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II. LEXICO-GRAMMAR (20 POINTS)

Part 1. For questions 26-35, choose the correct answer A, B, C or D to each of the following
questions and write your answers in the corresponding numbered boxes provided.
26. The interrogators gave the suspect ________ to get as much information as possible.
A. the cold shoulder B. the death stare C. the third degree D. the glad eye
27. The public was distraught after hearing the investigators’ failure to _________ the cause
of the wildfires in Hawaii.
A. lay down B. nail down C. tick down D. stick down
28. As globalization is the buzzword in this day and age, _________ is widely condemned
throughout the world.
A. obsequiousness B. capitulation C. insularity D. magnanimity
29. Although the party gained a clear majority in the election, its philosophy remained
_________, never achieving a clear and consistent form.
A. nebulous B. versatile C. appealing D. obstinate
30. We had planned a wonderful lawn party, but our hopes were _______ when it rained cats
and dogs.
A. spoiled B. dashed C. smashed D. hit
31. In order to meet the demands of the customers at short notice, the manufacturing team
resorted to _________ as many workers as possible.
A. copping out B. roping in C. whipping up D. pushing on
32. Selena is depressed because all her efforts in ___________ for a promotion have been
wasted.
A. going through hoops B. going round the house
C. going with the flow D. going with the territory
33. Getting back from the premier, my cousin _________ recommended the movie and even
gave me free tickets for it.
A. spectacularly B. specifically C. definitely D. thoroughly
34. It’s _________, Novak Djokovic’s spirit is indomitable in the tennis world, making him
one of the legends.
A. no contest B. no exam C. no test D. no competition
35. He was widely poured scorn on __________ his public endorsement of xenophobia.
A. in lieu of B. ahead of C. in advance of D. courtesy of
Your answers
26. 27. 28. 29. 30.
31. 32. 33. 34. 35.

Part 2. For questions 36-40, write the correct form of each bracketed word in the numbered
boxes provided.
36. Even with the most damning evidence, the suspect still had the __________ to deny his
crimes. (FRONT)
37. To think that a __________ tennis player such as him would lose a match in the first round
is absurd. (SUM)
38. The teenaged _____ has taken the whole world by storm ever since his debut. (KIND)

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39. After experiencing writer’s block for several months, Helen finally felt a wild idea
_________ in her head. (GERM)
40. Being afraid to wake his wife up, Jimmy opened the door ________. (GINGER)
Your answers
41. 42. 43. 44. 45.

Part 3. The passage below contains 05 mistakes. For questions 41-45, UNDERLINE the
mistakes and WRITE YOUR CORRECTIONS in the numbered space provided.
On social media, Stanley collectors show off shelves of Your Answers:
their rainbow-hue, stainless steel treasures or gush over 41.
stickers and silicone doohickies to accessorize their 42.
43.
favorite cups. Even those fortunate enough to avoid the
44.
hype have likely seen enough of these jumbo hydration 45.
totems in the wild to grasp the cultural moment that is
footed.

The Stanley 1913 brand has been around for more than
a century, so in recent years the company has expanded
its signature line of humble green workaday drink into a
limitless array of colors, designs and collaborations that
are so popular they incite near-violence.

The insatiable FOMO need to own a Stanley cup comes

from savvy marketing. When eyeing a brand revamp in
2020, Stanley’s global president Terence Reilly
specifically chose women as potential new consumer
base. Then, with a new palette of colors and designs, the
company relied on trusted influencers on social media
to get the word out. The strategy worked, as Stanley
cups gained rabid popularity for its candy-like array of
colors and its ability to keep beverages hot and cold for
long periods of time. Those cups are so simple, so
necessary, may be the key to why they’re also the
subject of so many consumer fantasies. The habitual
meets the aspirational when social media posts adding a
shiny, new Stanley cup to a lifestyle marked by clean,
responsible, well-hydrated order, making us crave for it
even more.

