Video1 In : Digital
Video2 In : HDMI3 OR
AM loop
CD/Aux In : Analog
Tape/MD/CDR In : Analog
aerial
Preamp Out : Ext 2Ch
TV ARC : Enable
Ground
Return : [OSD] (optional)

13
551R setup
The setup of the 551R is a reasonably simple 4 stage process. The speaker 1 Front Left and Right speakers
setup process (stage 2.) can either be performed manually or via the
CAMCAS (Cambridge Audio Microphone Controlled Auto Setup) procedure. For stereo and multi-channel sound.

The procedure is as follows: 2 Centre speaker

1. Speaker configuration. For dialogue and centre sounds. Ideally position at a similar height to the front
left and right speakers (above or below the TV/monitor). Using a centre
2. Speaker setup (Speaker delay and Level calibration) speaker from the same manufacturer/range as used for the front left and
right speakers is advisable. This “timbre matching” allows surround effects to
3. Assigning HDMI and Analogue video inputs flow more naturally from left to right without obvious transitions between the
4. Source setup speakers.

3 Surround Left and Right speakers

For ambient and multi-channel sound. Floorstanding speakers should be
1. Speaker configuration angled towards the listening position. Bookshelf/standmount speakers should
be wall mounted or used with dedicated speaker stands, positioned at or above
First tell the unit what kind of speaker package you have. The options are 5.1 ear height.
or 7.1 as shown below. The 551R can support up to a 7.1 speaker setup
which means 7 speakers (Front Left, Front Right, Centre, Surround Left, 4 Subwoofer
Surround Right, Surround Back Left, Back Right) plus a mains powered For improving the bass in your system, as well as reproducing dedicated LFE
Subwoofer (the .1). (Low Frequency Effects) cinema effects when playing Dolby Digital or DTS
Refer to the diagrams below for typical examples of 5.1 and 7.1 loudspeaker encoded discs. Your subwoofer can often be placed almost anywhere in the
setups. Always adjust the speaker and listening positions until you are happy room as bass is less directional, but experimentation with positioning is
with the sound. Please refer to your loudspeaker and subwoofer manuals for recommended.
more detailed positioning information.
5 Surround Back Left and Right speakers
Individual back speakers in place of a single surround back. Used with the
1 1
7.1 processing types. Remember to experiment with the positions until you
are happy with the sound.
2
In each case the 5.1/7.1 in fact relates to the maximum number of speakers
that can be used, as the Centre, Sub and Surround speakers can all be
4
5.1 deleted if required (although of course performance is reduced). For
example, if you choose not to use a Centre Channel speaker you can set this
to 'None' in the settings as shown later and the 551R will automatically
redirect the centre channel audio information into the Left and Right Front
channels, creating what is known as a 'Phantom Centre'.
Similarly, you might decide not to use a subwoofer if your main Left and Right
3 3 speakers are capable of reproducing enough bass for a satisfying
music/movie experience. The 551R will then automatically re-direct the bass
from the Subwoofer/Low Frequency Effect channel to the Left and Right
Front Speakers.
Note: This setup is very important as the 551R will also automatically use
this information to select appropriate Dolby and DTS decoding modes
dependant not only on the source material but also the speaker package it
1 1 knows you have.

2 To tell the unit the type of package you have, turn on the On-Screen Display
via the remote button as shown. Highlight the ‘Speaker Configuration’ menu
by using volume up and down on the remote then go to it by pressing Enter:
4
7.1
azur 551R Main Menu

Speaker Setup

3
Vol
3
Audio In/Out Setup
Video Input Setup
Scaler Assign/Processing Setup
Tone/Sub/LFE Config Enter
Advanced Dolby/DTS Setup

5 5
OSD Setup
Vol

Quit : [OSD]

14
 azur 551R
2. Speaker setup
Set the Decode mode as 5.1 or 7.1 by highlighting the Decode Mode item and The following two sections can be performed by Cambridge Audio CAMCAS

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using the Left and Right arrows to scroll through the options: procedure so you can if you wish jump straight to that section. However, it is
recommended that you do read these sections to understand the reasons for
Speaker Config Menu these settings and their implications.

Speaker delay
Decode Mode : 7.1
Front L/R : Large
Centre : Small

Because the speakers in a surround sound system are usually different

Surr. L/R : Small
Surr. LB/RB : Small
Subwoofer : Yes distances from the listener the 551R incorporates the ability to apply a
variable digital delay to each of the channels so that the sound from each
arrives at the same time at the listening position for best surround-sound
Return : [OSD] effect.
To set the delay times automatically, refer to the Auto setup section of this
Now move down and by highlighting each speaker in turn and using the Left manual.
and Right arrows select from ‘Large’, ‘Small’ or ‘None’ for each speaker.
'Large' or 'Small' are used to describe each speaker in terms of bass To set the delay times manually, simply measure the distances from the
response, they do not necessarily reflect the actual physical size of the listening position to each speaker as shown in the following diagram:
speaker.
1 = Front Left speaker
Large = Speakers with an extended low frequency response of approximately 1 2
20-40Hz to 16-20kHz (floorstanders or high quality larger stand-mounted 2 = Front Right speaker
speakers). 3
3 = Centre speaker
Small = Speakers with a less extended low frequency response of 8
4 = Surround Left speaker
approximately 80-100Hz to 16-20kHz (small stand-mounted, bookshelf or
satellite speakers). 5 = Surround Right speaker
Setting each speaker allows the 551R to perform what is called Bass 6 = Surround Back Left
Management and to direct low frequency bass from music and the Low 4 5 (when used)
Frequency Effects channel of surround sound material to those speakers
best able to reproduce it. If you do not wish to use any of the speakers set its 7 = Surround Back Right
setting to ‘None’. (when used)

The Subwoofer output can also be set to Yes or No. If no sub is being used 8 = Subwoofer (can be placed
6 7 almost anywhere)
make sure this setting is set to No to allow the 551R to re-direct the bass
information in this channel to other speakers.
Note: The 551R will force some speakers to certain settings in the following Note: No delay setting for the subwoofer is necessary.
circumstances!
Set the distances in the OSD Speaker Distance menu to the nearest value in
The Front Left and Right speakers may be ‘Large’ or ‘Small’ but never ‘None’ metres (1 foot = 0.3 metres). The speed of sound is approx 340 metres per
as they are always required for any type of music/movie reproduction. second, the 551R thus introduces approx 3mS of delay per metre of distance
set.
Bass must always be reproduced by either the Front Left and Right or
Subwoofer channel (or both). Setting the Front Left and Right to ‘Small’ will Go to the ‘Speaker Distance’ and highlight each speaker in turn. Set the
result in the Subwoofer automatically being set to ‘Yes’. Setting the distance to the nearest value to that which you measured by using the Left
Subwoofer to ‘No’ will automatically result in the Front Left and Right being and Right arrows (the values do not need to be exact):
set to ‘Large’.
Press the OSD button to exit the menu.
If the Front Left and Right cannot reproduce low frequency bass a Subwoofer
must be used. I.e. If the Front Left and Right are set as ‘Small’ the Sub must
be Set to ‘Yes’.
Speaker Distance Menu

Unit : Meters
Also, setting the Front Left and Right as ‘Small’ will always set the other Front L : 2.9

speakers as ‘Small’ (and the Sub to ‘Yes’). This is because LFE/ bass
Front R : 2.9

information should not be redirected to the surround channels.

Centre : 2.9
Surr. L : 2.0

To store the setting simply come back out of the OSD (pressing the OSD
Surr. R : 2.0
Surr. LB : 2.0
button always moves back one menu item, and then exits and stores from Surr. RB : 2.0
the main menu screen). Return : [OSD]

Note: In addition to the delays as set above Dolby Pro Logic II/IIx playback
also requires an extra 15 milliseconds delay to the surround channels only.
This extra delay is part of the Dolby ProLogic II specification and ensures that
sound from the surrounds arrives just after sound from the front reducing the
audibility of sound leakage from the front to the surround speakers. Because
the relationship between the Dolby Digital and Dolby ProLogic IIx two delays
is fixed (15mS extra to the surround channels), it is only necessary to set the
delay by measuring the distances as we have described. The 551R will
automatically provide the appropriate extra delay whenever you switch to a
Pro Logic Mode.

