Rane Sixty-Two QSG for Serato DJ

OWNER’S MANUAL
RANE
SIXTY-TWO
MIXER
MANUAL
SIXTY-TWO
OWNER’S MANUAL
Important Safety Instructions

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding type plug. A polarized plug has two
blades with one wider than the other. A grounding-type plug has two blades and a third grounding
prong. The wide blade or third prong is provided for your safety. If the provided plug does not fit into
your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord and plug from being walked on or pinched particularly at plugs, convenience
receptacles, and the point where it exits from the apparatus.
11. Only use attachments & accessories specified by Rane.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid
injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been
damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate
normally, or has been dropped.
15. The plug on the power cord is the AC mains disconnect device and must remain readily operable. To
completely disconnect this apparatus from the AC mains, disconnect the power supply cord plug from
the AC receptacle.
16. This apparatus shall be connected to a mains socket outlet with a protective earthing connection.
17. When permanently connected, an all-pole mains switch with a contact separation of at least 3 mm in
each pole shall be incorporated in the electrical installation of the building.
18. If rack-mounting, provide adequate ventilation. Equipment may be located above or below this
apparatus, but some equipment (like large power amplifiers) may cause an unacceptable amount of
hum or may generate too much heat and degrade the performance of this apparatus.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases,
shall be placed on the apparatus.
Warning
To reduce the risk of electrical shock, do not open the unit. No user
CAUTION serviceable parts inside. Refer servicing to qualified service personnel.
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The symbols shown below are internationally accepted symbols that
warn of potential hazards with electrical products.
This symbol indicates that there are important operating and maintenance instructions in the
literature accompanying this unit.
This symbol indicates that a dangerous voltage constituting a risk of electric shock is present
within this unit.
These stickers are located on the bottom of the mixer.
WARNING: This product may contain chemicals known to the State of California to cause cancer, or birth
defects or other reproductive harm.
SIXTY-TWO
2
OWNER’S MANUAL
FCC Statement
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant
to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful
interference in a residential installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which
can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changes or modifications not expressly approved by Rane Corporation could void the user’s
authority to operate the equipment.
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
Copyright Notices
©2014 Rane Corporation. All rights reserved. Serato DJ and Scratch Live are trademarks of Serato.
Trademarked in the United States and other countries. This software is based in part on the work of the
Independent JPEG Group, and uses libpng code, copyright © 2000-2002 Glenn Randers-Pehrson. The
Serato NoiseMap™ Control Tone, the audio pressed on Serato Control vinyl and Control CDs, is copyright
©2004-2014 Serato. The Control Vinyl and Control CDs are licensed for personal use only. The creation of
personal backups of the Control CD is allowed, however duplicating Control CDs for commercial benefit is
strictly prohibited. For avoidance of doubt the duplication or creation of Control vinyl for any use is strictly
prohibited. Please respect our copyright. Windows® is a registered trademark of Microsoft Corporation in
the United States and other countries. Apple, Mac, Macintosh, iTunes, Safari, QuickTime, GarageBand,
and OS X are registered trademarks of Apple Inc., registered in the United States and other countries.
Check List
These items are included in the box:
• 1 Sixty-Two Mixer.
• Serato DJ software and drivers install disc.
• 2 (two) control CDs.
• 2 (two) control records.
• 2 USB cables.
• IEC C5 line cord.
• Serato DJ Software Manual.
• This Sixty-Two Mixer Manual.
Wear Parts
The Sixty-Two Mixer contains no wear parts. The control vinyl records and CDs are wear parts as
described in "Limited Warranties" on page 39.
SIXTY-TWO
3
OWNER’S MANUAL
Contents
2 Important Safety Instructions 16 FlexFX Loop

17 Internal Audio Effects
3 Check List 17 Echo Effects
19 Effects Parameter Table
5 Quick Start: Software 20 Shift Options

20 Ext. Insert Options Menu
6 Quick Start: Hardware 20 Filter Effect Options Menu
20 Flanger Effect Options Menu
9 Sixty-Two Overview 20 Echo Effect Options Menu
21 Deck 1-2 Channel Options Menu
10 Sixty-Two Connections 21 Mic Option Menu
21 Mic Bypass Mode
10 Power Supply 21 Headphone Tone Control
10 Analog Inputs 22 Mixer Shift Functions
10 Analog Outputs 22 MIDI Start/Stop
11 Two USB Ports 22 Nudge
22 BPM Adjust
12 Deck Input Channels 22 Sync
12 Source Selector 22 Slip
12 Level
12 Pan 23 DJ Changeover
12 Tone Controls
13 Filter
13 FlexFX
24 Driver Control Panel
13 Channel Faders & Crossfader
13 Channel Meters 26 Factory Defaults
13 Headphone Cue
27 MIDI Mapping
13 Aux
30 MIDI Implementation
14 Session In and Out
32 MIDI Control Change Chart
14 Main and Booth
34 Magnetic Fader Maintenance
14 Software Controls
14 Library Browse 36 Technical Specifications
15 Loops Manual / Auto
15 Manual Loop Controls
15 Auto Loop Controls
37 Battle Bridge Accessory
15 Cues / Samples control
15 Cue Points 38 Declaration of Conformity
16 Sample Player (SP-6) Triggers
39 Limited Warranties
SIXTY-TWO
4
OWNER’S MANUAL
Quick Start: Software

Before using your Sixty-Two, at least read this short section for the basics. Read the complete manual
to get the best investment from your new Sixty-Two. This section will help get you started with one
computer.
Serato DJ Software Installation for Mac OSX

Before installing, we recommend you check for a
newer version of Serato DJ at serato.com/downloads
and install the latest Serato DJ version if it is newer
than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Finder to the location where the Serato DJ download was saved.
2. Double click the Serato DJ .dmg installer file.
3. The software EULA screen will appear - read the License Agreement, then click Agree.
4. The disk image mounts and opens the actions folder, once this is finished you can unmount the disk
image and launch Serato DJ.
5. Drag the Serato DJ application icon to the Applications folder alias.
6. You may then need to enter your User Password to authenticate.
7. Serato DJ will now copy to the Applications folder, once this is finished you can unmount the disk image
and launch Serato DJ.
Serato DJ Software Installation for Windows

Before installing, we recommend you download and install the latest Serato DJ version from serato.com if
it is newer than the version on the CD-ROM that comes with your mixer.
1. Insert the Serato DJ Installer CD-ROM that came with your unit,
-or-
browse using Windows Explorer to the location where the Serato DJ download installer was saved.
2. Double click the Serato DJ .exe installer file.
3. Accept the Security Warning and click “Run”.
4. The installer introduction screen will appear, click Next.
5. Read the License Agreement, then tick “I agree to the license terms and conditions,” then click Install.
6. If a User Account Control window appears, click Yes.
7. Serato DJ will now perform a standard installation.
8. The installation is now complete. You can now click Close.
NOTE: A shortcut will be also be created on desktop.
When you first connect your Sixty-Two Mixer via USB, you may see a request to install drivers. Accept
the request and allow the driver installation to proceed. After drivers are installed, a Sixty-Two control
panel will be available, and your software will recognize the Sixty-Two.
After Serato DJ is installed, you will be prompted to "Install Driver" in the Online Panel if you connect a
new compatible device that has not already had its driver installed.
Serato Scratch Live

Your Sixty-Two is also completely compatible with Serato Scratch Live. You may connect to a laptop that
has either program installed. If you would like to continue using Scratch Live, you can download the
Sixty-Two Manual for Serato Scratch Live at either serato.com or dj.rane.com.
SIXTY-TWO
5
OWNER’S MANUAL
POWERED POWERED
MAIN SPEAKERS OR AMPS
MAIN OUT BOOTH OUT SESSION ANALOG INPUTS

OUT IN
RIGHT LEFT
PHONO
SIXTY-TWO RIGHT LEFT
GROUNDS ACN 001
345 482
MADE IN U.S.A. RANE CORP.
100-240V 50/60 Hz 15 WATTS INPUT SELECT
PH - CD PH - CD PH - CD PH - CD
4 3 2 1
FLEXFX LOOP MIC
USB B USB A RETURN SEND INPUT
RIGHT LEFT RIGHT LEFT
MIC - LINE
CD OR TURNTABLE OUT CD OR TURNTABLE OUT
USB
Quick Start: Hardware

This guide will help you get your decks connected and music playing on one computer. Leave the
power off until your decks and amplifiers are connected.
Analog Inputs
1. Connect your Left deck’s RCA cables to ANALOG INPUT 1.
• If it’s a CD player, select CD with the switch above the input jacks.
• If it’s a turntable, select PH (Phono) with the switch above the input jacks. Secure the ground wire to a
Phono Ground terminal.
2. Set the SOURCE selector for DECK 1.

PH / CD 1 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose A.
3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.

• Select CD or PH as in step 1.
4. Set the SOURCE selector for DECK 2.

PH / CD 3 plays directly from your deck.
To play from Serato DJ or Scratch Live, choose A.
SIXTY-TWO
6
OWNER’S MANUAL
Analog Outputs
• Main Out is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• Booth Out is on a pair of balanced ¼˝ TRS (tip-ring-sleeve) jacks.
• Session Out is available on a pair of unbalanced RCA jacks.
• Headphones output mix is available on both ¼˝ and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, you may use any of these
outputs as the “Main” output if a different cable type is required to your speaker amplifiers.
Rane recommends balanced wiring (3-conductor) for the strongest signal and rejection of hum and
noise. If your cable to the destination is less than 10 feet (3 meters), you can often get away with an
unbalanced cable. See the RaneNote “Sound System Interconnection” at rane.com for cable wiring
recommendations.
Quick Start: Operation

USB Control Source
The default Inputs for decks performing Digital Vinyl Simulation (DVS) are Inputs 1 and 3, but you can
change this. Analog Input 1 or 2 may be selected in Serato DJ software as the DVS signal for the Left
Virtual Deck. Analog Input 3 or 4 may be selected in software as the DVS signal for the Right Virtual Deck.
To select the control sources in Serato DJ, click the SETUP button at the top of the screen. In the Audio
tab, verify that Control Source > PGM 1 is set to “1”. This will be your Left Virtual Deck. verify that Control
Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
To select the control sources in Scratch Live, click the SETUP button at the top of the Scratch Live
screen. In the Hardware > General tab, verify that Control Source > PGM 1 is set to “1”. This will be your
Left Virtual Deck. verify that Control Source > PGM 2 is set to “3”. This will be your Right Virtual Deck.
Calibrating Serato DJ for Control Vinyl or CD

Since Serato DJ is controlled by an analog signal, there is no guarantee of what state that signal will be in
by the time the software gets to interpret it. Therefore, Serato DJ needs to be able to handle a wide range
of signals, and be configurable to use them optimally. Calibrating is just configuring the software to your
situation. Calibration is equally important for both vinyl and CD users of Serato DJ.
There are two parts to the Serato DJ Control Vinyl: The directional tone, and the NoiseMap™. Listening
to the control vinyl, the directional tone is the 1 kHz tone. The noise map sounds like random noise over
the top of the tone. The directional tone provides the current speed and direction of the record, while the
noise map tells the software precisely where on the record the needle is currently.
The Noise Sensitivity slider lets you adjust the noise threshold. A threshold is a lower limit, below which
a process will not occur. In the case of Serato DJ, the noise threshold is the limit below which the input
signal will not be interpreted as control signal; in other words if it’s below the threshold, it is considered
noise and ignored.
This setting is necessary because a stylus is very sensitive, and will inevitably pick up noise from the
environment as well as the signal on the record, especially in the noisy environment of a live show.
SIXTY-TWO
7
OWNER’S MANUAL
How To Calibrate Serato DJ

With music playing in the background through your system or booth output, put your needle on the record
with the turntable stopped. If you are using CD players, the same rules apply. Have the CD deck paused
or stopped while calibrating.
Click and hold the estimate button until the slider stops moving. Moving the Noise Sensitivity slider
to the left will make Serato DJ more sensitive to slow record movement, but also more sensitive to
background noise.
Repeat the process for each deck.
Things to remember:
• Your needle must be on the record.
• Your turntable (or CD player) must be stationary.
• The background music playing must be at a similar level to
which you will play your set at.
• Calibrate Serato DJ every time you play.
TIP: If the slider jumps to the far right, then you have a problem
with noise in your turntables/CD players/mixer. Check all your
connections and make sure your equipment is well earthed.
In some situations you will not be able to improve the signal
quality, and you will have to play on regardless. In this situation,
stick to rel mode.
The Scopes
The scopes on the setup screen in Serato DJ display the input signal as a phase diagram. The key factors
to look at on the scope display are crisp clean lines, round shape, and the tracking percentage in the
lower right corner.
Start both turntables or CD players. You will see green rings appear in the scope view, as shown above.
For optimal performance the inner ring should be as close to circular as possible. Use the scope
zoom slider to zoom in or out as necessary. Use the scope L/R balance and P/A balance controls to
adjust the shape of the inner ring. The number in the top left corner of the scope view gives the current
absolute position within the control record or CD. The number in the top right corner is the current speed
in RPM. In the bottom left is the current threshold setting, and the number in the bottom right shows
the percentage of readable signal – this number should be close to 85% when your system is calibrated
properly.
For complete software operating instructions, see the Serato DJ Manual.
SIXTY-TWO
8
OWNER’S MANUAL
Sixty-Two Overview
Software controls are built-in for one or two computers
• Includes Serato DJ software.
• Includes Rane ASIO and Core Audio Drivers for Serato DJ and other audio programs.
• Advanced MIDI and audio routing: route either deck to either USB Port, and MIDI follows the audio.
• Independently control Library, Cues, Loops and Samples on two computers with more than 40 software
controls.
• Each of the two USB ports supports six stereo record and four stereo playback channels.
• USB record channels support:
• Vinyl control signal for two Virtual Decks, or record either of Decks post-fader.
• Record the Main Mix or the Mic.
• FlexFX USB Insert Send to each computer.
• USB playback channels support:
• Playback for two Virtual Decks.
• USB Aux playback for the SP-6 sample player.
• FlexFX USB Insert Return from each computer.
• Great-sounding 32-bit floating-point audio sampled at 48 kHz.
Deck input channel controls

• Pre-fader Level, 3-band isolator EQ, plus low-pass / high-pass sweep Filter with resonance adjustment.
• Crossfader, FlexFX and headphone Cue assigns.
• Proprietary magnetic faders and crossfader with contour and reverse controls.
Mic input DECK 1 MIC

PH / CD
DECK 1 DECK 2
PH / CD
MIX DECK 2
• Mic / Line input level switch.