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III. READING (50 POINTS)

Part 1. For questions 46-55, fill each of the following numbered blanks with ONE suitable
word and write your answers in the corresponding numbered boxes provided.
Heat can be deadly. In the United States, heat causes more fatalities than any other natural
disaster, 46. ________ floods, tornados and hurricanes.
Our bodies normally have ways to handle the heat. As blood 47. ________ just below the skin's
surface, it releases heat. Evaporating sweat helps to cool our skin. But these methods work only
up to a certain 48. ________. And as temperatures and humidity climb ever higher during heat
waves - dampening our ability to cool down with dispersal or evaporation - we become more
49. ________ to unrelenting heat.
Several body systems become stressed 50. ________ prolonged hot temperatures. Pushing
blood toward the skin in a(n) 51. ________ to cool the body can deprive vital organs like the
heart and lungs of oxygen. Excess sweating increases the risk of 52. ________, putting
additional pressure on the heart to pump blood thickened from lack of water. The kidneys,
which need water to regulate fluid levels and 53. ________ toxins from blood, also suffer.
Body temperatures that climb too high can lead to faintness, headache and dizziness, hallmarks
of heat exhaustion. Heat exhaustion can progress to heat stroke 54. ________the body doesn't
cool down, causing overheated, oxygen-deprived organs to fail. People with heat stroke may
become delirious or have seizures, suffer from permanent organ damage or 55. ________ die.
Your answers
46. 47. 48. 49. 50.

51. 52. 53. 54. 55.

Part 2. For questions 56-68, read the following passage and do the tasks that follow.

Gift-giving
Every day, millions of shoppers hit the stores in full force—both online and on foot—searching
frantically for the perfect gift. Last year, Americans spent over $30 billion at retail stores in the
month of December alone. Aside from purchasing holiday gifts, most people regularly buy
presents for other occasions throughout the year, including weddings, birthdays, anniversaries,
graduations, and baby showers. This frequent experience of gift-giving can engender
ambivalent feelings in gift-givers. Many relish the opportunity to buy presents because gift-
giving offers a powerful means to build stronger bonds with one’s closest peers. At the same
time, many dread the thought of buying gifts; they worry that their purchases will disappoint
rather than delight the intended recipients.
Anthropologists describe gift-giving as a positive social process, serving various political,
religious, and psychological functions. Economists, however, offer a less favorable view.
According to Waldfogel (1993), gift-giving represents an objective waste of resources. People
buy gifts that recipients would not choose to buy on their own, or at least not spend as much
money to purchase (a phenomenon referred to as ‘‘the deadweight loss of Christmas”). To wit,
givers are likely to spend $100 to purchase a gift that receivers would spend only $80 to buy
themselves. This ‘‘deadweight loss” suggests that gift-givers are not very good at predicting
what gifts others will appreciate. That in itself is not surprising to social psychologists.

