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    Nocturne in C Sharp Minor

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    onavircs
    This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Nocturne in C Sharp Minor

    Uploaded by

    onavircs
    32 views4 pages
    This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

    Original Description:

    There

    Original Title

    Nocturne_in_C_sharp_Minor

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    This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    32 views4 pages

    Nocturne in C Sharp Minor

    Uploaded by

    onavircs
    This document is a musical score for Chopin's Nocturne in C sharp Minor. It consists of musical notation written using symbols. The score has a slow, melancholy feel and makes prominent use of chromatic scales and arpeggios. It is structured in a repetitive theme and variation form typical of nocturnes of the time.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Nocturne in C sharp Minor

    Chopin

              

                 
            
    = 65

     
     
             
     
      
      
     

       

     

          
       
     

    6

            
         
        
    3


       

    

         
     
         
    10


               

          

              

               

      

          
     
    14

        
         
        
    3 3 3

      
    3 3

     
                  
      
    17

     
          
                  
          

          
                   
            
    2

            
     
    21

        
      
           
            
    3 3


       
                    
     
    25

     
    3 3

    

                 
    

     
               

            
         
          
         
     
    28


               
            
         

                  
                 
    31


    3

     
                             
     allargando

     
       
    3

          
    3

          
    35


                   
                   
    3 3 3

              
     3 
      
    3

         
    3

        
     
    41 3

                     
    rit........................................

       
              
    3 3 3


     3  3  3
    
      
          
    = 65 3


        
    A Tempo
    46

         
         
         
    


            

              
     
    49

       
    3 3 3

     
    3

     
    3
    

        
          

      
                 
            

    52

                
        
    3 3 3 3


    3

      
        


               

    55

               
        
             

            
               
     
    58

       
       
    


    9


    9


            
            
    4

      

            
    59

       
         
    35

             
         
         
    60

          
            
         
    11 13

    
     
       
      
    63


            
    


           
    rall.

       
    

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