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The Document a Multiple Concept

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The Document a Multiple Concept

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The Document: A Multiple Concept


Sabine Roux
University of Toulouse, sab.roux@gmail.com

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Recommended Citation
Roux, Sabine (2016) "The Document: A Multiple Concept," Proceedings from the Document Academy: Vol. 3 : Iss. 1 ,
Article 10.
DOI: https://doi.org/10.35492/docam/3/1/10
Available at: https://ideaexchange.uakron.edu/docam/vol3/iss1/10

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Roux: Multiple Concept

Introduction

Since Suzanne Briet (1951/2006), the notion of the document has been
considered in terms of the user.1 Indeed, we can say the use makes the document;
the document only exists as a document because a user needs it to prove or
explain something. The link between document and information gets stronger
as the number of documents increases. The definition of document moves
towards the definition of use: the use creates the document. The document is at
the same time object and sign; it exists because a user needs it to demonstrate,
explain, teach, educate, learn something. In this paper, we will attempt to show
how the concept of document gradually developed in France, particularly
through the writings of Robert Escarpit and Jean Meyriat. These French scholars
are not well known in the Anglophone literature; making them known to
English-speaking scholars can maybe improve mutual, global understanding
and progress. After Paul Otlet and Suzanne Briet (from the library world), Jean
Meyriat and Robert Escarpit2 (from the social sciences) elaborate a theory of
the document for university research in Information and Communication
Science.3 We will explore how the document evolved from a simplistic notion
to a fully-fledged concept that connotes a meaningful social construction.

1. A notion becomes a concept

1.1 Robert Escarpit: The document as “traces” for building knowledge

At their outset as disciplines in France, the information sciences and


communication sciences explored the notion of the document and eventually
began to regard the document as a concept. As the document becomes a subject
of study in the university, the notion gradually becomes a concept. Robert
Escarpit (1976) analyzes the document as a “visible or touchable informational

1
According to Briet, the document was previously defined as “all bases of materially fixed
knowledge, and capable of being used for consultation, study and proof” (2006: 10), which Briet
expands to include “any concrete or symbolic indexical sign [indice], preserved or recorded
towards the end of representing, of reconstituting, or of proving a physical or intellectual
phenomenon” (Briet, 2006: 10). She develops the idea that every living being can be a document
from the moment it is an object of study. Then she synthesizes with one sentence the idea of
complexity of an intellectual work on the links between document and information:
“Documentary unity tends to get close to the elementary idea, to the unity of thought, while the
forms of documents grow, the amount of documents increase, and the techniques of the
documentalist craft are perfected” (Briet, 2006: 13). The more we attribute document status to
things, objects, and living beings, the more complex the notion becomes. On this view, it is the
use which makes the document.
2
Along with Roland Barthes, they created the Committee of Information and Communication
Sciences in 1972, which was the precursor of the French Society of Information Science and
Communication.
3
Meyriat and Escarpit founded Information and Communication Science as a French
university discipline in 1975.

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object with a double independence regarding time: synchrony and stability”4


(Escarpit, 1976: 55). He stresses the fundamental difference between an event,
understood as a fact, and a document, in which data memory is registered in
physical form. In this context, document and event are opposed to the extent
that an event occurs in a defined space and time and it is not reproduced,
transcribed or transmitted, whereas a document is in essence predictable and
can be reproduced. The document is thus

an accumulation of fixed and permanent traces […] where answers to


feedback, through time, to earlier experiences, remain available for a
reading, that is to say for a free exploration of any event or time
constraint, depending on the purpose and the strategy to achieve it.5
(Escarpit, 1976: 57)

Here, the information from the document depends on the established purposes
of its production. The document is “a way to build knowledge which assumes
that the traces remain available for a reading”6 (Escarpit, 1976: 57).
According to Robert Escarpit (1976), analyzing the content of the
document and its mode of transmission is fundamental. In order to refine the
concept of document, he rests on the operating mode of the three channels that
allow the human being to receive information: touch, sight and hearing.
Measuring the properties of these three modes of access to information in
relation to time, he notices that the hearing channel focuses on messages
registered in temporal linearity, whereas the visual channel allows the
circulation of messages registered in traces. It is writing that solves the problem
of the ephemerality of sound, allowing information to be registered, fixed and
free from the moment of its enunciation, on a physical support that allows
transportation, conservation and reproduction.
The writing produces text, the speech some discourse and the trace the
icon. Thus text reconciles the iconic, discursive and documentary functions
which lead to a stabilization of information. Then the document can be defined
as:

a visible or touchable informational object with a double independence


regarding time:

