Lecture Eyptian Architecture
Lecture Eyptian Architecture
Lecture Eyptian Architecture
ARCHTECTURE
IN EGYPTIAN DRAWINGS THE
HOA – SEM I TORSO IS ALWAYS SHOWN
FRONTALLY WHILE THE FACE,
HANDS AND LEGS ARE IN PROFILE
HISTORY OF ARCHITECTURE : EGYPTIAN ARCHITECTURE
Egyptian Architecture
Prominent features are
tombs (Mastaba, massive
Royal Pramids) and temple.
THE GEOGRAPHY OF EGYPT IS DOMINATED BY ONE GREAT
RIVER, THE NILE, WHICH ORIGINATES IN THE HIGHLANDS OF
UGANDA AND PASSES THRU SUDAN & ETHEOPIA AS IT
TRAVERSES MORE THAN 2000 MILES BEFORE FLOWING OUT
INTO THE MEDDITERRANEAN SEA TO THE NORTH.
• Dead bodies
stored in stone
coffins or
sarcophagus.
Cairo, Egypt
• It is believed to represent
the pharaoh Khafre.
THERE WERE TWO DISTINCT REGION – UPPER EGYPT AND LOWER EGYPT.
BECAUSE OF THE NILE, THE ANCIENT EGYPTANS HAD NO USE FOR WHEELED VEHICLES OR EVEN PAVED ROADS.
THE CHARIOT WAS A FOREIGN IMPORT THAT ARRIVED LATE TO THE WATER-BOURE EGYPTIANS, WHO, NOT
SURPRIIGLY, DEVELOPED SOHPISTICATED CONSTURCTION TECNIQUES FOR BOATS OF ALL SIZES.
THE NATION OF EGYPT DEFINED ITSELF BY THE NILE, AND THERE IS NO DOUBT THAT THE ENGINEERS OF THE
PYRAMIDS LEARNED TO SURVEY, TO LEVEL, AND TO ORGAIZE LARGE WORK FORCES ON THE BANKS OF THE
RIVER.
IT HAS ALSO BEEN SPECULATED THAT , BECAUSE THE FARMERS WERE INACTIVE DURING FLOOD TIMES, THEY
WERE AVAILABLE FOR CONSCRIPTION ONTO CONSTRUCTION WORK GANGS FOR MASSIVE PROJECTS LIKE THE
PYRAMIDS.
OLD KINGDOM 2920 – 2134 BCE
EARLY TOMBS
NO CIVILIZATION SEEMS SO CONCERNED THE ‘MASTABA’S
ABOUT THE PASSAGE OF LIFE FROM THE
MATERIAL WORLD TO THE SPIRIT WORLD
AS THE EGYPTIANS. PERHAPS THEY
FEARED THAT IF THE SPIRIT DID NOT
TRANSITION SMOOTHLY, IT WOULD CREAT
HAVOC IN THE LIVES OF THE LIVING.
GREAT
ALTAR
COURT
344’
REVEALING THE INNER CORE, HENCE IT IS ALSO
REFERED TO AS THE ‘ONION’ PYRAMID.
MUCH OF THE
LIMESTONE AT
THE CORE OF
THE GIZA
PYRAMIDS
WAS
QUARRIED ON
SITE. FINER
DISPLAY STONE
AND GRANITE,
TRANSPORTED
FROM MORE
DISTANT
LOCATIONS.
MASTABA TOMPS
MORTUARY TEMPLE
SPHINX
REMAINS OF THE
ENTRANCE TO
KHAFRE’S VALLEY
TEMPLE ARE VISIBLE
TO THE LEFT
2200 – 2150 BCE
AFTER THE OLD KINGDOM, BECAUSE OF ALL THE AFTER 130 YRS OF THE SECOND INDETERMINATE
SPENDING IN BUILDING PYRAMIDS AND PERIOD THE EGYPTIANS WERE ABLE TO
MOURTARY AND LOCAL TEMPLES, THE COUNTRY RECONQUER THEIR TERRITORY AND
ENTERED A 140-YEAR PERIOD OF FAMINE AND PERMANENTLY ERRADICATED THE PRESENCE OF
STRIFE KNOWN AS THE FIRST INTERMEDIATE THE ASIATICS FROM EGYPT. IN THE NEW KINGDOM
PERIOD THAT FOLLOWED, MILITARY BECAME A CENTRAL
PRIORITY FOR THE PHARAOHS SEEKING TO
UPPER AND LOWER EGYPT PASSED INTO THE EXPAND EGYPT’S BORDERS AND SECURE HER
HANDS OF SEPARATE RULERS. AROUND 2055 BCE, DOMINANCE OF THE NEAR EAST.
