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PK: It’s hard to say, because it’s always changing, it’s not yet fixed and definitive. I might want to
learn it sometime, but it’s currently impossible to handle while studying philosophy and history at
school. I think sometimes it encourages people I meet to do cool things, even if they are young like
me. We also used geo-textile, the same as those used by farmers to protect their fields. Kaczmarek
has a penchant for recycling industrial surplus fabrics similar to that of British designer Christopher
Raeburn, or creating new styles out of forgotten textiles in thrift stores. But it’s something about still
putting stuff out there, even though it could be worked on for ages and ages, and practice on the
way. I had older friends who have started full of projects and I also wanted to do something. I find it
very scary to leave my work in the hands of others. Afterwards some ideas for other garments
followed, enough to make a collection. What do you mean when you say that you started a bit blind.
Here, Paris’ youngest renaissance man captures his SS17 collection in a series shot exclusively for
HERO, and takes us inside his post-homework world. Pierre Soulages said “It is what I do that
teaches me what I am looking for”. Do you get inspired by other disciplines like art and architecture.
When did you show for the first time during Paris Fashion Week. Everything Kaczmarek has learned
in his nascent design career came from the internet or older, more experienced friends. I just love
creating something from another thing: deconstructing something that already exists to come up with
something new. People tell us that, in the case of us splitting up, it’s dangerous for the company that
we’re a couple. Also because people are scared of our age, that it’s somehow equivalent of ignorance
and amateurishness. I believe that fashion is art before being a business so like any other art, fashion
can denounce. We have done some paid talks in fashion schools and my grandmother got us some
boost money in the very start. I was impatient, as older friends all around me were starting their own
projects. I had nothing to lose, I’m young and if it doesn’t work I have my studies. At our last show
we had great attendance; it was covered by French television, press and buyers. This blue is also a
reference to the social movements in France last year with the labour workers protests. I quickly
realized it was not all as perfect as one can think by looking at Vogue Runway. And I wanted to work
with blue Klein for a long time, it was the occasion. Is this part of personal commitment to
sustainability or rather a passion for all things vintage. What do you feel about education in creative
industries. Explain to me how the brand originated back in 2014. PK: Yes, I love watching people on
the street, I watch everything: attitudes, clothes, movements.
He plans on keeping it D.I.Y., having expressed no interest in attending fashion school once he
graduates. Also because people are scared of our age, that it’s somehow equivalent of ignorance and
amateurishness. PK: I love all the pieces because they all have a story behind them, but some are
definitely more interesting than others. People will get it in awhile, we just have to be patient. The
friends I do have help me a lot, they’re really are a part of the brand. For example my friend and DJ
MMX Delta composed the soundtrack for the latest show. I had nothing to lose, I’m young and if it
doesn’t work I have my studies.”. I might want to learn it sometime, but it’s currently impossible to
handle while studying philosophy and history at school. But I quickly realized it was not all as
perfect as one can think by looking at Vogue Runway. She deals with the production a bit as a
guideline collection and the styling. Pierre Kaczmarek One of the tops in your SS17 collection is
made entirely of ties. I think it’s really a total misunderstanding with young people today, who think
that being more commercial means being less creative.” I think that’s well put. And I wanted to work
with blue Klein for a long time, it was the occasion. Working with his girlfriend, 18-year-old stylist
Elena Mottola, Pierre reinterprets traditional French workwear into neatly tailored pieces inspired by
art, society and daily life. For the show, the duo recruited friends to help out as models, and had
Suzanna Lindon (daughter of French actors Vincent Lindon and Sandrine Kimberlain) and Marin
Baude (AKA musician MMX Delta) realise its hard hitting electronic soundtrack. When I started I
knew nothing of this world and how it really worked. Here, Paris’ youngest renaissance man
captures his SS17 collection in a series shot exclusively for HERO, and takes us inside his post-
homework world. Do you though think that you’ll ever hit a point where there’s nothing left to be
done, where Afterhomework is the best that it can be. In which retail stores can we find
Afterhomework(Paris) right now. Home News labeltowatch Label to watch A 17-year-old makes
waves in Paris with Afterhomework by Lorenzo Molina — October 25, 2016 It may seem
unbelievable that a day in the life of 17-year-old Pierre Kaczmarek has the same 24 hours as yours
and mine. I had so many ideas so I didn’t wait ten years before getting my brand. So what happened
in France last spring inspired me. Do you get inspired by other disciplines like art and architecture. I
believe that fashion is art before being a business so like any other art, fashion can denounce. Yet
both are giving the status quo a healthy shake. I started alone during my first collection in 2014 and
after that I began working with her. PK: I don’t have many friends, but those who are loyal to me
are a part of my inspiration. We bounce ideas back and forth, merge each other’s
skills—collaboration is key. We also have different black fabrics in the collection that react
differently to the light, and this is a reference to Pierre Soulages. When did you show for the first
time during Paris Fashion Week.
