MCFirstGettingStarted
MCFirstGettingStarted
The topics in this document provide a quick start for installing and using Media Composer | First.
This document is meant to get you running quickly with Media Composer | First. This document is
not meant to provide descriptions of all the features in the editing application. For more detailed
information, see the Media Composer | First Help or the Media Composer | First User’s Guide.
• Downloading and Installing Media Composer | First
• Launching Media Composer | First
• Creating a Project
• Accessing Your Footage
• Creating a Sequence
• Publishing Your Story
6. Sign In to your Avid Master Account. NOTE: You cannot launch Media Composer | First if you
are not signed into your Avid Master Account. Continue with Launching Media
Composer | First.
6. Sign In to your Avid Master Account. NOTE: You cannot launch Media Composer | First if you
are not signed into your Avid Master Account. Continue with Launching Media
Composer | First.
Creating a Project
When you first open Media Composer | First, a window opens where you can create a project or open
an existing project.
To create a project:
1. Enter a name for your project.
2. Click Create.
The application opens with a default workspace.
Top row: Project Window, Sequence Bin and Clip Bin, Source and Record monitors
Bottom row: Source Browser, Timeline
The following describes the windows that initially open when you create a project:
Window Description
Sequence Bin and Clips Bin Bins are locations for organizing and managing
your media. You can create up to 5 bins.
Source and Record Monitors The Source Monitor (left monitor) displays the
currently loaded clip. The Record Monitor (right
monitor) displays the frame at the current position
of a loaded sequence in the Timeline.
Window Description
The clips appear in the bin. Linked clips appear with a link on the clip icon.
n You can also import or link clips by selecting them, right clicking and selecting Add to Bin.
Creating a Sequence
Once you have your media in the bin, you can begin to assemble the clips into the Timeline to create
your sequence. The following topics cover a basic workflow to edit your sequence.
• Marking IN and OUT Points
• Adding Clips to the Timeline
• Trimming
• Adding Effects to Your Sequence
Blue bar, Rewind - Fast Forward- Step Backward - Step Forward buttons, Play button
To create a sequence:
1. In the bin, select the first clip you want to add to the sequence and double-click to load the clip in
the Source Monitor.
2. Drag the selected clip to the Timeline.
If the first clip you are dragging to the Timeline is a linked clip, the Project Properties dialog box
opens.
3. The dialog box shows the image size and edit rate of the first clip you are dragging to the
Timeline. You can click OK to accept the selected clip size and edit rate, or select another raster
size and edit rate from the menus.
The selected clip appears in the Record Monitor and a graphical representation appears in the
Timeline.
4. In the bin, double click to load the next clip you want to add to the sequence to the Source
Monitor and click the Splice-In button below the Source Monitor.
5. Continue loading the clips in the Source Monitor and then click the Splice-In button to add the
clip to the sequence.
6. Once you have finished adding clips to the sequence, you can edit the sequence by trimming,
adding effects, and adjusting audio. See Editing the Sequence.
For more details on working in the Timeline, see “Using the Timeline” in the Help.
For more details on working in the Timeline, see Using the Timeline.
Trimming
Basic editing of a sequence initially produces a rough cut, which is loosely defined as a series of
straight-cut edits with many rough edges and few effects. After creating a rough cut, you can use trim
edits to fine-tune the transitions between each clip or between whole segments.
To perform a trim:
1. Click the Trim mode button to enter Trim mode.
2. Once you enter Trim mode, the Composer monitor changes to display Trim mode for trimming
transitions. Outgoing frames appear on the left monitor and incoming frames appear on the right.
Trim rollers appear at the nearest transition in the Timeline.
3. If you want to trim frames from the outgoing clip, click in the left monitor and then drag the trim
roller at the transition in the Timeline to the left to trim the frames. If you want to trim frames
from the incoming clip, click the right monitor and then drag the roller to trim the frames.
4. Continue trimming transitions if necessary. Once you are finished cleaning transitions, you can
add effects to your sequence.
5. Exit Trim mode. There are multiple ways to exit Trim mode: click on another mode button, for
example, the Source/Record mode button directly above the Trim mode button, or simply click
in the TC 1 ruler at the bottom of the Timeline.
For more details on using Trim mode, see “Working with Trim Edits” in the Help.
For more details on using Trim mode, see Working with Trim Edits.
Media Composer | First provides a number of effects that you can add to your sequence. In this
example, we’ll add a simple fade to a transition.
Audio Ducking is a feature that allows you to reduce the audio level of one or more audio tracks
when you want to hear the level of another audio track(s). For example, this is useful when you want
to lower the music on one track in order to hear the dialog on another audio track.