4
« objet informationnel visible ou touchable et doué d’une double indépendance par rapport
au temps : synchronie et stabilité »
5
« une cumulation de traces fixes et permanentes […] où les réponses données en feed-back, à
travers le temps, aux expériences antérieures, restent disponibles pour une lecture, c’est-à-dire
pour une exploration libre de toute contrainte événementielle ou chronologique, en fonction du
projet et de la stratégie destinée à le réaliser. »
6
« moyen de constitution d’un savoir, (qui) suppose que les traces restent disponibles pour une
lecture »

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Roux: Multiple Concept

 synchrony: internal independence of the message which is no


more a linear sequence of events, but a multidimensional
juxtaposition of traces,
 stability: global independence of the informational object which
is no more an event registered in the passage of time, but a
physical support for the trace, which can be stored, transported,
reproduced.7 (Escarpit, 1976: 120)

The document as a predictable and knowable product becomes a means


for building knowledge. It is thus available for multiple readings that depend on
the receiver’s purposes. The availability of the transmitter and the availability
of the receiver are characteristics of the document insofar as it is the solicitation
of these traces by the reader that produces information.

1.2 Jean Meyriat: Intentionality and Multiplicity of the Document

Following Robert Escarpit, Jean Meyriat continues to deepen the notion of


document as an information and communication object. On the occasion of the
first congress of the French Society of Information and Communication
sciences (SFIC) in 1978, Jean Meyriat argues that writing is the preferred means
of communication. Writing is required to fix information for use as evidence.
He registered the document in the dynamic of the user. But for Jean Meyriat,
“any object can become a document, that is to say the object of a search”8
(1978: 28); indeed, in this way of thinking, it’s “the user, the receiver of the
message, who makes the document”9 (Meyriat, 1978: 28).
Falling within the scope of Suzanne Briet’s analysis, Jean Meyriat states
that every object is a document, or has the possibility to become one if it
transmits information – that is to say, a message with meaning for the transmitter
and the receiver. The document may have been produced to give information,
but it also may have value as a document because the user ascribes it
significance in searching for information. Thereby the user gives the document
the status of support of a message with meaning. Here, the notion of document
is similar to that of sign.
According to Jean Meyriat “the desire to obtain information is a
necessary component for an object to be considered as a document while the

7
« un objet informationnel visible ou touchable et doué d’une double indépendance par rapport
au temps :
 synchronie : indépendance interne du message qui n’est plus une séquence linéaire
d’événements, mais une juxtaposition multidimensionnelle des traces,
 stabilité : indépendance globale de l’objet informationnel qui n’est plus un événement
inscrit dans l’écoulement du temps, mais un support matériel de la trace qui peut être
conservé, transporté, reproduit. »
8
« tout objet peut devenir un document, c'est-à-dire l’objet d’une recherche »
9
« l’utilisateur, le récepteur du message, qui fait le document »

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will of its creator may have been different”10 (Meyriat, 1981: 52). The receiver
plays a critical role in the informative function. In this definition, the document
is so fully considered in terms of its use, to the extent that it is the mode of use
that determines its status. The informative function depends on the use made of
it – or, more precisely, it depends on the user’s purposive reading, which enables
the physical object to be a document with informative content.
For Meyriat the document is seen as the result of a desire to learn or to
inform. Information is activated by the will of a receiver, which can be
considered a form of intentionality. It’s because there is intentionality to
information that information can be activated in the document. The infinity of
possible users of a document gives the information it contains an endless nature:
a multiplicity of uses induces an informational infinity, which raises the
question of meaning.

2. The meaning of the document

2.1 document by intention and document by attribution

Meyriat (1981) defines the document as an “object that supports information,


which is used to communicate and which is durable (the communication can be
repeated)”11 (Meyriat, 1981: 53). Meyriat structures his definition on two axes
of communication: the container, or the object that serves as a support, and the
content, or the information. The document is firstly a support – a material object,
a container – and also a concept – information, content.
This definition of the concept of the document is based on the distinction
between one notion of a material nature – the object which serves as a support
– and another notion of a conceptual nature – the content of communication
which merges with information. The object can be seen as a document because
it has the function of supporting or communicating information. Jean Meyriat
(1981) distinguishes “documents by intention,”12 which are produced from the
start with the aim of communicating, and “documents by attribution,”13 which
become documents when the user uses them to search for information.
In all cases, it is ultimately the user who gives to the object the status of
“document.” The interrogation focused on an object transforms the object into
a document to the extent that the content provides information as an answer to
the question. The distinction made by Meyriat between document by intention
and document by attribution allows us to consider the document as an object

