6626 e 59 de 5565
6626 e 59 de 5565
barrier of what we once considered a 'great sounding unit' for an ultra-realistic experience, particularly in
terms of the feel alongside the tube amp sound. Nowadays, it's easier to match a sound itself, which
doesn’t pose a significant challenge anymore. However, the feel – the sensation – remains something still
impossible to recreate with digital technology. Yet, when it comes to analog, things feel more natural.
While the industry continues to churn out new products merely for the sake of competition, we've
chosen to remain true to our vision and passion, it’s because of this that we've never lost sight of the
musician's experience and all the inspiration that comes with a dynamic, touch-responsive unit. We've
never strayed from our approach, and this product is a testament to that commitment.
As a regular live guitar player, I fully understand, from an experiential perspective, what we need and
what we don't. I could operate like any of the CEOs out there, focusing solely on numbers and testing
products in the most controlled environments at our development studio. However, my most important
office and laboratory are when performing live, as I still do, whether it's in the 2000-seat venue I regular-
ly play at least 8 times per month, or large 12k+ people arenas, or even stadiums.
The Simplifier X in your hands has been tested in all those scenarios, and I personally ensure that you'll
enjoy it in every situation.
On words of our Engineering Director and Founder, Mr. Daniel Schwartz: “The SIMPLIFIER X was thor-
oughly designed and developed to fulfill the needs of guitarists seeking for versatility, flexibility, practi-
cality and of course, the ability to get the best tones ever produced by analog gear."
OVERVIEW:
The SIMPLIFIER X is an all analog, zero watt amplifier with two independent amp
blocks with their own input preamp, power amp, cabinets, reverb, fx loop and outputs.
These two amps can be configured in 3 MODES from full parallel to 2 channel mono,
with tones ranging from pristine cleans to high gain.
AUX Input
Stereo 1⁄8’ Input for an Auxiliary input, such
as a player or phone. The Auxiliary signal can
be heard only on the Headphones out, or
both on Headphones and main output by
using the Main HP out switch.
Footswitch
Stereo 1⁄8’ input for an external
footswitch (included). The footswitch
works by grounding the tip or the ring
for activating channels or reverb. You
can use an external switcher just like an
amplifier to use with the device.
MODES OF OPERATION
1 FULL PARALLEL
MODES: 2 A/B AMP + Stereo CAB
3 A/B AMP + A/B CAB
ROOM
ETHER
PLATE
SWITCH
A B 1 2 3
Full Parallel mode is like having two different amplifiers running at the same time. You can
have different settings and effects for each side and make the perfect setup for a full stereo
rig.
You can even use different effects at the input of each amp.
Note that the channel switching will not function on this mode (since both channels are
being used simultaneously)
Tip 1: You can play along with a friend or a bass player using each one input.
Tip 2: If you want to use both amps in parallel, but in mono, use a jumper cable (or effect)
between send A and Return A and use the “link loop” switch ON. This will mix both pre-
amps in mono.
1 FULL PARALLEL
MODES: 2 A/B AMP + Stereo CAB
3 A/B AMP + A/B CAB
ROOM
ETHER
PLATE
SWITCH
A B 1 2 3
In this mode, you can toggle between amp A and B Amplifiers, while the Cabinets and FX
loop will remain Left and Right. This allows you to use different FX and cabinets for each
side, expanding the stereo options and complimenting the responses of the cabs for a
fuller, 3D sound.
In this mode, use the AMP A FX send as the main. Only use the AMP B send if you are using
different fx for each side.
1 FULL PARALLEL
MODES: 2 A/B AMP + Stereo CAB
3 A/B AMP + A/B CAB
ROOM
ETHER
PLATE
SWITCH
A B 1 2 3
This mode is dual mono, like having two different complete amplifiers, selecting each one
with an A/B switch. Each amp will have their own preamp, power, cabinet, reverb mix and
Loop FX.
You can have different FX on each loop and select them by changing the channel.
In this mode, both outputs are the same signal in mono.