15
Level calibration
The 551R allows level calibration to match the acoustic level between
different types/sizes or even manufacturers of speaker that may be being
used for each channel. This is achieved by adjusting the relative level of each
speaker. This can be done manually through the ‘Level Calibration’ menu in
the OSD or automatically, see the following Auto setup section of this manual.
The basic process for manual adjustment is to listen to or measure with a
Sound Pressure Level (SPL) meter (more accurate and recommended but not
essential) the level of sound produced by each speaker and set relative levels
for each speaker so that they all sound the same loudness at the normal
listening position. The 551R incorporates a Test Signal Generator (broad- To perform Auto Distance/Level setup first connect the supplied microphone
band white noise) to facilitate this. to the front Left front panel audio input on the front panel and place it at your
Press the OSD button on the remote control then select the ‘Level normal listening position in the room.
Calibration’ menu. Now turn on the test signal by highlighting this item and Press the OSD button on the remote control to access the OSD and then
pressing the Left or Right arrows: select the Speaker Setup Menu. Now select the option 'Auto Setup'. This will
access the 'Auto Setup Menu' as below.
Level Calibration Menu
Speaker Setup Menu
Test Signal : On
Front L : 0 dB Auto Setup
Front R : 0 dB Speaker Configuration
Surround L : 0 dB Speaker Distance
Surround R : 0 dB Level Calibration
Centre : 0 dB Speaker Crossover
Subwoofer : 0 dB
Surr. LB : 0 dB
Surr. RB : 0 dB
Return : [OSD]
Return : [OSD]

You can now move up and down the channels using Volume Up/Down on the Follow the on-screen instructions and press 'Enter' on the remote control
remote. Each time a new channel is selected the test signal will be heard to when ready to start the Auto Setup function.
move to that channel. Compare the loudness of all channels as heard at the
listening position. Auto Setup Menu
A “rushing” or “hissy” sound should be heard.
Plug the microphone into the left channel of Video
3 on the front panel and place the microphone at
normal listening position and height

Continue : [ENTER]

Once activated the OSD will display the message below and the word
'AUTOSETUP' will also be displayed on the front panel of the 551R to confirm.

Auto Setup Menu

The unit is now checking which speakers are

connected and their phase

Please wait........
Now adjust the channels so they all sound the same (in terms of loudness
only, channels of different frequency responses can sound different in terms
of the “tone” of the sound i.e. more or less hissy).
Pick the channel that sounds most different and select it to listen to the test
signal. Now adjust the relative level in dB (using Arrow left/right on the
remote) and continue comparing it to other channels until it is of equal
loudness. The level can be adjusted up to + or - 10dB in 1dB steps. Repeat A series of test signals will now be output from all of the connected speaker
the process with the next most different channel. Once all channels sound terminals of the 551R (including the Subwoofer output).
the same in terms of loudness, press the OSD button again to save the Once finished the unit will display a screen similar to the one below reporting
settings and exit the menu. which speakers were found and any that appear out of phase.

Auto speaker setup for Distance/Level

Auto Setup Menu

The speakers that have been found are:

The 551R includes our simple automatic speaker setup system called
L C R SL SR LB RB SW
All speakers are in phase
'CAMCAS' (Cambridge Audio Mic Controlled Auto Setup). The system performs
two sets of tests firstly checking which speakers are connected and whether
they are wired correctly and in phase then second automatically measuring
and adjusting the speaker delay timings (i.e. distance setting ) and levels.
Before activating this feature the 'Decode Mode' (i.e. type of speaker
Continue : [ENTER]

package e.g. 5.1, 7.1) of the 551R and Large/Small/None status of each
speaker must be set correctly as per section 1. This is important as the unit If any speakers appear unconnected or out of phase carefully check the
will only look for and check the speakers you have told it you have. connections on the speaker and the back of the unit. Also check any bi-wiring
links that might be present on the speaker. For any out of phase speakers
check that the relevant + terminal of the 551R goes to the + terminal of that
speaker and similarly the – terminal of the 551R goes to the – terminal of the
speaker for that channel.

16
 azur 551R
3. Assigning Video inputs
If necessary press the OSD button to perform a retest or press Enter to start The 551R has 4 HDMI (High Definition Multi-Media Interface) inputs and one

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the second part of the autosetup procedure as below. HDMI output. HDMI is a fully digital audio/video system for picture and audio
in digital format for best possible picture quality. DVI (Digital Video Interface)
is a subset of HDMI that uses different connectors and only supports digital
video (no audio). The 551R is compatible with DVI in that simple passive DVI-
Auto Setup Menu

The unit is now measuring the Distance and Level HDMI adaptors are available which allow the conversion of the DVI connector
settings for your speakers to an HDMI format connector (and back again if required) for routing via the
Please wait........
551R.
HDMI outputs on Blu-ray, DVD players and Set-top boxes also often support
higher resolution formats including progressive scan types. Consult both your
HDMI source and TV manuals for details, it is often possible to select from
various options, you will want to select the highest quality output that both
your source and TV are compatible with.

Again a series of test signals will now be output from all of the connected From Blu-ray players, HDMI can also carry the latest Dolby Digital Plus and
speaker terminals and Subwoofer. The 551R uses these to measure the True-HD formats as well as DTS-HD High Resolution and Master Audio.
levels and distances (and hence introduce the correct delays) appropriate to Ensure that the HDMI output of your player has been set to ‘Bitstream’ or
your speakers and room characteristics. ‘Raw’ to pass the formats to the 551R for decoding.
When the auto setup of the 551R is completed successfully, the 551R will Also some Blu-ray players feature settings to allow down conversion of Dolby
return to the Speaker Setup Menu. Digital Plus etc. to backwards compatible Dolby Digital 5.1 for older AV
receivers which do not support these formats.
Ensure any such settings are disabled to allow our 551R access to all the
Speaker Setup Menu

Auto Setup
Speaker Configuration
latest formats.
For all the above reasons HDMI is the preferred connection method for both
Speaker Distance

Audio and Video.

Level Calibration
Speaker Crossover

The 551R can however also accept Composite, S-Video and Component
video for sources without HDMI outputs and automatically transcode and
Return : [OSD] scale this video to the HDMI output.
Select the Video Input Assignment Menu.
The Speaker Distance and Level Calibration settings for each speaker will For each source the currently selected video input type will be shown.
have been updated.
It is possible to assign any of the video input sockets to each Source in turn.
It is of course now possible to go into the Speaker Delay and Level Calibration
menus if you want to manually check/adjust the settings made by the The Options are Composite 1 and 2, S-Video 1 and 2, Component 1 and 2,
CAMCAS system, and it is always advisable to check them as no system can HDMI1 – 4.
be totally foolproof.
To exit the auto setup menu of the 551R continue to press the OSD button
Video Input Assignment

on the remote control to exit all menus or until ‘OSD ‘is no longer displayed
on the front panel. You can now unplug the microphone and put it away for
BD/DVD : HDMI 1
Video 1 : Composite 1
future use. Video 2
CD/Aux
:
:
HDMI 3
-----
Note: If the auto setup of the 551R is unsuccessful for some reason a 'Fail'
Tape/MD/CDR : -----

message will appear on the OSD. Included in this message will be details of
7.1 Direct : -----

the speaker channel or channels which have not been successfully adjusted.
If this is the case, please again check that the speaker or speakers detailed
in the OSD as 'failed' are connected correctly & have not been wired out of
Return : [OSD]

phase. Also check the microphone connection and any other external issues
that could have affected the tests such as noise in the room etc. Note: Assigning a HDMI input to a source automatically also selects Scaler
Note: Like all such systems CAMCAS has some limitations. Speakers that Bypassing for that source.
exhibit very strong phase angles or deliberately wire some drive units out of You can process these sources if you wish simply by setting the Scaler to
phase can of course appear to the system as an out of phase speaker when Process in the Scaler Assign Processing menu afterwards.
correctly connected. If a speaker is reported as out of phase but is correctly
wired please consult the speakers manufacturer in case this is the case.
Similarly bi-polar speakers which radiate in more than one direction can
make it difficult to measure the distance and sometimes level accurately as
you might expect.
In all cases it is always advisable to manually check the settings CAMCAS has
made for a ‘reality check’ to ensure there are no obvious errors.

17
4. Source setup Scaler Assign/Processing
The next step is to select each source input in turn on the 551R and tell the The 551R features a Faroudja digital video processor/ scaler.
unit:
This can if desired process any of the video sources and scale them up (or
• The type of audio connection you want to use for that source (Analogue, down) to various resolutions.
Digital or HDMI).
This feature is most useful with analogue video sources where the processor
• The processing mode for that source. can clean up the picture and scale it to 720p, 1080i or 1080p before
outputting them over HDMI to a suitable TV.
The 551R remembers these settings individually for every source input and
automatically recalls them as and when you change source input. On entering this menu you will see that the sources that you assigned an
analogue video input are automatically set to Process.

