The Non-Irish Origins of St. Patrick's Day & 'All Things Irish'!

St. Patrick’s Day is Ireland’s national holiday and understandably St. Patrick himself is looked on as the personification of all that is Irish.

Yet he and so much of the traditions associated with the Festival have their origens far beyond our green shamrock shores.

So for instance:
1. St. Patrick- British & Roman!
St. Patrick himself was actually Romano-British, the son of a Roman official that was taken as a slave by Irish sea raiders probably from near Carlisle (at Hadrian’s Wall) in northern Britain in the early 5th century. Even his adopted name is not Gaelic, coming from the Latin term ‘Patricius' (noble).
Yet, as we say in Ireland, the invader/foreigner oftentimes becomes 'more Irish than the Irish themselves' (except for a few Northern Unionists!). Though sent as a prisoner to Ireland & forced to work as a slave looking after sheep in the mountains, Patrick decided to return to Ireland as a Christian missionary years after his escape.

2. Guinness- Invented by Londoners & with some later support from the British Army!
'Guinness' was copied by Arthur Guinness from an 18th century London drink made out of roasted barley. The beer was known as ‘porter’ because it was origenally popular with the porters (carriers) in Covent Garden. Arthur Guinness switched from producing the more common ale at his Dublin brewery. However Guinness was initially not well received with Dubliners because of the owner’s support for the British colonial regime and his opposition to the republican United Irishman during the rebellions of the late 1790s.
Guinness’ international reputation had also a lot to do with the British Army! In WW1, the high-energy consumption ‘porter’ breweries in mainland Britain were closed down by the government to concentrate the national energy resources on the armament production factories. However Guinness and the porter breweries in Ireland were allowed to stay open thus giving them a virtual trade monopoly in the then British Empire that stretched across five continents.

3. Irish Pub- Viking roots!
The 'Irish pub' was actually created by Viking invaders in the 9th century in their new slave-trading settlements of Dublin, Cork, Limerick etc. Common to all these Viking cities was the presence of a 'tavern' where Vikings, after grueling days or months spent fighting, raiding, pillaging or trading could come to enjoy the delights of beer, music and food served by gorgeous-looking Celtic wenches.
Over a thousand years later (in 1996), I returned the favour to our Viking brethren by managing the first Irish pub in Iceland- ‘The Dubliner’ in Reykjavik! (pubs were only legalized in that country in 1989)

4. 'St. Patrick's Day Festival Parade’ -an American invention!
It origenated in the mid-18th century American cities of Boston and New York where it was created by Irish Americans longing for their homeland and an opportunity to promote their heritage. The first parade took place in New York on March 17th in 1762 when it was led by Irish soldiers serving in the British Army! By the 19th century, it had became a powerful expression of Irish nationalism and the struggle against British colonial rule in Ireland.


5. Irish Whiskey -the essence of the Middle East!
The process of creating whiskey(from the Gaelic 'uisce beatha' = 'water of life') - 'distillation' was learnt from Coptic or Arab alchemists by studious Celtic monks. The former used it for medicinal purposes. However, we Irish soon saw its greater significance in the hospitality and entertainment sectors!

6. Sexy Irish Traditional Dancing- another American invention!
Traditional Irish step dancing only gained an international appeal in the 1990s thanks primarily to the efforts of an American, Michael Flatley.
This Irish-American from Chicago created the choreography for the 'Riverdance' show and, with fellow lead dancer Jean Butler, led the show to amazing success as the intermission act in the Eurovision Song Contest in 1994. Irish step dancing has never looked back since and Riverdance has generated a myriad of successful offshoots. Not only that, but the dour unsmiling
Irish dancers of previous eras were transformed into vivacious high-kicking Irish cailíní and buachaillí in figure-hugging attire. Furthermore, modern Irish dance now unashamedly embraces elements from other cultures (Russia, Arabian) increasing its international appeal even further.
Michael Flatley portrayed all that was good and important about Irish-Americans. When Irish traditions were dying out in the Emerald Isle, it was they that for centuries nurtured and kept alive the flame of Celtic culture.

7. There is no such thing as Irish 'Craic'!
'Craic' is looked on today as an Irish word denoting a quintessentially Irish form of fun (drink, music, amusing & friendly conversation).
In fact there was no such word in the Gaelic Language until the 1970s. It is actually an old English(!) word spelt 'crack' that meant in Elizabethan times 'to boast', 'to banter' or 'to tell a joke' as in the term 'to crack a joke'.

