The Language of Literature: Lesson 5

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LESSON 5:

FRO
The Language of Literature
Literature has always distinguish itself from day to day
language use.

 The English language, for instance is used to put together a


poetic line that creates a rhythm out of stressed and unstressed.

 It is precisely its language that makes it literary, and different


from the language of media, or the language of the streets.
 Through language, the disjointed or chaotic events of real life can be
connected or rearranged into a coherent narrative.

 According novelist Joan Silber (2009), this is what makes fiction


different from reality –in fiction, “life can be seen as intelligible.”

 This also applies to non-fiction or stories derived from true events, as


in history or biography.

 Literature strives to make life comprehensible and intelligible by its


creative use of language in plot – through descriptions, scenes,
dialogue, and more. This use of language cultivates the literariness of a
particular work.
Autobiography
Biography
Fabula
Syuzhet
Narrative Structure
Characterization
Magdalena Gonzaga Jalandoni
- A writer from Western Visayas
- It reads like history, since it mentions details about the person.
- Remained single and wrote;
37 novels
5 autobiographies
8 narrative poems
6 corridos
10 plays
213 lyric poems
132 short stories
9 essays
10 melodramas
- The catalogue of her life work already suggests her passion for the
1891-1978 written word
 The author and Hiligaynon literature scholar Winton Lou Ynion uses
language creatively by almost turning Jalandoni into a fictive character.

 Ynion explores Jalandoni’s world, speculating on her story


beyond what is mentioned in conventional biographical
accounts.

 Ynion performs this to create a different experience of


reading Jalandoni’s story.

 Through the literary essay, he humanized Jalandoni, as


with a fictional character, and imagined her into a
1981-2009 relatable imaginatave figure.
Winton Lou Ynion

 A young poet, fictionist, critic, and teacher from


Iloilo who has worked on various aspects of
Hiligaynon Literature.
 He passed away in 2009
 He was known for his intelligent discourses on
the Filipino novel and its relation to
nationalism.
Focusing on Hiligaynon Literature
 Hiligaynon is the lingua franca of the West Visayas in Central
Philippines

 The mother language of West Visayas is Kinaray-a or Hiraya, the


language spoken by the central and southern towns of Iloilo, all of the
province of Antique and most of Capiz.

 Folk literature ranges from brief riddles, proverbs, ditties, ritual chants to
elaborate love songs, tales and extensive epics.

 A poem is called binalaybay and the tale is the asoy or the sugilanon.
 A poem is called binalaybay and the tale is the asoy or the
sugilanon.

 The paktakon is a riddle while the hurubaton is a proverb.

 Folksongs may be as simple as the ili-ili or lullaby or as intricate as


the ambahan
The asoy may be a legend or a tale about a folk hero or a local happening. Foremost
among the Panay epics are the Labaw Donggon and the Hinilawod.
   Ritual chants are delivered by the babaylan or healer to please the diwata or
supernatural beings or spirits in exchange for good health and luck in the home and the
fields during planting and harvest seasons.
Leoncio P. Deriada
 Recognized as the "Father of Contemporary Literature
in Western Visayas." 

 The award-winning fictionist, playwright and poet

 Who placed the subject of the essay as the only rose


among the thorns, so to speak – the only woman in the
male dominated literary scene.

 He is also known for his work in reviving writing in


Kinaray-a and for his papers on the Visayan languages
and other regional literature. 
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