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Research has found that people often struggle to take account of others’ perspectives— their
insights are subject to egocentrism, social projection, and multiple attribution errors.
What is surprising is that gift-givers have considerable experience acting as both gift-givers
and gift-recipients, but nevertheless tend to overspend each time they set out to purchase a
meaningful gift. In the present research, we propose a unique psychological explanation for
this overspending problem—i.e., that gift-givers equate how much they spend with how much
recipients will appreciate the gift (the more expensive the gift, the stronger a gift-recipient’s
feelings of appreciation). Although a link between gift price and feelings of appreciation might
seem intuitive to gift-givers, such an assumption may be unfounded. Indeed, we propose that
gift-recipients will be less inclined to base their feelings of appreciation on the magnitude of a
gift than givers assume.
Why do gift-givers assume that gift price is closely linked to gift-recipients’ feelings of
appreciation? Perhaps givers believe that bigger (i.e., more expensive) gifts convey stronger
signals of thoughtfulness and consideration. According to Camerer (1988) and others, gift-
giving represents a symbolic ritual, whereby gift-givers attempt to signal their positive attitudes
toward the intended recipient and their willingness to invest resources in a future relationship.
In this sense, gift-givers may be motivated to spend more money on a gift in order to send a
“stronger signal” to their intended recipient. As for gift-recipients, they may not construe
smaller and larger gifts as representing smaller and larger signals of thoughtfulness and
consideration.
The notion of gift-givers and gift-recipients being unable to account for the other party’s
perspective seems puzzling because people slip in and out of these roles every day, and, in
some cases, multiple times in the course of the same day. Yet, despite the extensive experience
that people have as both givers and receivers, they often struggle to transfer information gained
from one role (e.g., as a giver) and apply it in another, complementary role (e.g., as a receiver).
In theoretical terms, people fail to utilize information about their own preferences and
experiences in order to produce more efficient outcomes in their exchange relations. In practical
terms, people spend hundreds of dollars each year on gifts, but somehow never learn to
calibrate their gift expenditures according to personal insight.
For questions 56-62, decide whether the following statements are True (T), False (F) or Not
Given (NG). Write T, F, NG in the corresponding numbered boxes provided.
56. Nearly $30 billion was expended on gift-giving during December of last year.
57. Individuals may be deterred from gift-giving due to the prospects of dissatisfying the
recipients.
58. The expenditure on a present often exceeds the expectations of the recipient.
59. Contrary to givers’ optimism, there is little to suggest that a costly present is tantamount
to pleasure.
60. Gifts of immense worth serve the sole purpose of demonstrating one’s commitment to
interpersonal bonds.
61. The frequency with which people give and take renders certain beliefs behind gift
exchange questionable.
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62. Experience acquired from gift-receiving cannot be harnessed for the purpose of gift-
sharing.
For questions 63-68, read the summary and fill in each blank with NO MORE THAN
THREE WORDS taken from the passage. Write your answers in the corresponding
numbered boxes provided.
Whilst gift-giving has become a staple in modern times, its prominence may also breed
63.________ among potential givers. Despite being heralded as a 64. __________ for its
multifarious merits, the practice is still considered a drain of valuable resources owing to
an anomaly called the 65. _______, where inaccurate presumptions of givers exist. This
lack of veracity is attributable to over-expenditure, though recipients may not entirely
cherish the gift merely on the grounds of its 66. _______. Receivers, indeed, may not share
the same view as gift-givers that more pricey presents act as a token of greater 67.
________. Consequently, not only will individuals try in vain to nurture more desirable
relationships, but they also fail to match 68. _________ with budgets dedicated to gift
exchange.
Your answers
56. 57. 58. 59. 60. 61. 62.
63. 64. 65. 66. 67. 68.

Part 3. In the passage below, seven paragraphs have been removed. For questions 69-75,
read the passage and choose from the paragraphs A-H the one which fits each gap. There is
ONE extra paragraph which you do not need to use. Write your answers in the
corresponding numbered boxes provided.
THE SOUND OF SILENCE
Twenty people-specialists, experts, thinkers sit around a seminar table. They might be
discussing education, the stock market or one of a whole range of issues. Although people are
speaking, no one is saying anything. At least half of the participants have an original idea at
the front of their mind. But they do not share it because it is too valuable. They are afraid that
one of the others will steal the idea and use it, publish it or sell it before they do. Their
intellectual property is at risk.

69.

There has always been a reluctance to share new ideas in professions linked to the media, but
it's a phenomenon that seems to be spreading, especially into the world of policy. It is finding
its way into government departments and the think tanks, those groups of intellectuals and
academics whose job it is to inform and inspire government policy. On an individual level,
hoarding and hiding make good sense, but collectively it impoverishes conversation potentially
to the detriment of good policymaking.

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70.