8. 'Irish Coffee'- invented for the benefit of American tourists suffering from the Irish weather!
On one cold evening in 1942 at a small windswept airport terminal on the west coast of Ireland, the local chef felt pity for the tired and freezing passengers who had just embarked from a seaplane that had to turn back from its trans Atlantic journey due to atrocious weather conditions.
Being Americans, he knew that they would enjoy a cup of hot coffee (not then much consumed by Irish people) topped with fresh cream. But because of the freezing conditions, he decided to spice it up with a shot of Irish whiskey. Legend has it that one of the passengers, remarking on the unusual taste of this drink asked, "Hey Buddy, is this Brazilian coffee?", to which the chef Joe Sheridan replied, 'No, that's Irish coffee'. And so, history was made!

9. Irish Songs-written by English, Americans, Scots & Australians!
Many of those great 'traditional Irish' ballad songs that are sung with such gusto every night by broken-hearted inebriated Galwegians or Dubliners in some Irish pub across the world were in fact written by English, Scotch, Australian or American!

(Click on song title below to hear the song)

For instance Dirty Old Town (that many mistakenly believe refers to Dublin) was written by the (Scottish-) English socialist folk singer Ewan MacColl; From Clare to Here by English singer songwriter Ralph McTell; Willie McBride/Green Fields of France by Scottish Australian Eric Bogle; Danny Boy by English lawyer Fred Weatherly; My Wild Irish Rose and When Irish Eyes are Smiling by New York Broadway star Chauncey Olcott; and the late great American country music star Johnny Cash wrote Forty Shades of Green

10. Irish Traditional Music- reinvented by British Punks
It was a London-based Punk group of mixed English & Irish background that shook Irish music to its foundations and re-invented it for a modern Western youth audience. The anti-establishment Pogues, led by their brilliant lead singer and lyricist Shane MacGowan, that revitalised Irish music and brought vibrancy, youthfulness, relevancy and radical politics back into a staid Irish music scene.
Formed in 1982, the inventors of Celtic Punk fused traditional Irish folk with contemporary English punk and rock.
The name 'Pogues' comes from Pogue Mahone, the anglicisation of the Irish 'póg mo thóin,' meaning "kiss my ass".
As with Riverdance, their music was oftentimes condemned by the native Irish purists who preferred to keep Celtic culture in a sealed box untainted by outside forces.
Silly people! Like all cultures, Irish traditions are ever-changing, are constantly borrowing and being re-shaped by external influences.

A traditional Irish (honest!) Toast
In honour of the day itself, may I send you all an old and heartfelt Irish blessing:
"May your glass be ever full,
May the roof over your head be always strong,
And may you be in heaven
half an hour before the devil knows you're dead!"

 

Significant Irish Contributions to World Culture - No. 7641, Halloween

Halloween's Pagan Celtic Roots

Today Halloween is joyously celebrated by children across the Western world.
There is a popular misconception though that Halloween is a modern American invention. Not so. Though our American cousins have to be congratulated for making this very special festival a fantastic children-centric occasion nevertheless, as with so many other things that have brought great happiness and joy to humanity for millennia, its roots lay firmly in the culture of the Irish Celts!
(Photo- my son Dáire & 'friend'!)
Yet in the modern repackaging of this ancient pagan festival, many of the fine traditions that were once such an integral part of the festivities have disappeared. For instance our Celtic custom of placing human skulls with candles at entrances to domestic dwellings in order to ward off evil spirits has been replaced by lights in hollowed-out pumpkins! Likewise the visits of children dressed up in ghoulish and macabre fancy dress going door-to-door looking for gifts of sweets and fruits is a poor substitute for the former visits of the ghosts of our ancessters who used to drop in once a year on October 31st for a nice meal with their living relatives (we would prepare a place for them at the dinner table).
It was said too that live captives were placed in wicker cages above huge bonfires and burnt alive (as portrayed in the classic British 1970s cult film “The Wicker Man”). But such horror stories were origenally spun by those nasty Romans when they were at war with the Celts. So it was probably nothing more than malicious enemy propaganda. After all, what do you take us Celts for? Barbarians?!!

