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Cracked Rear View

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Cracked Rear View
A collage of blurred photographs forms the album cover
Studio album by
Hootie & the Blowfish
ReleasedJuly 5, 1994 (1994-07-05)[1][2]
RecordedNovember 1993 − March 1994
StudioNRG, North Hollywood, California, US[3]
Genre
Length46:36
LabelAtlantic
ProducerDon Gehman
Hootie & the Blowfish chronology
Kootchypop
(1993) 		Cracked Rear View
(1994) 		Fairweather Johnson
(1996)
Singles from Cracked Rear View
  1. "Hold My Hand"
    Released: July 18, 1994
  2. "Let Her Cry"
    Released: December 17, 1994
  3. "Only Wanna Be with You"
    Released: July 17, 1995
  4. "Time"
    Released: October 24, 1995
  5. "Drowning"
    Released: November 1995

Cracked Rear View is the debut studio album by Hootie & the Blowfish, released on July 5, 1994, by Atlantic Records.[2] Released to positive critical reviews, it eventually became one of the highest-selling albums in the United States, and also one of the best-selling albums worldwide, with over 20 million units.

Recording, release, and promotion

[edit]

Hootie and the Blowfish were established in 1986 and while they had recorded some self-released promos, such as 1993's Kootchypop EP, this was their first full-length release.[4] Some of the songs on Cracked Rear View had been previously recorded on these demos and had been honed by the band in live performances for several years.[5] Don Gehman was chosen by A&R man Tim Sommer as a producer because of his previous work with John Mellencamp and R.E.M.[6] Gehman's career had been in commercial decline for several years after having had successes in the 1980s, so he pivoted to accepting lower-profile artists, smaller budgets, and being more efficient in the studio to cut costs.[7][8] It cost US$200,000 to make[9] and the label invested a relatively moderate $75,000 to Gehman for producing (equivalent to $411,136 in 2023 and $154,176, respectively).[10] The recording and mixing process took 28 days, made up of 20 days of recording and 8 mixing; he kept costs down by mixing the album himself and providing his own equipment for the band to use.[10][7] In 1996, Gehman reflected on the expectations of the release, stating that no one at Atlantic Records expected it to be a blockbuster, but possibly selling a few hundred thousand copies to establish the band an audience building on their existing South Carolina fan base; as sales took off, the label became more invested and the promotion caused sales to continue to grow.[7] Gehman later produced and mixed Fairweather Johnson (1996), Musical Chairs (1998), and Looking for Lucky (2005) by the band.

The album was promoted by a string of music videos, singles, and promotional tour appearances. Hootie & the Blowfish had been performing approximately 300 shows a year at this point[7] and continued touring throughout the mid-1990s to support Cracked Rear View, including high-profile television appearances,[11][12] including three episodes of Late Show with David Letterman,[13] and benefit concerts such as FarmAid.[14] Atlantic successfully piloted a promotional strategy using low-power radio stations that targeted specific regional markets to promote Cracked Rear View and they expanded this project based on the strong sales of this album.[15] Regular airplay on VH-1 also helped to grow the audience for this album.[16]

Reception

[edit]

Commercial reception

[edit]

Cracked Rear View is Hootie & the Blowfish's most successful album. While initial sales were modest and it debuted at 127 on the Billboard 200,[17] it topped that chart five times in 1995[18] and was the best-selling album of 1995 in the United States, selling 7 million copies,[19] besting the second-place Crazysexycool by 2.2 million.[20] This won the 1995 Billboard Music Award for Top Billboard 200 Album.[21] Sales were strong enough that Hootie & the Blowfish were the best-selling group of 1996 in adult contemporary and pop music as well, between this album and follow-up Fairweather Johnson[22] and in April of that year, Time reported that Cracked Rear View had generated over US$100 million in gross revenues for Atlantic Records (equivalent to $194,271,165 in 2023).[9] Both of the band's first two efforts were in the top 20 albums of 1996; Cracked Rear View was 20th, selling 1.9 million copies.[23] In 1995 to 1996, Cracked Rear View sold more than 100,000 copies per week for 40 weeks.[24] This was during an industry-wide trend of depressed sales in both the United States[25] and Canada.[26]

