Saltburn (Film) - Wikipedia
Saltburn (Film) - Wikipedia
Saltburn (Film) - Wikipedia
health issues. When Oliver becomes distraught over his father's Edited by Victoria Boydell
Music by Anthony Willis
sudden death, Felix comforts him and invites him to spend the
Production Metro-Goldwyn-
summer at his family's country house, Saltburn. companies Mayer
MRC
At Saltburn, Oliver meets Felix's eccentric parents Sir James and Lie Still
Lady Elspeth, his sister Venetia, and Elspeth's friend Pamela, as LuckyChap
well as Felix's American cousin Farleigh, with whom Oliver has Entertainment
As the summer ends, Elspeth and James plan a party for Oliver's birthday. Felix surprises Oliver with a
trip to see his estranged mother, causing Oliver to panic. Upon arriving at the family's house in Prescot,
Felix realises that Oliver lied to him about his upbringing. Oliver's father is still alive; neither of his
parents are substance abusers; and they live in a respectable middle-class suburb. Horrified and hurt
by Oliver's deception, Felix decides not to tell anyone to spare his own family the humiliation, but he
orders Oliver to leave Saltburn after the party. During the celebrations, Oliver seeks to make amends
with Felix by expressing his adoration for him. Felix rejects him and suggests he seek help.
The next morning, Felix is found dead in Saltburn's hedge maze. Oliver implies Felix's death was
connected to Farleigh supplying drugs during the party, and James withdraws financial support from
Farleigh and bans him from returning. Oliver mourns Felix and visits his grave alone, where he places
flowers and has sex with the grave soil.
After Felix's funeral, Elspeth insists that Oliver extend his stay at Saltburn. Venetia, increasingly
distraught and disturbed, accuses Oliver of destroying her family, calling him a moth, a serf and a
spider. He attempts to placate her, but she eventually rebuffs him, disturbed by his growing
impersonation of Felix. The next day, Venetia is found dead, having killed herself in the bathtub.
Despondent over Oliver's continuing presence at Saltburn and Elspeth's closeness to him, James
bribes him to leave, which Oliver accepts.
In 2022, Oliver reads about James's death in a newspaper. He subsequently has what appears to be a
chance encounter with Elspeth at a café. She is delighted to see him again, insisting he return with her
to Saltburn. After spending several months with Oliver, Elspeth becomes terminally ill. At her deathbed,
Oliver confides in Elspeth that he is responsible for the tragic events at Saltburn. He had orchestrated
his meeting Felix at Oxford and even planned his encounter with Elspeth at the café, after which she
bequeathed all her assets, including Saltburn, to him. Oliver comforts Elspeth, pulls her life support off
to let her die. Having now assumed ownership of Saltburn and the Catton family fortune, he dances
happily naked around the mansion.
Cast [ edit ]
Production [ edit ]
Saltburn is the second film written and directed by Emerald Fennell, after Promising Young Woman
(2020).[9] By January 2022, Tom Ackerley and Margot Robbie's LuckyChap Entertainment was in talks
to produce, after collaborating with Fennell on her previous film.[10] In May 2022, Ackerley, Robbie, and
Josey McNamara were confirmed as producers, while Rosamund Pike, Jacob Elordi, and Barry
Keoghan joined the cast.[11][12] Fennell said that Australian actor Elordi "...did the most exceptional
audition... He did such a genius, genius bit of observational comedy. He really really understood that for
all of [Felix's] beauty and charisma, he's just sort of a spoiled little boy. He came in and just absolutely
blew us all away".[13]
Carey Mulligan, star of Promising Young Woman, was revealed to be part of the cast in December
2022.[14]
In writing the film, Fennell wanted to sympathise with unlikeable people, saying
"the sorts of people that we can't stand, the sorts of people who are abhorrent—if we can love
them, if we can fall in love with these people, if we can understand why this is so alluring, in
spite of its palpable cruelty and unfairness and sort of strangeness, if we all want to be there
too, I think that's just such an interesting dynamic."
