YR10 Unseen Poetry Booklet
YR10 Unseen Poetry Booklet
LANGUAGE
Exposure by Wilfred Owen
Word choice:
• Verbs
• Adjectives
• Adverbs
2
STRUCTURE / FORM
Rhythm and Rhyme:
Is there a regular beat?
Do the lines rhyme?
Stanzas:
How many stanzas are there?
Do the stanzas have the same length?
Do the stanzas say the same tense?
Is there a cyclical or linear structure?
Other techniques:
Enjambment
Caesura
Repetition
Exposure
BY W I LFRE D OW E N
Our brains ache, in the merciless iced east winds that knive
us . . .
Wearied we keep awake because the night is silent . . .
3
‘Mad gusts’
‘streak’
Violence
‘agony’
‘twitching’
‘silence’
Sound
‘rumbles’
5
Quotation Explosion
I DO – Copy what I do
“merciless
What language iced East
technique is being used? winds that
knife us”
What are the key
describing words?
What do they make you
think/feel?
WE DO - Teamwork
Autumn
By Alan Bold
Autumn arrives
Like an experienced robber
Grabbing the green stuff
Then cunningly covering his tracks
With a deep multitude
O colourful distractions.
In the poem ‘Autumn’ by Alan Bold, the poet presents the season in a
negative light. For example, Bold uses a simile to compare autumn to “like
9
DIFFERENCES
Q2: Both ‘Children in Wartime’ and ‘Exposure’ describe the experience of war. What
are the similarities and/or differences in the way the poets present war?
12
Quotation Explosion
I DO – Copy what I do
What
language/structrual
technique is being used?
WE DO - Teamwork
What
language/structrual
technique is being used?
What
language/structrual
technique is being used?
Today
BY BILLY COLLI NS
this is that the poems each have a surreal atmosphere when the
characters are introduced, yet not so much that it is too far-fetched to be
understood by the reader.
Both poems talk about seasons in different ways. Both have no rhyming
patters which presents freedom of nature but in ‘Autumn’ also the evil of
nature. ‘Autumn’ is set out in one full text whereas ‘Today’ is set out in
pairs of lines which could represent the bright and happy nature of the
season of spring.