analysis2
analysis2
CHAPTER 2
ABSTRACT ELEMENTS
IN PHONOLOGY
Ádám Nádasdy
1
At all levels of language we find this duality of concrete vs. abstract: physically realizable, con-
crete data (allophones, morphs, word forms) versus their abstract equivalents (phonemes, mor-
phemes, lexemes). Compare:
Concrete ↔ Abstract
sound, allophone ↔ phoneme
morph, allomorph ↔ morpheme
word form, syntactic word ↔ lexeme
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 2
Clear-L, phonetically [l] (leg), is pronounced with the tongue body in neutral position;
Dark-L, phonetically [ɫ] (belt), is velarized: the back of the tongue is raised towards
the velum (the [o] position).2
These are the phonetic facts. But what does the phonologist say? How do we analyse this state
of affairs?
Rules (1) and (2) are equally logical and scientifically correct. It is arbitrary which allophone
we choose to represent the whole phoneme, i.e. in which direction we abstract away from the
phonetic data. It is for practical reasons (simpler typography!) that we normally choose Clear-
L to be the basic alternant, and speak of L-Darkening rather than L-Clearing.
2
In some positions English /l/ had become so “dark” (= so much like an [o]) that it was historically
absorbed in the previous a or o, and disappeared from pronunciation, remaining only in spelling as
a silent letter: talk, walk; folk, yolk and half, calves, balm, Holmes, Stockholm. Note that the conso-
nant following this “absorbed” silent L is always noncoronal.
3
We often get round this problem by pronouncing the name of the alphabetic letter which the pho-
neme is normally spelt with, so we say “the L phoneme”, or “the Double-U phoneme” for /w/, the
“voiced TH phoneme” for /ð/; or we use traditional names like “yod” for /j/ or “schwa” for /ə/.
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 3
(b) It would be equally logical to use a third symbol for the phoneme, one which is neither
clear nor dark, for example capital /L/, and say that the abstract (and therefore unpronounce-
able!) phoneme /L/ is realized in two ways, either as Clear-L or as Dark-L, according to its
position. This is probably closer to psychological reality: when learning English (either as
mother tongue or later), people do not lexicalize L as clear or dark, but store a general L in
their mental lexicon,4 and pronounce it as clear or dark as appropriate. Of course certain L’s
will always turn up as clear (before a vowel inside the word, leg), others always as dark (be-
fore a consonant, belt), while final L’s will alternate (tell me – tell it), but this does not
weaken the argument. This “general L” is less specified than its allophones, being unspecified
for clearness or darkness, having only the characteristics “lateral sonorant consonant”.
This leads us to turn round our previous statment (2.2.1) that a phoneme is more than a
sound; actually, a phoneme is less than a sound, because it has fewer features – just like, say,
a mammal is less than a horse, or H2O is less than snow, ice, etc. The higher the category, the
less specified and more abstract it is.
(c) A different solution is offered by Generative Phonology. This approach says that any
variant can be taken as the underlying one if, by applying the right rules in the right order, we
can derive the required surface pronunciation. The rules will then “map” the underlying form
of words onto their surface form, that is, they convert phonemes into speech sounds.
The derivation in (3) shows L-darkening (as well as other rules: Aspiration and Un-
stressed Vowel Reduction, to make the picture more complete).
(If a sound is affected, the changed sound is written under its starting form. The rules
appear between the two horizontal lines. n.a. = not applicable.)
As we see, the L-Darkening Rule applies to belt and tell me (but not to leg or tell us, where
the /l/ is before a vowel). The Aspiration Rule applies to the /t/ of tell (but not belt, where it is
final). The Unstressed Vowel Reduction Rule applies to us (but not to me, because final /i/ is
never reduced to /ə/).
4
Interestingly, this is exactly what English spelling does: it uses the same letter L for both variants.
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 4
If we follow the principle of complementary distribution, we’ll have to say that [h] and [ŋ] are
allophones of one phoneme! This is counter-intuitive and ought to be avoided. We may point
out that [h] and [ŋ] are not similar enough to be allophones of one phoneme – but this might
sound vague and impressionistic, for what is “similar”? To put it more precisely, we say that
they do not form a natural class: they do not share any feature which would not be shared by
other sounds. Their only common feature is that they are both consonants; but that is not
unique to them, as there are many other consonants. The allophones of a phoneme must ex-
clusively share at least one distinctive feature (or feature-combination) not shared by other
sounds. In the case of [l] and [ɫ] this feature was [+lateral], since no other sounds share this
manner of articulation. The sounds [h] and [ŋ] do not satisfy this “exclusive similarity” re-
quirement, so they must be analysed as two distinct phonemes even though they are in com-
plementary distribution.
2.4. Neutralization
There are cases where two phonemes behave like allophones. Consider English /s/ and /ʃ/.
These are phonemes, producing minimal pairs: so – show, mass – mash, parcel – partial,
(uni)versal – (contro)versial, etc. But there is one position in which their appearance is pre-
dictable: at the beginning of a word when followed by a consonant (the “initial-preconsonan-
tal” position):
The symbolization “#__Cnot r” means “before any consonant except /r/”: in this position only
/s/ can occur (stub), because there are no English words beginning with /#ʃt-/, /#ʃm-/, etc. On
5
Remember that orthographic h is silent before a consonant or word-finally, so words like John,
Sarah, shah, Noah do not have [h] (BEP 4.41).
6
There are words in which [ŋ] is before a vowel, but these are all made up of free stem plus suffix, so
they do not belong here, e.g. sing#er [ˈsɪŋə], slang#y [ˈslæŋi]. A real irregularity is hangar /ˈhæŋə/.
