Sound and Structure Slideshow
Sound and Structure Slideshow
Assonance, Anaphora,
NOTES Onomatopoeia,
Enjambment, Caesura,
Juxtaposition
ALLITERATION &
CONSONANCE
Alliteration is the repetition of initial consonant sounds.
•Once upon a midnight dreary while I pondered weak and weary –
“The Raven,” Edgar Allan Poe
•Hot-hearted Beowulf was bent upon battle – Beowulf
•Fly o’er waste fens and windy fields – Sir Galahad by Alfred, Lord
Tennyson
•Consonance is the repetition of final consonant sounds.
•Great, or good, or kind, or fair, I will ne’er the more despair “Shall I
Wasting in Despair” by George Wither
•He gives his harness bells a shake
To ask if there is some mistake. – “Stopping By the Woods on a
Snowy Evening” by Robert Frost
ASSONANCE
Assonance is the repetition of vowel sounds. Do not
confuse it with simple vowel repetition, as each vowel
has several different sounds.
•Hear the mellow wedding bells – “Bells” by Edgar Allan Poe
•Sudden crowings of laughter, monotonous drone of song – “The
Feast of Famine” by Robert Louis Stevenson
•“Though the night is still for sleep and dreaming” - ”Travel” by Edna
St. Vincent Millay
The Pool Players.
Seven At The Golden Shovel.
We real cool. We
Left school. We
“‘T IS SO
Have gained! Yes! Hesitated so
This side the victory!
N
At first repeat it slow!
For heaven is a different thing
Conjectured, and waked sudden in,
And might o’erwhelm me so!
Which stanzas use a lot of repetition and which
do not? What meaning or significance can you
find in this?
ANAPHORA
Anaphora is a type of refrain device, where the first word or
phrase is repeated in a series of lines.
•Go back to Mississippi, go back to Alabama, go back to South Carolina, go
back to Georgia, go back to Louisiana, go back to the slums and ghettos of
our northern cities, knowing that somehow this situation can and will be
changed. – “I Have a Dream,” Martin Luther King, Jr.
•Some feel rain. Some feel the beetle startle
in its ghost-part when the bark
slips. Some feel musk. Asleep against
each other in the whiskey dark, scarcely there. – “Some Feel Rain,” Joanna
Klink
•When the stars threw down their spears
And water’d heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee? – “The Tyger,” William Blake
I sing the body electric,
“I SING The armies of those I love engirth me and I engirth
them,
THE They will not let me off till I go with them, respond to
them,
BODY
And discorrupt them, and charge them full with the
charge of the soul.
ELECTRIC Was it doubted that those who corrupt their own bodies
conceal themselves?
” BY
And if those who defile the living are as bad as they
who defile the dead?
And if the body does not do fully as much as the soul?
WALT And if the body were not the soul, what is the soul?
WALNUT
Of leaves and bounding fruit,
And, month after month, the whip-
)
figurative language plays in this juxtaposition as
well. Record your discussion and thoughts in the
AP Lit Skill Spotlight (FIG 6.B).
CLOSED VS. OPEN
FORMS OF POETRY
Every poem falls into one of two categories: open or
closed. The way to determine its category is to study the
poem’s form.
Closed form poetry fits into a previously established
form, using structure, rhyme and/or meter. It adheres to
these rules, or breaks them strategically to make a point.
See the following slide for examples of common forms of
closed poetry.
Open form poetry does not yield to any rules. While open
form poetry may use some rhyme, rhythm or structure, it
doesn’t follow any previously established pattern.
EXAMPLES – WHAT ELEMENTS OF STRUCTURE,
RHYTHM AND RHYME CAN YOU FIND IN EACH?
HOW DOES CLOSED FORM USE PATTERNS AND
RULES?
Closed Form Poem Open Form Poem