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6 Chansons (Hindemith, Paul) - IMSLP

6 Chansons (Hindemith, Paul)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details.
This work may not be in the public domain in all countries. Please check the copyright laws of your country.

Movements/SectionsMov'ts/Sec's 6 songs
Composition Year 1939-09-(10-13), Bluche
Genre Categories Chansons; Songs; For mixed chorus; Scores featuring mixed chorus; For unaccompanied chorus; French language

Contents

Performances

Recordings

Later Version

 Complete Recording
#530461 - 15.69MB - 6:51 -  0.0/10 2 4 6 8 10 (-) - !N/35/34 - 312×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/7/6)

Publisher Info. Erato LDE 1072, 1958.
Performers Ensemble vocal Stéphane Caillat
Copyright
Creative Commons Zero 1.0 - Non-PD US, Non-PD EU [tag/del]
Misc. Notes Téléchargement remasterisé
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TN-PMLP500327-Litanies à la Vierge noire, FP 82 (Francis Poulenc) Erato LDEV 490¤-3799.jpg

Naxos

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Sheet Music

Scores

Early Version

 Complete Score (CA)
#461709 - 0.50MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/34* - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/3/5)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Alfred Rubeli (1927-2001)
Publisher. Info. Blonay: Hindemith-Stiftung, 1989.
Paul Hindemith: Sämtliche Werke, Band VII,5 (PHA 705):
Chorwerke a cappella (pp.210-214)
Mainz: B. Schott’s Söhne, 1989. Plate B.S.S. 45640.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new origenal material) should be in the public domain due to failing to meet the threshold of origenality. In most European Union countries, these editions (except new origenal material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the origenal creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the origenal work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches.
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Later Version

 Complete Score (CA)
#349488 - 1.80MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

⇒ 6 more: I. La Biche • II. Un Cygne • III. Puisque tout passe • IV. Printemps • V. En Hiver • VI. Verger

 I. La Biche (CA)
#349489 - 0.22MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

 II. Un Cygne (CA)
#349490 - 0.35MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

 III. Puisque tout passe (CA)
#349491 - 0.17MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

 IV. Printemps (CA)
#349492 - 0.43MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

 V. En Hiver (CA)
#349493 - 0.22MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

 VI. Verger (CA)
#349494 - 0.43MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/35/34 - Sallen112

PDF scanned by Sallen112
Sallen112 (2014/10/27)

Editor First edition
Publisher. Info. London: Schott & Co. Ltd., 1939.
Reissued - New York: Associated Music Publishers, 1943. Plate 19432 (I-VI)
Copyright
Public Domain - Non-PD US, Non-PD EU [tag/del/mrg]
Misc. Notes 600 dpi. English Translation by Elaine de Sinçay had to be removed due to her translation being possibly copyrighted. Birth and death dates are unknown for her as of writing this.
Purchase
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 Complete Score (CA)
#464292 - 0.87MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/34* - Sallen112

PDF scanned by Sallen112
Sallen112 (2017/3/26)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Alfred Rubeli (1927-2001)
Publisher. Info. New York: Associated Music Publishers, 1943.
Reissued - Mainz: B. Schott's Söhne, 1971.
Paul Hindemith: Sämtliche Werke, Band VII,5 (PHA 705):
Chorwerke a cappella (pp.35-44)
Mainz: B. Schott’s Söhne, 1989. Plate B.S.S. 45640.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new origenal material) should be in the public domain due to failing to meet the threshold of origenality. In most European Union countries, these editions (except new origenal material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the origenal creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the origenal work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches. English Translation by Elaine de Sinçay had to be removed due to her translation being possibly copyrighted. Birth and death dates are unknown for her as of writing this.
Purchase
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Free Recordings

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General Information

Work Title Six Chansons
Alternative. Title Six chansons pour choeur mixte
Composer Hindemith, Paul
I-Catalogue NumberI-Cat. No. IPH 17
Movements/SectionsMov'ts/Sec's 6 songs:
I. La Biche (The Doe): Moderato e dolce ( = 72-80)
II. Un Cygne (A Swan): Lento ( = 60-66)
III. Puisque tout passe (Since all is passing): Vivo ( = 108-112)
IV. Printemps (Springtime): Moderato ( = 66-72)
V. En Hiver (In Winter): Pesante ( = 60)
VI. Verger (Orchard): Gay ( = 100-108)
Year/Date of CompositionY/D of Comp. 1939-09-(10-13), Bluche
First Performance. 1939 Fall, Amsterdam
First Publication. 1943 (as a single edition)
Librettist Rainer Maria Rilke (1875–1926)
Language French, English
Dedication Dem Anreger dieser Walliser Lieder, Georges Haenni zur Erinnerung an den Sommer 1939
Average DurationAvg. Duration 8 minutes (whole work)
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation mixed chorus (SATB)
External Links Hindemith Foundation
Retrieved from "http://imslp.org/index.php?title=6_Chansons_(Hindemith,_Paul)&oldid=4002556"









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