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    21st Century Report..

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    MJ Benedicto
    The 1986 EDSA Revolution marked a turning point in Philippine literature. [1] It led to the fall of Ferdinand Marcos' dictatorship and martial law regime, which had suppressed free expression and created conditions where collaboration was necessary for artists' survival. [2] Writing during martial law was characterized by militancy. After Benigno Aquino's assassination in 1983, literature took much of its direction from underground pro-democracy movements. [3] However, after Marcos' ouster in 1986, literary works showed some initial disorientation as writers explored new topics as individuals and groups.

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    21st Century Report..

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    MJ Benedicto
    108 views10 pages
    The 1986 EDSA Revolution marked a turning point in Philippine literature. [1] It led to the fall of Ferdinand Marcos' dictatorship and martial law regime, which had suppressed free expression and created conditions where collaboration was necessary for artists' survival. [2] Writing during martial law was characterized by militancy. After Benigno Aquino's assassination in 1983, literature took much of its direction from underground pro-democracy movements. [3] However, after Marcos' ouster in 1986, literary works showed some initial disorientation as writers explored new topics as individuals and groups.

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    The 1986 EDSA Revolution marked a turning point in Philippine literature. [1] It led to the fall of Ferdinand Marcos' dictatorship and martial law regime, which had suppressed free expression and created conditions where collaboration was necessary for artists' survival. [2] Writing during martial law was characterized by militancy. After Benigno Aquino's assassination in 1983, literature took much of its direction from underground pro-democracy movements. [3] However, after Marcos' ouster in 1986, literary works showed some initial disorientation as writers explored new topics as individuals and groups.

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    108 views10 pages

    21st Century Report..

    Uploaded by

    MJ Benedicto
    The 1986 EDSA Revolution marked a turning point in Philippine literature. [1] It led to the fall of Ferdinand Marcos' dictatorship and martial law regime, which had suppressed free expression and created conditions where collaboration was necessary for artists' survival. [2] Writing during martial law was characterized by militancy. After Benigno Aquino's assassination in 1983, literature took much of its direction from underground pro-democracy movements. [3] However, after Marcos' ouster in 1986, literary works showed some initial disorientation as writers explored new topics as individuals and groups.

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    1986 EDSA REVOLUTION

    • The year 1986 Demarcates the beginning of new scene in the unfolding of narrative
    contemporary Philippine literature.

    - It saw the fall of the dictatorship that President Marcos set up on September
    21, 1972,when he placed the Philippines under Martial rule, initiating a
    regime that did not only suppress the writter’s right to free expression but also
    created conditions that collaboration cooptation convenient choices for
    artists struggling for recognition and survival.
    - Writing under the. Martial Law Regime was characterized by militancy
    and belligerence , even when it showed up in the legal press.
    Especially after the assination Ninoy Aquino in 1983 , the temper of
    poetry and theatre derived much of its heat and direction from the
    political culture of the underground national democratic movement.
    - However, when the enemy were overthrown in 1986, the literary
    activity showed a certain disorientation manifesting itself in a
    proliferation of concerns taken up by individual writers and groups.
    • Post EDSA: 2 Creative Writing centers

    -Academic institutions were Creative Writing centers is part of the


    curricular
    - Writers’ organizations that periodically sponsor symposiaon writer or set up
    workshops for its member and other interested parties.
    WRITERS’ ORGANIZATIONS
    • UMPIL ( Unyon ng mga Manunulat ng Pilipino )
    • PANULAT ( Pambansang Unyon ng mga Manunulat )
    • Panday lipi
    • GAT ( Galian sa Arte )
    • Katha
    • LIRA ( Linangan sa Imahe , Retorika at Anyo )
    • GUMIL ( Gunglo Dagiti Manunurat nga Ilokano )
    • LUDABI ( Lubas sa Dalagang Bisaya )
    • PEN ( Pen, Essay and Novel )
    POST EDSA

    • La Tondeña, sponsors of the venerable Carlos Palanca Memoria


    Awards in Literature , has made the name “ Palanca “ a synonym for
    quality literary works in both English and Filipino.
    • The Natinal Commission for Culture and the Arts (NCAA) was
    created by law in 1992. It has Committeeon Literary Arts which funds
    workshops, conferences , publications and a variety of projects
    geared towards the production of a “ National Literature “. The
    committee has the aim of developing writing that is Multi-
    lingual,multi-cultural and truly national.
    • Non – governmental organizations have helped hand in hand with some
    institutions in giving recognition to writers from specifkc sectors in the society.
    These NGO’s includes the Amado V. Hernandez Foundation; the GAPAS
    foundation and the KAIBIGAN.

    • Campus publications are other group of outlet that is of importance As a


    source of non-traditional, experimental writing. These campus publications
    could either be a weekly students newspapers, quarterly, magazines,or
    annual Literary Journals.
    • Overall, the character of the Philippine literary scene after “EDSA”
    maybe pinpointed be referring to the theories that inform literary
    production, to the products issuing from the publishers, to the
    dominant concerns demostrated by the writers’ output,and to the
    directions towards which literary studies are tending.
    Characteristics of post EDSA Literature

    1.) There is in the academe an emerging critical orientation that draws


    its concerns and insights from the Literary theorizing current in England
    and the United States.
    2.) Post EDSA publishing has been marked by adventurousness, a
    wiilingness to gamble on “non-traditional projects.
    3.) The declining prestige of the new creticism, whose rigorous easthetic
    norms has previously functioned as a procusteanbed on which filipino
    authors and their works were measured, has open a gap in the critical
    evaluation of literary works.
    4.) The fourth and final characteristic of post EDSA writing is the
    development thrust towards the retrieval and the recuperation of
    writing in Philippine languages other than tagalog.

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