THE UPPER EGYPT RULERS DEFEATED THE
SOUTHERN KINGDOM AND REUNITED THE TWO
LANDS INGAURATING A PERIOD OF ECONOMIC &
CULTURAL RENNAISSANCE KNOWN AS THE
MIDDLE KINGDOM
1650BC
HOWEVER DUE TO INADEQUATE NILE FLOODS, IT
LED TO THE 2ND INDETERMINATE PERIOD WHEN
MAXIMUM TERRRITORIAL EXTENT
THE ASIATIC SETTLERS BEGAN TO SEIZE CONTROL
OF ANCIENT EGYPT (15TH CENTURY)
OF THE DELTA REGION, EVENTUALLY COMING OT
POWER IN EGYPT.
ALABASTER STATUE OF
KING MENKAURA EGYPT'S WEALTH, HOWEVER, MADE IT A
(NOW AT THE BOSTON TEMPTING TARGET FOR INVASION, PARTICULARLY
MUSEUM BY THE LIBYANS AND THE SEA PEOPLES. INITIALLY,
THE MILITARY WAS ABLE TO REPEL THESE
INVASIONS, BUT EGYPT EVENTUALLY LOST
CONTROL OF SYRIA AND PALESTINE.
BURIAL
CHAMBER
• AXIAL DESIGN
•COMBINES TEMPLE & TOMB IN A SINGLE COMPOSITION
• HAS TWO LEVELS OF COLLONADED TERRACES
SURROUNDING A MAONARY MASS.
• STEPS LEADING TO HYPOSTYLE HALL
• HALL OF PILLARS LEADS TO A COURTYARD AND
THEN THRU A FOREST OF COLUMNS TO
MENTUHOTEP’S ACTUAL BURIAL VAULT CARVED
INTO THE ROCK CLIFF.
• THEY REPLICATED IN STONE ORDINARY
THE MIDDLE KINGDOM WAS TERMINATED BY THE ARRIVAL OF DEWLLINGS OF WOODEN AND REED STURCTURES
HYKSOS, SHEPHARD KINGS, WHO MAY HAVE COME FROM ASIA. WITH SLIGHTLY ARCHED ROOFS COMPOSED OF
DURING THE SECOND INTERMEDIATE PERIOD THEY RULED FOR A MATS LAID ON A FRAME.
100 YEARS. THEY INTRODUCED METALLURGY, 2 PEOPLE CHARIOT,
NEW DEITIES, BUT NO LASTING ARTISTIC INNOVATION • SERVED AS A PROTOTYPE FOR THE MORE ELLABORATE
ADJOINING FUNERARY CO MPLEX BY THE NEW
KINGDOM PHARAOH HATSHEPSUT
PLAN OF THE ROCK CUT TOMBS , BENI-HASAN, EGYPT
2000-1900 BCE
EVEN WHEN WORKING
AMORPHOUS ROCK, THE BUILDERS
CHOSE TO REPLICATE
RECTANGULAR GEOMETRIES AND
TO CARVE DETAILS REFLECTING THE
WOODEN AND PLASTERED REED
CONSTRUCTION THAT DOUBLESS
CHARACTERIZED HOUSES. THE
LOWER OF THE TWO PLANS
CORRESPONDS TO THE SECTION
BEGUN IN 1550
BCE IT WAS
FIRST COURT ENLARGED BY
PYLON II THUTMOSE I,
HYPOSTYLE HALL ENRICHED BY
PYLON III OBELISKS GIVEN
BY HIS
TEMPLE OF PTAH
DAUGHTER,
PYLON IV HATSHEPSUT,
RAM HEADED
SPHINXES AND AGAIN
PYLON I EXPANDED WITH
FESTIVAL A HYPOSTYLE
TEMPLE OF
THUTMOSE III JUBILEE FESTIVAL
TEMPLE OF HALL
REMESSES III
CONTRUCED BY
TEMPLE OF
KHONSU THUTMOSE III
FOR HIS OWN
GLORIFICATION.