BYPASS CLEAN FEED 1 2 4 6 4 6 3 4 4 6
A B A B
2 8 2 8 2 8
SP-6 ASSIGN ON OVER SP-6 ASSIGN
• Controls: On, Over, Level, 2-band Tone and 2

4 6
8
SOURCE
0
LEVEL
10 0
LEVEL
10
SOURCE
0
MAIN
10
FlexFX assign.
4 6
BACK BACK
0 10
LOAD LEVEL 2 8 LOAD
• Unused Mic controls easily map to MIDI. LEFT

PAN
RIGHT
OFF
HIGH
+6 OFF
HIGH
+6
LEFT
PAN
RIGHT
0
SESSION OUT
10
SCROLL 4 6 SCROLL
OFF +6
LOOPS HIGH LOOPS
2 8
Advanced post-fader FlexFX

OFF +6 OFF +6 0 10
AUTO MANUAL LOW HIGH MID MID LOW HIGH SESSION IN MANUAL AUTO
FILTER FILTER
OFF +6 4 6
LOW
• Internal Effects engine with: BEATS SELECT
FLEXFX FLEXFX
2 8 SELECT BEATS
OFF +6 OFF +6 0 10
• Filter, Flanger, Phaser, Echo, Robot and FLEXFX LOW LOW BOOTH
SYNC SYNC
LOOP IN IN LOOP
Reverb. SYNC OFF

INSERT FILTER FLANGER PHASER ECHO ROBOT REVERB EXT. INSERT SYNC OFF
ROLL OUT OUT ROLL
• MIDI beat clock tracking and generation. SLIP

BPM NUDGE START / STOP
2
4 6
8 SLIP
• Sync BPM with Serato DJ, MIDI beat clock SAVE LOOP
TIME
BEAT
TAP ON
CUE
0
DEPTH
10
LOOP SAVE
or manual Tap button. SHIFT

1 2 3 4 5 CUES 1 2 3 4 5
SHIFT
• USB Insert loop for post-fader software 4

AUX
6
PHONES
4 6
A B 1 2 3 SAMPLES 4 5 6 C D
effects for each of the two ports. 2 8 2 8
• External analog insert loop for outboard effect

0 10 0 10
LEVEL LEVEL
CUE CUE CUE
DECK 1 USB AUX DECK 2
units. LOW HIGH CUE MAIN

FILTER PAN
Main Mix section FLEXFX SPLIT CUE
• Balanced XLR Main Mix and

1/4" TRS Booth outputs.
• RCA analog Session In & Out.
Headphone monitor with split cueing.
SIXTY-TWO
9
OWNER’S MANUAL
Sixty-Two Connections
Power Supply
This mixer features an internal universal switching power supply that operates on any AC mains 100 to
240 VAC, 50 or 60 Hz (most places in the world). The universal supply is a major plus for the traveling DJ,
who only needs the right IEC line cord, available from a local electronics store. Though this mixer has turn
on/off muting, it’s smart to leave the power unplugged until everything else is connected.
Analog Inputs
Four Phono / CD inputs are provided by RCA jacks. These may be set for PH or CD using rear panel slide
switches. Analog inputs 1 and 2 are used by DECK 1. Analog inputs 3 and 4 are used by DECK 2. Analog
Input 1 or 2 may be selected in Serato DJ software as the Digital Vinyl Simulation (DVS) signal for the Left
Virtual Deck or for recording on USB stereo pair 5-6. Analog Input 3 or 4 may be selected in software as
the DVS signal for the Right Virtual Deck or for recording on USB stereo pair 7-8. Set any unused inputs to
CD. Connect your turntable ground wires to the PHONO GROUND posts on the rear when using PH inputs.
One stereo Session Input is available on a pair of RCA input jacks. This input may connect two mixers
together or as a general purpose auxiliary input to the mixer.
The Mic Input will accept an XLR 3-pin plug, a balanced ¼˝ TRS (tip-ring-sleeve) plug or an unbalanced
TS (tip-sleeve) plug. This input may be set for Microphone or Line level using the MIC - LINE switch on the
rear panel. Set this to Line when connecting a wireless receiver.
A stereo FlexFX Loop Return input is on unbalanced ¼˝ TS (tip-sleeve) jacks. These inputs automatically
switch to mono when only one cable is connected to the left or right Return input. The FlexFX Return input
is normally used along with the FlexFX Send output to connect an outboard analog effects processor.
Phono Sensitivity and Analog Insert level can be adjusted in the "Driver Control Panel" on page 24.
Analog Outputs
There are five stereo analog outputs available on the mixer:
• MAIN OUT is on a pair of balanced XLR jacks with pin 2 “hot” per AES standards.
• BOOTH OUT is on a pair of balanced ¼˝ TRS jacks.
• SESSION OUT is available on a pair of unbalanced RCA jacks.
• FLEXFX LOOP SEND output is available on a pair of unbalanced ¼˝ inch TS jacks. For a mono FlexFX Send,
use the Left output. The FlexFX Send output is normally used along with the FLEXFX LOOP RETURN input to
connect outboard effects.
• HEADPHONES output is available on both ¼˝ TRS and 3.5 mm jacks.
The Main, Booth and Session outputs arrive from the same “Main Mix” signal. Main, Booth and Session
outputs each have their own LEVEL control. Because all signals are identical, users may use any of these
outputs as the “Main” output if a different cable type is required for system connection.
Rane recommends balanced wiring for the strongest signal and rejection of hum and noise. If your
cable to the destination is less than 10 feet (3 meters), you can often get away with an unbalanced cable.
See the RaneNote “Sound System Interconnection” at rane.com for cable wiring recommendations.
MAIN OUT BOOTH OUT SESSION ANALOG INPUTS

OUT IN
RIGHT LEFT
PHONO
SIXTY-TWO GROUNDS ACN 001
U.S. PATENT 6,813,361 RIGHT LEFT 345 482
MADE IN U.S.A. RANE CORP.
100-240V 50/60 Hz 15 WATTS INPUT SELECT
4 3 2 1
FLEXFX LOOP MIC
USB B USB A RETURN SEND INPUT
RIGHT LEFT RIGHT LEFT
MIC - LINE
SIXTY-TWO
10
OWNER’S MANUAL
Two USB Ports

There are six stereo record channels and four stereo playback channels. These channels are
simultaneously available on two USB ports, allowing two computers to share the device. This allows two
DJs to play together and supports uninterrupted transitions from one DJ to another.
Rane ASIO and Core Audio drivers allow the Sixty-Two to act as a 12-record 8-playback USB sound
card for use with Serato DJ and other third-party software applications that support ASIO or Core Audio.
These drivers are multi-client, meaning they allow multiple applications on a computer to share the device
at the same time.
The Sixty-Two has two USB ports, allowing simultaneous connection of two computers. Each port
is completely independent. It is possible to run Serato DJ on one computer while running third-party
software on the other, Mac or PC. See how to share the Sixty-Two in "DJ Changeover" on page 23.
Left Virtual Deck L&R
Right Virtual Deck L&R
USB RECORD SP-6 Sample Player L&R

USB PLAYBACK
FX Return L&R
Deck 1 Record L&R
Deck 2 Record L&R
Left DVS Control L&R
Right DVS Control L&R
FX Send L&R
Main Mix Record L&R
USB Playback Stereo Pair Serato DJ Description Mixer Use

1 1-2 Left Virtual Deck Output Select as Deck 1 Source from USB A or USB B
2 3-4 Right Virtual Deck Output Select as Deck 2 Source from USB A or USB B
3 5-6 SP-6 Output Option USB AUX Source (sum of USB A & USB B)
4 7-8 FX Return to the Mixer FlexFX Insert Return (sum of USB A & USB B)
USB Record
1 1-2 Record Source Deck 1 Deck 1 Post Fader and Post Crossfader Output
2 3-4 Record Source Deck 2 Deck 2 Post Fader and Post Crossfader Output
3 5-6 Record or DVS Control for Left Deck Selects PH/CD 1 or PH/CD 2 in Control Panel
4 7-8 Record or DVS Control for Right Deck Selects PH/CD 3 or PH/CD 4 in Control Panel
5 9-10 FX Send from the Mixer FlexFX Insert Send
6 11-12 Record the Main Mix or Mic Select Main Mix or Mic in the Control Panel
SIXTY-TWO
11
OWNER’S MANUAL
Deck Input Channels

Two input channels, or buses, have nearly identical controls with the exception of the Source selectors.
Source Selector DECK 1 MIC DECK 1 DECK 2 MIX DECK

The SOURCE selector for Deck 1 selects oneBYPASS of four CLEAN FEED
PH / CD
1 2
PH / CD
3 4
4 6 4 6 4 6
A B A B
sources:
2 8 2 8 2 8
• A Left Virtual Deck (USB stereo playback
SP-6 ASSIGN ON pairOVER SP-6 ASS
4 6
1-2) from USB A. SOURCE
0
LEVEL
10 0
LEVEL
10
SOURCE
0
MAIN
10
2 8
• Also assigns the MIDI controls for the Left Deck 4 6
BACK BACK
0 10
software and Deck 1 mixer to USB LOAD A. LEVEL 2 8 LOAD
• PH / CD 1 (THRU): Set to PH or CD on the rear panel. OFF +6 OFF +6 0 10
LEFT RIGHT HIGH HIGH LEFT RIGHT SESSION OUT
• When selected in software, this input is available PAN PAN
SCROLL 4 6 SCROL
on USB record 5-6 for use as the LOOPS
DVS controlOFF
HIGH
+6
LOOPS
2 8
signal or for audio recording. To select this control
OFF +6 OFF +6 0 10
source in Serato DJ: go toAUTO
Setup >MANUAL Audio > Deck LOW
FILTER
HIGH MID MID LOW
FILTER
HIGH SESSION IN MANUAL
Setup > PGM 1 and select “1”. OFF

LOW
+6 4 6
• PH / CD 2 (THRU): Set to PH or BEATS

CD on theSELECT rear panel. 2 8 SELECT
• When selected in software, this input is available FLEXFX

OFF +6 OFF +6
FLEXFX
0 10
FLEXFX LOW LOW BOOTH
on USB record 5-6 for use as the DVS control
SYNC SYNC
LOOP IN IN
signal or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck
Setup > PGM 1 and select “2”.SYNC OFF INSERT FILTER FLANGER PHASER ECHO ROBOT REVERB EXT. INSERT SYNC O
• B Left Virtual Deck (USBROLL

stereo playback
OUT pair
BPM
1-2) from
NUDGE
USB B.
START / STOP 4 6
OUT
FLANGER +Fb
• Also assigns the MIDI controls for the Left Deck software and Deck 1 mixer BPM:120 to USB
* 1:1 B.
SLIP 2 8 SLIP
4000 ms
SAVE LOOP CUE LOOP
TIME TAP ON 0 10
The SOURCE selector for Deck 2 selects one of four sources: BEAT DEPTH
• A Right Virtual Deck (USB stereoSHIFT playback pair 3-4) from USB A. SHIFT
• Also assigns the MIDI controls for the Right 1Deck software 2 3 4
and Deck 2 5mixer CUES
to USB 1A. 2 3 4 5
• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.

AUX PHONE
• When selected in software, this 4 input 6 is available on USB record 7-8 for use as the DVS control signal 4
or for audio recording. To select
2 this8 control source in Serato DJ: go to Setup > Audio > Deck Setup > 2
PGM 1 and select “3”. 0 10 0

LEVEL LEVEL
• PH / CD 4 (THRU): Set to PH or CD with the rear panel switch. CUE CUE CUE
• When selected in software, this input is available on USBDECK record
1 7-8 for use USB
asAUXthe DVS control signal
DECK 2
or for audio recording. To select this control source in Serato DJ: go to Setup > Audio > Deck Setup >
LOW HIGH CUE
PGM 1 and select “4”. FILTER PAN
• B Right Virtual Deck (USB stereo playback pair 3-4) from USB B.
• Also assigns the MIDI controls FLEXFX
for the Left Deck software and Deck 2 mixer to USB B. SPLIT C
Level
LEVEL controls adjust the input gain from off to +15 dB. Unity gain (no boost or cut) is at 12 o’clock.
Pan
Left / Right PAN controls adjust the balance of left and right signals. Left and right are equal at 12 o’clock .
Tone Controls
HIGH, MID and LOW full-cut isolator tone controls adjust the frequency response from off to +6 dB. Unity
gain (no boost or cut) is at 12 o’clock.
SIXTY-TWO
12
OWNER’S MANUAL
DECK 1 MIC DECK 1 DECK 2 MIX DECK 2

Filter BYPASS CLEAN FEED
PH / CD
1 2 4 6 4 6
PH / CD
3 4 4 6
A B A B
The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a flat “no-filter” response. Moving
2 8 2 8 2 8
the filter toward the
SP-6 ASSIGN ON LOW position
OVER progressively reduces high frequencies. Moving the filter towardSP-6 the HIGH
ASSIGN
4 6
0 10 0 10 0 10
position progressively2
reduces
8
low frequencies.
SOURCE LEVELThe ResonanceLEVEL or Q of these
SOURCE Filters can
MAIN be adjusted on
the mixer BACKin the "Deck 1-2 Channel Options Menu" on page 21, or in the "Driver Control Panel" on page
4 6
BACK
0 10
24. HighLOADresonance LEVELadds a “zip” effect to the Filter when it is moved. Low resonance 2 is best 8 when the
LOAD
Filter is used for mixing. LEFT RIGHT

OFF
HIGH
+6 OFF
HIGH
+6
LEFT RIGHT
0 10
SESSION OUT
PAN PAN
SCROLL 4 6 SCROLL
OFF +6
FlexFXLOOPS HIGH
2 8
LOOPS
The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software
OFF +6 OFF +6 0 10
AUTO
effects via MANUAL
USB may be inserted.LOWAny MID MID
FILTER combination of Deck 1, Deck 2, Mic
HIGH LOW MANUAL
FILTERor USB Aux can be assigned
HIGH SESSION IN AUTO
OFF +6 4 6
with the option to insert
LOW internal effects, external analog effects or software effects via USB. See "FlexFX
BEATS SELECT SELECT BEATS
Loop" on page 16. 2 8
FLEXFX FLEXFX
OFF +6 OFF +6 0 10
SYNC SYNC
Channel
LOOP
Faders
IN
& Crossfader IN
DECK 1 LOOP MIC
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE PH / CD
INSERT FILTER FLANGER PHASER ECHO ROBOT REVERB EXT. INSERT BYPASS CLEAN FEED 1 2
and CONTOUR
SYNC OFF controls on the front panel. See "Magnetic Fader Maintenance" on page 34. SYNC OFF A
ROLL OUT OUT ROLL
BPM NUDGE START / STOP 4 6 SP-6 ASSIGN ON OVER
FLANGER +Fb
ChannelSLIPMeters BPM:120 * 1:1
2 8 SLIP
4 6
4000 ms SOURCE
Each
SAVE Deck channel
LOOP has a mono meter to assist in setting levels. These meters
CUE are quasi-peak LOOP
0 10
with peakSAVE 2 8
TIME TAP ON BACK
hold. Use the LEVEL controls toBEAT
stay out of the red. DEPTH 0
LEVEL
10
LOAD
SHIFT SHIFT
1 2 3 4 5 CUES 1 2 3 4 5
Headphone Cue LEFT
PAN
R
SCROLL
CUE buttons AUX assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the PHONES
OFF
HIGH
+6
LOOPS
FlexFX4 Bus 6
can be cued
A inBthe headphones
1 2 before
3 bringing
SAMPLES it 4into the
5 mix. Cue
6 controls
C D
4 6
operate
2 as solo 8 or radio-button controls. This means engaging a Headphone Cue turns 2
AUTO
8
MANUAL LOW H
FILTER
all the 0other 10 Headphone Cue controls off. You can select more than one at a time by 0 10 OFF +6
LEVEL LEVEL LOW
simultaneously pressing more than CUE one Cue. CUE CUE BEATS SELECT
• The Headphone monitor provides stereo or mono split cue operation. FLEXFX
• When set for stereo operation (SPLIT CUE dim), the Pan control pans between stereo SYNC
FLEXFX
LOW HIGH CUE MAIN
Cue and stereo Main Mix.
FILTER LOOP PAN IN
• When set for Split Cue operation (SPLIT CUE bright), the Pan control pans between SYNC OFF
INSERT FILTER
MonoFLEXFX Cue in the left ear and mono Main Mix in the right ear. ROLL SPLIT CUE OUT
BPM NUDGE S
• The Phones LEVEL control sets the volume to the headphone jacks.
• Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the SLIP
SAVE LOOP
same mix. TIME
BEAT
SHIFT
1 2 3
Aux
AUX
This digital input is on USB playback stereo pair 5-6 and is normally used for the Serato 4 6
A B 1
DJ SP-6 Sample Player. 2 8
To enable the SP-6, go to Setup > Expansion Packs > SP-6 Sample Player and check 0 10
LEVEL
the box for “Enable SP-6 Sample Player.” CUE
DECK 1
To assign the SP-6 Sample Player to AUX, click the SP-6 tab at the top of the main
software screen and select SP-6 Output as “A.”
LOW HIGH
This AUX input has it’s own LEVEL, FILTER and FLEXFX assign. CUE for AUX is in the FILTER
center just below the SAMPLES row of buttons.

