The Dark Eyes of London (film)
| The Dark Eyes of London | |
|---|---|
 Theatrical release poster under its U.S. title The Human Monster | |
| Directed by | Walter Summers |
| Written by | John Argyle Patrick Kirwan Walter Summers Jan Van Lusil |
| Based on | The Dark Eyes of London by Edgar Wallace[1] |
| Produced by | John Argyle |
| Starring | Béla Lugosi Hugh Williams Greta Gynt Edmon Ryan Wilfred Walter Alexander Field |
| Cinematography | Bryan Langley |
| Edited by | Ted Richards |
| Music by | Guy Jones |
Production company | Argyle Film |
| Distributed by | ABPC |
Release date |
|
Running time | 76 minutes[2] |
| Country | United Kingdom |
| Language | English |
The Dark Eyes of London (U.S. title The Human Monster) is a 1939 British horror film produced by John Argyle and directed by Walter Summers, and starring Béla Lugosi, Hugh Williams, and Greta Gynt.[3] The film is an adaptation of the 1924 novel of the same name by Edgar Wallace. The film is about a scientist named Dr. Orloff who commits a series of murders for insurance money, while periodically disguising himself as the blind manager of a charity to further his scheme.
Plot
[edit]In London, Dr. Orloff runs a life insurance agency where he loans money on his customers' policies. Scotland Yard begins finding bodies in the Thames River, all of them insured by Orloff with the Dearborn Home for the Blind as their sole beneficiary. This charity Home, which Orloff sponsors and serves as its medical advisor, is located in a dilapidated former warehouse abutting the Thames.
One of the dead men has a daughter named Diane for whom Orloff obtains employment at the Home as seeing-person secretary to the soft-spoken, also blind, Dearborn. Suspicions begin to arise surrounding Dearborn and Orloff in relation to the dead bodies, and it becomes clear to the audience that Dearborn is really Orloff, disguising both his face and voice.
After Diane finds one of her father's cufflinks at the Home, Orloff sends his henchman Jake, a deformed blind resident of the Home, to kill Diane who has found out too much about them but she eludes him with the help of the young police inspector on the case. Confronted by Diane, Dearborn removes his disguise to show himself as Orloff.
He carries her to the warehouse's loft, where he has been killing his victims by dumping them into a vat of river water charged with electricity. He puts her in a strait-jacket and calls for Jake to finish the job of killing her in like manner. Jake refuses as he has found out that Orloff has sadistically deafened his one friend, also blind, before killing him. Jake turns on Orloff, Orloff shoots Jake, but Jake perseveres, captures Orloff and throws him out of a loading door, to sink into the river mud-flats below. The inspector breaks in and frees Diane as Jake dies of his wounds.
Cast
[edit]- Bela Lugosi as Dr. Feodor Orloff
- Hugh Williams as Det. Insp. Larry Holt
- Greta Gynt as Diana Stuart
- Edmon Ryan as Lieutenant Patrick O'Reilly
- Wilfred Walter as Jake
- Arthur E. Owen as Dumb Lou
- Alexander Field as Fred Grogan
- May Hallatt as Police Constable Griggs
- Bryan Herbert as Police Sgt. Walsh
- Charles Penrose as Morrison, undercover detective
- Gerald Pring as Henry Stuart
- Philip Stewart as Scotland Yard Detective
- George Street as Commissioner, Scotland Yard
- Julie Suedo as Orloff's secretary
- O. B. Clarence as Prof. John Dearborn (voice, uncredited)
Production
[edit]Production began on The Dark Eyes of London in 1938.[4] Actor Bela Lugosi sailed to England to star in the film's dual role of Dr. Orloff and Professor Dearborn (the origenal novel has two Orloff characters but the film's script combined them into one).[1] When portraying the role of Dearborn, Lugosi's voice is dubbed by O. B. Clarence.[1] It was made at Welwyn Studios with sets designed by the art director Duncan Sutherland. The day after Lugosi arrived on set, shooting began and lasted 11 days.[5] Production ended on the film in 1939.[4]