Also, a representative from the French Fashion Federation called us last week. Here, Paris’ youngest
renaissance man captures his SS17 collection in a series shot exclusively for HERO, and takes us
inside his post-homework world. I started alone during my first collection in 2014 and after that I
began working with her. What do you feel about education in creative industries. When working so
hard over a long period of time on something—whether it’s a collection of clothes or magazine
content-you have to trust that the eventual apparatus is fully backing you and seeing your vision
clearly. So what happened in France last spring inspired me. Is this part of personal commitment to
sustainability or rather a passion for all things vintage. One of my favourite is the top made from old
ties, the idea came from when I was looking at the ugly ties politicians wear. Home News
labeltowatch Label to watch A 17-year-old makes waves in Paris with Afterhomework by Lorenzo
Molina — October 25, 2016 It may seem unbelievable that a day in the life of 17-year-old Pierre
Kaczmarek has the same 24 hours as yours and mine. When I started I knew nothing of this world
and how it really worked. This blue is also a reference to the social movements in France last year
with the labour workers protests. No, I learned some basics on the internet, reading fashion books or
watching broadcasts. I believe that fashion is art before being a business so like any other art,
fashion can denounce. The name came easily—working on the brand was sandwiched between
philosophy and geography homework for a then 15-year-old Kaczmarek. When the day comes where
we feel Afterhomework is complete, we’ll quit immediately. I had so many ideas so I didn’t wait ten
years before getting my brand. It’s a struggle, they say, to be working at fashion’s highest level with
the budget of a sophomore. I had nothing to lose, I’m young and if it doesn’t work I have my
studies.”. Explain to me how the brand originated back in 2014. What do you mean when you say
that you started a bit blind. While other 17-year-old Parisians are spending their after school hours
mucking around with mates, Pierre Kaczmarek is designing clothes. Behind the Mystique of the
Ultimate Warhol Superstar. I love his personality too, very mysterious and very discreet, it’s all in the
creativity. I just love creating something from another thing: deconstructing something that already
exists to come up with something new. We also have different black fabrics in the collection that
react differently to the light, and this is a reference to Pierre Soulages. But I quickly realized it was
not all as perfect as one can think by looking at Vogue Runway. This encounter came back to mind
while being in a thrift store in Berlin buying old fashion items. This year is the election in France, so
we see politics with ugly ties all time so I find it funny to make fashion with them. She deals with the
production a bit as a guideline collection and the styling. In addition to the design, I decide the
moods for the collections, shows and lookbooks. I discovered this fabric during this summer when I
traveled in France by train, through the windows I could see this fabric.