The Resonance for the AUX FILTER can be adjusted in the "Driver Control Panel" on FLEXFX
page 24.
SIXTY-TWO
13
OWNER’S MANUAL
DECK 1 MIC Mic Input

DECK 1 DECK 2 MIX DECK 2
BYPASS CLEAN FEED This 1 2Mic input4 on 6a XLR/TRS
PH / CD
4
combo
6
jack 3 has
PH / CD
4 LEVEL, HIGH
4
and
6
LOW tone controls, FLEXFX
A B A B
assign and a meter. Select MIC or LINE level using the rear panel switch. LINE is usually
2 8 2 8 2 8
SP-6 ASSIGN ON
4 6
OVER correct for wireless mic receivers. SP-6 ASSIGN
0 10 0 10 0 10
2 8
• MICSOURCEON turns the LEVEL mic input on LEVELwithout ducking
SOURCE other inputs.
MAIN
BACK • MIC OVER momentarily turns the microphone on, and 4ducks 6
other inputs
BACK by 10 dB (by
0 10
LOAD LEVEL about 1/3). Releasing this button turns the mic off. 2 8 LOAD
•LEFTTheRIGHT mic section

OFF
HIGH
has options
+6 OFF
HIGH
for
+6 recording
LEFT
and MIDI.0 See
RIGHT
10 "Shift Options" on page 20.
SESSION OUT
PAN PAN
SCROLL DECK 1 MIC DECK 1 4 6
DECK SCROLL
2 MIX DECK 2
OFF +6
LOOPS HIGH PH / CD LOOPSPH / CD
2 8
Session In and Out A

B A B
OFF +6 OFF +6 0 10
AUTO MANUAL LOW HIGH MID MID LOW 2 HIGH 8 2
SESSION IN MANUAL
8 AUTO 2 8
SP-6 ASSIGN OVERON SP-6 ASSIGN
OFF +6
The SESSION IN has4 it’s6 own
FILTER level control and
FILTER may be used as a general
4 6
LOW 0 10 0 10 0 10
BEATS SELECT purpose analog2 stereo 8AUX input from RCA jacks.
SOURCE LEVEL SESSION
2
IN8 and
LEVEL
SELECTSESSION
SOURCE
BEATS
MAIN
OUT are
FLEXFXBACKtypically used to chain mixers together,
FLEXFX
though any line-level 4 6
BACK
OFF 0 +6 10 OFF +6 0 10
LEVEL
SYNC
FLEXFX deviceLOADmay be LOW connected toLOW
the Session Input and mixed BOOTH here. SYNC
2 8 LOAD
LOOP IN OFF +6 OFF +6 IN LOOP 0 10

PAN PAN
INSERT FILTER SCROLL
FLANGER PHASER ECHO ROBOT REVERB EXT. INSERT
4 6 SCROLL
Main and Booth

SYNC OFF OFF +6 SYNC OFF
LOOPS HIGH LOOPS
ROLL OUT OUT ROLL 2 8
BPM NUDGE START / STOP 4 6
FLANGER +Fb
The Main and Booth
AUTO
outputs
MANUAL
each have*their
BPM:120 1:1 own
LOW
LEVEL
HIGH
control.
OFF
MID
The Main
+6 OFF outputs
MID
+6 use
LOW HIGH
0 10
MANUAL AUTO
SLIP 2 8 SLIPFILTER SESSION IN
FILTER
balanced XLR connectors and the Booth
OFF +6
4000 msoutputs use balanced ¼˝ TRS connectors. Since 4 6
SAVE LOOP LOW CUE LOOP SAVE
TIME TAP ON 0 10
the Main, BoothBEAT and
BEATS SessionSELECT Outputs have the same Mix, you can runDEPTH
any of them to your 2 8 SELECT BEATS
SHIFT main amplifier if the proper cables are not available. FLEXFX SHIFTFLEXFX
OFF +6 OFF +6 0 10
1
The Main2 Mix section
3 4 5 FLEXFXCUES 1 2 3 LOW
SYNC has a quasi-peak stereo meter with peak hold.
4 5 LOW BOOTH SYNC
LOOP IN IN LOOP
AUX PHONES
4 6 INSERT FILTER FLANGER PHASERC ECHO 4
ROBOT 6 REVERB EXT. INSERT
Software Controls
A B 1 SYNC OFF2 3 SAMPLES 4 5 6 D SYNC OFF
DECK 1 1
DECK MIC
MIC DECK 1 1
DECK DECK 2 2
DECK MIXMIX DECK 2 2
DECK
2 8 ROLL OUT PH /PH
CD/ CD PH /PH
CD/ CD
2 8 OUT ROLL
BYPASS
BYPASS CLEAN FEED
CLEAN FEED 1 12 2 FLANGER 3 +Fb
34 4
0 10 The Sixty-Two AMixer A B has
B dedicated Serato DJ6 BPM:120
4 4 6 6 6
software
4 4
A *A controls
1:1B B for 0 the
4 4
10
6 6
LEVEL SLIP LEVEL 2 8 SLIP
SP-6 ASSIGN
SP-6 ASSIGN LeftCUE Virtual Deck and CUE
ONSAVE
ON OVER
OVER
LOOP
Right2 2Virtual8 Deck. 8 2 2The
CUE mixer 8 8 4000has ms two high-speed 2 2 8 8
CUE SP-6 ASSIGN
SP-6 ASSIGN LOOP SAVE
DECK
4 4 1 6 6 TIMEUSB AUX TAP DECK 2 ON 0 10
USB ports, USB A and USB0BEAT B.
0 Virtual
10 10 Deck0 0 and 10 10 associated Deck controls 0 0 10 10 DEPTH
SOURCE
SOURCE LEVEL
LEVEL LEVEL
LEVEL SOURCE
SOURCE MAIN
MAIN
LOW HIGH
are assigned
2 2 8 8
SHIFT to USB A or USB B using the Deck 1 and 2 SOURCE selectors. CUE
4 4 6 6
MAIN
SHIFT
BACK
BACK 1 2 3 4 BACK BACK 5
FILTER 0 When
0
LEVEL
10 10
LEVEL A is selected for the DECK 14 SOURCE, 5
the CUES
SP-6 ASSIGN 1 2 PAN
button
2 2
at 38 8
LOAD
LOAD LOADLOAD
the top of the left-hand control strip turns green to coincide with the silk-
AUX OFFOFF +6 +6 OFFOFF +6 +6 0 0 10 10 PHONES
FLEXFX screen 4 color
6 for USB
PANPAN A. When
LEFTLEFT RIGHT
RIGHT HIGH
HIGH
B is selected,
HIGH
HIGH
SP-6
PANPAN ASSIGN button
theLEFTLEFT RIGHT
RIGHT SESSION
SPLIT CUEOUTOUT
SESSION 4 6
A B 1 2 3 SAMPLES 4 5 4 4 6 66 C D
SCROLL
SCROLL SCROLL
SCROLL
turns
OFFOFF2 HIGH
HIGH
orange
+6 +6 8 to coincide with the color for USB B. 2 8
LOOPS
LOOPS LOOPS
LOOPS
When 0 10
A is selected for the DECK 2 SOURCE, the SP-6 ASSIGN button 2 2 8 8
0 10
LEVEL LEVEL
AUTO
AUTO MANUAL
MANUAL at the top of the LOWLOW right-hand
HIGHHIGH control
OFFOFF
MIDMID
+6 +6
CUE MIDMID green
stripOFFturns
OFF +6 +6
CUE to coincide
LOWLOW HIGHHIGH with 0 0
SESSION
10 10
SESSIONIN IN MANUAL
CUE MANUAL AUTO
AUTO
FILTER
FILTER FILTER
FILTER
the
OFFOFF silk-screen
+6 +6 color for USB A.DECK When
1 B is selected,
USB AUX the SP-6 ASSIGN 4 4
DECK 2
6 6
LOW LOW
BEATS
BEATS SELECT
SELECT button turns orange to coincide with the color for USB B. 2 2 8 8 SELECT
SELECT BEATS
BEATS
LOW HIGH CUE MAIN
The MIDI
FILTER controls FLEXFX
FLEXFXare only sent
OFFOFF
to
+6 +6
the selected
OFFOFF +6 +6
port, allowing
FLEXFX
FLEXFX
0 0 10 10 PAN
FLEXFX
FLEXFX LOW LOW LOWLOW BOOTH
BOOTH
SYNC
SYNC completely independent Library Browsing, Cue, Loop and Sample control SYNCSYNC
LOOP IN IN
LOOP
for each FLEXFX
USB port. MIDI controls not dedicated to a channel strip, such IN IN LOOP
LOOP
SPLIT CUE
SYNC OFFOFF
SYNC
as SP-6 INSERT
INSERT sampleFILTER
FILTER player FLANGER controls,
FLANGER PHASERare
PHASER assigned
ECHOECHO to the
ROBOT Left
ROBOT or Right
REVERB
REVERB control-
EXT.EXT.
INSERT
INSERT SYNC
SYNCOFFOFF
ROLL
ROLL OUTOUT strip using the SP-6 ASSIGN control. OUTOUT ROLL
ROLL
BPM
BPM NUDGE
NUDGE START / STOP
START / STOP 4 4 6 6
FLANGER
FLANGER+Fb
+Fb
BPM:120
BPM:120* * 1:1
1:1
SLIP
SLIP
Library Browse 4000
4000msms
8 2 2 8 SLIP
SLIP
SAVE
SAVE LOOP
LOOP CUECUE LOOP
LOOP SAVE
SAVE
BACK
TIME button:BEAT
TIME Switches
BEAT the
TAPTAP focus between the Crate and Library area0 DEPTH
ON ON in
0 10 10
DEPTH
SHIFT
SHIFT Serato DJ. If you have any panels open in Serato DJ, the BACK button will SHIFT
SHIFT
also
1 1 move 2 2the focus
3 3 between
4 4 5this
5 and
CUES the Crate
CUES 1 1 and
2 2 Library
3 3 areas.4 4 5 5
AUX
AUX PHONES
PHONES
4 4 6 6 4 4 6 6
A A B B 1 1 2 2 3 3 SAMPLES
SAMPLES 4 4 5 5 6 6 C C D D
2 2 8 8 2 2 8 8
SIXTY-TWO
0 0 10 10 0 0 10 10
LEVEL
LEVEL LEVEL
LEVEL
CUECUE CUECUE CUECUE
DECK 1 1
DECK USBUSB
AUXAUX DECK 2 2
DECK
14 LOWLOW HIGHHIGH CUECUE MAIN

MAIN
FILTER
FILTER PANPAN
OWNER’S MANUAL
SCROLL / LOAD encoder: Rotate the knob to scroll through the Crate / Library panel currently in focus. When
the focus is in the Crate area, pressing the knob displays the contents of the selected Crate and moves
the focus into the Library area. When the focus is in the Library area, pressing the knob loads the selected
track to the Virtual Deck. Double-pressing will load an instant double to this Deck from the opposite Deck.
Loops Manual / Auto