Audio connection type Sources that you assigned an HDMI input for video are automatically set to
Bypass (i.e. no processing).
Select the ‘Audio In/Out Setup’ menu. Highlight each source in turn and
select either analogue, digital or HDMI input types (use the Left and Right Scaler Assign/Processing Setup
arrows): BD/DVD : Process
Video 1 : Bypass
Audio In/Out Setup Menu Video 2 : Bypass
Video 3 : Bypass
BD/DVD : HDMI 1 CD/Aux : Bypass
Video 1 : Digital Tape/MD/CDR : Bypass
Video 2 : HDMI 3 7.1 Direct : Bypass
CD/Aux : Analog
Tape/MD/CDR : Analog Output resolution : 1080P/60Hz
Return : [OSD]
Preamp Out : Normal
TV ARC : Enable
This is because many HDMI sources will be natively 1080p or may have high
quality processing built in where it is best to send this video directly to the TV
Return : [OSD]

without any further processing in the 551R.

The options shown will be Analogue, Digital and HDMI if that source has been For analogue video sources it is almost always desirable to process these for
assigned an HDMI input for video as above. best picture quality before passing them to the TV.
Analogue inputs will require a stereo phono/RCA to phono/RCA cable To change the Process/Bypass status of any source (including HDMI) simple
connection to the 551R. Digital inputs will require either a 75ohm digital type select it in the menu and use the left and right buttons on the remote.
phono/RCA to phono/RCA co-axial cable (S/P DIF) or an optical fibre cable
(TOSLINK). The 551R will automatically use whichever is connected. Do not You can also set the desired output resolution for any Processed video
make connections to both the Optical and Co-axial inputs for a source. (Bypassed video is unaffected).
Note: The Preamp output item at the bottom of this menu selects between The options are 480p 60Hz, 576p 50Hz, 720p 50Hz, 720p 60Hz, 1080i
Normal mode (the default), Pre Out Mode (when external power amps are 50Hz, 1080i 60Hz, 1080p 50Hz and 1080p 60Hz.
used) and Ext 2 Ch Mode (where external power amps for front left and right
only are used). These options are covered later. Make sure this setting shows Note: 3D TV content, 24fps content or other video standards that the 551R
Normal. TV-ARC is also covered in a later section. cannot process or recognise are always Bypassed to the output whatever the
setting in this OSD.
Once you have set the audio types exit the OSD to save.
This setting can also be changed at any time without using the OSD by
pressing the Audio Input Type button on the front panel or remote, this will
then cycle between analogue, digital or HDMI input types where available for
the currently selected source, as usual they will then be remembered the
next time you return to that source.

18
 azur 551R
Surround sound modes
The 551R supports several music and home-cinema listening modes. The

ENGLISH
output the 551R can provide, depends both on the source signal present, the
speaker setup selected and the decode mode selected. Before we describe Known also as DD (3/3) or DD 6.1, an enhanced form of Dolby Digital. On top
how to operate the 551R, below is a brief guide to the Surround Sound of the discretely encoded 5.1 channels DD EX provides an extra 6th channel
formats that the 551R is compatible with for reference: (Surround Back, giving 6.1) matrix encoded into the rear surrounds for
greater image depth and more solid sound localisation behind the listener.
DD EX requires a DD EX encoded disc. DD EX is backwards compatible with
Dolby’s lossless audio technology developed primarily for high capacity Blu- DD 5.1 decoding. If DD EX is decoded as normal DD the Surround Back signal
ray discs/players. Dolby True HD delivers theoretically bit-for-bit sound will be present in both Left and Right Rear Surrounds (forming a phantom
identical to the studio master by the use of 100% lossless encoding. Previous rear centre). It can also be decoded as 7.1 by sending the Surround Back
formats such as Dolby Digital 5.1 or EX have used lossy encoding where decode to both the Surround Back Left and Right speakers (forming two
some data (that is theoretically less audible) is always lost in the encoding mono Back Surrounds).
process to reduce the storage capacity needed on the disc. This is a new
format that supports up to eight (usually used as 7.1) full-range channels of
24-bit/96 kHz audio or two channels of 24/192 kHz via Blu-ray discs and is Known also as DTS (3/3) Matrix, an enhanced form of DTS. On top of the
not backwards compatible with earlier schemes. The format can either be discretely encoded 5.1 channels DTS ES also provides an extra 6th channel
transmitted as a ‘bitstream’ to the 551R for internal decoding (Surround Back giving 6.1), matrix encoded into the rear surrounds for
(recommended) or can be decoded by some Blu-ray players internally and greater image depth and more solid sound localisation behind the listener.
sent to the 551R as multi-channel PCM. In both cases an HDMI connection DTS ES requires a DTS ES encoded disc. DTS ES material is backwards
is required to the 551R and a suitable Blu-ray player as Dolby True HD is only compatible with DTS 5.1 decoding. If DTS ES is decoded as normal DTS the
ever transmitted over HDMI. Surround Back signal will be present in both Left and Right Rear Surrounds
(forming a phantom rear centre). It can also be decoded as 7.1 by sending
the Surround Back decode to the both the Surround Back Left and Right
speakers (forming two mono Back Surrounds).
An encoding scheme based on the original Dolby Digital CODEC, but with
enhancements to improve coding efficiency and improved audio quality.
Dolby Digital Plus supports 7.1 fully discrete channels compared to Dolby
Digitals 5.1 (or 6.1 in its EX variant where the 6th channel is matrix encoded). Another enhanced form of DTS, also known as DTS (3/3) Discrete or DTS ES
These Dolby Digital Plus bitstreams are not backward compatible with legacy Discrete 6.1. DTS ES Discrete also provides an extra channel (Surround Back)
Dolby Digital decoders but require an AV Receiver developed to decode them for greater image depth and more solid sound localisation behind the
(such as the 551R) and an HDMI connection as Dolby Digital Plus is currently listener, however in this case extra data is included in the bitstream so that
only transmitted over HDMI. It is however a requirement that any Dolby Digital all channels are discretely encoded. The Surround Back has greater
Plus enabled Blu-ray player must also be able transform the Dolby Digital separation from the other channels than is possible with matrix encoded
Plus into a backwards compatible Dolby Digital 5.1 output for playback on technologies. DTS-ES Discrete requires a DTS-ES Discrete encoded disc.
legacy Dolby Digital systems. The 551R is however fully compatible with
Dolby Digital Plus. DTS ES Discrete is backwards compatible with both DTS 5.1 and DTS ES
Matrix 6.1 decoding. If DTS ES Discrete is decoded as normal DTS the
Surround Back signal will be present in both Left and Right Rear Surrounds
(forming a phantom rear centre). If DTS ES Discrete is decoded with DTS ES
A new lossless audio CODEC from DTS, rather than being incompatible with Matrix the Surround Back signal will be decoded separately (i.e. as 6.1) but
earlier versions, DTS-HD Master Audio is transmitted as an extension to a by a matrix process, which will give the same channel separation as if the
normal DTS bitstream. A second embedded stream is sent which contains source disc were actually DTS ES Matrix (but not as good as DTS EX Discrete).
the "difference" between the original studio master and the lossy
compressed DTS, plus the two extra channels. DTS-HD Master Audio It can also be decoded as 7.1 by sending the Surround Back decode to both
enabled devices (such as the 551R) are able to use this difference the Surround Back Left and Right speakers (forming two mono Back
information to recreate a bit for bit lossless version of the original 7.1 data. Surrounds).
Devices which do not support the Master Audio extension simply decode the
original 5.1 DTS stream and ignore the Master Audio extension providing
backwards compatibility. The replacement for the original ProLogic, Pro Logic II is a technology where
5 channels (Front Left, Front Right, Centre, Surround Left, Surround Right)
DTS-HD High Resolution Audio are encoded into a Stereo mix by an analogue matrix process. Dolby Pro Logic
Known also as DTS-HR an extension to the original DTS audio format. DTS-HD II material can be played back by normal Stereo equipment (as Stereo) or
High Resolution Audio supports 7.1 fully discrete channels compared to decoded into 5 channel surround-sound.
DTS’s 5.1 (or 6.1 in its DTS ES Matrix or DTS ES Discrete variants). As with Dolby Pro Logic II is compatible with the earlier 4 channel (Left, Centre, Right
DTS-HD Master Audio a second embedded stream is sent which contains the and mono Surround) Dolby Pro Logic system (which was the decoding
"difference" between the original studio master and the lossy compressed counterpart to Dolby Surround encoding) as used widely on Video tapes, TV
DTS, plus the two extra channels, however in this case the extra stream is broadcasts and earlier films.
also formed by lossy compression. Effectively this is a 7.1 version of DTS
which can be decoded by devices (such as the 551R) which are able to Note: Pro Logic does not include a Low Frequency Effects channel for the
decode DTS-HD High Resolution Audio. Devices which do not support the Subwoofer, but the 551R can create a Subwoofer output (for 5.1) via Bass
High Resolution extension simply decode the original 5.1 DTS stream and management. Refer to the ‘Tone/Sub/LFE configuration’ section in the
ignore the High Resolution extension providing backwards compatibility ‘Operating instructions’ part of this manual.