3. Select the Dialog and Music track(s) that you want to adjust.
4. (Optional) Select Use Marks if you want to set IN and OUT points to determine the starting and
ending frames for applying audio ducking.
5. Click Duck.
Keyframes are applied to the respective target tracks and you will visually see the ducking in the
track(s).
6. Play the sequence. The audio will playback with Audio Ducking applied.
7. (Optional) If you want to make adjustments to the Audio Ducking, click the Advanced opener in
the Audio Ducking dialog and make adjustments by choosing from the following options:
Option Meaning
Dialog track parameters Threshold: Enter a value to set how aggressive key frames will be
applied when analyzing the Dialog tracks.
Hold time: Enter a value in frames to set how long a track will
remain ducked after the last known peak above the threshold value
in the Dialog tracks.
Option Meaning
Music track parameters Attenuation: Sets how much the volume will be reduced in the
Music track(s).
Ramp time: Sets how many frames it takes to ramp the Music
track(s) down from or back to full volume.
Media Composer | First also provides several unique features that facilitate audio editing, such as
audio scrub, waveform displays, and tools for adjusting and mixing audio levels and pan between
speakers as well as the frequency ranges of segments.
For details on using these audio tools, see “Working with Audio” in the Help.
For details on using these audio tools, see Working with Audio.
Option Description
Set Choose the Set button to select the location where you want to place
the finished movie.
Type Choose what type of output you want to publish. Select either Video
and Audio, Video only, Still image, or Audio only
Format Choose the kind of file to be created. The options for Format change
according to the Type you selected:
• Video and Audio: Choose QuickTime
• Video only: Choose QuickTime
• Still Image: Choose either PNG or JPEG.
• Audio only: Choose Wave format, either Mono or Stereo
Codec Choose a compression type. The options for Codec change depending
upon the output Type you selected.
• Video and Audio: Choose h264 (a common format for
distribution of video content) or DNxHD.
• Video only: Choose h264 (a common format for distribution of
video content) or DNxHD.
Option Description
Qualtiy Set the quality for the compression. The options for Quality change
depending upon the output Type you selected.
• Video and Audio: Choose from Faster, Best, and Better
• Video only: Choose from Faster, Best, and Better
• Still Image: Choose from Best, Media, Least
Size Set the image dimension for the Video and Audio or Video Only
movie.
Audio Format Choose the Audio Format. The options for Audio Format change
depending upon the output Type you selected.
• Video and Audio: Linear PCM
• Audio only: Choose Wave format, either Mono or Stereo
3. Click OK.
A .mov will be saved to the local drive.
Option Description
Set Choose the Set button to select the location where you want to place
the finished movie.
Type Choose what type of output you want to publish. Select either Video
and Audio, Video only, Still image, or Audio only
Format Choose the kind of file to be created. The options for Format change
according to the Type you selected:
• Video and Audio: Choose QuickTime
• Video only: Choose QuickTime
• Still Image: Choose either PNG or JPEG.
• Audio only: Choose Wave format, either Mono or Stereo
Codec Choose a compression type. The options for Codec change depending
upon the output Type you selected.
• Video and Audio: Choose h264 (a common format for
distribution of video content) or DNxHD.
• Video only: Choose h264 (a common format for distribution of
video content) or DNxHD.
Option Description
Qualtiy Set the quality for the compression. The options for Quality change
depending upon the output Type you selected.
• Video and Audio: Choose from Faster, Best, and Better
• Video only: Choose from Faster, Best, and Better
• Still Image: Choose from Best, Media, Least
Size Set the image dimension for the Video and Audio or Video Only
movie.
Audio Format Choose the Audio Format. The options for Audio Format change
depending upon the output Type you selected.
• Video and Audio: Linear PCM
• Audio only: Choose Wave format, either Mono or Stereo
6. Click OK.
A Publish to social media dialog box opens.
n If you choose to upload to Vimeo and receive an error that the video is too long, click OK. The video
should upload successfully.
n It might be useful to save profiles for publishing your movies. See Create a Publishing Profile.
To create a Profile:
1. Right click a sequence and select Publish To > local drive or Youtube.
2. Select the desired settings for the Type of movie you want to Publish.
3. In the Profile name text field, enter a name for your profile.
To rename a Profile:
1. In the Publish dialog, select the profile you want to rename from the Profile pull down menu.
2. Click Rename profile.
3. Type a new name for the profile.
The new profile name appears in the Profile pull down menu.
To delete a Profile:
1. In the Publish dialog, select the profile you want to delete from the Profile pull down menu.
2. Click Delete profile.
A message box opens.
3. Click Yes.
The selected profile is deleted.