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grade 8 pe module quarter 4

The document is a Division Learning Activity Sheet for Physical Education 8, focusing on folk dances with Asian influences in the Philippines. It provides guidance for both parents and learners on how to use the activity sheet for independent learning, including lessons on the nature and background of various Philippine folk dances. The document outlines specific learning tasks, dance classifications, and cultural significance of dances such as Pangalay, Binislakan, Sua-Ku-Sua, and Sakuting.

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0% found this document useful (0 votes)
30 views

grade 8 pe module quarter 4

The document is a Division Learning Activity Sheet for Physical Education 8, focusing on folk dances with Asian influences in the Philippines. It provides guidance for both parents and learners on how to use the activity sheet for independent learning, including lessons on the nature and background of various Philippine folk dances. The document outlines specific learning tasks, dance classifications, and cultural significance of dances such as Pangalay, Binislakan, Sua-Ku-Sua, and Sakuting.

Uploaded by

mirajoyceamar
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 16

8

DIVISION LEARNING ACTIVITY SHEET


PHYSICAL EDUCATION 8
Quarter 4
Development Team of the Division Learning Activity Sheet

Author: MICHAEL HARRIS C. CO


Reviewer: MELINDA G. CALUMAYA
Management Team:
Raymundo M. Cantonjos, OIC-SDS
Bernadette T. Luna, ASDS
Gemma G. Cortez, Ed.D., CID - Chief
Leylanie V. Adao, EPS - LR
Julius C. Reyes, EPS, MAPEH

Guide in Using Division Learning Activity Sheet

For the Parents/Guardian


This learning activity sheet is designed to assist you as the learning facilitator
at home. It provides you with activities and lesson information that the learners
need to accomplish in a distance learning modality.

For the Learner


This learning activity sheet is designed to guide you in your independent
learning activities at your own pace and time. This also aims to help you acquire
the competencies required by the Department of Education at the comfort of
your home.

You are expected to answer all activities on separate sheets of paper and
submit the outputs to your respective teachers on the time and date agreed
upon.

2
Lesson Title: Nature and Background; Philippine Folk Dances with
Asian Influences

Week: 1
What I need to know?

In this lesson, you will learn and discover the nature and background of the
regional and national dances with Asian influences in the Philippines through a series
of activities.
At the end of this lesson, you are expected to;

• Describes the nature and background of the dance; (PE8RD-


IVc-1)

3
What is new?

Learning Task 1: NAME ME!

DIRECTION: Identify the pictures shown by choosing from the words inside the box
below. Write your answer on your answer sheet.

BINISLAKAN SUA-KU-SUA
PANGALAY SAKUTING

Source: https://www.flickr.com/photos/eazy360/15546125888 Source: https://www.depednegor.net

1. ________________________ 2. ________________________

Source: http://jalykimcriscelann.blogspot.com/2015/ Source: https://ellenjoydg.weebly.com/sakuting.html

3. ________________________ 4. ________________________

4
What is it?

NATURE AND BACKGROUND OF THE FOLK DANCES

Folk dance is a form of dance developed by a group of people that


reflects the traditional life of the people of a certain country or region.
Philippine folk dances speak so much about the heartbeat of our people
for they talk about our traditions, ideas, beliefs, superstitions, and events of
daily living in a certain community. Just by looking at the costumes, props, and
implements of a certain group or tribe would tell you of the origin of the dance.
The kind of music being used readily also talks about the influences brought
about by trade and settlement of our neighboring countries such as China,
Malaysia, Indonesia, Burma, Cambodia, Thailand, and Japan to name a few.
Truly evident is the effect of acculturation in the country as manifested by the
kinds of costumes, props, music, and dance steps that are used and integrated
into some of our regional and national folk dances.