Known also as DD (3/2) or DD 5.1, provides (up to) 5.1 output from suitable A newer version of Dolby Pro Logic II which is able to recreate 7 discrete
encoded Dolby Digital material, with 5 main channels (Front Left, Front Right, surround sound channels from suitable encoded stereo source material. Pro
Centre, Surround Left, Surround Right) and a Low Frequency Effects Channel Logic IIx also has modes for post processing either Stereo material or 5.1
for the subwoofer, all discretely encoded. Decoding Dolby Digital requires a material into 7 channels whether or not it has been Pro Logic IIx encoded.
Dolby Digital encoded DVD disc and a digital connection from the source When 5.1 decoding is required, Dolby Prologic II decoding will always be used
equipment (Such as a DVD player) to the 551R. by the 551R in place of Pro Logic IIx as IIx only works for 7 channel output.
Note: Dolby Digital and DTS formats can sometimes carry less channels than Note: Pro Logic IIx does not include a Low Frequency Effects channel for the
their maximum such as Dolby Digital (2/0) which means a Dolby Digital Subwoofer, but the 551R can create a Subwoofer output (for 7.1) via Bass
encoded signal which is actually only carrying a two channel stereo signal management. Refer to the ‘Tone/Sub/LFE configuration’ section in the
(other channels inactive). ‘Operating instructions’ part of this manual.

Known also as DTS (3/2) or DTS 5.1, DTS provides (up to) 5.1 output from
suitable encoded DTS material, with 5 main channels (Front Left, Front Right,
Centre, Surround Left, Surround Right) and a Low Frequency Effects Channel
for the subwoofer, all discretely encoded. Decoding DTS requires a suitably
encoded DTS disc and a digital connection from the source equipment to the
551R.

19
Surround sound modes cont. Operating instructions
To activate the 551R, switch the Power button on the rear panel to On then
press the Standby/On button on the front panel.
A DTS technology which is able to recreate 6 channel (Left Front, Right Front,
Centre, Left Surround, Right Surround, Surround Back ) surround sound from Selecting the source
suitable analogue matrix encoded stereo source material. DTS Neo:6
material can be played back by normal Stereo equipment (as Stereo) or 1. Select the desired source by pushing the corresponding source button on
decoded into 7.1 by sending the Surround Back decode to the both the the front panel or remote control.
Surround Back Left and Right speakers (forming two mono Back Surrounds).
Note: Neo:6 does not include a Low Frequency Effects channel for the
Subwoofer, but the 551R can create a Subwoofer output via Bass
management. Refer to the ‘Tone/Sub/LFE configuration’ section in the
‘Operating instructions’ part of this manual.
2. If necessary, press the Audio Input Type button to select the input mode of
the source equipment, either analogue, digital or HDMI (depending on the
connection made on the rear panel). You may have already assigned this
A DTS technology that provides 5.1 channels of 96kHz / 24bit audio (along in the ‘Audio In/Out Setup Menu’ in the OSD.
with video if required) on DVD-Video and DVD-Audio (video zone) discs (when
suitably encoded in DTS 96/24). DVD players which allow 'DTS digital out'
pass the DTS 96/24 bitstream over S/P DIF or HDMI for decoding in the
551R.

DSP modes
These modes allow a surround-sound experience from source material that
has no encoding at all. The surround sound effect is achieved by Digital
Signal Processing of the Analogue or Digital stereo source used. Five modes
are possible: Movie, Music, Room, Theatre and Hall.
The digital, analogue or HDMI icons on the display show which is the
Stereo/Stereo + Sub currently selected input type.
Note: The 551R stores the input type for each source so that it is
Only the Front Left and Front Right speakers (and subwoofer if selected) have automatically recalled when that source is selected again.
output in this mode. If an analogue source is selected it will be converted to
digital via 24 bit A/D converters to allow digital domain sub creation and
bass/treble controls. Selecting the desired listening mode
Select an appropriate mode for the source material/type you are listening to
If a digital source is selected the 551R will be processing either LPCM stereo by pressing the Stereo or Surround Modes button and cycling through sub-
(from the digital outputs of a CD player for instance) or a Stereo downmix of modes where available.
DD or DTS material (from the digital output of a DVD player for instance).

Other modes
Analogue Stereo Direct In all cases the first time a mode button is pressed the 551R will report the
current decoding mode on the front panel display. Pressing the button again
Selects the analogue inputs for the current source directly with no A/D will then cycle to the next available mode (if there is one). If no button is
conversion, DSP processing, Bass/Treble or subwoofer channel active. pressed for 4 or 5 seconds the 551R returns to normal operation without
Provides the very best fidelity for analogue Hi-Fi source equipment. In this changing mode.
mode the 551R is acting just like a normal Hi-Fi integrated amplifier.
Stereo Modes - Selects 2 channel Stereo operation for stereo material,
pressing again selects Stereo + Sub mode.
Multi Channel PCM This is a digitally processed mode that allows bass and treble controls, and
sub generation if required. The input can be either analogue (in which case
Some playback devices (in particular Blu-ray players) are able to decode it will be turned into digital by 24 bit A/D conversion) or natively digital.
some of the above formats themselves internally and then output the
decoded audio as Multi Channel PCM to the 551R. In addition Blu-ray disks Surround Modes - Selects a range of digital surround modes for the
can support native unencoded Multi Channel PCM soundtracks (of up to 8 appropriately digitally encoded material
channels) on the disc itself. In either case if your player can output these over
HDMI the 551R is able to receive them in Multi-Channel PCM mode. Note: Some Surround Sound types (such as the Dolby and DTS HD) are
available only from Blu-ray disc over HDMI.
Pressing the Surround Modes button will cause the 551R to lock onto the
incoming bitstream and select the first available mode for the current
bitstream type.
In some circumstances (see tables) pressing the button again will switch to
an alternative decoding option.

20
 azur 551R

ProLogic and Neo:6 are both available in various guises to decode

ENGLISH
appropriately encoded soundtracks. Additionally DSP modes are available to
process sources with no encoding at all. Due to the matrix encoding process
none of these modes incorporate flags that tell the 551R the type of
encoding used in the source material. Thus you must manually select these
modes.
Pressing the Surround Modes button when the 551R has locked to a DD/DTS
bitstream will present more options where possible including Post-Processed
modes.
These are modes that allow extra processing to be applied after the main
surround-sound decoding. For instance Dolby Digital (2/0) + PLII Music.
Which adds a 5.1 ProLogic decode to a Stereo Dolby Digital decode to turn 2
channel stereo into 5.1.
For 7.1 Speaker setups, the number of decoding possibilities increases as
shown in the following ‘Decode modes’ tables. Several extra Post Processing
modes are available using either Prologic IIx or Neo:6.

Incoming Dolby Digital/DTS streams are always shown on the front

panel display as Dolby Digital (x/x).x or DTS (x/x).x, where the
bracketed numbers indicate the active channels in the source material.
Active output channels are shown by the icons on the right hand side
of the front panel display. Possible incoming DD/DTS types are:

(1/0) - Mono, Centre channel only

(2/0) - Left/Right stereo

(2/0).1 - Left/Right stereo and LFE (Sub)

(2/2) - Left/Right stereo and Left/Right surround

(3/0) - Left, Centre, Right

(3/0).1 - Left, Centre, Right and LFE (Sub)

(3/2).1 - 5.1: Left, Right, Centre, Left Surround, Right Surround and
LFE (Sub)

(3/4).1 - 7.1: Left, Right, Centre, Left Surround, Right Surround,

Surround Back Left, Surround Back Right and LFE (Sub)

21
Operating instructions continued

Decode modes - 5.1 speaker setup

Incoming Native Modes available Output

audio channel channels
format resolution

PCM 2 PCM 2"

PCM + PLII Movie >5.1
PCM + PLII Music >5.1
PCM + PLII Game >5.1
PCM + Neo:6 Cinema >5.1
PCM + Neo:6 Music >5.1
Movie >5.1 !
Music >5.1 !
Room >5.1 !
Theatre >5.1 !
Hall >5.1 !