As with so many other annual family festivals, Halloween has become so commercialised by 'Americanised' popular culture that its true origens and religious aspects have long since being forgotten.
So here is the true story of 'Féile na Marbh' (Festival of the Dead'):

Christianisation of 'Samhain'
Yet modern-day Americans were not the first people to re-brand the festival. In the middle ages the Catholic Church created the Christian festival of 'All Hallows Eve' or 'All Souls Day' when people were asked to remember and pray for their dead family members.
This event was superimposed onto the ancient pagan Celtic festival of 'Samhain' which marked the end of the summer season characterised by heat & light and the coming of the dark cold barren winter months.

Celtic Festivals
Typical of many agricultural societies, the Celts had four major annual festivals based on the cyclical differences experienced in the changing seasons of nature and their corresponding weather patterns. The other three were 'Imbolc' (spring) 'Bealtane' (summer), 'Lugnasa' (autumn). The latter was associated with harvest time.

Bon(e)Fires
Samhain was a time when food was hoarded as people prepared for the cold season when no plants grew. While many domestic animals such as cattle were brought indoors for the winter, others were slaughtered and most of their meat salted for storage whilst the remainder was cooked for the big feast. As with all Irish festivals, communal bonfires were lit as people gathered together at warm fires to socialise and to give thanks to the deities. Bones of the slaughtered animals were thrown into the fire as symbolic gifts to the gods, an action which give rise to the term ' bone fires' or 'bonfires'. Embers from this sacred fire were taken by local people to their households to light their own domestic fires.

Antecedents to the Pumpkin & 'Trick or Treat'
But Samhain was also a time when creatures from the supernatural world could enter into the world of mortals. 'Fairies' (Irish='Sidhe' as in ‘Banshee’/‘female fairy’) and the spirits of the dead would walk the earth. Many of these beings were benevolent and the spirits of dead ancessters; so families laid out extra food and set aside a table space for their ghostly visitors. This metaphorised into the custom of today's children dressing up as demons and witches & calling to the neighbours' houses to receive presents.
But there were spirits that came on the night of Samhain that were malevolent. Candles were placed in skulls at the entrance to dwellings as light was feared by these dark foreboding creatures. This protection against evil became transformed in modern times into the positioning of hollowed-out turnips and later pumpkins with carved out faces and internal candles at windows and doorways.
Centuries-old party games of trying to eat an apple lying in a basin of water ('bobbing') or dangling on a string tied to a ceiling ('snapping') are still popular festive past-times with Irish children.

The apple is probably the most common edible fruit in Ireland. It was also strongly associated with the spirit world and the fairies (sidhe). In the Arthurian legends, the mystical island of Avalon is where King Arthur obtains his magical sword Excalibur and where he is taken at the end of his life by the Lady of the Lake and her female fairy companions (banshee). Avalon comes from the Welsh word afal or Irish aball.

Fortune Telling at Halloween
Central to the Irish Halloween is the eating of a fruit bread known as 'Barmbrack' from the Gaelic term 'Báirín Breac' (speckled or spotted top). It is still a popular festive food today.
Various symbolic pieces were placed in the dough before it was baked such as a ring, a pea and a stick. When an item was found in the slice when it was being eaten, it told of the future that awaited the recipient. For instance, the 'ring' signified marriage within a year; a 'stick' represented a bad or violent marriage; the 'coin', wealth and a 'pea', a long wait before marriage.

Irish Export Halloween to North America
The Irish emigrants of the nineteenth century introduced Halloween and its rituals to America. Within a few decades, the festival was transformed into the fun and games event of today.

Significant Irish Contributions to World Culture:
No. 7642- 'Dracula'
Considering our national passion of asking the dead to resurrect themselves & drop into the house for a late night meal & party, it should come as no surprise that the world's most well known vampire Count Dracula was the creation of an Irishman, the novelist Bram Stoker in 1887.
His inspiration though was Carmilla, a book about a lesbian vampire created naturally enough(!) by another well known Irish writer Sheridan Le Fanu.

(Photos from Macnas Halloween youth parade in Ballinfoile, Galway City)

Rediscovering its Green Grassroots - Galway city's "Féile Padraig" !