She had long wanted to make her own version of films and books set in a country house, and set the
film in 2006 to "really [knock] the fucking glamour off things" by setting it in the recent past.[15]
Filming [ edit ]
Costumes were designed with 2000s fashion displayed in the form of ostentatious jackets, rugby shirts,
and loud jewellery.[13]
Music [ edit ]
The film is scored by Anthony Willis, who previously scored Fennell's Promising Young Woman. The
soundtrack was released by Milan Records on 17 November 2023.
Sophie Ellis-Bextor's 2001 song "Murder on the Dancefloor" was featured in the last scene of the film.
[19][20] As a result, the song received 1.5 million streams on New Year's Eve on Spotify[21][22] and
subsequently re-entered the UK Singles Chart at number eight on 5 January 2024 with 2.2 million
streams, marking the song's best-ever streaming week.[23] The film also features Mason and Princess
Superstar's 2006 track "Perfect (Exceeder)" and Tomcraft's 2002 track "Loneliness" which, in addition
to "Murder on the Dancefloor", became trending songs on particularly TikTok.[24][25]
The film focuses on excess and obsession. Fennell stated "I drew from my own experience of being a
human person, who has felt that thing we all feel at that time in our life which is that absolute insane
grip of obsessive love...But obviously I didn't quite go to the lengths that some of the people [in the film]
do".[13]
Discussing the film's influences, Fennell has cited A Clockwork Orange (1971),[26] Cruel Intentions
(1999),[26] Daphne du Maurier 's Rebecca (1938),[26] and the novel The Go-Between (1953) by L.P.
Hartley and its 1971 film adaptation.[26][27] She commented, "I think that I was sort of looking more at
that British Country House tradition of The Go-Between and that sort of very specific British... sort of
Joseph Losey world, where class and power and sex all kind of collide in one specific place."[28]
Fennell cited Losey's The Servant (1963) as an influence because of its "undeniable erotic power" that
"relies entirely on the threat of violence — not just literal violence, but a complete chaotic upending of
the status quo."[29]
Patricia Highsmith 's novel The Talented Mr. Ripley (1955) and its film adaptation (1999) have been oft-
cited as an influence by critics due to the common themes of social class and the similarities between
Oliver and Tom Ripley,[30][31][32] though Fennell herself has downplayed these comparisons.[28]
Richard Brody of The New Yorker also found similarities to the novel Brideshead Revisited by Evelyn
Waugh.[33]
Other critics have found similarities to Pier Paolo Pasolini's film Theorem (1968) and Stanley Kubrick's
Barry Lyndon (1975), which also addressed themes of class, power, desire, and seduction.[34][35][36]
Fennell described her satire of the British class system as "Barry Lyndon meets indie sleaze."[29]
Release [ edit ]
Saltburn had its world premiere at the 50th Telluride Film Festival on 31 August 2023.[37][38] It
premiered in the United Kingdom (UK) as the opening film of the 67th BFI London Film Festival on 4
October 2023.[39] It also premiered in Australia at SXSW Sydney on 20 October 2023.[40]
In the United States, Saltburn was given a limited release on 17 November 2023, followed by a wide
release by Amazon MGM Studios on 22 November 2023.[30] It was originally scheduled to be released
on 24 November 2023, but was moved up a week to take advantage of the initial positive response it
received at its Telluride premiere.[41]
Warner Bros. Pictures handled the UK and Ireland release of Saltburn, with a 16 November release in
Australia and a 17 November release in the UK.[42][43] The film became available to stream on Amazon
Prime Video on 22 December 2023.[44][45]
Reception [ edit ]
As of 15 January 2024, Saltburn had grossed $12.1 million in the United States and Canada, and
$9.3 million in other territories, for a worldwide total of $21.4 million.[2][3]
In its limited opening weekend, the film made $322,651 from seven theaters.[46] Expanding to 1,566
theaters the following Wednesday, the wide expansion of the film was released alongside Napoleon
and Wish, and made $684,000 on its first day of wide release then $301,000 on Thanksgiving Day. Its
debut made $1.8 million on the weekend (and a total of $2.9 million over the five-day frame), finishing
in ninth.[47] The film dropped just 16% the following weekend, grossing $1.6 million.[48]
The Guardian reviewed the film after its August premiere and again
after its release. Peter Bradshaw gave it three stars out of five. He noted that it "boasts dazzling turns
from Rosamund Pike and Carey Mulligan" but that "the heavily drawn-out ending feels uncertain".[51]
Wendy Ide wrote that it "stars a miscast Barry Keoghan (he's way too old for the role)" but that
"Rosamund Pike, as Felix's mother Elspeth, is gloriously rude; Archie Madekwe, as poor relation
Farleigh, is a malicious delight". She awarded two out of five stars.[52]
Nicholas Barber, reviewing the film for the BBC, enjoyed the "outrageous, laugh-out-loud punchlines"
but felt that "Fennell is prone to fumble" plot twists. Barber praised the "superb ensemble cast",
especially Keoghan ("magnetic"), Pike ("steals the show"), and Elordi ("a revelation"). He concluded
that "if you see it as a lurid pulp fantasy rather than a penetrating satire, then Saltburn is deliriously
enjoyable" and awarded four out of five stars.[7] Empire also praised the charismatic ensemble cast and
gave the film three out of five stars. In her review, Sophie Butcher reported that "Saltburn looks divine.
