How I Got This Way by Regis Philbin
How I Got This Way by Regis Philbin
How I Got This Way by Regis Philbin
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Contents
Foreword by David Letterman viii
Introduction x
Bing Crosby
14
Steve Allen 30
Ronald Reagan
40
Walter Winchell
52
Sydney Omarr
60
Cary Grant
67
Jack Paar
72
Bill Cosby
83
10
Joey Bishop
89
11
12
13
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17
18
173
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19
20
21
22
23
24
25
26
27
28
29
30
311
vii
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Introduction
just reread my manuscript before I handed it in for publication. Naturally it brought back so many memoriesfrom some
of the things in my life that I cant forget, to stuff I forgot or
wanted to forget and remembered only because I took this
time to review it all. Some of the chapters made me more sentimental than I expected. You can see that the people remembered here
are people who made a difference for me. Most helped. Others made
me wish I had done things differently. Some have died and I wish
with all my heart that they could still be around to share more of
these memories. When it was good, it was sensational. And when it
got bad, well, I just wouldnt want to go through it again. But I was
lucky to meet most of the people I did. Lucky to have their advice
and their guidance, and it was only my own fault that I made some
of the mistakes I made in my life.
I was there almost at the beginning of television. It was so different when I started. It was a climb from the New York NBC page
staff to a TV station prop house in Los Angeles, to driving a delivery
truck around Hollywood and after that a radio news car in the fifties around San Diego reporting what was going on in the city that
day (not much, fifty years ago). Then finally getting, by chance, an
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r e gi s p h i l bi n
July 26, 2011
xi
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HOW
I GOT
THIS
WAY
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Chapter One
bing crosby
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theyre only gray for a day, so wrap your troubles in dreams and
dream your troubles away. ... Those were the sorts of lyrics that
helped cheer an entire nation wallowing in hard times together, not
to mention those who experienced bleak moments of their own in
decades to come. Certainly they kept me going. So Bing Crosby remained a big deal to mehis mellow voice, his carefree persona, his
very special aura. Dependable as could be, he was the friend who
could always be counted on to make me feel better.
Now all through high school and college, my parents would ask
me over and over again, What are you going to do with your life?
What do you want to be? Well, in my heart I wanted to be a singer
like Bing, but I worried about the reality of that dream. Did I think
for one minute that I had the voice to pull it off? Of course not. It
never occurred to me. I just wanted to be Bing! So I could never
tell them I wanted to be a singer. They might think I was crazy or
trying to achieve the impossible. But I did promise my folks that I
would make my decision before graduating from the University of
Notre Dame.
During those college years, my hope of becoming a singer did
wane slightly. I majored in sociology and never took a single music-
related course, much less any kind of class in public speakingno
confidence for it, noneyet I still had a passion for it that burned
inside me.
Two weeks before graduation, I discovered that one of my friends
could actually play the piano. Gus Falcone was his name, and I explained my awkward situation to him. This would be the last chance
to tell my parents my long-held secret, and with Gus at the piano,
I could show them it wasnt altogether that impossible as a professional dream. Over and over, for two weeks, we rehearsed one of
Crosbys great songs, Pennies from Heaven, in the campus music
hall. Finally, the day before graduation, my folks arrived at Notre
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afternoon we got around to that old topic What did you want to be
when you were a kid? He told me that, at ten years of age, he would
entertain people on the street corners of Philadelphia, telling jokes
that left them rocking with laughter. He knew then that he wanted
to be a comedian. And so I confessed my dream: I told him that, at
the age of six, I decided I wanted to be Bing Crosbythat I knew
every lyric of every song Bing had ever sung, that nothing had made
me happier than singing along with Bing on the radio.
So it had to happen: three months later, Bing was booked to
be a guest on our show. I remember spotting him backstagethis
easygoing but towering legend wandering our hallwaysand I truly
couldnt take my eyes off him. Unfortunately, there were no plans for
him to sing that night; hed simply agreed to come on the show as a
panel guest, along with his beautiful wife, Kathy, and share some of
his great old stories, then leave. But it was all still terribly exciting.