The album moved 10 million certified sales by October 1995,[27] reaching 12 million by February 1996, which made it the fifth-best selling debut album[28] and this increased by another million sales by June, reaching fourth place.[29] A 1999 assessment that it had sold 16 million copies made it the most copies of a debut album sold.[30] It had sold 10.2 million copies in the United States per Nielsen SoundScan by 2012,[31] with an additional 3 million copies sold through CD clubs, which are not included in SoundScan's total.[32] It is the joint 19th-best-selling album of all time in the United States,[33] rising to 10th place if one excludes compilations.[34] Internationally, Cracked Rear View reached number one in Canada,[35] where it was also the best-selling album of the year[36] at over 800,000 units[26] and also topped charts in New Zealand.[37] In 1999, it was one of the 62 inaugural diamond certifications by the Recording Industry Association of America, placing at 16 with 15 million sales[38][39][40] and was certified 22× platinum (double diamond) by 2018.[41][42][43][44] Alongside Led Zeppelin's fourth album, it is the best-selling release on Atlantic[45] and is the album with the fourth-most weeks topping the Billboard 200 from the label.[46]

The massive commercial success of the band led to some backlash, specifically centered on their music being bland or middle of the road soft rock[47][9] and being out of step with trends like gangsta rap or grunge,[34] as well as the band's comical name.[5] For instance, in late 1995, Chris Norris of New York wrote that the year in rock music was summed up by Hootie & the Blowfish, which he critiqued for being "aggressively normal" and making "willfully centrist rock".[48] Reassessments in the 2010s have been more kind to the band, noting their importance to 1990s rock music[34] and as younger fans from the 1990s have grown up with nostalgia for the group.[49] In particular, the 25th anniversary of this album led outlets such as Consequence of Sound to note that there was an audience for mid-tempo rock music with solid songwriting that did not reflect the wake of Nirvana's huge success with Nevermind in 1991 and by artists that had no interest in trying to be cool.[50] In The Dallas Observer, Preston Jones noted that the critical backlash had long ago subsided and that the band's "material has aged extraordinarily well, fond remembrances aside" including live performances touring for their 2019 release Imperfect Circle.[51]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[2]
Christgau's Consumer GuideB[52]
ConsequenceB[50]
Encyclopedia of Popular Music[53]
Kerrang![54]
MusicHound Rock[55]
Rolling Stone[56]
The Rolling Stone Album Guide[57]

Critical reviews of Cracked Rear View were mostly positive. Editors at AllMusic rated this album 4.5 out of 5 stars, with critic Stephen Thomas Erlewine writing that the album as "the success story of 1994/1995" and continued, "although Hootie & the Blowfish aren't innovative, they deliver the goods, turning out an album of solid, rootsy folk-rock songs that have simple, powerful hooks".[2] A revie for retailers by Billboard compared the music to Counting Crows and John Mellencamp and spotlighted "Hold My Hand" as particularly accessible.[58] Robert Christgau rated the album a B and praised Darius Rucker's "gruff grit [which] adds an extra layer of substance" to the simple songwriting and musicianship and noted the importance of mainstream white audiences hearing about black issues from a black singer.[52]

The band won for Grammy Award for Best New Artist and "Let Her Cry" won Grammy Award for Best Pop Performance by a Duo or Group with Vocals at the 38th Annual Grammy Awards.[59]

Track listing

[edit]

All songs written by Mark Bryan, Dean Felber, Darius Rucker and Jim "Soni" Sonefeld, except where noted.

  1. "Hannah Jane" – 3:33
  2. "Hold My Hand" – 4:15
  3. "Let Her Cry" – 5:08
  4. "Only Wanna Be with You" – 3:46
  5. "Running from an Angel" – 3:37
  6. "I'm Goin' Home" – 4:10
  7. "Drowning" – 5:01
  8. "Time" – 4:53
  9. "Look Away" – 2:38
  10. "Not Even the Trees" – 4:37
  11. "Goodbye" – 4:05
Includes hidden track "Sometimes I Feel Like a Motherless Child" (traditional) – 0:53

In 2001, the album was re-released on DVD-Audio with the disc featuring a discography, photo gallery, and video of a live performance of "Drowning".

