Camera movement equipment includes supports like tripods, monopods, jibs, cranes, and pedestals that allow mounting cameras for steady shots. Tripods have adjustable legs and pan/tilt heads to balance cameras. Jibs and cranes can swing cameras out over areas or perform smooth movements. Steadicams and stabilized camera mounts help keep shots steady while moving. Beanbags, tracks, and robotic pedestals also provide camera mounts for various situations. Proper equipment selection helps ensure steady, carefully composed shots.
Camera movement equipment includes supports like tripods, monopods, jibs, cranes, and pedestals that allow mounting cameras for steady shots. Tripods have adjustable legs and pan/tilt heads to balance cameras. Jibs and cranes can swing cameras out over areas or perform smooth movements. Steadicams and stabilized camera mounts help keep shots steady while moving. Beanbags, tracks, and robotic pedestals also provide camera mounts for various situations. Proper equipment selection helps ensure steady, carefully composed shots.
Camera movement equipment includes supports like tripods, monopods, jibs, cranes, and pedestals that allow mounting cameras for steady shots. Tripods have adjustable legs and pan/tilt heads to balance cameras. Jibs and cranes can swing cameras out over areas or perform smooth movements. Steadicams and stabilized camera mounts help keep shots steady while moving. Beanbags, tracks, and robotic pedestals also provide camera mounts for various situations. Proper equipment selection helps ensure steady, carefully composed shots.
Camera movement equipment includes supports like tripods, monopods, jibs, cranes, and pedestals that allow mounting cameras for steady shots. Tripods have adjustable legs and pan/tilt heads to balance cameras. Jibs and cranes can swing cameras out over areas or perform smooth movements. Steadicams and stabilized camera mounts help keep shots steady while moving. Beanbags, tracks, and robotic pedestals also provide camera mounts for various situations. Proper equipment selection helps ensure steady, carefully composed shots.
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Camera Mount/Movement Equipment
Camera movement equipment are camera support
equipment on which we mount camera and move it in various directions. Pictures that are shaky, bounce around, or lean over to one side are a pain to watch. So it is worth that extra care to make sure that camera shots are steady and carefully controlled. Camera placement and movements usually require the use of specific camera mounting devices in order to record steady image. Mounting devices for video cameras range from pistol grips to cranes. Using of camera support will reduce fatigue and especially prevent unnecessary and distracting camera motion. Monopod The monopod is a single pole, or a single pod onto which we can mount a camera. It is designed to take the weight off our shoulders by letting us balance a small to medium – sized camcorder on a single pole. It is easy to carry and can be set up in less than a minute. It provides relief during a long shoot to camera-person. However it is used only with light weight camera Tripod A tripod is three legged camera support /movement equipment. It is one of the most basic camera supports and is used extensively in field production. There are two main parts of tripod- head and legs. The head is the mechanism on which we mount the camera and which has pan and tilt controls. Legs are used to make a balance. There are two common types of legs available: wooden legs and metal legs. Standards legs are about 4 feet tall and extend from that height to around 7 feet. Standards legs are used for eyelevel shot or thereabouts. Baby legs (about 2 feet tall) are used for low shots. Spreader is another part of tripod which helps camera to provide stability and make it balanced. It may be inbuilt or attachable. Jib Jibs the smaller version of cranes are used to swing the camera out over an area. We can use it to shoot a high angle shot in small room. The short jib arm is a counterbalanced camera mount designed for shooting on location. We can clamp it onto a doorframe or any suitable surface and tongue the camera sideways and boom it up and down. We can not only perform smooth camera movements but also pay full attention to panning and zooming and the general composition of our shots. The long jib is a crane like device with longer arm which can be swing at 360 degrees. With the long jib, the camera operator can dolly, truck, and boom the camera up and down and simultaneously pan, tilt, focus, and zoom. Some jib arm camera mounts are specially designed for fieldwork. We can carry it easily. It can be quickly and easily collapsed. Steadicam or Brace Steadicam is a camera mount which allow us to walk or run with the camera while keeping the pictures perfectly steady. It is a stabilizing system which is worn by camera operator. This camera mount uses various springs to absorb the wobbles and jitters while we run with camera. During the shot, we can watch the scene in small viewfinder mounted bellow the camera. The counterbalance mechanism keeps the camera so steady that even when we run upstairs or on a mountain trail, the camera shots will come out as though we had used a large camera crane. It demands experience to get best result. Beanbag This canvas bag filled with synthetic material (foam) adjusts to any camera and any object on which the camera is mounted. Both bag and camera can be easily secured with nylon rope. It can be tied to the hood of car. Spring-loaded, shock-absorbing car mounts are usually attached with suction cup. We can use this bag mount on cars, bicycles or boats. Track and trolley This equipment has a track and a platform on which the camera is mounted. It requires a great amount of practice to work on the track and trolley since speed and control of the camera are a crucial factor in executing track shots. Track and trolleys are used for truck shots like dollies. Track and trolley Crane Cranes are large pieces of camera mount that can move the camera from very low to very high above the set. Most cranes also move forwards, backwards, sideways, and in arcs. Cranes are normally used outdoors or in huge studios to capture top-angle shots. Crane is larger than jib and can support a heavy camera. Besides the camera operator, cranes need one or two extra people to operate the crane dolly and boom. Crane is usually used in film production. It is quite heavy. Studio pedestal Studio pedestal is a camera mount which can support heavy studio cameras and permit extremely smooth camera movements, such as dollies, trucks and arcs. The camera can be also raised and lowered. We can steer the pedestal smoothly in any direction with a large horizontal steering ring or steering wheel. By pulling up on the steering ring, we move the camera higher, or pedestal up. By pressing down on it, we lower the camera, or pedestal down. With a studio pedestal, we can move a camera in all directions. There are also pneumatic pedestals that can be adjusted to the light weight cameras. It can be taken on remote locations for field production purpose. Robotic Pedestal The robotic pedestal is fully automated and needs no camera operator. All necessary camera movements and functions are computer controlled.