Fennell's eye is extraordinary, and alongside cinematographer Linus Sandgren, she captures the grand
beauty of her architectural locations impeccably" but was disappointed that "scenes often build to reach
the cusp of something truly electric, but are let down by clunky dialogue."[53]
Writing in Sight and Sound, Sophie Monks Kaufman found that "the story's superficial treatment of its
characters ... becomes increasingly ruinous" and that "the most menacing thing anyone can muster
here is a passive-aggressive karaoke choice". She was also underwhelmed by the film's "ostentatious
visual language".[6] However, Entertainment Weekly columnist Maureen Lee Lenker gave Saltburn an
"A", saying the film is a "Gothic thriller dusted with poisonous candy-pop glitter…Its endless visual and
literary layers will bring its ardent admirers back to it again and again, because it is a triumph of the
cinema of excess, in all its orgiastic, unapologetic glory."[54]
Accolades [ edit ]
Date of
Award Category Recipient(s) Result Ref.
ceremony
16
Mill Valley Film Emerald [55]
October Filmmaker of the Year Won
Festival Fennell
2023
2
Savannah Film [56]
November Audience Award Saltburn Won
Festival
2023
15
Hollywood Music in Original Score – Feature [57]
November Anthony Willis Nominated
Media Awards Film
2023
18
Dublin Film Critics' [58]
December Best Actor Barry Keoghan 7th Place
Circle
2023
Linus
Astra Film and Best Cinematography Nominated [62]
Sandgren
Creative Awards
26
Suzie Davies
February
Best Production Design and Charlotte Nominated
2024
Dirickx
Linus
14 Best Cinematography Nominated
Critics' Choice Sandgren [64]
January
Movie Awards
2024 Suzie Davies
Best Production Design and Charlotte Nominated
Dirickx
4 Carey Mulligan
London Film Critics' British/Irish Performer of the [65]
February (also for Pending
Circle Year
2024 Maestro)
Society of 13
Outstanding Original Score [70]
Composers & February Anthony Willis Pending
for a Studio Film
Lyricists 2024
21
Costume Designers Excellence in Contemporary [73]
February Sophie Canale Pending
Guild Awards Film
2024
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Official website
Saltburn at IMDb
Filmography · Accolades
Categories: 2023 films 2023 black comedy films 2023 comedy-drama films
2023 LGBT-related films 2023 psychological thriller films 2020s American films
2020s British films 2020s comedy thriller films 2020s English-language films
2020s satirical films Amazon MGM Studios films American black comedy films
American comedy-drama films American comedy thriller films American LGBT-related films
American psychological thriller films American satirical films British black comedy films
British comedy-drama films British comedy thriller films British LGBT-related films
British psychological thriller films British satirical films Films about dysfunctional families
Films about social class Films produced by Margot Robbie Films produced by Tom Ackerley
Films set in 2006 Films set in 2007 Films set in 2022 Films set in country houses
Films set in the University of Oxford Films shot in Northamptonshire Films shot in Oxford
Gothic horror films LGBT-related black comedy films LGBT-related comedy thriller films
LuckyChap Entertainment films Male bisexuality in film Media Rights Capital films
Metro-Goldwyn-Mayer films Warner Bros. films
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