YET ANOTHER
SACRED LAKE
HYPOSTYLE
HALL, THE
FESTIVAL HALL OF
AMENOPHIS II
LARGEST OF ALL,
WAS BUILT BY
RAMESSES II.
SUCCESSIVE RULERS WOULD
ADD NEW PORTIONS OR
PRECINCT OF RENOVATE OLDER TEMPLES,
MONTU
CREATING DESIGNS WHOSE
PRECINCT OF CHIEF ATTRIBUTE WAS
AMON - RE
OVERBEARING GRANDEUR,
NOT COHERENCE OR
AESTHETIC DELIGHT. THE
TEMPLE AT KARNAK, ACROSS
THE NILE FROM DEIR-EL-
BAHARI, IS AN EXAMPLE OF
THIS PROCESS.
PRECINCT OF
MUT
HYPOSTYLE HALLS ARE SIZEABLE
CHAMBERS CREATED BY ROWS OF
LARGE COLUMNS PLACED CLOSELY
TOGETHER. THE TIGHT SPACING
WAS NECESSARY TO SUPPORT THE
STONE LINTELS OF THE ROOF,
WHILE THE LARGE COLUM DIAETER
FEFLECTED THE SUBSTANTIAL
HEIGHT OF THE STONE CYLINDERS.
THE NET EFFECT WAS A IMLY LIT
INTERIOR WITHOUT A SENSE OF
SPATIAL EXPNSE.
MONUMENTAL MASONRY
ENTRANCE GATES OR PYLONS
LINED PROCESSIONAL ROUTES TO
REPRESENT THE EASTERN
MOUNTAINS OF EGYPT THROUGH
WICH THE DIVINE EARLY
MORNING SUNLIGHT ENAMATED.
BUILT BY REMESSES II, THE TEMPLE BEGINS WITH A 79’ HIGH PYLON. THE PYLON WAS DECORATED WITH
SCENES OF RAMESSES’S MILITARY TRIUMPHS. LATER PHARAOHS ALSO RECORDED THEIR VICTORIES HERE.
THIS MAIN ENTRANCE TO THE TIMPLE COMPLEX WAS ORIGINALLY FRANKED BY SIZ COLOSSAL STATURES OF
RAMESSES – 4 SEATED & 2 STANDING – BUT ONLY TWO (BOTH SEATED) HAVE SURVIVED. THERE WERE 2
MASSIVE OBELISKS (82’ HT) IN PINK GRANITE, ONE WAS WHICH WAS LATER TAKEN TO PARIS.
THE PYLON GATEWAY LEADS TO A PERISTYLE COURTYARD, LEADING TO THE PROCESSIONAL COLONNADE
BUILT LATER BY AMENHOTEP III – A 100 M CORRIDOR LINED BY 14 PAPYRUS CAPITAL COLUMNS. AFTER THE
COLONNADE IS A PERISTYLE COURTYARD. THE SOUTHERN SIDE OF THIS COURTYARD IS MADE UP OF A 36
COLUMN HYPOSTYLE COURT LEADING TO THE INNER SANCTUMS OF THE TEMPLE.
THE HALL AND THE PYLON WERE BUILT AT AN OBLIQUE ANGLE TO THE REST OF THE TEMPLE, PRESUMABLY
TO ACCOMMODATE THE 3 PRE-EXISTING SHRINES LOCATED IN THE NORTHWEST CORNER.
FRIEZES ON THE WALL DESCRIBE THE STAGES OF THE OPET FESTIVAL. THE DECORATIONS WERE PUT IN
PLACE BY TUTANKHAMUN.