10
« La volonté d’obtenir une information est donc un élément nécessaire pour qu’un objet soit
considéré comme un document alors que la volonté de son créateur peut avoir été autre. »
11
« objet qui supporte de l'information, qui sert à la communiquer et qui est durable (la
communication peut donc être répétée) »
12
« documents par intention »
13
« documents par attribution »

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Roux: Multiple Concept

that can have several informative functions. Indeed, a single object may
“become successively several different documents”14 (Meyriat, 1978: 26).

2.2 Immateriality of the document and “redocumentarization”

Digital technology reopens the debate on the nature of the document in its two
aspects: document by intention and document by attribution. Taking into
account modern information technology and the supposed loss of materiality of
the document, Jean Meyriat (2006) refined his definition of the document by
intention, now considering it in light of the notion of system. A document
belongs to multiple systems at the same time.

A document, as any product of human activity, originates in place


(immaterial) and when the various social system or techno-social system
meet. The term " system" is a set of elements of different but interrelated
natures and organized so as to achieve a common goal. The techno-
social systems are those whose main elements are firstly technical, and
secondly, humans, individuals or groups.15 (Meyriat, 2006: 12)

And Meyriat adds:

Systemic analysis should characterize the document in the system that


produces it and understand how it contributes to the system reaches its
purpose.16 (Meyriat, 2006: 13)

Thus, the archivist Marie-Anne Chabin notes that in

the digital age, despite a radical redefinition of the concept of support


that goes from a piece of material to a hardware and software system,
the document keeps its dual function of recording facts or discourses
and providing answers to the reader’s questioning.17 (Chabin, 2004:
142)

14
« il devient successivement plusieurs documents différents. »
15
« Un document, comme tout produit de l’activité humaine, prend naissance au lieu
(immatériel) et au moment où se rencontrent les divers systèmes sociaux ou techno-sociaux dont
il est issu. Le terme « système » désigne un ensemble d’éléments de natures différentes mais
interdépendants et organisés de manière à pouvoir atteindre un objectif commun. Les systèmes
techno-sociaux sont ceux dont les éléments principaux sont d’une part des techniques et, d’autre
part, des humains, des individus ou groupes. »
16
« Une analyse systémique doit permettre de caractériser le document dans le système qui le
produit et de comprendre comment il contribue à ce que le système atteigne l’objectif qui est sa
raison d’être. »
17
« l'ère numérique, en dépit d'une redéfinition radicale de la notion de support qui passe d'un
morceau de matière à une chaîne matérielle et logicielle, le document garde cette double
fonction d'enregistrement des faits ou du discours et d'offre au questionnement du lecteur .»

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Jean-Paul Metzger and Geneviève Lallich-Boidin consider redefining


the document in a digital context by only focusing on the support. For them, “A
digital document is a document that has the characteristic of being an electronic
support and that is perceptible through digital technology”18 (2004: 12). In
other words, the digital document is considered as a new communication
technique resulting in mastering specific skills.
Seeking to reconcile the opinions of document theorists with those of
information professionals and researchers in the social sciences, a group of
researchers from the National Center for Scientific Research (CNRS) gathered
around the multidisciplinary network “Document” (RTP-DOC) to clarify the
concept of the document by discussing the issue of the materiality of the
document:

A document can be defined as the representation of a shared truth


beyond the chaos (silence and noise), the cacophony (confusion and
sensation) and forgetting (the intimate and the ephemeral). Thus,
anthropological terms (readability – perception, form-sign), cognitive
terms (intelligibility, assimilation, text-content) and social terms
(sociability-integration, medium-relation) must not only be relevant
each one separately but also be consistent together. If it cannot be
“seen” or spotted, “read” or understood, “known” or learned, a
document is of no use.19 (Pédauque, 2006)

Having focused on the immateriality of the digital document, the group suggests
the idea of a “redocumentarization,” which is a documentary materialization of
immaterial information circulating on networks. This “redocumentarization”
induces documentary transformations. Adapting document processing, search
tools and languages to the digital does not eliminate the necessary mediation
between the public and documents. The digital document is then defined as an
object built by authors and sometimes rebuilt by others. Thus digitization brings
out the complexity of issues regarding, for instance, the legitimacy of
documents without a traditional, fixed support.
RTP-DOC examines the digital document through the prism of
traditional issues of documentation such as storage and retrieval, knowledge

