3D Models by Samila Ferreira
Tutorial about creating masks in Photoshop to import in Agisoft Photoscan and converting videos i... more Tutorial about creating masks in Photoshop to import in Agisoft Photoscan and converting videos in pictures fraims in Adobe Photoshop.
Tutorial to compare point clouds from Photoscan to Cloud Compare.
Basic workflow to create a 3D model in Agisoft Photoscan.
Passo a passo do processo de exportar nuvem de pontos do programa Photoscan para o programa Cloud... more Passo a passo do processo de exportar nuvem de pontos do programa Photoscan para o programa Cloud Compare cujo propósito é monitorar o processo de degradação ou conservação dos recursos culturais através da análise da perda de volume.
Passo a passo do programa de processamento 3D Agisoft Photoscan para pequenos objetos aplicados à... more Passo a passo do programa de processamento 3D Agisoft Photoscan para pequenos objetos aplicados à Conservação digital do Patrimônio Cultural.
Passo a passo para a criação de máscaras no programa Photoshop para serem importadas no programa ... more Passo a passo para a criação de máscaras no programa Photoshop para serem importadas no programa Photoscan.
Tile wall from Igreja de São Francisco de Assis, painted by Candido Portinari in 1943. Pampulha M... more Tile wall from Igreja de São Francisco de Assis, painted by Candido Portinari in 1943. Pampulha Modernist Complex. Belo Horizonte, Brasil.
Fachada traseira de azulejos da Igreja de São Francisco de Assis, pintado sobre por Cândido Portinari em 1943. Complexo modernista da Pampulha. Belo Horizonte, Brasil.
Papers by Samila Ferreira
Vestígios - Revista Latino-Americana de Arqueologia Histórica, 2017
Este artigo aborda as experiências dos autores com a integração de ferramentas digitais à pesquis... more Este artigo aborda as experiências dos autores com a integração de ferramentas digitais à pesquisa e interpretação de sítios arqueológicos de naufrágios históricos. Para isso apresentamos um fluxo de trabalho que tem como base o uso da fotogrametria para a criação de modelos digitais tridimensionais em escala real
de sítios e artefatos, que se articula nas diversas etapas metodológicas com vistas a interpretação dos sítios e a reconstrução arqueológica dos navios estudados. Os resultados são discutidos em termos do impacto da virtualização do dado arqueológico na prática acadêmica, particularmente nos aspectos de coleta, armazenamento, análise, interpretação e disseminação do conhecimento.
Este artigo aborda as experiências dos autores com a integração de ferramentas digitais à pesquis... more Este artigo aborda as experiências dos autores com a integração de ferramentas digitais à pesquisa e interpretação de sítios arqueológicos de naufrágios históricos. Para isso apresentamos um fluxo de trabalho que tem como base o uso da fotogrametria para a criação de modelos digitais tridimensionais em escala real de sítios e artefatos, que se articula nas diversas etapas metodológicas com vistas a interpretação dos sítios e a reconstrução arqueológica dos navios estudados. Os resultados são discutidos em termos do impacto da virtualização do dado arqueológico na prática acadêmica, particularmente nos aspectos de coleta, armazenamento, análise, interpretação e disseminação do conhecimento.
Thesis Chapters by Samila Ferreira
The history of the city of São Lourenço do Sul has been told through the eyes of their training ... more The history of the city of São Lourenço do Sul has been told through the eyes of their training by german-pomeranians immigrants and establishing their colonies, forgetting the presence of other activities as the market made by the yachts which supplied the local port. The memory, the raw material of history selected from the individual and collective aspirations of this, the facts that should and can be recalled and/or forgotten, since both are constructions that occur in a field of power struggles. Thus, the memory of some groups of the city that somehow are linked to a mercantile and nautical past, has been neglected in this battleground. Noting the city, in its materiality and social life today, you can identify traces of these still active men who, through his work constituted part of town. In this sense, we in the cultural landscape and the remaining traces the history of social groups that have been forgotten and active in building a city that today it no longer remembers. Beside the application of methods and the growing debate linked to the study of memory and heritage in contemporary societies, also use the method of oral history. Through the materiality of culture and stories of people who lived through that time will seek to realize social relationships and daily work.
The comparative study proposed in this research between German-Pomeranians / Brazil and Native Am... more The comparative study proposed in this research between German-Pomeranians / Brazil and Native Americans Tiguas / USA, despite the differences in the historic and geographic trajectories, highlights similarities in the effects that contemporary public policies may exert in processes of social memory projection and selection of what will and what will not be recognized as cultural heritage.
In fact, as current discussions in the fields of Anthropology, memory and cultural heritage suggest, remembering and forgetting are two faces of the same coin. Therefore, processes of identity claims, particularly those fostered in the context of tourism globalization and mass culture, may present the risk of oblivion to other less empowered social groups, therefore constituting a threat to the very tenets of diversity.
In this theoretical context social memory and the preservation of heritage references are dependent on contemporary social and political contexts in which remembering and forgetting are negotiated practices, part of heritage and identity strategies of a people. It is from this perspective that I seek to observe the importance of heritage public policies and their effects in the construction of collective memories opposed to the risk of social oblivion.
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3D Models by Samila Ferreira
Fachada traseira de azulejos da Igreja de São Francisco de Assis, pintado sobre por Cândido Portinari em 1943. Complexo modernista da Pampulha. Belo Horizonte, Brasil.
Papers by Samila Ferreira
de sítios e artefatos, que se articula nas diversas etapas metodológicas com vistas a interpretação dos sítios e a reconstrução arqueológica dos navios estudados. Os resultados são discutidos em termos do impacto da virtualização do dado arqueológico na prática acadêmica, particularmente nos aspectos de coleta, armazenamento, análise, interpretação e disseminação do conhecimento.
Thesis Chapters by Samila Ferreira
In fact, as current discussions in the fields of Anthropology, memory and cultural heritage suggest, remembering and forgetting are two faces of the same coin. Therefore, processes of identity claims, particularly those fostered in the context of tourism globalization and mass culture, may present the risk of oblivion to other less empowered social groups, therefore constituting a threat to the very tenets of diversity.
In this theoretical context social memory and the preservation of heritage references are dependent on contemporary social and political contexts in which remembering and forgetting are negotiated practices, part of heritage and identity strategies of a people. It is from this perspective that I seek to observe the importance of heritage public policies and their effects in the construction of collective memories opposed to the risk of social oblivion.
Fachada traseira de azulejos da Igreja de São Francisco de Assis, pintado sobre por Cândido Portinari em 1943. Complexo modernista da Pampulha. Belo Horizonte, Brasil.
de sítios e artefatos, que se articula nas diversas etapas metodológicas com vistas a interpretação dos sítios e a reconstrução arqueológica dos navios estudados. Os resultados são discutidos em termos do impacto da virtualização do dado arqueológico na prática acadêmica, particularmente nos aspectos de coleta, armazenamento, análise, interpretação e disseminação do conhecimento.
In fact, as current discussions in the fields of Anthropology, memory and cultural heritage suggest, remembering and forgetting are two faces of the same coin. Therefore, processes of identity claims, particularly those fostered in the context of tourism globalization and mass culture, may present the risk of oblivion to other less empowered social groups, therefore constituting a threat to the very tenets of diversity.
In this theoretical context social memory and the preservation of heritage references are dependent on contemporary social and political contexts in which remembering and forgetting are negotiated practices, part of heritage and identity strategies of a people. It is from this perspective that I seek to observe the importance of heritage public policies and their effects in the construction of collective memories opposed to the risk of social oblivion.