SQ-5-Datasheet (1)
SQ-5-Datasheet (1)
SQ-5-Datasheet (1)
Technical Datasheet
Overview
• Rack-mountable Digital Mixer for Live, Studio and • 16+1 Faders with 6 Layers for 96 assignable Channel
Installation Strips
• 48 Input Channels • Motorised faders for sends on faders, GEQ fader flip
• 16 Local Mic Inputs (XLR) and mix recall
• 2 ¼” Stereo Inputs (TRS) • 16 Backlit LCD Channel Strip displays
• 1 3.5mm Stereo Input • Chromatic Channel Metering
• 36 Total Busses • Integrated Surface Illumination
• 12 Stereo Mix (Aux or Group) + Main • Single/Dual Footswitch Control
• PAFL Bus • Input channel pairs switchable mono/stereo
• 14 Assignable Local Outputs (12 XLR + 2 ¼” TRS) • Patchable Insert points
• AES Digital Output • Input processing – Trim, HPF, Gate, PEQ, Compressor,
• Dedicated Talkback mic input (XLR) Delay
• ¼” TRS Headphone out with dedicated control • Output processing – Graphic EQ, PEQ, Compressor,
• SLink EtherCON connection for remote audio using Delay
dSnake/ME, DX or GigaACE/GX protocol (128x128 • DEEP Automatic Mic Mixing
channels) • 2 31/61 Band Real Time Analysers
• I/O Port for Option Card (including 3rd party protocols – • Quick copy/paste/reset for parameters
Dante/Waves) • User Permissions to restrict operator access
• 8 Mute Groups • 300 Scene memories per show
• 8 DCA Groups • Channel Safes, Global and per Scene Recall Filters
• 8 Stereo FX with dedicated FX Returns • FX, processing and channel Libraries
• DEEP Processing Ready • SQ-Drive for stereo and multitrack recording/playback
• RackFX Effects suite direct to USB drive
• 7" colour touchscreen • USB transfer of Scenes, Libraries, Shows
• 8 Assignable SoftKeys • 32x32 channel USB streaming to/from Mac/PC
• Dedicated physical controls for channel processing • DAW Control driver for MIDI control via USB or TCP/IP
(Gain, HPF Frequency, Gate Threshold, Compressor • Remote mixing apps for iPad, Android, Mac and PC
Threshold, Pan, EQ Gain/Frequency/Width) • Compatible with ME personal monitoring range
A&E Specifications
The mixer shall be a compact, rack-mountable digital There shall be dedicated physical controls which allow
mixer built around a 96kHz XCVI FPGA core with 48 for adjustment of key processing parameters, and
input channels mixing to LR and 12 stereo mix which follow the select button for the input and output
outputs. channels.
The fader and rotary controls shall be of a high
The surface shall include 17 moving faders with 6 contrast colour to the mixer surface for excellent
layers, each layer having dedicated keys, giving easy visibility during operation in low light conditions. The
access to input channels, mixes, FX sends, FX returns, rotary controls shall also be illuminated to indicate
DCA masters and MIDI control. function and availability for use.
Each fader strip shall have dedicated PAFL, Select, Send levels to mixes shall be displayed and adjusted
and Mute buttons with indicators, a variable LED using the faders.
meter, a peak indicator LED and variable colour Surface illumination shall be integrated into the
backlit LCD display. bodywork of the mixer.
All input and output processing, routing options and A signal generator shall be provided with the ability to
system configuration shall be accessed and adjusted send a variable level signal to any output mix with
via a 7-inch colour touchscreen and associated visual assignment status on-screen. The following
dedicated rotary control. types of signals shall be available: Sine, White Noise,
8 user-assignable SoftKeys with variable colour LED Pink Noise, and Band-Pass.
illumination shall be provided for quick access to
Input/Mix/DCA/Group Mutes, Tap Tempo, Scene Comprehensive input, output, and FX channel and
Controls, MMC and SQ-Drive Controls. RTA metering shall be provided on-screen.
A footswitch connection shall be provided to allow 12-LED bar meters on the surface shall indicate the
assignable control from an optional single or dual Main mix bus level and the PAFL signal shall override
footswitch. the LR meters accompanied by a PAFL-active
There shall be dedicated keys for quick indicator.
Copy/Paste/Reset of processing parameters and A default Mains to PAFL sub-mix shall be provided.
mixes.
The ability to assign channel on/off status and to There shall be a USB Type-A connector on the surface
switch between Pre/Post fade to the currently selected for stereo/multitrack recording/playback, data-transfer,
mix shall also be provided with dedicated keys. archiving, and firmware updates direct to USB drives.
On the rear panel there shall be a USB-B connection
All input channels shall contain the following following the USB 2.0 standard for multi-channel, bi-
processing: Polarity, Trim, Insert, Gate, High Pass directional audio streaming and MIDI DAW control
Filter, Parametric EQ, Compressor, Delay, Pan. between the mixer and a computer.
All FX Return channels shall contain the following: A DAW transport control using popular DAW control
Parametric EQ, Pan. protocols for computer shall be available via the
All output mix channels shall contain the following touch-screen.
processing: External input, Polarity, Trim, Insert,
Parametric EQ, and Graphic EQ with RTA and fader- Stereo digital output shall be provided on XLR
flip mode, Compressor, Delay, Balance. following the AES/EBU standard and with switchable
All signal delays in the system shall be adjustable in sample rates.