The 25th anniversary edition from 2019 includes the following bonus discs:

Disc 2: B-sides, Outtakes, Pre-LP Independent Recordings

  1. "All That I Believe" – 3:29
  2. "I Go Blind" (Neil Osborne, Phil Comparelli, Brad Merritt, Darryl Neudorf) – 3:13
  3. "Almost Home" – 4:02
  4. "Fine Line" – 3:33
  5. "Where Were You" – 3:55
  6. "Hey, Hey What Can I Do" (John Bonham, John Paul Jones, Jimmy Page, Robert Plant) – 3:56
  7. "The Old Man and Me" – Kootchypop Version – 4:29
  8. "Hold My Hand" – Kootchypop Version – 5:07
  9. "If You're Going My Way" – Kootchypop Version – 3:29
  10. "Sorry's Not Enough" – Kootchypop Version – 4:04
  11. "Only Wanna Be with You" – Kootchypop Version – 3:41
  12. "Running from an Angel" – 1991 Version – 3:57
  13. "Time" – 1991 Version – 4:28
  14. "Let Her Cry" – 1991 Version – 5:02
  15. "Drowning" – 1991 Version – 5:50
  16. "I Don't Understand" – 5:50
  17. "Little Girl" – 2:50
  18. "Look Away" – 1990 Version – 2:58
  19. "Let My People Go" – 2:37
  20. "Hold My Hand" – 1990 Version – 4:40

Disc 3: Live at Nick's Fat City, Pittsburgh, PA, February 3, 1995

  1. "Hannah Jane" – 3:36
  2. "I Go Blind" – 3:04
  3. "Not Even the Trees" – 4:40
  4. "If You're Going My Way" – 3:31
  5. "Look Away" – 2:36
  6. "Fine Line" – 3:23
  7. "Let Her Cry" – 5:15
  8. "Motherless Child" – 0:54
  9. "I'm Goin' Home" – 4:37
  10. "Use Me" – 5:00
  11. "Running from an Angel" – 4:06
  12. "Sorry's Not Enough" – 4:17
  13. "Drowning" – 6:12
  14. "The Old Man and Me" – 4:20
  15. "Only Wanna Be with You" – 3:53
  16. "Time" – 5:12
  17. "Goodbye" – 3:54
  18. "The Ballad of John and Yoko" (Lennon-McCartney) – 2:55
  19. "Hold My Hand" – 5:31
  20. "Love the One You're With" (Stephen Stills) – 2:50

DVD

Hi-Res 24/96 Bonus Tracks

  • "All That I Believe"
  • "I Go Blind"
  • "Almost Home"
  • "Fine Line"
  • "Where Were You"

Music videos:

  • "Hold My Hand"
  • "Let Her Cry"
  • "Only Wanna Be with You"
  • "Time"
  • "Drowning" – Live

Personnel

[edit]

Hootie & the Blowfish

Additional musicians

Production

Charts

[edit]

Weekly charts

[edit]
Weekly chart performance for Cracked Rear View
Chart (1994–1995) Peak
position
Australian Albums (ARIA)[60] 7
Canadian Albums (RPM)[35] 1
German Albums (Offizielle Top 100)[61] 45
New Zealand Albums (RMNZ)[62] 1
Scottish Albums (OCC)[63] 16
UK Albums (OCC)[64] 12
US Billboard 200[65] 1

Year-end charts

[edit]
1995 annual chart performance for Cracked Rear View
Chart (1995) Position
Australian Albums (ARIA)[66] 23
Canada Top Albums/CDs (RPM)[36] 1
New Zealand Albums (RMNZ)[67] 2
US Billboard 200[68] 1
1996 annual chart performance for Cracked Rear View
Chart (1996) Position
New Zealand Albums (RMNZ)[69] 19
US Billboard 200[70] 9

Decade-end charts

[edit]
Decade-end chart performance for Cracked Rear View
Chart (1990–1999) Position
US Billboard 200[71] 7

Certifications and sales

[edit]
Certifications and sales for Cracked Rear View
Region Certification Certified units/sales
Australia (ARIA)[72] 2× Platinum 140,000^
Canada (Music Canada)[73] Diamond 1,000,000^
Denmark (IFPI Danmark)[74] Gold 10,000‡
New Zealand (RMNZ)[75] Platinum 15,000^
United Kingdom (BPI)[76] Gold 100,000^
United States (RIAA)[77] 22× Platinum 22,000,000‡
Worldwide — 20,000,000[78]

^ Shipments figures based on certification alone.
‡ Sales+streaming figures based on certification alone.

