Caroline Arscott

The Courtauld Institute of Art, History of Art, Department Member

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Judith L Green

University of California, Santa Barbara

E. Wayne Ross

University of British Columbia

Don Ross

University College Cork

Alejandra B Osorio

Wellesley College

Steffen Boehm

University of Exeter

Armando Marques-Guedes

UNL - New University of Lisbon

Giulia Sissa

Ucla

Florin Curta

University of Florida

Olga Palagia

National & Kapodistrian University of Athens

Christiane Gruber

University of Michigan

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Papers by Caroline Arscott

‘Morris Carpets’, *RIHA Journal* 0089, Special Issue *When Art History Meets Design History* (27 March 2014 2014), free to download at http://www.riha-journal.org/articles/2014/2014-jan-mar/special-issue-art-design-history/arscott-morris-carpets

‘William Morris, Ornament and the Coordinates of the Body’, in Warren Carter, Barnaby Haran and Frederic J. Schwartz (eds), *ReNew Marxist Art History*, Art/Books, London 2014, pp. 246-56.

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'Poynter and the Arty', in E. Prettejohn (ed.), After the Pre-Raphaelites: Art and Aestheticism in Victorian England, Manchester University Press, Manchester, 1999, pp. 135-51.

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William Morris's Tapestry: Metamorphosis and Prophecy in *The Woodpecker*', in *Art History* Special Issue: *The Clever Object*. Edited by Matthew C. Hunter and Francesco Lucchini Volume 36, Issue 3, June 2013, pp. 608–625.

Art History, 2013

'Venus as Dominatrix: nineteenth-century artists and their creations', in C. Arscott and K. Scott (eds), *Manifestations of Venus*, MUP 2000.

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, 'Victorian Representations of Childhood' in *Journal of Victorian Culture*, vol. 9, no. 1, spring 2004, pp. 96-107

Journal of Victorian Culture, 2004

contribution to cluster of articles ‘Roundtable: Victorian Children and Childhood’ alongside cont... more

Stenographic Notation: Whistler's Etchings of Venice

Oxford Art Journal, 2006

Convict labour: masking and interchangeability in Victorian prison scenes

Oxford Art Journal, 2000

Catalogues by Caroline Arscott

George Scharf and the Archaeology of the Modern

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'William Powell Frith's "The Railway Station": Classification and the Crowd

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William Morris ‘Ministering to the Swinish Luxuary of the Rich’

by David Mabb, Caroline Arscott, and Steve Edwards

Whitworth Gallery, Manchester, 2004

Catalogue for Whitworth Art Gallery exhibtion William Morris ‘Ministering to the Swinish Luxuary ... more Catalogue for Whitworth Art Gallery exhibtion William Morris ‘Ministering to the Swinish Luxuary of the Rich’ curated by David Mabb. Includes The Colonisation of Utopia by Steve Edwards; William Morris: 'Ministering to the Swinish Luxuary of the Rich' by David Mabb and Four Walls: Morris and Ornament by Caroline Arscott.
Reviewed by Dave Beech https://www.academia.edu/11050597/As_It_Might_Be

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