Scribd Logo
Upload

Welcome to Scribd!

  • 36 views

    DSP Settings Heil Microphones

    Uploaded by

    amdsat
    .

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    DSP Settings Heil Microphones

    Uploaded by

    amdsat
    36 views3 pages
    .

    Original Title

    dsp-settings-heil-microphones

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    .

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    36 views3 pages

    DSP Settings Heil Microphones

    Uploaded by

    amdsat
    .

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 3

    Recommended DSP Settings for Heil Microphones

    To achieve maximum audio quality it is important to adjust the DSP settings of your transmitter
    when using Heil microphones. We present a few starting points for a few of the most popular
    transceivers. These are merely starting points. You should fine tune these settings based on
    your voice, acoustics and set up.

    The only way to truly know how you sound to the outside world is to transmit into a dummy load
    and listen in a nearby receiver with quality headphones, such as the Heil ProSet. Listen in the
    same bandwidth you are transmitting in and then you will be able to fine tune your initial set-
    tings.

    iCOM 746 PRO, 756 PRO, iC 7800 iCOM 706


    Mic gain 3/4 open Proc. On -10 dB
    Bass -2 dB Mic Gain 9
    Treble +5 dB Menu Q4 or Q6 -200 to +200
    Wide compression on 10 o’clock Offset is very important for transmitted audio tone
    Vox 65%
    Anti-Vox 10%
    Delay 8%
    It is very important to monitor your signal in an-
    other receiver. This rig has incredible parameters
    that can change the sound of the microphone or
    the key elements.

    iCOM 746 (not PRO) iCOM 7000 (using HC elements wide)


    Menu M1 and F4: TCN +10 dB TBW 200 - 2900 Hz
    Mic Gain 3/4 open Mic Gain 60% (where
    Compression always on 10 o’clock ALC is perfect)
    Comp 4

    www.heilsound.com
    © Heil Sound, Ltd. 2007
    Recommended DSP Settings for Heil Microphones
    To achieve maximum audio quality it is important to adjust the DSP settings of your transmitter
    when using Heil microphones. We present a few starting points for a few of the most popular
    transceivers. These are merely starting points. You should fine tune these settings based on
    your voice, acoustics and set up.

    The only way to truly know how you sound to the outside world is to transmit into a dummy load
    and listen in a nearby receiver with quality headphones, such as the Heil ProSet. Listen in the
    same bandwidth you are transmitting in and then you will be able to fine tune your initial set-
    tings.

    Kenwood 950 SDX Kenwood 870


    Menu #20 -100 Menu #29 Bandwidth 3000 Hz
    Menu #21 -3100 Menu #30 Bandshift 0 or 100
    Menu #31 TX EQ H or C
    Menu #22 Mic AGC start @1
    (try 0 or 2)

    Kenwood 570 Kenwood 2000


    Menu #13 Bandwidth 2.4 kHz Menu #22 Bandwidth 3000 Hz
    Menu #14 TX EQ high boost H Menu #21 TX EQ H or C
    Microphone Gain (default level) 50 Menu #20 RCV EQ C or Off
    Microphone gain default level 50

    www.heilsound.com
    © Heil Sound, Ltd. 2007
    Recommended DSP Settings for Heil Microphones
    To achieve maximum audio quality it is important to adjust the DSP settings of your transmitter
    when using Heil microphones. We present a few starting points for a few of the most popular
    transceivers. These are merely starting points. You should fine tune these settings based on
    your voice, acoustics and set up.

    The only way to truly know how you sound to the outside world is to transmit into a dummy load
    and listen in a nearby receiver with quality headphones, such as the Heil ProSet. Listen in the
    same bandwidth you are transmitting in and then you will be able to fine tune your initial set-
    tings.

    Yaesu 1000 MP Yaesu FT 2000/950/ FTdX 9000


    note: The menu numbers are different, but the
    Menu #4-4 (TREDSP) 3
    functions are identical
    Menu #5-9 (TFIL) 6.0 SSB TX Bandwidth
    Menu #7-7 (SSBT) 100-3100 Fidelity 200-2800 Hz
    Menu #8-9 (TLSB) -200 DX 400-2600 Hz
    (PROCLSB) .08 + .06 EQ1 Center frequency 200 Hz
    (TUSB) -200 bandwidth 2
    (PROCUSB) .08 - .06 level -8 dB
    4 dB processing EQ 2 Center frequency 900 Hz
    bandwidth 2
    level -6 dB
    Yaesu FT 100
    EQ 3 Center frequency 2100 Hz
    Menu #25 Mic Gain 85
    bandwidth 2
    Menu #16 Mic EQ 3
    level +8 dB
    Menu #64 XMT Carrier shift -.05 to +.05
    Processor: Off or On with low levels of compression
    Menu #65 SMT Carrier shift +.05 to -.05
    Menu #27 Compressor level 80 Yaesu FT 450
    64 and 65 carrier point is very Mic Gain NOR (default setting)
    important
    Equalizer 2 (for everyday)
    9 (for DX/Contest)

    www.heilsound.com
    © Heil Sound, Ltd. 2007

    You might also like

    pFad - Phonifier reborn

    Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

    Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


    Alternative Proxies:

    Alternative Proxy

    pFad Proxy

    pFad v3 Proxy

    pFad v4 Proxy