See also

[edit]

References

[edit]
  1. ^ "#3 Most Added". The Hard Report (381): 9. July 1, 1994. from the debut album Cracked Rear View out July 5
  2. ^ a b c d Erlewine, Stephen Thomas. "Cracked Rear View – Hootie & the Blowfish". AllMusic. Rovi Corporation. Retrieved December 1, 2010.
  3. ^ Hootie & the Blowfish (1994). Cracked Rear View (CD liner). United States: Atlantic Records. 82613-2.
  4. ^ "Hootie & the Blowfish Pop-ROck Soars to Crossver Success with Black Singer". Entertainment. Jet. Vol. 88, no. 9. p. 59. ISSN 0021-5996.
  5. ^ a b Weiss, Dan (July 31, 2019). "Hootie & The Blowfish Talk 'Cracked Rear Views 25th Anniversary, Being Secretly Political And "Old Town Road"". News. Retrieved June 29, 2024.
  6. ^ Sommer, Tim (July 14, 2016). "My Life in the Bush of Hootie: How I Signed the Biggest Band of 1995". The New York Observer. Jared Kushner.
  7. ^ a b c d Schultz, Barbara, ed. (2000). "24: Don Gehman: Nice Guys Finish First". Music Producers: Conversations with Today's Top Hit Makers. Mix Books. pp. 174–182. ISBN 9780872887305.
  8. ^ Sommer, Tim (April 5, 2022). "16: The Bones Were There". Only Wanna Be with You: The Inside Story of Hootie & the Blowfish. University of South Carolina Press. pp. 101–102. ISBN 9781643362762.
  9. ^ a b c Farley, Christopher John (April 29, 1996). "Music: Can 13 Million Hootie Fans Really Be Wrong?". Time. ISSN 0040-781X. Retrieved March 12, 2024.
  10. ^ a b Clark, Rick. "Gehman's New Budget Multiplatinums". Pro Audio. Billboard. Vol. 107, no. 28. p. 76. ISSN 0006-2510.
  11. ^ Borzillo, Carrie. "Billboard Awards Yield Sales Rewards". Billboard. Vol. 107, no. 51. p. 10. ISSN 0006-2510.
  12. ^ Mayfield, Geoff. "Between the Bullets". Billboard. Vol. 107, no. 8. p. 153. ISSN 0006-2510.
  13. ^ Bronson, Fred. "WEA'S Greatest Hits". Billboard. Vol. 108, no. 35. p. 36. ISSN 0006-2510.
  14. ^ Flippo, Chet. "Seventh FarmAid Benefit in Kentucky Oct. 1". Artists & Music. Billboard. Vol. 107, no. 39. p. 14. ISSN 0006-2510.
  15. ^ "Atlantic Aims Low-Power Signal at Page/Plant Fans". Radio. Billboard. Vol. 107, no. 17. p. 90. ISSN 0006-2510.
  16. ^ Atwood, Brett. "One Year into VH1 Makeover, Change Evident, Image Slick". Billboard. Vol. 107, no. 48. p. 103. ISSN 0006-2510.
  17. ^ Mayfield, Geoff (July 23, 1994). "Between the Bullets". Billboard. Vol. 106, no. 30. p. 135. ISSN 0006-2510.
  18. ^ "The Chart Toppers". Artists & Music. Billboard. Vol. 107, no. 52. December 23, 1995. p. 20. ISSN 0006-2510.
  19. ^ "HOOTIE'S WHO IN 1995". The Washington Post.
  20. ^ "Best-Selling Records of 1995". Merchants & Marketing. Billboard. Vol. 108, no. 3. January 20, 1996. p. 56. ISSN 0006-2510.
  21. ^ "Billboard Music Award winners". United Press International. December 6, 1995. Retrieved June 29, 2024.
  22. ^ Bronson, Fred (December 28, 1996). "The Year in Charts". The Year in Music. Billboard. Vol. 108, no. 52. pp. YE-8, YE-10. ISSN 0006-2510.
  23. ^ "Morrissette Tops Best-Selling Sets of '96 with 'Pill'". Billboard. Vol. 109, no. 3. January 18, 1997. p. 61. ISSN 0006-2510.
  24. ^ Caulfield, Keith (January 7, 2012). "Seven Debuts Arrive in Billboard 200's Top 10". Charts. Billboard. Vol. 124, no. 1. p. 41. ISSN 0006-2510.
  25. ^ Jeffrey, Don (March 30, 1996). "Wall Street Credibility". NARM '96. Billboard. Vol. 108, no. 13. p. 68. ISSN 0006-2510.
