Three STRANGERS
Three STRANGERS
Three STRANGERS
social and industrial change in Britain. The British Empire expanded, becoming a global
industrial power, producing much of the world's coal, iron, steel, and textiles. However, this era
also saw a widening gap between the rich and poor, with industrial growth leading to economic
progress but also increased poverty and exploitation. Morality was highly emphasized, especially
in the roles of women, who were confined to domestic duties and financially dependent on men,
leading to the commercialization of marriage.
George Eliot (Mary Ann Evans) - Known for "Middlemarch" and "Silas Marner," Eliot's works
often explore complex social issues and moral dilemmas.
Thomas Hardy - Famous for novels like "Tess of the d'Urbervilles" and "Far from the Madding
Crowd," Hardy's works often depict the struggles of rural life.
Charlotte Brontë - Best known for "Jane Eyre," Charlotte Brontë's novels are noted for their
strong, independent heroines.
Emily Brontë - Author of "Wuthering Heights," Emily Brontë is celebrated for her passionate
and intense storytelling.
Alfred, Lord Tennyson - One of the most famous poets of the era, Tennyson wrote works like
"The Lady of Shalott" and "In Memoriam A.H.H."
Robert Browning - A leading poet known for his dramatic monologues, such as "My Last
Duchess" and "The Ring and the Book."
Oscar Wilde - Famous for "The Picture of Dorian Gray" and plays like "The Importance of
Being Earnest," Wilde's works often critique Victorian society.
Thomas Hardy: (1840-1928)
A prominent English novelist and poet, widely regarded as one of the greatest writers of the
Victorian era. Born on June 2, 1840, in the small village of Higher Bockhampton in Dorset,
England, Hardy grew up in a rural environment that deeply influenced his writing. His father was
a stonemason and builder, and his mother was well-read and ambitious, fostering Hardy's early
love for literature.
Despite his humble beginnings, Hardy received a good education. He attended local schools
before becoming an apprentice to an architect in Dorchester at the age of 16. His training as an
architect took him to London, where he worked for several years. However, Hardy found the city
life unfulfilling and returned to Dorset, where he began to focus on his true passion—writing.
Hardy started his literary career with poetry, but it was his novels that brought him widespread
recognition. His first published novel, Desperate Remedies (1871), was followed by Under the
Greenwood Tree (1872), which established him as a writer of rural life. His breakthrough came
with Far from the Madding Crowd (1874), which introduced readers to the fictional Wessex, a
region based on Hardy's native Dorset. This novel marked the beginning of a series of works set
in Wessex that would become some of the most enduring works of English literature.
Throughout his career, Hardy explored themes of social class, rural life, and the struggles of
ordinary people against the forces of fate. His novels often depict the harsh realities of life, and
his characters frequently grapple with the constraints imposed by society, nature, and their own
desires. Some of his most famous works include The Return of the Native (1878), The Mayor of
Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895).
The publication of Tess of the d'Urbervilles and Jude the Obscure sparked considerable
controversy due to their critiques of Victorian morality and the portrayal of sexual relationships.
The backlash from critics and the public led Hardy to abandon novel writing altogether. After
1895, Hardy focused exclusively on poetry, producing several collections that were well-
received.
Hardy's personal life was marked by both happiness and tragedy. He married Emma Gifford in
1874, and their relationship had a profound impact on his work. However, their marriage became
strained in later years. After Emma died in 1912, Hardy was deeply affected and wrote some of
his most poignant poetry in her memory. He later married Florence Dugdale, a much younger
woman who had been his secretary.
Thomas Hardy's work reflects his deep understanding of human nature and the inevitability of
suffering. His portrayal of the rural landscape and its inhabitants has left an indelible mark on
English literature. Hardy's legacy endures through his novels and poems, which continue to be
studied and admired for their emotional depth, social commentary, and exploration of the human
condition.
Hardy died on January 11, 1928, at the age of 87. His ashes were interred in Westminster Abbey's
Poet's Corner, while his heart was buried in his beloved Dorset, at Stinsford Church, near the
graves of his family.