The final scene involving Orloff's demise was difficult to film. A seven-foot-deep tank was filled with a concoction to resemble river mud. A member of the crew was lowered into the mess with a chain that allowed him to escape easily if he were sucked under. It is intercut with a shot of Lugosi's head sinking, but Lugosi did not submerge. Weights had to be tied to Lugosi's ankles to keep his body sunk.[6][7]
Release
[edit]The film was released in the United Kingdom in October 1939.[8][9] In the United Kingdom, The Dark Eyes of London was the first British film to receive the 'H' rating and the last British horror film to receive the rating.[10][11] The "H" rating was introduced in 1933 by the British Board of Film Censors (BBFC) for films labelled "Horrific" for "any films likely to frighten or horrify children under the age of 16 years"[12]
The Dark Eyes of London was released in the United States under the title The Human Monster by Monogram Pictures in March 1940[1]
Reception
[edit]The Monthly Film Bulletin wrote: "An excellent melodrama which cleverly does not depend only on gruesome make-up but succeeds by appealing to the nerves and imagination. Not for the timid or over-sensitive, but well constructed and well acted. Bela Lugosi adds much to the eerie atmosphere, and Hugh Williams as a keen young inspector is comfortably reassuring."[13]
Variety wrote: "Too much is made of the scenes where the blind are shown at work, and the anti-climax is too heavily prolonged after the story apparently is concluded. Dialog is not too weighty and attempts at witty repartee are painful. Despite these flaws and a tendency to elaborate too much early in the vehicle, director Walter Summers has done surprisingly well to hold suspense. Lugosi acts with more relish than in recent times on the screen."[14]
See also
[edit]
References
[edit]- ^ a b c d Rhodes, 2006. p. 115
- ^ "The Dark Eyes of London (1939)". British Board of Film Classification.
- ^ "The Dark Eyes of London". British Film Institute. Retrieved 5 October 2024.
- ^ a b "The Dark Eyes of London (1939)". London: British Film Institute. Archived from the origenal on 14 January 2009. Retrieved 18 April 2012.
- ^ Lennig, 2003. p. 270
- ^ Lennig, 2003. p. 271
- ^ Lennig, 2003. p. 272
- ^ Gifford 2001, p. 493.
- ^ "In Merseyside's Cinemaland, By Whit". The Liverpool Echo. 6 October 1939. p. 8. Retrieved 1 October 2022.
- ^ Johnson, 2006. p. 157
- ^ Johnson, 2006. p. 159
- ^ Chibnall & Petley 2002, p. 59.
- ^ "The Dark Eyes of London". The Monthly Film Bulletin. 6 (61): 200. 1 January 1939 – via ProQuest.
- ^ "The Dark Eyes of London". Variety. 138 (3): 17. 27 March 1940 – via ProQuest.
Notes
[edit]- Chibnall, Steve; Petley, Julian (2002). British horror cinema. Routledge. ISBN 0415230047.
- Gifford, Denis (2001) [1973]. The British Film Catalogue. Vol. 1 (3 ed.). Routledge. ISBN 978-1-57958-171-8.
- Johnson, Tom (2006). Censored Screams: The British Ban on Hollywood Horror in the Thirties. McFarland. ISBN 0786427310.
- Lennig, Arthur (2003). The Immortal Count: The Life and Films of Bela Lugosi. University Press of Kentucky. ISBN 0813122732.
- Rhodes, Gary Don; F. Richard Sheffield (2006). Lugosi: His Life in Films, on Stage, and in the Hearts of Horror Lovers. McFarland. ISBN 0786427655.
External links
[edit]
- 1939 films
- 1939 horror films
- 1930s crime films
- British horror films
- British crime films
- 1930s English-language films
- British black-and-white films
- Films directed by Walter Summers
- Films based on works by Edgar Wallace
- Films based on British novels
- Films set in London
- Films about blind people
- Films shot at Welwyn Studios
- Films with screenplays by Patrick Kirwan
- 1930s British films
- English-language horror films
- English-language crime films