To be taken seriously, they are doubling down on their work ethic, and letting someone else take care
of the business side. PK: I love all the pieces because they all have a story behind them, but some are
definitely more interesting than others. There are some brands that have given us some project
funding. Explain to me how the brand originated back in 2014. When did you show for the first time
during Paris Fashion Week. Do you though think that you’ll ever hit a point where there’s nothing
left to be done, where Afterhomework is the best that it can be. When working so hard over a long
period of time on something—whether it’s a collection of clothes or magazine content-you have to
trust that the eventual apparatus is fully backing you and seeing your vision clearly. This encounter
came back to mind while being in a thrift store in Berlin buying old fashion items. This year is the
election in France, so we see politics with ugly ties all time so I find it funny to make fashion with
them. Pierre Kaczmarek: I started in 2013, when I just drew some clothes after school. It is simpler
when you are two, so we can grow the brand. In which retail stores can we find
Afterhomework(Paris) right now. At our last show we had great attendance; it was covered by
French television, press and buyers. Kaczmarek has a penchant for recycling industrial surplus fabrics
similar to that of British designer Christopher Raeburn, or creating new styles out of forgotten
textiles in thrift stores. Deconstruction, asymmetry and experimentation with different volumes are
frequent elements in your designs. And I wanted to work with blue Klein for a long time, it was the
occasion. I had so many ideas so I didn’t wait ten years before getting my brand. Starting out in 2014
as a line of t-shirts, Afterhomework soon debuted a full collection and today showed its third
collection at Paris fashion week. I draw all the pieces and make the artistic direction. I had nothing
to lose, I’m young and if it doesn’t work I have my studies. I had nothing to lose, I’m young and if
it doesn’t work I have my studies.”. I might want to learn it sometime, but it’s currently impossible
to handle while studying philosophy and history at school. I find it very scary to leave my work in
the hands of others. I think it’s really a total misunderstanding with young people today, who think
that being more commercial means being less creative.” I think that’s well put. Materials: Poor
materials, cotton stitched, wool, nylon, corduroy, rope, K-way. Here, Paris’ youngest renaissance
man captures his SS17 collection in a series shot exclusively for HERO, and takes us inside his post-
homework world. I started it at the age of 15, fruit of an extreme need to create. What do you mean
when you say that you started a bit blind. Besides attending high school and dealing with the same
amount of papers than any student his age, this French guy also manages to run a fashion brand
during late evenings: Afterhomework(Paris). For their second full collection, Pierre and Elena looked
to the iconic blue of Yves Klein, reflecting on how the artist’s political leanings are relevant to culture
today.
Pierre Kaczmarek Did you receive formal training in fashion design. For the show, the duo recruited
friends to help out as models, and had Suzanna Lindon (daughter of French actors Vincent Lindon
and Sandrine Kimberlain) and Marin Baude (AKA musician MMX Delta) realise its hard hitting
electronic soundtrack. I had nothing to lose, I’m young and if it doesn’t work I have my studies. So
what happened in France last spring inspired me. People will get it in awhile, we just have to be
patient. Everything Kaczmarek has learned in his nascent design career came from the internet or
older, more experienced friends. Kaczmarek has a penchant for recycling industrial surplus fabrics
similar to that of British designer Christopher Raeburn, or creating new styles out of forgotten
textiles in thrift stores. I might want to learn it sometime, but it’s currently impossible to handle
while studying philosophy and history at school. In general, do you think that fashion design could
do more to highlight social injustices. Often people of my age find it cool that I have a brand. They
know all too well that after homework is done, the real fun begins. This blue is also a reference to
the social movements in France last year with the labour workers protests. Yet both are giving the
status quo a healthy shake. Working with his girlfriend, 18-year-old stylist Elena Mottola, Pierre
reinterprets traditional French workwear into neatly tailored pieces inspired by art, society and daily
life. For their second full collection, Pierre and Elena looked to the iconic blue of Yves Klein,
reflecting on how the artist’s political leanings are relevant to culture today. It’s a struggle, they say,
to be working at fashion’s highest level with the budget of a sophomore. He started holding brand
presentations during Paris Fashion Week (PFW) in September 2015, and the interest has anything but
decreased. I think sometimes it encourages people I meet to do cool things, even if they are young
like me. I just love creating something from another thing: deconstructing something that already
exists to come up with something new. I think it’s really a total misunderstanding with young people
today, who think that being more commercial means being less creative.” I think that’s well put. But
it’s something about still putting stuff out there, even though it could be worked on for ages and
ages, and practice on the way. I believe that fashion is art before being a business so like any other
art, fashion can denounce. Maybe I’m done with fashion in a few years, I don’t want to only do one
thing in my life. She deals with the production a bit as a guideline collection and the styling. Pierre
Kaczmarek: I started in 2013, when I just drew some clothes after school. It’s true that architecture
gives me ideas for shapes. I started it at the age of 15, fruit of an extreme need to create. PK: It’s
hard to say, because it’s always changing, it’s not yet fixed and definitive. I’m in contact with many
stores worldwide, but I want to take my time to choose the right retailers for my SS17 collection.
When the day comes where we feel Afterhomework is complete, we’ll quit immediately.