MANUAL / AUTO button DECK
toggles
1 the state
MICof the Loop controls DECK 1 between Manual and Auto
DECK 2 Loop mode. In MIX DECK 2
light green
Manual mode, the LOOP buttonsBYPASS CLEAN FEED
to correspond
PH / CD
1 2 with
4
the
6
green
4
lines
6
by the LOOP
PH / CD
3 4 controls.
4
In 6
A B A B
Auto mode, the buttons are lit orange to correspond with the orange lines.
2 8 2 8 2 8
4 6
0 10 0 10 0 10
Manual Loop Controls 2 8
SOURCE LEVEL LEVEL SOURCE MAIN
When Manual Loop mode BACK
is selected, loop control buttons are illuminated green. Loop buttons flash 4 6
BACK
0 10
during loop playback. LOAD 1
DECK
LEVEL
MIC DECK 1 DECK 2 2
MIX 8 LOAD 2
DECK
SELECT - Selects a loop slot in SeratoBYPASS
DJ when
CLEAN FEED
the encoder
PH / CD
LEFT 1 2 RIGHT
is
OFF pressed.
4 HIGH 6
+6 OFF
4 HIGH 6
+6
PH / CD
LEFT 3 4 RIGHT
0
4
10
6
A PAN B A PAN B SESSION OUT
IN - Sets a loop in point.
SCROLL 4 6 SCROLL
OFF +6 2 8 2 8 2 8
OUT - Sets a loop outSP-6point.
ASSIGN
LOOPS
ON HIGH OVER
4 6 2 8
SP-6 ASSIGN
LOOPS
0 10 0 10 0 10
LOOP - Turns a loop on or off. 2 8
OFF +6 OFF +6 0 10
AUTO MANUAL LOW HIGH MID MID LOW HIGH 4
SESSION 6IN MANUAL AUTO
BACK FILTER FILTER BACK
0 10
Auto Loop Controls LOAD LOW
OFF LEVEL +6 2
6
8
4
LOAD
When Auto loop mode is selected, loop control buttons are OFFilluminated
+6 orange.
OFF +6
2
0 10
8
FLEXFX FLEXFX
BARS - Selects the auto loop
SCROLL
length in
FLEXFX
Serato DJ. This
PAN
can be
OFF adjusted
LOW
+6 while
OFF
LOW an
+6 auto loop PAN
is already 0
4BOOTH6
10
SCROLL
SYNC OFF +6 SYNC
looping as an effect.
LOOP
LOOPS
IN
HIGH
2 8 IN
LOOPS
LOOP
LOOP - Performs an auto loop of the number of Bars selected.
OFF +6 OFF +6 0 10
ROLL - Performs aAUTO
loopSYNCroll
MANUAL INSERT FILTERLOW
OFF of the number of Bars selected.
FILTER
FLANGER
HIGH PHASER
MID ECHOMID ROBOTLOW
FILTER
REVERB
HIGH EXT. INSERT
SESSION IN MANUAL SYNC OFF AUTO
4 6
SAVE - Saves the current
ROLL loop
OUT to an
OFF
available
LOW
BPM
+6
loop
NUDGE slot in Serato
START / STOP DJ.
FLANGER +Fb 4 6
OUT ROLL
BEATS SELECT 2 8 SELECT BEATS
BPM:120 * 1:1
SLIP 2 8 SLIP
FLEXFX 4000 ms FLEXFX
Cues / SamplesSAVE control LOOP FLEXFX
OFF
LOW
+6 OFF
LOW
+6
CUE
0 10
LOOP SAVE
SYNC TIME TAP ON 0 BOOTH10 SYNC
The center CUES / LOOP
SAMPLES button IN
toggles the ten
BEAT buttons between CUES and SAMPLES modes. DEPTH
IN LOOP
In CUES mode, the CUES
SHIFT SHIFT
1 2 3 4 5 CUES 1 2 3 4 5
/ SAMPLES button is orangeSYNC OFF
and the Cue buttonsROLL are OUT

AUX BPM NUDGE START / STOP
FLANGER +Fb 4 6
OUT
PHONES
ROLL
green. There are five4 Cue SLIP

6
A B 1 2
BPM:120
3
* 1:1 4
SAMPLES 5 6 C 2 D 8
4
SLIP
6
4000 ms
buttons dedicated 2to the 8
SAVE LOOP CUE 2
LOOP 8
SAVE
TIME TAP ON 0 10
Left Virtual Deck and0 five10 dedicated to the Right BEAT Virtual Deck, numbered above each button. DEPTH
0 10
LEVEL LEVEL
In SAMPLES mode, SHIFTthe
CUE CUE CUE
SHIFT
1 2 3 1
DECK 4 5 CUES
USB AUX 1 2 DECK3 2 4 5
CUES / SAMPLES button is
red, the four Bank buttons AUX PHONESMAIN
LOW HIGH CUE
A, B, C and D are orange 4FILTER6
4 PAN 6
and the six Sample2 buttons 8 2 8
are green. Sample buttons0FLEXFX10 are assigned to USB A or USB B using the SP-6 ASSIGN button at the top of 0
SPLIT CUE10
LEVEL LEVEL
each control strip. CUE CUE CUE
Cue Points
LOW HIGH CUE MAIN
In CUE mode, you can set and trigger five cue points for each Virtual Deck using the Cue buttons. If a
FILTER PAN
Cue is set in Serato DJ, a Cue button is lit bright green, and pressing it will trigger the corresponding
Cue point in Serato DJ.FLEXFXIf a corresponding Cue point is not set, the button will be dim and pressing it will SPLIT CUE
set a new cue point. Hold SHIFT and press a Cue button to delete a cue. See Cue Points in the Serato DJ
Manual.
SIXTY-TWO
15
OWNER’S MANUAL
Sample Player (SP-6) Triggers

In SAMPLES mode, you can trigger six samples in each of four banks. Select Bank A, B, C or D. An
orange Bank button is brightly lit if any of the six slots in that bank have a track loaded, and that Bank
is currently selected. When a bank is selected, any green Sample button with a track loaded in the
corresponding slot is brightly lit. The button flashes while it’s sample is playing. The Play behavior follows
the behavior selected in Serato DJ. Sample playback can be assigned to the Left Virtual Deck, Right
Virtual Deck or USB AUX. The Sixty-Two has a dedicated USB AUX input for the sample player typically
used for SP-6 playback. When two USB ports are in use, the SP-6 ASSIGN button at the top of each control
strip determines to which computer the SP-6 player controls are assigned. Audio from both USB ports is
summed in the mixer.
FlexFX Loop
The FlexFX Bus in the Sixty-Two works differently than a typical effects insert loop. This architecture
opens up many new possibilities not possible with simple effect insert designs found on other mixers.
The FlexFX Bus is more like an auxiliary bus that can have multiple signals assigned to it. Signals
assigned to the bus may then have internal effects, external analog effects and external USB effects
applied in any combination. The order of processing in the FlexFX Bus is shown in the graphic below.
1 2 3 4
DECK 1 FLEXFX
EFFECTS ENGINE SEND
RIGHT LEFT A
DECK 2 FLEXFX FILTER FLANGER PHASER SEND 6

B
ECHO ROBOT REVERB FLEXFX ON
EXT. INSERT
MIC FLEXFX FLANGER +FB
BPM:120 * 4:1
INSERT
2000 MS SEND BYPASS
SEND Main
RETURN
AUX FLEXFX
4 6
A RETURN Mix
2 8
ON
TIME BEAT
0
DEPTH
10 B RETURN
RETURN
B
RIGHT LEFT
CUE Cue
TAP ON RETURN Bus
A
5
1. FLEXFX buttons for DECK 1, DECK 2, MIC and AUX assign signals to the FlexFX Bus (bright blue) or
the Main Mix (dim blue). This allows assigning multiple inputs to the FlexFX Bus and/or changing the
assignment without interrupting audio.
2. The six effect buttons both turn on and sync an internal effect. By keeping this separate from the
effects ON button, it is possible to turn on, sync and cue effects before you hear the wet signal in the
Main Mix. Only one internal effect is selected at a time. Having six independent buttons, it is possible to
drum in different effects without interruption.
3. EXT. INSERT is turned on/off with a separate button. The external analog insert can be used with internal
effects and the INSERT or independently. NOTE: If no external connection is made to the FLEXFX
LOOP RETURN jack, the signal will be interrupted when the EXT. INSERT button is turned on.
SIXTY-TWO
16
OWNER’S MANUAL
4. The INSERT is turned on/off with a separate button, and can be used with internal effects, the EXT.
INSERT or independently. The INSERT uses USB record pair 9-10 for the Send and USB playback pair
7-8 for the Return. Using the INSERT generally requires a low-latency driver control panel setting.
NOTE: Assign a Deck channel or signal to FLEXFX before engaging the INSERT button to avoid
audible artifacts.
5. The FlexFX CUE is after the internal effects insert,
PH / CD analog external insert, USB insertPHand
/ CD before the
A B A B
effects ON function. This allows cueing a Wet signal while listening to the Dry signal before turning the
effect ON. SP-6 ASSIGN ON OVER
2 8 2 8 2 8
SP-6 ASSIGN
4 6
0 10 0 10 0 10
2 8
6. When effect ON is not engaged, internal effects insert, analog external insert and USB insert points
4 are
6
BACK BACK
bypassed, and any LOAD
signal assigned
0
LEVEL to the FlexFX Loop is simply summed into the Main Mix. This
10
2 allows 8 LOAD
you to CUE the wet signal before the wet signal is heard inOFFthe Main
+6
Mix.
OFF +6 0 10
PAN PAN
SCROLL 4 6 SCROLL
Internal Audio Effects LOOPS
OFF
HIGH
+6
LOOPS
2 8
The internal effects engine is in the FlexFX Loop. This allows any combination of DECK 1, DECK 2, MIC and
OFF +6
AUX to be assigned
AUTO to an effect. IndividualLOWeffects
MANUAL
FILTER
HIGH are turned
MID on/off OFFusing
MID
+6
the six
LOW effects
FILTER
HIGH
0
buttons.
SESSION
10
EXT.
IN MANUAL AUTO
INSERT and INSERT are also engagedOFF

LOW
+6 independently. The FlexFX Loop (which includes the External 6 4
Insert and the USBBEATSInsert) is turned On/Off with the FlexFX ON button (off bypasses the loop).
SELECT 2 8 SELECT BEATS
FLEXFX FLEXFX
OFF +6 OFF +6 0 10
The six built-in effectsSYNC
are: SYNC
LOOP IN IN LOOP
• FILTER • FLANGER
• PHASER • HOLD ECHO
SYNC OFF
• ROBOT • REVERB
ROLL OUT
OUT ROLL
FLANGER +Fb
BPM:120 * 1:1
SLIP 2 8 SLIP
General Behavior SAVE LOOP CUE
4000 ms
LOOP SAVE
TIME TAP ON 0 10
• The effect multiplier is BEAT DEPTH
saved for each effect. SHIFT SHIFT

1 2 3 4 5 CUES 1 2 3 4 5
• Changing BPM for one
effect changes the BPM for all effects.
AUX PHONES
• Tapping the BPM requires
4 6 at least two taps. 4 6
• Changing the BEAT 2 multiplier 8 results in an immediate change in the effect time. 2 8
• Changing the effect 0

BPM 10
adjusts the multiplier for other effects so that the new multiplier is as close as 0 10
LEVEL LEVEL
possible to the saved effect time. CUE CUE CUE
Echo Effects
Echo is an audio effect
LOW
FILTERwhich records an input signal and then plays it back after a period of time. The
HIGH CUE
PAN
MAIN
delayed signal may be played back multiple times to create the sound of a repeating, decaying echo. The
amount of recirculationFLEXFX
determines the echo decay rate. There are four available Echo options: SPLIT CUE
• Echo: No feedback filter and adjustable recirculation 0 to 70%.
• Duck Echo: Adjustable feedback filter and adjustable recirculation 0 to 70% (see Duck Echo below).
• Low-Cut Echo: Adjustable feedback filter and adjustable recirculation 0 to 70%.
• Low-Cut Hold Echo: Adjustable feedback filter and adjustable recirculation of 0% to 100%.
The feedback-filter types help reduce the “muddy” sound that can result when using a lot of
recirculation. The type of Echo is selected in the menu on the mixer in the "Echo Effect Options Menu" on
page 20, or in the "Driver Control Panel" on page 24. Operation of the Echo controls is detailed in the
"Effects Parameter Table" on page 19.
Duck Echo uses a high-pass feedback filter like the Low-Cut Echo. In the presence of signal, the Duck
Echo operates 100% dry (no echo is heard). When signal is removed, the delay is enabled and operates
according to the DEPTH knob setting just like the standard High-pass Echo. This is great for having a song
echo out regardless of what terminates play (fader cut, song ends filter cut etc.).
SIXTY-TWO
17
OWNER’S MANUAL
Effects Display, BPM Source and Match Indicator

The effects display shows the name of the
current effect, BPM, MIDI Beat-Clock source, effect name
Beat Multiplier and Time. A bar graph represents
the effect time relative to its range. If no effect BPM PHASER *, S, A, B
is selected, the information for the last effect is BPM:120 * 4:1
displayed. The display for the Robot and Reverb is 2000 ms
somewhat different. time multiplier
L2 L3
There four possible BPM sources:
(*) Manual Tap Deck 1 Layer time range Deck 2 Layer
(S) Serato DJ
(A) USB A Beat-Clock,
(B) USB B Beat-Clock.
To change the BPM source, press and hold the TAP button and use the BEAT joystick to step through the
sources. If a new BPM is manually tapped in or the time is manually altered, the BPM source returns to (*)
Manual.
The effect time is normally a product of the BPM and the Beat Multiplier. If the right arrow  or left arrow
 appears, there is an inequality between the BPM*Beat and Time. The arrow indicates which way to
adjust the Beat Multiplier to correct the inequality and get the closest possible time. If the BPM source is
displayed (*, S, A, B), the BPM*Beat matches the displayed Time.
For example, 120 BPM with a 4:1 Beat Multiplier would result in an effect Time of 2000 ms. If the Time is
adjusted to a different value, such as 2097 ms, an arrow indicates that the product of the displayed BPM
and Beat Multiplier does not result in the displayed effect Time. For this example, 2000 ms is below 2097
ms. In this case, moving the BEAT joystick left or down snaps to 120 * 4:1 and changes the time to 2000
ms.
A flashing Beat Multiplier indicates that the Time required to match the current BPM*Beat product is out
of range. For an echo example, if a BPM of 60 is used with a Beat Multiplier of 8, the resulting time is 8000
milliseconds. If the multiplier is set to 16, the resulting time would be 16000 milliseconds, which is out of
range. In this case, the time remains at 8000 milliseconds and the multiplier flashes.
Effects Synchronization
This mixer can synchronize its internal effects to four sources as described in the preceding section. The
desired clock source is selected by holding down the TAP button and pushing the BEAT joystick up/right or
down/left. The selected source (*, S, A, B) is displayed just following the BPM number. Manually tapping a
BPM forces the selection to (*) Manual.
Pressing a FLEXFX button with no other FLEXFX button engaged, with a BPM-tagged song playing in
Serato DJ on that channel, forces the clock source to (S) Serato DJ. The mixer will continue to track the
Serato DJ BPM until a new BPM is manually tapped or a new clock source is selected. When one of S,
A, or B is selected, the clock source indicator will flash when the mixer is actively following the selected
clock.
At any point the BPM and BPM source can be locked. By clicking in on the BEAT joystick, the current
BPM is frozen and the BPM source is set to (*) Manual and locked. The BPM label on the display flashes
to indicate that the BPM source has been locked. The mixer will not change the BPM or BPM source until
the user manually enters new BPM or time information, changes the BPM source, or unlocks the BPM by
clicking in once more on the joystick.
Regardless of the clock source, the mixer broadcasts the current MIDI Beat-Clock to both USB ports
when the Send MIDI Beat Clock option is selected in the MIDI Configuration page of the driver control
panel. Both USB ports will also echo out any system real-time messages from the host computer.
SIXTY-TWO
18
OWNER’S MANUAL
Effects Parameter Table
Effect Depth Knob Time Encoder Tap Button Beat Joystick Shift or Control
Panel Option*
BEAT adjusts the BPM High-Pass Filter with
TIME adjusts the LFO multiplier to change the low or high frequency
time independent of The TAP button number of bars. sync.
Filter
the current BPM and manually enters
Beat Multiplier. a new BPM. Up increases the multiplier, Low-Pass Filter with low
and down decreases the or high frequency sync.
Holding down the TAP A minimum multiplier.
DEPTH adjusts the Flanger with positive
button and turning the of two taps is
strength of the effect. feedback.
TIME encoder adjusts required to get Available multiplier values
Flanger the BPM. a new BPM. are: 1/16, 1/8, 1/4, 1/2, 3/4,
1/1, 2/1 4/1, 8/1, 16/1, 32/1 Flanger with negative
Pressing the TIME Manually and 64/1. (No 64/1 in Echo.) feedback.
encoder re-syncs the tapping in a
Phaser effect. BPM switches Press in on the BEAT joystick None
the BPM source to Lock the current BPM.
to (*) Manual. This prevents the current
DEPTH adjusts the TIME adjusts the BPM from changing until
amount of echo length of the recorded Pressing the you manually change the
recirculation, which sample used by the TAP button and BPM, Time, BPM Clock
tilting the BEAT Source, or click the Beat Echo: No feedback
in turn affects how echo.
joystick up/right Joystick button again to filter. Recirculation is
quickly the echo
or down/left unlock it. Locked BPM is adjustable 0-70%.
effect decays. Holding down the TAP
The amount of button and turning the selects the BPM indicated by “BPM” flashing
source. in the display. Duck Echo: Feedback
recirculation varies TIME encoder adjusts
The source is filter adjustable
with the echo options the BPM.
shown in the Hold down the FILTER button from 20 Hz to 10
selected (see last
mixer display and toggle the BEAT joystick kHz. Recirculation is
column). Setting the Pressing the ECHO
after the BPM to scroll through Filter types. adjustable 0-70%.
control to minimum button clears the
or “0” results in a echo. Time range is 1 number:
Echo Dry signal with the ms to 10920 ms. (*) Manual Tap Hold down the FLANGER Low-cut Echo:
(S) Serato DJ button and toggle the BEAT Feedback filter
minimum recirculation
(A) USB A Beat- joystick to switch between ± adjustable from 20 Hz
setting. Setting the Hold down the ECHO
Clock, feedback. to 10 kHz. Recirculation
control to maximum button and turn the
(B) USB B Beat- is adjustable 0-70%.
or “10” results a Wet TIME encoder to adjust
signal with maximum the filtered echo Clock. Hold down the ECHO button
and toggle the BEAT joystick Low-cut Hold Echo:
recirculation. frequency.
to scroll through Echo types. Feedback filter
adjustable from 20 Hz
When either Hold Echo option is selected, it is possible to suspend an echo. To engage
to 10 kHz. Recirculation
suspend, press the TIME encoder. The ECHO button flashes, indicating that suspend is active.
is adjustable 0-100%.
Suspend terminates input to the delay memory while continuing to play delay memory
indefinitely. Press the TIME encoder again to terminate suspend. If you want a suspended echo
to gradually decay, turn the DEPTH knob CCW. If you want the decay to stop, turn the DEPTH knob
back to or above where it was at when suspend was engaged.
TIME adjusts the % of
pitch shift, shown by
DEPTH adjusts the wet/ the bar in the display.
TAP does not Adjusts the pitch up/right or
Robot dry mix and warble of None
affect the robot. down/left in 20% steps.
the robot. Pressing the TIME
encoder resets pitch
shift to 0%.
*Effect options are
Adjusts the % of
Adjusts the decay time up/ available in the "Shift
Adjusts reverb reverb decay time, TAP does not
Reverb right or down/left in 10% Options" on page 20
intensity. shown by the bar in affect reverb.
steps. or in the "Driver Control
the display.
Panel" on page 24.
SIXTY-TWO
19
OWNER’S MANUAL
Shift Options
Several menus are available on the mixer to set preferences. Available menus are indicated with a gray up
 arrow. To select a menu, press and hold the SHIFT  button and then press the desired menu key.
Note: the Shift button may be labeled as the Delete button on older Sixty-Two Mixers.
Ext. Insert Options Menu