The Three Strangers:
"The Three Strangers" is a short story by Thomas Hardy, first published in Longman's
Magazine and Harper's Weekly in March 1883. It later became the first of five stories in
Hardy's 1888 short story collection Wessex Tales.
The story takes place in the isolated, rural setting of Higher Crowstairs, a shepherd's cottage on
the downlands of Hardy's fictional Wessex. The narrative begins with a christening party in full
swing at the shepherd's home, attended by friends, neighbors, and the local clergy. The
atmosphere is warm and convivial, with everyone enjoying the celebration.
As the party progresses, a mysterious stranger arrives at the cottage, seeking shelter from the
stormy night. The stranger is somewhat aloof, declining food and drink, which raises some
suspicion among the guests, but they soon accept him as another guest at the gathering.
Not long after, a second stranger appears. This man is jovial, confident, and full of stories. He
quickly ingratiates himself with the crowd, becoming the life of the party. However, his presence
also brings a sense of unease, as his arrival follows quickly after the first stranger, and the
circumstances seem peculiar.
As the evening continues, a third stranger arrives. This last arrival is gaunt, anxious, and
exhausted, looking every bit the fugitive. He is immediately recognized by the first stranger, who
quickly exits the cottage. The tension rises as the shepherd and his guests become suspicious of
the third man, whose behavior is erratic and fearful.
The party's host, the shepherd, decides to investigate further. He steps outside to see what is
happening and discovers a group of men approaching the cottage. They are law enforcement
officials in pursuit of an escaped convict, who is revealed to be the third stranger. The shepherd
returns inside to find that the second stranger, who had previously been so merry, is now
nowhere to be found, having slipped away unnoticed.
The story concludes with the revelation that the first stranger is actually the hangman, who had
been scheduled to execute the convict, and the second stranger is the condemned man's brother,
who helped him escape. The irony of the situation, a hallmark of Hardy's work, lies in the fact
that these three men—strangers to each other in the eyes of the other guests—are deeply
connected in ways that none of the partygoers could have anticipated.
Themes:
Irony and Fate: Hardy's story is rich in irony, particularly in the unexpected relationships
between the three strangers. The shepherd and his guests are unaware of the connections between
the men, leading to a dramatic and ironic conclusion.
Rural Life and Society: The story provides a snapshot of rural English life, with its close-knit
communities, simple pleasures, and strong traditions. However, it also highlights the
undercurrents of fear and suspicion that can disrupt such seemingly idyllic settings.
Justice and Morality: The theme of justice is central to the story, as it deals with the escape of a
convict and the pursuit of law by the authorities. The story raises questions about the nature of
justice and whether it is always served by the law.
Coincidence and Chance: The arrival of the three strangers at the same place on the same night
appears to be a matter of chance, but Hardy uses this to explore the idea of fate and the
interconnectedness of human lives.
Characters:
The Shepherd: The host of the party, a representative of rural hospitality and tradition. He is
observant and becomes suspicious as the night unfolds.
First Stranger (The Hangman): A cold and distant figure, he is the executioner who is ironically
present at the celebration of new life (a christening).
Second Stranger (The Brother): Outgoing and charismatic, he is the brother of the convict, who
helps him escape, though his identity is not known until the end.
Third Stranger (The Convict): A desperate and terrified man on the run, who is both a victim of
fate and a symbol of the harsh realities of rural justice.
Setting: The story is set in a remote part of Hardy's fictional Wessex, a region based on the real
counties of southwestern England. The isolated setting enhances the tension and the sense of fate
that permeates the story, with the stormy weather outside serving as a metaphor for the turmoil
unfolding within the cottage.
Style: Hardy’s narrative style in "The Three Strangers" is typical of his work, blending realism
with a deep understanding of human psychology and the forces of fate. The story is filled with
rich descriptions of the rural landscape and the rustic life of the characters, and it uses irony and
coincidence to powerful effect.