Sound of Change

Definition Sound of Change
In historical linguistics and phonology, sound change has been

traditionally defined as "any appearance of a new phenomenon
in the phonetic/phonological structure of a language" (Roger
Lass in Phonology: An Introduction to Basic Concepts, 1984).
More simply, sound change might be described as any particular
change in the sound system of a language over a period of time.
"The drama of linguistic change," said English lexicographer and
philologist Henry C.
Wyld, "is enacted not in manuscripts or in inscriptions, but in the
mouths and minds of men" (A Short History of English, 1927).
Type of Sound Change
(Richard Northquist)
• Assimilation: One sound becomes more like another, or (much more rarely) two sounds become
more like each other. Example: in Latin the prefix *kom- becomes con- before an apical stop ([t d])
or [n]: contactus "touched", condere "to found, establish", connūbium "legal marriage". The great
majority of assimilations take place between contiguous segments, the great majority involve the
earlier sound becoming more like the later one (e.g. in conand nūbium, m- + n becomes -nn- rather
than -mm-). Assimilation between contiguous segments are (diachronically speaking) exceptionless
sound laws rather than sporadic, isolated changes.
• Dissimilation: The opposite of assimilation. One sound becomes less like another, or (much more
rarely) two sounds become less like each other. Examples: Latin quīnque/kʷiːnkʷe/ "five" > Proto-
Romance *kinkʷe (whence French cinq, Italian cinque, etc.); Old Spanish omne "man" >
Spanish hombre. The great majority of dissimilations involve segments that are not contiguous, but,
as with assimilations, the great majority involve an earlier sound changing with reference to a later
one. Dissimilation is usually a sporadic phenomenon, but Grassmann's Law (in Sanskrit and Greek)
exemplifies a systematic dissimilation. If the change of a sequence of fricatives such that one
becomes a stop is dissimilation, then such changes as Proto-Germanic *χs to /ks/ (spelled x) in
English would count as a regular sound law: PGmc. *seχs "six" > Old English siex, etc.
• Tonogenesis: Syllables come to have distinctive pitch contours.
• Sandhi: conditioned changes that take place at word-boundaries but not elsewhere. It
can be morpheme-specific, as in the loss of the vowel in the enclitic forms of
English is /ɪz/, with subsequent change of /z/ to /s/ adjacent to a voiceless
consonant Frank's not here /ˈfræŋksnɒtˈhɪər/. Or a small class of elements, such as the
assimilation of the /ð/ of English the, this and that to a preceding /n/ (including
the /n/ of and when the /d/ is elided) or /l/: all the often /ɔːllə/, in the often /ɪnnə/, and
so on. As in these examples, such features are rarely indicated in standard orthography.
In a striking exception, Sanskrit orthography reflects a wide variety of such features;
thus, tat "that" is written tat, tac, taj, tad, or tan depending on what the first sound of
the next word is. These are all assimilations, but medial sequences do not assimilate the
same way.
• Haplology: The loss of a syllable when an adjacent syllable is similar or (rarely) identical.
Example: Old English Englaland became Modern English England, or the common
pronunciation of probably as [ˈprɒbli]. This change usually affects commonly used
words. The word haplology itself is sometimes jokingly pronounced "haplogy".
• Elision, aphaeresis, syncope, and apocope: all losses of sounds. Elision is the loss of unstressed
sounds, aphaeresis the loss of initial sounds, syncope is the loss of medial sounds, and apocope
is the loss of final sounds.
– Elision examples: in the southeastern United States, unstressed schwas tend to drop, so "American" is
not /əˈmɛɹəkən/ but /ˈmɚkən/. Standard English is possum < opossum.
– Syncope examples: the Old French word for "state" is estat, but the s disappeared, yielding état. Similarly,
the loss of /t/ in English soften, hasten, castle, etc.
– Apocope examples: the final -e [ə] in Middle English words was pronounced, but is only retained in spelling
as a silent E. In English /b/ and /ɡ/ were apocopated in final position after nasals: lamb, long /læm/, /lɒŋ ~
lɔːŋ/.
• Epenthesis (also known as anaptyxis): The introduction of a sound between two adjacent
sounds. Examples: Latin humilis > English humble; in Slavic an -l- intrudes between a labial and
a following yod, as *zemya "land" > Russian zemlya (земля). Most commonly, epenthesis is in
the nature of a "transitional" consonant, but vowels may be epenthetic: non-standard
English film in two syllables, athlete in three. Epenthesis can be regular, as when the Indo-
European "tool" suffix *-tlom everywhere becomes Latin -culum (so speculum "mirror" <
*speḱtlom, pōculum "drinking cup" < *poH3-tlom). Some scholars reserve the
term epenthesis for "intrusive" vowels and use excrescence for intrusive consonants.
• Metathesis: Two sounds switch places. Example: Old
English thridda became Middle English third. Most
such changes are sporadic, but occasionally a sound
law is involved, as Romance *tl > Spanish ld, thus
*kapitlu, *titlu "chapter (of a cathedral)", "tittle" >
Spanish cabildo, tilde. Metathesis can take place
between non-contiguous segments, as
Greek amélgō "I milk" > Modern Greek armégō.
• Lenition, softening of a consonant, e.g.
stop consonant to affricate or fricative; and its
antonym fortition, hardening of a consonant.
• Prothesis: The addition of a sound at the beginning of a
word. Example: word-initial /s/ + stop clusters in Latin gained
a preceding /e/ in Old Spanish and Old French; hence, the
Spanish word for "state" is estado, deriving from Latin status.
• Nasalization: Vowels followed by nasal consonants can
become nasalized. If the nasal consonant is lost but the
vowel retains its nasalized pronunciation, nasalization
becomes phonemic, that is, distinctive. Example: French "-in"
words used to be pronounced [in], but are now
pronounced [ɛ]̃ , and the [n] is no longer pronounced (except
in cases of liaison).

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Definition Sound of Change

In historical linguistics and phonology, sound change has been

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