This menu sets the sensitivity of the external
SHIFT EXTERNAL INSERT
analog insert to +4 dBu or -10 dBV. Use the
+4 dBu setting when a device operating at … +4 dBu
4 Vrms or more is connected to the external EXT. INSERT -10 dBV
FlexFX Loop. Use the -10 dBV setting when
connecting lower voltage devices with RCA
connectors. The overall loop gain remains unchanged for both settings. Push the BEAT joystick up/down to
select the desired setting then press the joystick in to keep the selection. Press any effect button or the
SHIFT button to exit the menu.
Filter Effect Options Menu

The Filter menu allows choosing one of four
SHIFT LP FILTER LO
filter types. Move the BEAT joystick up/down
to select the desired filter type then press the … LP FILTER HI
joystick in to keep the selection. The Low-sync FILTER HP FILTER LO
Filters sync to BPM at the low point of the
HP FILTER LO
sweep, and the High-sync Filters sync to BPM
at the high point of the sweep. Press any effect button or the SHIFT button to exit the menu.
• Low-pass Filter Low-sync.
• Low-pass Filter High-sync.
• High-pass Filter Low-sync.
• High-pass Filter High-sync.
Flanger Effect Options Menu

The Flanger menu allows the choice of positive
SHIFT FLANGER -Fb
or negative feedback. Move the BEAT joystick
up/down to highlight the desired feedback … FLANGER +Fb
type then press the joystick in to keep the FLANGER
selection. Press any effect button or the SHIFT
button to exit the menu.
Echo Effect Options Menu

The Echo menu allows selection of four echo
SHIFT ECHO
effects:
• Echo. … ECHO 81 Hz
• Echo with high-pass filter. ECHO DUCKECHO 75 Hz
• Duck Echo.
HD ECHO 120 Hz
• Hold Echo with high-pass filter.
Move the BEAT joystick up/down to highlight the desired echo type then press the joystick in to
keep the selection. For the three high-pass Echo effects, the filter corner frequency is adjusted
by highlighting the desired effect and rotating the TIME encoder. Press any effect button or the
SHIFT button to exit the menu.
SIXTY-TWO
20
OWNER’S MANUAL
Deck 1-2 Channel Options Menu

A menu is available for each deck input channel.
SHIFT … REC PH/CD-1
Press and hold the SHIFT button then press the
CUE button of an input channel. This menu allows REC PH/CD-2
you to select 1 of 2 USB record sources and set CUE FILTER RESONANCE
the resonance of the Filter. Record options are:
• Pre-selector PH/CD 1 input source (required for DVS).
• Pre-selector PH/CD 2 input source.
Move the Beat joystick up/down to highlight the desired record source, then press the joystick
in to keep the selection. The PH/CD input must be selected for DVS operation.
Resonance is shown on the bar graph, and adjusted with the TIME encoder.
High resonance results in a zippy whistle sound with high peaking of the signal at the corner
frequency. High resonance is typically used as an effect. A low resonance settings has no peaking and is
typically used for mixing. Press any effect button or the SHIFT button to exit the menu.
Mic Option Menu

SHIFT CLEAN FEED
RECORD MAIN
HOLD button to view the Mic option menu. RECORD MIC
• Record the Main Mix to USB. OVER CLEAN FEED
• Record only the Mic to USB.
• Clean Feed:
When Clean Feed is selected, the microphone signal is sent directly to the Main Out and is not present in
the USB Main Record, Booth Out or Session Out. When set for Clean Feed, the Mic cannot be assigned
to FlexFx. If the Mic FlexFx is pressed, the button will blink off to dim.
Mic Bypass Mode

SHIFT BYPASS
All controls on the mixer are MIDI mappable,
including the Mic sections. If you do not use
the Mic sections, you can independently ON
bypass the controls so they do not affect
audio, and only output their MIDI changes. This allows you to map the Mic controls to functions in
software, such as effects, and not have to worry about introducing noise in your mix from a floating
Mic input. To toggle Mic Bypass Mode, hold the SHIFT button and press the Mic ON button to bypass.
The button will start flashing lightly, indicating those audio controls are now bypassed and are only
outputting MIDI changes. The Mic On and FlexFX buttons, as well as the Level, Pan, and Tone controls
are affected by this mode. While bypassed, the FlexFX and Mic On buttons will flash with momentary
button presses, but the LED state cannot be set from software like the side strip controls. Holding the
SHIFT button and pressing the Mic ON button again will exit Mic Bypass Mode, returning the Mic section to
regular operation. The Mic ON button will return to the “off” state. Be sure to reset the Level, Pan, and Tone
controls to appropriate values before switching the Mic back on.
Headphone Tone Control

SHIFT
SPLIT CUE button to call the headphone menu. HEADPHONE TONE
Turn the Time encoder up or down to adjust the SPLIT CUE LOW HIGH
tone. For larger steps, you can press the joystick
left/right. When the bar-graph is in the center,
the response is flat. As the control is moved toward Low, low frequencies are boosted and high
frequencies are cut. As the bar-graph moves toward High, high frequencies are boosted and
low frequencies are cut.
SIXTY-TWO
21
OWNER’S MANUAL
Mixer Shift Functions

In addition to the menu selections, the Shift button also accesses alternate functions for other buttons.
MIDI Start/Stop START / STOP

Hold the SHIFT button and press TAP to toggle SHIFT
MIDI Start/Stop messages. MIDI Start is a
system real time message instructing devices TAP
to start playing a sequence. MIDI Stop tells
devices to stop playing the sequence.
Nudge
Hold the SHIFT button and use the BEAT joystick SHIFT
to “Nudge” the outgoing MIDI beat clock BPM
up or down. MIDI beat clock is a system real
time message sent 24 times per quarter note.
BPM Adjust
Hold the SHIFT button and turn the TIME SHIFT
encoder to adjust the BPM to a specific value.
Sync
Hold the SHIFT button and press SYNC to SYNC
turn Sync on for a Deck. If Sync is already LOOP IN

on, pressing Shift/Sync again re-syncs
the Deck. Press SHIFT and SYNC OFF to SYNC OFF
turn Sync off. See Sync in the Serato DJ
ROLL OUT
manual.
Slip SLIP
Hold the SHIFT button and press SLIP to SAVE LOOP

toggle Slip On or Off. When Slip Mode is
active you can manipulate the audio as SHIFT
normal (e.g., Scratch, Loop, Cues etc.).
However, once you have finished, playback
is returned to where it would be if you had
not manipulated the audio. See Slip in the
Serato DJ manual.
SIXTY-TWO
22
OWNER’S MANUAL
DJ Changeover
The Sixty-Two allows two computers
running Serato DJ to connect to the
mixer simultaneously. This allows
two DJs to play at the same time and
for easy DJ set changeover. USB USB
Connect both computers to the

two USB ports on the Sixty-Two. For
each channel on the mixer, set the
DECK SOURCE to either A or B
depending on which your computer
is connected to. CD CD
OUT OUT
NOTE: If a channel is in use by

a computer already, the second MAIN
computer’s Virtual Deck will TURNTABLE OUT GROUND AMPS GROUND TURNTABLE OUT
become black and display IN USE. DECK 1

BYPASS
MIC
CLEAN FEED
PH / CD
1 2
DECK 1 DECK 2
PH / CD
3 4
MIX DECK 2
4 6 4 6 4 6
A B A B
2 8 2 8 2 8
4 6
0 10 0 10 0 10
2 8
4 6
BACK BACK
0 10
LOAD LEVEL 2 8 LOAD
When a Deck channel is assigned to

OFF +6 OFF +6 0 10
PAN PAN
SCROLL 4 6 SCROLL
OFF +6
LOOPS HIGH LOOPS
2 8
OFF +6 OFF +6 0 10
FILTER FILTER
OFF +6 4 6
LOW
a USB port with the SOURCE selector,

2 8
FLEXFX FLEXFX
OFF +6 OFF +6 0 10
SYNC SYNC
LOOP IN IN LOOP
SYNC OFF
ROLL OUT OUT ROLL

both MIDI and audio are assigned to

SLIP 2 8 SLIP
SAVE LOOP CUE LOOP SAVE

TIME TAP ON 0 10
BEAT DEPTH
SHIFT SHIFT
1 2 3 4 5 CUES 1 2 3 4 5
the A or B port. MIDI assignment for

AUX PHONES
4 6 4 6
2 8 2 8
0 10 0 10
LEVEL LEVEL
CUE CUE CUE
Deck 1 and Deck 2 mixer controls

LOW HIGH CUE MAIN
FILTER PAN
FLEXFX SPLIT CUE
and the associated side control strip

follow the SOURCE selection. The color
of the SP-6 ASSIGN button at the top
of each control strip follows the USB port assignment made by the SOURCE selector: green for USB A and
orange for USB B. Pressing the SP-6 ASSIGN button assigns sample player controls to the indicated port. It
also assigns other mixer MIDI. See "Software Controls" on page 14.
NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore,
the mixer may replace control source and effect settings in Serato DJ or software control panels
with current mixer settings.
Swapping between two DJs is now easier than ever! With a computer already connected to the Sixty-Two
and playing, do the following:
1. Connect the second computer to the unused USB port on the Sixty-Two.
2. Switch the DECK SOURCE on the non-playing mixer channel to the USB source of the second computer.
3. Play a track on this Deck and mix it in when ready — you’ll now have audio from both computers in the
mix.
4. Fade out the audio playing from the first computer to the audio playing from the second computer.
5. When only audio from the second computer is left in the mix, remove the first computer.
6. Assign the DECK SOURCE for the remaining free mixer channel to the second computer and keep rocking.
SIXTY-TWO
23
OWNER’S MANUAL
Driver Control Panel

ASIO (Windows)
The Sixty-Two comes with a low-latency ASIO device driver on the installation CD to interface with
Serato DJ and other 3rd-party software applications on Windows operating systems. Multi-client ASIO
allows different audio software applications to simultaneously stream audio to and from the Sixty-Two.
If the same playback channel is selected in more than one application, the driver mixes the audio from
the applications before streaming it to the device. The driver Control Panel may be launched from the
Windows Control Panel. Select Start > Control Panel > Rane Sixty-Two. It can also be launched from
within Serato DJ in the Audio tab of the Setup screen.
Core Audio (Macintosh)

The Sixty-Two uses a low-latency Core Audio device driver on the installation CD to interface with Serato
DJ and other 3rd-party software applications on Macintosh operating systems. Core Audio allows audio
software applications to simultaneously stream audio to and from the Sixty-Two. To launch the Sixty-Two
driver Control Panel, open the System Preferences window. Locate the Sixty-Two in the “Other” section
and click the Sixty-Two icon.
NOTE: Settings are saved in the mixer. The control panel for Windows or Macintosh is updated with the
mixer’s settings. Therefore, when you connect to a different Sixty-Two Mixer, it's saved settings override
your previous Control Panel settings.
The control Panel consists of four pages: Preferences, Program Inputs 1-2, Effects and MIDI. The current
page title is in the top center. To move between the four pages, click the icon with the next title in the
upper left-hand corner of the control panel.
Preferences page controls

