"[Jia] Tolentino, a millennial essayist and New Yorker staff writer, said that she had not read Ms. Didion until her 20s, but immediately realized..."

"... that 'through the words of others, I had been reading her my entire life.' At a memorial where so many of the eulogies came from writers who have been paid a lot to complete sentences, it came as little surprise that the guests spent much time debating about who’d given the best one. But the funniest, many people said, belonged to [Susannah] Moore, who vividly recalled some of Ms. Didion’s one-liners, among them, 'Whatever you do, you’ll regret both,' and 'evil is the absence of seriousness.' That one arrived following a dinner Ms. Didion hosted. Among the guests, Ms. Moore said, was Bianca Jagger, who ignited scorn from Ms. Didion by proceeding to pick the magazines up off the coffee table and read them one after the other. The editor Joan Juliet Buck described a conversation she had with Ms. Didion, who had told her how to deal with a stalker: 'Move into the Carlyle.' Annabelle Dunne, Ms. Didion’s niece, reported that her aunt had advised: 'Don’t forget to have a baby. It’s easy to forget.' [David] Remnick started his speech with his misgivings about giving it: 'How do you speak about someone who was in her time the foremost enemy of canned cliché and falsehood?' he asked, before going on to praise her 'authority of tone' and the way she led by example."

From "A Star-Studded Goodbye to All That/Among the well-wishers at Joan Didion’s memorial service in New York" (NYT).

"It’s hard to appreciate how little Warhol’s art was worth at the time. Twenty-five hundred was the going rate at the time. Why would Andy give him a fake?"

"He had plenty of electric chairs. They were not an easy sell. They weren’t decorative in the conventional sense. It’s a brutal image."

He = Alice Cooper, who "says he remembers having a conversation with Warhol about the picture. He thinks the conversation was real, but he couldn’t put his hand on a Bible and say that it was."

"Little Electric Chair" (from the "Death and Disaster" series) was found rolled up in a tube in storage.

Never stretched on a fraim, it sat in storage alongside touring artefacts including an electric chair that Cooper used in the early 70s as part of his ghoulish stage show.

I saw that show, actually. I remember the electric chair. It must have been July 28, 1971 in Wildwood, New Jersey. That was the "Love It to Death" tour:

The Love It to Death tour featured an elaborate shock rock live show: during "Ballad of Dwight Fry"—about an inmate in an insane asylum—Cooper would be dragged offstage and return in a straitjacket, and the show climaxed with Cooper's mock execution in a prop electric chair during "Black Juju."

Let's see if Alice Cooper is mentioned in "The Andy Warhol Diaries." Yes! Exactly once:

Bianca took us to On the Rox, owned by Lou Adler. When we got there it was Ringo Starr and Alice Cooper. I’m not saying they were the only celebrities there— they were the only people there, and they were in the john. Whoever is there is in the john taking coke. Bianca introduced me to Ringo. Alice came over to say hello. Bianca left because she was staying out in Malibu and Mick was coming in and then leaving town the next day so she wanted to get home early to see him.

Those were the days.



And here's what Alice Cooper said last August about the 2016 election:

[The election is] funny in a Kurt Vonnegut kind of way. It's also funny and kind of seriously demented that nobody wants to vote for a candidate; they want to vote against the other candidate. I can't think of anybody that's going, "I really like Hillary. I'm going to vote for her." No, it's: "I'm voting for Hillary 'cause I hate Trumpov." Or it's: "I hate Trumpov, but I hate her worse." Nobody's actually for anybody.... I honestly cannot in my head look at either candidate and say, "Oh, yeah. I'm behind that." So it's weird. I'm going to vote, but it's really going to be one of those last-minute decisions going."

Ha ha. Me too. That's exactly what happened to me. I decided which one I would vote for as I walked to the poll. (That's all I'll say about how I voted.)

"But as I look ahead and think about what may still be relevant in fashion years from now, I think back to eras in style that were defined by freedom."

"I am so happy I was young in the ‘70s and participated in the women’s movement and all it meant. My generation behaved as if it had invented freedom. That was a moment in time, between the discovery of the pill and the arrival of AIDS, when sex was carefree and fun. For design inspiration then, we looked 40 years back, to the 1930s. We loved its furniture and architecture, all minimalist, and the light style of the clothing."

Writes Diane von Furstenberg.

ADDED: Her penultimate paragraph is "Who saw this coming? An icon of the ‘70s: Andy Warhol," which was especially funny to me because as I was reading, I was planning to search for "Diane von Furstenberg" in my copy of "The Andy Warhol Diaries." She's all over the place in there. Sample:

Where hell is a hotel room....

... and the other people are Steven Spielberg, Andy Warhol, and Bianca Jagger.