Study these dances carefully and imbibe in you their importance to the
development of cultural values

PANGALAY
Dance Francisca Reyes-Aquino
Researcher:
Meaning: Finger nail
Dance Culture: Muslim-lowland (Coastal)
Place of Origin: Sulu
Country of Thailand, Malaysia, Burma,
Influence: Cambodia, and Indonesia
Ethno-linguistic Tausug
Group:
Classification: Wedding/Festival Dance

Background:
Pangalay (also known as Daling-Daling or Mengalai in Sabah) is the
traditional “fingernail” dance of the Tausug people of the Sulu Archipelago and
Sabah. This dance is the most distinctively Asian of all the Southern Philippine
dances because dancers must have dexterity and flexibility of the shoulders,
elbows, and wrist – movements that strongly resemble those of “kontaw silat,”
a martial art common in the Malay Archipelago. The Pangalay is performed
mainly during weddings or other festive events. The male equivalent of the
Pangalay is the Pangasik and features more martial movements, while a
Pangalay that features both a male and female dancer is called Pangiluk.
The original concept of the Pangalay is based on the pre-Islamic
Buddhist concept of male and female celestial angels (Sanskrit: Vidhyadhari,
Bahasa Sug: Biddadari) who are common characters in other Southeast
Asian dances.
5
BINISLAKAN
Dance Francisca Reyes-
Researcher: Aquino
Meaning: With the use of the
sticks
Dance Culture: Christian-lowland
Place of Origin: Lingayen,
Pangasinan
Country of China
Influence:
Ethno-linguistic Pangasinese
Group:
Classification: Social Dance

Background:
Lingayen in Pangasinan means “having to look backward and upward.”
It was derived from “Li-King-Tung”, a Chinese word given to the name
Lingayen, the capital of Pangasinan, by the Chinese settlers of this place a long
time ago. The barrio folks who lived at Almazin, a small place between barrio
Pulong and Maniboc danced this to commemorate the stay of Limahong, a
Chinese pirate who built his kingdom here.
The dancers look backward or upward in some of the movements
hence, the name Lingayen. They also use two sticks to produce rhythms,
imitating the chopsticks used by the Chinese eating. Thus, the dance is also
called Binislakan, which in Pangasinan means “with a use of the sticks.”

SUA-KU-SUA
Dance Ramon A. Obusan
Researcher:
Meaning: My Pomelo Tree
Dance Culture: Muslim-lowland
(Coastal)
0Place of Jolo, Sulu
Origin:
Country of China, Malaysia, and
Influence: Indonesia
Ethno-linguistic Tausug
Group:
Classification: Courtship

6
Background:
The Tausug of Sulu, Southern Philippines, though known as fearsome
warriors are also better known as sturdy seafarers and hardy farmers.
Extensive orchards are planted with coconuts and pomelos and fields with
staples like rice and root crops.
Their dependence on pomelo fruits for their livelihood inspired them to
create Sua-Ku-Sua Dance. The movements of the dance compare sua’s gentle
leaves, slender branches, attractive fruits, and fragrant flowers to a lady. During
the performance, the couples sing while flapping two white fans which
represent the leaves rustling in the wind.
The performers, especially the women, dance with faces thickly covered
with finely ground rice powder. Their eyebrows and sideburns are enhanced
with soot for aesthetic purposes.

SAKUTING
Dance Francisca Reyes-
Researcher: Aquino
Meaning: Refers to rhythmic
sticks producing the
accompaniment for the
dance.
Place of Origin: Abra and Ilocos Norte
Country of China
Influence:
Classification: Social Dance

Background:
This is a dance of the ethnic people living in the western side of the
Cordilleras way back before the coming of the Americans to our country. During
Christmas, young boys and girls accompanied by their elders would go to the
lowlands, especially in Abra and Ilocos Norte to dance in front of the houses
and ask for gifts. These young children hold sticks, one on each hand and strike
them together to make their dance livelier. The people in the homes would give
them money, homemade delicacies, and other things.
These dancing groups later reached as far as the coastal towns of Ilocos
region as years went by. The rhythmic sounds produced by the stick attracted
other children and adults and they also learned the dance. “Sakuting” is an
ethnic term which refers to the rhythmic sticks producing the accompaniment
for the dance.