• USB-6 (11-12) Record source: Two radio
buttons select the Main Mix or Mic.
• USB-3 (5-6) Filter Resonance: Slider adjusts
the resonance from Low to High for the AUX
Filter.
• USB Port Status: Indicates active USB port(s).
• Buffer Size: The Buffer Size control allows the
USB driver buffer to be increased or decreased.
The Sixty-Two drivers are designed to run
at latencies as low 8 milliseconds. However,
computer performance and available resources (number of applications running) may adversely
affect the computer’s ability to stream audio reliably. If pops and clicks are heard in the USB audio,
try increasing the buffer size to eliminate them. With ASIO, total round-trip latency is equal to Buffer
Size plus device latency. With Core Audio, total round-trip latency is equal to Buffer Size plus software
application buffer latency, plus device latency. Device latency is 2.26 ms.
• Update Device Firmware: This panel indicates the firmware version currently installed in the Sixty-Two.
If the Sixty-Two firmware installed on your computer is newer than the firmware in your Sixty-Two, the
Update Device Firmware panel is enabled. Pressing the Update Firmware button updates the Sixty-Two
firmware to the newer version.
SIXTY-TWO
24
OWNER’S MANUAL
Deck Inputs 1-2 Page Controls

There is one panel for each channel strip on the
mixer. Each Deck panel controls these functions:
• Analog Input Source: The analog input for each
channel may be set for Line level (CD) or Phono
level (PH) using a switch on the rear of the mixer.
PH/CD 1 and PH/CD 2 are associated with Deck
1. PH/CD 3 and PH/CD 4 are associated with
Deck 2. The control panel shows the input mode
selected on the mixer for each of the four inputs.
The mode can only be changed on the mixer.
• Phono Sensitivity: If Phono Input is selected on the mixer, the Phono Sensitivity adjustment appears in
the panel. Click the down-arrow to display a list of 16 sensitivity settings between 2.5 mV and 10 mV in
0.5 mV steps. The default is 5 mV. Set the Phono Sensitivity to the same level of your cartridge (see your
cartridge documentation for the correct value). Another method is to match the level of a CD on another
input.
• Filter Resonance: Each channel of the Sixty-Two has a Filter knob that provides High- and Low-Pass
filtering. Filter resonance controls the “peak” of the filter cutoff frequency. The Low setting provides the
smoothest Filter without adding gain. The High setting adds accent to frequencies near the Filter cutoff
point by adding about 12 dB of gain. Adding gain in a narrow region around the cutoff frequency adds a
“zip” effect to audio as the Filter is swept. The default is 5 dB.
• USB-3 (5-6) Record Source: This control allows users to select one of two analog sources as the vinyl
emulation or USB record source for Deck 1. The two radio buttons allow the user to select PH/CD 1 or
PH/CD 2. The post Deck 1 fader signal is always available for recording on USB 1 (1-2) record.
• USB-4 (7-8) Record Source: This control allows selecting one of two analog sources as the vinyl
emulation or the USB record source for Deck 2. The two radio buttons allow the user to select PH/CD 3
or PH/CD 4. The post Deck 2 fader signal is always available for recording on USB 2 (3-4) record.
Effects Page Controls

The Filter panel has four radio buttons allowing
users to select filter type and sync mode:
• High-Pass Filter with high-frequency sync.
• High-Pass Filter with low-frequency sync.
• Low-Pass Filter with high-frequency sync.
• Low-Pass Filter with low-frequency sync.
The Flanger panel has two radio buttons allowing
users to select one of two feedback modes:
• Positive feedback.
• Negative feedback.
The Echo panel allows users to select one of four echo modes:
• Echo with no feedback filter and adjustable recirculation 0 to 70%.
• Duck Echo: Feedback filter adjustable from 20 Hz to 10 kHz. Recirculation is adjustable 0-70%.
• Low-Cut Echo with adjustable feedback filter and adjustable recirculation 0 to 70%.
• Low-Cut Hold Echo with adjustable feedback filter and adjustable recirculation of 0% to 100%.
• The sliders in the control panel set the low-cut filter cut off frequency.
Default Effects settings are:
• Low-Pass Filter with high-frequency sync.
• Flanger with positive feedback.
• Echo with no feedback filter.
• Echo filter frequencies default to 82 Hz.
SIXTY-TWO
25
OWNER’S MANUAL
The Analog Insert panel has two options:

• +4 dBu
• -10 dBV
We recommend the +4 dBu setting unless you insert a low-voltage device, in which you should use the
-10 dBV setting.
MIDI Configuration Page:

• When Receive MIDI Beat Clock is checked,
the mixer receives MIDI Real Time System
Messages.
• When Send MIDI Beat Clock is checked, the
mixer sends MIDI Real Time System Messages.
• When User Button Lighting is checked, the
mixer will not automatically light button LEDs for
momentary presses. Enable this option if you
wish to send MIDI commands to the mixer from
third-party software to control button LEDs.
Factory Defaults
To reset the Sixty-Two Mixer’s:
• Record/Control Sources
• LP/HP Filter Resonances
• Filter Type, Flanger and Echo effects
to factory default settings:
1.Power off the Sixty-Two.
2. Push both Deck 1 and 2 FLEXFX buttons at the same time.
4. While holding these buttons down, power on the Sixty-Two.
5. Immediately after fading up, the FLEXFX lights flash one time, indicating a successful reset.
NOTE: Settings are saved in the mixer. Software is updated with the mixer’s settings. Therefore,
the mixer may replace control source and effect settings in Serato DJ or software control panels
with current mixer settings that may have been changed by a different laptop.
SIXTY-TWO
26
OWNER’S MANUAL
MIDI Mapping
When using Serato DJ or Scratch Live software, the mixer is plug-and-play with all required MIDI mapping
done for you. For advanced users or with third-party DAWs, it is possible to custom MIDI-map most mixer
controls on the Sixty-Two and control the lighting and color of buttons in the Serato DJ control strips.
There are three groups of MIDI controls:
• Those associated with Deck 1 and the left-hand control strip.
• Those associated with Deck 2 and the right-hand control strip.
• Mixer controls not associated with Deck 1, Deck 2 or either control strip.
There are two USB ports on the mixer, USB A and USB B. Users can assign each of these three groups to
USB A or USB B as follows:
• The SOURCE selector for Deck 1 determines which USB port will be used for Deck 1 controls and the
associated left-hand control strip.
• The SOURCE selector for Deck 2 determines which USB port will be used for Deck 2 controls and the
associated right-hand control strip.
To assign MIDI controls not related to Deck 1 or Deck 2, press the SP-6 ASSIGN button at the top of a control
strip and it will light brightly to indicate that controls belonging to the third MIDI group are assigned to the
same USB port. The one exception is the crossfader, which is always sent to both USB ports.
MIDI Assignments
As indicated in the Top Panel MIDI Assignments graphic, there are unique MIDI assignments for Loop
controls when in AUTO and MANUAL modes. There are also unique MIDI assignments for Cue and
Sample buttons when in CUE and SAMPLES modes.
MIDI Layers
The mixer is capable of changing MIDI Layers in order to MIDI map one control to multiple functions under
different contexts. Changing the MIDI Layer is the same thing as changing the MIDI channel. The MIDI
Layers used for Left Deck and Right Deck can be independently selected. The third group of controls that
is not associated with Deck 1, Deck 2 or either control strip will use the MIDI Layer of the group that it is
assigned to with the SP-6 ASSIGN button. By default, the other MIDI Layers inherit the functionality of the
first Layer. The crossfader is the only control that will only send traffic on MIDI Layer 1.
• Holding down the CUES / SAMPLES button will turn all of the Cue buttons yellow. The Left Deck Cue buttons
and Right Deck Cue buttons will each have one Cue button brightly lit. The button that is brightly lit
indicates the current MIDI Layer for that group.
• While holding down the CUES / SAMPLES button, press the Cue button corresponding with the desired MIDI
Layer. This will change the MIDI Layer for the deck that Cue button belongs to. It is not necessary to
wait for the Cue buttons to display the current MIDI Layer in order to change the MIDI Layer.
• MIDI layer corresponds to the MIDI channel:
MIDI Layer MIDI Channel effect name
1 1
2 3 BPM PHASER *, S, A, B
3 4 BPM:120 * 4:1
4 5 2000 ms
time multiplier
5 6 L2 L3
MIDI layers other than default Layer 1 are shown Deck 1 Layer time range Deck 2 Layer
at the bottom of the effects display, Deck 1 on the
bottom left and Deck 2 on the bottom right. If Layer 1 is selected, it is not displayed. This allows a user to
see at a glance if any of the Decks are in a layer other than Layer 1.
SIXTY-TWO
27
OWNER’S MANUAL
NOTE: The Serato DJ controls on the mixer’s control strips are not mappable in Layer 1 because
they are reserved for the default Serato DJ functions. These controls are fully mappable in Serato
DJ on all other MIDI Layers. All controls on all layers are mappable in third-party applications that
support MIDI Mapping.
INPUT SELECT
112 113 114 115 Control Change Note On / Off

1 2 3 4

PH / CD PH / CD
A B A B
42 41 46 51
SP-6 ASSIGN ON OVER 116 2 89 8 2 90 8 117 2 93 8
SP-6 ASSIGN
4 6
0 10 0 10 0 10
43 2 100 8
4 6
52
BACK BACK
0 10
LOAD LEVEL
4 101 102 5 2 87 8 LOAD
44 OFF +6 OFF +6 0 10
55
16 94 LEFT
PAN
RIGHT HIGH HIGH LEFT
PAN
RIGHT SESSION OUT 18
SCROLL 4 6 SCROLL
OFF +6
LOOPS HIGH LOOPS
65 77 78 66 2 69 8
45 50
AUTO MANUAL 82 LOW HIGH
OFF
MID
+6 OFF
MID
+6
LOW HIGH
0
SESSION IN
10
MANUAL AUTO
FILTER FILTER
OFF +6 4 6
108 25 LOW 58 112
BEATS
44
SELECT
17 68 71 72 67 2 75 8 SELECT
19
BEATS
45
34 FLEXFX
OFF +6 OFF +6
FLEXFX
0 10
SYNC SYNC
109
LOOP 28
IN 63
IN 113
LOOP
31 12 11 10 13 9 8 91
SYNC OFF
110
ROLL 30
OUT 7 61
OUT 114
ROLL
2
BPM
14
NUDGE START / STOP 4 6
SLIP 17 16 5 0 4 2 1 8 SLIP
111
SAVE 29
LOOP 20 15 CUE 57
LOOP 115
SAVE
TIME TAP ON 0 10
BEAT DEPTH
SHIFT SHIFT
19 1 2 3 4 5 CUES 1 2 3 4 5 79
18 23 22 21 20 78 73 74 75 76
90
4
AUX
6
104 105 98 99 100 101 102 103 106 107 PHONES
4 6
2 7 8 2 99 8
0
LEVEL
10 69 77 70 0
LEVEL
10
CUE CUE CUE

8 105
LOW HIGH CUE MAIN
FILTER PAN
24 56
FLEXFX SPLIT CUE
83 84
107 106 108

2 98 3
SIXTY-TWO
28
OWNER’S MANUAL
112 113 114 115

21 24 27 30
22 23 25 26
41 39 40 47
55
42
43
46
33
38
48
49
SIXTY-TWO
29
OWNER’S MANUAL
MIDI Implementation
Serato DJ MIDI Control only supports:
• Note On/Off
• Standard 7-bit CC (Control Change)
MIDI Note ON/OFF Chart

The note number for an LED indicator under a button is the same as for the button.
The color and brightness of an LED is determined by the velocity as follows:
• 0-30 0x00-0x1E Off
• 31-47 0x1F-0x2F Primary Dim
• 48-78 0x30-0x4E Primary Full
• 79-95 0x4F-0x5F Secondary Dim
• 96-127 0x60-0x7F Secondary Full
There are two categories of note on/off MIDI controls:

Red: Dedicated mixer controls are read only and not affected by MIDI in commands. A user is not able
to control mixer functions via MIDI and is unable to change the color or intensity of an LED under one
of these mixer controls. Users are able to use MIDI out for these controls to trigger or control software
functions.
Green: MIDI controls on the mixer dedicated to Serato DJ or 3rd-party DAW control. These controls are
read/write and a user is able to control the color and intensity of LEDs under these buttons.
Note # Hex # Function LED States Type

0 0x00 FlexFX On Not Permitted Mixer Control
2 0x02 FX Time Encoder Push Not Applicable Mixer Control
4 0x04 FlexFX Cue Not Permitted Mixer Control
5 0x05 FX Tap Not Permitted Mixer Control
7 0x07 Beat Joystick Push Not Applicable Mixer Control
8 0x08 Reverb Not Permitted Mixer Control
9 0x09 Robot Not Permitted Mixer Control
10 0x0A Phaser Not Permitted Mixer Control
11 0x0B Flanger Not Permitted Mixer Control
12 0x0C Filter Not Permitted Mixer Control
13 0x0D Echo Not Permitted Mixer Control
14 0x0E Beat Joystick North Not Applicable Mixer Control
15 0x0F Beat Joystick South Not Applicable Mixer Control
16 0x10 Beat Joystick East Not Applicable Mixer Control
17 0x10 Beat Joystick West Not Applicable Mixer Control
18 0x12 LH Cue-1 PRI – Green SEC – Yellow DAW MIDI Control
19 0x13 LH Delete PRI – Red SEC - Orange DAW MIDI Control
24 0x18 USB AUX FlexFX Not Permitted Mixer Control
25 0x19 LH Manual Loop Select Encoder Push Not Applicable DAW MIDI Control
28 0x1C LH Manual Loop In PRI – Green SEC – Orange DAW MIDI Control
29 0x1D LH Manual Loop PRI – Green SEC – Orange DAW MIDI Control
30 0x1E LH Manual Out PRI – Green SEC – Orange DAW MIDI Control
SIXTY-TWO
30
OWNER’S MANUAL
31 0x1F USB Insert Not Permitted Mixer Control