In other words, you cannot feel the quality of an idea before deciding whether to buy it or not.
This means that ideas make bad commodities. Pricing, in the usual economic sense, is
impossible because the value of the product is not physically captured at least, not immediately.
This is why intellectual property lawyers are licking their lips, and why one academic has just
taken out the first- ever patent on an idea.

71.

On the face of it, the argument that we are becoming intellectual misers flies in the face of
current developments. Isn't the Internet democratising knowledge? And what about the free
software at the heart of cyberspace? Far from living in monastic silence, aren't we being
bombarded with ideas and information?

72.

All this means that intellectual generosity is becoming rarer and much more precious. It also
elevates the role of trust. If my colleague gives me an idea, and I pass that idea on, either in
print or through conversation, it's critical that I "tag" it as hers, rather than succumbing to the
temptation to pass it off as my own.

73.

There are issues for employers here, too. When someone's ability to add value rests on their
skill at coming up with ideas, how do managers ensure that they are working as hard as they
should be? Maybe they are storing up the best stuff for the online consultancy they run from
home.

74.

Moreover, educational institutions and organizations need to play a pivotal role in fostering
this culture of intellectual generosity. By emphasizing the importance of collaboration and
proper attribution early on, we cultivate a generation of thinkers who value sharing over
secrecy. Academic and professional environments should reward those who contribute to the
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collective knowledge pool, ensuring that recognition aligns with the principles of trust and
openness.

75.

So if we want to encourage intellectual generosity, as well as fostering an atmosphere of co-

operation rather than distrust, we need to tag ideas to the person they originally came from. So
how about it? As John Knell puts it: do you dare to share?
___________________________________________________________________________
Missing paragraphs:
A. At the same time, people now have the ability to broadcast their thoughts to a global
audience in real-time, bypassing traditional gatekeepers such as publishers and media
outlets. This has democratized the spread of information but also introduced new challenges
in verifying the originality and credibility of the ideas being shared.
B. Ultimately, the challenge lies in balancing the protection of intellectual property with the
need for open exchange. While legal frameworks and tagging systems can provide a
structure, the real change must come from a shift in mindset. Embracing a culture of
intellectual generosity not only enriches our conversations and policies but also paves the
way for groundbreaking advancements that can only arise from true collaboration.
C. Such a system of tagging would mean that my colleague continues to reap the rewards of
her intellectual labour, making her more willing to share her ideas with others in the future,
and it would also mean that our conversations would be free of the fear of theft. In short,
she will trust me, and vice versa, thus ensuring a free flow of information.
D. In most cases, the desire of workers to be recognised as talented, to win promotion and gain
greater financial rewards is sufficient incentive, but managers need to ensure that good
ideas are credited property through tagging, to keep the best minds on board.
E. This new intellectual coyness highlights the peculiar quality of information and ideas in a
market economy. The essential problem is this: you cannot know the value of a piece of
information, still less an original idea, unless you know what it is. But once gleaned, it
cannot be returned to its originator intact.
F. Images of the so-called ‘new economy’, that much talked about product of the age of
information are of complexity and hubbub. You get the sense that it is a noisy place. In
fact, however, such is the fear of being intellectually gazumped that people who you might
think of as being in the driving seat of that new economy are becoming rather cagey, and
as a result, it echoes to the I sound of silence as received wisdoms are recycled.
G. But legal and contractual approaches to the problem are of limited use. Many of the best
ideas come out of a conversation between two people. Who, then, do they belong to? And
the danger of legally based approaches is that they will make us more guarded, not less so.

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H. Well, yes. But most of the information we receive is of limited value. How many people
who have a truly innovative idea will broadcast it on the web? Some, hut 57 not many.
With so much guff all over the place, the value of an original idea is all the more worth
guarding.
Your answers
69. 70. 71. 72. 73. 74. 75.