Tip: Since there is an input for each amplifier, you can use two different guitars into each
input and toggle between guitar+amp A, and guitar+amp B
PREAMPS
The Simplifier X features state of the art, low noise, and ultra versatile preamps that
reproduce the character of 3 of the most iconic classic amplifiers. While AMP B
models the stock versions of the amps, AMP B captures the tones of modded ver-
sions of these amps, ideal for crunch and lead work.
GAIN KNOB
Sets the gain/overdrive of the preamp. It ranges from very clean (below noon), up to
mid/high gain at full throttle. Combine this gain with the power amp gain to achieve the
desired level of compression and drive. You will notice AMP A has a bit more gain, but
you can get equal amounts of gain from both amps if you reduce the gain of AMP A.
PREAMP TYPE
AC BRIT: On AMP B, is a Classic AC30 top boost with sparkly and three-dimensional
sound, bridging the normal and bright channel. On AMP B it has more gain on the
normal channel, getting that big bottom response when cranked, just like the real
amp.
USA: On AMP B, Classic Bassman tones. Sweet and dynamic with a balanced
response. By far the most used amp on studio recordings. On AMP B, its higher gain
replicates the creamy drive of a famous custom american made amp.
MS BRIT: On AMP B, Classic clean-to-crunch vintage plexi style amp with bridged
hi/lo inputs. The sound that defined rock music. On AMP A, it replicates the higher,
more modern gain of a hot rodded JCM800.
TONE STACK
A key part of a tube amp sound and response is the tone stack behavior. The tone
stack on the Simplifier is a genuine configurable three band classic amplifier topolo-
gy, keeping the same feel, response and interaction of the original amp.
NOTE: On the AC BRIT type preamp, the MID control is disabled (as the original amp
does not have a mid control)
POWER AMP SECTION
The Power amp section models the behavior of a true push-pull all tube amp,
including the compression, clipping, bias drift and variable frequency response that
makes Tube power amps so special.
The Power amp type selector now changes the whole topology of each power amp,
changing the tube type, bias and feedback characteristics of each model.
- USA: Class AB 6L6GC with a lot of feedback. Very flat and bal-
anced, but it screams when
overdriven at full presence.
PRESENCE KNOB
The presence knob is implemented just like the real amps. It
works by reducing the high end feedback, thus boosting the
treble into the power amp. If AC Brit power amp type is selected,
the presence acts as the High cut control, like the original amps.
Note that if the power amp section is clipping, the presence
knob will modify the distortion character.
RESONANCE KNOB
The resonance controls the amount of low end feedback into the
power amp. Although this control is not present on the original
amps, we added it to allow the user to adjust the low end
response to different PA speaker sizes to avoid boominess or
adding weight to the sound of small speakers.
MASTER LEVEL
The Master Level Knob controls the final level into the FX loop.
Avoid clipping any effects on the loop by tuning this control
accordingly.
REVERB
The Simplifier X integrates a stereo digital
reverb with mix control for each amplifier,
and 3 modes of reverb:
- Room: Short and warm decay
- Ether: Very long and spatial reverb
- Plate: Mid length decay
The Reverb function is footswitchable via
the included footswitch or an external
switcher control.
REVERB KNOB
The Reverb knob controls the reverb mix for each channel.
REVERB
CABSIM SECTION
Note: The effect of this control is quite subtle on clean tones, but very noticeable with
overdriven tones.
EFFECTS LOOPS
The Simplifier X features a dual FX loop, one for each channel. The FX loop is placed
between the power amp output and the Cabinet simulation modules. This is to avoid
unwanted clipping if using high power amp drive gains. You can set the appropriate
send level via the MASTER LEVEL knob.
The FX Return jacks are the input The FX sends are mono TS jacks. The
for the Reverb and Cabinet Simu- level is controlled by the Master Level
lator path for each amplifier. knob of each channel. Adjust this
control according to the input level of
the effects you put on the loop. If the
effects clip, reduce the Level.
MONO LOOP
The FX loops are independent, but they can be linked together by using the MONO
LOOP function. This will connect both returns in parallel and take the signal from send
A or B. This is useful if you have a mono FX and want to have the effect active on both
sides at all times.
