Many of us got excited about technology because of the web, and are discovering, latterly, that it was always the web itself — rather than technology as a whole — that we were excited about. The web is a movement: more than a set of protocols, languages, and software, it was always about bringing about a social and cultural shift that removed traditional gatekeepers to publishing and being heard.
This is a great idea that I’m going to file away for later:
I like the idea of redirecting
/nowto the latest post tagged asnowso one could see the latest version of what I’m doing now.
The same small dataset visualised in a hundred different ways, with notes on the strengths and weaknesses of each one.
Paul has been doing so much fantastic work with the indie web community, not least of which is co-organising Indie Web Camp Brighton—just ten days away now!
The return of RSS and POSSE points to a revival of the personal website ecosystem that thrived in the early blog era. Writers, researchers, technologists and more are relaunching their independent homepages, complete with feeds, as both a public notebook and a channel for sharing insights. The personal website is the ultimate sovereign territory online, enabling creators to share content on their own terms.
I feel like Joan Westenberg has come up with the perfect tag line for personal websites (emphasis mine):
By passing high-quality, human-centric content through their own lens of discernment before syndicating it to social networks, these curators create islands of sanity amidst oceans of machine-generated content of questionable provenance.
Remy has turned his linkrot-battling technique into a service that you can use. He has more details on his blog.
I really, really like the progressive enhancement approach that Remy is taking here with outbound links:
When a real user clicks on a link, it’s swapped out to be redirected through my own endpoint that checks if the URL is still OK, and if so permanently redirects the visitor, otherwise my endpoint checks the Web Archive for the URL and permanently redirects to that instead.
I think I’m going to do the same! I’d have to rewrite the server-side code in PHP, but that shouldn’t be too tricky.
This could a project for the next Indie Web Camp I attend.
In some ways, the fervor around AI is reminiscent of blockchain hype, which has steadily cooled since its 2021 peak. In almost all cases, blockchain technology serves no purpose but to make software slower, more difficult to fix, and a bigger target for scammers. AI isn’t nearly as frivolous—it has several novel use cases—but many are rightly wary of the resemblance. And there are concerns to be had; AI bears the deceptive appearance of a free lunch and, predictably, has non-obvious downsides that some founders and VCs will insist on learning the hard way.
This is a good level-headed overview of how generative language model tools work.
If something can be reduced to patterns, however elaborate they may be, AI can probably mimic it. That’s what AI does. That’s the whole story.
There’s very practical advice on deciding where and when these tools make sense:
The sweet spot for AI is a context where its choices are limited, transparent, and safe. We should be giving it an API, not an output box.
Writing, both code and prose, for me, is both an end product and an end in itself. I don’t want to automate away the things that give me joy.
And that is something that I’m more and more aware of as I get older – sources of joy. It’s good to diversify them, to keep track of them, because it’s way too easy to run out. Or to end up with just one, and then lose it.
The thing about luddites is that they make good punchlines, but they were all people.
A handy round-up of recent wrtings on artificial insemination.
So then the question becomes: how do you most effectively communicate designs, to facilitate the best discussions about those designs? My answer is: lots of little prototypes built with HTML, CSS, and JavaScript.
It doesn’t bother me much that bleeding-edge ML technology sometimes gets things wrong. It bothers me a lot when it gives no warnings, cites no sources, and provides no confidence interval.
Yes! Like I said:
Expose the wires. Show the workings-out.
Manufactured inevitability a.k.a bullshit:
There’s a standard trope that tech evangelists deploy when they talk about the latest fad. It goes something like this:
- Technology XYZ is arriving. It will be incredible for everyone. It is basically inevitable.
- The only thing that can stop it is regulators and/or incumbent industries. If they are so foolish as to stand in its way, then we won’t be rewarded with the glorious future that I am promising.
We can think of this rhetorical move as a Reverse Scooby-Doo. It’s as though Silicon Valley has assumed the role of a Scooby-Doo villain — but decided in this case that he’s actually the hero. (“We would’ve gotten away with it, too, if it wasn’t for those meddling regulators!”)
The critical point is that their faith in the promise of the technology is balanced against a revulsion towards existing institutions. (The future is bright! Unless they make it dim.) If the future doesn’t turn out as predicted, those meddlers are to blame. It builds a safety valve into their model of the future, rendering all predictions unfalsifiable.
This game is hard:
Sayable Space is a television game for 1 or more people, it consists of saying “Space” out loud at the same time as Jean-Luc Picard (Patrick Stewart) during the intro to Star Trek: The Next Generation. Or actually that’s just half of the game. The second half is saying “Space”, and the first half is remembering that you are playing this game.
A profile of the life and work of the brilliant Octavia E. Butler.
Doug casts an eye back on the Wired redesign he worked on 20 years ago. It’s hard to overstate the impact this had on the adoption of web standards.
We’ve come a long way:
We’ve come so far since this redesign in 2002. We no longer trip ourselves up trying to fit everything above an imaginable fold. Designs respond to various screen sizes. Text is comfortably larger and screens display at a much higher resolution. We tend to give everything more breathing room.
We often talk about technical debt — the costs we’ll need to pay in the future when we make short-term compromises. Progressive enhancement is the opposite of that — a sort of technical credit that will make things easier for us in the future.
A good explanation of how progressive enhancement works perfectly with the idea of a minimal viable product:
We focus first on a core experience that delivers what your users are looking for, and then we start adding enhancements that will delight them.
I want to posit that, in a time of great uncertainty—in an era of climate change and declining freedom, of attrition and layoffs and burnout, of a still-unfolding rearrangement of our relationship to work—we would do well to build more space for practicing the future. Not merely anticipating it or fearing it or feeding our anxiety over the possibilities—but for building the skill and strength and habits to nurture the future we need. We can’t control what comes next, of course. But we can nudge, we can push, we can guide and shape, we can have an impact. We can move closer to the future we want to live in, no matter how far away it seems to be.
Here’s the video of the talk I gave in front of an enormous audience at the We Are Developers conference …using a backup slidedeck.
I think, with the sheer volume of functionality available to us nowadays on the front-end, it can be easy to forget how powerful and strong the functionality is that we get right off shelf with HTML. Yes, you read that right, functionality.