Part 4. For questions 76-85, read an extract from an article and choose the answer A, B, C
or D that fits best according to the text. Write your answers in the corresponding numbered
boxes provided.
Strange as it may seem, consumer watchdogs are convinced that burgeoning online shopping
numbers will not result in the death of the High Street. Instead, it will force an evolution in
terms of the shopping experience.
It is becoming increasingly clear that the under 40s rely on the existence and security of a retail
outlet if only for somewhere to check the item they want to buy. However, frequently, their
spot of research may ultimately lead to an online transaction when it comes to the actual
purchase. It is common practice for the consumer to enter a store to get a physical idea of their
intended purchase, use their phone to compare the store price of their prospective purchase
with those found online, and then opt for the best price available.
The phenomenon has been dubbed 'showrooming' and has led to many large supermarket
brands opening what's known as 'dark stores', which in turn are creating thousands of new jobs.
They're not designed for your typical shopper, in fact they're ugly purpose-built warehouses
that are never likely to see a real shopper. They are merely there for the growing population of
insatiable online shoppers. Imagine an enormous supermarket with fully stocked shelves, no
customers, no garish advertising and no busy tillpoints. That pretty much sums them up. They
are populated by busy 'personal shoppers' filling up trolleys with customer's orders; and the
only face these retailers have is the driver who delivers the shopping.
Dotcom food shopping is still in its infancy but is predicted to double in value over the next
five years to an enormous 12 billion. In fact technology-driven consumer behaviour will
generate growth across at least twenty different retail sectors resulting in an estimated 1.5
trillion in future sales by 2016. Clearly there is money to be made in spite of the economic
downturn in Europe.
When it comes to food, the need to see what you buy is not quite as great, but especially within
the clothing sector, most shoppers would rather have a tangible idea of what they're spending
their money on. Because so many consumers are frequently connected to the Internet to
research and analyse their purchase either by price checking or through social shopping,
retailers are faced with the challenge of finding ways to make being connected part of the
shopping experience. Visualisation technologies are likely to feature much more heavily,
making it easier to actually see items. In the furniture sector, for example, people will virtually
place items in their homes and ensure that they suit as well as fit the environment. Already it's
possible to see mini videos of modelled clothing, and technology packages will reflect this
requirement by becoming faster and more efficient processes for mobile devices.