18
« Un document numérique est un document qui a pour caractéristique d’être sur un support
électronique, d’être perceptible via la technologie numérique. »

19
« un document peut être défini comme la représentation d'une vérité partagée au-delà du
chaos ( le silence et le bruit), de la cacophonie (la confusion et le sensible) et de l'oubli ( l'intime
et l'ephémère). Ainsi, les modalités anthropologiques (lisibilité-perception, forme-signe),
cognitives (intelligibilité, assimilation, texte-contenu) et sociales (sociabilité-intégration,
medium-relation) doivent non seulement être pertinentes prises chacunes séparément, mais
encore être cohérentes entre elles. S'il ne peut être ''vu'' ou repéré, ''lu'' ou compris, ''su'' ou
retenu, un document n'est d'aucune utilité. »

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organization and transmissibility. In fact, this group seeks to reconsider the


features of the document through the changes brought by digital technology.
For them “with computers, (…) the document as a human prosthesis has made
a paradigmatic leap”20 (Pédauque, 2006).
Thus, it seems that the traditional functions of the document undergo a
shift in the digital world, modifying the document’s uses and conceptions.
According Jean-Michel Salaün,

Before our eyes a new compromise appears between a multiplicity of


actors to reinvent documents – the artifacts of substitution. In this
process, the digital plays a major role, but it is certainly not the only
phenomenon involved. […] The document is but a vector of this
multiplication and renewal, and perhaps a catalyst in the transformation
of earlier conventions.21 (2004)

3. The social value of the document

In 2006, analyzing the document as an element that is part of multiple systems


at the same time, Jean Meyriat reconciles the traditional document and the
digital document. According to him, he gives a new definition of the document
(digital or not):

 The document that brings information is not a simple vehicle. It


has its own existence; it interacts with the information that is
consubstantial to it.
 The document has an author who can’t be ignored, who had an
intention to communicate and who is reflected in the objective
assigned to the document;
 The author is not disembodied, existing only to produce the
document; he is a social being, who takes on several roles in
society, each of which can impose different constraints.
 Any document is embedded within a specific communication
system, designed with a specific objective. It is useful to have
knowledge of this at least in a general sense, as a reference for

20
« avec l’ordinateur […] le document en tant que prothèse humaine a fait un saut
paradigmatique. »
21
« Il se construit sous nos yeux un nouveau compromis entre une multiplicité d’acteurs, pour
réinventer des documents ou des artefacts de substitution. Dans ce processus, le numérique joue
un rôle majeur mais il n’est sûrement pas le seul phénomène en cause. […] Le document ne
saurait être qu’un vecteur de multiplication, de renouvellement et peut être un des ferments de
la transformation des conventions qui les ont instituées. »

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initial identification and possible subsequent deviations.22


(Meyriat, 2006: 26)

The social value of the document seems to be at the heart of the definition of
the document. The document is primarily meaningful and active in the
development and reception process.

3.1 Document: support and sign

Viviane Couzinet insists that defining the document by the link between
document and information highlights the idea of movement of the container and
content. For her, the document is “the mold in which the information, the
content, takes shape, both on the communicational level and on the support that
allows it to circulate”23 (Couzinet, 2008: 57). According Annette Beguin-
Verbrugge the digital or analog document is essentially defined by its primary
function, which is to communicate information and thereby demonstrate the
existence of data. For her, “The document is what we keep as evidence, making
manifest information and demonstrating its existence to someone”24 (Beguin-
Verbrugge, 2008: 138). By intention or by attribution, the search for the
meaning of the document requires the consideration of the material of the
document. Understanding a document requires analyzing its support,
understood as a construction material.
Caroline Courbières is also interested in the problem of meaning,
considering the document as an informational object with communicational
purposes composed of a sign and its support. The document is part of a complex
information and communication device that acts on the meaning of the
document. So she chooses to cross semio-linguistic analysis with mediology in
order to embrace the density of the document. She proposes to define the
document as an artifact precisely to the extent that it only exists when the
receiver recognizes it as such. For her the document “shares a common destiny