NOTE: Turn off Mono Loop if using MODE 1 (Ful parallel). If Link Mono is activated Fx
loop A will be muted unless an effect or jumper is connected.
TIP: You can use mode 1 (Full Parallel) in mono (mixing both channels) by selecting
“Mono Loop” and use a jumper (or fx) from send A to Return A.
OUTPUTS
Unbalanced TS output for AMP Low Impedance (150 Ohms) XLR outputs
A signal. You can Bypass the for left and right signals, with Ground Lift.
cabinet simulation with the These outputs carry the final output with
“Cabsim Bypass” switch. If cabinet simulation always ON. In Mode 1,
Cabsim is Bypassed, the signal both outputs have the same signal.
will include Preamp + FX loop +
Reverb stages. In Mode 1, both NOTE: The DI outs can withstand phan-
outputs have the same signal. tom power voltage without damage, but
it will affect the quality of the sound,
mainly causing low-end distortion and/or
lack of bass frequencies. Make sure to
have Phantom Power Off before using the
unit.
THRU OUTPUT
.
TIP: If you have a stereo pedalboard, use
inputs A and B in parallel mode. If you want to
use your stage amplifiers in stereo, use a
stereo Y cable from the Thru output into each
amp, and use the simplifier’s XLR outputs into
the FOH. THRU OUTPUT
(TRS STEREO)
HEADPHONE AMP
The unit includes a stereo headphone amplifier with stereo AUX input, for those
silent late night practice sessions, or even in-ear monitoring.
NOTE: Ground noise issues may occur if the power supply used is not refer-
enced directly to ground when using only headphones. Since the device will
not have a reference to earth potential, unwanted noise may occur. Please use
a ground referenced supply, a battery pack, or simply connect any output to a
device that is connected to earth (like an amp or mixer input, even if powered
off).
FOOTSWITCH
The Simplifier X includes a footswitch to control the channel selection and Reverb
on/off status. This Footswitch is compatible with TRS channel controllers (as found in
many pedal switchers). The Tip controls the Channel selection, and Ring controls the
Reverb.
* For your convenience, we’ve included a TRS 3.5mm cable to operate footswitch
SAMPLE SETTINGS
CABSIM CABSIM
CABSIM CABSIM
Warm Plex Eddie on 10
CABSIM CABSIM
CABSIM CABSIM
TECH SPECS
- Operation Voltage: 9V DC (max 12V)
- Polarity: Center Negative
- Current Consumption: 200mA
- Dimensions: 12.5 x 10.5 x 6.5 cms (4.9 x 4.2 x 2.6 in)
- Weight: 490 gr (1 pound)
- Input impedance
- Instrument: 680 kΩ
- FX Returns: 470 kΩ
- Aux: 50 kΩ
- Output Impedance
- DI: 150 Ω
- Fx Sends: 200 Ω
- 1⁄4 outputs: 200 Ω
- Headphone amp Output power::
- 80mW @32Ω
- 40mW @64Ω
EMI/EMC EMISSIONS
The manufacturer claims that the above product fulfills the requirements
as set by EN55013, EN55020, EN60555-2, EN60555-3, RoHS, WEEE.
EMC / EMI This equipment has been tested and found to comply with
the limits for a Class B Digital device, pursuant to part 15 of the FCC
rules. These limits are designed to provide reasonable protection against
harmful interference in residential installations. This equipment gener-
ates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful inter-
ference to radio communications. There is no guarantee that interference
will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be deter-
mined by turning the equipment off and on, the user is encouraged to
try to correct the interference by one or more of the following measures:
· Reorient or relocate the receiving antenna.
· Increase the separation between the equipment and receiver.
· Connect the equipment to an outlet on a circuit different from that to
which the receiver is connected.
· Consult the dealer or an experienced radio/TV technician for help
WARRANTY
:All of our products have a 2 year warranty covering production defects
or malfunctions. If you have any issue with your unit, please contact your
dealer or contact us at support@simplifieramp.com
©DSM & HUMBOLDT 2024
Av. Del Parque #4928, Of. 426
Huechuraba
Santiago de Chile
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