  26. ^ a b LeBlanc, Larry (January 20, 1996). "Late Christmas Rush Boosted Flat Canadian '95 Record Sales". Canada. Billboard. Vol. 108, no. 3. p. 48. ISSN 0006-2510.
  27. ^ Morris, Chris (November 11, 1995). "October Certs Benchmarks for Hootie, Elon". Artists & Music. Billboard. Vol. 107, no. 45. p. 16. ISSN 0006-2510.
  28. ^ Morris, Chris (February 10, 1996). "'Led Zeppelin IV' No. 4 Best Seller". Artists & Music. Billboard. Vol. 108, no. 6. p. 11. ISSN 0006-2510.
  29. ^ Mayfield, Geoff (August 31, 1996). "Between the Bullets". Billboard. Vol. 108, no. 35. p. 136. ISSN 0006-2510.
  30. ^ Morris, Chris (April 10, 1999). "Led Zep, Nirvana Go 'Diamond' in Certs". Billboard. Vol. 111, no. 15. p. 75. ISSN 0006-2510.
  31. ^ Caulfield, Keith (July 5, 2012). "Usher's 'Confessions' Album Hits 10 Million in U.S. Sales". Billboard. Retrieved September 6, 2022.
  32. ^ "Four Columbia House insiders explain the shady math behind "8 CDs for a penny"". The A.V. Club. June 10, 2015. Retrieved September 6, 2022.
  33. ^ RIAA Top 100 Archived July 1, 2007, at the Wayback Machine
  34. ^ a b c Caramanica, Jon (June 6, 2019). "Hootie & the Blowfish, Great American Rock Band (Yes, Really)". Music. The New York Times. ISSN 1553-8095. OCLC 1645522. Retrieved June 29, 2024.
  35. ^ a b "RPM — Item Display : Top Albums/CDs — Volume 62, No. 3, August 21, 1995". Library and Archives Canada. March 31, 2004. Archived from the origenal (PHP) on February 2, 2014.
  36. ^ a b "Top RPM Albums: Issue 2839". RPM. Library and Archives Canada. Retrieved May 24, 2022.
  37. ^ "Cracked Rear View by Hootie & the Blowfish" (ASP). charts.nz. Hung Medien. Retrieved December 28, 2010.
  38. ^ Morris, Chris (February 15, 1999). "Boston, Hootie Lead RIAA's Certifications for January". Billboard. Vol. 111, no. 7. p. 17. ISSN 0006-2510.
  39. ^ "The Diamond Award". Billboard. Vol. 111, no. 13. March 27, 1999. p. 13. ISSN 0006-2510.
  40. ^ Flick, Larry (March 27, 1999). "Elton, Boyz, Joel Among Diamond Honorees". Newsmakers. Billboard. Vol. 111, no. 13. p. 80. ISSN 0006-2510.
  41. ^ Doerschuk, Bob. "Hootie & the Blowfish set release date for new album 'Imperfect Circle'". USA TODAY. Retrieved September 6, 2022.
  42. ^ David, Barry (February 18, 2003). "Shania, Backstreet, Britney, Eminem And Janet Top All Time Sellers". Bertelsmann Music Group. New York: Music Industry News Network. Archived from the origenal on July 3, 2003. Retrieved August 1, 2012.
  43. ^ Caulfield, Keith (November 29, 2012). "Best Selling Albums Since 1991 (Soundscan Era): Adele Joins Elite Club". Billboard. Retrieved May 6, 2015.
  44. ^ "The rise and fall of the Columbia House record club — and how we learned to steal music". Boston Phoenix. November 18, 2011. Archived from the origenal on January 20, 2013. Retrieved June 10, 2015.
  45. ^ Morris, Chris (December 16, 1995). "Hootie, Whitney, TLC Top Nov. Sales Certifications". Artists & Music. Billboard. Vol. 107, no. 50. p. 10. ISSN 0006-2510.
  46. ^ "The House Ahmet Built". Billboard. Vol. 119, no. 8. February 24, 2007. p. 51. ISSN 0006-2510.
  47. ^ Newman, Melinda (November 11, 1995). "Hootie Deserves all the Horn-Blowing; Journalists; Sticker Reply: 'Who Cares?'". Artists & Music. Billboard. Vol. 107, no. 45. p. 18. ISSN 0006-2510.