22
« - le document qui apporte l’information n’est pas un simple véhicule. Il a une existence
propre, il interagit avec l’information qui lui est consubstantielle;
- le document a un auteur qu’on ne peut ignorer, et qui avait une intention de communiquer et
qui se traduit dans l’objectif assigné du document;
- cet auteur n’est pas un être désincarné, n’existant que pour produire du document; c’est un
être social, qui dans la société dans laquelle il vit tient à la fois plusieurs rôles qui peuvent
chacun lui imposer des contraintes différentes;
- tout document s’inscrit dans un système spécifique de la communication, qui vise un objectif
propre. Il est utile d’en avoir une connaissance au moins globale, comme un réferentiel pour
identification initiale et ses éventuelles déviations ultérieures. »
23
« le moule dans lequel l'information, le contenu, se met en forme sur le plan
communicationnel, et en même temps le support qui lui permet de circuler »
24
« Le document, c’est ce que l’on garde comme preuve, ce qui rend l’information manifeste et
témoigne de son existence pour quelqu’un. »

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Roux: Multiple Concept

with the sign since its identification is the result of an interpretation, not its
starting point”25 (Courbières, 2004).
The social value of the document depends on who produces it – through
use. In this light, the search for the meaning of the document cannot do without
some further grounding – more precisely, a discussion of the document as a
composite material.
Yves Jeanneret emphasizes the lexical-semantic solidarity between
document and information. He considers it indeed difficult, if not impossible,
to imagine any information detached from its material expression:

The document is a medium used in particular way, which is not only


defined by hardware characteristics but by forms of expression and
cultural uses. That is to say that there is no document without support,
but the support is not itself a document.26 (Jeanneret, 2000: 71)

In conjunction with the document, he defines two types of information. The


information of type 1, which is mathematical information, computer data or
more precisely a cyber pulse from the mathematical theory of information by
Shannon. Information of type 2, which is social information – that is to say,
information with meaning in an intellectual point of view. It is the social
information which interested information and communication sciences, and the
document conveys this social information.
Caroline Courbières and Gérard Régimbeau (2006) continue thinking
about the context of the document within its social dimensions. The document
is then considered “in networks, commerce, as documentary material, as
artwork that reveal, show or anticipate social practices”27 (Courbières &
Régimbeau, 2006).

3.2 Document circulation and rhizomes

So documents (digital or not) always circulate in societies, and this circulation


gives them social value. According to Yves Jeanneret:

There are in the document three key dimensions that make it more than
a simple support: It is a set of signs which refers to codes or more
generally to modes of interpretation, socially instituted; it has a

25
« partage un destin commun avec le signe puisque son identification est le résultat d’une
interprétation, non son point de départ »
26
« Le document, c'est un support utilisé d'une façon particulière, qui n'est pas seulement
définie par des caractéristiques matérielles mais par des formes d'expression et des usages
culturels. C'est-à-dire qu'il n'y a pas de document sans support, mais aussi que le support n'est
pas lui-même un document. »
27
« dans les réseaux, les métiers, en tant que matière documentaire, en tant qu’objets de
pratiques artistiques qui dévoilent, illustrent ou anticipent des pratiques sociales »

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documental genre that we relate to a set of practices more or less


identified (a list, a table, a “web page,” a “multimedia title,” etc.).
Finally, our attitude toward these meaningful objects presupposes a
culture, powerful and hidden, of the circulation of documents, which
makes us know how to use and evaluate each of these messages
depending on the traits that characterize its documentary space.28
(Jeanneret, 2000: 73)