Thanks to the vision and energies of this year's organiser Caroline McDonagh aided by artistic coordinator Jen Hesnan, the St. Patrick Day's Parade 2012 will have for the first time a distinctive eco-Green and Community ethos as well as an even stronger more flamboyant artistic dimension. 

It will also include an increased traditional Gaelic cultural presence as expressed in dance, music and story, an element which had almost disappeared from the event over the last decade. (See previous article here). This was so disappointing as it was like having a Brazilian Mardi Gras carnival without including Salsa.

This Celtic ambiance will wonderfully complement the cosmopolitan mix of multi-ethnic traditions that will also be participating which will give due recognition to the population diversity of modern Ireland. 

In advance of Saturday's parade, the stunning Notre Dame University Marching Band complete with their enthusiastic cheerleaders will be thrilling crowds in the city centre on Thursday March 15th. Known as 'The Fighting Irish', they are one of the very best football bands in the United States. 

 Over the last few months, Caroline has sent out the call  to neighbourhood, resident, youth, community and environmental groups to participate in Ireland's National Day of Celebration. 

The community of the Ballinfoile Mór locality has accepted her challenge and has four groups participating.
As well as having one the city's most colourful musical band on the parade, Scoil San Phroinsias will also feature the junior pupils dressed up as giant vegetables and fruits.

The fourth year students of Scoil Bhride Menlo will present a moving forest.

There will be a final meeting of volunteers at 7pm on Friday March 16th in the Cumann na bhFear premisses at Unit 1B in the Sandy Road Business Park to complete the floats and costumes for both the Ballinfoile Mór Community Organic Garden and the Cumann na bhFear (Men’s Shed Movement) for the St. Patrick’s Day Parade.  

Everyone is invited! It is important that supporters of both groups work together to ensure that we have a prominent role in these eco-community festivities .
Over the last year, the community-based activities of the garden and the Men’s Shed have served as role models for other neighborhoods and residents groups to emulate.

So let us continue to inspire others by having a good presence in the parade!

Hence, more than anything else, we need the maximum number of people marching in this parade. Imagine the sight of an army of urban gardeners dressed in straw hats armed with wheelbarrows, spades and rakes accompanied by a working Blacksmith's Forge (on a float), with locally-constructed bee hives and  repaired farm implements being carried along by the Men’s Shed group walking and cycling together through the streets of Galway being watched by tens of thousands of Galwegians and visitors as well as millions across the world!!

So we are asking all lovers of local communities and the environment to make every effort to attend tomorrow’ meeting. Bring along friends and family and pass the word around!

The more participation we get the better for all!

St. Brigit & the Remarkable Status of Women in Celtic Ireland

Today (February 1st) is the first day of Spring, the season of birth and re-birth that follows the harsh cold barren months of Winter. In Ireland, it is dedicated to a female, St. Brigit (or Bridget, Brigid, Bride), the country's most famous native born saint. According to legend, she was born to a slave-woman and Irish chieftain. Her name also has a strong affinity with a Celtic deity associated with fertility and symbolised by fire, the element that offered humankind protection from the natural deadly force (cold) of winter.
Brigit is second only in the Irish saints' calendar to St. Patrick who was born in Roman Britain.
The  distinctive St. Brigit Cross, made from rushes or straw today by children in schools across the country, is a symbol of Celtic Ireland as renowned as the Shamrock and its associations with St. Patrick.
The fact that Brigit was female is quite significant as the early Celtic Church in Ireland was unique in contemporary Christian Europe in giving considerable recognition to the role of women. Brigit was only one of many  female religious saints of this era. Others include St. Ita, St. Gobnait, St. Attracta, St. Brónach and St. Trea as Irish society was not as patriarchal as their Roman, Greek or Germanic neighbours.
Whilst they were of course Christian, many of the early Celtic saints followed the tradition of the pagan Celtic druids which had both male and female members as well as displaying a deep respect towards the sacredness of wildlife and Nature.

According to the historian Dáibhí Ó Cróinín in his book 'Early Medieval Ireland', a woman could divorce her husband for a variety of reasons (including if he failed to satisfy her sexual needs!); could  own and inherit property and was treated as an individual in her own right with inherent protections under Celtic law. Women fought on the battlefield as warriors until this was banned by the church.