Especially for me. Especially when he walked out and sat right next
to me. My whole life flashed before methirty years prior to all this
I was just a dream-filled kid, freezing on those cold Bronx winter
nights, listening to Bing sing on my little radio. How did all this
happen? Who could have imagined that now, so many years later, I
would be sitting next to Bing Crosby on a big network TV show in
Hollywood?! Its one of those times when you have to pinch yourself
in order to believe it.
The shows producers, of course, would have loved for Bing to
sing anything that night, but they were afraid to ask him. Then, as
the interview progressed, Joey had an idea. He would try to talk him
into it by using me as his pawn, right on the air! Bing, see this kid,
Joey said, nodding toward me. Hes the biggest fan you ever had.
It would be the biggest thrill of his life if you would sing a song for
him. How about Too Ra Loo Ra Loo Ral? I was getting nervous.
How would Bing react? Well, he turned, looked directly at me, and
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simply sang the song a cappella. He sounded great. It was so exciting, my head was spinning. How could I tell him what he had meant
to me all these years? I should have, but I couldnt.
After the applause, Joey continued. He hadnt had enough. He
said, Bing, this kid knew all your songs when he was a little boy. I
couldnt believe he was going to tell that whole embarrassing story,
but thank God he didnt. Instead he said, Regis would now love
to sing one of your songs to you! Is he nuts? I thought. Is he looking for a few laughs at my expense? How do I get out of here? Bing
turned and gave me a pleasant enough lookbut straight at me. I can
still see those steely blue eyes. He didnt know what to expect either.
It had been nearly fifteen years since I had sung Pennies from
Heaven with my pal Gus at Notre Dame for my bewildered parents.
I was nervous, but when was I ever going to get a chance to sing to
Bing Crosby again? So I went for that song with all I had, even including the little-k nown opening verse. I looked right at Bing, singing every word of it directly to him. I could hear the band, Johnny
Mann and His Merrymen, struggling to find my key for support.
Two great musicians were the first to get into it, God bless them:
Herb Ellis on guitar and Ray Brown on bass. And Bing himself even
joined in with some notes here and there. It was a supreme moment
in my life. Ill never forget it. The next day, believe it or not, I actually received a recording contract from Mercury Records. Would I
want to do an album and include some of Crosbys songs? I said yes,
of course, but I was terribly self-conscious about the whole thing.
Nevertheless, the first track I recorded for them was (you guessed
it!) Pennies from Heaven.
I never saw Bing Crosby again in person. Foolishly, I was too
intimidated to call him and say thanks for playing along with me
on that special night. Ten years later he died of a heart attack on a
golf course in Spain. It hit me hard, just like losing a lifelong friend.
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my room, right there across the street I saw the glittering marquee
of the Bing Crosby Theater. This was the same theater I read about
in Gary Giddinss fine Crosby biography, A Pocketful of Dreams.
Back then it was called the Clemmer Theatre; Bing, in fact, worked
there as a stagehand at the age of fourteen and witnessed the great
Al Jolson giving one of his typically thrilling performances on that
stage. The young Crosby was knocked out by the unmatchable way
Jolson dominated that auditorium. Four years later, Bing happened
to be working backstage again, picking up a few bucks, when Jolson
returned to Spokane and was still pure dynamite in front of that
Clemmer Theatre audience. More than ever, Jolson had at that moment inspired Bing to consider a career of his own in music. The
two of them actually met that night (briefly, Im sure), never knowing that in later years they would work together countless times,
performing the most unforgettable duets on Bings Kraft Music Hall
radio shows. And they were a brilliant match, too: Jolson, dynamic,
dramatic, over the top; and Crosby, laid-back and solid with that
beautiful voice and ability to play perfect straight man for Al, while
still getting his own share of laughs. I remember lying in bed listening to those shows when I was a kid. I loved them then and still
do, thanks to remastered radio recordings of the two of them live
together in action so long ago.
Anyway, on that first night in Spokane, I stared out my hotel
window for a long time at this grand old theater, which had been
renovated and renamed many times through the years until its present owner was persuaded, in 2006, by a citizens group to at last
christen it in Bings name. I couldnt believe it; right there across
the street was the place where Bing Crosby began his illustrious
career, by doing the very same job that would decades later serve as
my own beginnings in television. That is, we had both started out as
stagehand prop house guys!
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after night!
BING: No, but he looks so receptive. (resumes singing) My
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Ive got.
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becomes!
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