Dolby Digital (2/0) 2 Dolby Digital (2/0) 2"

Dolby Digital (2/0) + PLII Movie >5.1
Dolby Digital (2/0) + PLII Music >5.1
Dolby Digital (2/0) + PLII Game >5.1

Dolby Digital 5.1 Dolby Digital (3/2).1 5.1

Dolby Digital EX 6.1 Dolby Digital EX (3/3).1 5.1<

DTS (2/0) 2 DTS (2/0) 2"

DTS 5.1 DTS (3/2).1 5.1

DTS ES Matrix 6.1 DTS ES Matrix (3/3).1 5.1<

DTS ES Discrete 6.1 DTS ES Discrete (3/3).1 5.1<

DTS 96/24 5.1 DTS 96/24 5.1

Multi Channel PCM 5.1 $ Multi PCM (3/2).1 5.1

Multi Channel PCM 7.1 $ Multi PCM (3/4).1 5.1<

Dolby Digital Plus 5.1 $ Dolby Digital Plus (3/2).1 5.1

Dolby Digital Plus 7.1 $ Dolby Digital Plus (3/4).1 5.1<

Dolby True HD 5.1 $ Dolby True HD (3/2).1 5.1 &

Dolby True HD 7.1 $ Dolby True HD (3/4).1 5.1< &

DTS HD High Resolution 5.1 $ DTS-HD HR (3/2).1 5.1

DTS HD High Resolution 7.1 $ DTS-HD HR (3/4).1 5.1<

DTS Master Audio 5.1 $ DTS-HD MA (3/2).1 5.1 &

DTS Master Audio 7.1 $ DTS-HD MA (3/4).1 5.1< &

Key (all tables) & Lossless encoded format.

5.1< Indicates a 5.1 decode of 6.1 or 7.1 material (phantom back Note: Bold entries are being output in their native resolution/format.
centre).
>5.1 Indicates a 5.1 output created by a 2.0 decode post processed to
5.1. In all cases, pressing the Stereo Modes button always cycles round:
>7.1 Indicates 7.1 output created by a 2.0 or 5.1 decode, post- Stereo Modes Output channels
processed to 7.1.
Stereo 2
# 7.1 Upmix of 5.1 material, Left and Right Surrounds mixed to both Stereo + Sub 2.1
Left and Right Surrounds and Left and Right Rear Surrounds.
Either native Stereo or downmix of DD/DTS 5.1/6.1/7.1 etc.
% 7.1 ‘upmix’ of 6.1 material. Center back surround channel played
back via two mono rear surrounds. Acoustically this is actually a
native format presentation. Pressing a mode button will first cause the 551R to scroll the
" Stereo or Stereo + Sub, Press Stereo Modes Button to change. current decode mode across the front panel display. Pressing the
mode button again whilst text is scrolling on the display or within 4
! Digital Signal Processing created modes for signals with no encoding. seconds of it finishing will select and display the next available
$ Available via HDMI inputs only. mode.

22
 azur 551R

Decode modes - 7.1 speaker setup

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Incoming Native Modes available Output
audio channel channels
format resolution

PCM 2 PCM 2"

When the source has been PCM + PLIIx Movie >7.1
appropriately encoded PLII gives PCM + PLIIx Music >7.1
5 channel Neo:6 6 channel and PCM + PLIIx Game >7.1
PLIIx 7 channel matrix encoding PCM + Neo:6 Cinema >7.1
PCM + Neo:6 Music >7.1
Movie >7.1 !
Music >7.1 !
Room >7.1 !
Theatre >7.1 !
Hall >7.1 !

Dolby Digital (2/0) 2 Dolby Digital (2/0) 2"

Dolby Digital (2/0) + PLIIx Movie >7.1
Dolby Digital (2/0) + PLIIx Music >7.1
Dolby Digital (2/0) + PLIIx Game >7.1

Dolby Digital 5.1 Dolby Digital (3/2).1 + EX >7.1

Dolby Digital (3/2).1 >7.1
Dolby Digital (3/2).1 + PLIIx Movie >7.1
Dolby Digital (3/2).1 + PLIIx Music 5.1

Dolby Digital EX 6.1 Dolby Digital EX (3/3).1 Upmix 7.1 %

Dolby Digital (3/3).1 + PLIIx Movie >7.1
Dolby Digital (3/3).1 + PLIIx Music >7.1

DTS (2/0) 2 DTS (2/0) 2"

DTS (2/0) + PLIIx Movie >7.1
DTS (2/0) + PLIIx Music >7.1
DTS (2/0) + Neo:6 Cinema >7.1 %
DTS (2/0) + Neo:6 Music >7.1 %

DTS 5.1 DTS (3/2).1 Upmix >7.1 #

DTS (3/2).1 >7.1
DTS (3/2).1 + PLIIx Movie >7.1
DTS (3/2).1 + PLIIx Music >7.1 %
DTS (3/2).1 + Neo:6 Cinema >7.1 %
DTS (3/2).1 + Neo:6 Music 5.1

DTS ES Matrix 6.1 DTS ES Matrix (3/3).1 Upmix 7.1 %

DTS ES Matrix (3/3).1 + PLIIx Movie >7.1
DTS ES Matrix (3/3).1 + PLIIx Music >7.1
DTS ES Matrix (3/3).1 + Neo:6 Cinema >7.1 %
DTS ES Matrix (3/3).1 + Neo:6 Music >7.1 %

DTS ES Discrete 6.1 DTS ES Discrete (3/3).1 Upmix 7.1 %

DTS ES Discrete (3/3) + PLIIx Movie >7.1
DTS ES Discrete (3/3) + PLIIx Music >7.1
DTS ES Discrete (3/3) + Neo:6 Cinema >7.1 %
DTS ES Discrete (3/3) + Neo:6 Music >7.1 %

DTS 96/24 5.1 DTS 96/24 Upmix >7.1

DTS 96/24 >7.1
DTS 96/24 (3/2).1 + PLIIx Movie >7.1
DTS 96/24 (3/2).1 + PLIIx Music >7.1
DTS 96/24 (3/2).1 + Neo:6 Cinema >7.1
DTS 96/24 (3/2).1 + Neo:6 Music 5.1

Multi Channel PCM 5.1 $ Multi PCM 3/2.1 5.1

Multi PCM (3/2).1 + PLIIx Movie >7.1
Multi PCM (3/2).1 + PLIIx Music >7.1

Multi Channel PCM 7.1 $ Multi PCM 3/4.1 7.1

Dolby Digital Plus 5.1 $ Dolby Digital Plus (3/2).1 Upmix >7.1 #
Dolby Digital Plus (3/2).1 >7.1
Dolby Digital Plus (3/2).1 + PLIIx Movie >7.1
Dolby Digital Plus (3/2).1 + PLIIx Music 5.1

Dolby Digital Plus 7.1 $ Dolby Digital Plus (3/4).1 7.1

23
Operating instructions continued

Decode modes - 7.1 speaker setup

Incoming Native Modes available Output

audio channel channels
format resolution

Dolby True HD 5.1 $ Dolby True HD (3/2).1 Upmix >7.1 &#

Dolby True HD (3/2).1 >7.1
Dolby True HD (3/2).1* + PLIIx Movie >7.1
Dolby True HD (3/2).1* + PLIIx Music 5.1 &

Dolby True HD 7.1 $ Dolby True HD (3/4).1 7.1 &

DTS HD High Resolution 5.1$ DTS-HD HR (3/2).1 Upmix >7.1 #

DTS-HD HR (3/2).1 5.1

DTS HD High Resolution 7.1$ DTS-HD HR (3/4).1 7.1

DTS HD Master Audio 5.1 $ DTS-HD MA (3/2).1 Upmix >7.1 &#

DTS-HD MA (3/2).1 5.1 &

DTS HD Master Audio 7.1 $ DTS-HD MA (3/4).1 7.1 &

* <=96kHz

Using the Tuner

Press the Info button on the remote and go through the displayed functions.
There are functions for PS, PTY, CT and RT:
PS (Station Name) - current station name will be shown
PTY (Program Type) - current name type of the program will be shown
CT (Clock/Time) - current time from Radio Station will be displayed.
Note: Clock/Time will be only transmitted from local radio station once a
1. Press the Tuner FM/AM button on the front panel or remote control to minute. If the Clock - Time is not available the message “NO CT” will appear
select Tuner mode. briefly on the display.