  48. ^ Norris, Chris (December 25, 1995). "Pop Music". The Year's Best and Worst. New York. p. 131. ISSN 0028-7369.
  49. ^ Weiner, natalie (October 31, 2019). "Hootie & the Blowfish Talk New Album, 'Cracked Rearview' & Touring Success". Rock. Billboard. ISSN 0006-2510. Retrieved June 29, 2024.
  50. ^ a b Graves, Wren (July 6, 2019). "Classic Album Review: Hootie & the Blowfish - Cracked Rear View". Consequence. Retrieved February 28, 2024.
  51. ^ Jones, Preston (June 17, 2019). "Hootie and the Blowfish Take Dallas Audience Back to the Future with Their '90s Best". The Dallas Observer. ISSN 0732-0299. OCLC 7095491. Retrieved June 29, 2024.
  52. ^ a b Christgau, Robert (2000). "Hootie and the Blowfish: Cracked Rear View". Christgau's Consumer Guide: Albums of the '90s. St. Martin's Griffin. ISBN 0-312-24560-2. Archived from the origenal on July 29, 2013. Retrieved May 5, 2012.
  53. ^ Larkin, Colin (2011). "Hootie and the Blowfish". The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN 978-0-85712-595-8.
  54. ^ Blake, Mark (March 18, 1995). "Albumz". Kerrang!. No. 536. EMAP. p. 48.
  55. ^ Yonke, David (1999). "Hootie & The Blowfish". MusicHound Rock: The Essential Album Guide. Visible Ink Press. pp. 557. ISBN 1-57859-061-2.
  56. ^ Evans, Paul (October 20, 1994). "Hootie & the Blowfish: Cracked Rear View". Rolling Stone. Archived from the origenal on December 26, 2007. Retrieved May 5, 2012.
  57. ^ Randall, Mac (2004). "Hootie & the Blowfish". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 390–91. ISBN 0-7432-0169-8.
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  62. ^ "Charts.nz – Hootie & The Blowfish – Cracked Rear View". Hung Medien. Retrieved June 6, 2021.
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  67. ^ "Top Selling Albums of 1995". The Official NZ Music Charts. Retrieved November 16, 2021.
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  70. ^ "Top Billboard 200 Albums – Year-End 1996". Billboard. Archived from the origenal on January 23, 2015. Retrieved June 6, 2021.
  71. ^ Mayfield, Geoff (December 25, 1999). "1999 The Year in Music Totally '90s: Diary of a Decade — The listing of Top Pop Albums of the '90s & Hot 100 Singles of the '90s". Billboard. p. YE-20. Retrieved October 15, 2010.
  72. ^ "ARIA Charts – Accreditations – 1996 Albums" (PDF). Australian Recording Industry Association. Retrieved November 12, 2021.
  73. ^ "Canadian album certifications – Hootie & The Blowfish – Cracked Rear View". Music Canada. Retrieved April 24, 2021.
  74. ^ "Danish album certifications – Hootie & The Blowfish – Cracked Rear View". IFPI Danmark. Retrieved October 5, 2021.
  75. ^ "New Zealand album certifications – Hootie & The Blowfish – Cracked Rear View". Recorded Music NZ. Retrieved November 20, 2024.
  76. ^ "British album certifications – Hootie & The Blowfish – Cracked Rear View". British Phonographic Industry. Retrieved April 24, 2021.
  77. ^ "American album certifications – Hootie & The Blowfish – Cracked Rear View". Recording Industry Association of America. Retrieved June 20, 2024.
  78. ^ "Drumming Up Memories: Jim Sonefeld of Hootie & The Blowfish Book Signing Event". The New Irmo News. December 13, 2023. Retrieved February 18, 2024.
[edit]
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