34 0x22 Mic FlexFX Not Permitted Mixer Control
41 0x29 Mic ON Not Permitted Mixer Control
42 0x2A LH SP-6 Assign Not Permitted Mixer Control
43 0x2B LH Back PRI – Green SEC – Orange DAW MIDI Control
44 0x2C LH Scroll Encoder Push Not Applicable DAW MIDI Control
45 0x2D LH Manual/Auto Loop Not Permitted Mixer Control
46 0x2E Mic Talk-over Not Permitted Mixer Control
50 0x32 SR Manual/Auto Loop Not Permitted Mixer Control
51 0x33 SR SP-6 Assign Not Permitted Mixer Control
52 0x34 RH Back PRI – Green SEC – Orange DAW MIDI Control
55 0x37 RH Scroll Encoder Push Not Applicable DAW MIDI Control
56 0x38 Split Cue Not Permitted Mixer Control
57 0x39 RH Manual Loop PRI – Green SEC – Orange DAW MIDI Control
58 0x3A RH Manual Loop Select Encoder Push Not Applicable DAW MIDI Control
61 0x3D RH Manual Out PRI – Green SEC – Orange DAW MIDI Control
63 0x3F RH Manual In PRI – Green SEC – Orange DAW MIDI Control
67 0x43 Deck 2 FlexFX Not Permitted Mixer Control
68 0x44 Deck 1 FlexFX Not Permitted Mixer Control
69 0x45 Deck 1 Cue Not Permitted Mixer Control
70 0x46 Deck 2 Cue Not Permitted Mixer Control
73 0x49 RH Cue-2 PRI – Green SEC – Yellow DAW MIDI Control
74 0x4A RH Cue-3 PRI – Green SEC – Yellow DAW MIDI Control
75 0x4B RH Cue-4 PRI – Green SEC – Yellow DAW MIDI Control
76 0x4C RH Cue-5 PRI – Green SEC – Yellow DAW MIDI Control
77 0x4D USB Aux Cue Not Permitted Mixer Control
78 0x4E RH Cue-1 PRI – Green SEC – Yellow DAW MIDI Control
79 0x4F RH Delete PRI – Red SEC - Orange DAW MIDI Control
90 0x5A Cues/Samples Not Permitted Mixer Control
91 0x5B Ext Insert Not Permitted Mixer Control
98 0x62 Sample-1 PRI – Green SEC – Yellow DAW MIDI Control
104 0x68 Bank A PRI – Green SEC – Yellow DAW MIDI Control
105 0x69 Bank B PRI – Green SEC – Yellow DAW MIDI Control
106 0x6A Bank C PRI – Green SEC – Yellow DAW MIDI Control
107 0x6B Bank D PRI – Green SEC – Yellow DAW MIDI Control
108 0x6C LH Auto Loop Select Encoder Push Not Applicable DAW MIDI Control
109 0x6D LH Auto Loop PRI – Green SEC – Orange DAW MIDI Control
110 0x6E LH Auto Roll PRI – Green SEC – Orange DAW MIDI Control
111 0x6F LH Auto Save PRI – Green SEC – Orange DAW MIDI Control
112 0x70 RH Auto Loop Select Encoder Push Not Applicable DAW MIDI Control
113 0x71 RH Auto Loop PRI – Green SEC – Orange DAW MIDI Control
114 0x72 RH Auto Roll PRI – Green SEC – Orange DAW MIDI Control
115 0x73 RH Auto Save PRI – Green SEC – Orange DAW MIDI Control
SIXTY-TWO
31
OWNER’S MANUAL
MIDI Control Change Chart

Functions highlighted in red are MIDI-Out Mixer controls.
Functions highlighted in blue are MIDI-In mixer controls.
Functions highlighted in green are MIDI-Out Serato DJ or 3rd-party DAW controls.
Control # Hex # Function Values
0 0x00 Crossfader 0-127, 0x00-0x7F
1 0x01 FX Depth 0-127, 0x00-0x7F
2 0x02 Deck 1 Contour 0-127, 0x00-0x7F
3 0x03 Deck 2 Contour 0-127, 0x00-0x7F
4 0x04 Deck 1 Left-Right Pan 0-127, 0x00-0x7F
5 0x05 Deck 2 Left-Right Pan 0-127, 0x00-0x7F
7 0x07 USB Aux Level 0-127, 0x00-0x7F
8 0x08 USB Aux Filter 0-127, 0x00-0x7F
16 0x10 LH Scroll Encoder 2’s Complement from 64 / Relative (Binary Offset)
17 0x11 LH Manual Loop Select Encoder 2’s Complement from 64 / Relative (Binary Offset)
18 0x12 RH Scroll Encoder 2’s Complement from 64 / Relative (Binary Offset)
19 0x13 RH Manual Loop Select Encoder 2’s Complement from 64 / Relative (Binary Offset)
20 0x14 FX Time Encoder 2’s Complement from 64 / Relative (Binary Offset)
21 0x15 Analog 1 Phono Sensitivity Value Hex Sensitivity (mV) dB
0 0x00 2.5 16.04
1 0x01 3 14.46
2 0x02 3.5 12.12
3 0x03 4 11.96
4 0x04 4.5 10.94
5 0x05 5 (Default) 10.02
6 0x06 5.5 9.19
7 0x07 6 8.44
8 0x08 6.5 7.74
9 0x09 7 7.10
10 0x0A 7.5 6.5
11 0x0B 8 5.94
12 0x0C 8.5 5.41
13 0x0D 9 4.92
14 0x0E 9.5 4.45
15 0x0F 10 4.00
22 0x16 Deck 1 Filter Resonance 0-127, 0x00-0x7F Low to High Resonance
23 0x17 Deck 1 Input Record Source (USB 5-6) 1 0x01 Record A1
2 0x02 Record A2
24 0x18 Analog 2 Phono Sensitivity Same as Analog 1 Phono Sensitivity
25 0x19 Deck 2 Filter Resonance 0-127, 0x00-0x7F Low to High Resonance
26 0x1A Deck 2 Input Record Source (USB 1 0x01 Record A3
7-8) 2 0x02 Record A4
27 0x1B Analog 3 Phono Sensitivity Same as Analog 1 Phono Sensitivity
30 0x1E Analog 4 Phono Sensitivity Same as Analog 1 Phono Sensitivity
33 0x21 Main Record Select, (USB 11-12) 1 0x01 Record Main Mix
2 0x02 Record Mic
38 0x26 USB Aux Filter Resonance 0-127, 0x00-0x7F Low to High Resonance
39 0x27 FX Flanger Type 0-63, 0x00-0x3F Negative
64-127 0x40-0x7F Positive
SIXTY-TWO
32
OWNER’S MANUAL
40 0x28 FX Echo Type 0-31 0x00-0x1F Echo
32-63 0x20-0x3F High-Pass Echo
64-95 0x40-0x5F Duck Echo
96-127 0x60-0x7F HP Hold Echo
41 0x29 FX Filter Type 0-31, 0x00-0x1F Low-Pass Sync Low
32-63, 0x20-0x3F Low-Pass Sync High
64-95, 0x40-0x5F High-Pass Sync Low
96-127 0x60-0x7F High-Pass Sync High
42 0x2A Echo HP Frequency 0-127 0x00-0x7F 20 Hz-10 kHz, Uniform Octave Steps
43 0x2B Hold Echo HP Frequency 0-127 0x00-0x7F 20 Hz-10 kHz, Uniform Octave Steps
44 0x2C LH Auto Loop Bars Encoder 2’s Complement from 64 / Relative (Binary Offset)
45 0x2D RH Auto Loop Bars Encoder 2’s Complement from 64 / Relative (Binary Offset)
48 0x30 Clean Feed 0-63, 0x00-0x3F Off
64-127 0x40-0x7F On
49 0x31 Headphone Tone 0-127 0x00-0x7F 20 Hz-10 kHz, Uniform Octave Steps
55 0x37 Duck Echo HP Frequency 0-127 0x00-0x7F 20 Hz-10 kHz, Uniform Octave Steps
65 0x41 Deck 1 LP/HP Filter 0-127 0x00-0x7F
66 0x42 Deck 2 LP/HP Filter 0-127 0x00-0x7F
69 0x45 Session In Level 0-127 0x00-0x7F
71 0x47 Deck 1 Low 0-127 0x00-0x7F
72 0x48 Deck 2 Low 0-127 0x00-0x7F
75 0x4B Booth Level 0-127 0x00-0x7F
77 0x4D Deck 1 Mid 0-127 0x00-0x7F
78 0x4E Deck 2 Mid 0-127 0x00-0x7F
82 0x52 Mic Low 0-127 0x00-0x7F
83 0x53 Deck 1 Fader 0-127 0x00-0x7F
84 0x54 Deck 2 Fader 0-127 0x00-0x7F
87 0x57 Session Out Level 0-127 0x00-0x7F
89 0x59 Deck 1 Level 0-127 0x00-0x7F
90 0x5A Deck 2 Level 0-127 0x00-0x7F
93 0x5D Main Level 0-127 0x00-0x7F
94 0x5E Mic High 0-127 0x00-0x7F
98 0x62 Crossfader Contour 0-127 0x00-0x7F
99 0x63 Phones Level 0-127 0x00-0x7F
100 0x64 Mic Level 0-127 0x00-0x7F
101 0x65 Deck 1 High 0-127 0x00-0x7F
102 0x66 Deck 2 High 0-127 0x00-0x7F
105 0x69 Headphone Cue / Main Pan 0-127 0x00-0x7F
106 0x6A Crossfader Reverse 0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
107 0x6B Deck 1 Reverse 0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
108 0x6C Deck 2 Reverse 0 – Normal, 1 – Reversed 0x00 – Normal, 0x01 – Reversed
112 0x70 PH/CD 1 Select 0 – Phono, 1 – Line 0x00 – Phono, 0x01 – Line
116 0x74 Deck 1 Source Select 1 0x01 USB A Left Virtual Deck,
2 0x02 Analog 1
3 0x03 Analog 2
4 0x04 USB B Left Virtual Deck
117 0x75 Deck 2 Source Select 1 0x01 USB A Right Virtual Deck
2 0x02 Analog 3,
3 0x03 Analog 4
4 0x04 USB B Right Virtual Deck
SIXTY-TWO
33
OWNER’S MANUAL
Magnetic Fader Maintenance

The faders and crossfader in the Sixty-Two are designed with materials highly resistant to corrosion and
most chemicals. While they will handle millions of operations, they may become dirty over time. Bad
things may be spilled into a fader, but in many instances the fader may not be damaged and the sound
quality thus unaffected. Cleaning is only required to maintain the feel of the fader.
In order to maintain the feel of your faders, they may occasionally require cleaning and lubrication. The
bearings in the fader work best with DuPont Teflon Multi-use Lubricant (part # D00040101). Make sure to
follow the instructions and warnings on the bottle.
This lubricant goes on wet to deeply penetrate moving parts, but sets up with a clean, dry, long-lasting
film which will not attract and absorb dirt and grime. Wet or oily lubricants may feel good at first, but will
attract dirt and evaporate or become dry over time. See the fader cleaning instructions below.
Fader Assembly Removal

1.Remove all three fader knobs.
2. Remove all six screws holding the fader panel face plate.
3. Lift up the fader panel face plate and set it aside where it can’t get damaged.
4. Remove the two screws at each end of a fader, holding the bottom of the fader in place with your other
hand.
5. Take out the fader assembly completely.
6. Note the left connector goes to the left fader, the center connector goes to the crossfader, and the right
connector goes to the right fader.
7. Unplug the connectors of the white wires at the fader assembly without pulling the wires.
Reverse this procedure to re-assemble.
• Plug in the connector before re-installing the fader. Notice the connector only will fit one way.
• Test all the faders before installing the fader panel face plate and fader knobs.
Fader Cleaning
1. For a light cleaning, move the carrier to one side and wipe rails with a lint-free cloth. Move the carrier to
the other side and repeat.
2. If a heavier cleaning is required to remove oily lubricants or grease, first take the carrier off of the rails
by removing one of the endblocks. Clean the rails using a lint-free cloth and alcohol. Use a cue-tip and
alcohol to clean the carrier bearings.
3. With the fader clean, dry and assembled, add a couple of drops of Teflon Multi-use Lubricant to each
rail of the fader.
4. Move the carrier back and forth to distribute lubricant.
5. Do not disturb the position of the small sensors at each end of the fader. If you accidentally do, make
sure the parts are standing straight before re-installing.
SIXTY-TWO
34
OWNER’S MANUAL
Sensors
Fader Calibration
After cleaning or replacement, the sensors may get moved, affecting the contour. After any fader service,
perform this procedure to re-calibrate the faders and crossfader.
1.Power off the Sixty-Two.
2. Move all faders to the center-most position.
3. Push down both DECK 1 CUE and DECK 2 CUE buttons at the same time.
4. While holding these buttons down, power on the Sixty-Two.
5. Immediately after fading up, the CUE lights will flash one time, indicating a successful calibration. If
the CUE lights flash three times, the sensors may have moved too far or all faders were not properly
centered, and the faders cannot correctly calibrate.
Problems? Contact Rane Corporation customer service at 425-355-6000 or email us at info@rane.com.

Online help is available at dj.rane.com.
SIXTY-TWO
35
OWNER’S MANUAL
Technical Specifications
Sixty-Two Specifications All specifications typical unless otherwise stated
Analog Inputs 4 Stereo unbalanced RCA jacks

…...Phono or Line level input Rear panel switches for each input
…...Phono Response RIAA ±1 dB, Gain: 31 dB at 1 kHz
…...Max Phono Input 126 mV
…...Max Line Input 4 Vrms
ADCs 24-bit 48 kHz; dynamic range 101 dB A-weighted
DACs 24-bit 48 kHz; dynamic range 107 dB A-weighted
Digital Signal Processing 48 kHz, 32-bit floating point
USB Audio Six Stereo Record, Four Stereo Playback
…...Operation 48 kHz, 32-bit floating point
ADD 3.5” (8.9 cm) MINIMUM CLEARANCE FOR CABLES
FlexFX Return Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks
.65" (1.6 cm) PROJECTION
FlexFX Send Stereo unbalanced ¼˝ TS (tip-sleeve) phone jacks
Mic Input Balanced ¼˝ TRS & XLR combination jack
…...Tone Controls 2-band, High and Low
…...Mic-Line level switch Choose Line to connect wireless receiver
Line Outputs: Frequency Response 20 Hz to 20 kHz ±0.25 dB, Line in to Line out
…...THD+N <0.01% re 0 dBFS, 20 to 20 kHz, 20 kHz BW
…...Unbalanced jacks (RCA & FlexFX) Maximum 4 Vrms
…...Balanced jacks (Main & Booth) Maximum 8 Vrms
Universal Power Supply 100 to 240 VAC, 50 Hz to 60 Hz, 15 W max
USB Power Mixer is self-powered
Unit: Conformity CE, FCC, cCSAus
......Size 14.25˝ x 10.5˝ x 4˝ (36.2 x 26.7 x 10.2 cm)
......Weight 10 lb (4.3 kg)
Shipping Size 7.75˝ H x 15˝ W x 19.25˝ D (19.7 x 38.1 x 49 cm)
......Weight 14 lb (6.4 kg)
14.2"
(36 cm)
.7"
(1.8
cm)
PRO- ADD 3.5” (8.9 cm) .7" (1.8 cm)
JEC- MIN. CLEARANCE PROJECTION
TION FOR PHONES
3.25" (8.3 cm)
4.2" (10.7 cm)
SIXTY-TWO
36
OWNER’S MANUAL
Battle Bridge Accessory

When installing a Sixty-Two mixer in a coffin case, it is important to leave 10 centimeters (3.9 inches) in
front and in back of the mixer to allow room for cables and access to controls. The rubber feet provided
on the chassis for table top use should remain in place when installing the mixer in a coffin case. When in
operation, the coffin case must provide 1 centimeter (0.39 inches) clearance on each side of the mixer and
above the controls on the face of the mixer.
A battle bridge kit is available for the Sixty-Two Mixer (also fits the Sixty-Four and -Eight). The brackets
install easily with three screws on each side. These are powder-coated electro-galvanized .075˝ steel.
14˝ EARS bring the total width of the mixer to 30.5 cm (12˝) for coffin mounting. These measure 35.8 x 1.9
x 7.7 cm (14˝ x .75˝ x 3˝). Shipping weight is 1.36 kg (3 pounds).
If you live in the U.S.A, you may buy these ears in the Rane Factory Store at dj.rane.com. Outside the
U.S.A., contact your international representative — contacts are at dj.rane.com.
.65" (1.6 cm) PROJECTION FOR POSTS