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 5
the other hand, when the second consonant is /r/, only /ʃ/ can occur (shrub), because there are
no English words beginning with /#sr-/. This is complementary distribution. In this position
/s/ and /ʃ/ do not contrast: their opposition is neutralized.
Neutralization means that two phonemes suspend their contrast in a particular position. In this
neutralizing environment the two sounds behave like allophones.
The /s/ – /ʃ/ problem is different from the /h/ – /ŋ/ problem because [s] and [ʃ] are really
similar sounds, forming a natural class: they (and only they) are the voiceless alveolar frica-
tives of English. How can we answer the problem of their behaviour?
7
Similar neutralizations from Hungarian:
n and ny are phonemes (kén ‘sulphur’ ↔ kény ‘whim’), but are neutralized before ty, gy, where only
ny can be pronounced: hangya [hanygya] ‘ant’, pinty [pinyty] ‘finch’.
o and ó are phonemes (kor ‘age’ ↔ kór ‘illness’), but are neutralized word-finally, where only ó can
appear: olló ‘scissors’.
8
Hung. ’szem elől téveszt egy általánosítást’.
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 6
This mapping correctly expresses that in stub/shrub the /s/ ~ /ʃ/ choice is predictable (= rule-
governed), as it is in allophonic rules. The generative approach recognizes that contrast can be
locally determined, i.e. it is valid in some places but not in others.
9
See BEP 8.17-19 for details.
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 7
Once a phoneme, always a phoneme, says the taxonomic school: in that approach Vowel-
Shift must be regarded as alternation between phonemes, that is, allomorphic alternation,
which assumes that these stems simply have two different lexical representations (just like
foot–feet or teach–taught), from which the speaker chooses the appropriate form. But while
foot and teach are really irregular, the vowel-shifting stems like grave behave quite predicta-
bly. So once again we see that the taxonomic approach is logical and disciplined, but it misses
a generalization by treating grave–gravity the same way as foot–feet or teach–taught.
There are four such abstract vowels, symbolized with letters of the alphabet (very much as it
happens in English spelling!), in capitalized form. The absract vowels each have two “daugh-
ter” phonemes. They are listed in (10), with their properties. You will note that the properties
are very vague if they are to embrace both “daughters” of the abstract phoneme.
In this approach cape, favourite, basic have lexical /eɪ/, and cap, parody, matter have lexical
/æ/, because they do not undergo Vowel Shift; their vowel is stable (= non-alternating). Stems
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 8
with alternating vowels, like grave, nation, vain have lexical //A//, so //grAv//, //nAʃən//,
//vAn//.10
spelling UR SR
cape, favourite, basic /eɪ/ /eɪ/ – nonalternating stems
cap, parody, matter /æ/ /æ/ – nonalternating stems
grave, nation, vain } //A// /eɪ/ ~ /æ/ – alternating stems
gravity, national, vanity }
This solution has a weakness: the abstract vowels //A, E, I, O// listed above do not have
well-definable features that would distinguish their “daughter phonemes” on the basis of ex-
clusive similarity (see 2.3 above). For example, the abstract element //A// in the lexical repre-
sentation of grave, nation, vain, etc., has the daughter phonemes /eɪ/ and /æ/, of which [æ] is a
low vowel, while the diphthong [eɪ] starts with mid [e] and ends with high [ɪ]. Unfortunately
these properties cross over with the daughters of abstract //E//, namely /e/ and i:/ (the lexical
representation of metre–metric, severe–severity, etc.). The diagram below shows that the
vowel-height of the abstract vowels //A// and //E// cannot be specified exclusively, since their
realizations cross over:
We must conclude that the abstract “vowels” in (10) are too vague and too cross-positioned to
be proper phonological segments. They are useful as morpho-phonological abbreviations ex-
pressing the working of Vowel Shift in that stem.
Another solution would be to arbitrarily pick one “daughter” to be the underlying seg-
ment (say, /eɪ/ for grave) and turn it into the other when necessary (so gravity would be UR
//greɪvəti// → SR /ˈgrævəti/); but the problem with this would be that there are cases like ba-
sic /ˈbeɪsɪk/ (and not */ˈbæsɪk/), obesity /oʊˈbi:səti/ (and not */oʊˈbesəti/), where Vowel Shift
fails to take place without apparent reason. These are called “lexical exceptions” because
their sound shape does not explain their not undergoing a rule. They show that the rule is not
a real phonological one, because a pronological rule (like L-darkening) never has any excep-
tions.
All in all, Vowel Shift has to be regarded as an 80 per cent reliable morpho-phono-
logical tendency. True, the spelling usually has the same vowel-letter for the alternants, so
10
An analogous Hungarian example is provided by stable vowels such as gyár ~ gyárak ‘factory/ies’
(lexical /a:/), nyak ~ nyakak ‘neck/s’ (lexical /ɔ/), as opposed to stem-internal shortening vowels
such as nyár ~ nyarak ‘summer/s’ (lexically an abstract vowel, perhaps /A/).
English Phonological Analysis – Chapter 2 – ABSTRACTNESS (Autumn 2013) 9
the letters a, e, i, o act practically like abstract underlying segments – but the existence of
lexical exceptions undermines the phonological status of Vowel Shift.
Study this table carefully:
We have shown that an abstract representation, which needs complex rules to map it onto the
surface, is more economical and often more insightful than the “rich” (i.e. surface-close) rep-
resentations used in introductory textbooks and practical dictionaries.
END OF CHAPTER 2