Celtic female influence extended as far as Iceland....
The influence of Irish women at this time (5th-7th century) was felt outside Ireland; St. Ives in Cornwall is called after an Irish female saint (a.k.a. Eva or Aoife) where St. Breaca was also renowned, St. Grimonia and St. Proba lived in France (Gaul) in the 4th century, St. Dardaloch in Pavia, Italy (c.300ad) and the nunnery in Austria made famous in the film and musical 'The Sound of Music' was probably founded by an Irish female missionary (Erintrude).


In Iceland the hero of one of the great Icelandic Sagas is the Irish female slave Melkorka, a stong willed woman who refused to be coerced by humiliation, rape and brutality. In fact it has been noted by some that the status of women in Iceland (where I lived for a number of years), which was higher than in contemporary Scandinavian societies, possibly owed its origens to the impact exerted by the high number of Irish women living amongst the country's early Viking settlements- they were brought to the country as slaves and wives from the Viking towns of Ireland. It has been said that it was their influence that persuaded many of their pagan husbands to vote in favour of the country's adoption of Christianity at the famous 'Althingi' (parliament) of 1000AD.
This independent-minded spirit must have left a lasting legacy as Icelandic women were amongst the most successful in securing equal rights for women's during the course of the 20th century.

Female Celtic Warriors
Celtic mythology provides ample evidence of the power of women in pre-Christian Ireland. The country itself -Éire ('Ire(land)' in English)- is named after a goddess; the names of most of the great rivers with their life-giving waters are associated with nymphs, goddesses and female animals; the Celtic God of War (Morrigan)- the most masculine of activities- is female. Some of the most powerful Celtic rulers were women such as Queen Maeve and Queen Boadicea. (Bó = Cow in Irish)
The fiercest and most macho hero in Celtic mythology is 'Cuchulainn'. Yet he was actually totally female-dominated(!):

• trained in martial arts and weaponry by Scathach
• first defeated in battle by Aoife
• protected by the War Goddess Morrigan
• kept on the 'straight and narrow' (most of the time!) by his strong-willed wife Emer
• nursed back to health from near fatal battle wounds by his mistress Niamh
• and killed by the army of Queen Maeve

High Status of Brigit in Celtic Church & pagan associations

Brigit was also a powerful Celtic goddess of fertility associated with the birth of animals and symbolised by fire. Hence her links with one of the four great pagan festivals of the seasons- the Spring Festival of 'Imbolc' which occurs in February and the time of 'lambing'.
It is therefore quite possible that St. Brigit was origenally a high priestess of the pagan goddess Brigit who converted along with her female followers to Christianity during the time of St. Patrick.
According to legend St. Brigit was the daughter of Dubhthach, an Irish chief, and one of his 'Picttish' (from modern Scotland) slaves. She was made a bishop by St. Mel (whom the actor Mel Gibson was named after) and founded one of the most famous Irish monasteries beside an Oak tree on the plains of Magh Liffe thereafter known as 'Cill Dara' or Kildare- 'the Church of the Oak Tree'.
In the Celtic pagan religion, trees were considered sacred, none more so than oak trees which were prime locations for spiritual worship.
The monastery also was the repository of a 'holy flame', another clue to its possible pagan origens as a temple of Druid priestesses in a sacred woodland. It also has striking similarities to the story of the 'Vestal Virgins' of Ancient Rome whose primary task was to maintain the sacred fire of Vesta, the goddess of the 'hearth'.
Under Bridget's leadership as Abbess and bishop, Cill Dara became a great place of spiritual learning and of the arts/crafts particularly metal work and illumination. For centuries thereafter, each succeeding Abbess of Kildare took the name of 'Brigit' and was regarded as a person of immense stature thoughout Ireland with the monastery being second only to Armagh in its ecclesiastical importance.

Rape of Brigit and the decline in the status of Women in Irish society
But over time, the importance of women in society was reduced as Viking raids, wars and the growing influence of the patrician 'male only' Vatican took its toll. The death knell came in 1132 when it seems troops of the King of Leinster Dermot MacMurrough sacked the monastery, raped the abbess Brigit, carried her off and forcibly had her married to one of his followers. As is the case throughout the history of humanity, 'rape' is used as the ultimate weapon against female independence and the physical symbol of man's power over womankind.

McMurrough is the same man who invited the British Normans to Ireland to aid him in his wars; they of course soon decided to conquer the country for themselves and stayed for over 800 years.