7
What is more?

Learning Task 2: COMPLETE ME!

DIRECTION: Fill out the missing information in the table below. Copy the table in
your activity notebook. Write your answer on your answer sheet.

Name of
Sua-Ku-Sua Binislakan Sakuting Pangalay
Dance

Meaning of the
1. 2. Rhythmic Sticks 3.
Dance Name

Place of Origin Jolo, Sulu 4. 5. 6.

Dance
7. Social Dance 8. 9.
Classification

Malaysia,
Influenced by Indonesia,
What Asian 10. 11. 12. Thailand,
Country Burma, and
Cambodia

8
What I have learned?

Learning Task 3: ARRANGE ME!

DIRECTION: Identify the following words by arranging the jumbled letters below
each statement. Write your answer on your answer sheet.

1. A form of dance developed by a group of people that reflects the traditional


life of the people of a certain country or region.

F K O L A E D C N

2. Also known as Daling-Daling or Mengalai in Sabah and the traditional


“fingernail” dance of the Tausug people.

G L A Y P N A A

3. They also use two sticks to produce rhythms, imitating the chopsticks used
by the Chinese eating.

A L N I K I B A S N

4. The movements of the dance compare sua’s gentle leaves, slender


branches, attractive fruits, and fragrant flowers to a lady.

U S A U K U S A

5. This is a dance of the ethnic people living in the western side of the
Cordilleras way back before the coming of the Americans to our country.

A S T K G N I U

9
Lesson Title: Basic Steps in Folk Dancing

Week: 2
What I need to know?

In this lesson, you will learn and discover the basic steps in folk dancing through
a series of activities.
Specifically, you are expected to;

• Execute the skills involved in the dance; (PE8RD-IVd-h-4)

10
What is new?

Learning Task 1: MATCH ME!

DIRECTION: Try to find the step pattern of each dance steps by matching Column
A to Column B. Write your answer on your answer sheet.

Column A (Dance Step) Column B (Step Pattern)

1. Stamping A. Slide, close

2. Waltz Step B. Step and hop

3. Waltz Turn C. Heel-place, close

4. Change Step D. Step and cut

5. Touch Step E. Step, step, step and so on


F. Pivot and turn heels, pivot and
6. Pivot Turn
turn toes
G. Step, ball and turn, step, ball and
7. Parallel Tortiller
turn and so on.
8. Mincing H. Touch, close

9. Gallop I. Step close Step


J. Execute 2 waltz steps to make a
10. Bleking
turn
K. Step R; step L close to R in rear;
11. Skip
step R
L. Stamp(R) (L) and close to
12. Slide (glide)
supporting foot(L) (R)

11
What is it?

BASIC DANCE STEPS IN FOLK DANCING

Regular physical activity is considered one of the most important factors


for lifestyle, for maintaining good health in older ages and increasing life
expectancy. Dance is considered an activity that involves coordinating
movements with music, as well as brain activation because it is constantly
necessary to learn and remember new steps. Dance as a musical-kinetics skill,
requires the coordination of body movements with rhythmic stimuli, developing
the adaptability of the movement.
Many people enjoy learning basic steps in folk dance in order to
participate in either a social or religious tradition, or sometimes just to get some
exercise. Whatever your reason for learning, folk dancing is a fun form of
movement that involves dancers from all ages and backgrounds.
Folk dancing is a broad term used to describe a wide array of
dances. Every culture around the world has its own folk dances, and there are
usually specific ones for big celebrations like weddings. The term "folk dance"
is simply defined as a dance that has a particular set of steps or figures that
repeat in time to music. There are also usually partners in folk dancing, where
everyone from one couple to many couples can dance at one time.
While folk dancing varies throughout the world, there are a few
fundamental steps that can be found in almost every dance and style. Many
steps are ones you have likely seen before, while others may seem unique and
challenging upon first attempt.
The following dance terms and dance steps are basically used in
Binislakan, Sakuting, Sua-Ku-Sua, Pangalay and Tiklos. You are to master all
these dance steps which will be used later in your activities.
Study them carefully and demonstrate the dance steps with the help of
your teacher.