Milliseconds.
The mixer shall provide a Fast Ethernet (100 Mbit/s)
The mixer will allow the insertion of Allen & Heath port for Cat5 cable connection to a computer for MIDI
DEEP processing models to channels, without over TCP/IP control of mixer parameters via a wireless
affecting latency or processing abilities. router (access point) for live mixing control, and the
mixing system shall include application software for
8 user-assignable effect racks shall be provided with a tablet and phone devices connected via a wireless
library of factory preset FX emulations. The FX racks network router to the LAN port.
shall be individually configurable as send/return from
Dimensions
440.00mm/17.3"
514.9mm/20.3"
501.9mm/19.8"
25.00
198mm/7.8"
°
15.00°
5.00°
60.4mm/2.4"
352.00mm/13.9" 381.6mm/15"
preamp
DELAY
DEEP
- POL gain IP to MAIN
Ducker L R
-20dB 0
MODE IP to GRP
L + ADC Stereo ch
- only
ST1/2 + Post-Preamp Post-Ins A Post-PEQ Post-Delay
L R
R ADC IP to AUX/FX
- Global PAFL
source option LEV
ADC Source option
ST3 per AUX mix
AMM key
ADC TRIM DIRECT OUT
Global Direct Out
source option
Global
USB B USB switch
Stream <32ch
FX SEND RackFX x8 FX RETURN x8
METER PFL
SQ-Drive PFL
Send > Return FX
AFL
Strip METER AFL FADER in-place
Inserted FX MUTE ASSIGN+PAN
Stereo / Multitrack Playback FADER
MUTE PEQ Ret to MAIN
Audio interface L R
option card Ret to GRP
From:
I/O Port 64 Inputs FX Send
or L R
Any MIX Ret to AUX/FX
DCA Post
MIC/LINE inputs 48V Input DIR OUT
Pre LEV
PP GAIN
PAD SLink
DX Expanders + ADC TALKBACK Assign to: INPUT CH, GRP, AUX, MAIN, MTX
- 48V SIG GEN
AR AudioRacks -20dB Assign to: GRP, AUX, MAIN, MTX, MUTE
SRC GAIN Sine (Sweep 20-20kHz)
AES3 inputs OUTPUT SOCKET
PAD White Noise LEV
HPF Pink Noise
+ ADC
Bypass - Bandpass Noise (Sweep)
-20dB Press to TALK
I/O Port
TRIM POL MATRIX MASTER Audio interface
EXT IN Configure as MONO or STEREO option card
0 PFL 64 Outputs
Sidechain DCA AFL
INSERT PHONES
Skt, I/O Port or RackFX FADER
MUTE DAC
GEQ PEQ COMP DELAY
MTX Output
+
+4/-10
28-band 1/3 octave BAL Line Outputs
SLink
DAC +
Channel RTA -
DX Expanders Ready +4dBu
AR AudioRacks SRC
AES3 Outputs
PFL/AFL MONITOR Listen L/R/M 44.1/48/96kHz
Linked
Listen Level PAFL Meter
DELAY Bypass
-24dB 0dB +
TRIM POL PFL TRIM
EXT IN (AFL not affected) Meters RTA
0 + DELAY
PAFL L/R
Polarity Normal/Invert
Trim -24 to +24dB
High Pass Filter 12/18/24dB per octave 20Hz – 2kHz
Insert (Pre EQ/Comp) Fully Patchable
Delay Up to 341ms
Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
Source select Post-Preamp, Post-HPF, Post-Gate, Insert Return,
Post-PEQ, Post-Comp, Post-Delay
trim -infin to 10dB per channel
Mix Insert (Pre EQ/Comp) Fully Patchable
Processing Delay Up to 682ms
GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct, DEEP options
PEQ As Input PEQ
Compressor As Input Compressor
FX Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
Types SMR Reverb, Stereo Tap Delay, Gated Reverb, ADT, Blue Chorus
Symphonic Chorus, Flanger, Phaser
8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
Audio Tools PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
Talkback Dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
Signal Generator Assignable to any input or mix, Sine/White/Pink/Bandpass Noise
RTA's 2x 31-Band 1/3 octave (Stereo) or 61-Band 1/6 octave (Mono) 20-20kHz.
PAFL/Selected Channel or Fixed Source
USB Audio SQ-Drive USB-A
Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
Multitrack Record 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable
Multitrack Playback 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable
USB Audio Streaming USB-B, Core Audio compliant, ASIO/WDM for Windows
Send (upstream) 32 channel, 48/96kHz, 24-bit
Return (downstream) 32 channel, 48/96kHz, 24-bit
AMMs Configuration 2x 24ch or 1x 48ch, freely assignable
Type Gain Sharing
Sidechain Filter HPF / LPF 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz
Priority -15dB to +15dB per channel
Add-ons DEEP Preamps Tube Stage
DEEP Compressors Opto, 16T, 16VU, PeakLimiter76, Mighty
DEEP GEQ's Proportional-Q, DiGi-GEQ, Hybrid
RackFX units De-Esser, DynEQ4, MultiBD3, MultiBD4,
Bucket Brigade, Echo, Hypabass