2. Press the Tuner FM/AM button again to select FM or AM if desired. RT (Radiotext) - some Text messages will be shown.

3. Press the Mode/Store button on the front panel (or Mode button on the
remote control) to select automatic tuning, manual tuning or preset mode. Lip sync
4. Press the Tuning + and Tuning - buttons (or the left and right arrow buttons The 551R can if required apply a small delay to the audio playback to
on the remote) to select the station you want to listen to. resynchronise it to any video playback which appears to be behind the audio
In automatic tuning mode the unit scans to the next strong station. In manual in time.
tuning mode the user can step manually through the frequencies. In preset This can sometimes happen if the video is slightly delayed by a player or TV
mode the unit cycles through the presets only. performing a lot of video processing.
Two FM modes are available, stereo and mono - Press the Stereo Mono Pressing the Lip Sync button on the remote will bring up the
button on the remote to alternate between Stereo mode and Mono mode. If current Lip Sync value on the 551Rs main display and allow
the Display button is pressed, the RDS station names of FM stations will be adjustments in 10mS (10 thousandths of a second) increments.
displayed if available.
Setting the Lip sync value to 0 causes Lip Sync delay to be turned off.
Storing stations
1. Tune in a station you wish to store as explained previously.
2. Press and hold the Mode/Store button (or use the Store button on the
remote) for 5 seconds.
3. Use the Tuning+/- buttons to select a preset station number (1-15). The
station number will be displayed on the screen.
4. Press the Mode/Store button (or use the Store button on the remote) to
memorise the frequency. Note: The Lip sync value is stored and recalled separately for each source.

Radio Data Systems (RDS)

RDS is a method for the transmission of additional information from local
radio stations. It is only available in FM mode. RDS will only work if the local
broadcasting stations have RDS transmission and the signal is strong
enough.

24
 azur 551R

Audio Return Channel You can use the up/down buttons to make changes to the picture or press

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Pic.Adj. again to move to the next item.
The 551R supports an Audio Return Channel (ARC) function from TVs that Adjustments are available for Brightness, Contrast, Hue, Saturation and
also support this function (which must feature an HDMI1.4 input and have 4:3/16:9 Zoom.
actually implemented the ARC feature, see your TVs manual).
A second feature of the Picture Adjustment button is setting the output
ARC allows a TV to send audio back down its incoming HDMI lead to the resolution for the scaler (this can also be done in the OSD see earlier
551Rs HDMI output socket. section).
This function allows the 551R to play back the audio from a TVs built-in If the button is pressed and held for 10 seconds approx the 551R will show
terrestrial cable or satellite tuner whilst you watch it’s picture. the current scaler output resolution on the 551Rs front panel display.
To enable the use of ARC navigate to the select TV– ARC and use the Holding for a further 10S will change the output resolution to the next
up/down buttons to select the Enabled setting. available one (and allow time for the TV to re-sync).
Holding further will continue the process and the video output will gradually
move through all possible resolutions 480i 50Hz, 576i 60HZ, 720p 50Hz,
Audio In/Out Setup Menu

BD/DVD : HDMI 1 720p 60Hz, 1080i 50Hz, 1080i 60Hz, 1080p 50Hz and 1080p 60Hz (and
Video 1
Video 2
:
:
Digital
HDMI 3
back round).
This feature can be useful if the scaler output is accidentally set to a
CD/Aux : Analog

resolution your TV does not support and picture is lost.

Tape/MD/CDR : Analog

By pressing and holding Pic.Adj. you can cause the 551R to scroll through all
Preamp Out : Ext 2ch
TV ARC : Enable
resolutions automatically. Simply let go of the button when a visible video
image at a suitable resolution appears.
Return : [OSD]

Using ARC
ARC can be started in one of two ways. If your TV supports it there may be a
Audio split mode
menu item to start ARC on your TV. In some circumstances the 551R is able to allow the user to view one source
whilst listening to another. For instance you could watch the video of a sports
Your TV then sends commands to the 551R which cause it to start an ARC channel whilst getting an audio commentary from another such as the Tuner.
session and ‘TV-ARC’ will appear on the front panel display automatically.
To perform Audio Split:
Some TVs may also start an ARC session whenever you select the in-built
tuner and stop when you select another source. 1. Select the source you wish to watch in the normal way.
Alternatively you can start ARC by pressing the CD/Aux/TV button twice on 2. Press and hold the button for the source you wish to listen to. After 4
the 551R (as long as TV-ARC has been enabled in the 551Rs OSD as above). seconds approx “Audio Split” will scroll across the display and you will now
be listening to that source instead. Video will not have changed.
The first press selects CD/Aux, the second selects ARC and ‘TV-ARC’ appears
on the front panel display. The 551R will then send commands to the TV over
HDMI to try to start an ARC session.

1 2

The 551R allows splitting from any source whatever its video input type
(Composite, S-Video, Component or HDMI) but only to sources where
analogue or digital audio is the current audio input type, not HDMI.
To finish ARC simply disengage it on your TV or press a different source
button on the 551R. If the combination is not allowed “Mode Unavailable” will instead scroll
across the display and no change will be made.

Picture Adjustment To cancel audio split mode simply select a new source and normal operation
will be resumed.
For sources that have had the Scaler set to Process the 551R can provide
some picture adjustments.
These adjustments are remembered source by source.
Pressing a source for which the scaler is in Bypass will do nothing.
Pressing a source for which the scaler is set to Process will bring up the first
adjustment item, shown at the top of the screen as below:

Brightness
60

25
Advanced setup
For most users the basic four stage setup process (Page 14 onwards) should See diagram below of a bi-amped system (only front left and right speakers
be sufficient for normal use. shown).
However the 551R also features many more advanced settings for users who Note: Bi-wire links must be removed on the speaker’s terminals.
wish to further customise the settings and operation to personal preference.

Sub crossovers and bass management Speaker Impedance 4-8 Ohms

As covered in the ‘551R Setup’ section the 551R performs bass Surround

management for any speaker that is set to ‘Small’ in the OSD. This means
Surround Front Front Surround Surround
Back Right Back Left/ Right Left Centre Right Left
Surround Back

that bass for speakers that are unable to reproduce bass effectively is
instead routed to the subwoofer.
7.1 6.1 5.1

Speaker Crossover Menu

Front L/R : 80Hz

Centre : 80Hz

Tone/Sub/LFE configuration
Surr. L/R : 80Hz
Surr. LB/RB : 80Hz

Select the ‘Tone/Sub/LFE’ menu:

Return : [OSD] Tone/Sub/LFE Menu

Bass 0dB
The crossover adjustments in the Speaker crossover menu are used to
Treble 0dB

determine the point as which this transition is made. In other words they set
LFE Trim 0dB

the frequency below which bass is routed away from any ‘Small’ speakers
Dolby Digital/DTS Sub Trim : 0dB
Dolby Digital/DTS Bass Aug : Off
and into the Subwoofer channel. It should be understood that bass sent to Dolby PLIIx/NEO Sub Trim : 0dB

the subwoofer by bass management is different to bass encoded into the

Dolby PLIIx/NEO Bass Aug : Off

surround-sound material as a dedicated Low Frequency Effects channel.

Stereo+Sub Trim : 0dB

If the source material contains a separate LFE channel (ie DD or DTS

Return : [OSD]