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Yet, if people want to go into bricks and mortar shops, technology does dictate that
'showrooming' is here to stay, which forces the high street retailer to reassess the role of the
store. For smaller stores it is likely to mean partnering up with larger outlets to allow a greater
flexibility in terms of pricing, but large flagship stores are going to become more like brand
cathedrals where, rather than being places for purchasing, they will evolve into interesting areas
for advertising the product while customers are free to purchase online.
In truth, many big name designer retailers have already started doing just this. With growing
competition to draw people to their sites, they are developing consumer concepts which go far
beyond the mere displaying of product. Architecture is key, as well as clever interior designing
often coupled with interesting design exhibits, so that the experience becomes artistically
stimulating while potentially encouraging a purchase. Rifling the racks is not enough and any
store has to offer something extra. This will be a key consideration for town planners and
developers if they want to keep the average high street bricks and mortar shops open. Yes, their
physical existence is reassuring, but they are most definitely going to have to go that extra mile
to get numbers through their doors. Shopping really isn't just about the purchase anymore, it's
about an entire experience involving recreational options and eating choices in addition to the
retail element. A clever marriage of shop, restaurant, museum, salon -and art gallery is going
to be key. If it was the over 40's only in the shops, the town centre as we know it would be
dead.
76. What claim have consumer watchdogs made about the High Street?
A. It has no future.
B. It has little appeal for the younger generation.
C. It will need to reinvent itself.
D. It offers much to the online shopper.
77. Why are some consumers choosing not to purchase in store?
A. Because they are dissatisfied once they actually view the items.
B. Because they find more favourable deals elsewhere.
C. Because there is no showroom.
D. Because they are dissatisfied with the service.
78. What is least likely to be driving the opening of 'dark stores'?
A. The dramatic rise in online shopping.
B. The need to cut supermarket running costs.
C. The potential for generating more revenue.
D. The need to meet customer demands.
79. The word "garish" in the passage is closest in meaning to
A. scant
B. shiny
C. colorful
D. showy
80. What is the projected impact of technology-driven consumer behavior on retail sectors,
including dotcom food shopping?
A. Online food shopping will expand to twice its current worth, contributing to an
aggregate growth of 1.5 trillion across various sectors by 2016.
B. Technology-driven consumer behavior will stabilize the value of online food shopping
while diminishing the impact on other retail sectors.
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C. Economic downturn in Europe will obstruct the growth of online food shopping and
constrain technology-driven retail sales.
D. Online food shopping will witness minimal growth, but other retail sectors will
experience substantial increases, totaling 12 billion by 2016.
81. Why do shoppers particularly prefer to see what they are buying in the clothing sector?
A. Clothing is more costly than food.
B. Clothing necessitates a tactile assessment.
C. Limited online availability for clothes.
D. Less online investigation for food.
82. In what way might developments in visualisation technology hinder the survival of bricks
and mortar stores?
A. By reducing the need to visit stores.
B. By increasing high street rental costs.
C. By forcing more online transactions.
D. By introducing a more attractive element to the shopping experience.
83. What techniques have some retailers used to attract customers?
A. They have improved their advertising campaigns.
B. They have evolved their product range.
C. They have turned their stores into galleries.
D. They have found ingenious ways to create cutting edge retail spaces.
84. The word “this” in the last paragraph refers to
A. reassessing the role of the store
B. partnering up with other outlets
C. evolving into areas for advertising
D. being places for purchasing
85. An appropriate title for the passage could be
A. The decline of online shopping
B. High-street shopping unaffected by technology
C. The irrelevance of retail outlets in modern shopping
D. The changing face of shopping
Your answers
76. 77. 78. 79. 80.

81. 82. 83. 84. 85.

Part 5. The passage below consists of five paragraphs marked A, B, C, D and E. For
questions 86-95, read the passage and do the task that follows. Write your answers in the
corresponding numbered boxes provided.
My favourite Shakespearean role
Five actors who are very experienced at playing characters from the plays of Shakespeare
explain their favourite role to play
A Sir Alan Wallace as Macbeth
As an experienced actor with a profound appreciation for the works of William Shakespeare,
my favourite role to date has been Macbeth. Portraying the ambitious and troubled Scottish
general allowed me to explore the complexities of human nature. I relished the challenge of