to stamp or tap with one foot and the weight of the body
Padyak:
is on the other foot
Saludo: it means to bow
Arms in Lateral both arms are in one side at shoulder level, either right
Position: or left
Set: a dance formation of two or more couples
Bend: to move the body or part of the body around wide axis
Leap: to spring one foot and land on the other foot

12
Study and analyze the following table. The information given will be needed in
your dance performance. Stay focus!

No. of counts or
Dance Step Music Used Step Pattern
M per step
Slide (glide) 2/4 or 3/4 1M slide, close

Skip 2/4 or 6/8 1 ct. step and hop

Bleking 2/4 or 3/4 1, 2 or 3 cts. heel-place, close

Gallop 2/4 or 6/8 1 ct. step and cut

Mincing 2/4 or 3/4 as many as required step, step, step and so on


2/4, 3/4 or pivot and turn heels, pivot
Parallel Tortillier as many as required
4/4 and turn toes
step, ball and turn, step,
Pivot Turn 2/4, 2M or 4M
ball and turn and so on.
Touch Step 2/4 or 3/4 1, 2 or 3 cts. touch , close

Change Step 2/4 or 3/4 1M step close Step


execute 2 waltz steps to
Waltz turn 2/4 or 3/4 2M
make a turn
step R; step L close to R in
Waltz step 2/4 or 3/4 2M
rear; step R
stamp(R) (L) and close to
Stamping 2/4 or 3/4 1M
supporting foot(L) (R)

Legends in the interpretation and execution of a particular dance step.


M - Measure
F - Forward
B - Backward
R - Right
L - Left

13
What is more?

Learning Task 2: STEP YES, STEP BLANK!

DIRECTION: Fill in the missing step pattern of each dance steps. Write your
answer on your answer sheet.

Dance Step Step Pattern

1. Slide (glide) slide, ______

2. Skip ______ and hop

3. Bleking ______, close

4. Gallop step and ______

5. Mincing step, ______, step and so on

6. Parallel Tortillier pivot and turn heels, _______________

7. Pivot Turn step, ____________, step, ball and turn and so on.

8. Touch Step touch, ______

9. Change Step step close ______

10. Waltz step ______; step L close to R in rear; step R

14
Learning Task 3: SOLVE ME!

DIRECTION: Fill in the correct answers, one letter per square, both across and
down, from the given clues. Write your answer on your answer sheet.

1&4
2

5
3

Across
1. A dance formation of two or more couples
2. To stamp or tap with one foot and the weight of the body is on the other foot
3. To move the body or part of the body around wide axis

Down
4. It means to bow
5. To spring one foot and land on the other foot

What I have learned?

Learning Task 4: COMPLETE ME!

DIRECTION: Complete the statement below. Write your answer on your answer
sheet.

1. In this lesson, I learned that…


2. In this lesson, I discovered that…
3. I will apply what I learned from this lesson by…

15
References

1. Grade 8 Physical Education and Health Learner’s Module


Department of Education, Republic of the Philippines
2. http://mygrade8pe.blogspot.com/2017/03/4th-quarter-grade-8-
mapeh-topics.html
3. http://www.seameo.org/SEAMEOWeb2/images/stories/Programmes_
Projects/Competition/2017_SEAMEOJapanESD_Award/Submission/
A/A04_008_PH_Cauayan%20City%20National%20High%20School/
Attachments/008_PH_III.%20MODULE%20IN%20HEALTH%20%26
%20PHYSICAL%20EDUCATION.pdf
4. https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6463898/
5. https://dance.lovetoknow.com/basic-steps-folk-dance

16

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