Papers by Morten Søndergaard
Leonardo electronic almanac, 2012
This paper is based on a research project-in-progress investigating curatorial practice as method... more This paper is based on a research project-in-progress investigating curatorial practice as methodology for creating responsive interfaces to sound art practices. Sound art is a transdisciplinary practice. As such, it creates new domains that may be used for redesign-purposes. Not only do experiences of sound alter; the way we listen to sound is transforming as well. Thus, the paper analyses and discusses two responsive sound interfaces and claim that curating as a transdisciplinary practice may frame what is termed in the paper as a domain-game redesigning the way the audience listens to and uses sound.
Audio Mostly Conference, Oct 7, 2015
Leonardo electronic almanac, 2017
Leonardo Music Journal, Dec 1, 2020
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Papers by Morten Søndergaard
Offering an in-depth exploration of art’s contingent evolution with technology and digital culture, this book goes far beyond familiar depictions of ‘Nordic aesthetics’ in art. It explores art’s role and inquiries in response to changing sociopolitical realities in the welfare state and in the wider world. First-hand perspectives of pioneering and pivotal artists form the basis of chapters penned by leading scholars and curators of Nordic art. Digital Dynamics in Nordic Contemporary Art recasts the Nordic art context in an expanding digital condition and reveals horizontal ways to write its histories.
Chapters by Tanya Toft Ag, Jamie Allen, Laura Beloff, Budhaditya Chattopadhyay, Jonatan Habib Engqvist, Bernhard Garnicnig, Elizabeth Jochum, Ulla Angkjær Jørgensen, Jens Tang Kristensen, Mads Dejbjerg Lind, Björn Norberg, Margrét Elísabet Ólafsdóttir, Jøran Rudi, Lorella Scacco, Morten Søndergaard, Mette-Marie Zacher Sørensen, and Stahl Stenslie.
Artist testimonials by Katja Aglert, Matti Aikio, Hrund Atladóttir, AUJIK (Stefan Larsson), Laura Beloff, Bombina Bombast (Emma Bexell and Stefan Stanisic), Niels Bonde, Jesper Carlsen, A K Dolven, Tor Jørgen van Eijk, Aberto Frigo, Søren Thilo, Funder, HC Gilje, Goto80 (Anders Carlsson), Marie Munk Hartwig, Bjørn Erik Haugen, Ilpo Heikkinen, Marianne Heske, Hanna Husberg, IC-98 (Patrik Söderlund and Visa Suonpää), Illutron (Nicolas Padfield and Mads Høbye), Marie Kølbæk Iversen, Ewa Jacobsson, Mogens Jacobsen, Johan Knattrup Jensen, Vibeke Jensen, Lisa Jevbratt, Erik Johansson, Arijana Kajfes, Tove Kjellmark, Kollision, Jette Gejl Kristensen, Kristina Kvalvik, Marita Liulia, Lundahl & Seitl (Christer Lundahl & Martina Seitl), Anastasios Logothetis, Dark Matters, Mia Makela, Teemu Mäki, Elisabeth Molin, Tone Myskja, N55, Nuleinn (Rine Rodin & Magga Ploder), Marjatta Oja, Erik Parr, Andrew Gryf Paterson, Pink Twins (Juha Vehviläinen & Vesa Vehviläinen), Tuomo Rainio, Juan Duarte Regino, Jacob Remin, Stian Remvik, Carl-Johan Rosén, Petri Ruikka, Anne Katrine Senstad, Joonas Siren, Mats Jørgen Sivertsen, Jacek Smolicki, Lisa Strömbeck, Egill Sæbjörnsson, Tina Tarpgaard (recoil performance group), Hanne Lise Thomsen, Björk Viggósdóttir, Magnus Wassborg, Jana Winderen, Kristoffer Ørum.
Tanya Toft Ag (editor) is a curator and scholar specializing in media and digital art and its urban implications.
Published by Intellect 2019, distributed by Chicago University Press and John Wiley & Sons.
ISBN 9781783209484
Cover image: Jana Winderen, Jana Winderen (2014). Krísuvik, Iceland. Photo by Finnbogi Pétursson. Courtesy of the artist.
— Professor Jussi Parikka, Winchester School of Art, University of Southampton; author of Insect Media and What is Media Archaeology?
Editors: Nick Axel, Helena Barranha, Pedro Gadanho, Nikolaus Hirsch and Anton Vidokle Contributors: Fabrizio Ballabio & Tommaso Franzolini, Salvatore Iaconesi & Oriana Persico, Nashin Mahtani, Marisa Olson, Hani Rashid and Morten Søndergaard.