In this perspective, Sabine Roux (2012) emphasizes the rhizomatic


nature of the document by studying the operation of the travel document. She
observes how a text, by nature heterogeneous and multiple, which is a priori a
single report of an experience, a text about a travel, produced other documents.
These documents belong to science in the institutional sense, but they are also
subject to more literary or artistic forms that also involve knowledge.
Since Suzanne Briet we distinguish between primary and secondary
documents: “the cataloged antelope is an initial document and the other
documents are secondary or derived” (2006: 11). But in the case of travel
documents, the initial report of a travel, a primary document by intention (with
the meaning of Jean Meyriat) could produce of course secondary documents (by
intention or by attribution) but also other primary documents. The initial
document is not necessarily the most important document; the value assigned to
a document depends on multiple elements (user, production conditions, support,
context, author…). All these documents, with different meanings, have a social
life and produce information, knowledge and art. They are cultural beings and
they defy categorization. To analyze the document as a rhizome could help to
understand the fundamental multiplicity of the document. “A rhizome has no
beginning or end; it is always in the middle, between things, intermezzo. The
tree is filiation, but the rhizome is alliance” (Deleuze & Guattari, 1987: 25).
The metaphor of the rhizome is presented as an alternative to the continuum
model.29 It is useful to the understanding of the multiplicity of the document. It
allows nomadic associations which involve attribution, intention, meaning and
social values (political, artistic, economic) without any notion of hierarchy.
For example, Darwin’s logbook written aboard The Beagle, which is not
available to the general public, predated the distinct, published version of the
logbook, which can be seen as a work of popular science. But the initial logbook
also produced (and without any notion of hierarchy), scientific texts (for
28
« Il y a dans le document trois dimensions essentielles qui le qualifient autrement que comme
un simple support : c’est un ensemble de signes, qui renvoie à des codes ou plus souplement à
des modes d’interprétation, socialement institués ; on y reconnaît une forme générale, celle
d’un type de document, que les hommes savent rattacher à un ensemble d’usages plus ou moins
répertoriés, une liste, un tableau, une « page web », un « titre multimédia », etc ; enfin, notre
attitude devant ces objets signifiants suppose toute une culture, puissante et cachée, de la
circulation des documents, qui fait que nous savons affecter un usage et une valeur à chacun
des types de messages, en fonction des marques qui caractérisent l’espace documentaire. »
29
Deleuze and Guattari offer the rhizome as a conceptual alternative to the tree model. Any
point of the rhizome is a sign whose meaning is experimental.

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Roux: Multiple Concept

example, the theory of evolution On the Origin of Species), theater (including


the stage adaptation of Darwin’s trip by Mauricio Celedon30), and a manifesto
against slavery31.
Similarly, the field notebooks of the ethnologist Jocelyn Bonnerave
contain observations that constitute emergent theoretical thinking, especially in
the way musicians raise political issues in their improvisational work. Springing
from Bonnerave’s field notebooks, these thinkings circulate through different
types of documents: in the scientific literature (theses and scientific papers), in
the novel he wrote, in the abstracts of collective improvisation, and in the artistic
performances springing from the novel. All these forms are also innervated by
sociological concepts (Roux & Courbières, 2014).
To give another example, documents which report Jean Malaurie’s
expeditions gave rise to various scientific and literary works. They are also
responsible for the constitution of a polar documentary funds at the central
library of the Museum of Natural History in Paris and for the creation of the
Polar Academy of St. Petersburg. The writings of Malaurie are also involved in
the recognition of an autonomous territory of Inuit, the Nunavik.
In all these examples, textual and editorial paths seem to allow forms of
knowledge to flow from the travel document, which was, apparently, merely
intended to record an experience. This object can then be considered as a
material document which has the capacity to generate other documents (an
edited account for the public, scientific articles written from the book or
expedition report, a novel written from this first document, scientific theory,
artistic performance...). Whether it is an ethnologist’s field notes or a formal
logbook, the travel document can be seen as an aggregation of scientific
information and thus could be analyzed as a rhizome in which any point can be
connected with any other.

Conclusion

Initially only considered from the perspective of the user, the document has
gradually been enriched with a multiplicity of regards that helped develop the
notion into a concept. The document, whether digital or not, is multiple by
nature. This multiplicity affects its meaning, its interpretation and its social
value. Multiplicity has no roots. It is without origin, without last production.
New nodes are constantly being added, changing the apparent organization of
the whole. The document circulates in social spaces and, just like the rhizome,
it multiplies the nomadic associations which involve attribution, intention,
meaning, interpretations and social values (political, artistic, economic, etc.)
without any notion of hierarchy. The rhizome does not help to find the way it
30
http://www.teatrodelsilencio.net/spectacles/emma-darwin.html
31
For example, in his diary, starting with spring 1832, there are, with a significant frequency,
comments against slavery. All Darwin’s comments against slavery have been analyzed by
Patrick Tort (2010).

Published by IdeaExchange@UAkron, 2016 11


Proceedings from the Document Academy, Vol. 3 [2016], Iss. 1, Art. 10

used to get lost, to enter through any point. According Deleuze and Guattari
(1987), in contrast to the tree, the rhizome is a weed growing anywhere between
everything.

References

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Meyriat Jean, 1978. De l’écrit à l’information: la notion de document et la


méthodologie de l’analyse du document. Inforcom 78, 1er congrès de la SFIC,
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shématisation, n°14, p. 51-63.

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comme médiateurs de savoirs: Université de Toulouse: thèse de doctorat en
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Published by IdeaExchange@UAkron, 2016 13

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