material) this is always routed to the subwoofer (if it is On) and is not affected
by the crossover setting. Some encoding types (Such as Dolby PLII/IIx and The Bass response can be adjusted +/- 10dB @ 100Hz (shelving). The Treble
Neo:6) do not actually have a LFE channel. response can be adjusted +/-10dB @ 10kHz (shelving). The “Tone” icon will
light up on the display if these controls are adjusted away from 0dB (flat). The
The default setting for all bass management crossovers is 80Hz and is a Subwoofer crossover point can also be adjusted from 40 to 150Hz in 10Hz
good global starting point. If you do not wish to make any adjustments simply steps and also to 200Hz.
leave all crossovers at this default setting.
The 551R incorporates a couple of advanced Bass Management features.
Note: These settings are actually only used for speakers that have been set The overall Sub Level for DD/DTS modes, PLII/x/Neo:6 modes and Stereo +
to Small in the Speaker Configuration Menu. Sub mode can be set to different levels. This can be useful if you prefer to
For advanced users it is however possible to adjust the speaker crossovers have a high level of Sub operation whilst watching movies but a lower level
used for any speakers set as ‘Small’ independently to allow for the fact that for music playback. The three levels are simply adjusted by up to +/-10dB in
you may wish to direct bass away from front floorstanding speakers (and to the OSD. The second feature is that the way Bass Management is applied
the Subwoofer) at perhaps 50Hz but away from Surround Left and Rights at can be changed.
perhaps 100Hz. If you wish to make these adjustments it is best to consult In normal operation (Bass Augment Off) if the Front speakers are set to
your loudspeaker manufacturers documentation or contact your dealer to ‘Small’ (in the ‘Speaker Config’ menu) their bass is re-directed by high-pass
determine the frequency response of your system and where each speaker filtering the Fronts and sending that bass to the Sub channel (i.e. bass is
types bass response starts to tail off (often called the 3dB or 6dB roll removed from the Fronts and sent to the Sub). If they are set to ‘Large’ no
off/cutoff point). This would be approximately the point the corresponding filtering takes place and no bass is sent from them to the Sub channel.
crossover should be set to.
However with the Bass Augment function On and the Front speakers set to
‘Large’, bass from the Front Left and Right is now sent to the Sub channel
Bi-amping without any filtering of the Front Left and Right taking place (i.e. these
channels remain full range). In other words, the bass in the Sub channel is
If you a running a 5.1 (or less) speaker setup only the 551R allows for bi- augmented by extra bass from the Front Left and Right channels. If the Front
amping of the front left and right channels. It will be seen in the Speaker Left and Right are set ‘Small’, Bass Augment has no effect and operation is
Configuration menu that with the Decode mode set as 5.1 a Bi-amp On/Off the same as for Bass Augment Off.
item appears.
Bass Augment can be On or Off separately for DD/DTS or PLII/IIx/Neo:6
Speaker Config Menu operation.
Decode Mode : 5.1 There is no Bass Augment function for Stereo + Sub mode because in this
Front L/R : Large
mode if the Front speakers are set to ‘Large’ they will actually always be
unfiltered.
Centre : Small
Surr. L/R : Small

Bass Augment can be a useful function with PLII/IIx and Neo:6 material
because these encoding types do not include an LFE Channel. This would
Subwoofer : Yes

Biamp : No
normally mean that if all the speakers in your setup were set to ‘Large’, the
subwoofer would in fact be inactive (as no bass has been re-directed plus
there is no LFE channel). If it is desired to have the subwoofer running with
Return : [OSD]

all Large Speakers and these encoding types, enable Bass Augment for
When selected, the 551R sends the front left and right signals to the SBL and PLII/Neo6 and then set the Crossover points and levels by ear. A Sub channel
SBR outputs as well. will now be created from the Front Left and Right channels without filtering
In conjunction with bi-wireable/bi-ampable speakers this allows you to use them. As with all adjustments it is a good idea to experiment to determine
two runs of speaker cable to each speaker with a dedicated amplifier what works best with your particular setup.
channel for the bass and treble drivers of each speaker which can slightly Note: These adjustments work in all digitally processed Stereo or Surround
increase the sound quality. modes but not in Analogue Stereo Direct or 7.1 Direct modes.
The LFE channel (for DD / DTS material) can also be trimmed by up to 10dB
in 1dB steps useful for late night listening or other situations where it might
be desired to reduce the low frequency effect level perhaps temporarily.

26
 azur 551R

Remember the LFE is the Low Frequency Effects channel encoded into the
Dynamic range control

ENGLISH
disc and is different to the over all sub level which can include bass
management from the other speakers.
Bass/Treble adjustments can also be made from the remote without
Advanced Dolby/DTS Setup

entering the OSD by pressing the Bass/Treble button and then using the Vol Dolby Pro Logic IIx Panorama : Off

Up/Down buttons.
Dolby Pro Logic IIx Centre Width : 0
Dolby Pro Logic IIx Dimension : 3

Sub trim adjustments can also be made from the remote without the OSD
DTS HD Spkr Remap : 1

by holding down the Sub On/Off button and using the Vol Up/Down buttons
Dolby DRC : Auto

whilst it is kept down.

OSD setup
Return : [OSD]

On-Screen Display is available on all video outputs. This setting controls the dynamic range of Dolby Digital movie soundtracks by
compressing the audio to limit the difference in level between loud and quiet
OSD Setup Menu
passages in the movie.
This can be a useful feature when watching movies late at night for instance.
Three settings are possible:
Language : English
Firmware : 1.6/1.6/1.0

Auto – Compression is always applied for Dolby Digital and Dolby Digital Plus
(MCU/HDMI/DSP) soundtracks. The application and amount of compression to Dolby True HD
soundtracks is dictated by the soundtrack itself.
Off – No Compression (normal full dynamic range playback)
On – Compression is always applied for all Dolby soundtracks (reduced
Return : [OSD]

dynamic range playback)

The OSD can be shown in several different languages. To change the OSD
language highlight the ‘Language’ menu and use the Left and Right arrows
to select between English, Dutch, French, German, Spanish, Italian,
Norwegian, Swedish and Danish. Press the OSD button again to exit and save
the options.

Advanced Dolby/DTS adjustments

The first three adjustments affect Dolby Prologic II or IIx processing (or post-
processing) in Music mode only. Movie and Game modes where available are
preset as part of their specification to match the encoding or provide a
specific effect. These adjustments have no affect in these modes.

Advanced Dolby/DTS Setup

Dolby Pro Logic IIx Panorama : Off

Dolby Pro Logic IIx Centre Width : 0
Dolby Pro Logic IIx Dimension : 3
DTS HD Spkr Remap : 1
Dolby DRC : Auto

Return : [OSD]

Panorama mode - A Prologic II/IIx mode that extends the front Stereo image
to the surround sound speakers for a more enveloping experience. This mode
can be either On or Off.
Centre Width - Allows gradual adjustment of the centre image from being
produced only by the Centre speaker (Setting 0) through levels of being
spread between the centre channel and Left and Right speakers to finally
being produced by the Front Left and Right speakers only (Phantom Centre,
Setting 7). Useful in optimising the Front/Centre/Right soundfield for best
integration of the 3 speakers. Best tuned by ear.
Dimension - Adjusts the soundfield to be gradually shifted from the front of
the room to the back to suit taste, speaker positioning and size of room.
Setting 0 has the image furthest forward, 6 furthest back.
All three adjustments are a matter of personal preference, experiment for the
settings that you prefer when you are using PLII or PLIIx decoding.

27
Advanced setup continued
Configuration 4 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lh, Rh

DTS-HD speaker re-map Center

As there is no “official” speaker layout for discrete 7.1 channel audio it could Left Height
be possible that the original master track of a 7.1 soundtrack was mastered Right Height
with a different speaker layout than the one being used in your home. DTS Left (30°)
have addressed this issue for DTS-HD Master Audio and High Resolution Audio LFE
Right (30°)
by including in the bitstream flags to tell the receiving AV Receiver which of a
7 nominal 7.1 speaker layouts was actually used. By using special DTS
Speaker Remap algorithms the 551R is able to electronically “reposition” the
speakers (i.e. direct the audio propagation), so that the playback matches the
original encoded layout for the best possible sound quality.
Left Surround (110°)
A second aim of this technology is that by re-purposing some of the 7.1 Right Surround (110°)
available channels it is possible to use some of them to do new things such
as adding a height element to the sound field.
The following digrams show the 7 possible encoding schemes for reference. Configuration 5 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lsr, Rsr
The angles quoted refer to the angle from a nominal 0 degrees line through
the centre channel to each speaker either side right or left of that line. Center
Configurations 1 and 5 are variants of normal 7.1 setups whilst Configuration Left (30°)
Right (30°)
6 can increase the available panning of the front channels.
LFE
Configurations 2,3,4 and 7 are less conventional and re-purpose some of the
available 7.1 channels to provide an extra height dimension to the sound field Left Surround (110°)
in different ways. Please refer to the DTS website for more details on this new Right Surround (110°)
technology.
Configuration 1 - 7.1 channel: L, C, R, LFE, Lss, Rss, Lsr, Rsr
Left Surround Rear (150°)
Center Right Surround Rear (150°)
Left (30°)
Right (30°)
LFE Configuration 6 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lw, Rw
Left Surround Side (90°)
Right Surround Side (90°) Center
Left (30°)
Right (30°)
LFE
Left Surround Rear (150°)
Right Surround Rear (150°) Left Wide (60°)
Right Wide (60°)

Configuration 2 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lhs, Rhs

Left Surround (110°)
Right Surround (110°)

Center
Left (30°)
Right (30°) Configuration 7 - 7.1 channel: L, C, R, LFE, Ls, Rs, Ch, Cs
LFE

Left Height Side (90°) Center Height Center

Right Height Side (90°) Left (30°)
Right (30°)
LFE

Left Surround (110°)

Right Surround (110°)

Configuration 3 - 7.1 channel: L, C, R, LFE, Ls, Rs, Cs, Oh Left Surround (110°)
Right Surround (110°)
Center Surround
Center Over-Head Center
Left (30°)
Right (30°)
LFE