PYLON GATEWAY, TEMPLE OF HORUS AT EDFU, EGYPT
237 – 57 BCE
WHILE THIS PYLON
GATEWAY DATES
FROM THE
PTOLOMAIC PERIOD
AFTER ALEXANDER
THE GREAT
CONQUERED EGYPT,
IT IS SIMILAR IN
FORM & PURPOSE TO
THOSE AT KARNAK.
SUCH A SPATIAL
THRESHOLD
SIGNIFIED THE
INCREASING
SACREDNESS OF THE
SPACE BEYOND .
THE 4 VERTICAL
SLOTS ONCE HELD
OBELISKS.
CONCLUSION
WITHIN BOTH THE ZIGGURAT AND PYRAMID • ANCIENT EGYPTIAN ARCHITECTURE IS BASED
ENVIRONMENTS, PARTICIPANTS MOVED MAINLY ON RELIGIOUS MONUMENTS & MASSIVE
ALONG AN AXIS, TOWARD A TERMINUS, STRUCTURES CHARACTRISED BY :
WITH ARCHITECTURAL INCIDENTS LIKE a. THICK, SLOPING WALLS WITH FEW
GATEWAYS PROVIDING A RHYTHM AND OPENINGS
SIGNALLING CHANGES IN SPATIAL b. OBTAINED STRUCTURAL STABILITY IN
SIGNIFICANCE. MUD WALLS
c. THE INCISED(CUT/ MARKS) AND FLAT
THE PRINCIPLES REMAINED THE SAME AT MODELED SURFACE THAT ADORED
BOTH MIDDLE AND NEW KINGDOM STONE BUILDINGS MAY HAVE BEEN
FUNERARY COMPLEXES, WHERE GIANT DERIVED FROM MUD WALL
COLUMNS EMERGED AS INTERIOR ORNAMENTATION.
ARCHITECTURAL FREATURES.
• USE OF THE ARCH WAS DEVELOPED DURING THE
WHILE THE PYRAMIDS EXIBIT A MONOLITHIC FOURTH DYNASTY
SKIN, THE SURFACES OF ZIGGURATS WERE
ARTICULATED B MEANS OF BRICK BAND AND • THERE WAS POST AND LINTEL CONSTRUCTIONS,
POLYCHROMATIC GLAZES. WITH FLAT ROOFS CONSTRUCTED OF HUGE STONE
BLOCKS SUPPORTED BY THE EXTERNAL WALLS AND
AT THE FUNERARY TEMPLE COMPLEXES OF THE CLOSELY SPACED COLUMNS.
MENTUHOTEP AND HATSHEPSUT, WALL
ARTICULATION EVOLVED TO THE LEVEL OF • WALLS, COLUMNS & BEAMS WHERE DECORATED/
PROTO-COLUMNS, AND COLUMNS WILL BE COVERED WITH HIEROGLYPHIC/ GRAPHICS,
THE PRINCIPAL ELEMENTS IN THE CLASICAL PICTORIAL FRESCOES AND CARVINGS PAINTED IN
ARCHITECTURAL LANGUATGE FO THE BRILLIANT COLORS.
ANCIENT GREEKS AND ROMANS LATER.
• EGYPTIAN ORNAMENTATION WERE BUILDING MATERIALS
SYMBOLIC, SUCH AS THE SCARAB,
OR SACRED BEETLE, THE SOLAR • THE TWO PREDOMINANT BUILDING
DISK, AND THE VULTURE, PALM MATERIALS USED IN ANCIENT EGYPT
LEAVES, THE PAPYRUS PLANT, AND WERE: SUN-BAKED MUD BRICK AND
THE BUDS AND FLOWERS OF THE STONE, MAINLY LIMESTONE,
LOTUS. SANDSTONE AND GRANITE WERE ALSO
USED.
• HIEROGLYPHS WERE INSCRIBED
FOR DECORATIVE PURPOSES AS • FROM THE OLD KINGDOM ONWARD,
WELL AS TO RECORD HISTORIC STONE WAS GENERALLY RESERVED FOR
EVENTS TOMBS AND TEMPLES.