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capturing Macbeth's transformation from a brave and noble warrior to a ruthless tyrant dealing
with feelings of guilt. Shakespeare's language provides some great material for an actor, and
Macbeth's speeches are particularly captivating. The famous "Tomorrow, and tomorrow, and
tomorrow” speech encompasses the despair and hopelessness that Macbeth experiences. It's a
moment where the character's vulnerability is clear to everyone, and, as an actor, I strive to
convey the raw emotions embedded within the words. The role continues to challenge and
inspire me, allowing me to explore the depths of human nature through the lens of
Shakespeare's genius.
B Dame Julie Dear as Lady Macbeth
Lady Macbeth always has a special place in my heart. This powerful and extremely complex
character has been a source of endless fascination throughout my career. Portraying her journey
from a manipulative and ambitious woman to a tormented soul consumed by guilt is a true
acting challenge. Lady Macbeth's speech in Act 1, Scene 5, where she calls upon the spirits to
fill her with cruelty, demonstrates her strong will and burning desire for power. Exploring the
depths of her mind, I aim to convey her internal struggles and the tragic consequences of her
actions. What I find most intriguing about Lady Macbeth is her status as a woman in a male-
dominated world. Through her character, Shakespeare provides a fascinating exploration of
femininity and the destructive forces that can arise when ambition is out of control.
C Ian Stewart as King Lear
In my award-winning career, one Shakespearean role stands out above all others, and that is
the tragic figure of King Lear. This complex character exhibits the full range of human
emotions. One of the most powerful scenes in the play occurs during the storm on the heath,
where Lear confronts the harsh realities of his own stupidity. The raw vulnerability and
emotional turmoil of this moment provide an immense challenge for any actor. It is a scene
where the full force of Lear's internal struggle becomes apparent, and I strive to convey his
pain and anguish with utmost sincerity. King Lear offers a profound examination of human
nature, exposing the fragility that can consume even the mightiest of individuals. The poetic
richness of his speeches, particularly during the emotional moments of self-reflection, gives
me the opportunity to connect with the audience on a deeper level. It is a great challenge, but
also a privilege to bring such a complex character to life.
D Kevin Woods as Hamlet
Ah, the world-famous Prince of Denmark, Hamlet! It is with great enthusiasm that I declare
this Shakespearean role to be my absolute favourite. The complexities of Hamlet's character,
his philosophical reflections and his quest for justice provide a treasure trove for any actor.
Hamlet's speech in Act III, Scene 1, where he considers the nature of existence with the iconic
phrase "To be, or not to be', remains one of the most renowned passages in all of literature. It
is a moment of reflection that demonstrates the depth of Hamlet's psyche. Bringing this
extensive inner life to the stage is a challenge I really enjoy. What sets Hamlet apart is his
multi-dimensionality. He is simultaneously a scholar, a philosopher, a son seeking revenge and
a prince caught in the web of political intrigue. Examining all of these layers and portraying
the intricate emotions of a character trying to come to terms with life's most profound questions
is an exhilarating journey for an actor.
E Dame Mary Small as Beatrice in "Much Ado About Nothing"

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When it comes to Shakespearean roles, I am extremely fond of the quick-witted and spirited
Beatrice from Much Ado About Nothing". Portraying this fiercely independent and fiery
character has been a true delight throughout my career. Beatrice's sharp wit and her ability to
hold her own in a world dominated by men make her a timeless and empowering figure. She is
a woman unafraid to speak her mind and challenge norms and expectations in society. It is a
joy to bring her vibrant energy and dark humour to the stage. Shakespeare's language in 'Much
Ado About Nothing' is particularly playful and filled with witty exchanges. The dialogue
between Beatrice and Benedick is a delight to perform, as they shoot comments at each other,
like two tennis players passing a ball. Portraying Beatrice also allows me to celebrate the
strength and intelligence of women while also reminding audiences of the power of love and
the importance of embracing vulnerability.
In which section are the following mentioned?
86. a scene where a character is confronted by an uncomfortable truth
87. an appreciation of a character's contradiction of society's expectations of them
88. still having to work hard to portray a character despite having done it many times
89. an appreciation of how their character can behave in many different ways
90. the significant change in the personality and behaviour of a character
91. how a Shakespearean character can go beyond conventional gender boundaries
92. finding a way to access what is going on in the mind of their character
93. the linguistic complexities of a character's speeches
94. the amusing back-and-forth between their character and another character
95. how their character experiences remorse
Your answers
86. 87. 88. 89. 90.

91. 92. 93. 94. 95.

IV. WRITING (60 POINTS)

Part 1. Read the following extract and use your own words to summarize it. Your summary
should be between 100 and 120 words.
HOLIDAY BLUES
The holiday season has always been a cause for celebration around the world. The opportunity
to take a break from work, be frivolous, go on holiday, meet family and friends – all good
reasons to look forward to the holidays with enthusiasm and anticipation. Or at least that is
what we are led to believe. Research carried out in America suggests that these feelings of
euphoria may be somewhat misplaced. A study recently carried out by the New York
University Child Study Centre has concluded that one in three people of varying ages suffer
‘holiday blues’ to varying extents, from a mild feeling of sadness to severe, sometimes even
suicidal, depression.

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