PH / CD PH / CD
A B A B
2 8 2 8 2 8
4 6
0 10 0 10 0 10
12.6” 2 8
4 6
(32 cm) BACK
0 10
BACK
LOAD LEVEL 2 8 LOAD
OFF +6 OFF +6 0 10
PAN PAN
SCROLL 4 6 SCROLL
OFF +6
LOOPS HIGH LOOPS
2 8
OFF +6 OFF +6 0 10
FILTER FILTER
OFF +6 4 6
LOW
BEATS SELECT 2 8 SELECT BEATS
FLEXFX FLEXFX
OFF +6 OFF +6 0 10
SYNC SYNC
LOOP IN IN LOOP
SYNC OFF
ROLL OUT OUT ROLL

8.6” BPM NUDGE START / STOP 4 6
(21.8 cm) SLIP 2 8 SLIP
SAVE LOOP CUE LOOP SAVE

TIME TAP ON 0 10
BEAT DEPTH BRIDGE
SHIFT SHIFT 14.08"
1 2 3 4 5 CUES 1 2 3 4 5 (35.8 cm)
MIXER
AUX PHONES 14.2"
4 6
4 6
(36 cm)
2 8 2 8
0 10 0 10
LEVEL LEVEL
CUE CUE CUE
5.6” DECK 1 USB AUX DECK 2
(14.2 cm)
LOW HIGH CUE MAIN
FILTER PAN
FLEXFX SPLIT CUE
1.6”
(4 cm)
RACK HOLE
HEIGHT FROM
THE BOTTOM
EARS
.75" .7" (1.8 cm) PROJECTION FOR KNOBS.
(1.9
cm) 10.5" (26.7 cm)
12" (30.5 cm) TOTAL WIDTH WITH MODEL “14" EARS”
SIXTY-TWO
37
OWNER’S MANUAL
Declaration of Conformity
Application of Standard(s) to which
Council Directives: conformity is declared:
2001/95/EC 2002/96/EC EN60065: 2002/A1:2006/A11:2008/A2:2010/A12:2011
2004/108/EC 2006/95/EC EN55103-1:2009
2011/65/EU EN55103-2:2009
EN50581:2012
Manufacturer: ENVIRONMENT E2
Rane Corporation SERIAL NUMBERS 850000 - 950000
10802 47th Avenue West CE MARK FIRST AFFIXED IN: 2012
Mukilteo WA 98275-5000 USA
This equipment has been tested and found to be in compliance with all applicable standards and
regulations applying to the EU’s Low Voltage (LV) directive 2006/95/EC and Electromagnetic Compatibility
(EMC) directive, 2004/108/EC. In order for the customer to maintain compliance with this regulation,
high quality shielded cable must be used for interconnection to other equipment. Modification of the
equipment, other than that expressly outlined by the manufacturer, is not allowed under this directive. The
user of this equipment shall accept full responsibility for compliance with the LV directive and the EMC
directive in the event that the equipment is modified without written consent of the manufacturer. This
declaration of conformity is issued under the sole responsibility of Rane Corporation.
Type of Equipment: Professional Audio Signal Processing
Brand: Rane
Model: Sixty-Two, Sixty-Two Z
Immunity Results: THD+N: 4 dBu, 400 Hz, BW 20 Hz - 20 kHz

Test Description Measurement Conditions
RF Electromagnetic Fields Immunity
80 MHz -1000 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB
1400 MHz - 2700 MHz, 1 kHz AM, 80% depth, 3V/m <-72 dB
Conducted RF Disturbances Immunity

150 kHz - 80 MHz, 1 kHz AM, 80% depth, 3V rms <-71 dB
Magnetic Fields Immunity

50 Hz - 10 kHz, 3.0 - 0.3 A/m <-75 dB
Common Mode Immunity (Signal Ports) Bandpass re: 4 dBu, 1/3-octave

50 Hz - 10 kHz, -20 dBu <-69 dB
I, the undersigned, hereby declare that the equipment specified above conforms
to the Directive(s) and Standard(s) shown above.
Greg Frederick Compliance Engineer

(Signature) (Full Name) (Position)
January 25, 2012 Mukilteo WA USA

(Date) (Place)
SIXTY-TWO
38
OWNER’S MANUAL
Limited Warranties
Factory Authorized Service
Your unit may someday need to be serviced by the Rane Factory if you live in the USA. International customers should
contact your dealer or distributor for service. You must call the Rane factory before shipping. Please do not return your
unit to Rane without prior authorization.
To obtain service or a Return Authorization in the USA, please phone Rane Corporation at 425-355-6000, or fax Rane
at 425-347-7757.
Limited U.S.A. Warranty

RANE CORPORATION WARRANTS ALL RANE PRODUCTS (except those items classified and listed in "Wear Parts"
on page 3) PURCHASED IN THE U.S. AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP FOR A PERIOD
OF TWO (2) YEARS. WEAR PARTS ARE LIMITED TO A PERIOD OF NINETY (90) DAYS FROM THE INITIAL DATE OF
RETAIL PURCHASE FROM AN AUTHORIZED RANE DEALER—WEAR PARTS REQUIRE PROOF OF PURCHASE
DATE. This limited warranty extends to all purchasers or owners of the product during the warranty period beginning
with the original retail purchase. Rane Corporation does not, however, warrant its products against any and all defects:
1) arising out of material or workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the
product or use in violation of instructions, or 3) in products repaired or serviced by other than the Rane Factory, or 4)
in products with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted
by another manufacturer. Rane agrees to supply all parts and labor to repair or replace defects covered by this limited
warranty with parts or products of original or improved design, at its option in each respect, if the defective product
is shipped prior to the end of the warranty period to the Rane Factory in the original packaging or a replacement
supplied by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.
Limited Warranty Outside the U.S.A.

RANE PRODUCTS ARE WARRANTED ONLY IN THE COUNTRY WHERE PURCHASED, THROUGH THE AUTHORIZED
RANE DISTRIBUTOR IN THAT COUNTRY, AGAINST DEFECTS IN MATERIAL OR WORKMANSHIP, THE SPECIFIC
PERIOD OF THIS LIMITED WARRANTY SHALL BE THAT WHICH IS DESCRIBED TO THE ORIGINAL RETAIL
PURCHASER BY THE AUTHORIZED RANE DEALER OR DISTRIBUTOR AT THE TIME OF PURCHASE. Rane
Corporation does not, however, warrant its products against any and all defects: 1) arising out of materials or
workmanship not provided or furnished by Rane, or 2) resulting from abnormal use of the product or use in violation
of instructions, or 3) in products repaired or serviced by other than authorized Rane repair facilities, or 4) in products
with removed or defaced serial numbers, or 5) in components or parts or products expressly warranted by another
manufacturer. Rane agrees, through the applicable authorized distributor, to repair or replace defects covered by this
limited warranty with parts or products of original or improved design, at its option in each respect, if the defective
product is shipped prior to the end of the warranty period to the designated authorized Rane warranty repair facility in
the country where purchased, or to the Rane factory in the U.S., in the original packaging or a replacement supplied
by Rane, with all transportation costs and full insurance paid each way by the purchaser or owner.
ALL REMEDIES AND THE MEASURE OF DAMAGES ARE LIMITED TO THE ABOVE SERVICES, IT IS POSSIBLE THAT
ECONOMIC LOSS OR INJURY TO PERSON OR PROPERTY MAY RESULT FROM THE FAILURE OF THE PRODUCT;
HOWEVER, EVEN IF RANE HAS BEEN ADVISED OF THIS POSSIBILITY, THIS LIMITED WARRANTY DOES NOT
COVER ANY SUCH CONSEQUENTIAL OR INCIDENTAL DAMAGES. SOME STATES OR COUNTRIES DO NOT ALLOW
THE LIMITATIONS OR EXCLUSION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATION
MAY NOT APPLY TO YOU.
ANY AND ALL WARRANTIES, EXPRESS OR IMPLIED, ARISING BY LAW, COURSE OF DEALING, COURSE OF
PERFORMANCE, USAGE OF TRADE, OR OTHERWISE, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES
OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO A PERIOD OF TWO (2)
YEARS FROM EITHER THE DATE OF ORIGINAL RETAIL PURCHASE OR, IN THE EVENT NO PROOF OF PURCHASE
DATE IS AVAILABLE, THE DATE OF MANUFACTURE, SOME STATES OR COUNTRIES DO NOT ALLOW LIMITATIONS
ON HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU. THIS
LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS WHICH
VARY FROM STATE TO STATE, COUNTRY TO COUNTRY.
SIXTY-TWO
39
OWNER’S MANUAL
Warranty Procedure - Valid in U.S.A. only

NOTICE! You must complete and return the warranty card or register your product online to
extend the Warranty from 2 years to 3 years!
TO VALIDATE YOUR EXTENDED WARRANTY: Use the postcard that came in the box with your unit, or go to the
support page at dj.rane.com and click on product registration. Fill out the warranty completely, being sure to
include the model and serial number of the unit since this is how warranties are tracked. If your Rane product was
purchased in the U.S.A., mail the completed card or register online with to Rane Corporation within 10 days from
the date of purchase. If you purchased the product outside the U.S.A. you must file your warranty
registration with the Rane Distributor in that country. It is advised that you keep your bill of sale as proof
of purchase, should any difficulties arise concerning the registration of the warranty card. NOTICE: IT IS NOT
NECESSARY TO REGISTER IN ORDER TO RECEIVE RANE CORPORATION’S STANDARD TWO YEAR LIMITED
WARRANTY.
WARRANTY REGISTRATION is made and tracked by MODEL AND SERIAL NUMBERS ONLY, not by the purchaser’s
or owner’s name. Therefore any warranty correspondence or inquires MUST include the model and serial number of
the product in question. Be sure to fill in the model and serial number in the space provided below and keep this in a
safe place for future reference.
WARRANTY SERVICE MUST BE PERFORMED ONLY BY AN AUTHORIZED RANE SERVICE FACILITY LOCATED
IN THE COUNTRY WHERE THE UNIT WAS PURCHASED, OR (if product was purchased in the U.S.) AT THE RANE
FACTORY IN THE U.S.. If the product is being sent to Rane for repair, please call the factory for a Return Authorization
number. We recommend advance notice be given to the repair facility to avoid possible needless shipment in case
the problem can be solved over the phone. UNAUTHORIZED SERVICE PERFORMED ON ANY RANE PRODUCT WILL
VOID ITS EXISTING FACTORY WARRANTY.
FACTORY SERVICE: If you wish your Rane product to be serviced at the factory, it must be shipped FULLY INSURED,
IN THE ORIGINAL PACKING OR EQUIVALENT. This warranty will NOT cover repairs on products damaged through
improper packaging. If possible, avoid sending products through the mail. Be sure to include in the package:
1. Complete return street shipping address (P.O. Box numbers are NOT acceptable).
2. A detailed description of any problems experienced, including the make and model numbers of any other system
equipment.
3. Remote power supply, if applicable.
Repaired products purchased in the U.S. will be returned prepaid freight via the same method they were sent to Rane.
Products purchased in the U.S., but sent to the factory from outside the U.S. MUST include return freight funds, and
the sender is fully responsible for all customs procedures, duties, tariffs and deposits.
In order to qualify for Rane’s one year extended warranty (for a total of 3 years parts and labor),
the warranty must be completely filled out and sent to us immediately. Valid in USA only.
We recommend you write your serial number here in your owners

manual and on your sales receipt for your records.
SERIAL NUMBER:____________________________PURCHASE DATE:___________________________
dj.rane.com is your center for support, accessories, community,

and learning how to get the most from your Sixty-Two Mixer.
PART 21624
SIXTY-TWO
40

Rane Sixty-Two QSG for Serato DJ

Uploaded by

Copyright:

Available Formats

Rane Sixty-Two QSG for Serato DJ

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Rane Sixty-Two QSG for Serato DJ

Uploaded by

Copyright:

Available Formats

OWNER’S MANUAL

Important Safety Instructions

This Class B digital apparatus complies with Canadian ICES-003.

Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.

2 Important Safety Instructions 16 FlexFX Loop

5 Quick Start: Software 20 Shift Options

Quick Start: Software

Serato DJ Software Installation for Mac OSX

Serato DJ Software Installation for Windows

Serato Scratch Live

MAIN SPEAKERS OR AMPS

MAIN OUT BOOTH OUT SESSION ANALOG INPUTS

CD OR TURNTABLE OUT CD OR TURNTABLE OUT

Quick Start: Hardware

2. Set the SOURCE selector for DECK 1.

3. Connect your Right deck’s RCA cables to ANALOG INPUT 3.

4. Set the SOURCE selector for DECK 2.

Quick Start: Operation

Calibrating Serato DJ for Control Vinyl or CD

How To Calibrate Serato DJ

For complete software operating instructions, see the Serato DJ Manual.

Deck input channel controls

Mic input DECK 1 MIC

• Mic / Line input level switch.

• Controls: On, Over, Level, 2-band Tone and 2

• Unused Mic controls easily map to MIDI. LEFT

Advanced post-fader FlexFX

• Internal Effects engine with: BEATS SELECT

Reverb. SYNC OFF

ROLL OUT OUT ROLL

• MIDI beat clock tracking and generation. SLIP

or manual Tap button. SHIFT

• USB Insert loop for post-fader software 4

• External analog insert loop for outboard effect

units. LOW HIGH CUE MAIN

Main Mix section FLEXFX SPLIT CUE

• Balanced XLR Main Mix and

Headphone monitor with split cueing.

MAIN OUT BOOTH OUT SESSION ANALOG INPUTS

Two USB Ports

Left Virtual Deck L&R

Right Virtual Deck L&R

USB RECORD SP-6 Sample Player L&R

Deck 1 Record L&R

Deck 2 Record L&R

Left DVS Control L&R

Right DVS Control L&R

Main Mix Record L&R

USB Playback Stereo Pair Serato DJ Description Mixer Use

Deck Input Channels

Source Selector DECK 1 MIC DECK 1 DECK 2 MIX DECK

Setup > PGM 1 and select “1”. OFF

• PH / CD 2 (THRU): Set to PH or BEATS

• When selected in software, this input is available FLEXFX

• B Left Virtual Deck (USBROLL

• PH / CD 3 (THRU): Set to PH or CD with the rear panel switch.

PGM 1 and select “3”. 0 10 0

DECK 1 MIC DECK 1 DECK 2 MIX DECK 2

Filter is used for mixing. LEFT RIGHT

center just below the SAMPLES row of buttons.