Left Surround (110°)

Right Surround (110°)
Center Surround

28
 azur 551R
Custom installation (C.I.) use
For playback the 551R expects you to have an actual physical speaker setup An IR Emitter Input is provided that allows

ENGLISH
modulated IR remote control commands to be
RS232C
approximately conforming to one of the layouts as shown below.
received electrically by the unit. An RS232 port is
also featured which allows the 551R to be controlled
5.1 by C.I. systems.
Center
Left (30°) In addition the unit features 'direct' IR/Control codes as well as toggle codes
Right (30°)
for some of their features to simplify programming custom installation
LFE systems. Special direct On/Off and Mute commands can be accessed on the
supplied remote control for teaching into C.I. systems as follows:
1.Press and hold the Standby/On button on the remote control. The remote
first generates it's standby (toggle) command. Keep the button held down,
after 12 seconds an AV receiver “On” command will be generated. If the
button is kept held down for a further 12 seconds, an AV receiver “Off”
Left Surround Rear (150°)
command is generated.
Right Surround Rear (150°) Repeat this procedure with the Mute, Sub On/Off, Stereo Mono and Tuner
AM/FM buttons to send On/Off commands. The Tuner AM/FM button also
provides unique FM and AM commands to allow switching to a specific band.
A full code table and RS232 protocol for this product is available on the
7.1 Cambridge Audio website at www.cambridge-audio.com.
Configuration 1 or Configuration 5

Reset/Back-up memory
The 551R has a function that preserves the preset memory and other
settings. In the event of a power failure, or if the power cord of the unit is
disconnected from the mains outlet, the back-up memory will preserve the
preset memory for approximately one week. If the power supply is interrupted
for 7 days or longer, the memory settings will be erased.
If it is desired to reset all settings to their factory defaults (or in the unlikely
For 5.1 setups the situation is simple, the 551R automatically performs any event that the unit locks up due to an electrical discharge etc), with the unit
DTS Speaker Remapping required, mapping any of the 7 incoming on and out of Standby mode press and hold the DVD and Analogue Stereo
possibilities to this configuration. Direct buttons on the front panel for three seconds.

For 7.1 there are two alternative speaker setup you might have. These “RESET” will appear briefly on the front panel display before returning to
corresponds to configuration 1 and configuration 5 as above. Standby mode.

Here you need to tell the 551R which configuration best matches your
speaker setup by selecting the DTS-HD speaker menu and selecting the 1 or
5 option.

Advanced Dolby/DTS Setup

Dolby Pro Logic IIx Panorama : Off

Dolby Pro Logic IIx Centre Width : 0
Dolby Pro Logic IIx Dimension : 3
DTS HD Spkr Remap : 1
Dolby DRC : Auto

Return : [OSD]

The 551R can then perform any speaker re-mapping required automatically,
and maps any of the incoming 7 possibilities to whichever one of the two 7.1
possibilities you have.
Note: This feature by its nature only works for 7.1 DTS HD Master Audio or
DTS HD High Resolution Audio bitstreams.
Also note that where the incoming speaker configuration and your physical
speaker configuration actually match the 551R performs no mapping as
you’d expect.

29
Troubleshooting
A low hum or buzz sound can be heard
Power cords or lighting placed near this product.
Analogue inputs not connected securely.

Sound is not audible from one channel

Speaker connections disconnected.
Speaker set to “None” in OSD setup menu.

Sound cuts off when listening to music or there is no

sound even though power is ON
Speaker impedance is less than prescribed for the 551R.
The unit is not adequately ventilated and may be overheating.

Low bass or “phasey” response

Speaker polarity (+/-) of one or more speakers is reversed.

An unusual hissing noise is heard when listening to a radio

broadcast in stereo, but not heard when listening in mono
A slight noise may be heard because the method used for modulation of FM
stereo broadcasts is different than that used for mono broadcasts.
Aerial quality also effects the level of hiss heard.

Noise is excessive in both stereo and monaural radio broadcasts

Poor location and/or direction of the antenna.
Transmitting station is too far away.

No sound from the rear speakers

Source being played is not recorded in surround sound.
Speaker/s set to “None” in OSD setup menu.
A stereo mode has been selected.

No sound from the centre speaker

Centre speaker has been set to “None” in OSD setup menu.
A stereo mode has been selected.

No sound from the subwoofer

Sub has been set to ‘Off’ in the OSD setup menu or via the remote.
DTS Neo:6, DD PLII/IIx modes (which have no LFE channel) have been
selected with all speakers set to “Large”.

Remote control is not working

The batteries are flat.
The remote is too far from the receiver or out of the effective range.

No sound from speakers when connected to a digital

input
Audio input type is set to analogue (check display). Press the Audio Input
Type button to switch to digital.

No sound from speakers when connected to an analogue input

Audio input type is set to digital. Press the Audio Input Type button to switch
to analogue (check display).
Audio input type can also be set in the Input/Output Setup menu of the OSD.

No Sound from any speakers

Receiver is set for ‘Pre-out’ operation.
By entering the OSD menu, selecting the input/output setup menu, the
Preamp out setting can be changed from ‘Normal’ to ‘Pre-out’. This disables
the internal amplifiers when an external decoder amplifier is being used.
Reset this to ‘Normal’ to restore sound.

No Sound from front speakers, but rear speakers work

Receiver is set for ‘Ext 2Ch’ operation.
By entering the OSD menu, selecting the input/output setup menu, the
Preamp out setting can be changed from ‘normal’ to ‘Ext. 2 Ch’. This disables
the internal amplifiers for the front channels when an external amplifier is
being used to drive those channels. Reset this to ‘Normal’ to restore sound.

30
 azur 551R
Technical specifications
Audio General

ENGLISH
Power Output All Channels : 110 watts rms per channel, Architecture Cirrus Logic CS43122 24 Bit 192kHz
6 ohms (two channels driven) capable DAC for Front Left & Right

All Channels : 90 watts rms per channel, Cirrus Logic CS52526 24 Bit 192kHz
8 ohms (two channels driven) capable CODEC for surround
channels + 24 Bit 2 channel A/D
All Channels : 60 watts rms per channel, conversion
8 ohms (all 7 channels driven)
Cirrus Logic CS497004 dual 32 bit DSP
THD <0.006% @1kHz
Faroudja FLI2310 scaler
Crosstalk <-60dB @ 1kHz
Audio Inputs 6 Line Level Analogue
Frequency response 10Hz - 20kHz -1dB Tuner (FM/AM)
7.1 Analogue Input
S/N Ratio >90dB 'A' weighted 4 Digital Co-axial, 4 Digital Optical

Audio Input Impedance / 47kOhms / 175mV or greater Video Inputs 2 Composite, 2 S-Video,
Sensitivity 2 Component Video, 4 HDMI

Digital Input Impedance 75 ohms (Coaxial/S/P DIF) Main Audio Outputs 7 Amplified Speaker Outputs
7.1 Preamp outputs
Tone Control
- Bass +/-10dB @ 100Hz Main Video Output 1 HDMI
- Treble +/-10dB @ 10kHz
Recording Audio Outputs 1 Line Level Analogue
Tuner 1 Digital Co-Axial, 1 Digital Optical
- FM mode 87.5-108MHz, 75 ohm coaxial aerial
- AM mode 522-1629kHz, 300 ohm loop aerial Other connections 1 1/4" / 6.35mm Headphone Output
(32 To 600 ohms recommended)
Video 1 IR Emitter In
1 RS232C
Video Levels /Impedance 1 IEC type mains inlet
- Composite (CVBS) 1Vp-p / 75 ohm
Standby power consumption <1w
- S-Video (S-VHS) Y 1Vp-p / 75 ohm
C 0.286 Vp-p / 75 ohm Quiescent power consumption <70w
- Component Y 1Vp-p / 75 ohm Max power consumption 700w
Cb/Cr 0.75Vp-p / 75 ohm
Pb/Pr 0.75Vp-p / 75 ohm Dimensions - H x W x D 110 x 430 x 340mm

HDMI Weight 10kg (22lbs)

HDMI 1.4
EIA/CEA - 861D
HDCP 1.1

All audio modes supported except reception of native Direct Stream

Digital (DSD).

ARC and 3D-TV/deep colour pass through supported.

CEC and HEC not supported.

31
Cambridge Audio is a brand of Audio Partnership Plc
Registered Office: Gallery Court, Hankey Place
London SE1 4BB, United Kingdom
Registered in England No. 2953313

www.cambridge-audio.com

AP30836/1-A

© 2011 Cambridge Audio Ltd